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aloesarchives · 8 months

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All That is Revealed(JJK One-shot)

TW/Warnings: Some angst but Fluff ending, minor profanity, MANGA SPOILERS FOR HIDDEN INVENTORY ARC, Possible OOC Toji/Megumi/and Satoru/ Toji and Satoru still having beef after 12 years, Reader feeling stressed, Megumi indirectly cockblocks Toji

A sequel to this headcanon

Series: Jujutsu Kaisen

Pairing: Toji x Fem!/Mama! Reader, Megumi x Mama! Reader(platonic)

AU: Toji Lives AU

Pronouns: She/Her

Word Count: 4.8k words

Summary: You finally tell your son and his friends about Satoru and Toji’s shared “history”.

It had only been a week since Megumi got cooked by his dad during their little practice sparring session, which ended with you breaking it up and reprimanding Toji for almost critically injuring his son. That is not what’s bothering Megumi, however. Well, okay, he left a little salty with a bruised pride from barely holding his own against his dad. But that’s beside the point.

What’s bothering him is what you said to him at the end of your conversations. After learning Toji was just playing with Megumi, not even using a fraction of his actual strength, Megumi asks you how truly powerful his dad is. Your only answer was, “Ask your teacher, Megumi.” You then left the school grounds without another word. What did you mean by that? Megumi had never seen his pompous teacher like this before. Satoru’s endless sweat bullets and fidgety hands looked out of character for him. He tried asking him the next day, but Satoru didn’t acknowledge the question and completely ignored it. However, Megumi noted Gojo’s increased stuttering and rapidly fluctuating curse energy. He didn’t have any luck with Geto-sensei either. Geto would give some sort of cryptic answer to Megumi’s question with a lopsided grin, but even reading between the lines was a pain for Megumi himself.

Though, Megumi couldn’t blame his teachers for avoiding his question. He is well aware that his family is not average, even by Jujutsu standards. His father, Toji, was seen as the black sheep of the entire Jujutsu society, a useless human with no trace of curse energy. But the whispers and hushed voices he heard were a different story. His notorious epithet of “Sorcerer killer” wasn’t something every sorcerer took lightly. From the reactions he’d seen about the talks of his dad, something wasn’t adding up. The disconcert and uneasiness radiated from his two special grade teachers at the mention of his father, not to mention many others having a sober expression when speaking about him. It was like an entire act missing from a volume, and Megumi needed to figure out why.

Since he couldn’t get it out of his teachers, he’ll go for the primary source itself, you. Yet, he was swamped with school and back-to-back missions every chance he had. So, he had no time to bring it up in the first place. It was gnawing at him for days, and he wasn’t the only one. Yuuji and Nobara were also curious about your vague statement and wanted answers. Seemingly more determined than Megumi himself. But it isn’t their fault since your vague answer sparked more questions than answers. Plus, on top of not knowing much about you either.

You were an enigma to the two students. They have seen you around campus but will be out of sight the next, leaving no trace other than your curse residuals behind. Yuuji and Nobara met you briefly a couple of times after the exchange event, only for Megumi to drag them away to leave you to your own devices. It also didn’t help them that Megumi was pretty reserved about personal details, especially ones involving family. Their only leads on you came from the mouths of other sorcerers and the school staff members. Their teacher, known to be a mortal deity, speaks highly of you with a pinch of fondness, which is strange since he never says that of anyone in such a manner. Not even to their other teacher, Suguru Geto, his best friend.

After constantly pestering and begging Megumi to tell more about his ethereal and alluring mother, Megumi decides it is now an excellent time to converse with you. For him, it’s killing two birds with one stone. His friends will finally stop bugging him about you, and he’ll get his answers. It was Thursday; the first years were preparing for a night mission. Gojo had told Megumi that you were coming to discuss recent curse activities and sorcerers' reports for the mouth. The students didn’t have to leave until 3:00pm, so he had time to spare. After their routine classes and training, Megumi begins seeking you out along with Yuuji and Nobara. With plenty of time before dispatching their mission, they searched the whole campus for you.

While walking through a corridor from one of the student lounges, the students hear voices from one of the nearby private rooms. Before Megumi could think, Divine Dog: Totality summoned itself and dragged Megumi to where the voices came from. Megumi didn’t know his shadows to summon themselves without his command. However, this has happened a few times, such as when you’re nearby, and they picked up your curse residuals. So, remembering that his shikigamis know your essence, he lets Totality pull him along with Yuuji and Nobara. He was proven right when your voice on the other side of the shogi door was from the other side. Totality wags its tail, pushing its master’s hand to open it before disappearing into the corridor’s shadows. Before he knocked, he could hear the different voices as well. There was Gojo-Sensei, Geto-Sensei, and— is that his dad’s voice too?

‘What the hell? Why is Dad here of all places?’ Megumi thought with his brows furrowing. He knows about the rule that Toji must always be with you on Jujutsu High grounds. He only comes to the school when he wants to tag along or you ask him to. It’s mainly the latter. Megumi snapped out of his thoughts when Nobara and Yuuji shook his shoulders to knock. He takes a deep breath before lightly tapping his knuckles on the door. There was a brief silence before your voice called out to them.

“Who is it?”

“It’s Megumi, Mom. I also brought Yuuji and Nobara, too.”

Upon hearing your son, you allowed them to come in. As the students came in, they spotted you in the room's layout. The light from the afternoon sun made the mahogany coffee table shine. Three black lounge sofas spaced to face each other, two on the opposite ends of the table while the other met the head. You sat on the head sofa with your legs crossed; Toji was on your left while Satoru and Suguru sat on the other two sofas. Satoru joins Suguru's side to make room for the kiddos to sit. You eye your son curiously, seeing his fidgeting fingers stick out his straight posture.

“What brings you three here? Something on your mind, Megumi?” You say tenderly, a soft affection for your son to feel comfortable.

“Yeah, Mom. . . It’s about–”

“Fushiguro-kun wants to know about your question from last week, (L/N)-Sensei!”

“Yeah, Fushiguro-sensei! Fushiguro has been moppy all week because of it. Would you so kindly answer his question, Fushiguro-Sensei?”

You paused from sipping your (favorite drink), looking at the trio with scrunched brows and a slight frown. Megumi reprimanded the two for speaking on his behalf before he returned to facing you, his fists unusually clenched in his lap.

“ Megumi, I’m sorry for giving you anxious thoughts and restless nights. I didn’t mean to do anything to hurt you; you know that, right? My son, what is it that you want to ask me? You said, reassuring your brooding son. You glanced at Toji, his face unchanging, but his eyes shared the same feeling. Your husband shrugged his shoulders at you, indicating he had no idea what was happening with Megumi. You direct your attention back to your son, hoping he will confide in you like always. Your son takes another deep breath to calm his nerves before speaking again.

“Last week, after Dad beat me, you said that he wasn’t even trying. So when I asked you how strong, you said ask Gojo-Sensei, and that was it. Unfortunately, Gojo-Sensei and Geto-Sensei didn’t answer me, so I wanted to ask you.”

You looked over at the two teachers who were once your students. Suguru shrugged with his hands out while Satoru whistled away with his hands behind his back, relaxing in his seat. You shook your head. You look back at your son with a soft smile.

“I see, so you had to come to the primary source. Well, don’t blame your teachers, Megumi. After all, this is a hard topic for them to discuss.”

The trio looked at each other, confused but curious in your answer. But Megumi was more confused since he had known the two teachers all his life.

“Mom, what are you implying?”

The air shifted, and tension settled in, though Nobara and Yuuji couldn’t feel it. Megumi knew what he was asking was going into a rough part of his parents' lives. Megumi may not be the brightest, but he’s far from dumb. He knows this is serious with what he knows about his father and how vague everyone has been. You were about to speak up if it weren’t for Satoru stepping in to give an answer to the young Fushiguro, albeit failing miserably as he was beating around the bush.

“Megumi-kun, how do I explain this. . . Toji-san, your father, he, erm, he actually–”

“Your father defeated Gojo-kun, Megumi.” You blatantly said, interrupting Satoru to save himself the embarrassment.

There were various reactions to your answer. Though Satoru was wearing his blindfold, you could sense his eyes widened as he refrained from talking further. Suguru and Toji choked on their own air. Yuuji and Nobara had surprised looks, mouths slightly open. But out of everyone, Megumi had the most emotional reaction. His fists clenched even harder, and his face etched in absolute flabbergast. He was completely floored by your answer. What intensified this reaction was the profound aura you gave off. Your posture was not stiff but firm, showing no sign of slack throughout your body. You set your cup down while uncrossing your legs so the heels of your shoes are flat on the ground. Megumi knew you were telling the truth. He could feel his blood start to rush throughout his body like his chest had been squeezed and forced the air out of his lungs.

“M-mom. . . In what way? And how?”

Though your eyes were severe, your soft smile never left your lips.

“I will try to explain everything to you, but there are many details that I have to give you a shortened version. I’m also speaking on behalf of your father. At the time, I was a part-time sorcerer with a full-time job in the real world. I only knew your father did freelance work with another person. I knew your father hunted curses for a check but not hits on someone. I also became a teacher at Jujutsu Tech so we could get by because my full-time job was cutting hours. Your father’s work paid well but wasn’t consistent, so we had some financial troubles. This caused your father to disappear for months at a time, leaving me to raise you and your sister alone.”

Mentioning the last part, Toji shifted in his seat to be more comfortable. It was futile because it was his attempt to respond to being reminded of one of his biggest regrets in life. Toji knew he had every right to feel shameful for his past actions. Still, it doesn’t change the fact he still gets hurt by them after 12 years. You gently reached out to place your hand on your husband’s as it was on your shoulder. Sensing his discomfort, you tried to soothe his thoughts with the gesture. He deflates slightly as your soft action gives ease, leaning his head to lay on your other shoulder. Your eyes never left Megumi’s as you resumed comforting his dad.

“The day after your Father’s disappearance, I got a significant assignment where I had to oversee and act as one of two guardians for a mission. The same one your teachers were assigned at the request of Tengan, Jujutsu society’s barrier guardian. Initially, they wanted to just have Satoru-kun and Suguru-kun do it. However, the nature of the mission needed some, let’s say, more cautious individuals, and that’s where Maho and I, a fellow sorcerer, were brought in.”

“Okay, but (L/N)-dono, we were careful and diligent if you or Maho-san didn’t come with us! Suguru and I would’ve handled it just fine!”

You raised a single eyebrow at the blindfolded fool, giving him an intense side-eye.

“Given your track record of forgetting to dematerialize veils and scooping out the perimeter beforehand, I could beg to differ. Plus, with how you were back then, your lack of self-awareness would’ve got you, AND Suguru, into situations that would have been completely avoidable.”

Everyone snickered at your comment, causing Satoru’s cheeks to be dusted over with a rosy color. Suguru even laughed at his expense when he should be backing up his best friend. Satoru whined at Suguru, and the two started to bicker with each other. You paid no mind to it as you used to it over the years.

“So what was the mission, Mom?” Megumi inquire

“Every couple of years or so, Tengen needs to merge with their chosen vessel called the star plasma vessel. The merging allows Tengen to not evolve past their humanity, maintaining a humanoid form. At the time, their chosen vessel was a girl named Riko Amanai. The mission was for Satoru and Suguru to escort her to Tengen to complete the merging. However, I was mainly assigned because a high-paying bounty was placed on Riko, so I had to help.”

“Do you know who placed it, Mom?” Megumi said, a little agitated at the person who made your mission a living hell.

Satoru and Suguru stared intently at you, wondering what you would say next. You glanced at the two and then your husband before inhaling to give you some air from the already tense room.

“The person… that placed the bounty on her, Megumi, was… was your father.”

At the mention of Toji, Megumi's face went from rage to repulsion in a matter of seconds. He looked at his father with absolute detest as Toji had regret written all over himself. Yuuji and Nobara felt like they were watching a soap opera. This is the most they have seen Megumi this reactive. They saw him as someone who kept his emotions in check, never letting too much spill out. However, seeing this version of him was unexpected but made them sympathetic since his life is more intertwined in the Jujutsu world than theirs.

“A cult member from a group that worshipped Tengen disagreed. He contacted Toji and Shui Kong, his freelance partner, to capture Riko. Dead or Alive. So Toji decided to place a bounty so others could wear us down. He didn’t, however, know I was on that mission. Nor was I even aware he was the one who placed the bounty.”

Each word you spoke carried a heaviness as you recalled the mission's events. You tried to include crucial details, having Satoru and Suguru talk occasionally. To know that it takes one mission to change everything was unbelievable. The first years, though shocked, were locked into the story. Many mixed emotions stirred within them as you retell the fable mission. Even though this happened long ago, speaking about this constantly reminded you of life’s unpredictability. It can be fulfilling, then cruel and unfair the next. As you continue, a heavy weight you haven’t felt in years creeps up as you nears the mission's climax. Getting to the fable fights that rocked the Jujutsu world forever.

The more you speak, the heavier the invisible weight becomes. The feeling of suffocation closing in. At the moment, you didn’t know why you were feeling this. But later on, you come to realize it came from the burden of having to tell your son the atrocities his own father committed, not just against the Jujutsu world, but against you as well. For as long as you can remember, you knew Megumi wasn’t always getting along with his dad. He was a mama’s boy through and through, a brother who always looked out for his older sister.

