#but this was fun to write lol

[hiemaldesirae]

Arrax here: image Vox is doing another broadcast about Alastor or the hotel or something, when another Overlord breaks in and just out and out attacks him--because the other Overlord is in love with Alastor. All the Cannibals in Cannibal town and Rosie immediately shake their heads because they know this other overlord is a dead demon walking--Vox usually let's his challengers live after they've signed their souls over to him, no matter how badly they've wounded him....but Alastor definitely would have seen this. And attacking Al's muse, his everything because you think you love Al? Yeah, even if Vox owns you...it doesn't mean shit. You're a threat to his muse and you must be dealt with. Alastor can easily find Vox a better soul to have as an underling.

you know another anon was worried about you giving me painful ideas? yeah they were right

i think, honestly in theory, this sort of situation could be very comedic if in the hands of the right person. i however am the completely wrong person if you were searching for anything other than the worst possible writing ever. (putting a readmore because i cant fucking control myself when i get rambling LMAO)

picture this: vox is on tv for one of his usual broadcast segments, taking an interview about his involvement with the radio demon/dissolvement of their rivalry and the hazbin hotel or something. alastor is "begrudgingly" sitting with the rest because admit it or not, he does still have a lingering fondness for the "noisy picture box" demon and, well, that *is* the hotel he's running being promoted, so might as well... (he's mostly just here to stare at the other's face, and husk knows this but he's sworn to silence and niffty is. Niffty. so. whatever)

anyway, blah blah blah they cut to a segment and go off for intermission, but things start to drag on longer than they should. the ad theyre running for intermission stops, but the screen still stays black until it eventually flashes to an error. at this point, the hotel cast is like 'uhhh did something fuck up on set' but theyre not worried about anything until the lights start to flicker, and one by one, every streetlight begins to shut down and fizz out before the electricity cuts off completely, the constant white noise of tv static cutting out alongside it and the buzz of vox's own frequency in alastor's chest going flat with the rest of his power.

before anyone even realizes al is to his feet and out the door, shadows wrapping around his form and carrying him halfway across pentagram city to the vee's tower. when he enters the studio, it's already been trashed to hell and back, with black and red bloodstains from both the hellborn employees and whatever sinners were present at the time of the altercation staining the walls. there are bodies, of course, but none of them are important to him because none of them are *vox*. and he doesn't know where the hell the other is except the fact that he might be hurt. and that's- well, that's unacceptable. if anyone was going to kill vox, it would be him, with the other's blood on his claws and flesh in his mouth and the beating, pumping heart in his chest in his hands-

anyway. he needs to find him. so in classic radio demon fashion, alastor sweeps in and out of shadows and terrorizes those employees not already dead or dying, until he finally reaches-

"vox."

the overlord is standing in the middle of an empty room, completely devoid of any furniture or lighting. it's dark, and there are no windows. at the sound of alastor's voice, he turns to face him slowly. when he finally looks over, alastor almost wants to retch at the sight before him. the others screen is so cracked he looks like a stained glass window, and a seemingly endless stream of blood pours out from the giant gaping hole in the middle of his tv head. what looks like it could be mistaken for a human eye peers out at him before it softens, and a humming static fills the room as vox approaches him slowly, like *alastor* was the wounded prey and not the predator.

when vox reaches him- well, alastor isn't quite sure what the other was going to do anyway, but he pulls the other overlord forward and holds him up by his shoulders, gently tilting the other's screen up to look at him.

"who did this to you?"

it doesnt matter if vox cant reply right now. alastor will find out soon enough, and he'll make sure that whatever fool decided to lay a hand on his muse would suffer for it hundredfold.

(when he finds out that it was because of the other's foolish love for him, alastor not only proceeds to mock the other overlord on a live broadcast but literally proposes to vox on the spot just out of sheer pettiness)

[artist-rat]

fine dining at the blushing mermaid. with the boogieboys

[obsesssedblerd]

Smau: "I want you back." ☹️❤️‍🩹

The guys getting you back after a breakup. ♥️

(nanami, geto, choso, toji, sukuna, and gojo)

contains: angst w/ happy ending, fluff, a bit of crack

a/n: thank you all so much for 100 followers! here's a little treat. 🥰

[idiotsonlyevent]

i wonder where the idea of chilchuck being a deadbeat came from when theres like. no textual evidence for it ?

he knows what all of them are up to; he still writes to flertom and she sent him his neckwarmer, so that to me implies that they at least have a somewhat positive relationship?

its more ambiguous with meijack and puckpatti, but since meijack is also a picklock, i wouldn't be surprised if he taught her himself, considering how trades are often passed down through families, and because he talks about sending people to her if he dies.

also the way he talks about puckpatti is very like... it's obvious he wants her to take things more seriously, but he's accepting, and his tone here reads more fond to me than anything else.

like, he keeps his daughters' old toys under his desk? that doesn't scream 'deadbeat' at all, it screams 'empty nester' who doesn't know how to reach out or is scared to do so

EDIT: i know a lot of the 'deadbeat dad' stuff is jokes, but some people are Not joking and genuinely think chilchuck is a bad dad. this post is not saying that you cant joke about it; it is just outlining what canon shows regarding his (clearly positive) relationship with his kids.

