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#but she doesn't know everything we know That's Why She Acts That Way
abigail-pent · 2 days
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Thoughts on HTN Act Five on ??th reread:
- the joke about the Ninth knowing a thousand shades of off-white is absolutely a 50 Shades of Grey reference
- Ianthe wonders what Harrow's face "could have done to it" - ohhhhh yeah she is doing hella cosmetic "surgery" on Corona. this still isn't explicitly canon as far as I'm aware, but that line makes it pretty damn close
- Harrow Nonagesimus breaks into the Tomb and Harrow Nova breaks into the Anastasian. Baby girl is the same in every universe
- Harrow Nova is "the unfulfilled vow" and "the bloody teeth of the unkissed skull" AND THEN ALECTO KISSES HARROW NONAGESIMUS IN FULFILLMENT OF THE VOW AND SHE BLEEDS. I've connected these things, I've connected them
- ok if Harrow is pulling everyone who's dead into her River bubble, then doesn't that mean that in the BARI Star AU she is actually interacting with the actual spirit of Gideon Nav?
- I don't know if we talk enough about how Harrow actually becomes a full Lyctor after she's stabbed and remembers Gideon. It feels kind of weird that her body only gets Lyctoral healing once her soul is gone from it. The construct in her skull is still there, it stays there until Gideon talks to Mercy and hears her name.
I mean, the weirdest thing about it is it implies that John and Gideon the First were right that they could fix Harrow by killing her. And given that the sort of cav Gideon becomes is explicitly and canonically analogous to the sort of cav Pyrrha is - still conscious and able to pilot the body in the absence of the necromancer's soul - that makes me wonder if maybe this happened to Gideon the First too. Like maybe that's why he's described as such a zombie, and maybe that's why John seems to know that killing Harrow would "fix" her, and Gideon agrees.
- Abigail talks about the place over the River the way John talks about the place beyond the stoma - it's an undiscovered country he knows nothing of, where his power is meaningless.
- Mercy says if Gideon Nav were Alecto, she would have "gone for me already" - so yeah, Alecto wasn't just incredibly weird and creepy, she was directing violence at Mercymorn. Pyrrha later says Alecto wasn't so bad (but that absolutely doesn't preclude Alecto being super violent to Lyctors, Pyrrha would respect the shit out of that), and of course it seems like she and Anastasia loved each other. But: John says that anger was Alecto's sin; The Unwanted Guest implies that that anger may have been John's, but in a different body; and it seems like this anger got expressed at Mercymorn and probably other Lyctors too. When Gideon meets Augustine she says he looks at her eyes in Harrow's face like they were the last thing he'd ever see; which suggests she took her anger out on Augustine too. But why was she angry at them? Was it because they ascended?
- "I gave you one damn job, and instead you rolled a rock over me and turned your back!" Harrow IS the Ninth House for real... (this is exactly the problem Silas has with the Ninth)
- in GTN, in the Cytherea fight, when Gideon looks back at Harrow right after she says "Then we're all dead, Nav, but let's bring hell first" 🤝 in HTN, in the Sleeper fight, when Ortus looks back at Harrow who has just followed his lead to recite the Noniad ... the way both of her cavaliers are a little surprised, but very impressed and comforted, by her loyalty to them and trust in them ... I am very fine and normal about this
- when Abigail summons Nonius: blazing like a flare from an alien blue sun! appearing to hold a book made of blue radiation in her hands! soaking wet! everything smells like water and brine and blood! she screams as though there are a multitude of voices in hers! time seems to slow way down! her eyes become dark and liquid and feral! this is both extremely fucking cool and probably meaningful. the smell and wetness are for the River, the many-voiced quality recalls Alecto and her many voices, the time slowing recalls John's ability to stop time, the eyes recall John's (so, Alecto's) as well. SHE IS ABIGAIL FOR HER MOTHERS AND PENT FOR HER PEOPLE AND I LOVE HER
- I love that Nonius canonically fought Gideon the First, and calls him "a rival and ally". I'm not much of a fic reader myself (heresy, I know) but I absolutely want to read a fic about "we met long ago, and I fought him."
- "Genuinely sad, bordering on very funny" legitimately could have been the tagline for this book
- Augustine says that if it's really Wake, then Gideon has proved "yet again" that he's unfit for any job besides making simple gruels and stews. Yet again??
- it's probably Augustine that Mercy tried to kill tbh
- I think Wake recognizes Pyrrha in Gideon's face when no one else does. That's why she looks at her like that.
- the way Gideon Nav has always yearned for her parents vs the way her bio-parents treat her... oof ohh oww... Pyrrha Dve is the only parent I will diplomatically recognize for Gideon Nav
- Alecto's eyes end up in John's genetic code - Lyctorhood doesn't only meld souls, it melds bodies as well.
- John says Mercy and Augustine killed Alecto because he told them the truth about her; and Augustine says he told them that because Alecto also knew the truth. But ... which truth was it? When we hear from Alecto, she seems to have a fuzzy memory.
Also, worth mentioning that this is a different account than what Teacher offers. Teacher says that the Lyctors asked John to kill Alecto after they ascended and "found out the price." If this account is correct - and why wouldn't it be, it comes from Augustine, who was a key player - then the "price" wasn't the death of the eight cavs, the "price" was something to do with the truth about Alecto. And whatever this truth is, it isn't that Alecto was John's cavalier, because Mercy and Augustine are only finding out about this now. I suspect the "price" is the price of creating necromancy - murdering the 10 billion - and then when Mercy and Augustine know that Alecto is the Resurrection Beast of Earth they ask John to kill her. So I was wrong, and he must have basically told them "lol we've been hanging out with an RB this whole time."
- when John reconstitutes himself, the light he emanates leaches all the color from the room and turns everyone into shades of gray. LIKE WHEN SILAS SIPHONS COLUM. It makes sense that he's taking thalergy from somewhere to build himself back up, but where exactly is it coming from? Alecto?
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radiation · 2 hours
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My Thoughts On MORPHEUS
Rewatched The Matrix yesterday. Everyone knows that Morpheus is fucking dope, but few realize he is one of the most moe characters of all time. Here is why:
Ok so at the beginning of the movie, Morpheus really appears to be this mythical figure, and that's how a lot of ppl view him. But something often overlooked is that, as the movie progresses, the more you see Morpheus acting mundanely, dressing normally, making mistakes, and getting the absolute shit beaten out of him & needing to be saved. Seriously, the gap between how he comes off when he first contacts Neo (larger-than-life, near-omnipotent) and when he gets kidnapped (totally fallible & vulnerable) is huge. You also see other characters doubt his absolute faith in Neo and it’s like wow yeah. This is really just some dude who is incredibly driven and passionate, and dedicated to his own ideals to a fault. He acts the way he does because he has a very clear image of the role he needs to play and has structured his life around it, choosing to embody this whole badass character in order to fulfill it. And from the way his appearance of perfection is shattered later in the movie in moments of monotony or when things spiral out of his control, I really believe how he acts when he meets Neo is suuuuper scripted. Like he has spent so much fucking time planning the perfect way to present himself and rehearsing exactly what he will say and do and how he will dress. And its funny to watch The Matrix knowing how totally badass & collected he is seen as in pop culture because he truly is incredibly incredibly dorky
This goes without saying but I also believe he is gay as fuck for Neo, but I need you to understand that the way he goes about it is sooo cute. I mean ok everything surrounding "You are The One and I've been searching for you for years" kind of speaks for itself. But also think about when Neo talks to the Oracle, she says this thing about like "knowing you're The One is like knowing you're in love". We can naturally really easily extend this metaphor to Trinity's explicit prophecy of her falling in love with The One, and knowing that's the case that also extends the metaphor to Morpheus knowing Neo is the one = Morpheus being in love with Neo. And I think how excited he acts around Neo, how physically affectionate he to him, arguably flirting with him during the dojo scene and shit bla bla bla sounds lame as fuck to write but I do think yeah whether literally or metaphorically that's kind of what's up. I think we can be confident that Morpheus loves Neo, and I think romantic love is a close approximation, or at the very least there are certainly real & valuable parallels to be drawn to it
But back to the previous paragraph, the specific kind of devotion towards Neo that Morpheus experiences where he is putting on all kinds of airs trying to mystify Neo, viewing himself as a supporting figure to prop up Neo as the savior -- Morpheus's underlying adoration is expressed through the language of respect, restraint, and selflessness, and a kind of self-sacrifice he is like...excited about. Feels very similar to the whole "best friend who is in love with the main character, but nobly tries to get him another love interest / somehow make his life better without any respect to his own desires". It's very sweet and well-intentioned, but totally excessive. Nobody else is asking you to go this far man this is just you. And it also comes off as a really big obfuscation of at least quasi-romantic feelings, both externally and internally, lacking a lot of self-awareness, so it makes it feel like Morpheus has this like elementary school crush he doesn't quite understand yet and it's really funny and delightful
There is definitely a certain writing style in The Matrix that is dramatic, over the top, and mythological, but compared to Morpheus, Neo and other ppl in his crew speak and act in ways much more grounded. Something I noticed a lot is just how much doubt and disillusionment all of the characters express in living life outside the Matrix, in the effectiveness of the revolution, and of Neo being The One, but Morpheus is totally an exception to this. The only person who puts on nearly as much airs, acting as dramatically and poetically as according to plan as Morpheus is Agent Smith, and like the dude isn't even a person he's a program. But even then Agent Smith expresses disappointment in his own life, and Morpheus doesn't. Seriouusly Morpheus is like the only guy in the movie who does this shit. By seeing himself as a mechanism in a prophecy to save the world and minimizing his own wants and discomforts for the greater good, he has kind of dehumanized himself in a way that's kind of sad. I think it's very easy to buy into it and take his self-perception at face value, and I think most people have, but there are a lot of moments in the movie where you can see through that. That underneath the appearance of a pure legend is a real person who means the absolute best, who is endlessly dedicated and adoring, but suffers from a one-track mind makes Morpheus a really fucking cool and unique character, and has one of the greatest impacts in making the movie's scenario feel believable. And also makes him sooooooooo cute. Anyways I forgoet what happens in the other mvoies this is only about the first one. Rewatch The Matrix 1 and open your eyes and you weill see the truth.
Also another thing I wanna mention that but its only tangentially related -- I think its very interesting how Neo is treated as a protagonist. I can't place exactly why but way the movie is written and shots are framed, he really isn't treated as an audience insert, and many moments in the movie are from other characters' perspectives (including their perspectives towards him, bereft of Neo's own expression). The movie honestly, more than identifying with Neo, expresses empathy and adoration towards him. So it kind of feels like literally everyone in the movie has a crush on him and so should you LOL. Morpheus is definitely a part of this, but I also appreciate the romance between Trinity and Neo feeling equally or more from Trinity's perspective, neither of them really being the object of desire, but if you had to choose one it'd definitely be Neo
Well let me know what you think & Dont try to troll this post because this is real shit
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masakuterarr · 2 days
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HxH Character Analysis : UVOGIN
*cracks my fingers* alright peoples, I've been cooking this for DAYS now and I finally have everything gathered (at least I hope so). So lean back, get something to drink and maybe some paper and pen to take notes :) This will be a long one! (btw if there are missspellings I am really sorry, english is not my native language and it's too much that I wrote and I do not have the energy to look over it again- :') )
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Character Analysis of Uvogin, regarding the Sarasa Incident
Numbing and Emotional Detachment
A dumb brute with just muscles and purely driven by the joy to kill. That's probably how a lot of people would describe him. This is actually not really true and I will explain why I think that.
In my perception Uvogin kills because a) it's his 'job' and b) because he wants to drown his own emotions.
There are generally 2 Options we can work with.
Uvogin kills because it's one of the only things that give him a positive feeling, which lasts short term.
Uvogin kills because it's something that numbs his emotions
If we go with option 1, we assume that Uvogin relates positive feelings with killing.
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Killing the people who came to kill himself, assumingly gives Uvogin the most pleasure (kinky lol). Assumingly it gives him some kind of kick of adrenaline, knowing he might potentially gives his life. It's probably a same kind of feeling with the russian roulette. (Most people play it because of the death wish, but I don't wanna focus on that too much for Uvogin. This death wish with Uvogin can be a giant topic for itself-)
I simply think, Uvogin got addicted to this kick of adrenaline over time and now simply can't stop.