When it came to his dad, however, it was a mixed bag. Megumi does love his dad, but he doesn’t necessarily hate him. Even when Toji returned, he wasn’t forgiving of his presence like Tsumiki or open-minded like you. He was expecting his dad to vanish like before. Your heart aches to know your own son had that level of self-consciousness from a young age, meaning he and his sister were forced to grow up, all while you tried to raise them by yourself. It was clear that after 12 years, Megumi hadn’t entirely accepted his father.

Now came for you to reveal what his father had done to be so infamous. So you laid it out for them. Telling how Toji temporarily killed Gojo, fought and won against Suguru and Maho, and captured Riko. This happened when you only talked to Tengen for a few minutes, coming out of the chamber to see the chaos. Your eyes never left Megumi, watching to see how he was handling it. Oddly enough, he had an unreadable expression, but you know the rage that burned in his eyes. You can tell he was holding himself together. But if no people were around, he would have snapped at his father and lost all the patience he had accumulated over the years.

This obviously didn’t go unnoticed by the other adults in the room. Satoru and Suguru briefly observed Megumi, empathetic at his mother’s revelations. Unsurprising to them to see Megumi like this. After all, they were a part of the majority of his life, essentially seeing the boy grow up. The two knew he never wore his heart on his sleeve. The flurries of mixed emotions brewed in him like a storm. But his restraint was stronger, letting his eyes speak for themselves. Emphasizing their awareness of how much Megumi loves and respects you, he does not dare lash out because he knows it wasn’t your fault.

Toji had difficulty sparing Megumi a glance, the shame never leaving his body. The years of fatherhood have softened his hard exterior, not always bearing the cocky smirk he wore his single years. Like father like son, Toji had a blank expression, but his eyes held warmth and softness unlike any other to the blessing in his life, his son. He doesn’t blame Megumi if he gives him a spiteful look. If not for his filter, Megumi would denounce and never acknowledge Toji as his father. No matter the reassurance from you or Tsumiki, it can’t convince you to think otherwise. And he was okay with that reality.

Satoru made a backhanded remark at Toji in between your storytelling, which made Toji glare harshly at him. Suguru chided Satoru for his comment, which prompted Toji to throw one back with a smirk etched on his lips to highlight his scar. Megumi didn’t care to put up with his teacher and dad’s squabble. He was focusing on the memories you recited. He’ll leave the worrying to his classmates, who became a little on edge to see if a full-blown argument would break out. You, however, will not let any of it, considering the weight of your burden is already frustrating as it is.

“Satoru, Toji, please! Now’s not the time, and I’m not in the mood to deal with you two, so behave yourselves! Drop the pompous attitude, Satoru and Toji; this wouldn’t have happened if you weren’t hung on beef with a couple of teenagers. Also, stop manspreading and sit up properly! That’s why you both have back pain from your ugly posture! Tsks,” You firmly command, staring them down individually.

The two immediately dropped their act, listening to your demand like soldiers getting reprimanded by their commander. Your tone made it to Suguru and the students because they subconsciously sat up in their seats. You sigh to try and ease the pressure of your burden caused. Surprisingly, it did help only a little as you finished the story. Speaking of Satoru’s enlightenment and newly awakened power, the dissolving of the cult group, and the eventual aftermath.

“In the end, your teachers defeated Toji. And before you ask, Riko Amanai and Kuroi survived. I rescued her and got her back on Jujutsu High grounds. The two actually live on Jujutsu Tech grounds but don’t leave the barrier often due to their safety, unfortunately.”

“So what happened to Dad afterward?” Megumi finally spoke up after sitting on the sidelines so his classmates could answer the asking.

“Your father was imprisoned, waiting for his execution. However, I pulled some strings and made a deal with the higher-ups in exchange for your father’s life. Satoru-kun did me a huge favor and came in clutch when talking to the higher-ups. In the end, your father’s execution was halted on the conditions he and I would have to abide by. The rest was history.”

You haven’t thought much about it, but this story-telling was just a conversation between you and Megumi. You forgot Yuuji and Nobara were there listening in, too. This dawned on you when they kept looking back at each other and Megumi. As much as you wanted to continue your over-sharing experience, this was a good place to stop, considering your son might not be mentally ready for the others. ‘That’s for another time.’

Before anyone could speak up, particularly Megumi, the door to the room slid open, revealing Maho, Akari, Nanako, and Mimiko. Maho glances around the room curiously before coughing into her hand.

“I’m sorry to break up your little conversation, y’all. But the first years need to get going on their night mission. Akari is here to take you three to the location now. Also, Suguru, the girls want to check out a new pop-up dessert stand while on patrol in the Taito ward.”

Suguru chuckles, standing up and straightening out his uniform. He bid you and Satoru bye while sending good luck the first years' way. Nanako started to whine that they’d be late queuing Suguru to get going. Once Suguru leaves, the first years begin to leave the room. You got up to stretch when you noticed Megumi stopping at the doorway. You start to regret telling Megumi all this because this may not allow him to focus on the mission. Putting his friends and the mission in danger.

Just as you were about to call for him, he hastily walked over and gave you a tight hug. Startled at first, you eventually returned with the same intensity. Even though Megumi was 15 years old, a young, proper man, you can’t help but see your little baby boy who always called out Mama. You softly pat his head and kiss his forehead before your son pulls away. Megumi looks at you with a soft smile he has always given since he was a young boy.

“I’ll be safe, Mom. Don’t worry, I’ll come back home in one piece.” Megumi reassured you.

“ Sweet, soft hum I know you will. Just promise me you, Yuuji, and Nobara will try to be careful.”

“Of course, Mom. We will.”

Toji grins at Megumi and nods when his son locks his eyes with him. You look over at the other two standing behind Megumi. They replied to you with a ‘Yes, Ma’am!’ in a saluting position. You laughed at their antics before shoeing them off to Akari for their mission. As their footsteps grew quiet, you relaxed your shoulders briefly before squaring them back up. You haven’t forgotten that Satoru was still in the room with you and Toji. He was still sitting, his signature grin gone and replaced with a firm line on his lips. You know he was peering up at you through his blindfold while Toji causally threw an arm around your shoulder.

“(L/N)-dono, did you purposely leave out the conditions of your deal with the higher-ups to Megumi-kun?”

“. . .Yes. My son has every right to know about what happened. But simultaneously, this is a matter to be shared with him alone, not when his other classmates are present. The aftermath of the Star Plamsa incident created a domino effect that thrust Megumi into this world. When I tell him everything, I want it so he’s not forced to put his guard up. I wish for him to be comfortable with his vulnerability to this reality our family is in. To tell there’s the possibility he could lose his parents will weigh heavily on him, and he’s already been through so much for his age.”

You attentively gaze down at Satoru. It wasn’t unusual for him to look out for you, to show his caring, almost vulnerable side. He knows you don’t like hiding truths from people, especially your children. So, for you not to tell the other details means something else that’s made you hesitant. He was right, as you revealed the other issue.

“I also don’t want to jeopardize Megumi’s relationship with Toji. I won’t force him to feel what he already has. But I at least want him to understand that his father loves his family more than anything, even though what Toji did was inexcusable. I just don’t want to put Megumi under pressure in front of other people to be this calm, reserved Sorcerer. I want my son to be present and comfortable asking me anything when I tell him. You know how Megumi is, Satoru.”

He simply nods at your answer before he stands up at his full 190 cm height. He pulls on his goofy grin, pulling a complete 180 from how he was mere minutes ago.

“Of course, (Y/N)-dono. I understand, given what Megumi-kun is like when he’s on missions. Anyway, I gotta meet with Yaga-san, or I’ll get yelled at again. I’ll see you later, (Y/N)-dono!”

Satoru walks out of the room, leaving you and your husband alone. It was quiet, the sound of nature only resonating in the room. Then you suddenly felt Toji’s arms wrapped around you firmly, laying his forehead on your shoulder. Gently grasp Toji’s forearms and rub them soothingly.

“I know it’s hard for you to come forward to tell Megs this, Hon. I’m sorry I couldn’t say my part. I'm still terrible at saying my words. Thank you for speaking in my place, (Y/N).” Toji vocalizes, his tenderness revealing itself in the confines of the sit-in room.

“I appreciate it, Honey. You know I always have your back like you have mine. But please know Megumi does care for you, Toji. He has his own way of showing it, that’s all.” You assured him.

“Yeah, I know. He doesn’t like to do those whole words of affirmation things. I get the kid.”

“Hm, where have I seen that before? Like father like son, I guess.” You feigned your curiosity at your husband.

This evokes a burst of laughter out of Toji as he turns you around while still holding you close. Looking at you like an absolute fool too deep in love.

“You think you’re so funny, don’t you, (Y/N)? Come here, you.”

Toji dips his head, going for a kiss. Your eyes fluttered closed in response. You would have kept them closed if your phone hadn’t buzzed off in your pocket three times. You pulled away just as Toji was millimeters away from your lips. Toji groans as you check your phone to see who texted you.

“Who the hell is texting you right now–?” Toji asked in annoyance.

“It’s from Megumi, Dear. Give me a second.”

Toji grumbles, shoving his face in your neck to see what his son sent. You can feel your husband pouting, making you rub his head to calm him down. You read your son's texts that interrupted you and your husband’s intimate moment.

‘We’re at the location, Mom’

‘It doesn’t look bad, but I’ll still be careful.’

‘I’ll text you when we’re done, Mom.’

‘I love you, Mama❤️’

You cooed at Megumi’s text, sending your replies to him. Toji notices the texts and smiles as well. Megumi, indeed, was a mama’s boy; there is no denying it. Your sweet smile still graces your lovely lips as you look at your husband.

“Toji, stop pouting. I’ll give you all the kisses you want when we get home. I know how you are, you fiend.”

“What do you mean, Hon? I have no idea what you’re talking about.”

You give Toji the stare that causes him to put his hands up in defense while scratching the back of his head. You roll your eyes as you escape your buff husband’s grasp, walking towards the door.

“If we get groceries and you cook dinner tonight, I’ll let you have your way with me, Dear~. Tsumiki said she was staying at a friend’s house because they were studying for an exam tomorrow. She won’t be home until Friday afternoon.” You said in your suggestive tone, sending a wink to your husband over your shoulder.

Toji holds a mischievous smirk as he quickly walks over to follow you closely as you leave the grounds of Jujutsu Tech.

“Of course, Doll. Anything for you~.”

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connoisseursdecomfort · 8 months

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The thin line between Waku Waku and danger - what awaits Anya after ch.94?

[Manga spoiler alert]

Anya. The baby of the story. The star of the show. The leader of the Twiyor ship (she even created the slogan "Chichi to haha icha icha".) The telepath. The gremlin. The peanut. The heh.

In SxF, we saw how she forged the Forgers, how she fortified her friendship with Becky and Damian, as well as Emile and Ewen, and how she improved academically. It all started because she found it to be waku waku to have Twilight to be her father.

Same reason for choosing Yor to be her mother:

Of course, I love her for doing that. But there is no denying that she's drawn to danger. She likes it to be exciting. She wants to be the hero. And we all do. We, like Anya, like things to be waku waku.

It is good for the audience. But is it good for Anya?

Not really. Slowly but surely, Endo is revealing to us how it would affect Anya.

She thinks it is waku waku to have a spy and an assassin as parents because she is obsessed with Spy Wars. It is totally understandable for people to be want to imitate the cool characters on TV, and it is mentioned once again in Ch.94.

But it's something more than that. Loid being the top spy and Yor being the top assassin gives us a feeling that no matter what they will save her, and more importantly, they will be able to save her.

In the first chapter, her desire to make the spy work more waku waku has got her into trouble. Twilight rescues her, all ends well. In Chapter 7 she gets into trouble again, and Yor rescues her.

We have a sense of security that the Forger parents will do anything to get their baby back. And while that's VERY true (that's not up for debate - sorry), it also gives Anya the sense of security that she could maybe play with fire a bit more. So in Short Mission 1 we see her deliberately holding onto the bad guy's clothes, trying to get Yor to help. And Yor saves her and kicks the bad guy's ass.

Nonetheless, I should specify that Anya doesn't only want waku waku only for the sake of it although she does gloat over her successes. She understands that she needs to be careful, both in the doggy crisis arc and the cruise arc. But she still runs towards danger because she wants to help.

We already know she would do anything to keep the family together because of her love for her parents and also her abandonment issue especially when it comes to Operation Strix. That includes running towards a building that is going to explode in the doggy crisis arc and heading to the front deck where Yor is fighting with other assassins in the cruise arc. She has a good reason wanting to get involved, and she always succeeds too.

But that isn't all. She actually sees how her parents work towards their goals tirelessly.

That, of course, has something to do with what Endo chooses to focus on when it comes to the jobs of spies and assassins. He doesn't actually focus on the waku waku part that much (which has been one of the most common complaints). Literally in the first chapter, Endo has already shown us what the nature of spy work is - It can be freaking boring.

Same with the assassins' work.

