#but redrawing actually helped get over that

[hazshit-hotel-hater]

Cherri Bomb Redesign (Bonus!)

Surprise!! It’s her!

I refuse to believe Cherri doesn’t have bunch of scars or injuries from using explosives and fire all the fucking time. There is no goddamn way. Also shes like running and jumping all over the place constantly she’d definitely have a running blade like 90% of the time. (Don’t walk on running blades you will probably trip) Her pant leg is ripped to look cool and also just for easy access to her leg.

I wanted this to be kind of sloppy with the colours; show how a lot of sinners dont have just a select few sins and note how often people participate in almost all of them. Ik it may not be the most pleasing colour palette to look at but that’s kind of the intention. Jumbled colours and asymmetry is really just Cherri’s thing in my head. I wanted it to look like she made or thrifted her clothes as well or like just stole them.

The bomb and cherry in her hair are supposed to kind of look like those hair bobble things that fucking HURT when you snapped them but they were cute so I feel like utilising hair bobbles is something I need to do much more

You could kill a man with these I swear to god.

Her tattoos and stuff are just basic cherries and vines and the little bomb and the bisexual symbol thing. Also bellybutton piercing is some I’ve only ever done once on an OC I have named Angela/Angie which is… kind of ironic?

You even get a little redraw for funsies! This was done for my friend helping me with my rewrite ideas so this is like the least I can do as repayment. You can see heaven up in the corner too :3

I don’t actually have a bunch to say about Cherri’s redesign, I want her to just be this “Oh wow! Thats definitely an outfit!” kind of design cause I love those. Oh and she definitely did the raccoon tail masking bits with craft tape.

I told my friend the dumbass stick figure on her arm is put there because I was thinking of her asking Angel to draw on her and she’d get it tattooed and he cannot draw at all so he just did a stick figure and was like “this is so cool.” and it was not cool at all/j

I wouldve added more stickers to her running blade and stuff but her colour palette is already VERY full so this is the price to pay. Still not sure if I’ll continue doing these but we shall see!! The next design post is likely going to be the lineup and some side by side comparison things ;P 📺

[valkyrja-pride]

Redrawing THAT Shokugeki no Sanji cover 🫣

[bmpmp3]

HIMETCHI i have her in my pix rn. she likes cereal and gummies

[sillytallguyette]

anyone wanna see darth plagueis book fanart i did in 2019? no? well me neither! horrid anime eyes, no bodily proportions, facial expressions WHACK but eh to save the eyeballs of you mindless, innocent scrollers, they are under the cut :)

so, in no particular order and with white scribbles covering my old signature, here we go!

first off, plagueis, i think sidious was originally next to him but it must have turned out terribly so i tore him out lmao. what are those eyes. and my horrendous spelling, but in my defense, until friday i only ever had the audiobook version (i now have the novel and am annotating it for fun?) btw the audiobook slays??? the voices are so good!

yippee! 11-4D! honestly this gets a solid 10/10 i have no idea what 4D looks like but for my 2019 art this is very good!! also i swear 11-4D is referred to with it/he pronouns!! so cool :)) my guy has more personality than all those 'other muuns' that just follow plagueis and hill around lmao

plagueis is so cool here! yeah ik he's killing someone idc he's my favourite guy. fun fact i had a crush on him at the same time these drawings were made (and you can see when the drawings were bc i actually put the date on this one!). also what the hell is that veruna monstrosity. ew.

palpatine!! look at his ugly-ly drawn face, and tell me he's not a natural born schemer. i love him so much now. dude i didn't do him justice :(( but yeah he's so cool!!

but here!! here i did him more justice!! yeah yeah he's got the typical anime emo over-eye shadow but look at him and tell me he's not about to murder his entire family and call a guy he barely knows for help. yeah? you can't. i even quite like the hair ngl!!

and last, but certainly not least, larsh hill!! HE'S SO UGLY WHAT?? ehmm anyway, apparently 2019 me didn't dismiss him as irrelevant, like i did until recently, and drew him <33 i love him now btw, plagueis' partner in crime, or just partner?? or father figure??? don't they kinda co parent san?? huh?? anyways im about 100 pages into annotating my copy of plagueis and so far only 3 people have called hego 'hego' - his parents, and larsh (twice!!). thats gotta mean something man...

ermm now i've gotta do some proper fanart so people don't doubt my artistic abilities. I'll probably redraw some of these and redesign characters, now that i have the time to do it!!

if you've gotten this far without pissing yourself laughing at my art thank you <3 /lh (it's not that bad, right?!! RIGHT?!! oh well who actually cares. i love most of it)

[void-tiger]

Oxytocin low. Send hugs.