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In the german dub of HxH 2011 it's even put a bit better. There Uvogin says "Because dudes like you appear here and there, I just can't stop killing. It's like an addiction"(I am just obsessed with some of the wording in different languages. Plus I LIVE for german dub Uvogin lol)
NOW, what is ironic about this, is that some moments before Kurapika asked Uvogin what they feel when killing innocent people they don't even know. To which Uvogin answers with "Nothing"
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I found this weird so I came to the conclusion that Uvogin has a) to difference between killing innocent people and people who come to revenge or b) he doesn't even know it himself and he is just a confused mess, which makes sense if you consider how his mental health state is after unhealed trauma and unhealthy coping mechanism (but I will go intot his now anyways).
But if we consider Option 2, that killing people is actually numbing his feelings, he might even be the complete opposite of what we thought he is. In this case he might be a emotional mess and killing people is what calms him down.
No matter what tho, Uvogin is heavily addicted to the act of killing and he continues to kill because it's something that distracts him from his emotions. Because judging for how long this has been ago, Uvo is way too deep into this entire hole of killing as coping that he can't bare to face the reality that by now, he is probably even worse than Sarasas murder. So he drowns himself in distraction, pushing the reality down his throat so he does not have to face it. But even if he wanted to, he would probably just break at the actual realization of what he has become.
Extreme Punctuality and The Urge to Control The Uncontrollable
(ah my favorite and the least thing looked at)
At first look it is just a cute funny detail added to Uvogins character to make him a bit more relateable and whole as a character. But looking at it I actually realized a sad thing.
Remember when Sarasa went out alone? The others thought she was just gonna get the tape and come back.
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If you look at it and put it simply. Sarasa was late. You know what Uvo hates? Someone being late. Nice when the realization kicks in, is it? :)
To explain it now;
When they found Sarasa in the forest, it was already too late. Uvo realized that if they were to search for her earlier or just arrive earlier, they might have had a chance to make an impact on the outcome. Or even save her life.
With this in mind, Uvogins focus on being punctional now seems less random. His anger towards his comerades being late probably isn't even intentionally. Sarasa's death might have impacted Uvo with a strong sense of responsibility as well.
He wants to gain control over things he can't even control, which is a really common coping response to trauma. He once lost control over something, which led to a tragic consequence and now he fears to lose control once again. So Uvogins 'anger' is not because he is actually mad, but because he fears that the same thing happened to them. He simply just cares and is scared that the ones he cares about are getting hurt and worst case, even die.
Because it happened once. So it's much likely to happen again, right? This is a common anxiety thought process.
Outer Persona and Antisocial Behavior
It is obvious that Uvo has a certain 'tough-guy' persona that he shows to the outside world. It becomes very clear when he fights against Kurapika
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When Uvogin begins to realize that Kurapika is stronger than he thought and (from his view) maybe even stronger than himself, you can see how this persona is slowly breaking down.
Outer Personas are a common thing for people with Anxiety and Depression. So I think it is save to assume, this is the case with Uvogin. The reason for that can be really simple; from just wanting to not let the others worry about his mental state or just to seem invincible to other people/enemies.
But it can also be, that Uvogin tries to convince himself that he is invincible and not wants to accept how vulnerable he actually as. And yet again, not being able to accept that he wasn't strong enough when Sarasa needed him to be.
To the 'antisocial' part;
When they found Sarasa in the bag back then, Uvo was about to leave her and the others. This always seemed a bit off to me. Why would he leave if he cared so much about her?
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People have various reactions to when they don't know how to handle a situations or emotions. Some people laugh, some cry, some stay silent and some get angry. Uvogin is seemingly someone to cope with aggression or isolation/detachment. He probably just wanted to vanish because he felt weak and helpless, and his body instinctively reacted with aggression and the attempt to cut himself out off the scene.
Even at some point in the fight against Kurapika, you can see how Uvo started to gave up and just emotionlessly repeated himself to Kurapika: "Kill me" .
This also leads to (imo) Uvogin's biggest weakness :
Uvogin and Panic
Uvo is a strong and smart fighter, when it comes to combat. He can probably plan out a lot within just a few moments and has an incredible skill at creative problem solving.
Tho, for me, it tends to panic really easily, leaving him extremely vulnerable. The best example is in his fight against Kurapika but also against the Shadow Beasts. Theres a moment when he got caught off guard and starts to slightly panic, which led him to instinctively cope with aggression;
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In the 2011 anime he even calls one of them "bastard" after collabsing onto the ground.
(small addition here cuz Shal wtf, why do you look like someone got you flowers after your comerade just collabsed onto the ground, obviously about to get tortured now??)
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anyways-
Uvogins Ego and Self Blame
Ofc this can just be Uvo being Uvo, as he thinks a lot of his own abilities and skills, but since this is an analysis, why not looking into it too?
Maybe Uvogin tends to have an ego problem and high temper because he does not want to get reminded that he can fail too. Because in his opinion, the last time he failed, it led to Sarasa's death.
Logically it is obviously not his fault that Sarasa died. The kids straight up didn’t know what would or could happen. But I am very sure that Uvo always blamed himself for it. The same probably goes for Chrollo and the others as well. And since Uvogin is not in a healthy envirnment, nor got treatment for his trauma ever, he surely blames himself.
(And at this point he surely is not able to stop/change his mind on that anymore. Uvo would straight up rage if he was put into a therapist's office LOL)
A similar thought process might have happened when Uvo got kidnapped by the nostrade family and the others had to save him. After all, it would fit a LOT into his pattern of feeling vulnerable and coping with aggression trying to protect his ego. Cuz if he doesn’t he has to face the reality that he was too weak (again) and the others had to save him, putting them indirectly in potential danger.
His thought process is probably something like: I was too weak → others had to save me → IF they get injured or worst case someone dies bc of it, it is his fault → Cuz they had to save HIM. Because this again is a comon pattern when it comes to Anxiety and Depression.
which leads me to the next point;
Overcompensation with strength and the fear of weakness
My last point. A simple but sad one.
Uvo simply feats of being weak. So he purely focuses on physical strength and mastering his nen as an enhancer.
"If I am too weak, I just need to get stronger, right?"
Because he is an enhancer, he would probably think this simple. And even if we look at it from a depression perspective; A quick way out and taking the first idea to not waste any more time. Especially since Uvo does not seem to be much of an overthinker.
He had emptiness and many questions inside him and his first instinctive answer was strength. As simple as that.
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gosh this was a lot- but I warned you before so don't blame me LOL
I hope I was able to explain my thought about him and how I look at him :) I will maybe do a second part, focusing on the "death wish" part I talked about earlier! We will see, no promises.
Feel free to tell me your opinion on this! I would love to hear them 🤍
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ectonurites · 8 months
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SUPER DARK TIMES (2017) DIR. KEVIN PHILLIPS
#super dark times#zach taylor#allison bannister#sam edits#if you listen closely you can hear the sound of both mine and Allison's hearts breaking! <3#ok but fr: i know this is gifs. so no sound. but the WAY he DELIVERS the 'you've got a bump on your head' line makes me NUTS#it's so soft. it's so fond. it's... it's a punch in the fucking gut. he likes her *so much* but he *can't let himself have this nice#thing with her* because he's *being eaten alive by guilt he can't accept & won't let himself be happy because of it* and SHE DOESN'T KNOW!#like the thing. the thing is. when you watch SDT you're along the ride with Zach and his POV of everything. despite the obvious paranoia#& guilt warping his perspective/influencing his behavior—we can see where that's all coming from. we understand the motivations#behind the actions he takes. but ALLISON? Allison has no fucking clue what's going on! from Allison's perspective... Zach is this guy she's#known for a while (like they make a point of *telling us* in one of the earliest scenes that Zach feels weird talking about her in the#detached way they may talk abt other people in their grade they barely know—because it's *different* since he and Josh *actually know her*#plus in the script [and it STILL COUNTS TO ME because she *starts* saying the line but just gets cut off by Dennis] Allison brings#up Zach & Josh having had a silly handshake since 7th grade ['oh god that used to make me pee!' <- girl why would u say that to him]#so it's like... these are kids who've known each other for years!) and he's got this obvious fucking crush on her (the hallway scene where#he is. blatantly staring and she catches him for a second) and the moment she decides to actually start pursuing him because SHE'S#got a crush on HIM too... he starts pulling away and acting erratic and sending her the most mixed signals in the fucking world.#and sheee THINKSSS ITS HERRR FAULT!!!!!!!! like. listen. this scene i giffed above? this is what she's fucking talking about later#when she jokes about not wanting to 'scare him off again'. like sure she says it like a joke but... uhm. i simply think there's#a certain amount of truth to it too—because he DID leave the party visibly freaked out! and i think it'd be perfectly believable for her#to think that it was at least partially HER pushing too hard that was causing him to withdraw/pull away from her. plus she blatantly says#she thinks she's the reason Josh & Zach are fighting. like. this poor girl is on the outskirts of a tragedy she'll probably NEVER know the#details of but she's seeing firsthand the impact it's having on Zach and... blaming herself... that's so fucking heartbreaking
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add1ctedt0you · 9 months
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I am craving for a zcx' modern au, where, after years apart, jc, wwx and lwj encounter again. lwj and wwx are married and after some time, jc starts to hang out with lwj, but only with him (they are kind of exs... Or at least so lwj thinks!)
#Like the point of this au is that shit slowly becomes harder#In every universe wwx has to watch as a kid jc losing his dogs because of him. So that wwx internalizes that he brings nothing but trouble#and pain to jc. So yeah. He's married to lwj but jc wants lwj right? He's taking another thing from jc. And wwx doesn't want to hurt jc.#But he needs lwj too. And he doesn't know how to have both things.#And in every universe jc has to be told by wwx that everything that wwx did was out of duty! So that jc internalizes the concept that wwx#never truly loved him! Because jc is unlovable just like his mom! And his bad temper will force people to act out of duty rather than#genuine affection! and that wwx will lose things for him. out of duty obv#And in the middle we have lwj. Who is pampered in different ways by two men he loves! And then he can only watch as both slowly drift apart#from him. Their worst behaviors shining.#Look. lwj knows jc and wwx worst traits. And he can manage them!#But he has never handled jc and wwx together. While they are together. Because - and lwj never understood this before - jc and wwx bring#out of each other their best and worst qualities. In particular their worst self-destructive qualities#And lwj who isn't good with words and he doesn't know why they are behaving like that - and they don't share with him their problems -#doesn't know what to do#It's a mess. A beautiful fic in my head#Like. Both jc and wwx are carrying yzu and jfm' guilt on their shoulders#jc hates how his mother treated wwx (and it was because of him! Because she was scared for jc's future! And he knows it! )#While wwx hates how jfm ignored jc (and it was because of him! Because jfm found wwx more likeable! And wwx knows it!)#zhanchengxian
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ffsg0jo · 5 months
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same universe as this post. you don't have to read it beforehand, but it helps 🤭
even when yuuji's much older and has his own room, he's still woken up by sukuna's old man noises™ in the bathroom at 7am.
the poor, almost adult just wants to sleep in for a little longer and rest his weary bones, but sukuna's snorting and coughing and hacking his life out in the bathroom down the hall.
yuuji doesn't know how you do it, to be honest. between the snoring and old man-isms, the way he seems to have a permanent frown on his face. you've been by his uncle's side for as long as he can remember, acting as a mother figure to yuuji. always patient and caring, standing your ground against sukuna who can be bull-headed sometimes (a lot of times), and ultimately doing everything you can for the little family they've created.
he truthfully doesn't remember life without you, and quite frankly, he doesn't want to remember. ever since he was a toddler, you were his sun, yuuji your sunflower, absorbing your warmth and love.
you stayed by their side throughout everything; the ups, the downs, the twisty turvies. never once have you tried to replace his biological mum or even referred to yourself as his mother. but yuuji sees the way your eyes shine with pride and joy when looking at him.
he can see it in your face now as he walks into the kitchen, yawning. you notice him immediately while plating up everyone’s breakfast and attempting to escape sukuna's embrace, who's clinging onto your back like the leech he is.
“dammit woman, just let me hold you,” he growls, tightening him arms around you and kissing up and down your neck.
“sukuna,” you gasp, “not in front of yuuji!”
the giant of a man slowly lifts his face up from your neck and turns to side-eye yuuji. he lets go of you and sighs, grabbing the plates you’ve prepared, setting them on the table.  
“mornin’ brat, sleep well?” he asks yuuji.
“not with all your snoring, he didn’t.” yuuji laughs at your response.