One could even argue that Endo is deconstructing the images of spies and assassins in popular culture. While it is still waku waku for us and for Anya to see them working as spies and assassins, most of the time it is just a job for Loid and Yor. That means we AND Anya also see how tired they are after they've finished their jobs.

But why? If their jobs are ruthless and even thankless, why did they do it? The answers have been given in the cruise arc and ch.62. And for Anya who has been with them for quite some time now, she is inspired by their goals.

Anya wants to do good. Just like her papa and mama. And I think this is probably a good time to revisit the bus arc, particularly this moment:

Other children are thinking how their parents would come and save them. When Anya thinks about her parents, what would she think about?

Is it her parents' goal(s) - to make the world a better place?

Or is it the fact that she has always been the one actively doing something in order to save people, just like how she saves her parents and keeps her family together?

Even in the movie trailer, we see Anya desperately trying to help despite being all tied up.

The bus arc is also when the adults starts to scold her for being reckless.

It is not really the first time they've seen her being reckless. In the doggy crisis arc, Anya is told not to wander off.

Twice.

And even the childcare lady told her the same thing in the cruise arc:

But before it can be brushed off as kids having a tendency to wander off. But it is becoming more and more clear to the Forger parents that it seems to be something even more serious.

Endo is definitely dropping hints here, no?

It reminds me of what Loid told Bond:

This applies to everyone in the Forger family. Yor in the cruise arc. Loid in the mole arc. And Anya in the bus arc.

Anya has learned so many things in the process. Her grades have improved. She has learnt to read the clock. She has to try to write something that is readable so she can eat the gifts from Damian. But it seems she hasn't learned the most important thing yet.

PS Meanwhile, Bond went from not knowing how to play in the dog park

to suggesting an alternative game to Anya in Ch.94

Bond is best boi \o/

#spy x family #sxf #spyxfamily #loid forger #anya forger #yor forger #spy family #agent twilight #spy x family manga #bond forger

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exo-raskreia · 10 months

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Thoughts & Speculations On Utahime In The Shinjuku Showdown Arc

WARNING: MANGA SPOILERS & HIGH LEVELS OF COPIUM

There are theories going around about Gojo's potential revival & subsequent defeat of Sukuna. Several are interesting & seemingly possible. However, I've hardly seen any involving Utahime & her potential role in all this. While I shouldn't be hoping for anything in this manga 😩, I couldn't help but get some ideas.

With some of the theories out there, I wouldn't want Gojo to sacrifice part of his power in order to come back. But who knows at this rate...? Would Gege let him come back even more powerful? Or only temporarily before losing all, half, or some of his power? I don't want him to lose an eye or something like that... 😮‍💨

Once he returns, what will be the next step to defeat Sukuna? Gojo may get a new power-up or even has something else up his sleeve that he hasn't revealed yet.

This is why I wonder if Utahime could still have a role to play in this arc. She's the only character involved who hasn't gotten a flashback yet with, or in regards to, Gojo. She hasn't even spoken a word! Does this mean anything? Is Gege withholding something important? Will it come into play at all?

She's barely had any screen/panel time & was absent for 3 arcs spanning several chapters since Shibuya. Gege finally revealed her CT for the biggest fight of Gojo's life against the King of Curses. She helped Gojo achieve 200% Hollow Purple along with Gakuganji, while Ijichi hid them from Sukuna's view with a barrier.

They really come in a set, don't they? Every one of her appearances is related to Gojo. She is bound to him. So you see, we may next see her whenever Gojo is about to, or has already, returned.

Neither her, Gakuganji or Ijichi have reappeared since.

It's been 20+ chapters now & we know nothing of their status. Is this the last time we'll see them, especially Utahime, in action? Do they still have another role to play? They have not been shown to be back with the others at HQ, which implies they're still out on the battlefield.

What have they been doing all this time? Watching the fight unfold? Is it just taking them a while to head back to HQ? Or could it be that they're potentially doing something important?

Chapter 244 showcased a flashback scene with the other characters having a meeting before the fight regarding the possibilities of Gojo's defeat. Neither GojoHime, Gakuganji or Ijichi were seemingly present.

Unless the two people behind Shoko here could be either of them? The one in black could be Gojo & next to him is Utahime, or could it be Gakuganji?

If not, this could imply they were doing planning of their own, maybe in a separate room. That planning is the key.

Clearly, GojoHime (& maybe Gakuganji) must've practiced the Hollow Purple throughout the weeks-long timeskip since Gojo's unsealing. But is that all they did? Is there something else that they planned? The fact they're not back at HQ could imply this. It almost seems deliberate that there's no involvement of them with the others... unless Gege really doesn't care.

Gojo told Sukuna at the beginning of their fight that he did some "special training."

What could this special training be? It hasn't been brought up again. Did it involve Utahime & maybe Gakuganji? This further showcases that Gojo's role isn't over yet.

Now, there are theories that Shoko may heal Gojo with her RCT. If so, could Uta help by buffing her to make it quicker & more effective?

We know so little about Uta's CT. Gege stated singing is a big part of it (unless it's just the chanting?). Could it be used for healing (kinda like Rapunzel from Tangled, lol)? What about offensive abilities? How else would she be a Semi-Grade 1 sorcerer if she can't fight on her own? Is it possible, though? We know she has good reflexes based on her encounter with Haruta at the Goodwill Event. Maybe she's good at hand-to-hand combat & wielding weapons? Heck, can she weaponize her voice like a siren?

When Uta buffs someone, does her cursed energy cover them like a blanket? Does it feel a certain way? Is it visible to other sorcerers or does it become one with the buffed person's own CE so that it's undetectable?

If her CE is visible, wouldn't Sukuna (especially as powerful as he is) have sensed it enmeshed with Gojo's? Instead, he thought Gojo's initial HP was a lot stronger than usual due to a Binding Vow (which we know Gojo didn't make) in chapter 234.

Since Ijichi made a barrier that hid him & the others from view, Sukuna doesn't know about them. If he couldn't sense Uta's CE, that could also mean she might not have been buffing Gojo after the HP. How long is her full range anyway?

Speaking of Ijichi, Gojo told him he had a monumental task in chapter 222 before the timeskip.

As then shown in a flashback in 223, it seems it was just to put up the barrier to hide them, Uta & Gakuganji from Sukuna.

Does this mean that Gojo planned their team-up that early after he got unsealed? 🤔 The flashback here has Gojo in casual wear & the place looks similar to the inside of the Tokyo Tower. Could this mean they were headed to Shibuya Sky, the top of the tower, to practice or simply strategize, & maybe meet up with Uta & Gakuganji?

Still, why did Gojo place such importance to this task? Was it just to establish the trust he has for Ijichi despite his antics?

Was it to keep Utahime safe? Not just about the barrier?

So, I've been having these questions for a while now. Here's where my delulu really kicks in.

Absolute insanity mode. You've been WARNED.

There are theories discrediting the fact Sukuna doesn't know about Uta's CT, that it's NOT why he thinks Gojo made a Binding Vow to achieve 200% HP. I know I'm crazy, but I think him not knowing could come into play.

Other than potentially helping Shoko heal Gojo, could Utahime have a hand in bringing him back? Maybe she could even buff Gojo's own RCT, in the case it's still activated (since Gojo's head's still intact). If Gojo is meant to be truly enlightened upon his return, almost like a god, then wouldn't Uta being a shrine maiden mean something? Shrine maidens dance for the gods, communicate with them, summon them.

DELULU THEORY 1:

This scene in chapter 222 made me wonder if Ino told Gojo about him witnessing the summoning of a dead person (which we know is Toji) in Shibuya, as there's been no follow-up to it yet...

If it's about Toji, did Gojo get the idea that in the case of him "dying", then his soul could be summoned back into his body? And with no side effects as it's his own body, and/or that as long as it's done immediately upon "death"? Is this something that could have been researched?

Since Ino knows a form of necromancy, could he possibly have a role to play in this as well? With his help, could Uta along with Gakuganji do a similar ritual as the granny who summoned Toji in Shibuya?

If Uta sings or chants for the ritual, could Gojo hear her in the limbo & follow her voice or something? Could she guide him north towards enlightenment, make him remember (or realize) who he is & what he has to do, in the case he's temporarily forgotten? 🫢 (delulu, I know, I KNOW 😩)

There's a song called North Wing by Akina Nakamori, the artist who sang Kinku, which is the song that Uta's CT is based on. It was her 7th single released the year after Kinku (7?! A number associated with Gojo?!). It was then re-recorded years later on an album titled 'Utahime Double Decade' (Akina is nicknamed Utahime, meaning Diva in Japan). The lyrics talk about a woman who boards a plane to meet with her lover. Here's an excerpt:

Love Is The Mystery It calls me Love is a mystery With its mysterious power I’m an Airplane, throwing everything away Like a scene out of a movie North Wing I depart all alone tonight For where he is Someone I once gave up on Teardrops, my heart’s punctuation I watch the city lights from above As they get smaller and smaller I take a midnight flight, chasing the night through the fog As if I were wandering through a dream Love Is The Mystery I spread my wings And cross the shining seas. I’m a little nervous The date paints over yesterday Which was nothing but agonizing for you The foggy city you live in Awaits me beneath the clouds

Let's see. If we see it in Uta's POV, then she might've thought loving Gojo was not worth it (as loving someone like him wouldn't be easy), but something happened that changed her mind, maybe before/during the time-skip, or seeing his "death." She could be headed to meet him, meaning to help him? It says at midnight, so could Gojo be revived the following day on Christmas? It mentions yesterday was agonizing for him, meaning his "death" & the fact of whose body/vessel he's fighting?

What if we low-key see it in Gojo's POV? His love for his students (and Utahime?) will make him choose North to return to them. He'll leave his past behind, making peace with it, & depart all alone, as the others in the limbo are going South. He knows everyone must be sad over his "death" (the 'agonizing' part) but he's coming home.

There is also a sequel song to this called Dramatic Airport - North Wing Part II. The lyrics are about a (the same?) woman on her way to meet up with her man at the airport, reuniting with him at night. So, could we see it as Utahime heading towards Gojo to help him, to be there for him on his 2nd awakening?

(There's this amazing theory here, which talks about the possibility of Utahime helping Gojo reach true enlightenment like Buddha's wife did for him in Buddhist myths.)

DELULU THEORY 2:

If Gojo returns through some other means, then that gives us another possibility. He's the only one who knows the location of Sukuna's last finger. What if Gojo had told its location to Utahime & co. (maybe even Ino)? What if their absence in the flashbacks of everyone else making plans is because they were retrieving the finger? And what would they do with it, you ask?

Could it be they had planned & are currently making the preparations for a ritual like the one I mentioned, in which they'll summon Sukuna into another vessel by using the finger? Or simply give it to someone to swallow? And could that vessel possibly be Yuuji, as he's the only one who can really handle harboring Sukuna?

It's scary to think of what this could mean, though... 😥 I will not delve into that.

FINAL THOUGHTS:

Anyway, I know I'm fully delulu & may be burning the kitchen, but I just wanted to get this out there. The theories and speculations are rampant these days so might as well add some more to the bunch.

I know for Utahime, a literal side character, to have a major role in the most important fight of Gojo's life, is too much to hope for. Gege also doesn't have a good streak with giving importance to his female characters (except Maki). Then again...no one expected Utahime, after a long absence, to finally reappear with Gojo the chapter after he got unsealed & having her CT finally revealed for him against Sukuna. Just what is Gege trying to say?

Whatever the outcome, I still have so many questions...

What was Utahime even doing during her long absence since Shibuya? As the main teacher of Kyoto, & all these crazy things happening to her students, not a single peep from her?! Was she training?! Put under protection because of her CT or cuz Gojo would have their heads if something happened to her? Buffing people secretly somehow?

How did she end up teaming up with Gojo? Did he ask for her help, like when he did to investigate the traitor? What did he say? Did he finally fess up & tell her what she means to him? Gakuganji & Ijichi got their flashbacks, Gojo showing them his true feelings/thoughts, so what could this mean for Utahime?! That he trusts her too? That he doesn't find her weak? Did he apologize for his constant teasing? Could he have said something more?

Did she offer to help him? Did he refuse & Uta insisted, giving a sort of speech that shut him up?

Just what happened between Gojo & Utahime during the time-skip?! 😫 Is the fact we haven't been shown yet deliberate?!

I wonder if Gege will ever give us this much, at least... 😮‍💨

While I'd like for her to do more, I just hope Uta will be safe. I wouldn't want anything bad to happen to her like nearly every other female character in this manga... 😥

LET'S HOPE FOR GOJO'S REVIVAL ✊️

#gojohime #iori utahime #gojo satoru #gojo and utahime #jjk spoilers #jjk theory #sorry if these don't make much sense 😅#reiapost

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cocogum · 3 months

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Reassuring proof that the sadidas are very much alive and well in the Waven era:

In the Lance Dur webtoon, a sadida appeared in the 4th chapter called “The Sickness of Lance Dur”. Lance Dur is far older than the last time we saw him in Season 4, meaning that more than a decade had passed which was after the wave had happened. (Waven happens 10 years after the Wakfu era)

In Waven, if we look around on Astrub Island, we can see a female sadida gardener looking for some shrubs. Her quest info does not reveal her race but her skin complexion as well as her hair color matches the sadida race perfectly.

