#but yeah genuinely fascinating

[saiwestfield]

Guys like a month ago I dissociated for the first time in so many years and man

What an experience

Wow the fact that the human mind can just do that that’s kinda crazy

So cool (I was trembling)

[valtsv]

ever since i was a little girl i knew i wanted to sadomasochistically torture fictional characters

[novelconcepts]

wait wait wait, so we had: a gorgeously diverse, complicated story about the folly of the Jedi, set against the backdrop of truly fascinating Force witch lore and a potential deep-dive into the real fallout of suppressing emotion, complete with totally rad lightsaber fights, grayscale characters all around, and the coolest fucking helmet in the history of the franchise, all tucked into the world of Star Wars, which makes money simply by existing--and they cancelled it?? i am going to explode

[humming-fly]

don’t wanna get too into it bc… nsfw but how does asexual greed work when he literally says that he wants sex and women? is he just not attracted to them in that way or–

well in terms of nitty-gritty homunculi biology they are quite literally an asexual species, like father reproduces via budding lol. And then given his physical embodiment of lust herself seemingly has no sex drive and is instead Way more interested in killing it's a pretty easy conclusion that as a species they just have no sexual interests because why would they (pretty sure father as the dwarf in the flask had some comments about finding human pairings distasteful, and given all his kids are just offshoots of his personality i can't see that shifting much haha (also more shitposty take but there's the much funnier observation that all of the homunculi come with their funny little onsies literally built-in to their regenerative code so there is an incredibly real chance they're all just ken dolls down there anyways))

as for why greed himself says stuff like wanting women and sex etc., i mean he also says he wants money and power and the finer things in life and then spends his time happily hanging out in a dingy dive bar with no real long-term goals besides 'hang out with my friends and investigate immortality which is definitely for me and not for anyone else that i'd be sad to see die no siree don't ask me why i'm doing this if i'm already virtually immortal'

so yeah it's a fun aspect of his character that greed says he tells the truth but he will also just sort of...lie about his own drives to himself and others all the time lol - i'd almost chalk it up to his love of performance but there's def also some intentional personal misdirection going on, which was very obvious as greedling when ling (correctly) calls him out on acting like all he wants is power when really the only thing he wants is to have friends

basically he says he wants money and power and women and sex because that's what common human desires are but then he makes absolutely 0 effort to follow through on any of those claims because deep down that isn't actually anything he's interested in

[cerise-on-top]

Hi, it's me again.

Valeria, Laswell, Price and Farah.

Thank you very much! I'll wait anxiously, and I'm sorry for getting so excited. <3

Hey! It's alright, but please remember my rules for the future! Also, I've never watched Arcane, I don't know Jinx in the slightest, I only really had your explanation to go off of, so sorry if it's not very good ^^;

Price, Valeria, Farah and Laswell with a Reader like Jinx (Arcane)

Price: He can read people fairly well, so you trying to hide something from him, regardless of what it could be, doesn’t evade him. He won’t force you to tell him whatever it is you’re hiding from him, but he likes to think of himself as a trustworthy person, telling you that you can just say whatever it is you wanna say. Even so, if you end up not telling him anything, then that’s alright as well, he won’t pry. As long as it doesn’t include anything that could change the course of a mission, of an important one, he’ll leave you be, for the most part. However, you liking to blow things up would concern him. Although you may not be the first person he’s met like this, with Soap being another person with an affinity for explosives, he would have his concerns. However, as long as you only hurt the enemy, he’s quite alright with you blowing things up, sometimes. There’s a fine line between an enemy KIA, and unnecessarily destroying your surroundings. Will give you an earful if you burn too many buildings, blow too many of them up. While he may be able to appreciate your abilities with technology, knowing fully well that some ingenuity is needed in that field, he hopes you won’t use your intelligence against him and his men. You’re more than welcome to use your contraptions against enemies, as long as they don’t harm your allies. You may be a very pretty person with your long, blue hair, but that doesn’t mean Price won’t be concerned with it. After all, it could get stuck somewhere and would need to be cut off. Don’t get me wrong, you’re gorgeous, but there’s a reason why people in the military tend to have shorter hair.