[residueradiation]

It is so frustrating I have so many things I want to draw at all times but usually when I finally have time to draw anything I am not really enthusiastic about any of my ideas anymore. I want to draw 2 things a week not 2 things in 3 months.

[monotone-artist]

montyyyyyyyy

[be-good-to-bugs]

having ocs is great until you have to organize them

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[chubs-deuce]

(^it's his turn with the child but he has an overlod meeting so this is how he shows up)

I brainstormed a bunch with some friends on a server for how Dawn came to be and we had many fun ideas, some of which I'll elaborate on under the cut for anyone who wants to hear :D

Dawn was kind of created by accident! With Lute in charge of the exterminations now, Sera trying to hide Sir Pentious' redemption and her eyes opened towards heaven's doings, Emily wants to make good on her promise to help Charlie's efforts in hell. She learns through Remiel that heaven has been safekeeping Lucifer's old grimoire since he fell and decides that Charlie as his rightful heir should have it, hoping something in it would help her defend the hotel. It's written in the ancient language of the angels though, and while Charlie is able to translate it, she's by no means fluent in the language, but they find a ritual for the creation of an infinitely powerful weapon! Alastor of course is intrigued when she tells him of this and so he leverages his status as her work partner (and a powerful mage in his own right no less) to convince her to let him help attempt it. They figure out the components needed to fufil the ritual and perform it perfectly and create... a child. (this is because the definition of "weapon" can differ greatly depending on who you ask - it can be a sword, it can be ruthlessness, or it can be words, courage, hope and kindness. The ritual would therefore merely provide a blank slate for them to mold into whatever they need it to be! Charlie mistranslated slightly, since the word used in the ritual would translate more to "tool".)

Charlie and Alastor aren't (yet) romantically involved when Dawn gets created, though she does pull them together out of necessity over time. Alastor is very apprehensive about the concept and insists something must've gone wrong, but ultimately he absolutely recognizes that no matter the intended outcome, he's got a responsibility now, and decides he's at least got to be a better parent than his own father was, so he stubbornly still does what he can to raise this kid. Charlie is overwhelmed with the sudden responsibility they've both been burdened with at first - especially because she already has so many other things to worry about and take care of - but her infamous bleeding heart of course can't deny following its calling. I actually don't think her innate maternal instincts are particularly strong? Ultimately neither of them asked to be a parent and the upheaval of their personal lives that came with it, but they quickly learn to love their newest resident and how it ends up redefining and redrawing their own relationship to each other as well >:D

The newly shared responsibility for a literal child is what finally gets Alastor to cave into agreeing to acquire a phone with a camera - if only to soothe Charlie's nerves whenever she can't be there herself.

A friend from the server even wrote up a whole detailed ritual for me to visualize this whole thing and offered to help with insight on like. Heaven lore(?) and adding onto this concept if need be and I'm honestly having a blast with figuring out the details of this plot, so I might attempt writing a fic out fo this if I can solidify it all a bit better?

Either way, this is kind of escalating into a Whole Thing but I hope y'all are enjoying it nonetheless :'D

[pachimation]

redrawing my very first chiscara comic/art i ever did for chscr day!!

old comic under the cut!!

lol a bunch of sappy semi serious stuff below bc i cant help but be a bit genuine about this ship today :’3

i cant possibly put into words how important this silly little ship and its community mean to me haha,,,, this comic was made in 2021 but i didnt really get serious about chscr until late 2022 after a bunch of pretty bad interpersonal stuff happened and i needed an outlet,, COINCIDENTALLY a certain someone was announced to be playable around then and i was already thought chscr was Pretty Neat™️ so i ended up diving headfirst into the ship. it also gave me a good excuse to work on more comics too!! i’d done a pretty big zhongven comic earlier that year in the summer, but in terms of lore there was only so much i could have worked with at the moment.

