I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.
You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?
Click on their name. And look at their profile.
I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.
"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.
"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.
Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.
Click my author name. Just click it. Just click it.
Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.
I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.
Click the author's name, and explore before you ask.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Just saw a 13 year old call themselves "worthless fuck meat" and claim that their body is only made for a man's pleasure. Jesus Christ.
I feel nauseous. I don't even know what to say anymore. And to see full grown adults (people in their FIFTIES) message this kid, are you fucking kidding me????
Do parents give two fucks about their kids safety?? I will never understand parents not downloading parental controls onto their kid's phone. If you don't, you're a lazy and irresponsible parent. These parents don't deserve to have kids. It's your job to take care of them and to protect them from predators, and you're doing absolutely fucking nothing about it.
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MHA didn't create some miracle way of helping others. It was never promised to be this way. And when it came to villains...
Spoilers for manga all the way to chapter 423.
The only way to get anything in life in MHA was to be born "normal" like everyone else and that way of thinking never left Izuku with Toga getting the same treatment she did before from everyone from her family to her "normal" classmates. It was Ochako who helped Toga even if just a little by lifting the weight of all the feelings that Toga had.
She couldn't save Toga the way one could save a civilian by saving them from harm. If it worked that way Dabi would've saved Toga even before Ochako could apologize for failing to notice Toga. She was so lazer focused on saving everyone else, that she was just another villain to stop, not a human.
Even if by the end of it Ochako helped Toga to deal with her grief, acceptance as it was wasn't something possible when a quirk makes you want to drink someone's blood from jealousy.
We got a bittersweet ending with Toga, in which she probably died from blood loss just like her double did in MVA. If it wasn't for Twice she would've died back then.
Giving away her blood for Ochako wasn't a redemption or a way to save Toga in the end, more as it was her being true to herself until the very end.
Just like Twice chose to stay with the League even if Hawks offered him a way to survive that battle. He refused and died protecting his friends who accepted him instead of choosing to betray them and accept Hawks' offer.
After Twice's death... It was a matter of time that more 'active' LoV members would join him as well. As sad as it is, we now can return to Izuku.
Who, after his time OFA-AFO quirk space, now wanted to help a "crying boy" he saw in Tenko just as before with Katsuki in chapter 1. He didn't forgive Tomura and didn't excuse the way he chose to solve his problems.
It didn't mean that Tomura would survive in their battle, even if Izuku didn't see killing others as a way to solve problems. He didn't understand Tomura, but he still wanted to try, and try he did.
The rest of this post was nothing more than a contextual prologue to understand that it's not the first time a hero failed to save a villain and in Twice's case we know that he died and his death was the reason Toga started thinking about her own possible death and Dabi finally revealed himself as Toya.
The goal of saving a "crying boy" never was an end-goal for Izuku in the Final arc, since helping Tomura deal with his feelings just left him hollow with a goal that clashed with Izuku's. As being a hero for villains meant destroying the world for them to help them live freely.
But that was before AFO resurfaced.
Sadly after that Tomura who was talking about making his own choices for a while now stopped doing that. Even if he still had a goal of helping villains and only villains, Tomura was almost gone. And his goals were now unreachable.
Izuku helped Nana who in turn kept Tomura from fading away entirely. In MHA there were countless situations where Izuku's help affected people by helping a different person to keep hope, All-Might being the first one and Nana being the last one at the moment.
Hollow after Izuku helped him to get rid of his hatred Tomura could do the only thing he did - accept the situation as it was.
Accepting AFO as his Sensei, accepting Stain's ideals and Overhaul's deal was the way he solved his problems. Just like Izuku had a problem of understanding something outside of his norm, Tomura was accepting too many things, which lead to his downfall after accepting AFO's quirk.
Just like Twice could've given up everything that he had for his friends so did Tomura.
With Izuku helping as much as he could let Tomura to finally rest as he wasn't really living ever since waking up in the hospital. With his body now affected by AFO's wishes instead of his own until the end.