Valeria: She takes a liking to you immediately. You’re a threat, that much is obvious, with your interesting personality. It doesn’t particularly matter to her what you did in the past, as long as you take back your future and make the present count. Won’t bother you too much with questions regarding where you’ve been and what happened to you, she has other things to worry about. Your contraptions are of interest to her: Small things that can either walk to where they’re needed or stick to something. As long as you get out of their range of effectiveness soon enough, she’s willing to give you more materials to work with, as long as you work for her. Funds your shenanigans in general, as long as it benefits her and her cartel you’ll never run out of anything to work with. She’s not exactly a morally correct person, so you could commit literal war crimes under her watch and she wouldn’t mind. You wanna use dangerous gas to kill the enemy? Sure, go right ahead, it doesn’t matter to her since she doesn’t plan on being caught. You’ll likely get some special privileges over time as well. More quickly than other people, at the very least. While you may not look like how one would imagine someone working for the cartel would look, she certainly doesn’t mind, thinking you to be fairly pretty as well. If you need some nail polish, she can give you the best ones out there, no hesitation. Again, she’s taken a real liking to you and wants this work relationship to go well. However, you’re just about the only exception with that, Valeria doesn’t care too much about everyone else. But you stand out, so there’s that.

Farah: Although she may know that everything is fair in war, she will actively discourage you from using some of your contraptions. If it’s illegal, if it will make you and her look like war criminals, then she will not let you use it. Her country may be at war, but she’s got principles and still needs to show the world that Urzikstan is not a dangerous place. So yeah, you might not wanna use the worst of the worst when it comes to fighting around her. Other than that, she can appreciate your work, though, and what you have been doing for her. A well placed bomb can make all the difference, after all, especially when someone, who knows what they’re doing, is using it. As long as it isn’t too bad, you have her support. Don’t make yourself known, though, the wrong people might find out who you are and might have a field day with that. However, she might scold you for using unethical means of killing someone. Farah is very connected with her people, and thus knows a lot about each and every single one of them. She won’t pry either when it comes to your past, but she will gently ask about it occasionally when something seems to be bothering you. Again, she won’t force anything out of you, but will show that she does care a great deal about you. In her eyes, too, you are absolutely gorgeous. She’s not as strict with long hair as Price, for example. There are no regulations for that sort of thing in her liberation force. If you let her, and if you’re especially close, she might braid your hair as well. As mentioned previously, she does care about her people, and it’s with those small things that she shows she’s there for them.

Laswell: Oh, she would not like you very much at first. Her work is usually comprised of not being found out, you do the opposite with your trademark bombs. You’ll butt heads a lot at first, especially since Laswell tries to keep it quiet whenever she can. It would take a while for you to get along, largely since you both know what you want. However, you’re good with technology, she gives you that much. You can be used for all sorts of things regarding that. Make a small contraption that allows you to get inside a room without the need for a keycard, she can appreciate that and will congratulate you on making something useful that is quiet. It would take something like that for the both of you to slowly be getting along. Laswell doesn’t mind you having a sad past too much. If you really feel like it, and once you’ve grown close, you can talk about it. Get it off your chest if you really need it. Might either listen to you or give you some advice, it entirely depends on what you ask of her, or what it seems like you might need at the moment. Though, another reason why you might clash at first would be your appearance. You’re pretty, don’t get me wrong, but long blue hair isn’t exactly subtle, you’ll be found out fairly quickly, you’ll be recognised wherever you go. She won’t force you to dye your hair, but you likely won’t be going out in the field too much when a disguise is needed, something like that will be left to Laswell. You, however, can plant whatever it is that is needed nearby, make a distraction by blowing something up, for example.

[ar3s-r4t-qu33n]

The Franco Barbi fandom has existed for five minutes, how are people already spewing their "I'm morally better than you because I'm not attracted to the niche fictional character" bullshit??

