any tips/reassurance for when u have lots of owed art (comms, trades, etc)? i get stressed over making people wait too long sometimes with just a few things on my list. u manage to make SO MUCH stuff for patreon and personal work combined each year?? must be magic no other way /pos
let me start with saying:
people are [generally] more than okay waiting for art!
you are one person. you can get sick, have emergencies, and you also need personal time as well! you're not a company, and most clients are very understanding of that. there will always be the one odd client that's impatient, yes. it does happen. but as long as you are transparent, communicate, and [as a bonus] have a public queue - you really have no reason to fret.
i have commissioned artists that took three days to finish art. i have commissioned artists that took three months to finish art. there is no "standard" turnaround time when it comes to commissions. every artist works at different paces, not every artist is self-employed. some have school or jobs that take away time from their art, and that’s fine! it is okay to take a long time to finish your work! just be honest.
let me elaborate [i’m gonna say client a lot but these can also apply to trades]
be transparent: if you know it'll take you a while to finish the art, write that in your commission post and/or order form when you open. make that the very first thing the client knows before any payment is exchanged. i like to write it in my order form and in my first email back when i'm taking on a commission, as it covers my butt and keeps the client in the know.
public queue: set up a trello or make a post/journal somewhere [such as furaffinity or deviantart] where your clients can go and see the progress of their work. if they can go check where they’re at in the queue there, they won’t have to stress you out by having to send you an email every week for updates.
answer in a timely manner: i have an autoresponder set up for my email. it lets clients know that a) i got their message and b) i’ll respond to them within a couple business days [if there are no other delays / holidays]. it takes away the stress of having to drop everything and answer my client right then in there, as much as my adhd brain panics and wants to do that. it also reassures the client that their messages are getting through and that they aren’t getting ghosted if i don’t respond for a day or two.
if there’s going to be a delay, tell your client asap! if you have an emergency that’ll impact your work, tell your client as soon as possible. you do not have to go into personal details, just be honest and say “hey, there’s been an unexpected event that’ll cause a delay in updates. i will try and get an update to you as soon as i’m able. thank you for your patience!” and leave it at that. the majority of your clients will be understanding and grateful for the update.
be professional. a little professionalism goes a long way. you can be more lax with trades as usually you're doing that with friends, but if a client checks in to see the status of their commission maybe write "thanks for checking in! here's what i've got so far" and attach a WIP or "thank you for checking in! i don't have an update for you yet but will try and get one to you soon! thank you for your patience!". some artists merely say "i don't have an update sorry", and sure that does work, but it may come off dismissive to your client and they're not going to feel great about waiting. it's okay to not have an update yet when messaging people back! just be honest about it.
if you’ve bitten off more than you can chew: refund them. it's not bad business if you have to refund a client. if you find you've taken on more work than you can handle, or just cannot fulfill a client's commission - you absolutely have the option to simply refund them. be sincere, apologize for their time, thank them for considering you, and tell them you hope they'll consider commissioning you again in the future.
i hope this reassures you a bit! i 100000% understand the stress from making people wait in the queue for a long time. i’m the exact same way!! but rest assured they’re not going to get mad at you for having to wait. like i’ve already said multiple times; just communicate and be transparent and you’ll be fine!
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I feel as if I'm the only one who caught it, so
Adamantium katanas. I need you to hear me. Adamantium katanas.
There's something so 🏳️🌈nice🏳️🌈 about how it's the one material Logan has known for his entire mutation... And it's actively being wielded now, by a similarly skilled dual wielder mwah ily Wade, with the intention of severely harming Logan. Debilitating injury is the next best thing to guaranteed death, and they're both flattered that the other is trying so determinedly to kill them. Like awwww baby!
And and anddddddddd 🔥🔥🔥🔥🔥🔥 the balance of how Wade has more range with his adamantium but Logan has more power/experience with his. What good is Wade's speed and agility when Logan can read every single fucking one of his moves?
Logan realistically missed some but I'm tryna make the old man sound cool here. Let me have this.
Correct me if I'm wrong, there's a total of one (1) other opponent who has adamantium. That badass lady with the cracking fingers in x2. That's one (1) other experience where Logan knows what adamantium feels like when it's used against you.
This fight was another nail in the coffin of the fact that Wade and Logan are either complementary or just straight HAHA equals.
Something Logan has intimately known, in the use of someone he hasn't intimately known yet. That Honda hatefuck was the climax in more ways than one sorry.
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It always angers me when people say that men would not put in so much effort to enact their violence on women and children because they do exactly that.
I was only seven when I learnt about just how hard men try to deceive the world so they can have free reign over young girls. I went on a Brownie trip to an orphanage back when I lived in Nigeria. The orphanage was just for girls which isn't uncommon, and it was massive, with its own school, shops, clinic etc. The girls had no reason to leave. It was set up by a pastor- a Nigerian who'd moved back from abroad.
I remember while we were there, one of the girls had just had a baby. She had seemed so old to me but looking back, she must have been around sixteen or seventeen. I remember my mum seemed suspicious when we were told the girl had run away and returned pregnant. She seemed even more so when we met the owner.
A year or two later, there was news on the radio. The man who had set up the orphanage had raped and impregnated several girls, selling their babies to prospective parents. I didn't even understand what rape meant back then but I remember my mum being devastated. Looking back, I think she might have felt guilty, perhaps she'd seen the signs: the girls not being allowed to leave the compound; teenage girls ending up pregnant. It seemed so obvious.
But no one questioned a man who used all of his money to build and set up a home for vulnerable girls, he was a pastor, educated, well-travelled. He could never have done something so cruel. But he did.
When I was writing this post, I tried to find any articles but I couldn't. They were just so many identical cases, man sets up orphanage, rapes and abuses children in the orphanage. Different cases, different years, one as recent as 2023. What I learnt back then and know for sure is that men would do anything, no matter how difficult or expensive, anything to have access to people they can abuse.
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Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).
It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.
Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.
And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!
So, Point 1: Many, Many Parts, basically Maglor's FA WIP
My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.
(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)
Archived.
My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.
Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.
(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)
(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)
(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)
So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.
(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)
Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included
This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.
But the Siege started. And the Noldor kept dying.
It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.
Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.
The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.
(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)
Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.
It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.
After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.
Lament for Maedhros was sung repeatedly. There was no one to hear it.
Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.
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