#but didnt post a lot lol

[verflares]

(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:

"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[actualonepiecetrash]

auck ever since this blog was riddled w weird negativity i havent been caught up within the fandom or the manga so rereading some and tryna catch up and . aughhhh luffy really went silly mode and fucked shit up ....

[ca-3]

I don't think I've posted these here, but P5 shitposts from my twt again lolol

[corvidcall]

None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

[kyufeed]

MATTHEW GRAY GUBLER AS CHIP TAYLOR ↳ 68 KILL (2017) (dir. TRENT HAAGA)

[drawnfamiliarfaces]

Ninjavember Days 20 - 24

[egoarc4de]

homecoming

[transformers-synergize]

transformers synergized sneak peak

page 13, no context

[mdzs-fanon-exposed]

MDZS Fanon VS Canon: 10/?

Wei Wuxian was called the Yiling Patriarch during the Sunshot Campaign

Rating: FANON – CONFLICTING

There is, understandably, a bit of confusion about when Wei Wuxian started to be known as the Yiling Patriarch. For convenience's sake, he's often called by this title throughout many fanwork depictions of the Sunshot Campaign, and/or the period in which he was coreless. This makes sense from an aesthetics perspective, as during this point in his life he was already adopting the persona associated with the Patriarch brand, but in canon, the title was only given to him after he liberated the Wen prisoners.

Put simply, it's not possible for Wei Wuxian to have been called the Yiling Patriarch during the Sunshot Campaign, because by definition the title must have been given to him once he was based out of Yiling – after he liberated the labor camps and set the Wen settlement up in the Burial Mounds. Although Wei Wuxian had been thrown into the Burial Mounds by Wen Chao, ostensibly drawing that connection before the Sunshot Campaign, nobody else (besides some of the Wens) knew at the time.

However, the title was not given to Wei Wuxian immediately after settling in the Burial Mounds. We can actually pinpoint the exact turning point when Wei Wuxian "became" the Yiling Patriarch:

After Wei Wuxian defected from the Jiang Clan of Yunmeng and became the Yiling Patriarch, he’d been in significant conflict with the Lan Clan of Gusu, especially in the months prior to his death. (Seven Seas Ch. 4)

Wei Wuxian was only known as the Yiling Patriarch after his split with Jiang Cheng and the Yumeng Jiang Sect. This means there was a period of time in between the formation of the Wen Settlement and Wei Wuxian's defection, in which Wei Wuxian was living in the Burial Mounds but was NOT yet publicly known as the "big bad evil cultivator" Yiling Patriarch.

We also know the first time the words "Yiling Patriarch" are mentioned chronologically:

None of the fierce corpses Wei Wuxian had ordered to patrol the foot of the mountain actively attacked anyone—the most they did was hurl them away with teeth bared in a snarl. No one was ever hurt. And so, more and more people crowded at the foot of the Burial Mounds. Wei Wuxian once saw a long pennant in the distance, emblazoned with the title “The Supreme Evil Yiling Patriarch,” and spat out an entire mouthful of fruit wine at the sight. (Seven Seas Ch. 17)

This implies that the title of "Yiling Patriarch" was formulated not by anyone in the cultivation world who saw Wei Wuxian as a threat, but by the common people who idolized him. The title could have then spread to members of cultivation sects, who adopted the common name.

In fact, the next time we see a reference to the title is when the Jiang siblings secretly meet with Wei Wuxian and Wen Ning, and Jiang Cheng uses it to tease Wei Wuxian:

“Wei Wuxian and Jiang Cheng were still standing inside the courtyard. Jiang Cheng raised his bowl. “To the Yiling Patriarch.” “Hearing the title reminded Wei Wuxian of that long pennant fluttering shamelessly in the wind, and his mind was filled with its huge dazzling words: “The Supreme Evil Yiling Patriarch.” “Shut up!” he said.” ... He finished the rest of his soup in a single mouthful and stood. “Impressive. Amazing. As expected of the Yiling Patriarch.” Wei Wuxian spat out a piece of bone. “Are you done?” (Seven Seas Ch. 17)

Meaning while the title spread incredibly fast, it was not taken seriously (by Wei Wuxian, at least) for at least a short period of time while the rumors surrounding Wei Wuxian were building up. Notably, Wei Wuxian does not associate himself with the title.

My interpretation of why this happened is that during the period that Wei Wuxian was still part of the Jiang Clan, his actions were seen as representative of – or at least the responsibility of – the Jiangs. Regardless of whether the cultivation world knew he was working alone, as it were, he was still beholden to a sect who had power over him. Wei Wuxian would not have been seen as a "patriarch" in his own right.

After the defection, however, Wei Wuxian was an unknown in terms of affiliation, and thus a potential threat. With the rumors about him already beginning to paint him as evil and unstable, combined with the fact that he was going on public night hunts with Wen Ning, he quickly became notorious:

After stealing the show at several Night Hunts, quite a few people came knocking, drawn by admiration of his reputation and in hopes of joining the “Grandmaster” to become disciples under his banner. (Seven Seas Ch. 17)

Thus, the title of "Yiling Patriarch" would have only been popularized once it was assumed that Wei Wuxian wanted to start his own sect. This would have only exacerbated the hypothetical threat that Wei Wuxian was to the cultivation world as well, and contributed to his mythologizing as a quintessential sort of boogieman. This is actually an excellent example of a major theme in MDZS, of how quickly rumors can cause severe harm.

In the end, regardless of how or by whom the title was created, Wei Wuxian was only (unwillingly) given the title of Yiling Patriarch after he defected from the Jiangs.

[zevranunderstander]

number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)

[iceycloversart]

based on this post by @mortalkcmbat

[ca-3]

Persona 5 girly stuff from my Twitter that I don't think I've posted here at all...

[paradimeart]

redid this pic entirely 4 my own peace of mind

[dawnofiight]

While on this break I redrew my Dear.. so

I may delete this I may not. Whooooo knows.

Taglist: (i contemplated doing this)

@achios

@ashertickler

@astrodude-87

@aurorialwolf

@dukecollinsbf

@idontdomathlol

@indigo-greer-collins

@infinitelovewiithoutfulfilmentt

@moronkyne

@pandoraroid

@plaqying

@porters-fangs

@professionallyyappinabtangst

@puffin-smoke

@sereh624

@skunkox

@starlogician

@sunsickcrab

@themeridian

@tunacatfishes

@vind3miat0r

@www-dot-why-are-you-here-dot-com

@zimix-whispers

[sea-buns]

wow... what a season. it feels weird to say that this little 6-episode side quest, in all of the 19 seasons of d20, is one of my favorites they've ever done but it just is. it had all the stakes and humor and drama that you could possibly want, all balanced with an incredible cast of players. the table chemistry was excellent, the characters were so perfectly themselves, the TROPES were OFF THE CHARTS!

i can't quite remember the last time i finished something and ached so sharply for there to be more. i just know I'm gonna be thinking about this one for a long time