[suffarustuffaru]

why the emilia camp thinks otto is their most threatening member 👍

i see some people being confused on why the emilia camp collectively seems to agree that otto is the biggest threat there for some reason and like. yeah. i get it.

but let me explain real quick why i think it makes sense for the emilia camp to think that :O !!

otto though is disarming because. well okay look at him he doesnt look threatening at all. he has the looks and personality of a wet cat. hes whiny. hes cringe fail. he gets stressed out with paperwork. he looks like you could just smack him around like a bug. he HAS been smacked around like a bug. but that makes him unpredictable because apart from roswaal, he is the Most Amoral one there. you can expect roswaal to be trying some shit, but youd never know when to expect otto is planning something. his moral compass is just “does this benefit me or my loved ones in some way? if not, then its gonna be gone 🥺”.

sure, he does nice things sometimes out of the goodness of his heart. he genuinely means well a lot of the time.

but also then you read the shit hes thinking in his internal dialogue and its like.

“should i go save some girl i dont even know from bandits??? hmm lemme think for a couple minutes. im the only one that can help rn… some guy claiming to be her dad is begging me to help his daughter, but also hes kind of annoying… but i dont even live in this city so why should i help… or Care. actually. but i feel kinda bad about this girl… but also this is gonna put me and my profits in danger… but if i reject helping then im forever gonna be known as the guy who abandoned them and then i wont be able to make any sales in this city anymore :<<<< ……anyway im gonna help them then lol im so smart.” and then he gets captured by the exact same bandits anyway so hes like “well okay now me and this girl might be sold into slavery so i might as well save both of us or ill feel bad ☝️☝️”

(yes. yes this is genuinely ottos thought process if you read through the Otto's Bittersweet Peddling Log side story.)

except all the back and forth Calculation he does in his head Stays In His Head and doesnt match up with his outward appearance most of the time. which means that sometimes his words dont match up with his actions. “dont be surprised if i leave at the first sign of danger,” he says, right after risking his life and writing a suicide note over a dude hes known for like four days. “ahah thanks for giving me a vacation to see my family…” he says, damn well knowing he cant go back home yet otherwise he’ll get sniped by assassins. “im gonna give you some of my own money bounty money to help you BUT BUT BUT DONT THINK THAT IM NICE OR ANYTHING I NEED MOST OF THE MONEY FOR REPAIRS OK YOU CAN ONLY HAVE A BIT :<<<“

this also means that whenever otto says or does something Particularly Questionable, all his friends are still kinda blindsided by it because otherwise otto seems Mostly Fine in comparison to whatever the hell everyone else has going on. hes just a wet pathetic cat of a guy ahah. theres nothing more going on with h—

“if everyone in vollachia dies but rem and natsuki-san live, then we’ve won. if everyone in vollachia lives but rem and natsuki-san die, then we’ve lost.”

um otto can you repeat that. what the fuck did you just say.

otto looks Mostly Normal, Just Stressed Out or Somewhat Chilling the vast majority of the time, and then he whacks you over the head with a steel chair. like can you imagine being garfiel and learning that this pathetic rag of a man is actually pretty brave when it counts. youre like “oh cool lol we kinda beat each others asses and i was Annoyed but now that thats all over i got some newfound respect for you!!” and then you read through his diary and hes got a suicide note in there, which is like. okay fine whatever hes kind of a clown just like my New Captain lol but hes dedicated to his friends, ill give him that. and then a year later you find your now brother figure (whos also lowkey highkey an alcoholic) with a broken hand after punching a wall because he couldnt do his Lets Abandon 50 Million People Plan and youre just sitting there going

and okay dont get me wrong—subaru is Batshit Crazy. in Multiple Incomprehensible Ways. if the emilia camp (or Anyone. At All.) knew about all the shit hes done and been through with rbd, subaru would INSTANTLY be skyrocketing up the Most Threatening People list. but at the same time subarus less threatening than otto in the sense that subarus Always going to want to do good. hes Always going to want to save everyone. hes Extremely forgiving, on top of that. he goes along picking up friends everywhere he goes in his own Incomprehensible Unhinged Way and hes fond of All of them.