“i don’t snore woman.”
you and yuuji share a look, completely in disbelief at the man’s denial. he’s woken himself up with how loud he is, many, many times. neither of you can believe he has the audacity to stand there and lie with a straight face.
you both scoff and yuuji sits down at the table, in no mood to deal with his uncle’s nonsense this early in the morning. you move towards yuuji planting a soft kiss on his cheek and ruffling his hair.
“sorry he woke you up yuuji,” you say warmly, kissing him once more.
“if anything i should be apologising to you, you’re the one that has to put up with him for the rest of your life,” the boy responds, looking up at you solemnly, genuinely sorry for you.
“i can hear ya both,” sukuna rumbles, mouth full of egg. “anyways, finish eating and make sure you’re ready by 10”
yuuji turns to you in confusion, and sees your face light up, practically buzzing with excitement.  
“where we going?” yuuji asks
you wrap your arms around him tighter and press his cheek onto yours. he basks in your affection and leans impossibly closer towards you.
“it’s a surprise,” you giggle.
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yuuji’s face twists in confusion as he stares at the shiny, brand-new motorbike in front of him. it was beautiful, and he’s always dreamed of having that exact model, but he was confused at to why they were there at the dealership. is this some cruel joke? he looks at you though, and shakes the thought out of his head. you would never do that to him.
“you like it, yuuji,” you ask, a broad smile on your face, eyes shining with glee.
 “s’ beautiful,” he nods in response.
his uncle pats his back and lifts his hand up, his own tattooed hand pressing something sharp and chunky into his palm. yuuji looks down and sees… keys?
“she’s all yours,” sukuna smirks, revelling in the disbelief on yuuji’s face. he seems to be frozen for a good 20 seconds, just processing what he’s heard. you and your husband share a smile. it suddenly hits yuuji that the motobike is all his, and his face splits into the widest grin.
“i love you both so much” he whispers, tearing up and throwing himself into sukuna’s arms and an arm around your neck.
the man steadies himself as you both tumble into him, heart suddenly panging at how big his nephew has gotten. it seemed like only yesterday when he was barely up to his shins, and now he was eye level?
sukuna hides his teary smile in yuuji’s hair, tightening one arm around you and softly rubbing his nephews back with his hand.
“yeah yeah, love ya too brat.”
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© ffsg0jo 2024 — do not plagiarise, repost, modify, or translate any of my work, in any way shape or form; i will piss in your cereal if you do. all work belongs to me and me only.
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astonmartinii · 7 months
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passion for fashion | max verstappen social media au
pairing: max verstappen x fem it girl!reader
she's everything and he's just ken (in a red bull shirt)
MASTERLIST | TIPS | MY SMALL BUSINESS
vogue
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liked by yourusername, maxverstappen1 and 490,233 others
tagged: yourusername
vogue: it's the start of the f1 season, you know what that means... y/n y/ln fashion season is in session
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user1: @yourusername make sure you're windows are bolted shut tongiht... you're on my rob list
user2: and mine PLEASE SPARE ME SOME OF YOUR CLOTHES
user3: her and lewis hamilton are the only real ones in that paddock
user4: the way they're still besties despite what went down in 2021 >>>
lewishamilton: me and y/n 🤝 making the paddock our runway
yourusername: someone has to make it interesting around here
lewishamilton: see @maxverstappen1 even y/n is bored of you winning everything...
maxverstappen1: womp womp
lewishamilton: womp womp ???? have some decorum
maxverstappen1: jokes on you i don't know what that means
user5: i wish i looked that good candidly
user6: at what point do we stage an intervention for max's wardrobe
user7: babe if the girlfriend effect still hasn't hit then it's terminal
user8: especially when your girlfriend is Y/N Y/LN
maxverstappen1: i'd do anything for her <3
yourusername: even wear something other than red bull merch?
maxverstappen1: let's not get too far ahead of ourselves
user9: i love them your honour
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yourusername
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liked by landonorris, maxverstappen1 and 1,209,445 others
tagged: maxverstappen1
yourusername: max verstappen wins, water is wet
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user11: water is wet and i will be drowning myself in it tonight
user12: me after hearing the dutch national anthem one too many times
landonorris: tell him he has too many already and he should let his best friend have a go
yourusername: he said that's not possible because i don't know how to drive an f1 car
landonorris: nuh uh you can't be his best friend and his girlfriend that's not fair
maxverstappen1: welp, idk what to tell you buddy
landonorris: i feel BETRAYED
yourusername: i'm sorry i'm just that loveable lando... i see how it is
landonorris: HOW HAVE I BECOME THE VILLAIN?
user13: max terrorises them on the grid and in the paddock they maximise their joint slay to terrorise everyone in a two mile radius
user14: they slay so much i can't even be angry at it
danielricciardo: so that's why i was kicked out of the elevator
yourusername: you weren't kicked out it was your floor?
danielricciardo: why did i not make the post? I THOUGHT I MEANT MORE TO YOU
maxverstappen1: just because we both had teenage crushes on you doesn't make you special. you'd have to fight seb and jenson for real special treatment
yourusername: throw fernando and kimi in there as well.
danielricciardo: i was confident in my fighting chances, but i'll leave nando and kimi to it
maxverstappen1: pussy
danielricciardo: EXCUSE ME
yourusername: idk how we got here but don't talk to my boyf that way daniel 😔
danielricciardo: i'm blocking both of you
user15: i am so baffled
user16: IT couple for real
maxverstappen1
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liked by danielricciardo, yourusername and 1,034,448 others
tagged: yourusername
maxverstappen1: clocked in for my shift as the trophy husband to the prettiest girl in the world
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user17: max verstappen why is there a whisper meme in your photo dump
user18: his ass acting like he wasn't at one of the most prestigious galas in the world
charles_leclerc: YOU got an invite and that's the best you could do
maxverstappen1: you better take that back right now y/n dressed me tonight and i look SEXY and COOL
yourusername: charles :( he looks very handsome
charles_leclerc: my bad y/n i wasn't aware that was your pick
yourusername: SAY HE'S HANDSOME CHARLES
charles_leclerc: ??? no
yourusername: wow. you really aren't a girls girl charles. i am disappointed
maxverstappen1: does our history mean nothing charles? i have no issue recreating the inchident at the next race
charles_leclerc: FINE. you look very handsome max
yourusername: more passion please
charles_leclerc: you look very handsome max!
yourusername: more! give the lestappen girlies some crumbs to feed on
charles_leclerc: YOU LOOK VERY HANDSOME
maxverstappen1: thank you 😊
user19: ignoring what ever the fuck that was ... MAX IN A SUIT WHAT THE FUCK MAX IN A SUIT
user20: y/n y/ln the woman you are
user21: so how can we implement this willingness to wear a suit into his paddock fashion
lewishamilton: you might have to waterboard him
charles_leclerc: i volunteer as tribute !
yourusername: 🤨
maxverstappen1: 🤨
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f1paddockfashion
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liked by user24, user25 and 11,029 others
tagged: maxverstappen1 & yourusername
f1paddockfashion: max verstappen in non-red bull attire? MAX VERSTAPPEN IN NON-RED BULL ATTIRE? also y/n slaying as per.
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user24: this is - i don't know how to feel
user25: maybe the real max verstappen in non red-bull attire was the friends we made along the way
user26: i am CELEBRATING but ladies do remember it's still alpha tauri 😭😭😭
user27: please let us have this while we can
user28: it's not plastered with sponsors so we'll take it
user29: idk about you guys but i think this means y/n should be knighted for her services
user30: i actually think prying the red bull merch out of max's hands might be the hardest thing in the world
user31: call me crazy but those jeans look kinda baggy 😳
user32: omg they definitely are
user33: death to the skinny jeans? fuck it first child named after y/n
user34: can we maybe get y/n in charge of max's merch cause the shit he sells should be considered criminal
user35: for real we need babe in the board room asap
user36: fuck it get her in the red bull board room as well
user37: go all the way and get her with the f1 execs
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yourusername
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liked by landonorris, danielricciardo and 1,506,339 others
tagged: maxverstappen1
yourusername: i love him even if all he wears is red bull
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user39: so ... who made the inchident shirt?
charles_leclerc: and how do i get one?
maxverstappen1: i got it made and considering you DON'T think i'm handsome you can go fuck yourself :)
charles_leclerc: GASP. that is my face you have to make me one
maxverstappen1: boooooo no i don't
charles_leclerc: can i copyright my face? i'm sending you a cease and desist
maxverstappen1: fine. but you will never look as hot as y/n in it
charles_leclerc: so you can call me ugly? @yourusername ???
yourusername: it was a compliment to me so soz
user40: the way she's fashion's IT girl and she still loves him even though his whole wardrobe should be burned
user41: real love
maxverstappen1: i love you. i wear my red bull merch to give you the runway
yourusername: sureeeee ... i love you too xx
maxverstappen1: let me live 😭😭😭
yourusername: the girls are dragging your name babe i need them to know HOW SEXY YOU ARE
maxverstappen1: i don't care how sexy they find me, as long as you love me that's all i need
yourusername: you're SO FUCKING CUTE I LOVE YOU
maxverstappen1: I LOVE YOU TOO
user42: can they chill? some people on here are lonely
maxverstappen1
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liked by danielricciardo, yourusername and 1,033,461 others
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maxverstappen1: my closet looks like this, so her's can look like this :)
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user43: max verstappen i misunderstood you. i was unfamiliar with your game.
user44: he's the standard now i fear
user45: a man who wears the same three outfits so you can have the whole walk-in for your collection >>
yourusername: thank you babe. you are god's strongest soldier
maxverstappen1: i AM. that room is scary. there's too much that i don't understand. so many shoes, so many straps i can't navigate it
yourusername: that's okay baby. there's your red bull draw and that's all you need
maxverstappen1: no the people don't understand. i went in there once and i swear i ended up in narnia
yourusername: you passed out with the AC on the highest level and jimmy and sassy sat on you. you were not in narnia
maxverstappen1: oh. well...
user46: this is the closet y/n deserves the rest of that house is defo a mojo dojo casa house
user47: fighting all the trophies, helmets and framed race suits with her narnia closet
lilymunhe: may i request a trip to the narnia closet x
yourusername: omg yes! come over next time you and alex are in monaco - the boys can entertain themselves
alexalbon: what if i want a closet tour as well?
maxverstappen1: don't do it alex you'll never find your way back out
alexalbon: (i was going to strategically leave a pair of albon athletics shoes in there)
yourusername: alex i already own a pair i bought them release day!
alexalbon: OMG ... one instagram pic so my sales can go platinum?
maxverstappen1: don't try and pimp my gf out
alexalbon: ???
yourusername: max 😭 and sure alex!
fin.
note: thank you for reading soz for the long waits between posts a girl has been BUSY but i hope you've all enjoyed! happy galentines day or palentines day to all that celebrate and thanks for 4.7k!! xx
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benegesseritofficial · 3 months
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The effects of face paint on Harrowhark's psyche
I've now cosplayed Gideon Nav 3 times, with my wife along as Harrow every time. Naturally, this has included full face paint for both of us each time and I have some thoughts.
Let me start by asserting that everything Muir writes in TLT about the face paint is accurate. Rubbing off your lips first, smearing into gray where the black and white meet, the way sweat makes it ooze but not run. I can't say if Muir (a known Homestuck) ever cosplayed as a troll, but I'm positive she tested out the practicality of the skull face paint or otherwise has first hand experience with extensive use of grease paint. Also, the way she describes normal people flinching when they see you is spot on.
I've noticed while putting on the make up that once most of my skin is covered, any flesh tones sticking out start to become unsettling. Specifically, the red/pink of the inner mouth and around the eyes jump out upsettingly. Every time I've done skull paint I find myself meticulously trying to patch over these edges of skin, despite knowing that it's inside skin that Shouldn't Have Make Up On It. Once my face is monochrome, I don't want to be able to see a scrap of real human under there. Smiling, or otherwise opening your mouth wide enough to see the pink, looks UNSETTLING. My own skin causes the uncanny valley effect. You see where this is going. In NtN we learn Harrowhark disassociates often enough that Crux isn't surprised or concerned to see "Harrow" insisting she's someone else. Obviously this is due to her schizophrenia, and perhaps trauma besides. But it doesn't account for every aspect of why Harrow's "like that." On her most lucid days Harrow ignores her body to the point of sweating blood and passing out. She goes entire days without eating. She thinks of herself as a skeleton unfortunately covered in flesh. She sleeps in her paint.