(this woman was looking for some sentient shrubs by the way...don't ask why...)

We also notice a male sadida and a female sadida eating together in an inn in Amakna.

One of Waven’s quests has Renate, an (iconic) sadida, asking you to help him with the smells of a temple. He is not only a sadida but is also a royal servant of Amalia.

Renate doesn't seem to be near Canar this time around but looks to be well. He’s even joined one of Waven’s four cardinal clans, which in his case, is the nature clan.

In Waven, we can see a small music sadida band playing in Amakna.

When we take a look at Waven’s emotes skin shop, we can see three Sadida god reaction stickers. If Sadida had lost his godly status (meaning if he died), then his stickers wouldn’t have been present in the shop. The emotes skin shop currently has three reaction stickers for Iop, Cra, Eniripsa, Ecaflip, Enutrof, Sram, Sadida, Xelor, Sacrier, and Feca.

*Reaction stickers are not available for Osamodas and Pandawa at the moment*

In the Bestiale teaser trailer, which is a show that will take place in Waven, two sadidas can be seen in the background when Yrehn, our osamodas main character, is visiting a market.

One of these sadidas, however, seems to be someone we already know: the one on the left is Chamberlain Thicktuft, the counsellor or advisor (?) of the Sadia kingdom. He appeared in every season (excluding Season 3) and has even been seen in The Great Wave manga attending the banquet for the male sadida and female eliatrope marriage.

So why is he in the Bestiale teaser? No idea.

Aside from the Sadida proof listing above, another thing people noticed were the cras in Waven. Or rather their weapons.

When we take a look at each cra and their types, none of their weapons remotely look like the ones we’ve seen in Wakfu or Dofus anymore. Back in Wakfu, the cras were in an alliance with the sadidas which is why their bows were primarily made of special wood. Evangelyne was a good example of this.

So when we compare Wakfu to Waven, the cras now have more than one choice of weapon :

Arcarius Paladir replaced their bows with a much more efficient trajectory leafy-like weapon.

Blunderbust have adopted a steampunk style and chose to use guns that shoot arrows.

Buneblade have abandoned long-range weapons of any format entirely and opted to use boomerangs instead.

Piven Bow might just be the only type we know who still uses the old cra style by keeping the bows. Their name even has the word “bow” in it.

Shaden Shiru just like the Buneblade, threw out the bows to use knuckle ring-looking weapons as their main source for fighting.

Zandiezer Zo relies on a stoned glove in the shape of a crossbow that can emit long-range shots.

Given that most cras have preferred using other weapons than the bow, this leaves us to speculate that the alliance between the cras and sadidas is indefinitely over and might have possibly ended after the Necrome war or a bit later.

Other than that, it’s reassuring to know that the sadidas have at least survived the great wave since the tree of life had to have been protected and now resides somewhere safe and hidden from the world.

Waven is currently in progress, so there is still a lot to discover and learn about what happened after the great wave struck. When more updates drop, there might also be more islands to explore which could reveal more about the sadidas’ situation.

#waven #wakfu #ankama #krosmoz #wakfu sadida #sadida #wakfu sadidas #sadidas #lance dur #waven lance dur #waven bestiale #waven sadida #waven sadidas

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epickiya722 · 27 days

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The way I'm seeing this so far (because the chapter ain't officially out and the manga isn't done) when it comes to Sukuna's "conclusion" is this...

It reflects how he is.

True, we haven't gotten much about his backstory. Some of it we did through the little flashbacks and whatever else other characters had said about him.

And when he does go out, we don't get any inner thoughts of his.

But to me, just me now, it reflects that Sukuna is a person that doesn't care to reveal much about himself. He states in 265 that he "doesn't feel anything". We know that's not true but that what Sukuna wants to be believed. He's closing himself off, but he isn't just closing himself off.

He's closing himself off to Yuji.

Look, Sukuna is an arrogant guy and he will not admit to being human, especially to Yuji. Even though Yuji has been the one person to at least try to understand him.

Us not knowing much about Sukuna till the "end" is just another one of those instances where he's being closed off. If we knew his inner thoughts, it's knowing a vulnerable piece of him. Sukuna doesn't want to show his vulnerability. He doesn't want to admit to his humanity. It's just how he is.

I'll admit, I do think something did happen in Sukuna's life that made him that way but I also think it doesn't exempt him from the actions he takes. If Gege was going to give us a backstory, I do feel like some may have used it to excuse his actions, not understand them.

Going back through this translation, he didn't seem like Sukuna even rejected Yuji here. At least not outwardly.

Instead, it's just him rejecting the idea of him being human and claiming he's a "curse". Maybe not literally, before any of you "Sukuna isn't a curse" jump me. It's him stating "I'm a misfortune on your life".

Which is true. Even before Yuji was born, Sukuna was already a curse in his life. He was made to be his vessel. This is something that Sukuna does know (chapter 257).

His final words here isn't him rejecting Yuji's offer to still coexist, even if no one accepts him (Sukuna). Sukuna acknowledges that offer in his own Sukuna way. He knows he and Yuji will always be one in the same while. Even in death, Sukuna is still part of Yuji and vice versa.

The "don't underestimate me" part just feels... like he's going "Alright, but don't expect me to make this easy on you".

I do have some thoughts about Yuji's side on this, but I'm leaving that for a separate post.

I'm not done.

In another post, I did agree that Sukuna's ending feels underwhelming and I still don't think it's a bad thing.

Going back to the curse thing. Sukuna isn't technically a curse, but the way the others treats him makes him feel like he is a curse. He's a human who happen to behave like one.

While Gojo went in fighting Sukuna for a challenge, just he was another opponent that he (Gojo) did aim to kill and Kashimo after, the others went to take down Sukuna because...

THAT'S THE JOB OF A JUJUTSU SORCERER!!

Sukuna was a Special Grade curse they all had to plan and work together to take down.

This was just another day on the job for them, of course the ending was going to be "lackluster". It was no different than Shibuya!

Once Yuji and the others jumped in to fight Sukuna, it became a job. Yuji will probably be the only person to think over this and find more meaning to it because it's who is he. The others? They didn't have any kind of attachment to Sukuna. Megumi was just his hostage and temporary vessel, nothing else. Megumi feels nothing for Sukuna, but anything negative.

Nobara? Nope.

Toge, Maki and Panda? Nuh uh.

Kinji? He was fighting Sukuna's right hand, but I bet he doesn't like Sukuna.

How about Kirara? Nope! Kusakabe? Nah. Higurama? Sukuna acknowledges his strength but Higurama acknowledged his role he had to play, Sukuna wasn't anything to him.

Choso? Sukuna definitely had some vendetta against him and Choso damn sure didn't like him.

Anyone else? Nope.

And Kashimo and Gojo (and Higurama, but it wasn't mutual) were just opponents Sukuna took pleasure in fighting.

Other than that, just a job. Killing Sukuna was just a job.

So, of course, the end was "underwhelming". This may be a story in the shonen genre, but not all stories will follow the usual formula of any genre in clean cut fashion. Jujutsu Kaisen just happen to be one of those stories because in this story, being a jujutsu sorcerer isn't about being a Hero or "righteous" or "I'm the best". It's an ever-going cycle of fighting curses (and sometimes there is other meanings to it) and Sukuna just happened to have been one of those curses.

#just me now just me #if you disagree?? i don't care just keep going #just kiya's thoughts #jjk #jujutsu kaisen #jjk manga spoilers #jjk spoilers #jjk 268 #sukuna #ryomen sukuna #sukuna ryomen #itadori yuji #yuji itadori #itadori yuuji #yuuji itadori

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loosescrewslefty · 9 months

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Spy x Family Name Etymology

Talked about this before with friends, but with linguistics being spoken of more in the manga lately, I really want to talk about the Name Etymology of the characters and patterns that emerge when looking up the meanings of their names.

To start with, we have Loid, Yor, Donovand, and Melinda. The four main examples of parents that this family-based story gives us, all of which have names that reference colors.

Loid is a clear play on the name Lloyd, a name of Welsh origin that means "Grey."

The Spy x Family art book revealed that Yor is actually a nickname for Yolanda, a name of Spanish origin which means "Violet Flower" (resisting the temptation to make a joke about "Viole(n)t Flowers" here, please respect that) Obviously Violets are a color as well, but interestingly enough in terms of floriography Violets are some of my personal favorite flowers in regards to expressions of love, and can specifically represent "impulsive acts of love."

Donovan is an Irish name, meaning "Dark Brown"

and Melinda is a Greek name that has a few different meanings, and is complex as the character herself. It can mean Sweet as Honey, combining the words Meli (Honey) and Lind (Beautiful). Or it could come from the word Melanie with Lind, meaning "Black and Beautiful" which fits with the color theme established by the other names present. There is a bit of debate with this one though, which leaves it a little more ambiguous.

Moving away from the parents we have the children, starting with the two Desmond boys. Interestingly, Demetrius and Damian are both Greek in origin, just like Melinda's name, which makes me suspect a little that she chose the names without her husband's input. (Or more likely, that he didn't care enough to contribute it).

Demetrius translates to "Follower of Demeter," the Greek Goddess of the earth.

Meanwhile, Damian means "To tame or subdue," coming from the Greek word 'Damianos' which means to master, conquer, or overcome. The name is ALSO linked to Demeter, as Damia is one of the Goddess' epithets.

Then we have Anya/Ania, which means "Gracious and Merciful"

and now we have Sigmund and Barbara.

Barbara is a Greek name, meaning "Foreign or Strange."

And Sigmund is German, meaning "Victorious Protector"

#spy x family #sxf #anya forger #loid forger #yor forger #desmond family #melinda desmond #donovan desmond #damian desmond #demetrius desmond #sigmund authen #barbara authen #manga spoilers #sxf manga spoilers #spy x family manga spoilers

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portraitoftheoddity · 1 year

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Trigun: Stampede, Wolfwood, and Food

So, I think a major part of any worldbuilding should always involve food, and where it comes from. The worldbuilding around No Man's Land in Trigun: Stampede is a little tricky in this regard, since there's shown to be no real agriculture or plant life (Meryl's utter shock at the "flora" on Ship Three as a total foreign phenomenon suggests it's more rare than in the manga) so sustainable human-friendly food sources are rare and not really addressed. We see characters eating worms, and presumably there's whatever it is worms eat, and beyond that, it's suggested that pretty much all of humankind's nutrition comes from plants.

The desert dudes living off worm meat refer to "plant-based food" as an "extravagance" in the opening scene of episode 4 (aptly named "Hungry"). Meryl, by contrast, is grossed out by the idea of eating worm meat -- I think we can infer then, that Meryl, being a college-educated city girl, probably had regular access to Plant-generated food, while Outlanders are more dependent on alternative sources of nutrition.

Wolfwood, I think, falls closer to the latter category -- He's very used to eating worms, as we see in this episode, not even flinching at grabbing and devouring a whole worm, and even smoked dried worm legs as a kid in a later flashback, so supplementing his diet and other aspects of his life with worms is probably something he's used to doing for survival:

And I gotta say, the way Wolfwood antagonizes the others about eating worm-based food?

Yeah, it's a power play in some respects -- he's making a point to Vash about 'kill or be killed' to survive when he catches and throws a worm at him, and he's taunting Meryl to get a rise out of her with the roasted worm meat at the end of the episode.

But there's something very "Gross Big Brother" about it -- he's antagonizing them, but there's also some underlying level of care in it. He is showing Vash how Wolfwood thinks it's necessary to survive; he's bullying Meryl into eating the food that's available, because Wolfwood probably grew up with the understanding that you couldn't afford to turn your nose up at whatever food you got.

It's food, it's there, it's a valuable and scarce resource, and as much of an asshole as Stampede!Wolfwood is, he has those ingrained big brother instincts to look out for those around him. And food is an important part of that, because when you live with scarcity, food is life.

The whole bit with Zazie in disguise might be a charade (assuming Wolfwood already clocked Zazie from the get-go and it didn't take the worm devouring them for that card to be revealed) but it still pulls from Wolfwood's characterization in the '98 anime where he gives two of his last pieces of food to a couple of hungry-looking kids:

And the sentiment of "you still deserve to eat" as an expression of care is still real for him, especially given his smile when Vash repeats his words, finally eating some of the worm meat at the end of episode four:

Our worldbuilding implication is that food is scarce and rare in the Outlands, and Wolfwood is someone who knows how to survive by any means possible -- including eating whatever is available -- which is something he's nonetheless willing to share with others, because at his core he's a decent person who isn't as selfish as he may pretend to be.

And food is one hell of a love language.

#trigun stampede #trigun spoilers #food cw #nicholas d wolfwood #meta #lena has thoughts #lena's trigun nonsense

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itsnothingofinterest · 4 months

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So if it isn’t clear, I’m not a fan of chapter 423 and how it ended this final fight with AFO or Deku's supposed save of Tomura. I know I haven't talked that much about it but it's true.

