when regulus complains about ‘walking in on’ barty and evan, he’s not talking about discovering them fucking in their room (although that does happen a fair amount). he talking about the times he’s entered their dorm to see evan stood over his boyfriend with his fingers probing around in barty’s mouth, whilst the latter sits on his own hands on a wooden chair in order to stop himself from squirming. he’s talking about having to witness, on multiple occasions, barty lying down on the floor, shirtless and flushed whilst evan’s traces over the key parts of his anatomy with a permanent marker, explaining each label in a monotone voice as barty blushes more and more. he’s talking about being subjected to the sight of barty lying in an ice bath, shivering but grinning ear to ear as evan lazily flicks through a book on his bed as he waits for barty’s body temperature to drop low enough to resemble a corpse. the worst part about living with these two freaks is not their disturbing sex life, but their disturbing everyday life.
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It kind of just occurred to me how much the queer community is winning this summer. We had Nimona. We had Barbie (ace Barbie, Allan, just queer vibes all around). We had Good Omens season 2. We had Heartstopper season 2. We're getting High School Musical: The Musical: The Series season 4 and Red White and Royal Blue two days apart from each other. We even have The Witcher finally delivering with Jaskier (or at least it did in the first part, haven't watched part 2 yet).
I don't know where I was going with this. I'm just happy about it.
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Merlin is literally a single father working 4 jobs and nobody wants to talk about it. SMH.
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
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The worst part about the "mansplainer Gale truthers" is that it comes with a fundamental misunderstanding of what mansplaining is. To mansplain is to have a subconscious bias against women or queer people that makes a (cishet, white) man assume he knows better than someone else without evidence (or despite evidence to the contrary), and as such condescendingly over-explain common or industry-standard information to them. One of the formative essays on the topic, published in 'Men Explain Things To Me' by Rebecca Solnit, is about an anecdote wherein the author introduced herself as a writer to a man who then explained her own essay to her, while bulldozing any attempt by her and a female friend to reveal that she'd in fact written the book that he was pretending to be an expert on. The man listened to her introduce herself as a writer on a particular topic, and had so little respect for her intelligence that he thought he would explain the subject to someone that had just told him she was an expert, while he himself admitted to only ever reading the blurb of her book.
While Gale being condescending is to some degree a matter of interpretation, it is objectively true that he knows more than the player, regardless of class choice. He was an archmage and Mystra's chosen, if the player was anywhere near his level of expertise he would've known about them already, especially if they're a wizard (which is the only magic class that goes through formal educational institutions and could be expected to know the things he lore-dumps about). Beyond that, in most of his lore-dump scenes he is addressing the entire party, the only magic user of which (Shadowheart) is also an amnesiac. It's safe to say his assumption that he knows more about magic/magic history than the rest of you is both valid and accurate.
It isn't mainsplaining when literally one of the top 10 experts in a given field explains something to you, and misusing the term just invalidates people who actually experience and try to call out mansplaining. Mansplaining originated in an uneducated guy believing he had the right to explain a subject to a woman he knew to be an expert. Literally all Gale's done his entire life is study magic, let the man infodump.
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feeling faint every time i look at this moment specifically. it's just so tender so loving so gentle. phum says peem treats him like a kid but there's just something so high romance in this small gesture to me. it's peem saying 'you've been quiet and im not sure how to deal with this side of you im not familiar with but whatever it is im here for you and i will keep you safe' and im honestly insane about it
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