#but we don't know who

[kazimakuwabara]

Keeps Him Up

Summary: Hiei thought he knew what suffering was. (angst)

***

It's a haunting phrase that keeps Hiei up, now as dawn approaches. Hiei had thought he'd heard and seen it all. Battle, enslavement, the deaths of innocent fools who knew no better. If someone questioned him over the horrors he had seen and endured, Hiei could have made their head spin, if he ever deemed it worthy enough to share the stories.

But what a fool Hiei was. Those horrors had just been life... and they had not caused him suffering, because he had not been attached. Well, he was certainly attached now.

Kurama had often lectured Hiei on the merits of companionship, comradery, and friendship. The fox, who had once been as cold and closed off as Hiei, seemed to have changed his story and spent many days waxing poetics at Hiei. Kurama had changed and opened his heart to friendship and love, and swore to Hiei it was better.

And Hiei had listened, because even when Hiei kept a distance from others, Kurama was his friend. The one friend he would admit to. He didn't know why the fox insisted he needed more. But Hiei considered Kurama's words... even if he wasn't sure as to why.

Like a curse, Kurama's insistence of Hiei needing friendship seemed to come true, for slowly, and with much resistance, Hiei let others in. Yusuke was the first. The useless detective, with amazing strength for a human, that only made sense when it turned out he wasn't a human. The cocksure man had somehow wormed his way in, and Hiei hadn't been able to oust the moron from his heart ever since.

And then Kuwabara... who Hiei had resisted the most. Hiei resisted, and fought so hard against it, that it was a slap in the face when Kuwabara introduced Hiei as a friend to a stranger. Hiei had stared at him, and Kuwabara had the gall to laugh at Hiei's face, and at the stranger, Kuwabara reported, "We fight like a cat and rat, but Hiei's a good friend. I'm pretty sure he hates it."

Hiei had fled, only for Kuwabara to tease him about it later. Infuriatingly, Hiei let him.

Hiei had tried not to let them in, one was bad, and two was worse, but three? Hiei had let three people into his heart?! It could not be so... but it had happened. And because it happened, Hiei cared. And because he cared... Hiei was haunted. Haunted.

A demon, someone under Murkuo's employment came out of a room, carrying a mess of blood-soaked linen. Hiei grunted at them, and the demon froze, waiting for Hiei to speak.

"Does he live?" Hiei demanded, short and sweet. There was no use with preamble at this heightened state of emergency.

"He lives still. We're working on it. A-Aid is coming!" the demon sputtered.

Hiei waves them away.

They leave, and Hiei stands in the hall, battle-worn and exhausted. The words that were keeping him up, stir in his mind now, and he closes his eyes against them as they whisper, "Hiei... I... I'd like to go home."

Hiei thought he knew the meaning of suffering. Bot nothing compared to this dreadful wait of not knowing if his friend would live, and if he'd have to report the other two... what happened.

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[biggest-gaudiest-patronuses]

sick of this anti-aging obsession. let's go in the opposite direction. i want more characters who are hardened & grizzled & have a face lined with the harrowing tribulations of time--and then halfway through the narrative u find out they're 27

[ace-of-hail]

It's always, "aces can still have sex" but never, "allos can go without sex"

Kinda makes it feel like aces *have* to be the ones to compromise in allo/ace relationships

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[oscarlovesthesea]

ok but he was fully flirting here. I think it's so funny that Charles was like "idk if I'm in love with you but we have all eternity to figure it out" and then literally an episode later he was like "welp time to start thinking about this!" and immediately started openly flirting with Edwin. you go bisexual king

[hypnosiacon-archive]

Idk if this still ok but have some images tha makes me think of you/his blog <:)

@gender-mailman

I mean, he's not gone, he just doesn't want to interact with people anymore and as our front doesn't defaults him anymore we are ballin'

Anyway holy shit that are some WILD associations, oh my god. Idk what I was expecting though, this does give of his vibes

[itsdefinitely]

TUMBLR LEGWND ITSDEIFNITLEY ALSO DRAWS SANDERS SIDES?!?!???

i dabble

[aeide-thea]

on principle opposed to describing art i dislike as 'masturbatory' because even though it's an alluringly contemptuous word to sneer it's impossible to reconcile with my pro-masturbation stance

[lazylittledragon]

hey idk which anxious pre-t babe needs to hear this but i didn't get to when i was younger so. testosterone will not make you ugly. it won't make you a horrible person. it won't 'mutilate' or ruin your body. if you want to go on testosterone then literally all that happens is it makes you really fucking hot and REALLY fucking happy.