otto? yeah his opinion of you could shift on a dime and you could end up in his personal shit list unless youre one of the *checks list* *clears throat* maybe like ten people he cares about. and even if youre on the I Care About You! :) list, he could still get pissed enough at you to, i dont know, punch a wall over you? and spiral into obsession? and even if hes not upset at you hes still gonna mansplain manipulate malewife his way to his goals <33

and yeah of course subaru is also Mansplain Manipulate and Gaslight Gatekeep but at least he has way more good intentions AND his attitude about it is gonna be like "sorry :<<< i just gotta do this for your sake :<<<<<< :((( haha dont worry about it". subaru would never ever want to do anything big to hurt his loved ones (except for rbd). while otto doesnt even bat an eye. everyone can be manipulated if he has to. he goes down his list of Things I Need To Do and goes "yeah that had to be done. oh well. anyway i got more shit to do (like maybe kill a toddler lol)"

also lets talk about roswaal's perspective really quick. post-arc 4 hes like "well subaru-kun is always gonna want to save everyone and hes doing a pretty good job of things in general so whatever lol. i can still keep him in check by killing everyone if even one of his friends dies :)". so its like. YEAH subarus an Unhinged Wildcard. roswaal knows that. but right now subaru is more predictable and also again, roswaal knows he can keep subaru in check by making subaru have to reset if roswaal really needs to.

but otto? yeah ottos second in line for being an Unhinged Wildcard. but whats even worse is that otto is Basically Subaru but More Calculating and with a moral backbone thats Near Nonexistent. roswaal was genuinely concerned for otto in arc 8 for once and there was still Literally No Stopping Otto from being a stubborn little shit whos hell bent on all the maladjusted insane mentalities hes got floating around in his head, half of which he doesnt even say out loud, and all of which he thinks is Completely Right and that theres Nothing Wrong with what hes doing.

and also otto being underestimated and Not In The Tome was a big help as to how subaru got the win over roswaal in arc 4 👍and then otto Continues to try keeping an eye on roswaal after arc 4, to the point of getting roswaal's tome and actively trying to investigate roswaal's actions, so roswaal is Very Aware that otto is. a bit of a threat. roswaal of course is smarter and more powerful than otto though, but that still doesnt change the fact that otto is still capable of being a threat if roswaal doesnt Also kind of keep an eye on otto back. because roswaal kind of lost to otto already in arc 4!!

but okay, on top of all of this, no one knows the full extent of whats going on with otto, not even roswaal (though he has his Suspicions), and most definitely not subaru yet (whos Still a bit of an otto apologist anyway), and otto is already a bit menacing even without knowing All of that. and the rest of the emilia camp are already a bit more lenient with roswaal (as hes seemingly chilled out after arc 4 + they all need him still). that, and you can easily Expect roswaal post-arc 4 to be suspicious and Probably up to something. you wont know what it is, but you wont Exactly be surprised when it happens.

and also roswaal isnt publicly batshit crazy like otto is. otto of course isnt as Openly Weird as subaru, but otto is still Openly Unhinged and Pathetic. just look at him declaring julius and anastasia, HIS CAMP'S ALLIES, as enemies right to their faces alsdfjlsdjfl.

and with subaru, there is Zero doubt in the emilia camp's minds that subaru wants the best for them and everyone around them.

otto though? yeah he also wants whats best for the camp. he Cares about them, he really does. but hes so obviously Questionable by the time you get to arc 8 to the point where the entire rest of the camp starts eyeing him like this:

theres also the fact that ottos dp allows him to have eyes and ears Everywhere so long as he doesnt overuse it. that paired with his Intelligence, Stubbornness, and Lack of Morals or self-awareness/sometimes guilt/regret over his actions is dangerous. theres a reason why gluttony if subaru decided to flood The Entire Surrounding Area Around Otto. the flood took away the potential army otto couldve made out of the animals and allies otto had in the city, and once you do that, whats otto going to do against someone like shaula? all of ottos power regarding his People Skills and Animal DP was stripped away.