[just-a-whumping-racoon-with-wifi]

Some small details for a character learning sword fighting for the first time:

- sore wrists

- blisters on hands

- every movement opens you up to be hit

- they will hit the tops of their arm and own sides with the sword while learning

- there is a primal sixth sense when you know you’re being toyed with

And, for your typically nonviolent characters.

You don’t aim for the swords. You aim for the person holding the sword.

It sounds so obvious but needs to be accepted. Actively. When holding a sword you have to understand you’re attacking another person. Even to block you have to aim your blocks at the other person or they won’t be strong enough to actually protect yourself.

[druid-for-hire]

hawkeye and trapper get fake septums

(id under the cut)

[image id: a three-page digital comic about characters from the TV show MASH, illustrated by "druid-for-hire." On page 1, frank burns squints at Hawkeye from a short distance, who is next to Trapper, who is reading a newspaper that obscures his face. "Pierce," Burns asks, "what's on your face?" Hawkeye turns to face him, revealing a septum piercing. "what's what, Frank?" he asks. Shocked and affronted by this breach in army regulations, he shouts, "I can't!! Believe you!! It's not enough for you to disagrace the army uniform by being out of it all the time? You have to go and--and do that! You look like a punk! Or a cow!"

On page 2, Hawkeye, unbothered, replies "Y'know, Frank, I'm finally living up to the Pierce name. I was thinking about going for some ear tag earrings. Maybe I can get a nurse to pull my udders." Frank howls, "That's disgusting!" Turning to Trapper he shouts, "Did you have anything to do with this, McIntyre?" Trapper pulls down the newspaper to reveal that he's wearing three septum rings and says, "I sure did! He stole my look!"

On page 3, Frank says "You're both terrible. Both of your butts are going on report!" while Hawkeye takes out his apparently fake septum ring behind his back. "Report for what, Frank?" he asks; Frank turns to see that the piercing is now missing. "Yeah, what's the matter, Frank?" Trapper says, whose piercing is suddenly missing as well. Frank storms off, yelling "Neither of you can pull the wool over my eyes!! Just wait until General Barker hears about this!" Some time later, Frank is standing next to General Barker, pointing at Hawk. "General, I'm telling you, the hole is THERE!" he shouts. "Go and take a look in those nostrils for yourself!" There is a long and awkward pause. The General did not like that. Hawkeye remarks, "Gee Frank, take a girl to dinner first." end id]

[soosoosoup]

Chord Striker Au by @thatbennybee

[ihatebrainstorm]

Batch 2 of commissions finished! They were all really fun to do :D Thank you again to those who comm'd me! o)-(

(Technically there were 3, but the third isn't a mech thingy so I'd rather just post the mech ones here)

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[calocreek]

He plays the game like no one else XD

(my minecraft + mcyt tag)

[magic-owl]

I don’t believe in gatekeeping at all but if you flat out admit to me that you’ve consumed little to ZERO of the canon media and have gotten all of your information based off of reading fluffy fic with woobified characters, I will not be taking ANY of your fandom opinions or meta seriously

[rendevok]

“Take my hand” a comic for NaruMitsu Week 2023

day 1 - lies & secrets - 2 - 3 - 4

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[essektheylyss]

the visceral gut drop of "—and in his place is a gently floating male drow—" vs the absolute giddy high of "—who is no longer Seth. Instead you see, a dark elf—" like, Essek Thelyss really is narratively That Bitch and he sure knows how to make a fucking entrance

[dapper-lil-arts]

Perks of writing a deranged multiverse fanfic, you can thrown nearly any kind of scene just for the sake of fun.

So I finally got to address the cuntiest MLP character, Nightmare Rarity AND make it about rarijack lol

[ywuji]

Omg so like I want to hear your thoughts on perv!Megumi like finally after so long of Gojo teasing him for being in college for two years at this point and being single, he’s finally procured a pretty girlfriend who’s unfortunately (for her) so naive and sweet??🩷💕 Idk I got shy but I know you’ll do something good with this lol

ik i told u id post this after my wips but i started on it n i couldnt stop i liked the idea too much LOL im sorry for being so confusing D; tysm for the ask though!!! :o i rlly enjoyed writing this!!! (n don’t be shy ahjwhs you’re so lovely T_T♡)

perv!megumi !!! please i feel like he’s the type to be a pervert that’s kinda embarrassed n self aware about himself—especially bc gojo kept teasing him all those years n he was kinda just jacking off to whatever x-rated video that came up first (i feel like perv!megumi is highkey into hentai too but he’s taking that to the grave!!)

n when gets a pretty little girlfriend who acts so cute and who he loves so much, when he gets hard he can’t help but let some of that side of him slip out from time to time...

i think he’s also the type to take lots of pictures,, like pictures while you sleep, peeking through your door while you shower, in clothing store changing rooms while you change, upskirt pictures… he’ll make you his little model!! some of them you know about but some of them you don’t, he’s so lewd.