All of which is heinous, but that last one has stuck with me. From age 13-18 I barely glanced down while I showered and whatever I saw I basically blocked out. I wore underwear and a bra under my pajamas to sleep every night. I was going through the wrong puberty, "my body was in open rebellion" as I liked to say at the time, and the only way to cope was to bind it down and pretend it wasn't happening. By Gideon's narration in HtN one gets the impression most nuns of the Ninth are putting their paint on after breakfast and taking it off when they get home. It's not even expected the average person wears it every time they leave the house. But Harrow regularly only takes her paint off in order to redo it. I suspect a combination of being the most brainwashed person in her own cult, knowing how she was conceived, and the regular disassociation make it very difficult for Harrow to conceptualize that she actually lives in a body. If she faced that fact head on she'd have to ask why it so often feels someone else is using her body. She'd have to cope with owning this body, being a part of this body, that was bought with the blood of 200 children who should have been her peers and friends. Instead she pretends it's an object on loan from them. And she does it with 10 layers of black petticoats and so much paint she never has to see her own skin.
Which brings me to the final thing I've noticed wearing full face paint. It dehumanizes you to yourself and everyone around you. I couldn't read my own expressions in a mirror. Even people who understood and were delighted with my cosplay were visibly nervous talking to me. You don't look like a person. Studies have shown that faces wearing heavy make up are ranked as harder to read and perceived as less empathetic. It's a particularly insidious trap of patriarchy that many women find self esteem in wearing make up, while that very act makes everyone around them treat them more callously. And, worst of all, if you stop wearing it once you're used to it, your naked face is shocking. You look sick due to your colors being less bold and the normal small flaws of your face appear unbearably ugly. With all this in mind, Harrow has trapped herself in a feedback loop of not being able to witness her own face and becoming more and more disgusted with the flesh and person underneath whenever she has to glance at it.
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inkskinned · 6 months
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okay if you're really cool about things, i can be honest with you. before you read further, decide if you're a girl's girl. if you're cool and actually cool or like not cool.
men don't talk in my book because i was fuckken tired of the way they're the center of every fucking story. i was tired of how every story takes a moment to let them talk. men can shut up for literally one fucking book.
unfortunately not everyone is cool. professionally what i usually say is i didn't want to add violence to the world. the only men in my book are abusers, so they don't get to talk. they don't get to take up space. they ruined my life, they don't get to have their words echo anymore.
because like, yeah! you find practically any story about a person surviving trauma and... there's a man at the center. men are often rescuing us from these things. a "good man" is always standing around, being a good man, proving to the victim that good men are the real men. that her experience was unique rather than universal.
the redacted text has not been taken well by all of my early readers. there is this weird, crouching growl that keeps occurring with men-of-a-certain-age. why don't we hear his side of the story?
when i sat down to write everything that happened to me, i couldn't look at the frank brutality of my abuser's words on a page and think to myself: i actually let him speak like that. i had to redact his words from the manuscript. i then left it redacted. no victim is going to read this book and hear the person who hurt them. it is a book for the victims to speak. abusers shut up challenge, forever. for eternity.
my father once told me, chuckling, i should just have a page of redaction where i let the man just finally talk. it is funny to joke about how we should make a whole page in my book about a man that hurt me. this was not the only time someone commented - it feels like you're hiding things. how do i know you're actually a victim if he doesn't get to speak?
there are books where women aren't even present. i even genuinely like some of those books. like, who doesn't like the hobbit?
i keep running into people defending this imaginary man. the default narrative is so true to some people that they will defend any man, just by virtue of the assumption - "if he's acting like that, you had to push him." certain people need definitive proof that you didn't accidentally make your partner into an abuser. they need to decide if you deserved it, because they want to be able to judge you.
which makes sense, i guess, from a hind brain perspective. if you can figure out "why" someone was cruel, you can protect yourself against it. if you defend the bully, the bully might side with you. i don't really know their explanation for feeling this about a character in a book. trust me, i wrote the guy. he is not going to protect you.
i guess i just - there was a time in my life where i desperately wanted anyone to defend me. where i could have really used someone saying holy shit are you okay instead of what did you say to make him act like that to you.
instead, over dinner, a friend-of-a-friend i just met is pouring herself wine. i heard you wrote a book, she says. she gives me the kind of chilly smile i associate with knives. i heard it's unfair to men.
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hyunniesgirl · 8 months
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My cat likes you
Pairing: Lee Know x gn!reader
Genre: fluff
Summary: your cat is behaving strangely lately and a walk outside your apartment shows you exactly why.
Warnings: none
A/N: I saw a video on Instagram with a cat rubbing on the floor when they saw a cute guy and I was like "why is this so Lee Know coded?" And had to make something like that with him heheheh
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It's been a few days since your cat started behaving strangely, she'll wake you up early in the morning meowing at your room’s door. At first you thought she did that because she was hungry, but when you put food in her bowl she ignores it and keeps meowing.
You realized then, that she wanted you to follow her as she twirled and rubbed on the floor. She would wait for you at the door and would keep scratching it, waiting for you to open it.
“It's too early for a walk, Bo-mi”, you tell her, shaking your head and turning around, going back to your bed to try and sleep a little bit more before work.
She keeps insisting on the early morning walks, but you don't give in, you can't have her get used to going out when it's still time for you to be sleeping.
After a few days, Bo-mi starts having that same behavior late at night, when you are already in bed, ready to go to sleep. She meows for minutes straight until you get up and walk with her to the door.
“Bo-mi, we can't go out now, I'm already in my pjs”, you sigh, patting her. But she keeps scratching the door and meowing for you to go out. “Tomorrow is Friday, okay? So I can stay up late to take you out for a walk”, you tell her before going back to your room.
You spend the next day trying to figure out why she's acting this way. You think about the possibility of her being sick, but she's eating and drinking water normally and she's sleeping the same amount as she always did. Her last check up wasn't even two months ago, even so, you should definitely make an appointment with the veterinarian.
You arrive at home and Bo-mi comes running to you, purring and rubbing herself on you. After you pet her, she goes back to the couch, getting comfortable there again, she doesn't even try to go to the door. Why does she just want to go out when it's late? Or early in the morning? It’s just strange.
Thinking too much about it won't help you find out what's going on, so you give up on the thoughts and just go to the bathroom to take a shower and put on some comfortable clothes since you have to take the lady of the house for a walk in a few hours.
Everything kind of makes sense when you open the door and Bo-mi goes running to the corridor, however, she stops at your neighbor's door, sniffing a bit. The sound of the elevator takes you out of your thoughts and your cat walks in that direction finding a strange man coming out of the elevator.
He looks at her and smiles, trying to go past her but she throws herself in the ground, showing her belly to him and rubbing herself on the floor.
Before you can speak, the guy bends down, petting and making her meow. You look at your watch to see that he's arriving at the exact time that Bo-mi tries going out every night. The weirdest thing is that she hates strangers, especially men.
“I’m sorry”, you finally get out of your head to say something, “she has been acting strangely lately”
“It's okay”, he says, without looking at you. Hypnotized by your cat's little meows and cuteness. “I actually saw her on the balcony one of these days, but couldn't pet her because of the distance”, he chuckles. “What's her name?”
He finally looks at you when asking that and for a moment it seems like the world stops for the both of you. He's the most handsome man you have ever seen in your entire life, with cute boba eyes and an innocent look.
“It's Bo-mi”, you tell him, feeling your cheeks a bit warm.
He clears his throat, petting your cat for the last time before standing up again, fixing his clothes. He didn't look at you at first, but you are so pretty it actually left him speechless and that is a hard thing to achieve. He was even going to make a joke about cats, but couldn't even manage to get that out while looking at your face.
“I'm sorry to ask, but do you also go out around five a.m.?” You ask out of nowhere, making him look at you suspiciously.
“Yeah, why?”
“Because I think my cat is in love with you”, you tell him, pointing at Bo-mi, rubbing herself on his legs. “She always tries to go out around five in the morning or at this time of the night, I guess she wanted to see you again”
You really understand Bo-mi on that, you would also want to see him everyday if you had the chance.
“Oh”, he smiles, “I'm Minho by the way, I moved here two weeks ago”, he says pointing to his apartment.
“I'm y/n”, you give your hand for him to shake, “I know it's weird to ask this, but can I bring her out sometimes so she can see you?” You ask, shyly, making Minho chuckle.
“Yeah”, he nods, “maybe you can also meet my cats”, he says, feeling his ears warming up. “I mean, in a housewarming party, of course”, he completes.
“I would love that”, you smile and he feels like he could melt just with that, “I'll take her home now”, you catch Bo-mi in your arms even though she struggles to get out of your grasp and go back to Minho, “I'll wait excitedly to meet your cats”
Minho watches you go into your apartment, waving to him before closing the door. Now, how the hell does a housewarming party even work?
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zyafics · 9 days
Text
PLAY FAKE | part thirteen
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MASTERLIST (series) | Rafe Cameron x Female Reader .ᐟ
Summary — When Rafe needs to secure a girlfriend for his father to see him as a viable candidate for Cameron Development, he enlists the help of a bartender who wants nothing to do with him.
Content — 18+, smut, angst, depictions of jealousy + aggression, emotional turmoil, mild descriptions of violence, and usage of drugs. Reader is hyper-independent, a people-pleaser, a smart mouth, stands on business, and has a mysterious past. Rafe is insecure, possessive, an asshole, and has mood swings.
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"Are you busy?"
The phone call came at the stroke of midnight. Rafe had just gotten away from a lengthy discussion with his father regarding the open properties around Kildare and wanted nothing more than to crash out. But he answered without hesitation when your name flashed across the screen.
"No," he pauses. "Do you need me?"
You do, but you're reluctant to confirm that piece of information. Flattening your lips on the other line, you rub the back of your hand over your tired eyes as a prolonged silence engulfs the call.
But Rafe understands. With a firm I'm coming over, he disconnects the call to pick up his keys.
You've been home for a couple days now, having stayed at Tannyhill for a little over a week. However, with Sarah's return, you felt you'd overstayed your welcome and needed to part ways. Despite Rafe's protests, you insisted, needing to find your own space in the aftermath of everything.
He had hated the way you phrased it. That you needed a place without him.
When he reaches your driveway, Rafe discerns two silhouettes on your porch. Adrenaline spikes, assuming it was Aaron—and that was the reason for your distress call—but upon closer inspection, with the headlights of his car glaring in that direction, the clarity hits.
Maybank and Heyward.
His stomach twists at the realization that he wasn't your first recipient. That you went back to your roots before coming to him. Now, more than ever, Rafe has a bleeding need for some security, to be your first choice.
He doesn't like to be set in the backseat to a pair of Pogues.
Turning off the ignition, Rafe exits the vehicle just as Heyward and Maybank launch from your porch steps with rigid defense. Their eyes narrow at him in suspicion as he stalks up the long pebbled pavement.
"What are you doing here, Rafe?" Pope interrogates in lieu of a greeting.
Rafe scoffs, stuffing his hands into his pocket. "How is that any of your business, Pogue?"
JJ jumps in. "If you're here for Aaron—"
"I'm not," Rafe snaps, not liking any association with the loan shark, before admitting, "She called me."
A moment of suspense punctures the air before JJ disrupts it, shaking his head with disbelief. "Bullshit. Why the fuck would she contact a Kook?"
It's an insult, the way Maybank's lips curled with the title and Rafe huffs. He doesn't owe him any explanation and certainly won't give one. Stepping forward, Rafe attempts to enter your house, only for the two boys to block his path.
"Move," Rafe commands lowly.
Pope tries to meditate. "Look, I don't know what you're doing here, but she's been through some things and we don't want any more problems—"
Rafe doesn't bother listening to whatever else he has to say. He knows. He knows what you've been through and he's here because of it, not to add to it. But the accusation is thick on Pope's tongue, fueling his irritation. He attempts to shove past both of them, only for JJ to push back.
Shouting stirs you awake. That's a lie. You've been staring at the ceiling for the past hour, hoping it'll lull you to sleep, only for the act to be unproductive. When you start to hear sounds coming from outside, you know Rafe arrived.
Pushing past the screen door, you step out onto the porch to witness JJ and Rafe in the middle of a standoff.
Charged words thrown back and forth, you recognize the dark look behind Rafe's gaze as JJ keeps pushing Rafe's chest—one full of deep agitation, seconds away from snapping.
Your stomach flips with nausea.
