Consider:
Leo Valdez was not born. Instead, two pairs of hands form him from bronze and steel and gold. His hair is copper wires so thin they bounce like natural curls, and his eyes glimmer with silver flakes. The joints of his body are plated so delicately, so perfectly, the segments are near indiscernible, smoothly gliding over each other. Faint traces of fingerprints and flecks of impurity are deliberately left behind for their uniqueness, a form of impossible signature of his creators.
Most importantly, gilded bars curl around each other in his chest, protecting the red-red-red flame that pushes his eyes open everyday, that beats in tune with his thoughts, that heats his body to expand and grow.
A metal child is not so different from a human one, and yet is so far from it at the same time. He is curious, about the world, about himself, and he picks apart toys and TV remotes and his arms, spilling their secrets before his constantly shifting eyes. He does not cry from fatigue or thirst or hunger, but a bump, a dent, a scratch never fail to draw tears. He splashes in the rain and snow, carefully bundled in waterproof coats and jackets, and runs from baths like he's possessed, fire flickering in fear.
The first time he meets someone like him, an endeavour he had long thought hopeless, it is a malfunctioning dragon others call for the death of; he is too unpredictable, too dangerous, too broken. Leo looks him in ever-shifting eyes glimmering with silver and sees himself if the cage in his chest ever bends, cracks, shatters, if the gears beneath his skin ever jam and stick and wear down irreversibly.
It is not golden flowers and godly aid that preserve him; just as he'd done for his twin-in-all-but-appearance, he creates a new body, with new fingerprints and impurities mapping his design. His hair is more bronze than copper, now, and his eyes more gold than brass. The plates of his joints scrape against each other faintly, and the gears of his bones grind together uncomfortably — he only had so much time, so much material to use, he could not polish every element of himself in the way he wished, but it holds together.
Most importantly, he reinforces the cage in his chest, coats it in layers upon layers of metal, to ensure his flame will not go out in the explosion, that Festus will be able to salvage it and lay it gently in the chest cavity carefully carved in his new body, bringing it to life.
He returns to Camp, movements more clunky and mechanical than should be, and his siblings finally pin down his segmented limbs, his shifting eyes, his clicking fidgeting. They are ecstatic, just as fascinated with him as they had been with Festus, and he lets them. He lets them take him apart, piece by piece, clean out the sand of Ogygia from his organs, polish and oil his gears until they glide against each other, press new fingerprints, new signatures of belonging, against his skin.
Most importantly, they craft him a secure, intricate cage, with golden flames licking up the bars, with delicate chains shielding it from the elements, and his flame settles inside it, flickering happily, finally truly, truly comfortable in the cage of his body.
Leo Valdez may not have been born, but he was crafted with the most loving hands imaginable, and is that not so much better, for a son of the Craftsman?
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I wonder if the mural of Vander already existed and someone else painted Jinx into it after she became so well regarded?
I just feel like the portraits aren't that well integrated in theme. You have Vander's profile bordered in yellow flowers to represent friendship and joy. Then you have the more detailed painting of Jinx looming over Piltover exploding it with smoke bombs. Jinx is framed around doves while stylized into her latest attacks.
It feels like the artist(s) wanted to associate Jinx with Vander rather than the other way around because the actual subject of the Jinx's portion of the mural is Jinx violently provoking Piltover, but the nature of Jinx's portion is practically whitewashed to make it work with Vander's theme to the point Jinx is surrounded by DOVES. It might be an attempt to harmonize Jinx's persona with the ideals Vander left behind, which are the complete opposite of what Jinx is actually doing.
I think this is on purpose because Jinx is the most politically relevant member of her family now. Jinx is the one being valorized and venerated, and EVERYONE knows none of this would have been possible without Silco. Silco was the one who dedicated his resources to train Jinx and was openly anti-Piltovan to Jinx and the rest of Zaun.
I've seen some claims that Vander and Jinx are together because Vander was more beloved than Silco. But Silco never made it illegal to mourn or even celebrate Vander's memory. Silco allowed and a giant statue of Vander to be built in the middle if Zaun and he'd TALK to it.
But now Silco's dead and there are people running around in the background wearing Jinx's X and Silco's color scheme on their clothes. It feels like there's an ideological custody battle on behalf Silco and Vander through their supporters on who was Jinx's "true" father and gets the lions share of historical parental acclaim.
Tldr: The mural seems more like an effort to save face for Vander rather than bolster Jinx because Vander's actual values inexplicably lead his KNOWN favorite to becoming an enforcer. Meanwhile, everyone knows, especially Silco's supporters, that Silco's responsible for how Jinx turned out, and she's currently Zaun's favorite.
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Ugh I can’t stand how chiefs fans are making fun of jamarr and calling him a diva (among other names) when Travis literally screamed in his coach’s face during the Super Bowl and has been ejected from a game before for disrespecting the ref.
tbh i don't mind chiefs fans shit talking ja'marr, they have every reason to hate him. he's embarrassed their team plenty and has done more than his share of shit talking. let them have their fun (although i agree it's def hypocritical after that travis moment that i guess no one ever wants to talk about!)
what upsets me SO much though is seeing our own fans turn on him. calling him selfish for the hold-in, blaming him for the contract debacle, saying he's overrated, saying we should trade him and keep tee (when they were all saying the exact opposite when tee requested a trade TWICE a few months ago 🙄). and i do understand that ja'marr was in the wrong for this penalty, but getting ridiculous penalties against the chiefs is kind of just what he does! like it cannot be emphasized enough how much that man hates the chiefs lmao.
ja'marr has been STRUGGLING these past few months and it's obvious how much of a toll this has taken on him. i'm not at all surprised things boiled over to a tipping point when he thought he was tackled in a particularly dangerous way (whether he was right or wrong, he DID believe it). right now he's taking a huge risk being out on the field at all without any real guarantees for the future. that shit is scary, it's scary betting on yourself even when you do believe in yourself 100%. people play better when they feel secure, when they feel valued, and the front office did everything they could this offseason to make him feel the opposite.
i'm really hoping he can have a big game this monday. supposedly the commanders defense is Not Good, so that should help us! (i just hope it isn't a trap game for us. but the fact that we're 0-2 i think will make the guys take it seriously.) winning helps cure all ails for competitors like ja'marr, and i believe we've got a lot of that ahead of us!
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