childe and scaramouche have that perfect combination of silliness and angst and violence that could be explored or expanded in so many ways and i love love love seeing other people’s interpretations of their dynamic and relationship. they’re so complex,,,,they’re narrative foils,,,they’re narrative parallels,,,they’re trans allegories,,,they’re flies in the spiderweb of the games lore,,,they’re my stupid little meow meows,,, they’re just two losers i want to see make out,,,

in a nutshell, they’re everything to me. well, i hope i get that kind of sentiment across in my own comics,,,,

and i cant get started on all the people ive met through chiscara or the way that having something i can call “my thing”, as in, the thing that i like and that i will spend a lot of time and effort (and money, but lets not talk about that) to surround myself with because it makes me smile. its stupid to say, but being a nerd about these two stupid guys who have never had a single canon onscreen interaction in some random game has made me a much happier and confident person that i could have ever imagined back in my freshman year of college,,, when i say i dont know who i’d be if i hadnt gotten into chiscara, i really do mean it lol

i’m actually surprised i’m making it to over a full year of regular-ishly making art, especially for the same game and ship! thats never happened before and my art has improved so much over this past year!! more than anything else, i’m happy! i get to be excited talking about these characters with my friends and i love to see art of them pop up on the tl. i make stickers of them and decorate my phonecase with them and have little figures of them in my room that i look at when im up late at night working on schoolwork. sometimes just the thought of finishing a comic or daydreaming about a scenario or seeing what my mutuals are up to are some of the few things getting me through a tough day.

,,,,so believe me when i say, to both childe and scara and to everyone else as obsessed with these pathic losers as i am, thank you! i’m having a lot of fun!!!

(also i just found out tumblrs copy/paste doesnt work on my ipad??? idk if this ends up legible i may or may not have deleted smth by accident and im not in a mood to proofread haha)

[parisoonic]

I just want to say I love how you do your lineart, it looks so good! ahhhhhhhh!!

I'm gathering a lot of advice about the topic of lineart and I just wanna know how you get it to look like that? My line weight is getting better but the drawing itself just comes out a bit.. weird.

Thank you so much! Lineart is probably the thing I've been working hardest on as I am not a lineartist (and still struggle a lot) but it's something I really need to get better at for my job. UM there's honestly so much that could be said on the topic of lineart. Big things for me are:

Weight -> Use line weight (aka thickness) to describe form, lighting, contact and scale. Thick lines imply shadow, contact and nearness-to-camera. Thin lines imply tension, recession and light.

Straights vs Curves -> Use straight lines against curved ones for maximum interest. This is partly a character design thing but as we're using lines to describe our characters it's worth mentioning :)

Complex vx Simple -> Use complex lines against simple. Faces are always complex so therefore the backs of heads should always be simple. Chests are quite complex so backs should be simple. Dorsal sides of the arms are complex (Delt, tricep, bicep) whilst the ventral side is more simple (tricep...mainly) etc.

'Think in Ink' -> Lower your sketch layer almost to 0% opacity so you're not getting hung up on how nice/energetic your sketch look and instead are approaching the piece from an ink mindset. BUT it's digital! So if there's something in your sketch that you like just bring it forward (copy and paste) into your ink layer. I sketch and ink with the same brush so I can use this workflow

'Confidence' -> small hesitant feathery lines will look nervous compared to big swooping lines. Less is always more. I'll redraw arms/limbs until I can get the appearance that it was done in one brush stroke. Again it's digital so you can erase to cheat this look : )

MISC 01: I always hear 'draw from the shoulder'........meh............it's digital so draw from your wrist...it's fine honestly. If we were working at A1 in a life drawing class then we could get some shoulder action going but most of us are hunched over 16inch tablets. I think this advice aims to pull people away from feathery-nervous lineart honestly which you can improve on without relearning how to draw from your shoulder.

MISC 02: For a 'smoother' look do your lineart at a larger canvas size than you need. Once I'm happy with a sketch I usually double the canvas size and do my lineart then.