but if that Isnt stripped away... well honestly otto can do whatever the hell he wants the moment he figures out a solid plan to try and get what he wants. his biggest ability at the core of what makes him dangerous is his ability to quite Literally be in the background. so long as hes underestimated, so long as he still has secrets, no ones gonna know the full extent of his bullshit!! you cant stop him if you dont even realize what hes going to do, and hes Good at doing that!!

and if gluttonybaru hadnt taken out otto, subaru would be skyrocketing right to the top of ottos shit list after subaru literally just killed All of ottos (and previously subarus.) loved ones. otto wouldnt stop until he figured out how to destroy subaru. its to the point where im pretty sure if otto had to choose between destroying half the world vs kill gluttonybaru once and for all, otto would certainly choose one of those options in a Heartbeat.

anyway. if youre an emilia camp member, and you see the dude whos in charge of the Vast Majority of the factions political affairs, the guy who you Know is very intelligent and competent and determined when it counts, say shit like "if everyone dies in this entire country i wouldnt even give a single flying fuck as long as our friends get back safe and sound :) it would be such a loss if the entire country lived but our friends didnt :<<<" OF COURSE I WOULD BE LIKE YEAH THAT GUY IS THE MOST DANGEROUS ONE HERE. HE HAS THE SKILLS AND THE MOTIVATION TO BACK UP THAT STATEMENT AND I WONT EVEN KNOW WHEN ITD HAPPEN. he also has the Mental Instability to back that up too, given the amount of times he spends drinking and Raging and Being Terribly Anxious over Every Little Thing.

youll be sweating buckets being wary of otto while ottos casually standing there with his wet cat looks and a knife in your back.

and otto has, for the most part, some of the most normal trauma compared to a bunch of people in this cast (not to discount ottos trauma and pain or anything but its true lajdsfls sorry otto. but also im not sorry because arc 5 was partially on you T^T). he doesnt have rbd, he doesnt have some weird family drama bullshit going on like the astreas or emilias family or the segmunts, he hasnt been erased by gluttony, etc etc. but hes still like this. if you put him in subarus position and gave him rbd, he would get even worse than he already is.

yeah so anyway thats my quick rambley psa about why i think it makes sense that the emilia camp's voted otto as the most threatening one there 👍

but the fact that we (the audience) (or at least some of us!!) keep questioning why the hell the emilia camp thinks otto is the biggest threat there is means that otto's funny silly guy image is. Kind of Working??? just a little bit.

because. granted. of course i think subaru is easily the most threatening person there with both His Flavor of Insanity and rbd. subaru is an eldritch horror in every single way. but at the same time - hes an eldritch horror who thinks friendship is the best magic of all T^TT !!! he FORGIVES PEOPLE WHO'VE KILLED AND TORTURED HIM. hes not threatening in this sense - the fact that hes kind of just way too nice in this sense!!! granted yes, he IS abusing rbd and Terrifying and Threatening in a multitude of ways, but i'd rather take my chances with mainbaru over main otto right now HAH T^TT at least subaru will apologize and start bawling his eyes out if he stabs some random innocent civilian and stranger in the gut for Some Necessary Reason!! otto would feel a bit bad and then completely Eradicate that feeling of guilt with "i had to do it. it was them or me so no regrets <3".

because otto..................... yeah otto is the Worlds Most Pathetic Yandere to his whole camp.

