Love that Oppenheimer is a deeply disturbing horror movie about a man forced to accept that he is, in a person, the representative manifestation of mankind’s evil in committing one of the greatest horrors of human history - LITERALLY acting as the modern Prometheus, tormented by his sins for the remainder of time. Knowing that he will never be pitied and his actions will forever be utterly unforgivable because the blood of genocide and the potential of total human annihilation will eternally drip from his hands.
But also the simultaneous indictment by the film that to blame a single person for the Manhattan Project is to refuse to accept your own capacity for great evil if the ends ever seem to justify the means, and the culpability of every member of a species that lets itself create something so unspeakably terrible.
Hate that twitter’s take on such a nuanced and brilliantly handled examination of those issues is “movie bad because protagonist not evil enough.”
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im sure this has been done soooo many times but gffa au where anakin goes to the jedi council and fesses up to being married and they immediately think he means to obi-wan and he thinks they understood that it's to padmé
("how old were you when you got married?"
"Nineteen, just after I became a Jedi Knight. I wasn't a padawan anymore!"
"Consensual, was it? Feel pressured, did you?"
"Not at all! I had to do the convincing. I really begged, for like. an embarrassingly long amount of time. I wanted this marriage more than anything in the entire galaxy."
"Has this marriage affected your reasoning during the war?"
"no way! We have the same principles, fight for the same things. Now I'm just fighting to come home as well so we can be together again.")
and anakin doesn't realize this until obi-wan gets back from a mission, does his debrief with the council, and comes to anakin's quarters with the strangest look on his face. "padawan, why did six members of the Jedi Council just wish me congratulations on my nuptials? to. my. former. padawan."
and anakin is gobsmacked and goes about trying to set the record straight, but now no one believes that he isn't married to obi-wan. they think padmé has agreed to be the cover-up because obi-wan got pissy that anakin told the council before he felt ready.
and to top it all off, now anakin can't stop thinking about actually being married to his master. he hadn't realized that was an option?? but everyone's making some pretty strong cases for it......
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There was a beautiful era in the 90s/early 00s of fun, female lead teen movies that just hit different, were like this golden age of girls just being girls and celebrating that feeling, and no matter how Hollywood tries they will never replicate it.
I'm talking "She's the Man," "Bend it Like Beckham" "Princess Dairies" "St. Trinian's" "What a Girl Wants" "Clueless" "Uptown Girls" "John Tucker Must Die" "DEBS".....obviously there's probably a few I missed but you get the idea.
Maybe the stakes weren't as high as saving the entire world, but they were important to the characters and had friendships and silliness and the goal was almost never to get the guy and you just don't get to see that anymore.
Also almost all of them had banging soundtracks.
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So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?
Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.
So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.
The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!
And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.
He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,
and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!
I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.
And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.
And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.
And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.
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Not art this time but...
Headcanon: Lucifer visits Earth every decade or so as a part of his job as the ruler of Hell. He does it to learn about new sins as "subtly" as he could.
Lucifer: What is ray-sings-sims? Raising-sims? Raisins? Rain-Race-sin? R-Racisms? YES! That! Is it the one where people hate on the opposite sex for absolutely no reason even though humans were all made of the same cosmic dust?
Black woman: (Looking amused at the most stereotypical rich white guy she's ever met asking about sexism and racism.)
Lucifer: Yeah. This cocaine thing is doing absolutely nothing for me. I don't really get it, but this is a sin too. So marking that off the list! Thanks for letting me have a go at this, uh, Mr. Dealer? That's your last name, right? Oh man. I'm really bad at remembering names, but have this as a token of my appreciation. (Gives him a thousand dollars which is basically worth even more at the time.)
Drug dealer: (Gobsmacked the guy was still able to keep walking after practically inhaling every drug in existence back then in one go.)
Lucifer: So this, um, cult thing? How did it get assigned to our department again? It sounds just like what Heaven does to me. Huh. Ah well. I guess I'll just roll with it like everyone else here. (Shrugs.) Yay, cult! Sooo do I get to keep the robe? It's kinda comfy- Aw wait there's murder? One died a-and another... Oh... OH... Ooooh boy. Oof. Yikes... So this means I can DEFINITELY keep the robe, right?
Lucifer: Ah yes. Burning the witch. Time to list down all the sorry souls who threw their life into the flame by believing in the occult arts. (Lists down everyone in the crowd who burned said "witch.") And as for Ms. Agnes The Witch here... Hmm. Well, that's for Heaven to worry about! Toodles~! Or, uh, Tickety-Boo!
(Needless to say, dear Luci has been an accidental charmer back on Earth. ^v^ Specially to sinners and people who were just unjustly treated during those times. He just had to see what every sin was for himself and try them out from time to time, but he didn't know he's been perceived as acting with the manners and traditions he gathered from the LAST decade he was on Earth so to everyone who's long gone pass those times, he comes off as a polite old-school rich white man. Naive yet surprisingly non-judgemental.)
-Bubbly💙
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