MISC 03: In PS (at least) anti-aliasing goes funny at any zoom level that isn't in the 5 times table. So try not to look at your canvas when you're zoomed in to 87% or 71.39% or something crazy. Just stick to 25%, 50%, 75% and 100% if possible.

UNFORTUNATE TRUTH: Lineart is incredibly based on raw draughtmanship I've discovered. When you're working with colour you can hide a lot in rendering (shadows, highlights) or post-processing (depth of field) but in lineart all your mistakes are just...there for people to see. There's ways round this...which I use A LOT. 'Flourishes' (I use 'flourishes' to mean over-confident lineart where it veers particuarly thick or particuarly thin in contrast to your approach in the rest of the image) can sort of trick people into thinking you're more confident about an area than you actually are.

As well as leaving 'breathing room' within your lineart instead of actually...resolving the area. I do this the most around the face and hands.

Hopefully some of this helps? Honestly there's a lot of deep dives that could be done into indivudal things and there's also the massive caveat that all of these are 'guidelines' and not strict rules. I also favour a more...concept-arty? animation-y? storyboard-y? look to my lineart which favours flourishes and breathing room for a incomplete/work-in-progress feel which would make methodical colouring (ie: for a comic or something) a pain.

Keep up pratice is the main thing and doing studies of artists who you like that have great lineart - you'll pick up draughtmanship skills along with the lineart studies. Here's some of my lineart from a year or two ago...it varies between very 'standardised' (which makes it difficult to read volumes and to be honest, it's boring) and 'TOO EXCITING' (which...also makes it difficult to read volumes and for the eye to rest).

I'd like to share my brushes at some point as I've found 3 that I really like and use for everything more or less. I discovered that a shocking low amount of people use PS on tumblr (shocking to me I guess as i'm so used to PS being the standard) and everyone seems to use Procreate or Clip Studio Pro...so I want to check that the brushes are Procreate compatible at least before I share!

[nopanamaman]

Do you have any advice for drawing & animating quicker or is it all practice? Perfectionism also ties a lot into my workspeed, and I've always wanted to make a comic, so I'm trying to find away around it.

Practice helps for sure! You become able to capture the shapes you want faster and learn to streamline certain aspects of your style.

But also if I had to point out other factors that helped me get faster:

Less frames per page. It's easier to make a less cramped layout look good. Yes, you will need more pages to show the same succession of events. But juggling a ton of speech bubbles and panels every time will really slow you down, especially if you suffer from perfectionism.

Less frames per animation. All my current animations are low FPS. Use references to pinpoint which keyframes to prioritise and experiment with timing to make the most out of the few drawings you have. Post production can help smoothen things out with tweening and light camera shakes.

Flow/composition over everything. Most people won't care about the anatomy or perspective being subpar if the flow is good. 90% of my animation frames look like actual shit, but I like the way they move, and that's how most people will perceive them anyways. People usually blitz through comic panels as well. As long as the art in a particular panel isn't distractingly worse than the rest of the comic, no one will care.

Storyboard. When I was making the comic page by page, I often ran into the issue of having to go back and change things because the flow ended up being weird when reading the whole thing together. Storyboards help you settle on the overall flow and composition super early on, so you won't need to redraw the same scene several times over.

Lasso fill. I saw a post on twitter about someone being shocked at how much lasso fill has sped up their colouring process. It couldn't be that good, I thought. It was that good.

[nientary-1832]

"The light was not hot, but it was terribly penetrating. I fell into it and became it. It seemed to come from inside my eyes themselves. There was no avoiding it. It was light that seared but did not illuminate. I could see nothing. It was unbearably bright, and then suddenly, the brilliance increased. I screamed, my whole body screamed with the force of the light surging through me. I was a broken limb jerked straight, a dammed river released, snarled hair roughly combed. Rightness tore through me. The cure was worse than the malady. My heart stopped. Voices cried out in dismay. Then my heart slammed into motion again. Air scorched into my lungs.

I passed through an instant of wild wakefulness in which I saw all, knew all, felt all. […] And the Fool, the Fool was gold gleaming and joy and a flight of jeweled dragons across a pure blue sky". 