[muninnhuginn]

yasaka (miss psychological warfare) being entirely bamboozled by mitsumi working at face value is pretty amusing ngl

[froginabogg]

rewatching nowhere boys (yeah sue me i know i know) and i'm lowkey obsessed with how sam isn't even like,,, mean, he starts talking to andy and felix right from the start and isn't insulting or rude to them, he calls them nicknames he uses for the rest of the show, he has a few rude moments and insults but definitely not as much as jake does, who's an actual bully

it's very fascinating to me how sam's ENTIRE arc is really just him getting a reality check and being like "dude you gotta be less selfish", dare i say incredibly adhd coded (hi hello it is me i relate to this so fucking much), and he's right at the age for it too, which fifteen year old hasn't gotten bonked in the head by destiny and told "yo cut it off and think of others", it's genuinely so nice

[astranauticus]

stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir

(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)

But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?

so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me

in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone

and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age

but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind

and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind

(or, because i personally dislike the official translation,)

"I just see this place as my home"

so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3

[just-an-enby-lemon]

I think we need more stories about how even if you are genuinally a bad person or did something truly atrocious that does not justify the suffering of the mordern Prison Industrial Complex and how prison more than punishment should be about making sure if not all at least most people can go back to society and never do crimes again.

I mean it. Most stories about how bad prison is either follows a thief that did it out of necessity or an innocent man wrongfully arrested and we should think of those people ofc. But we should also think about how prison is not supposed to be karma is supposed to help society (plus we need more assistencial programs to suport victims of violence as well asap).

[illegiblewords]

SOME ILLEGIBLE RAMBLES AND REFLECTIONS: ON GALE AND MYSTRA

I've been on the fence about whether to make this analysis specifically, but after seeing a few other discussions floating around figure it's worth offering another viewpoint in case it resonates.

These analyses in particular are very subjective and offer an interpretive option more than anything. I might allude to discussions I've seen elsewhere that I have different views from, but different views don't automatically mean personal dislike for me. Life would be boring if we all thought the same way, you know? Anyway. Hugeass post ahead, proceed at your own risk lol.

One of the arguments I've seen cropping up recently is the idea that romance between gods and mortals is inherently unequal, abusive, and problematic. I am very much of the mind that Mystra abused Gale. The developers at Larian have stated that every companion in Baldur's Gate 3 is a victim of abuse in some capacity. Some of my favorite romances over the years have been between gods and mortals. Mystra/Gale is not one of those. I think blaming the divine/mortal dynamic for any abuse misses the point. Moreover, it absolves Mystra of a huge amount of personal responsibility in the abuse she committed. I think it makes the abuse focus on what she is rather than who she is, how she looks at others, and how she treats others. I reflected on the divine/mortal pairings I've enjoyed compared to the dynamic between Gale and Mystra. In every divine/mortal romance I've loved, the god found wonder and saw a kind of power they lack in their mortal partner. This power stems directly from their mortality. There are experiences and perspectives specific to being mortal that are invaluable. The god doesn't relate to those experiences and perspectives the same way. The god always needs not only humility but equal respect for their mortal partner in some capacity. Additionally, the god acknowledges that being divine does not equate to omniscience. This is not a god according to the monotheistic definition. It's closer to an immortal being who excels in a very specific area and has certain responsibilities weighing on them. The god sees the forest but may no longer see trees, while the mortal sees trees but may not see the forest. There is value in what is ephemeral and fragile, just as there is value in what is permanent. The god and mortal need to bring balance to one another in the sense that the god helps the mortal find comfort in a bigger picture while the mortal reminds the god what it feels like to be small, vulnerable, and intimately connected to the world/other lives. A healthy divine/mortal romance requires recognition of multiple forms of strength, intelligence, and value. That very, very much is not what Gale and Mystra had. Another layer to the 'divine/mortal romance is always problematic' argument ties to questions of power imbalance. I would argue that even among human beings--power imbalance always exists. Human beings are not identical or interchangeable with one another. One partner might be brilliant at math and runs finances where the other partner would be lost. The other partner might be brilliant at people and can navigate social situations the mathematician would feel helpless in. One partner may be physically larger or stronger than another. The other partner has the full weight of social/legal support in most conflicts. And this isn't touching on issues relating to mental health, physical health, economic stability, societal issues, etc. People are multifaceted. None of us excel at all things, find power in all things, or suffer all things. We each have our own pains and triumphs. We each have the ability to hurt each other if we want to. If we wanted to avoid any power imbalance in favor of 1:1 equality, the only answer we'd have would be to literally romance ourselves . And that's 1) narcissism 2) lonely 3) sad. Just ask Raphael.