"Back off, JJ," you announce sharply to the open yard, causing the trio to direct their attention to you. You briefly connect your gaze with Rafe before turning to the younger blond. "I called him."
JJ's hands drop from Rafe's chest, taking a step back, but there's a look of unsteadiness behind his gaze. Confusion spreads across his hard features while his mouth twists into an ugly scowl. "For what?"
"Does it matter?" You refute, avoiding his question. JJ cocks his head, only for you to add, "You can go home now."
JJ frowns, turning to Pope as they exchange a silent debate. When all Pope could give is a casual shrug, knowing it's your decision at the end of the day, JJ turns back to you.
"You could've let us stay," JJ reasons, throwing a harsh glance over his shoulder at Rafe. "What could a Kook do for you?"
"It's fine. He's my…" You trail off, unable to find the right words to label Rafe. Your initial ideas are too compromising. And Rafe doesn't want your relationship to be seen as complicated to the Kook public, since your interactions could circulate back to Ward. But here, in the sanction of The Cut, you know there's no intersection. No need for security. You shake your head with a tired yet reassuring smile. "It's okay. I appreciate you guys' help."
Rafe hates how you didn't say it.
With a heavy sigh, JJ nods. "Alright," he says, clapping his hands and signaling Pope to descend off the porch. They pair off as they head home and, sparing one last glance at Rafe—who's ascending up the short steps to approach you—JJ bids a final farewell. "Call us if you need anything."
Rafe's arm wraps protectively around your waist. "She won't."
You roll your eyes, shoulders relaxing from their rigid stance, as you watch their departing figures. Once they're no longer in view, you take his arm and tug him into your house.
The short stroll to your bedroom is mostly silent and Rafe takes inventory of your home for any disturbance. Since he ordered that cleaning service, your house is significantly cleaner. You had initially refused his charity but he refused to take no for an answer and you ended up with a grade-A cleaning company that polished your home from all the broken debris and dangerous hazards.
But that wasn't the problem.
When Rafe steps into your bedroom, it's an absolute mess. Pillows are skewed across the floor, your sheets wrinkled and tangled upon each other, and piles of your clothes are thrown together into a pile next to your closet. It greatly contrasts the environment outside your door.
"Shit," you mumble, embarrassment flooding through your body. You move from his touch to do some quick cleaning—throwing your pillows back on the bed, picking up dirty clothes, and tossing them into the hamper.
Abashment increases with each of your frantic steps, to the point that Rafe has to grab your elbow to stop you in place. "Hey," he says softly, lifting your gaze to his, "I don't mind."
You don't say anything. Fatigue pours into the very crevices of your bones. But despite the urge to be presentable, Rafe is a comfort. A clutch. And it's getting dangerous seeing how much you lean on him.
It's on the tip of your tongue to push him away. To tell him to go back home. But he beats you to it, glancing at the door.
"Where's your sister?" Rafe asks. "Are they okay?"
"They're fine," you answer, "They're sleeping."
You assumed Amara and Leilani would deal with the same troubles as you, but when you checked up on them, they were out like a light.
Rafe examines you carefully: the way you shift your weight from one leg to the next, the way your hands slightly tremble, and the clear indication of sleep deprivation from the darkened shades ringed around your eyes.
He understands now.
"And you're not?"
Your jaw locks before unwinding. "I'm sorry."
He wants to eradicate that phrase from your vocabulary.
"Why are you apologizing?"
"It's stupid."
"It's not stupid," he argues. "You have a problem and you called me. I'm here to help."
Rafe's words are adamant and warms your chest but guilt presses like glass against your heart. "Were you busy?"
"Doesn't matter."
You frown. But the look in his eyes is genuine and honest. You take a step back to separate from him, needing your own air. As of late, everything you own is his. "I…" You exhale a large breath, voice shaky. "I don't know. I don't know what's wrong."
"Is it because of Aaron?"
You hesitate before nodding once.
"Have you seen him?"
"No, and I think that's the problem." You expel another breath. "I'm on edge all the time. My chest feels heavy and tight and my head hurts." You pause, before choking out. "I'm just so exhausted."
Rafe closes the distance and wraps his strong arms around you as you sink into his chest. You inhale, taking in the faded smell of his cologne.
"I hate this," you mumble, balling the fabric of his shirt into fists. "I hate that I can't sleep. I hate that I'm always stressed. I hate that—" You cut yourself off, not wanting to reveal too much. Swallowing hard, you attempt to salvage your words. "I just hate that I'm like this."
Frustration oozes out of you and Rafe hates to see you in this state. However, he'll admit, having you vulnerable and open is a welcoming change. You're allowing him a chance to see a side of you no one else has the privilege to and he deeply treasures your trust.
He'll do anything to preserve it.
Rafe massages delicate circles into the small of your back, soothing the aches in your bones as you melt into his arms. "It's okay," he reassures with a sweet mumble, "I'm here. What do you need from me?"
"I just want to sleep."
"Then we'll sleep."
"No sex." You withdraw enough for him to meet your solemn gaze, "No touching. I don't want to do anything other than sleep."
"Okay." He agrees slowly, his voice is unsteady because of your accusatory tone.
"I'm serious, Rafe," you proclaim. "I know we like to mess around, but I'm too tired. I don't want to fuck tonight."
Rafe's expression is unreadable, stonewalling his emotions the moment those words slipped from your lips. Did you think he only sees you as a fuck buddy?
"I said okay," he snaps, a little sharper than intended, but you pretend not to acknowledge it. You misunderstand it as him being upset over the celibacy rule imposed tonight, but that wasn't the case.
You swallow hard, not wanting his aggression to roll over into bed. "Rafe," you begin, feeling guilty, "if you don't want to, it's fine—"
"I never said that," he cuts you off, not wanting the implication to be read that he doesn't want you here. He does. It hurts him that you think he sees you as nothing—when that's far from the truth. He just can't seem to say it. "I just..." His jaw tightens. "Let's just go to bed."
Your lips pull together into a thin line, wanting to address the issue, but deciding you cannot handle an argument tonight. Nodding, you separate from him and move to one side of the bed. Rafe does the same.
You thought Rafe would take some precaution to add distance between you but he doesn't. You can feel the overwhelming radiation of his body heat, the indication of his proximity in close range, and it causes your breath to be still.
You can't handle it. You need distance. You need space. It's too intimate otherwise, and you can't afford that.
Pulling yourself to the ledge, with your back facing Rafe, you inhale a deep set of breaths to soothe the tension in your body. To pretend you don't feel the heat of his gaze. "Goodnight."
He doesn't answer at first, before he reciprocates with a night and you close your eyes to sleep.
Rafe watches you. The first few minutes are normal, but as time passes, you can't seem to relax in your position. Twisting and turning, your eyes remain closed throughout. The only sound is the soft breaths escaping you to indicate your sleepy state—or, at least, the closest attempt at it.
His mind still lingers on your earlier words. Do you think he doesn't care about you? Beyond intimacy? Is that why you called Maybank and Heyward first?
Rafe never thought you had an issue with it. That you were perfectly content with the arrangement. But the accusation on your tongue gave a different interpretation. Do you want more? Or, is he driving himself insane with the idea of you being his and only his?
Lost in the spiral of his own thoughts, Rafe didn't even realize that you moved closer. Your back now facing the wall as one of your arms extends outward, draped across his chest.
He freezes. Rafe assumes it's an accident, something you'll retract in a matter of seconds. But when your arm reaches out again, seeking the curve of his neck, he realizes it isn't.
You want him.
Taking it as a sign, Rafe lowers himself to grab the underside of your thigh, pulling your weight onto him. The moment you're in his embrace, chest resting against his, you wrap your arms around his shoulders. And, in return, Rafe nuzzles into the open crook of your neck, inhaling your scent.
"No touching, huh?" He mumbles into the softness of your skin as a gentle taunt. But when there's nothing but the sound of shallow breaths and the emptiness of replies, Rafe realizes you truly fell asleep.
You reached for him unconsciously.
His heart races at the implication, before calming to a normal rate, matching the steady guided pace of your own breaths. His grip around your body tightens, squeezing the soft flesh because, at that moment, he doesn't ever want to let you go.
"You need me," Rafe murmurs the confirmation in the column of your throat, hoping the words would sink through. "And I need you too."
By morning, you're gone.
It shouldn't come as a surprise. Every time he spends the night, there's a brief hope that the outcome for the morning will be different. That you'll remain in his arms, sleeping soundly. It never happens. And despite the subtle ache in his bones from the weight of your body on top of his all night, it beats the ache in his heart.
Sighing, after washing up, Rafe exits your bedroom to discover you sitting on one of the stools. A leg propped on the flat seat, your chin rests on your kneecap while you're flipping through some old documents.
"Morning," Rafe says, falling into the space next to yours.
"Shit," you swear, nearly jumping out of your own skin, a hand covering your accelerated heart. You hadn't heard him coming. "You scared me."
"Sorry," he apologizes sincerely, his eyes scanning over your refreshed face. "You sleep okay?"
You nod, recalling the memory of this morning. Curled up on his arms, head buried in the curve of his neck, your body pressed against his. At first, you assumed Rafe had pulled you in, but that wasn't possible. He wouldn't go against your directive. It was all you.
The corner of his mouth rises at the recognition dawning on your face. Before he gets the chance to make some comment about your neediness, you cut him off. "Don't," you warn, feeling a rush of heat rising to your cheeks.
"I haven't said anything,"
"I see it on your face,"
He scoffs, but the smile remains. "You're right," he relents, leaning closer, shortening the distance between you until he's right before you. "I was thinking of it."
Your eyes catch him and the teasing glint behind his gaze, causing your breath to shorten. You expel a breath, trying to release some tension in your shoulders, before you clarify, "All we did was sleep."
"Yeah, but you slept on me," his voice drops a full octave, "Admit it, sweetheart, you want me. Why else would you want me here?"
You search his face, trying to figure out what he wants. What he's trying to get out of you. But you find nothing tangible. Refusing to put yourself in another position of vulnerability when Rafe has done nothing to balance the scale, you scale back, adding space. "I just—I needed someone I trust."
You don't acknowledge that his assertion is correct. That the one time you fell asleep peacefully was in his arms. Or, perhaps, it wasn't necessarily about trust but about him. Instead, you pretend it's something else, something vague and general, hoping one day it will.
"Someone," Rafe repeats. "Or me?"
You avoid the question.
And Rafe assumes the former.
Dropping your gaze to the files, the air stiffens into a palpable silence. Your fingers thread through the records, pretending to search for something, when all you can feel is the thumping of your heartbeat in your veins.
Rafe releases a sigh. The elation of his state quickly deflates after your rejection. Again. He doesn't know how much longer he can take before it truly destroys him. Deciding to shift the conversation elsewhere, he asks, "Do you want me to stay again?"
"No, it's fine," you shake your head, dismissing the proposition out of habit. Even though it would bring you peace, the rational side of your brain determines the distance necessary to protect yourself. Becoming too reliant on Rafe would add nothing but pain. "You can go home," you pause, considering how to lighten the mood, "I bet the mattress here sucks in comparison to your one-million thread counts, huh?"
There's a strain to your voice; a telltale sign. Rafe ignores your words and focuses on what he does best: reading your body language. With squared shoulders and an avoidant gaze, he knows your words are far from the truth. You just don't know how to ask for what you want.
So, he proposes a different question.
"But can you sleep?"
You don't answer.
"I'll stay then," he decides, as if he's reading an item off a menu. Before you get a chance to object, Rafe shifts closer, tugging the corner of a document. "What's this?"
Your mouth closes, shoulders slouching from how quickly he changes the topic. It almost makes you smile. Deciding it would be better than fighting it, you explain that you're reviewing your Sailor bank accounts to see what money you can spare without harming the business. However, the issue is that you can't seem to find any gaps.
Rafe's brows furrow together as he listens, asking permission to take a look at your statements himself. His eyes scan through the billing, before asking. "Why don't you sell the business and work elsewhere?"
"You're not funny," you declare, attempting to pull the document away, but his grip remains firm. His eyes are set on yours.
"I'm not joking," he declares. "It could help a lot. I mean, you'll earn more than what you're earning here."
He isn't wrong. At this point in time, you would profit more by working as a bartender than a business owner. But that's not the point.
"Sailor is my family's legacy," you explain, believing his question was not an attack on your qualification but rather from a strictly logical standpoint. "It and my sisters are the most important things in my life."
Rafe hums, and he doesn't add anything else. You don't know if he gets it. "Let me ask you something: why do you want Cameron Development so badly?"