Um… hi. I haven’t been productive this year, as you might or might not have noticed. It was pretty much one big art block from beginning to end. I was still able to draw lots of sketches and studies but every attempt at something more creative made me feel miserable. Thing is, I don't like what I see so I make myself redraw the same stuff over and over and over and over until all joy and creativity are sucked out of my existence (and the result still looks off). Perfect recipe for burnout.

So this is the first thing I’ve finished this year 🤡 Not really finished, more like finally gave up on it. At least now I get to start something new, so there’s that.

Btw, I had still wanted to do Winterfest despite all that because external deadlines actually tend to help me. But I missed the sign-ups, so 🤡 oh well 🤡 not this time 🤡

[katiekatdragon27]

Guys sorry, I am not immune to Hazbin/Helluva propaganda. I am also not immune to criticizing the designs and character motivations.

So! Let’s start with one of the most redesigned characters in the show: Beelzebub^^

So, sorta hot take, I really like the idea behind Beelzebub in the show. Ik "boo tomato tomato," but hear me out. I like how she is meant represent the hellhounds she rules over (ik she actually is a reference to Jay Jay, but let me have this connection PLEASE). However, the source material is very bug-like and compact.

The HB Beelzebub is NOT that bug like. Or compact.

With this redesign, I decided to pick all the stuff I liked about the og, and what I wanted to see more of. I kept her colors and general vibe but made her more built like a bumble bee with more inspo from the fly Beelzebub.

This is what I got.

Progress doodles n stuff below cut (it's gonna be an essay, y'all know the drill):

(She was much sharper in the sketch lol)

DESIGN EXPLANATION:

Anyways, I always imagined Beelzebub to be, y'know, more BEE like. The show did not give me that, so I did it myself. I made her wings bigger, gave her an actual bee tail and face (with the proboscis and stinger too), and more stripes and fluff. I also made her small and slightly chubby. Gotta hone the bumble bee.

I thought the hair made the original design too cluttered, but I wanted to keep the party colors. To compromise, I stuck all the goop in her tail. It sort of works like a firefly's abdomen and a lava lamp. I also nullified her cloths, so they would blend more with the body and help pop the neon colors in her eyes, antenna, and tail.

When she stands at her normal form, she is the smallest of the sins. But when she is in her "true" form (that I have not illustrated yet), she is the biggest of the sins. This is a reference to how gluttony starts small but gets really large over time, both mentally and physically.

As for additional details, I wanted to keep her "foxness". So in a brilliant brainstorm of ideas, I came up with the concept of "Masks". Basically, all the sins I'll redraw will have them. The masks are meant not only to represent their hellborn, but to represent how the sins pretend to be good things at first.

Stuff like "Rest a little more, it won't hurt" and "Be proud and don't care for what others say" are how they present on the surface, but if you continue those mindsets in a toxic way, it turns into sloth and pride and stuff instead of self-care and being proud of things.

For Bee specifically, it's "Have a little more, you deserve it!" and she has a hell-hound/fox mask. This also feeds into her personality change.

PERSONALITY CHANGES:

In the og, she's a party animal who cares for... moderation??? Yeah, I hate this about Helluva Boss. Why is it so hard to write *sshole/negligent people in power and why is it only Mammon who's allowed to be like this? Give me more morally dark grey powerful people!

That's where Bee is different for the redesign. She runs te lowest ring in hell and is in charge of hellhounds, the lowest species in hell. B/c of this, she is much more lenient compared to the higher ranked sins in hell, which is why she is often seen talking and hanging out with lower classes. (She gets slack for this from the other sins). She is also the only sin who has had open relations with lower class citizens all the way down to hellhounds. However, none of them last. Most of her relations outside of the sins are one-night stands and flings.

As for how she sorta sucks: she is still a party animal, yes, but she purposely chooses to be blind and ignore all the suffering that occurs at the parties. People have fun, but they overindulge, and as a result get sick, sad, and violent. However, Bee leaves the parties before they get this way. She does not want to see it. She is negligent. When she comes back to the party aftermaths, she quickly gets her workers to clean everything, so she does not have to discover anything gruesome and sad. She just wants to live, party, and see people "happy". (Sort of like Gatsby's parties minus the pining for a single woman who does not care for her).

... I wonder what would happen if that mental image she had shattered? I guess only the future will tell.