[egophiliac]

just thinking about hair and faces

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[catsauceeartofficial]

Accepting isolation, craving belonging

[chattematsu]

[4.0 archon quest spoilers]

[sarasade]

One of the most generally useful things to come out of Hbomberguy's plagiarism video and Todd in the Shadows' similar video on misinformation is how they bring transparency to the internet phenomenon of "I made up a guy to get mad at".

Seriously, I've seen people make up a lot of stupid shit on the internet over the years and it's often just a manipulative attempt to paint a group of marginalized people in a bad light.

That's the TL;DR version of this post. 

ANYWAY here is the long version

Those videos are mostly about James Somerton's plagiarism of other queer people's work. However I'd like to talk about that 20-30% of Somerton's original writing- and oh boy. It's mostly about complaining about White Straight Women and misgendering well-known trans creators such as Rebecca Sugar and calling Becky Albertalli a straight woman while it's pretty common knowledge that she was forced to out herself as bi because she received so much harassment over "being a cishet woman who appropriates LGBT+ stories".

One thing that irks me especially is how in his Killing Stalking and Gay Shipping videos Somerton brings up how straight women/ teen girl shippers exploit gay men for their personal sexual fantasies. This gets brought up several times in his videos.

Being all up and arms about Somerton being a "White Cis Gay Who Hates Women and Queer People tm" is not that useful because the kind of rhetoric he's using is extremely common in fandom and LGBT+ spaces on Tumblr, TikTok and Twitter. We really don't need to bring Somerton's identity to this since he is in no way an unique example.

It's hypocritical to make this about an individual person when I've seen A TON of posts, tweets and videos where queer people talk about these Sinister Straight Women who are supposedly out there fetishizing and exploiting queer men. It's pretty clear to me that this is just an excuse to shit on women and queer people for having any sexual interests. At worst these comments are spreading misinformation about BL, a form of media that has been excessively studied by both Asian feminists and Asian queer women.

This all sounds really familiar and I think it's good that people are calling it out as what it is: misogyny and transphobia. I'd also point out the potentially racist motives behind being this hypervigilant about Asian media.

People can absolutely be misogynist regardless of gender or orientation. I really don't know why we need to create some kind of made up enemy to get mad at. I actually think it's almost sinister how "anti-fujoshi" people call Slash shippers and fujoshi misogynists or claim that they have internalised misogyny while being dismissive about women's interests and creative pursuits under Japanese obscenity laws, China's censorship, book bans in American schools and various other disadvances that are part of being a queer and/or female creator.

I think we shouldn't be naive about the bad faith actors who want to turn queer people against each other. For example Fujoshi.info mentions anti-gender (TERF, GC etc) movement using this kind of rhetoric as well.

Anyway if you want to read more:

- about the false info around BL fandom fujoshi.info

-There is the scholar Thomas Baudinette who studies gay media in Japan. Here is a podcast with him and the scholar Khursten Santos

-James Welker is a BL scholar as well. Here is a podcast interview about the new international BL article collection he edited.

-I've already talked about this Youtube channel by KrisPNatz and his great Killing Stalking video that actually engages with the themes of the manhwa

- There is also HR Coleman's thesis DO NOT FEED THE FETISHIZERS: BOYS LOVE FANS RESISTANCE AND CHALLENGE OF PERCEIVED REPUTATION where she interviews 36 BL fans and actually breaks down why fetishization has become such a huge talking point in the fandom discourse. Spoilers, it's mostly about young queer people and women being worried that they will get judged and pathologized for their interest in anything sexual.

-Great podcast about Danmei and censorship with Liang Ge

[readerconfused]

several people in my post about Hades PJO saying that they would gladly accept the juice and snacks because they love Hades and the underworld

Persephone will come home in the fall and there will be a thousand teenagers living with Hades she will be like "wtf? i only left you alone for six months"