But unhealthy power imbalances must exist, right? And there is a horrible power imbalance between Gale and Mystra. I would just argue it has more to do with them personally than because of Mystra being a goddess. I'd argue that we should be looking at Gale and Mystra not as mortal and god or man and woman, but as people above all else with their own experiences/motives driving choices throughout the relationship. Examine the ways they look at and treat each other versus themselves. If Mystra was the mortal and Gale was the god, if Mystra was a man and Gale was a woman, I would not change my stance regarding where abuse was committed. Imo people get too caught up trying to make sweeping generalizations instead of focusing on the individuals and how they specifically interact. This in-mind, what are some examples of unhealthy power imbalance as I define it?

A character is physically and/or mentally incapable of participating with proper awareness of the situation, as a partner with equal respect and sway within the relationship.

A character is dependent upon the prospective partner for survival and cannot refuse them without fear of retribution or withholding necessities to survival.

A character is being systematically isolated and made dependent on their partner for all socialization and self-worth.

And so on. Hopefully you get the gist. What I do want to draw attention to though is that these examples offer room to include a variety of circumstances or dynamics within their umbrella. Ex. An underage character with an adult would easily qualify for the first criteria, but an extremely, non-functioningly drunk character would also count. So lets have a look at Gale and Mystra's situation in particular again.

Gale has, by his own admission, been involved with the Weave for as long as he can remember. He sees Mystra as synonymous with the Weave, and with magic. These are things he explicitly states within the game. Gale also has notable reactions to say, saving Arabella from being killed over the idol of Silvanus or Mirkon from harpies. With Arabella especially, the idea of being treated as unforgivable or deserving death for a youthful mistake is something he talks about as if he has some experience with it. And while this is a video game with limited character models, I'm going to estimate that the tiefling kids are probably somewhere between nine and thirteen. We know Gale has been stuck largely alone in his tower with the orb for a year or so. The orb specifically is something that happened when he was an adult, but the way he talks about Arabella with implicit personal identification of facing older authority figures as a young person who didn't know better... I don't think this is the orb alone troubling him. Minsc also has a dialogue option where he talks about how in Rashemen, boys with an affinity for the Weave were hidden away and he suspects it was to keep them from being preyed on by Mystra. Not men, boys. I've seen people try to argue that Mystra would have been indisposed/dead and unable to take advantage of Gale when he was a kid due to the broader Forgotten Realms timeline. I'm inclined to say in this instance, with all evidence in the narrative pointing to a particular arc and theme for Gale and Mystra's relationship, it's more likely that the timeline was something Larian chose to fudge in the interest of storytelling opportunities. The alternative would be that none of those dialogue exchanges meant anything. The narrative is weakened if those moments are made meaningless, and the characters become flatter and less credible without them too. If it comes between trivia and the emotional core of a story, I'd argue the core wins. Gale claims to have slept with other people before Mystra, but that a romanced character is the first person he's slept with after her. I personally suspect it wasn't a lot of prior experience, and he was pretty young when his romance with Mystra began. Additionally, while it's pure conjecture on my part--given how Gale reacts to the tiefling kids it would make sense to me if Mystra started grooming him when he was between nine and thirteen years old. Other people have shared analysis pointing to evidence that Gale unknowingly dual-classed and was a storm sorcerer originally, but was told he was purely a wizard and then had all of his sorcerous abilities eaten by the orb without ever knowing they existed. I do think it makes sense for Mystra to influence Gale as a potentially very powerful sorcerer this way to 1) get him to self-limit through wizard spells so he's easier to predict and control 2) be completely dependent on and devoted to her, starting as early as possible. (For the curious, sorcerer Gale theory is here and here. Very well-done imo!) In any case, Mystra absolutely has personal motive to do what she did, that has nothing to do with Gale personally. That it turned into grooming for a sexual relationship isn't a huge leap in light of her apparent mindset either. But lets take a moment to review that.