But anyway, if you have any questions or characters you recommend I design or redesign, feel free to ask lol.

I hope this made at least a little sense. Have a lovely day^^

[emerxshiu]

FORGOTTEN LAND'S SECOND ANNIVERSARY :3

I AM SOOOO BACK

I started this drawing yesterday around afternoon and finished it just a few minutes earlier.

I went with a messier type of drawing instead of more clean like the elfilin one from yesterday, i find it fun doing it like this, mostly cause i dont have to worry about making it perfectly so i dont get as frustrated as normal. Id place this one as my second best digital drawing. im pretty sure i havent posted what i consider my best digital drawing here, tho i do have it in instagram, i might post it here one day, tho these two are way too tied up, i love how this came out, its not exactly like how i imagined it but its really close to it, and also itd say that since i dont tend to play around lighting that much, this was such a joy to draw and i cant help but stare at it a lot, at least until i start hating it because i made quite a lot of errors. i also changed my elfilis gijinka just a tad bit from last time, but its not that big of a difference, mostly.

ofc i had to draw elfilis for forgotten land's anniversary, i tend to deny it in my head but yeah they're my fave of the kirby characters even tho i hate them a bit. I wanted to draw some more doodles, like, elfilis eating cake, kirby car, a bunch of other stuff (not elfilin cuz i already drew him yesterday) but when i tried i couldnt draw anything more, guess this drawing burned me out a lot, huh?

you can definitly tell i spent all the efforts on him cuz if you look a bit closer to the bottom part you'll see its almost barely detailed, but i mean, they're the focus so make sense i guess for me not add that much detail there. um also, maybe because i dunno i had OVER 130 LAYERS jeez no wonder firealpaca was slowing down so much, i need to manage my layers better next time, tho i did do something i keep forgetting, wich is naming them (most of them at least) that was a real life saver

Also, antares (fecto elfilis' spear/cadaceus), as always, was a pain to draw, but this time its probably been draw the most accurate out of every other drawing ive made with it in it, i didnt notice it was like, a little curved when it reached the blade

some close ups since his face is a bit hard to see

silly :3

fun fact! actually, this is technically a redraw, somewhere around between february and march i started a fecto elfilis drawing for the first anniversary, but i couldnt finish it in time, and i never finished it

thats...quite the improvement! (i remember being so proud of it)

also his wings are like that cuz i did not want to draw the pattern, its way too hard, i literally copy pasted it, wait, i was talking about the 2024 version but i looked at the 2023 one and i just noticed it also has the pattern copy pasted, i guess some stuff never changes since i still abuse the ctrl+c ctrl+v to this day

Also i ended up making a huge error there, i was planing to add the phantom spears from orbital pulsar (the attack he does first when you battle them at lab discovera) but theres an innacuracy, when they do the attack, they always close their eyes, i had actually sketched him (well i mean both these drawings are basically the first sketch (2023) or second sketch(2024) with some color, shadows and lighting. i didnt do lineart in the 2024 one cuz i wanted to be a bit like the og i made (too bad i sketched that one with black since the og was sketched with white due to me drawing the bg first)) with his eyes closed but them decided to make them open for a reason i cant remember, maybe i thought itd look nicer? idk

ive had the idea of redrawing this for quite some month now so it was kinda already planned

background cuz i think it came out really pretty

doesnt have the little stars since without elfilis and the structures it looks fucked up. the actual sky in game is more blue, but the clouds have some orange, in the 2023 ver. i made the sky orange, and in the 2024 ver i wanted it more accurate, but i didnt wanna loose the orange sky, so i did a gradient. pretty...

also here's a screenshot i took when i was like halfway trough it, its barely noticeable but i changed his mouth in the final drawing

I really love katfl, like a buncha whole lot, its basically almost my first mainline kirby game. 100% the demo, finished the game in almost one day, i literally play it monthly, like, every month i put the card in my switch, start it up, get morpho sword, and go shred elfilis in lab discovera. i would probably not even be here on tumblr and the kirby fandom if it werent for it. and i love it so much i genuinly cannot express how much i like it and treasure it with words or anything

Thank you for reading my unnecesarily long rambles lol

I hope i'll post tomorrow and dont forget like usual

Jambuhbye!