Okay, but what do ✨YOU✨ think JGY would think about LXC’s flute solo trait? 🤣
I'm experiencing deja vu, anon, because I feel like I have for sure answered an ask about this once before!! but I can't find it, woe etc.
anyway, jgy will patiently sit through as many flute solos as his er-ge feels compelled to perform, both because it is always a joy and a delight for him to listen to lxc play, and also because it's not like anyone else in lxc's life is granting him the space to express his feelings in whatever way makes him feel the most at ease!
like in all seriousness, lxc spends so much of his time and energy across all adaptations of the canon taking care of everyone else around him, and there is exactly one person in his life who makes space to provide him with support (emotional and material), both before and after he actually has the power to do so.
jgy's love language in the text consistently manifests through gift-giving (e.g., fairy for jin ling, all the presents he gives to huaisang which are tailored specifically to his interests) and acts of service (e.g., protecting and sheltering lan xichen during the war, using his newly acquired influence to secure the funds to rebuild the cloud recesses, as well as [iirc] preventing lwj from facing too much political blowback after wwx's death; literally dropping everything in the middle of hosting a banquet to help huaisang with yet another problem, etc).
so basically, imo, if what lxc needs every so often is to exorcise his own emotional demons through impromptu flute solos, there is no one in his life better equipped to understand why than jgy.
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formerly an essay in tags but - billie lurk. half-nameless, misremembered woman. her powers derived from the things taken from her, without any catharsis or empowerment. the rat charm, tied with deidre's hair, her lover's voice in the mouth of rats. her arm and eye, taken, given back only to cause her chronic pain, then lost again. foresight seems a cruel gift for a woman who botched the timing of her takeover of the whalers, and bet wrong when it came to delilah.
she never bore the outsider's blessing; his first visit to her was more like an assault. every other dishonored POV character gets the choice to be selfish, and for that selfishness to mean something, but billie's actions have no effect on the world at large, either, in a game without a chaos system.
some say that corvo is the ghost, but he can reach out and change things. billie's buried herself twice and come back and nothing she does seems to matter - she is less a protagonist, more a convenient full stop in the narrative.
try this: open doto, start a new game. sit in her cabin. notice how little of billie there is. even the woman she loved more than anyone has the face of another named character.
she sits amongst the assets of other games: empty canvases and a dressmaker's mannequin that wears nothing.
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L analysis / theory-ish
in the year of our lord 2022 because things don't make the bittest of logic & I'm here to serve autism conversation meme aka INTJ-to-INTJ bluetooth connection, telling tumblr, once more, of Him. But fr yes here's another analysis of canon content hear me out
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Recently I've come across the Death Note Short Stories books and with it, these panels.
It seems odd how often L would state, just as bluntly: "I am justice", "L is justice", as if taking pride in some kind of double standard.
One could argue that this was his main goal during his early years (considering he might have felt somewhat high and mighty after preventing WW3), but that would mean L let go of the fact he initially wanted to use his intellect to benifit a larger good later on. Except... As recent as the beginning of the Death Note timeline, during the case of the LABB, a certain lightheartedness about his all-around approach was rather apparent, i.e. whenever he asked Misora if B "was cool", which anyhow quickly plummeted as his ideology came into question. It's inexplicitly stated that his motive for spending time on his work at all, especially on an extremely uncomfortable case as the one of a vengeful successor, or, you know, the ones involving crying survivors that reportedly haunt him daily, is following a code of "kindness", or perhaps even 'goodness' or 'justice'.
Was L forging the truth in the panels above to arise a response that would've been harder to get through full transparency? Giving the kids of Wammy's House a motif of casualness for what it means to step into L's footsteps is nothing but a making sure his successor is capable enough to have fun with it (be enough like him to use their anonymity in 'unfair', yet sufficient ways, enabling them to reach their goal with all the brattiness their smarts will grant them) and quelling the work towards a too high goal if they're not on board with doing well for themselves in face of The Burden (because, wouldn't you know, that was basically all this meeting was anyway. See end of this post for context).
I really thought it was odd for L to undermine the work he takes pride in.
In L Change The World (book one), L's literal dying duty is to save the world. It can't be ignored that it's s spin-off, but it can't be ignored that it'd be silly if the main goal of the book would be out of character. If it was his hobby, as he said, and his goals were selfish, he could've just set up in a comfy place somewhere, get his bearings, uncaring for the future of his successors (literally what he did care for in the panels shown above. This gathering is from the time he knew he might be killed by Kira soon) and watch the world crumble, but instead he went to, yes do what he loved, but fulfill a duty he felt he had. The unnecessary pain throughout the plot really can't be described as anything but passion and a sense of destiny. His ways aren't morally white, but they're well-meaning and genuine. Often arguably self-sacraficing.
It's more believable that L is splaying a facet he sees in his work & mentality. Being a detective is always bound to some sort of irony, to choose to call it 'righteous', and the measures necessary to reach a goal in such field. L recognizes this well and has no need to hide it, especially towards a room of potential proteges that will soon have to deal with that same irony by literally becoming him in the eye of the public. This actually arises the question if Near truly understands L's ways at this point. Short Stories could have served as Near's arc to understanding L's emotional side that, in the end, brought about his downfall and, for the lack of it, Near's victory. The announcement Near makes, addressing Cheap-Kira (which I adore btw) doesn't befit L at all. Yes, the new Kira has killed many (enough to warrant L's attention at the very least) and it's an honor thing for Near to go after them as L, but it's too experimental. It serves as a provocation and lure, but nothing deeply authentic. At this point the new Kira hadn't challanged L whatsoever, so the 'disinterest' thing just seems like Near shooting into the dark, less quiet & undercover than L really loved to go about things, mostly to evaluate how to go after certain cases in the first place & already semi solve them before even going public with it, at most prepping a provocation like this if something can't be clearly deduced by observing present events alone. (Read tags for fix-it-type criticism of this specifically)
Structure edit: 10.7.2023
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its been a billion years since I posted anything meaningful about mcga but I'm thinking about Alex helping Magnus with clothes.
I think Blitzen would love to help style Magnus, but I think he might accidentally end up being a bit overbearing, albeit with good intentions. He wants to help, but would probably end up tripping over his own fashion opinions more often than not, and Magnus would want to make his friend happy too much to actually voice his own opinions consistently. But Alex would understand that identity through fashion is something slow to be discovered on your own. It's not instant, it's a slow process of trying things and finding out what makes you feel good physically and emotionally. You can't pressure a person finding their own style, especially someone who's never had much room to do so and will likely feel guilty about making that room. She's gone through the process, and she'd probably be more than happy to help someone with it too.
I'm thinking about them going around to different stores and finding that Magnus likes second hand and low-end boutique stuff more than anything. Alex letting him onto her etsy account and buying his first piece of jewelry, taking him around to all of her favorite stores where she's greeted as a friend. Yeah, they could do all this in Valhalla, but where's the fun in that?
I think Magnus would like earth tones and dark, muted colors. He would avoid synthetic materials for their unnaturally soft textures and blue would make rare appearances. Alex would parade him around in his first pair of White Guy Khaki Shorts in five years, glowing with a silly sort of pride and Magnus feeling something kindle back to life in his chest at a growing collection or flannels, just like his mom. I'm imagining Magnus learning what it's like to live with his body, rather than despite it, and feel comfortable with himself in his surroundings for the first time since he was a little kid, taking a hike in the woods. And I'm thinking of Alex holding his hand the whole time.
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