In a way Izuku didn't succeed in his wish for Tomura to stop ever since PLF war arc. As he "kept fighting to destroy" no matter how hard Izuku tried to stop him.
The only thing he succeeded in was changing Tomura's mind about himself, instead of viewing himself as a monster he accepted that he was a human just like Izuku said. A "crying boy" who couldn't really destroy Izuku's hands in the end.
For a group of Villains who weren't supposed to get profiles of their own at the start of the series, League is slowly fading as the most memorable group that there was in MHA, getting backstories, their own Villain themed arc all the while being as human as anyone else.
As sad as their story is they were not "unlucky", they didn't need a happy false ending where they would need to change to be normal - they chose to live this way and they lived it to it's fullest.
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Okay I've been drinking but I gotta say
I keep seeing takes in the Ted Lasso takes about the various favored pairings — be they Rebecca/Ted, Trent/Ted, Roy/Jamie, Roy/Keeley, Keeley/Roy/Jamie, WHATEVER, with this sentiment of "if this relationship does not turn into a romance, then what was the point of the show?"
And that really frustrates me as someone whose most valued and cherished relationships are not romantic, and who will not likely ever have another romantic relationship in her life. Because there's a point to friendships! There's a point to love in all its forms, in all its complexities. Romance is great, absolutely, but to say that there's no "point" to Rebecca and Ted's trust and respect and affection if it doesn't become a romance, or there's no "point" to Trent becoming a Diamond Dog if he and Ted don't start dating, or there's no "point" to Roy and Jamie and Keeley's complicated dance around each other this past season if it doesn't end up in bed — that just makes me really depressed about the limitations people are putting on how people can love each other.
You can absolutely cheer for your favorite ship and hope that it becomes canon — but to reduce all the rest of the show does a disservice to the show itself.
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#mha429
*EDIT*: don't take this seriously pls this is just a vent lol 'half-joke' is more about me being pissed off at that line than anything else!! I am not saying this moment was romantic, I know it wasn't! <3
Izuku to Ochaco in this chap: "you're my hero!"
Izuku to Katsuki +200 chaps prior: "All Might was my hero but you were the one actually in my life!"
I don't want to see anyone complaining about "OOC" stuff anymore in takes/fics/arts when Horikoshi himself is mischaracterizing his own characters!!!! (/half-joke tho)
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Surely this is a safe place to say this
Random thought while struggling to find references for this fucking outfit THIS ACT 2/3 ACADEMY(?) UNIFORM IS FUGLY I'M GONNA SAY IT
The fuck is this mess. What is it. Why does it have like 5 layers. wtf is his tie tucked into. The color scheme. Vertical stripes. Tf are those weird strappy buckles for. What are the reflective bits. Is it a reflective vest. For all the forklifts driving around ofc. The only saving grace of this outfit is that it exists on Viktor's body and that elevates it from a 1/10 to a 2/10.
Is this specifically Viktor's wardrobe or is it an Academy uniform cuz it's a lot different from what he and Jayce wear in Act 1 (and they're not really involved with the academy in later acts iirc I guess but I'm in no logical state here)
Look at that. Comfy. Practical. Scholarly. A dress shirt and a thin vest. The kinda shit you can wear while hunched over at a desk for 15 hours straight. Easy to cosplay. Shit I wear this on the regular already.
Why'd they give him a goddamn sleeveless silver surfer ass parka later on. I hate the vest. Why it look like that. Is so fucking bulky. That shit looks heavy. My boy gonna melt in any decent summer. I worked up a sweat and a sore neck just looking at it. Spent 20 minutes trying to figure out the fucking act 2/3 fit for cosplay and drawing purposes and I'm like 90% sure he's wearing three separate tops not including the vest. Viktor if this is your own style and not like obligatory businesswear then this ain't it (you're still stunning ofc)
(im very sorry im rather drunk and have been spending too much time thinking about this)
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