He goes rigid. He's never been asked that question before. Never had to articulate his reasoning. It makes him uncomfortable to be interviewed—especially if it's to you of all people. "I don't know," he declares noncommittally, glancing at his lap, "I always assumed I would get it. I'm the oldest."
You shake your head. Not out of mistrust, but because you know him. Rafe isn't as simple-minded as the rest of Kildare likes to believe. There has to be more. "I don't believe that," you say gently, "Try again."
His expression morphs into a charming smile. A facade to hide. "Do I get something if I talk?"
You roll your eyes. "It's always sex with you, isn't it?"
His smile drops, but you don't pick it up. He shouldn't have said that, but it's too late. Your expression is easygoing and loose, a detachment to your words as if you truly believe and accept that perception of how he views you.
Instead of addressing his feelings, he tries to articulate what he meant before.
"I don't know," Rafe starts again, in a low mumble, his voice more vulnerable than it was moments prior. "Business was the one thing I got. I... I didn't excel in academics and I didn't like sports that much. But with Cameron Development, it was the one thing me and my dad could sit down and talk about and I didn't feel like a big disappointment to him."
He never said those words out loud before, and the confession sounds pathetic, but the way your eyes soften and your head nods along as you listen with no judgment, it gives him the confidence to continue forward.
"I... I get it, you know? The numbers don't scare me and the logic makes sense. It's the one thing I have going for me and to know that my dad is considering giving it to Sarah... It hurts. Like, she has everything and I can't even have the one thing I'm good at."
His voice cracks at the end, and his gaze has since dropped to the floor, hands messing and rubbing the calloused skin of the other.
You reach forward to cup the side of his face, and lift his head, meeting his sensitive gaze. "It isn't fair," you run the pad of your thumb over his cheekbone, trying to soothe the ache of his admission. "It truly isn't. I wish I could make it better for you."
Too gentle. Too loving. In the comfort of your touch, Rafe speaks before he can stop himself. "Sometimes I think if I have you, I'll be fine with the world."
Your breathing stills. Rafe did too. You don't know if you misheard him, or if he's implying something else, but before you can seek clarification, the doorbell rings.
"I'll get it." Rafe swiftly pulls away, moving to the exit. His hands clench by his side, teeth grinding, regret coursing through his veins at the mistake of letting his emotions overtake him back there.
He shouldn't have said that.
When he opens the door, without checking the peephole, JJ stands behind it.
"Oh, you're still here," JJ declares with a hint of bewilderment. "Didn't think she kept dogs past noon."
Rafe's already on edge from the previous conversation that he has little patience for the Pogue. Seconds away from slamming the door on Maybank's smug face, you appear by Rafe's side, stopping him and inviting JJ in. He steps into your living room, holding something in his hands.
"What's that?" You point to the crumpled note, before recognizing his nervous stance. JJ's bouncing on the heel of his feet, avoiding your gaze, and when you repeat your question, more firmly this time, he reluctantly holds the note out.
"Someone left this at your bar," JJ explains as you take it. Your eyes quickly scan the message, your heart sinking with every word you read. "It's a warning. If you don't... If you don't pay him back in full tomorrow, he'll do something to your bar."
Rafe's watching your reaction with a hardened look. His eyes keep sliding over to JJ, the Pogue being the messenger of the news—the one you sought help from before—and the blond feels the heat of his stare on him. Consequently, it forces JJ to grab your elbow and pull you off to the side, away from Rafe.
JJ begins. "Look, I know you don't wanna do it, but my dad knows a guy—"
"No."
"He's been through with Aaron before," he whispers back sharply, "It might be the only option you have."
"And get stuck in the same shit I had with Aaron? No," you declare firmly, reading the note again. It does nothing to soothe the heightened nerves in your body. The way panic is ricocheting inside your stomach like a ping-pong ball.
JJ says nothing, the absolute behind your tone quiets him. While you're preoccupied with another read-through, JJ glances back to where Rafe stands.
"I gotta ask," JJ starts again, lowering his voice so only you can hear. You lift your head from the note, meeting his curious gaze, with a raise of your brow. "Rafe? Seriously?"
While you're trying to figure out how to maintain your livelihood, JJ is concerned about your love life.
"Is this really the time and place?"
"I'm serious, what do you see in him?"
"Drop it, JJ."
"I just don't understand," he continues in a whisper, but his volume raises slightly, "I swear, you're a pretty girl. You can do 10x better than him—"
"JJ," you command sternly, all amusement vanishes. "Drop it."
"Fine," he stays, stepping back with both hands partially raised to his collar. He doesn't turn to catch another glimpse at Rafe, but instead, offers the same advice as he did before. "If you need my help, you know where to find me."
Rafe watches as the Pogue leaves, stepping out to your porch and closing the door behind him. But his breath remains ragged. He caught the last bit of JJ's hushed words, and as much as he wanted to be sensible, he didn't like it.
You're different than Rafe, he understands that. You have a support system, a list of other people, and sometimes—as much as he hates to admit—they are better than him. Less volatile. Less emotional.
But it feels like you're pushing him away. Placing him as a last line of defense for all your troubles. The insecure parts of him are roaring—louder than his rational thoughts can ever be—telling him that he's the last choice. The last option.
He can't help but wonder. If Leilani hadn't called him, would you have? Or would it be JJ or Pope?
Rafe rounds the couch to approach you, his hand circles your wrist holding the note. Your head lifts to meet his harsh gaze.
"You don't need his help," he declares gruffly, "I could've done it."
You blink. "What?"
"The note at the bar," he gestures to the crumpled paper in your hands, before dropping his to his side, clenching down to a fist. "I could've taken care of it."
"I... I didn't ask him. He did it himself."
Rafe isn't convinced. "And last night with Maybank and Heyward, that was all them too?"
His tone is sharp and accusatory, leaving you lightheaded as you stare at him. You're still wrapped up around the threatening note, but Rafe is somewhere else. A different topic. Another issue. You can't seem to gauge what type of response you need to have. And in turn, you give him silence.
His anger rises. "Am I just your second choice? Your fucking backup plan because those Pogues don't cut it?"
Your head is spinning, and you attempt to pull away from his grip but he tightens it. "Rafe," you start slowly, your breathing quickens, "What are you talking about?"
Are you being ignorant on purpose? Are you trying to drive him mad? His fury erupts, flooding all his senses.
"Them!" Rafe points to the door, where JJ left moments ago. "Last night. Everything. Did you ask them before you asked me?"
It's starting to catch up. "Are you serious?"
"I told you that we'll figure it out together."
"I—" Your throat burns. You can't believe he's letting his jealousy about your friends come at a perilous stage in your life. Exhaling a sharp breath, you meet his stare head-on. "They appointed themselves to that role. I never asked that of them."
After Pope discovered the break-in, JJ and him formed a pact to take it upon themselves to watch over you while you're home. They traded off shifts, entertaining themselves on the porch where they set up a makeshift couch and hammock to crash. You had tried to convince them you were fine, but they were stubborn. They wouldn't listen. And at the time, you appreciated the extra protection.
But it didn't work. You couldn't sleep. You still needed him.
Does he not get that?
Rafe scoffs, shaking his head with contempt, "You never ask for anything."
"Are you really trying to start a fight right now?"
"Are you making it a fight?"
"They're my friends, Rafe," you emphasize, "I told you that."
"I'm not talking about that."
"Then what is it?"
His jaw is set, resistance churning through his system to shut the fuck up, but he can't hold it in. He finds himself asking, half in plead, half in confession, "What am I?"
You weren't expecting that. Your lips part, but no words follow through. His hard gaze is on you, waiting for an explanation, but you don't answer fast enough. It's killing him. His next words are a shimmering calm, in a deadly whisper, "Do you think I only want you for sex?"
Your heart squeezes in your chest, taking all your air alongside it. You think you lost your ability to speak, but when you do, it comes out small. "Don't you?"
You're turning the question back onto him, and he hates it. He's trying to get the words out of you, to see where he stands, but neither of you is willing to take that step. It reduces him to silence.
You can't believe it. He can ask, but he can't answer. Frustration fills you, searing hot and explosive. You don't stop yourself from saying, "Because last I remember, whenever you had a problem, you came over to fuck." You snap, your emotions rising to a crescendo, "And when I asked you what we are..." You trail off, losing your voice. The sting of his label still hasn't passed.
But he knows what you're referring to.
"That's different."
"How?"
Rafe doesn't speak. All he knows is it's different. He has feelings for you. Before he refused to acknowledge it, now, it's bleeding into everything he touches. Everything he does. He just can't seem to say it.
"That was before."
Your brows pull together, your anger pulsating through your veins. "Before what? Before Aaron broke into my house?"
"No," he declares, his response is a knee-jerk reaction, but it wasn't the right one. Attempting to rectify, Rafe stammers, "Well, yes, but it's just... It's..."
Why can't he fucking tell you?
He's afraid of being first.
"It's pity?" You supply, not bothering to conceal the hurt in your tone. "Everything is just pity?"
"No!" He exclaims, but it isn't right. It still isn't good enough.
"Then what is it?" You demand, trying to get a hold of your emotions. But you're seconds away from screaming, or crying, or both. You rip your hand from Rafe's grip, taking a step back to conserve yourself.
His gaze falls to his empty hands, his emotions choking him. Every attempt at saying the right words causes him to shrink, feeling small, feeling like a child reaching for their parent's love, only to be pushed aside and dismissed. His walls are for protection, but it destroys as much as it save him.
Rafe decides to settle on something easy. "I'm your boyfriend."
"Fake," you correct.
"Does this feel fucking fake to you?"
You reel back. All your anger dissipates. All your resentment, hurt, and frustration disappear once those words leave his lips. And you're left with a burning clarity. Your chest constricts, your heart hammering. But you can't seem to answer him. You want him to say it first. "You tell me."
Rafe can't. It took all of him to admit such a thing.
You watch him with bated breath, but only to be disappointed again. His dark blue eyes are piercing, rich with emotions, but none of them are vocalized. None are honest. You can’t do this. You can’t go through another second of this uncertainty. You’re tunneling towards heartbreaking misery. So, you turn to leave.
But Rafe catches your wrist and pulls you back. His lips slam into yours, knocking the wind from your lungs.
He pours everything into this kiss; all his desperation, vulnerability, and truth. His action demonstrates everything his words can’t. And while you reciprocate with the same passion, reality grounds you, and you draw back, shaking your head. “Rafe—“
He kisses you again. Hoping it’s enough. Begging it to be. He can’t say it. He doesn’t know why he can’t fucking say it. He wants this to be enough.
You push back again, and this time, his arm wraps around your waist, trapping you in his embrace. You’re breathing hard as Rafe stares down at you while you’re looking at his chest.
He says your name. You refuse to look up.
He says it again. More firmly. You don’t acknowledge.
“Sweetheart,” he finally says, softening his words, and you find yourself crying. Tears crowd your waterline as you shake your head, refusing to be persuaded by the sweet sound of your endearment.
“No,” you choke out, slamming a weak fist against his chest. “Let me go. I can’t—I don’t—I’m not doing this.”
You finally tilt your head up to look at him. The way he stares at you with such tenderness. You can’t seem to discern it from pity. “I can’t.” You sob, “If this is how you’re playing me, I can’t keep doing this anymore. You’re breaking my heart.“
Then it finally hits him.
All your resistance. It was never rejection. It was the complete opposite. Coupled with the same fears he had; the same emotions he didn’t know how to express. He’s been so blind to it.
He should’ve known. He should’ve read it the same way he’s been reading everything else.
It finally gave him the confidence nothing else has.
“I fucking love you.”
You are completely still. You think you're hearing him wrong, that this is just a way of your brain deluding you and calming your irrational state of mind, but it's real. Your lips part, breathing shallow, all while you're staring back into Rafe's eyes.
He's afraid. Rafe doesn't trust his own instincts. Everything about you makes him question himself. And while he gained a fleeting moment of courage, he doesn't know if it will follow through. On the off-chance that, despite all this, all the signs he read, he was wrong and it will be rejection.
"Say it back," Rafe whispers in a plea. It's pathetic, but he no longer cares. "Say it back or I'm going to lose my fucking mind."
"You love me?" You breathe in a whisper, unable to move on from this moment. Rafe squeezes his eyes shut, swallowing thickly, before nodding once.
“I think I loved you since I first met you,” he confesses. “I just didn’t know it yet.”
“You’re not just saying that?”