And being the arrogant little internet-er that I am, I thought I might go over how I think this fight should’ve gone down. A little self-indulgent thing about how I would've done it, to make myself feel better, which you guys can read too if for some reason you want to. Granted, the objectively correct way to end this arc would’ve of course been to not do the fight or bring back AFO, end it at 418 as I described before; but this outline is for if one were to really insist on a final battle with a returned AFO.

Starting disclaimer; length: as mentioned in the above linked post, this is going to be quite longer than what we saw in canon. Some may say this is unfair to claim Hori should have done when he’s so clearly burnt out, but that’s just what the fight needs to be properly epic or properly conclude it’s dangling plot threads. Again, this is why ending it at 418 was the correct move. If we really are including this extra climax though, then it needs enough pages for it; which is why we’re going further than the entire manga might, up to chapter 430 plus an epilogue. (Wanted that to be including Epilogue but one chapter outline went long so I split it in two. Just the way things go.)

Pre-423 changes:

Surprisingly little. A part of me wants to change the ‘it was AFO all along’ reveal to be less dog-doodoo but I can’t imagine how. The reveal is bad; ruining many of MHA’s themes, several of its characters, and helping cement Deku as an All Might clone by ending his arc as a hero who beats the big bad AFO…but it’s also necessary for the extra climax to happen. AFO’s ability to take over Tomura is almost literally directly proportional to how bad the reveal is, so we’re kind of stuck with it.

However I would like to change Deku’s dialogue with Aizawa in 420 to not mention his plans of killing Tomura along with AFO up to now. His character just becomes unsalvageablely unlikable with the reveal that he was just looking for a way to murder the crying child in a way he found most tasteful this whole time. So we’re cutting that and Deku’s still aiming for the save like a good hero should. Just have him go into more detail on what happened in Tomura's mind; it'll be useful for Kurogiri to overhear for later.

Besides that, the early chapters of the final AFO fight were mostly fixable with later additions or otherwise inoffensive, so we’re moving on to:

423: On the Offensive

Once again, we start with Deku just landing a huge hit on AFO. Immediate change; the fight is not over with this: AFO manifests a huge mouth with sharp teeth on his chest right where Deku hit to chomp down and pin him before charging up an energy explosion point blank that’ll rip his arm off at minimum.

Deku escapes using a St. Louise Smash to scrape off the bottom row of teeth, letting his arm out and chasing that energy attack to mostly just propel him back into the ground.

Some hero comments how it’s like they’re back to square one while another denies that and points out AFO’s two new major injuries. Shoto takes the opportunity to try going for a major attack too; but AFO, furious that the heroes think he’s on the back foot, uses a quirk to launch the remaining sharp teeth at Shoto as missiles. Endeavor then swoops in and takes the hit for Shoto, surprising him with the sacrifice play but demoralizing the other heroes for their No. 1 to take a hit like that.

Now needing to get back on the offensive, AFO pulls out the giant double rivot mouth move to try and chomp down on Deku while he’s reeling; but they get intercepted by Mt. Lady and Ryukyu. At this time, Aizawa notices Kurogiri has disappeared from beside him.

As Deku is helped up by Aoyama, we see Kurogiri reappear on a bit of elevated dirt behind them; and stepping out to comment on how much he’s missed is a dishevelled looking Spinner.

424: The League of Villains

We instead start with a flashback to Touya, Fuyumi, and Rei being taken away from the battle by those stretcher robots. While they’re a distance away from others, sparks appear from the droids carrying Touya as they halt in place; causing Fuyumi to panic and ask her and her mom’s droids to also stop so she can see what happened. As Rei and Fuyumi struggle to sit up, they see that Toga has thrown knives into both of Touya’s robots and is now cutting him out.

As Fuyumi panics and tells her to get away, a warp gate opens and lets out Spinner, who tells Dabi to get up because the inevitable has happened and AFO has started fighting Tomura; Kurogiri filled him in on the whole thing. Dabi responds, revealing he’s still awake, and attempts to get up with Toga’s help.

Fuyumi begins really panicking, telling them not to take her brother when he’s so injured and she just got him back. But Dabi responds, in an apologetic tone as one could expect of Dabi, that he’s got something important to do.

Rei finally takes the chance to pipe up, asking if these are the friends Touya’s been staying with. Touya introduces Spinner, Toga, and Kurogiri, and says that they are; and then introduces his mom and sister to the League.

Back at Mt. Fuji, Spinne, Toga, and Dabi arrive out of Kurogiri and take in the situation. Kurogiri, now awake for real but with some Shirakumo in his tone, comments that it seems AFO is back in control of Tomura, but that like he saw last time, AFO’s control is probably still precarious. They just need to wake up Tomura again before they think of a more permanent solution.

Aoyama panics seeing the League here, but Deku interrupts asking if they’re here to fight AFO and save Tomura. Toga answers by saying he can just sit back and watch them do his job before telling Kurogiri that he’ll need to play defence; neither the heroes or AFO have noticed them in the crowd yet, but they will not appreciate them being here once they do. As he does, she and Spinner start yelling at Tomura; asking why he left them behind to wallow in his self-pity while they’re still waiting on him to destroy this unfair world? Where’s their horizon?

(maybe call back to this^ somehow?)

This grabs the heroes attention, some wondering if they need to fight them too. But then Dabi joins in, saying that Shigaraki was the one person to truly surpass All Might in power, so to see him a pawn of AM’s favourite punching bag is just sad; what’s with this embarrassing state, leader? Reminded at this sight of his own words to All Might in Kamino, Endeavor tells the other heroes to let the villains speak, while thinking to himself that he can finally see what relationship Tomura has with these villains like his son, and that he's glad he learned this about Touya.

AFO gets annoyed at the League’s insults and moves to attack, but finds his body shaking. In the back of his mind, Tomura stops screaming and appears behind AFO from the shadows, responding to the League’s call.

425: Secret Boss Battle

A fight begins at the centre of the mind between Tomura and AFO, the arena resembling the destroyed cityscape from when he first got the AFO quirk, but shrouded in darkness. Unable to really use their quirks in this space, they basically both resort to hand-to-hand combat and psychically throwing debris at eachother.

As they fight, AFO asks how Shigaraki awakened; his will should have been crushed with his identity as Tenko Shimura torn to shreds. Tomura affirms that he finds no will in the friends or dreams of Tenko Shimura, AFO has managed to treed on those things thoroughly; so instead he'll hold onto what is his own as Shigaraki Tomura. AFO balks at that; he moulded that identity even more thoroughly, implanted every idea in his head and guided his every decision; but Tomura reminds him that's not true, he left Tomura in the care of others many times. We then get both a flashback to Kurogiri comforting Tomura when AFO first died fightign AM, and a montage of flashback panels to his time with the League. Tomura exclaims that this is more than enough will to take on a shitty secret boss like AFO.

At this point, Shinomori appears and punches AFO hard in the face. He is proceeded shortly after by Ragdoll & various other costumed folk who follow up Shinomori with their own attacks. AFO asks if Tomura has caused a quirk rebellion like what happened to the 'other him' and Tomura answers: yes & no. The quirks are active in fighting, but they're not so much rebelling as just helping him subdue a rogue quirk, like what happened against Star & Stripe (he made sure to ask them though; need to know your party for the raid boss after all, and he'd been meaning to take stoke anyway). Or did AFO forget the dynamic of person & quirk between them?

AFO responds by growing into a giant, elongated monster to fight back; furious that these pawns, husks, and nobodies think they have any right not only attacking the demon lord, but looking down on him. AFO knocks a dozen hero & villain vestiges back, but Tomura throws a whole mental building at him for his trouble. AFO emerges out the top trying to attack him, but gets intercepted by the vestiges of Kudo and Bruce; both of them look shattered and like they're missing half their pieces, but the rest are keeping shape to punch AFO as much as they can.

AFO's fury briefly flares seeing them, but he quickly realizes what their being here means, as he hated them too much to ever take their pathetic quirks. Tomura confirms by saying AFO has his own secret boss, pointing out a small light in the distance like a star that AFO immediately identifies as the last spark of Yoichi.

426: Two Fronts

The inner fight continues: AFO begins racing past everyone to try and claim that distant light, but this just allows vestiges both stolen and OFA to slam him into huge debris as he tries. AFO grows even larger to Machia-level size and swats them away, landing a good hit on Tomura, Kudo, & Bruce as he tells them to stop infringing on his story. Just he he goes for another blow though, he takes a hit from seemingly nothing.

Cut back to outside and it's clear that he just got hit by Momo & Denki's canon, now with Jirou helping too. Dazed and in disbelief, AFO is then also hit by Kamui Woods throwing many huge boulders at him. Rikido and Kirishima go for a big attack too, but AFO knocks them away as he regains himself.

Realizing that he's on a war of two fronts and losing, he implants himself with those large roots he seems to have, embedding them in the earth and spreading them out to disrupt and separate the heroes. He then uses more quirks to form a large shell around himself, and uses a more defensive All-Factor Release to launch a myriad of attacks from the shell's surface. Deku goes in to attack AFO from an opening on the shell, but he launches more attacks out of it at Deku & the League. With the roots and shell protecting AFO from most of the heroes, he left an opening on purpose so he can see the League and focus on destroying them, which will then let him subdue Tomura. Deku realizes this plan too, and changes course to deflect the attacks on the League.

More roots emerge, but other members of the class catch on; Shoto freezing some while Shoji grabs others, allowing the League to keep yelling for Tomura to fight. At this time, with assistance from Sero, Iida, Mineta, & Mina; Ruyukyu and Mt. Lady lady finally rip out those mouth stalks, leaving two great black indents in the shell. Enraged, AFO causes the shell to grow large with great teeth around it's opening and enlarge in size greatly, now resembling the imagery of ultimate evil from All Might's old description of AFO as it launches more attacks at Deku and the League.

Deku tells the League to keep it up while he protects them, and we see side-by-side panels of both him and Tomura, bolstered by the League's words calling for his help, continuing their respective assaults on AFO.

427: Trust and Worth

We briefly see the other heroes attempts to get through the now-giant shell in between AFO's still-ongoing onslaught of attacks; Nejire and Amajiki's best attacks doing nothing, and Momo's laser barely putting in a scratch. Mirio says he got in, but his punches still can't phase the guy inside. Weird thing is, he didn't even notice a hero got in; so focused on Deku & the League. The attacks from the shell's surface seem completely random and haphazard too; he's ignoring them. Shoto points out that he basically can thanks to his defences, so does this mean they have to wait for someone who can do something? But Mirio rephrases it to that they need to wait for when they can do something.

Cut back to Deku and he's in a similar mental state. He's almost literally running on OFA's fumes and he's stuck on the defence protecting the League because he can't get into the shell through all the attacks, especially now that it's grown much larger and AFO is hiding deeper inside. It's anxiety inducing, he knows Bakugou would hate it. A part of him wants to try and think of a way to blast past the attacks, but he's not sure he could beat AFO in one hit so it might be too risky (if not for him, then for those behind him). Better to do some entrusting himself and leave this to Tomura until he leaves an opening or needs one himself, which Deku will know because he can see the fight in his mind through their connection.

But back at the mental battle; Shigaraki's confidence only enrages AFO, who grabs him in his giant hand and start squeezing. He taunts Tomura, asks if he really thinks someone who AFO built from the ground up can deny him? 'No, his pathetic friends will have their cries left unanswered forevermore, as punishment for entrusting their hopes to a pawn.'

Just then, another new player swoops in, busting right through the palm of AFO's hand to pull Tomura out. It's Hana Shimura! Who promptly tells AFO to shut up about her brother. The rest of the Shimuras also appear, with Kotaro denying the scope AFO's influence, apologizing to Tenko, and saying his abusive behaviour was his fault alone. Tomura pauses at seeing them, and says while he's in no mood to forgive his father, he promises to get them all out alive so he can grovel for forgiveness properly later.

Nana also appears and asks how the Shimuras are here, which Nao answers saying AFO pilfered their quirks from their remains after their tragedy. Nana is horrified, but AFO can only say that he's beginning to regret letting his whims draw him to any worthless trash he found along his path. Shigaraki remarks back that he's finding plenty of worth in this so called 'trash'.

428: A New Strategy

As more vestiges go back on the offensive; the Shimura family take a moment for strategy, wondering how they can beat this giant monster. Nana wonders why AFO can even grow like this, but Tomura figures he must've done it by letting long-suppressed emotions run wild. He's fraying himself for a chance to reach Yoichi, but stronger emotions like from Tomura or his sister can tear right through him. It also means if they beat him, he'll either be gone for good, or unveil his own core like what happened with Tenko. Concluding this is enough strategy, Tomura leaps into the fray and deals a massive wound to AFO.

AFO is beginning to realize his situation in this two-front battle is not improving, but being so close to Yoichi, he reconsiders his priorities and his strategy to shut up the League. Luckily the reappearance of Nana reminds him of just the way to do it. Outside, Deku, Aoyama, and a few other students continue to protect the League as they call for Tomura and mock AFO, when something changes. The onslaught of random attacks stops, and instead the shell begins to glow, and then a massive force begins emanating from the shell causing gale force winds to blast everyone away. AFO has combined the energy explosion he used to kill Nana with Air Cannon & Shokewave and is using them continuously to create these winds. Using his explosion quirk like this might burn up all his stamina, maybe even kill him and Tomura, but he decides it's worth it to see Yoichi.