it’s not just pics of you he takes, it's some of himself too. i feel like one of the things he’d love to do to you is when you tell him to come with you to some random uni event, n he’ll randomly disappear in the middle of it, only to go to the bathroom to take pictures of his hard leaky cock to send you with some casual caption like he didn’t just do that ?!?! he’s crazy (more under the cut)

it’s not megumi’s fault he’s so in his head about you, he still just doesn’t really know how he managed to get someone as pretty and doting as you are as his. 

he sometimes feels guilty for being so obsessed with you—your body clad in pretty little outfits that you show off to him with a twirl, the way you’ll always show him your shiny new sparkly nails when you get them done, how he’s always the first one you’ll pick to talk to about something new you’ve found to love—it’s all that seems to be on his mind recently.

maybe it was gojo’s accidental doing, those feelings of guilt. unintentionally planting a little growing seed of shame in him the first few times he started teasing him for not having a partner yet at his ‘big age’, borderline lecturing him with the ‘when i was your age’ stuff—maybe that was the logical reason why he felt so attached to you, the reason he couldn’t help getting fully erect even when he only saw as much as a pair of your flung-away panties lying at the edge of your bed when coming to your room one day.

but when he recalls back to those nights where you’re innocently cuddled against him, watching whatever movie, a quiet ‘megumi?’ leaving your lips as a sign to tell him you’re falling asleep, and he finds himself shifting in his seat, carefully adjusting your head to let you rest comfortably on him, pressing a soft kiss to your hair as he strokes it and tells you a ‘sleep now, angel’, he knows that’s not the reason.

nevertheless, he’s always been worried about it, thoughts of ‘am i doing too much?’ or a ‘would she not like this?’ clouding his mind. but for every single thought like this he has, he’ll always have two more memories where he’s coming up to you, his sweet-faced little girlfriend, waiting for him with open arms and open heart. and to him, it means more than the world.

and as his cheerful sweetheart girlfriend, you’ve never really minded of course.

you know he’s at least a little perverted, asking to take those pictures of you trying on your new swimsuits, or bras, or skirts, or those times when he pulls out after spilling his load into you, and the first thing he does after making sure you’re okay is to go face-to-face with the trail of cum seeping out of you to snap a few photos.

honestly, you’ve gotten used to it at this point. you just take these moments, seeing what you do to him, as a way of reassuring yourself that he really does just love you that much. and he really does. really!! :(

no matter how innocent or dirty the context, he’ll let you know whenever he gets that warm little feeling in his chest.

“i-i love you,” he pants, head coming up from sucking marks on your neck, languid thrusts coming to a gentle stop as he peers up at you with flushed cheeks. it feels like he’s admitting it for the first time again.

when you stare at him with his same love-drunk look, brows furrowed and eyes pleading, whispering out an “i love you too, gumi”, he’ll pause a moment to study your expression before gently raising you further up the bed, hooking his hand under your leg and repositioning it around his waist.

he’ll drop down to press a kiss to your cheek before resting his chin on your shoulder and picking up the pace again, now only determined to make you cum.

when he thinks of times like these, despite what you’re doing together, it’s innocent in his head.

a time where that’s not so much the case though is when you persuade him to come with you to some uni exhibition event, looking up at him with hopeful, doe-like eyes and as many ‘pleeeaaase, gumi’s and ‘please, guuuum’s as you could muster—cause it’s not like he could say no to that, right?

at first he put up an act of feign stubbornness. but eventually he agreed—only when he knew you’d excitedly hug him and press your soft chest to his as a thank you for it though.

he’d tour the hall with you, watching you gaze in awe at everything with your cute, simple curiosity, occasionally pointing out little things in the pieces he liked. before the artist began their talk though, he got up from his seat, pressing a quick kiss to your cheek before muttering a “‘m g’na go to the bathroom.”

in an empty stall, he’ll sit atop the lid and pull down his jeans, freeing his stiffening cock from his underwear. he quietly groans as he pumps himself a few times, a slow trickle of translucent white leaking down from his tip.

he silently curses, throwing his head back, thinking about how you let him flip up your pretty skirt before you left, letting him take a peek at your cute ass in the frilly panties he bought for you.

he reaches for his phone, fumbling to send a picture of the sight to you, adding a casual caption of something like ‘hi pretty girl’ or ‘u look so pretty today, angel’.

he pauses, realising that maybe you won’t see it for a little while. he’s imagining you so obediently listening to the artist speaker to notice the ping of his notification—he enjoys that thought too, but he can’t say why.

he’s careful not to thrust up into his fist, not wanting to make too much noise, but it’s futile—he’s too hard staring at the lewd shots of you saved in his secret hidden album—the way you act so innocently, the way you have no clue what the true extent is of what you do to him. he can’t help but let a few breathy whines slip.

he won’t let himself cum though, thinking he’s too good to be letting himself release over some scrunched up, bathroom tissue when he’s got his own pretty little girlfriend waiting for him a few halls down.

he sighs. cleaning up and tucking himself back into the band of his briefs, leaving the stall and washing his hands, walking back out like nothing happened.