Rafe bristles, “You think I go around telling people I love them?” He declares, studying your expression, trying to gauge your reaction, but it’s hard when he’s blinded by the crippling fear that you don’t feel the same. “You think I do this for anyone?”
“I don’t know,” you admit, “I just don’t want you to say something you don’t mean.”
“I do mean it,” he declares, his voice suddenly dry, as he finds your gaze. “I… I’m sorry for before when I said things I didn’t mean. I don’t want you just for sex, I don’t see you as just a fuck buddy. I’m… I’m in love with you, and it’s fucking difficult to tell you that.”
Your lips purse together, but you still don’t answer him. Don’t confess your own side. Instead, you ask in a meek voice, “Since the beginning?”
He huffs. He can’t believe he’s admitting so much today. Revealing things he swore he’d keep hidden behind a locked box. But when he finds the light returning in your eyes, trying to gauge more of his reaction, read his true meaning, finding comfort in his words, he’ll rip out his own soul to keep it there. “Since the beginning. When you called me out, when you patched me up, when you slapped me—“ That bit makes you let out a small laugh, “I don’t think I was going to meet anyone who challenges and accepts me the way you do.”
You don’t say anything for the next few moments. And they were the longest seconds of his life. Rafe had to speak, “And if it’s just me, if I’m the only person who feels this way, I’ll find a way to be okay with that—“
You cut him off with a kiss.
“I love you,” you breathe into his lips, wrapping your arms around his neck, “I love you,” you jump, curving your legs around his hips as Rafe catches you, steadying you with two hands tantalizing skimming the curve of your ass. “Fuck, Rafe, I love you so much.”
His heart fills with your words. Your desperation clinging to each puncture. He grins into the kiss, before he deepens it, tasting you, stealing your air. Everything feels right. Feels good. When Rafe separates to break the kiss, he catches the residue smile on your face and the little daze behind your eyes. He snaps a memory of it and saves it forever.
But, just as it came, it slowly faded away. Reality quickly dawns on you, and your arms tightens around Rafe’s neck, reminders and deadlines creeping up your skin. Your confession comes out small. “I… I’m scared. With Aaron and everything.”
“Sweetheart…”
“I don’t have the money, Rafe,” your eyes connect with his. “I don’t know what I’m going to do.”
Rafe pulls you in, flushed against his chest as your head lays on his shoulders and his hand strokes your hair. It takes a moment for him to process, to remember the world outside of you. But, when he does, he whispers, “I’m going to take care of it,” his voice so low, it almost comes out as a threat. “I’ll take care of you.”
And he will.
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maplesyrupsainz · 7 months
Text
˖⁺。˚⋆˙MY girl | LN4˖⁺。˚⋆˙
pairing: lando norris x celeb interviewer!reader y/n (she/her)
genre: social media au, established relationship
warnings: a couple of innuendos/sexual references but mainly fluff
summary: in which your job has your boyfriend acting up every other week
a/n: this is kind of short but didnt think it was necessary to make it any longer!?! hope u luv it (i love jealous lando omg my heart cant take itttt)
request!!!: Lando’s gf is a celebrity interviewer like Amelia from chicken shop date and Lando is supportive but also playfully jealous?
fc: amelia dimdoldenburg
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instagram ->
yourusername 📍 london
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liked by aitch, landonorris, and 1,718,293 others
yourusername spent a day in london with my fav british rapper @.aitch !! episode out now hope u enjoy 👀
tagged: aitch
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user1 OMG he was flirting with her so bad
user2 no fr she got a man
user3 yea and her man is LANDO NORRIS likeeee
user4 why are they lowkey cute together.....
user5 i love everything y/n does
user6 does anyone else only watch the series just for y/n idec about the celebrity guests 💀
user7 no coz this is actually so valid
user8 omg i've been waiting for this one
user9 queue lando marking his territory soon
user10 can u blame him
f1wags
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f1wags new episode of y/n y/l/n's celeb interview series with british rapper aitch out now 🫶 for anyone who doesn't know, y/n (wag of lando norris) is a celebrity interviewer for events & tv as well as having her own series online in which she “dates” someone for the day, usually in a random city of their choice, and interviews them at the same time in a comedic way !!! the series is super popular, who would you like to see her interview?
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user11 we love her
user12 her interviews r sooo funny and unserious
user13 i want her to interview f1 drivers 😭
user14 omg rightttt imagine lando on there
user15 i want oscar or charles 😂
user16 i didnt even know she was a wag
user17 she's more relevant that her bf HE's the wag
user18 justice for my guy lando
aitch
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aitch watch me on y/n y/l/n's series for real like that's my girl
tagged: yourusername
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user19 damn
user20 his girl?!
user21 y/n looks so hot
user22 look like a couple fr
yourusername had the best time, thanks for coming on the show!!!
aitch anything 4 u
user23 🤭🤭🤭
user24 CUTIESSS
user25 one of my fav episodes so far
twitter ->
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instagram ->
landonorris posted a story
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user30 omg i screamed
user31 SHE'S SOOO HOTTTT
carlossainz55 somebody's jealous
landonorris of what?
carlossainz55 😂
user32 lando norris you are one lucky man
yourusername omg hello mr protective
landonorris my girl
yourusername you are freaking sexy
landonorris where are you right now
yourusername 👀
landonorris
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landonorris hey
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user33 "HEY"????
user34 omg
user35 HOTTTTTT
carlossainz55 still not jealous?
landonorris not sure what you're talking about!
user36 you caused this @.aitch
aitch nah
landonorris no
yourusername 🙂
user37 posting this with this caption is criminal
user38 hahaha our jealous boy
user39 little lando norris is jealoussss
yourusername hahah i love you and only you
yourusername posted a story
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landonorris yup. that's MY girl
THE END 🧡
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luveline · 10 months
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Hi lovely!
Can you please do one where Hotch and Reader are in a fight and it gets heated and he maybe raises his hand just because he’s shouting and she flinches?
He would be prepared to FIGHT whoever made his honey feel that way 🗣️🗣️
💘
for you my sweetheart. fem, 1k
cw implied past domestic violence 
“It was right,” you're saying, on the defensive, your voice molten, “it was the thing to do!” 
“It wasn't.” Hotch closes the door. “It wasn't the right thing to do, it wasn't even close.” 
You realise, under everything, that he's right, but you couldn't help yourself, you had to try and save the day, had to swerve the SUV. Plus, he's done it himself, and you both know that. “If Monikie got out of that exit we never would've seen her again.” 
“There were roadblocks on the I–46, and I don't think I have to tell you that you could've gotten a lot of people seriously hurt–” 
“You've done worse,” you deny.
His expression, broadly furious, narrows into something sharper, “And that is my decision to make, but you report to me.” 
“You can't seriously want to act like a boss now,” you say. 
The room isn't overly large, and so you stand close to one another with no need for shouting, but your voices begin to overlap. Hotch is so angry. It isn't like him to yell at you, his voice strained. 
“You can't truly think that the decision you made today was the right one. You need to calm down, and you need to listen to me when I tell you that this was the wrong move. We'll talk about it more tomorrow.” 
“You're shrugging me off?” You could laugh. “You can't be serious. Every member of this team has done the same, or worse–” 
“But they're not you!” His voice peeks, his hand jolting out in front of his chest, flat-palmed in incredulity. 
You're really quite close to each other. 
It's not his fault. 
You step back, desperate to be away from the movement, the hand, because it doesn't register as his hand, only there's a chair behind you and a table behind that and you bump into the plastic with a creak and screech. You're righting yourself as quickly as you're tripping but Hotch is already moving away. Three steps that feel like a gorge. 
Your heartbeat soars. 
“Are you okay?” he asks quietly. 
“Of course.” You breathe out funny. It's not his fault, but there's something wired in your brain now, and it knows that the first strike isn't the last. Your hand shakes as you brush at an itch under your eyes. 
“I'm not mad,” he says. 
“You sounded pretty mad."
“I've changed my mind.” He gives you a long hard look, and then he moves to the office door to open it before returning to his initial position. He's given you an exit route. “I'm not going to hurt you,” he says. 
You put your hands on your hips and bend at the waist, breathing out hard. “Fuck, I know that."
“You thought I might.” 
“So profile me,” you say, panicking still, face hot and itchy all over. “Tell me why.” 
“Someone's hit you before. Enough to anticipate the second blow.” 
“But you knew that already, didn't you?” 
Your ears get cloudy like there's water in them and you can't stand the feeling of Hotch's gaze on the back of your head. You force yourself into a standing position and try to ignore what happened. 
“You're unfairly angry with me,” you say. 
Hotch just shakes his head at you. 
“It's… It's not a big deal,” you say, quieter. He already knew because of course he did, every member of the team gets checked. You have records, and he's in a position of power unlike most, he could've read them like the morning paper. 
“Why would you say that?” 
“I can still do my job.” 
“I wasn't going to suggest you couldn't.” 
Then why… why is he looking at you like that? You're humiliated enough, and his gaze is so… so soft. So sorry. Tears gather warm behind your eyes and your chest aches like you've been holding your breath. You frown, eyebrows lifting at the starts, not knowing if you should beg him to forget the whole thing or finally give in. 
“Come here,” he says gently. Completely optional, his fingertips twitching but stationery at his side. 
You stare resolutely at your shoes. 
“I'm sorry I scared you, it wasn't my intention. I can imagine how it feels. I'm not mad, honey,” he says. His voice drops to a murmur, “Come here,” he pleads. 
You take a clumsy handful of steps and he meets you in the middle, arms going carefully over your shoulders. You'd feel condescended by it if it weren't shockingly nice to be considered in such a way, or if the solid mass of his arms around you didn't soothe. You feel protected rather than boxed in, held, and not restrained. 
His hand slides open down the length of your back.
“I'm sorry I scared you,” he repeats, for your ears alone. 
“It's not like it was really you that scared me.” 
The memory scared you. The flinch was instinctive, less to do with Hotch and more to do with the connection between a moving hand and stinging pain. 
He hangs his head by your ear until his nose touches your shoulder, and for a few seconds, it's just you and him together, no fighting, and no fast-approaching hands. 
“You didn't scare me,” you mumble, hiding your face in his shoulder instead, forcing him to stand tall. 
Incoming footsteps cut your embrace short, but he doesn't pull away too swiftly. His hands grave the lengths of your arms, and he gives you a long, loaded look. Before you can calibrate the action to the man, he's chucking you under the chin, a stroke of his index knuckle, a promise of more to say. 
He catches Morgan before he can enter the room and directs him back out. “Take a minute,” he advises you. 
You sit in a chair and do as he's offered. Memory is a tricky thing. 
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queerfables · 1 year
Text
I wanted this post to be more coherent but I am coming apart at the seams. Listen. Listen to me. Listen look no look me in the eyes and listen LISTEN.
Crowley and Aziraphale know. They're in love, and they know. Their love is requited, and they know. That's why it hurts so much! They don't say it. They can't say it. The consequences for both of them could be disastrous. But they know, they know, they know.
This is forbidden love at it's absolute pinnacle. This is centuries of dancing around an unsayable, inescapable truth. Loving someone this way is intense. It's a fiercely romantic headrush, because everything is high stakes fantasy and it's you and your beloved against the world. It's a soul crushing nightmare because the thing you want more than anything is always there, just out of reach. It's passion and yearning and stolen touches and desperately hoping the other person understands all the things you can't say.
It's also just unbelievably stupid. You have a sizzling moment of intimacy with someone and then three days later you're trying to act like business associates.
This dynamic has been present since season one, and sometimes the atmosphere between Crowley and Aziraphale becomes urgent and surreal enough that they almost name it. There's the bandstand, where Crowley suggests they could run away together. There's Aziraphale in 1967 saying, maybe one day we'll dine at the Ritz. These aren't the words of those unsure of another's feelings. These are declarations made in the clearest terms they dare.
The clincher for me is Aziraphale's face when Shax says she wouldn't have thought he was Crowley's type. It's a nasty comment meant to play on Aziraphale's insecurities: "If you're anything to him, it must be something sordid, and I'm surprised you can even offer him that." And she completely misses the mark! Aziraphale disregards her words without a thought. That eyebrow says he knows exactly how Crowley feels about him, and Shax's insinuation is laughable. He is uniquely Crowley's type.