The winds drown out the League, internally causing Shigaraki to think they might've just died, which in turn lets AFO pin him under his hand and start crushing him once more.

Deku, being blasted into a wall of dirt, realizes they can't keep up a passive strategy anymore, these winds will tear & burn everyone up. This is when a Warp Gate opens in front of his face, blocking the winds and letting him talk though it with the League, who are protected by a much larger Warp Gate. Spinner says they need a new strategy, but Deku gets distracted observing how Kurogiri's Warp Gates seem to be very effective against these winds by just warping the wind somewhere else. Before Dabi can properly express annoyance, Deku says he's got a plan; but he'll need the League's full cooperation, so are the willing to work with him? Dabi & Toga look to Spinner, who tells Deku...fat chance. He wants their help, he's the one who has to work with them. Deku agrees, so Spinner welcomes him to the League of Villains and asks for his plan.

429: All For One; One For All; All Or Nothing; One Last Smash

Deku and the League begin their operation. Kurogiri opens various Warp Gates around the area that a) give heroes places to take cover from the gusts of wind, and b) let him create his own jets of wind. He points all of them at Deku's back, launching the boy at the shell's opening. The force of each jet matches the force of AFO's wind, meaning multiple will overcome it. Granted, applying that much force to someone from both ends this way would crush most people, but Deku's got a body that can withstand OFA so this is nothing.

As he's launched at the opening, AFO notices his approach and creates giant sharp teeth to impale him; but Deku, being carried by the wind, is free to use another St. Louise Smash to destroy them and make his way in. AFO then tries a variety of other attacks inside the chamber of the shell, but a Warp Gate opens and a blast of ice freezes all of them, and we see Dabi commenting how there's nothing like a life or death situation to see how strong you really are (his mom's quirk packs quite the punch).

AFO then closes the shell to stop the League's interference, air jets or otherwise, and prepares another All-Factor laser pointed right at Deku. But just then, we see Shoto outside preparing a ramp, which Bakugou takes off from (that's right we see their team-up this time), using explosions to overpower the wind, break through the shell where team Momo scratched it, and blast away the charged up laser before it could fire. Now with line of sight inside back, another Gate opens with one of Toga's syringes shot through. Deku grabs it's cord, and uses it to launch himself back at AFO, finally landing the hit to knock off his gag.

Back inside the mental battlefield; AFO is so close to Yoichi and is dragging himself through the vestiges' attacks. Deku suddenly arrives across their mental link, and slams into the giant AFO. Truly desperate, AFO seems to almost puke up something from the hit that gets launched at Yoichi; it's trashbag baby AFO! Who's suddenly feeling a lot more honest, yelling for Yoichi about how much he needs him, how he only cares about him, just let him see his brother's face one last time.

Shigaraki hears this and realizes what kind of person his sensei was all along, and decides what to do with a pity-ing look on his face and a nod from his parents. AFO's path is interrupted one last time by Tenko Shimura, who grabs him in a hug and tells him he understands his pain, but it's over, he needs to let go of this. The star-like light he'd been chasing turns into Yoichi's face, causing AFO to being to cry and relax into the hug, and the two boys fade into another tiny light that rests in Tomura's hand as he shows Deku & the vestiges. It's over.

430: What Makes Heroes and Villains

Deku asks what what Tomura will do with that last shred of AFO, and Tomura says he doesn't know. Part of him still wants to crush it, both out of anger & just to be safe, but that seems distasteful after what just happened. Just then, one vestige steps forth and asks for it, who Tomura identifies as Spearlike Bones; the Shigaraki twins' mother. She doesn't introduce herself as such, but says she knew AFO before he went evil, so give it to her and she'll keep it safe and out of trouble this time. Both Deku and Tomura agree, and then sit down to talk.

The scene shifts to a beach at night, they're alone, and they shift to their four and five-year-old selves. Tenko and Izuku talk for a bit like that, about...a lot of stuff. Mostly about heroes, about Deku, and what Tenko thinks of Deku. If Tenko feels saved (a bit yeah, but also a bit not), how Deku's a good hero, how he's a mediocre hero. How Tenko thinks all heroes suck and are failures, especially All Might, which riles 4-year old Izuku up good...but also how, as the first hero that Tenko doesn't think is a failure who sucks, Deku is the greatest hero ever.

Izuku asks what Tenko will do now, and he says he'll do what he said before; be a hero for the villains, as only a villain can. That said, Tomura doesn't really want to fight Deku anymore if he can avoid it; so he's prepared a peace offering, and a message. The peace offering appear to Izuku as a meteor shower in the night sky, accompanied with a shot outside the mental world to show Shigaraki standing over an unconscious Deku with Tomura's hand pressed agianst him. The message gets blacked out a la Dabi. Izuku, suddenly a teenager is shocked and turns to ask what he means, but finds instead Shinomori asking what what means? Deku has been given the quirks from OFA back, although they are all in pieces aside from Danger Sense, hence them appearing to him as a meteor shower.

We cut to various scenes with villains; Skeptic in a police carrier, Spinner's advisors and a couple other rioters being held in custody, Compress in prison, Redestro in another prison, and even Gigantomachia, once more being tied down even as he holds his hand to the wound AFO gave him. They all see above them a tiny blotch of blackness like Kurogiri's mist.

Back at Mt. Fuji, Tomura finally emerges from the shell of ultimate evil carrying Deku. Lemillion is first on the scene and tells Tomura to hand him over; and is quite shocked when Tomura does just that without issue. Says the two of them made friends and sorted it out in there so don't worry. Toga also tells Mirio to relay a message to Deku that she'll be keeping an eye on both him and Uraraka from here, so keep up their progress together. Other heroes arrive and surround them slowly, not sure what move to make. Iida is the one who finally tells them to come quietly and let this end.

Tomura agrees to let this all end, and Spinner & Toga both ask what they're doing now? Going out in a peaceful way, or a villainous way? Tomura says both; that they'll be performing what may be their final act of villainy, before asking if Kurogiri has a big enough place picked out. Kurogiri confirms he does, and opens a Warp Gate for the League.

At this time, those other villains we saw earlier start getting Gloop Warped away from custody. As the League step through Kurogiri, a number of heroes suddenly move to stop them. Deku barely regains a bit of consciousness and tells them not to attack, causing a few of his classmates to pause. No one is fast enough to stop the League anyway, and Kurogiri disappears behind them. The League are gone.

The chapter ends with police, prison managers, and heroes all reporting in. Besides Dr. Garaki and Overhaul who got left behind, every villain bigger than a small time crook they had in any form of custody throughout the entire country has disappeared.

431: Class 1A Rising

The obligatory Epilogue chapter. As I expect of canon, this would probably be extra long and cover a lot of different plot threads. It'll also be very different based on how Hori wants to take things; but I'll go the simple route.

First things first is catching up with all the hero kids in the hospital. Friendship moments, decompression, comments on character arcs, that sort of stuff. We also learn Tomura's final message to Deku, which he relays to everyone else, student and pro: The heroes have attacked the League three times now. If they attack a fourth time, the villains will return to destroy Japan. But if they don't, the villains will never return.

We then get narration of the immediate aftermath of this announcement; heroes throughout the country search high and low for any signs of Shigaraki & the disappeared villains for months. In a similar case to when they hunted for Stain, this results in heroes finding a lot of injustices they'd normally overlook to catch bigger villains; lost children, domestic abuse, prejudice, that sort of thing. Still, for those entire months, no villains more dangerous than some corner store robbers are found.

Speaking of the heroes, an emergency ranking is conducted; naming Kamui Woods as the new number one, with the rest of the Lurkers as No. 2 & 3. The previous top 3 have all retied (maybe Endeavor dies from that tooth attack he took for Shoto, idk.) Additionally, Mirio, Nejire, & Tamaki have taken the no. 8, 9, and 10 slots, and vow to catch up and rise even higher. Still, there's not a lot of interest by anyone involved; seems everyone has their eyes on the next generation.

There's a few more scenes of loose ends getting tied up like Overhaul waking up Pops or Gentle & Nagant getting status as heroes before we finally return to UA The kids' 2nd year finally begins for real. it's jarring to be sure, but time must go on and so too must education. Besides, a lot of them have started thinking after that war that they need to consider what kinds of heroes they want to be. Deku's falling behind with his shattered OFA not yet showing signs of healing, if that's even possible, but he's confident he'll catch up once again. Perhaps this is where we'd see out final moments with the core cast, checking in with everyone here as they all get ready for their next lesson/mission as heroes. If Hori wanted a more overtly 'to be continued' ending (though I imagine he would not), perhaps we might see where the villains ended up in some sense, building up a future conflict. Or perhaps we might skip forward years into the future, see the kid as pros and end on that kind of uncompromising 'Happily ever after'. Depends on how much open-endedness is preferred.

Either way, there's my conclusion. I won't say it's perfect or anything; I'll even admit I may have gotten the League more involved than would ever be realistic (or maybe it's more like I may not have involved the Deku's class enough). But I like to think I got some cool plot beats in, some cool reveals, I'm more proud of the call back to All Might's ultimate evil imagery than it may deserve; but most importantly, the villains end this war alive and saved. Tomura got to be the hero for villains; and I'd say Deku, between getting his save off and not being the focal point of the win, came out looking a lot less like an All Might clone or the next pillar, and just looking a lot like a better hero than in canon in general. That's what I feel anyway.

Regardless, writing this whole 'what-if' out did in fact make me feel better about 423. So my self-indulgent ramblings were worth that much at least.

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ponderingmoonlight · 3 months

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Chapter 4: Shadows in the Moonlight - A Fateful Meeting at the Ball

Pairing: Gojo x fem!reader

Warnings: reader's death, language

Genre: Isekai, Romance, Fantasy

Synopsis: Your life takes a tragic turn as you perish in a car crash, only to awaken in a whimsical world of fantasy with none other than Jujustu Kaisen characters as its main protagonists. But as if that wasn't enough, you're about to marry the prince version of Gojo Satoru. How will you navigate through this world of history and fantasy? Does your life take the same sudden twist of fate as that of your favorite characters?

<- Previous Chapter l Next Chapter ->

„I won’t wear this. End of the discussion.”

“Are you out of your mind, sister? Prince Satoru sent this dress himself and ordered you to wear it!”

“I couldn’t care less about what Prince Satoru tells me to do.”

“Lady (y/n), please come to your senses. This is a beautiful gown and apart from that, it matches your skin tone and eyes perfectly. I am certain he didn’t choose this dress himself. Do the maid who was responsible for it a favour and wear it to the ball.”

Just to hear her voice sends shivers down your spine and calms down your pounding heart. Well, what did you expect when you found yourself reincarnated into a fantasy world with Jujutsu Kaisen characters playing the royal main roles? Definitely not Shoko Ieiri being your first maid, that is for sure.

“Fine”, you grumble.

“But I’ll only do it because of Shoko. Now get out of here, brother.”

Naoya sends a row of sickening glares your way before storming off and finally leaving you some room to breathe. This slowly but surely begins to feel like a never-ending nightmare. All you did was asking Gojo for an invitation to the ball along with a bouquet of flowers. But this?

You take out the jaw-dropping gorgeous gown that is covered in glitter, allow your hands to feel the softness of the fabric. There is no doubt in the fact that this was way more expensive than anything you have ever worn, so finely crafted that you didn’t even want to touch it when you first opened the box. But Shoko is right.

“How likely is it that the maid responsibly for choosing this dress will lose her head if I don’t wear it to the ball, Shoko?”

She eyes you and the dress up and down in silence while pouting her lips. To be honest, when you first saw her in that black and white maids dress, you almost fell out of the window. How is it even possible that she’s considered your maid in this world? Luckily for you, she at least kept her sense of humor.

“Very likely. To be exact, she might lose her head the same evening if Prince Satoru lives up to his reputation.”

“What a great way to describe my future fiancé. Would you help me put it on, then?”, you mutter.

Oh, how much you hate the thought of doing this man a favour, of putting something onto your body he has seen before. He doesn’t deserve to even look your way for how he talked to you, for how he treated you. Your impression from him in the manga definitely wasn’t wrong:

This man is nothing but a womanizer and collector of hearts.

“Didn’t you like him at least a little bit, Lady (y/n)? From what I have heard so far, it is said that he is a true gentleman and treats women with all due respect. Just not everyone else”, Shoko comments while tying the laces of your bodice.

You can’t help but huff in sheer anger and frustration. Gojo Satoru? A true gentleman? Is she really talking about the man who endangered you, who didn’t agree on marrying you? Just after you put him down in front of your whole family and threatened him with revealing his biggest secret…

Well, nobody’s perfect. But especially he isn’t.

“Let me tell you something, Shoko. This man is nothing but a philanderer, a pompous prince who thinks he owns the world.”

“But this pompous prince will be called your fiancé after tonight”, she reminds you violently.