It's less definitive for Crowley, and it makes sense that it would be. For the most part, Crowley is the accelerator and Aziraphale is the brakes. It is hard to hold faith that someone wants you when all they can tell you is "slow down". That doesn't mean he's unsure of Aziraphale's feelings. It means that he's unsure how much he's allowed to say. Aziraphale wants him to push right up until he doesn't, and it hurts them both when they go too far and have to walk it back. Even so, Crowley's confession makes it pretty clear that they're both in on this unspoken thing between them:
"you and me ... group of the two of us ... and we've spent our existence pretending that we aren't"
And then he kisses Aziraphale. And he doesn't do it carefully or tentatively. He doesn't wait for Aziraphale to be ready. Because that's how this dance goes, isn't it? Aziraphale wants him to push, and it's going to hurt and they're going to have to walk it back but fuck it all because Crowley is going to give them the thing they've spent their existence pretending they didn't want.
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dunmeshistash · 2 months
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Why did Milsiril adopt Kabru
Milsiril might be one of the most misunderstood characters in dungeon meshi and I see people making assumptions of why she adopted Kabru based only on their races and not in the characterization, so I wanted to think about some of the "theories" I see the most often about what made her take him in and why I don't agree with them
(read more cause as usual I ranted a lot)
1 - Attention (white elf savior)
This is the one I have the hardest time understanding so I'm starting with it, I've seen people compare Milsiril to irl white wealthy women that adopt "exotic" kids to keep an altruistic appearance. Like a white mother adopting a chinese child because of white savior complex and for everyone to compliment them on how good they are but this idea ignores a core aspect of Milsiril: she doesn't like attention of her peers
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Her bio reads: "The people around her teased her, calling her Gloomy Milsiril; partly as a result, she hates elves. (...) She secluded herself deep in the mountains and intentionally lives apart from other elves"
Milsiril is the type of person that has trauma related to her own kin, she was ostracized by everyone including her own family that sent her to the canaries, and as a result she herself refuses to engage with them even when they extend a hand as you can see with past Mithrun. The only other elf she's seen speaking to is Mithrun when he's sick and Helki. Her interest in raising short lived kids isn't seen as altruistic by other elves it's seen as another weird side of her so there's no incentive in elf society for her to do that. So she didn't adopt Kabru because of optics, she clearly doesn't care what other elves think of her and she hid herself from their judging eyes as soon as she was able to.
2 - She wants to feel superior to someone
Another one I find baffling but I can understand a little better since she's constantly seen in the caretaker role. But the evidence I see for this is literally the type of people she surrounds herself with.
The people we know she interacts with willingly are:
Her adopted short lived children
One of her prisoner partners (Helki)
Mithrun when he's in recovery
Based on these I can see how a very uncharitable view can interpret as "she surrounds herself with people that she's superior to" and it is somewhat true. But she's never shown mistreating or actually acting superior to any of them, if anything Helki is constantly hanging out around her (he was pardoned after Utaya and might be her servant now but their interactions seem very casual), Kabru says she teaches her children everything they want to know and she eventually let him go even if before she was hesitant to (as a overprotective parent) and Mithrun was still a noble with several servants when she cared for him so even if he was sick socially he was still the same. (considering both are noble outcasts)
The evidence both for and against the idea that she adopts children to surround herself with people "inferior" to her are all circumstantial so I guess it depends on how you want to see it. I myself think there's no evidence she thinks of them as inferior considering all we see she seems to treat them either as her babies (would you word your feelings for a baby as them being inferior to you?) or as someone she wants to nurture
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3 - She wants to be in control of someone (Kabru is her doll)
Related to the above reason but slightly different, in this interpretation I see people assume she doesn't see Kabru as his own person but as one of her dolls to be controlled. As if she raises her children so she can play house and dress up with human dolls.
Honestly that's pretty cool and an amazing visual for an evil mom but there's zero evidence that that's the case. Starting with her actual dolls themselves they aren't dress up dolls or something she puppeteers in an evil way, they're literally her comfort toys she runs to when she's sad
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She's making them by hand while crying cause she feels like she doesn't belong, her bio says the dolls are her only friends so it makes me a little sad when people act like her doll hobby is somehow a creepy aspect that makes her seem evil, since that's exactly how the elves think of her (creepy and gloomy)
Milsiril is clearly someone that enjoys taking care of others we see it both with her children and with Mithrun, but how to know if that's actual altruism or some twisted sense of superiority? How to know if she isn't the toxic nurse that just wants to be in power of someone? How to know she is actually helping the people she cares for?
Easy, she helped them until they didn't need her anymore.
She trained Kabru and taught him everything he knows, he's where he is because he had her help even if at first she wanted to prove he wasn't strong enough to go, he was. She sees Kabru as a small child because of their race differences but she still respected him enough to take the training seriously.
Mithrun actually recovered once she could take the time to help him, I keep reminding it but it was years after he was rescued that she went to help with his recovery (his bio says Utaya was what motivated him to finally come back and she was the one that went to tell him about Utaya and help out) right now Mithrun is able to follow a routine and live by himself, Milsiril isn't even someone he talks about as he is now.
Both people we know she cared for are completely independent of her now and neither of them even thinks about her much. A controlling person that wants to keep you within their grasp and keep you needing them would never actually help you be independent of them.
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4 - Then why did she adopt Kabru?
I think it's an easy answer the way I see it: shared trauma.
What Kabru went thru is 100 times worse than what Milsiril went thru during Utaya, especially since he was just a small child back then and he lost everything, But Milsiril is still a war veteran, the things Kabru describes, people turning into monsters eating the others, all the death and destruction, Milsiril was there to witness it all and she failed to save them. her bio reads "After the incident in Utaya, she left the Canaries in disgust. She secluded herself deep in the mountains and intentionally lives apart from other elves" she was so traumatized by the events she both left "in disgust" and became a hikikomori. Earlier in her bio it also says "(...) The people around her teased her (...) partly as a result, she hates elves" I sure wonder what's the other part that makes her hate elves. (Probably is the way they dealt with Utaya)
I think she adopted Kabru because she wanted to give a good life to the only survival of the war she fought, the other destiny Kabru could have has would be the same Rin had, a traumatizing stay with the elves, Milsiril saved him from that fate when she adopted him. He wasn't a random brown kid she picked up, they share a traumatizing experience (once again: even if it was 100 times worse for Kabru).
The reason she adopted the other kids is also pretty obvious to me: she likes caring for people and she wants to feel loved. That's her ulterior motive to raise short lived children, she has elf trauma and she wants a family.
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That doesn't make her a perfect mom or a perfect person tho*, she's just as flawed as anyone, I feel like people sometimes forget mothers are also human beings with flaws. Being flawed doesn't make her a monster, being loving doesn't make her an angel, she's just a person doing her best.
*She still has the ingrained elf socialization and clearly thinks of her children as babies, she treats teen Kabru almost like a toddler in some interactions. There's also the thing about her not fully understanding the importance of his cultural background. Struggles that I assume are common in interracial adoptions
Disclaimer cause this is the reading comprehension website: This is my interpretation of the character, some of it is very charitable towards Milsiril and I'm not talking about how Kabru might feel about her. I'm trying to think of their relationship thru her perspective and how she treated him because some interpretations seem to come out of nowhere to me. Kabru has complex feelings about elves and about his elf mom but overall I still think "overprotective foster mom" really summarizes his feelings. I don't think he resents her even with her flaws.
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Note
As a follow up to you post about mentors, just to make things fair, what are examples of Tikki being a bad mentor to Marinette?
Post in question for context.
Tikki often acts as the voice of the author. She's there to explain why Marinette is in the wrong. Since Miraculous has some wacky morals, that means we get a mix of good advice and wacky nonsense advice.
Two examples of bad advice that come to mind are Gamer and Strikeback. Gamer is the episode where Marinette stumbles upon an Ultimate Mecha Strike tournament, realizes that Adrien is taking part, and decides to compete so they can be on a team together. Marinette wins a spot through her own hard won skills and then this happens:
Tikki: All you wanted to do is spend time with Adrien, there are other ways to do that! Marinette: What are you getting at? Tikki: You know how much Max wanted to be in that tournament. Kim said he'd been training for it all year. Marinette: You're right. All I could think about was Adrien. 
This is how tournaments work, right? They're not tests of skill, but tests of who put in the most work or who wants to compete the most! That's why we had that scene with Marinette writing out her training schedule and motivations for evaluation, but she lied and that was wrong and...
Okay, I was the one lying here. There was no written evaluation because that's not how tournaments work. All anyone cares about is your skills. They don't care if you're doing this for personal glory or to get closer to a boy or whatever Adrien's motivation was because - notably - his motivation didn't matter in this episode about needing pure motives to be allowed to do things.
What if he didn't care about the competition and only did it to get closer to his classmates? That's not even a random guess. It's a valid read because Adrien ultimately gives his spot to Max while claiming that Max is the better player even though Adrien very clearly beat Max at the start of the episode. Ignoring that weird nonsense dialogue, why was it fine for Adrien to compete when he didn't care but wrong for Marinette to do the same? And Max wanting to compete to show off his skills is also a totally selfish motivation, so why does it matter that he wanted it more? Everything about this episode was nonsense and uncomfortably sexist. If Max wants to compete, then he needs to get better at the game. That's how competitions work.
Strikeback is the second part of the season four final and it starts with Marinette mourning the fact that "Adrien" has left Paris, leading to this:
Marinette: (crestfallen) It's all over, Tikki. Tikki: He'll be back, Marinette. He's just going on a voyage!
Which would be lovely advice if Adrien was a normal boy, but he's Chat Noir and Tikki knows that. She should be freaking out and trying to find a way to get him back to Paris, but then Tikki would have to support Marinette's actions and we can't have that, so instead Tikki gives this nonsense advice because she has to be against whatever "wrong" thing Marinette is doing today.
I could come up with a few more examples, but I think those two paint a pretty good picture of issue one re Tikki. However, when it comes to Tikki, my main issue with her is less a wealth of bad advice - unlike Plagg*, I think she's right more often than not - and more a lack of support. It feels like she's just here to judge Marinette and point out when she's doing something wrong, but a good mentor should be so much more than that.
Kuro Neko is a great example of this. When Chat Noir quits, Tikki just sits back and does nothing while her young charge is freaking out. She doesn't even try to defend Marinette when Plagg is going off about Chat Noir's "ill treatment". For all Plagg's faults in that episode, at least he's doing something about the situation. Meanwhile Tikki literally has two lines in the entire episode! A similar thing happens in Kwami's Choice where Plagg is the one driving them to act while Tikki just wrings her hands in despair.
Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.
These are not the actions of a mentor. Mentors aren't supposed to just offer judgement about things that their mentee has already done or is considering doing. They're supposed to be a source of support and guidance in hard times, but we never really see Tikki stepping in to give Marinette that kind of advice. If memory serves, she never offers solutions or acts as a sounding board. That role is mainly filled by Alya and I love Alya! It's good for Marinette to have support from a friend, but Alya is also a teenager while Tikki is an ancient being who has seen many Ladybugs go through the kind of struggles that Marinette is going through. I expect her to use that knowledge to help her charge, but she never does. This exchange from Passion perfectly highlights this problem:
Tikki: Don't worry, Plagg... my holder has decided to run away from her real feelings to pursue an impossible love with Cat Noir instead. Plagg: Uh, just to be sure, sugarcube, you do know that Cat Noir and my holder are one and the same person, right? Tikki: I do, but my holder doesn't. Plagg: If she declares her love to Cat Noir, something tells me she'll find out soon enough. Tikki: You have nothing to fear. When my holder is in love, she never gets anywhere. She'll just knit hats and make very complicated plans that will never come to fruition. Plagg: Hmm... ah, then everything's fine.
Tikki, I love you, but by the gods! With a mentor like you, Marinette doesn't need enemies to be miserable! Do you care about her at all??? What kind of mentor delights at their mentee's suffering? Not a good one, that's for sure.
*Quick note: I think that Plagg and Tikki are probably neck and neck for who has given the most bad advice, Plagg just feels like the bigger problem because we don't see him as much as we see Tikki. Since she's tied to the main character, Tikki gives advice in almost every episode and most episodes have decent morals.
Adrien's need for good advice can also feel more glaring because he's so isolated and passive. That makes Plagg's lack of good advice feel more harmful, but Marinette is just as isolated from real advice. Her mentor figures - Su Han, Fu, and Tikki - mostly give orders and judgement instead of support and guidance. It's just harder to spot that fact because Marinette is actively trying to do the right thing, meaning that she's more likely to make mistakes, and it's easy to see why she comes across as a lot less pathetic and a lot easier to judge.
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