You huff to yourself while balling your hands into tight fists and looking at yourself in the mirror. That new sensation of lavender eyes, the stinging fact that you are responsible for marrying that man you never really liked that much. But what other choice do you have? Even though you just came into this world, you aren’t dumb. Just one look into Naobito’s and Naoya’s cold eyes is enough to know they aren’t joking around. If Gojo doesn’t propose to you tonight, you will lose your life all over again. Running away? What a ridiculous thought. They’d find you where ever you go, hunt you down like the prey you are. Jujutsu Kaisen taught you that life isn’t that simple, that you cannot get away like that.

That new-gained life, the only one you might have left…

You straighten your shoulders and put a smile onto your lips so forced that your cheeks start aching. If calling yourself Prince Satoru’s fiancée is the price you have to pay for a second life, you will take it. But you’ll definitely won’t play his perfect little fiancée until the end of time. No, despite all the horrible things that could happen, despite the fact that you can consider yourself lucky for an opportunity like that, you still want to live the life you always imagined.

You will find a way out. But tonight, you have to play along.

-at the ball-

“If you don’t behave yourself-“

“Can you shut your mouth just once? It’s not like I’m a kid and didn’t listen to your nonsense the whole ride to the palace”, you interrupt your brother with a yawn.

“I think you don’t get it, sister.”

Naoya grabs your wrist so tightly that your bones feel like bursting any given minute, his cold glare piercing through you like a knife.

“If you mess this up, you will lose your head. And even though I’d love to witness that, we can use you as the wife of the prince better.”

His eyes tell you that he definitely isn’t lying, that every cruel word coming from his mouth is nothing but the truth. You swallow hard, yanking away your arm in order to escape his grasp. Fuck, this is absolutely serious. If you mess this up, if that jerk changes his opinion-

“Lady (y/n), what a pleasant surprise to see you made it on time.”

Oh. You turn around in a mix of relief and panic. It’s him.

“Sir Suguru”, you breathe out.

As fast as you’re able to walk in that pompous dress and those heels, you storm away from your brother in order to greet your new-found saviour.

“Where do you think you’re going, sister?”, Naoya hisses through gritted teeth.

“He’s a good friend of Prince Satoru, don’t you think it’s my responsibility to greet him? Now get away from me”, you bark back at him.

“What a pain in the ass”, you mumble to yourself, cheeks burning in nothing but sheer anger.

Now that you think of it, getting out of that toxic household is definitely more important than keeping your distance to Gojo. You need this evening to be perfect. Everything needs to go according to plan.

“I see you arrived with your brother”, Geto comments with an oh so charismatic smile.

“Oh, you noticed. I tried to leave him in the basement where he belongs, but he keeps finding his way back”, you blurt out before thinking twice.

Fuck.

Your eyes widen in sheer horror.

Just a few seconds ago, you reminded yourself to act normally, to do everything in order to make this plan work. And now…you’re insulting your family in front of Gojo’s best friend.

“I apologize, I shouldn’t have said that-“

“It’s not a secret to anyone that Sir Naoya is a truly special contemporary. What surprises me though is how a Lady like you was able to develop in such an environment.”

“Please don’t tell Prince Satoru.”

The begging tone in your voice catches Geto off guard. You, who wasn’t even afraid of a Prince while rejecting him. What is it that you fear so badly?

“I’m a man of words. Of course, this will stay with us if you wish so, Lady (y/n). Now, let’s go inside, shall we? I know for certain Prince Satoru is already awaiting you.”

“Don’t make me blush, Prince Satoru-“

“Prince Satoru, there is something important I haven’t told you yet! What do you think about talking in private for a minute?”

“Now now, Ladies. I am not allowed to leave the ball I am hosting only to have a little talk. And apart from that, a noble man like me can’t meet a gorgeous Lady without a chaperone by her side. Your reputation might get ruined and I cannot stand the sheer thought of that”, Satoru replies with his voice so sweet that you feel like throwing up.

Is this guy for real? You ball your hands into tight fists, eyes too focused on the way he stares that bunch of needy women up and down with his eyes so sparkly that they might take their clothes of any given time. Didn’t this guy tell you yesterday that he wants to marry you?

“May I say that you look absolutely lovely tonight, dearest Lady Mei?”

“You always know just what to say to make a lady blush. But I must say, you’re looking quite dashing yourself. Perhaps we should make it a habit to complement each other more often, Prince Satoru”, she purrs back at him.

Mei Mei, the so called “Lady” who shared her bed with her little brother and cares about nothing but herself as your competition? Suguru side-eyes you up and down while trying to position himself in front of the cheesy scene, but you have enough.

Nope, you can’t do this. There’s no way in hell you’ll talk or let alone dance with that womanizer. Is this the only choice you have in your life? Getting killed by your so-called family or spending the rest of your days standing next to a man who has his mind and probably his body on a new girl every week?

“Disgusting”, you hiss through gritted teeth, not even caring about the look Suguru gives you while speeding off.

What are you supposed to do? Running away and trying to hide your traces? Risking it all and rejecting Prince Gojo once again? All of those thoughts are nothing but bullshit.

Your family will find and kill you if you decide to run away. And Prince Gojo? Who know what that guy is capable of.

“Don’t mind my comment, but you don’t have to feel nervous. I am more than certain that Prince Satoru fell head over heels for you”, Suguru whispers into your ear, following you around with ease.

“Are you forced to tell that every woman he wants to have as his trophy?”, you bite back.

You definitely don’t have any nerve to think about Prince Satoru or the stinging fact that you’ve landed in that strange universe for another minute.

“Drinking. Drinking sounds good right now”, you mumble while storming towards a buffet filled with beverages and biscuits.

Cup after cup you cough down the sweet liqueur that leaves your head dizzy and mind forgetting all the shit you’ve been through for a brief second. You were alive, you died, you woke up again in this strange world and now you’re supposed to die again? Dying or getting married to a womanizer, a man who’ll never give you the love you deserve.

“Lady (y/n), are you feeling unwell-“

“I need to get out of here. Please leave me alone for a second”, you mumble without even looking at Suguru.

You need a few minutes or rather hours for yourself. Without anyone around, without all the pressure crushing your shoulders. Your feet stumble around without a real aim, shoulders bumping into strangers over and over until your eyes finally spot an empty hallway opposite of you.

Fuck Prince Satoru and that whole new world you now live in. Right now, you need some time to get a hold on your life and all the stuff that happened those last 48 hours.

You dart forwards, almost sprint when the crowd gets sparser. You need to get away from that place, away from the stinging presence of your brother, your father and Gojo.

“I can’t marry him. But I can’t stay here either. I need to…AH!”

Sparks fly, you feel your head bump into something rock hard, your body falling straight to the cold ground. Out of instinct, you squint your eyes together and brace yourself for bumping straight onto the floor butt-first. Were you really dumb enough to run against a wall or a statue, maybe?

But you never land. Instead, you feel a pair of firm arms wrapped around your waist, keeping you in place. You let out the breath you didn’t know you were holding, slowly allowing your lids to flutter open.

Your heart stops.

Can it really be? No, that’s impossible. There’s no way in hell a guy like him would attend a ball like that-

“I think your lost, the ball is right behind you, young Lady”, he speaks out with low voice.

“Toji Fushiguro”, you mumble when your glossy eyes fixate on the scar that decorates the right side of his mouth way too familiar.

Tags: @m0k0k0 @lees-chaotic-brain @sanicsmut @risuola @fire-loving-siren

@sunshine7queen @gatitam @kentocalls @hellkaiserinphoenix @skylarlyn823

@livmarauder @nothisispatrick300 @haileycannotcometothephonern @xstom @byakuya61085

@arehzhera @ttysmfwna

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tobiasdrake · 5 months

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I'm curious what Tenshinhan's fighting style is beyond general weirdness lol. I always interpreted it as a "showing off" sort of style back in the 22nd Tenkaichi Budokai, with most of his moves being visually impressive and/or intended to instill despair in his opponent, but then you have his kikōhō, a move that damages the self for greater strength...

Tenshinhan is fucking weird is what he is.

I mean that sincerely. Fitting for a man who walks in with three eyes like that's totally normal and no one ever speaks of it, Tenshinhan's style comes straight from the realm of the bizarre and esoteric. He's an outside-the-box challenger to test the limits of Goku's counter-fighting.

He is the drunken boxer. The fighting game character that plays utterly differently from all other characters, making them hard to learn but unpredictable when mastered. Ten forges his own way through martial arts with off-the-wall tricks and game-changing shenanigans.

It's just. Easy to forget how weird he is because the rest of the cast have thoroughly cannibalized his style. Kame-senryu are a bunch of fucking thieves.

This eye-searing image is the most normal thing Ten has in his repertoire.

Ten and Chiaotzu lay out that they're going to be... unlike anything we've seen before right from the get-go, when they use psychic powers to rig the matches.

Already, it's clear that we're about to see some weird shit. Both of these characters are built on the martial arts philosophy of "Okay what the hell even is that, how did you even bring laser eyes to a knife fight?"

Ten in particular is a formidable martial artist.

But as early as his first match, the oddball nature of his abilities start to settle in.

Okay, so Ten can just Nope any Kamehameha thrown at him. Sure. Guess that's a thing now. New rule, guys: No more Kamehamehas.

But you also kinda get it. Like. Tsuru-senryu is the rival school to Kame-senryu, and the Kamehameha is the signature technique of Kame-senryu. So it makes sense that they'd develop countermeasures for the Kamehameha.

Also, they can levitate.

Well, that's going to make scoring a ringout fucking hard, isn't it? One of the two ways you win in this tournament is by making your opponent fall in the grass outside the ring, and these fuckers can fly.

That's unfair, is what that is. They don't even need to use helicopter tail shenanigans or a well-aimed Kamehameha for propulsion to do it. They can just decide that they don't feel like being rung out today.

This is the first technique that doesn't seem so special today because everybody cannibalized their Bukujutsu. But at the time, it was unique. Even Taopaipai, their idol, couldn't fly. He got around by the delightfully comical method of throwing something really hard and then jumping on it and being taken for a ride.

Taopaipai was doing Breath of the Wild rock transit decades before it was cool.

As the tournament picks up, Chiaotzu foreshadows the bizarre nature of the fights ahead when he reveals his ultimate technique: Binding his opponent in place with psychic powers so they can't defend themselves.

That's. Not. Really. A martial art? Even by the incredibly loose definitions already on display in this manga. It's closer to General Blue's paralyzing glare. And there's a lot more of that to come.

Further included in Ten's repertoire of Weird Shit (TM) is his third eye, which serves a vital function in combat until everyone starts ki sensing and it ceases to be relevant.

Ten has enhanced perception, allowing him to see things that others can't. This is notably distinct from being able to sense people by following their ki signatures. A distinction the Muten-Roshi helpfully lays out by stating he can't see Goku but can sense him just before Ten confirms he can still see him.

When Goku meets Popo, we'll have entered the realm where the limitations of human eyesight can no longer keep up with the speeds of the characters, and learning to perceive through ki sensing becomes necessary.

But right now, Ten's enhanced perception lends him a number of edges over other martial artists that have to rely on eyesight to track their foes. Advantages such as thwarting this particular invisibility technique of Goku's.

Or piercing the illusion of the Zanzoken/Afterimage speed technique.

As an aside, I love the way both of those moments draw attention to Ten's two normal eyes looking one direction while his third looks the other. It's such an eerie but effective way of conveying the idea that he can see more than a normal man.

Ten and Chiaotzu play by different rules than everyone else.

Sometimes he has four arms. That's life, man. Again, they make a point of showing us what this looks like as a speed technique:

Both to set up Goku's counter for this and also so that we understand how meaningful it is that Ten is not doing that. Chapa and later Goku perform Hasshuken, moving their arms so fast it creates the illusion of eight. Ten physically sprouted two extra arms. He can just. Like. Shapeshift, I guess. He's a flying shapeshifter who sees faster than everyone because of his three eyes and he hangs out with a telekinetic doll.

Also he can flashbang his opponents as a clincher.

This is another move that seems mundane now because everyone stole it from him. They took his Bukujutsu/Levitation and they took his Taiyoken/Solar Flare. But it's another data point on the list of ways Ten's such a weird and complicated opponent to try and fight.

Even by the standards of Tsuru-senryu, he's weird. Taopaipai didn't do half of this shit. Ten specifically refers to the Taiyoken/Solar Flare as a New Tsuru-senryu technique, which implies that he created it himself.

Which makes me wonder just how much of his moveset is actually part of the Tsuru-senryu curriculum and how much is Ten. Just. Being weird.

Notably, at the 23rd Tenkaichi Budokai, Ten shows up with something even more absolutely freakish than the Shiyoken/Four-Armed Fist.

Shishin no Ken also known in English as the Multiform Technique is another departure from your illusory speed techniques, in that Ten splits his body into four bodies. How does he do that? Fuck you, that's how. This is the evolution of both his enhanced perception and his ability to sprout extra arms - And, in being so, a demonstration of how Goku has left him behind.

It's an admittedly creative solution to the problem that Goku, following his training with Popo, can move too fast for even his three eyes to follow. But now he has twelve eyes.

TWELVE. That's as many as four Tens! And that's terrible.

The Shishin no Ken was another weird-ass technique from a weird-ass martial artist, serving a practical function in enhancing Ten's unique characteristics to compensate for Goku's now godly abilities.

But it was ultimately undone by a catastrophic vulnerability, which is the reason nobody ever tried this shit again.

Splitting into multiple copies of yourself turns you into a team of useless scrubs who can't throw a punch to save your life. It's a bad technique and was written off immediately after this fight, never to be seen again.

...except in anime filler, where everyone stole that from Tenshinhan too.

You guys were both at the tournament when Goku pointed out that this technique makes you throw punches like slow, limp noodles! Come on, guys! These characters would not even try this shit.

But I digress.

Not to be outdone, Chiaotzu invented a technique where he blows himself up and dies ineffectually.

Tenshinhan never let him fight another person again for the rest of his life. This cost him fighting privileges. Straight up left him with the non-combatants during the Android arc. You are done, Chiaotzu.

Look, just because their shit is weird doesn't mean it's all good.

Of course, we can't talk about Ten without talking about the Big Gun. His ultimate technique. The thing he's known for better than anything else, especially by people who never watched or read the material prior to Raditz.

The Kikoho/Tri-Beam is not a Tsuru-senryu technique or a Kame-senryu technique. It's not even a Tenshinhan original. It's a forbidden technique known to both schools but, at least in the Muten-Roshi's opinion, inappropriate to ever pass on. Tenshinhan's going to use it to win at recreational sports.

And people complain about Korra entering the Avatar State to win a race. If Goku broke out the Genki-Dama/Spirit Bomb to punch Krillin out of the ring, Kaio would have his ass for that....

The Kikoho is, so far as we know, the most powerful individual technique in Dragon Ball in terms of the gulf between the wielder's power and the destructive force output by their technique. It punches far above Ten's weight class. Whether that means:

Managing to fuck up Nappa pretty bad.

Holding back Semi-Perfect Cell.

Or even dissipating a shot from Super Buutenks, the Kikoho is in a league of power far beyond anything Tenshinhan would be capable of himself. This technique lends Ten the ability to show up and be occasionally useful even after the power scales leave him far behind.

At least, for a short time.

Sorry, man. You cannot fight at this level. But at least you got that killer shot in.

Tenshinhan and Chiaotzu are wild cards. Not as characters, mind you, but as martial artists. Their greatest strength is their unpredictability. You never know what they're going to pull out of their pocket next, which for a time made Ten in particular into a fun and engaging rival for the ever-analytical Son Goku.

#dragon ball #dragon ball z #tenshinhan #tien

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delawaredetroit · 7 months

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Are you still a dfo truther? If so, why?

I'm not counting it out just because the body that All for One was eventually planning on discarding anyway is dead. The naysayers are taking too early a victory lap on that one. That said, if it does happen, this Deku vs Shigaraki fight is the last place where it feasibly could happen. There's no way All for One's vestige isn't making another appearance regardless considering his plotlines with Yoichi and Shigaraki have not been resolved.

Why do I think it's still possible? Because Horikoshi usually carefully plans the names of his characters. And it's odd that an ordinary businessman would have a name meaning leader and "a long time"/"eternal" when that sure matches the goals of the manga's villain who basically wants to be reborn in a new body so he can rule the world (and have Yoichi under his thumb). It's weirder when the alleged son in this theory has a name that includes a character that can be read "to be born" and the exact same a long time/eternal character. (Especially when unlike any of his classmates, he is the only one with both parents' names introduced where his name only has influence from one parent)

Also, it's because the themes between Izuku and Shigaraki currently feel incomplete. And they would feel more complete if this fight was also about the villain born from heroic origins versus the hero born from villainous origins. Touya, the villain character Shigaraki has the most parallels with, already has one of these in Hawks. And like Izuku and Shigaraki, those two are some of the only ones that really play with the visuals of angelic looking villains versus demonic looking heroes. All for One said that heroes/villains used to receive their "names" based on what their enemy called them - so it would make sense if what remained of All for One was defeated once and for all by those he has named. Izuku is the odd one out in this fight if dfo theory isn't true if he didn't receive a name from All for One like Shigaraki and Yoichi.

The general impression I get from people who hate this theory is that they don't want Izuku to not be an ordinary person or intended for some special destiny. And I'm ????? about that because I think these people have bought Izuku's unreliable narrative about himself hook, line, and sinker. Again, that "ordinary" interpretation goes against the actual reading of Izuku's name. Second of all, I have no idea what people are smoking to have interpreted the guy who knowingly and repeatedly breaks his bones like they're glow sticks as the most normal guy. Even before One for All - Izuku wasn't "normal" - he was part of a minority group and faced discrimination for being quirkless.

The second impression I get from naysayers is that DFO theorists are wrong because their characterizations of All for One and Inko are way off. To that I say - the original Dabi=Touya theorists were almost all way off about Touya's personality/motivations - but their conclusion was still correct. There's also more potential evidence to back up DFO theory now than there was to support the Dabi is a Todoroki theory at the time of that reveal.

At a minimum, if this theory turns out not to be true, there's enough bread crumbs left by Horikoshi that he was clearly trying to steer people into thinking there was a connection here. So am I sure it will be canon: no. Is there still a good chance it could still happen: yes.

#dfo #dad for one #all for one #afo #midoriya izuku #shigaraki tomura #shigaraki yoichi #todoroki touya #dabi #takami keigo #hawks #there you go: a potential reading of why dfo could be canon without ever mentioning star wars #mainly bc i've never seen star wars #asks #bnha manga spoilers

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breakonthroough · 11 months

Text

Some thoughts about the differences between manga and anime in the story of Law and Cora.

The illustration for the title is not entirely on topic, it’s just funny how they played up the situation, expanding the moment with touching changes in Law’s behavior - he prepared breakfast for Cora. UwU

As we know, anime adaptations as a rule bring something new to the plot and events of the manga, expanding and complementing them. But sometimes it happens that some manga panels are subject to censorship, or are not transferred to the screen at all. There are many such examples throughout anime, but I am primarily interested, of course, in the story of Law and Rocinante.

In episodes 700 to 706, the anime creators added many additional scenes that expand on the characters and plot. For example, we were shown Rocinante's last fight with members of the Donquixote family. In the manga, as we remember, this was left behind the scenes. We only hear, together with Law, who is sitting in the chest at that moment, only the sounds of Rocinante being beaten by Doflamingo's officers.

The moments of their personal interaction during the journey in search of a cure for Law were also slightly expanded. We saw a little more cute smiles and caring from Rocinante. Especially in the final part of their story. I will never forget this sad and tender look from Cora.

However, to all the good things that happened, some ridiculous and even slightly inappropriate, in my opinion, scenes were also added. At least, it seemed to me that they distorted the image of the character.

For example, the scene of Law being thrown out of the window of the Donquixote pirate base again in second time - why was it so necessary? Wasn't once enough, like in the manga? Add gloomy and cruel senselessness to Corazon’s behavior, increase the degree of his ominous and repulsive aura? Or just for fun? Well I dunno..

Or the scene of Cora-san’s absurd panic over Trafalgar, who had fallen unconscious after his condition worsened.

Of course, I understand that at that moment he was really very scared for him and was upset that the rescue plan would fail, but why was it necessary to add this inappropriate comedy with falling from a cliff and spilling water? To show that Rocinante is clumsy? But this is already understandable, especially since it’s my opinion that he wasn’t THAT clumsy in reality, and, for the most part, he was putting on an act.

But that scene itself was quite tense and disturbing, and certainly not comic.

But the manga scene with Rocinante bandaging himself the wound inflicted on him by the angry boy Law was removed from the anime.

I can understand that they apparently decided to censor the “nudity,” as they did with both Levi and Erwin from Attack on Titan when they similarly removed the wound bandaging scene from the anime.

But at the same time, other characters appeared on the screen with a naked torso quite routinely, so I don’t understand this selectivity of censorship.

Of course, what speaks to me is solely a thirst for justice, and not at all a desire to see his handsome male figure in animation. Hehehe..

But, speaking seriously, this scene had a certain significance in revealing the characters, since it clearly showed what the Donquixote brothers had to go through in childhood and youth. Because, perhaps with a certain degree of probability, Doflamingo also hides somewhat similar scars on his back and shoulders.

Well, this scene also shows Doflamingo’s reaction to his brother’s injury, which is different from the anime version. In the anime, in the presence of other family members, he is quite sympathetic and caringly interested in what happened, how it happened, and advises Corazon to take care of himself.

In the manga, this scene is quite awkward in itself. They both flinch when Doflamingo catches a glimpse of his brother and his wound as he passes by in the hallway. At this moment, when they are "talking", Rocinante stands with his back to his brother, and Doffy looks into the room, and in this communication there is no sense of brotherly care, as it seemed to me. The expression on Doffy's face at this moment is more tense and dissatisfied than worried, which completely changes the entire emotional tone of this scene.

But I will end this mini-analysis on a positive note. Because it was anime episode that gave us that priceless smile of Rocinante. Since in the manga he practically did not smile at all with his real sincere smile. Animators just simply gave us such a priceless treasure ❤️‍🔥

Russian translation below 👇

Некоторые общие мысли про различия манги и аниме, касательно истории Ло и Коры.

(Иллюстрация для заголовка не совсем в тему, просто забавно, как обыграли ситуацию, расширив момент трогательными переменами в поведении Ло — он приготовил завтрак для Коры) UwU

Как известно, аниме адаптация всегда привносит что-то новое в сюжет и события манги, расширяя и дополняя их. Но иногда происходит так, что некоторые панели манги подлежат цензуре, либо не переносятся на экран вовсе. Таких примеров немало во всем аниме, но меня в первую очередь интересует, конечно же, история Ло и Росинанта.

В эпизоды с 700 по 706 создатели аниме добавили множество дополнительных сцен, раскрывающих персонажей и сюжет. Например, нам показали последний бой Росинанта с членами семьи Донкихот. В манге, как мы помним, это было оставлено за кадром. Мы слышим только звуки избиения Росинанта вместе с Ло, сидящим в этот момент в сундуке. Также немного расширили и моменты их личного взаимодействия во время путешествия в поисках лекарства для Ло. Мы увидели чуть больше милых улыбок и проявления заботы со стороны Росинанта. Особенно в заключительной части их истории. Этот печальный и нежный взгляд Коры я не забуду никогда.

Однако, ко всему хорошему, что было, также были добавлены и некоторые нелепые и даже чуть неуместные, на мой взгляд, сцены. По крайней мере, мне так показалось, что они исказили образ персонажа.

Например, сцена повторного выбрасывания Ло из окна базы пиратов Донкихота — зачем она была так нужна? Разве одного раза, как �� манге, было недостаточно? Добавить мрачной и жестокой бессмысленности в поведение Коразона, повысить градус его зловещей и отбитой ауры? Или просто для прикола, как мне сказали на одном форуме? Ну не знаю..

Или сцена нелепой паники Коры-сана над упавшим в беспамятстве после ухудшения состояния Трафальгаром. Я конечно понимаю, что в тот момент он действительно очень сильно испугался за него и расстроился, что план спасения сорвётся, но зачем нужно было добавлять эту неуместную комичность, с падением со скалы и проливанием воды? Чтобы показать, что Росинант неуклюжий? Но это ведь и так понятно, тем более, мое мнение, что он был не НАСТОЛЬКО уж неуклюжим в действительности, и, по большей части, разыгрывал это представление. А ведь та сцена сама по себе была довольно напряжённой и тревожной, и уж точно не комической.

Зато вместо этого удалили сцену из манги с перевязкой Росинантом раны, которую ему нанес обозленный Ло. Могу понять, что тут видимо решили зацензурить "обнаженку", как, в свое время, поступили и с Леви, и с Эрвином из Атаки титанов, когда аналогичным образом убрали из аниме сцену перевязки ран. Но ведь при этом других персонажей нам спокойно показывали с обнаженным торсом, так что мне это непонятно.

Разумеется, во мне говорит исключительно жажда справедливости, и нисколько не желание увидеть его красивую мужественную фигуру в анимации. Хе хе хе..

Но, если говорить серьезно, то эта сцена имела определенное значение в раскрытии персонажей, так как показывала наглядно, через что пришлось братьям Донкихот пройти в детстве и юности. Потому что, возможно, с определенной долей вероятности, Дофламинго также скрывает похожие шрамы на своих спине и плечах.

Ну и ещё эта сцена показывает отличную от аниме версии реакцию Дофламинго на ранение брата. В аниме он в присутствии остальных членов семьи вполне участливо и заботливо интересуется, что случилось, как это произошло, и советует Коразону позаботиться о себе.

В манге же эта сцена достаточно неловкая сама по себе. Они оба вздрагивают, когда Дофламинго мимоходом видит брата и его ранение, проходя мимо по коридору. Общаются они в этот момент со спины, и братской заботой от этого общения вовсе не веет, как мне показалось. Выражение лица Доффи в этот момент скорее напряжённо-недовольное, чем озабоченное, что полностью меняет всю эмоциональную окраску данной сцены.

Но закончу я этот мини-анализ все же на положительном. Потому что именно аниме подарило нам ту самую бесценную улыбку Росинанта. Так как в манге он практически совсем не улыбался своей настоящей искренней улыбкой, а тут нам взяли и подарили такое бесценное сокровище ❤️‍🔥

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