This is a really good recap setting up Mystra's situation. Karsus too, by the by. This second video here helps explain Mystra's own situation. My understanding is like this:

Mystryl was the original goddess of magic. Mystryl was a born-goddess rather than an ascended mortal goddess, which is important to note because both exist in the Forgotten Realms. Mystryl was neutral alignment. The Weave, magic, and those casting magic all tied into her divine portfolio. Divine portfolios reflect deities' jurisdictions and callings, which empowers them through use in the world as well as mortal worship. With all this in-mind, naturally it benefited Mystryl to encourage experimentation, devotion, and arcane ambition. The more spellcasters pushed the limits of magic, the more powerful Mystryl became too. This was when the Empire of Netheril came about, with its floating cities and its magocracies. Worth noting, eleventh level spells were being used at this point in time. Cue a bunch of aberrations showing up, called phaerimm. Cosmic horror monstrosities that sort of looked like if you combined grubs and lampreys then made them way too big. On the one hand they were ridiculously powerful natural spellcasters themselves. On the other, they could straight up detect, deflect, and eat magic at will. Incidentally they were also extremely hostile to other life forms. So them existing at the same time as Netheril caused some massive problems. The wizard empire was at war, struggling, and panicking. Karsus was a prodigy and the one most people were turning to for protection at the time. Karsus decided the best way to solve the problem was to become a god himself using the first and only twelfth level spell (of his own design) then get rid of the phaerimm that way. The spell specifically required the caster to replace a god of their choice. Karsus, being a wizard, thought Mystryl was the strongest divine force of all time and chose her. The first video explained very well, but it basically sounds like as a born-goddess--maintaining the Weave was essentially an autonomic process for Mystryl. Basically required as much thought as beating your own heart. It wasn't like that for Karsus. Karsus might have been the best wizard in the sense that someone might be the best marathon runner of all time, but if you take that marathon runner and then tell them they have to pump their heart manually from now on they're not just going to lose any future races they attempt--they might just die on the spot. Which is kind of what happened to Karsus. Karsus became a god of ambition along with magic, then lost his divinity to become a Great Old One instead. These days he's a stone stained in the gore of his dead people who speaks in fountains of blood. (One of the reasons I'm not enabling Gale in his quest to become god of magic, by-the-by.) Mystryl died because of Karsus's spell. Mystryl probably hadn't considered mortals, let alone the wizards who gave her so much power as a goddess, a threat to her personally before. An incarnation of Mystra (not Gale's Mystra) was born from the ashes of Mystryl to become the new goddess of magic. One of the first things Mystra does after basically reincarnating from Mystryl is ban mortals from using magic at level ten or higher. Mystra is now aware that mortals can challenge the gods and straight up kill her personally. She still needs casters using magic at high level to empower herself as a goddess, but it's a double-edged sword that can absolutely kill her. And to make matters worse... this Mystra also gets killed later. The Mystra we have now was a mortal woman (Midnight) who kept Mystra's name to avoid confusing worshippers, who'd been chosen by Mystra previously and ascended into that role. Midnight-Mystra, from the sound of it, also got killed for a bit and had to get saved by Elminster.

Like I said before, I do think there were some timeline blips going on for Mystra with Baldur's Gate 3. As long as she's died and reincarnated twice, her psychological state is cemented. How long it took her to come back and whether there were even more deaths than that is less important. I'd argue the key ideas we're supposed to take away about Mystra from this are that she is a goddess who 1) at this point is an ascended mortal who may have certain inherited memories or experiences from born-deities 2) is hyper aware that mortals can kill her 3) has been killed and reborn multiple times, not just by mortals but the very wizards she draws power from.

This is absolutely a shitty situation. It makes sense Mystra has complexes around it. It makes sense Midnight-Mystra would feel especially afraid when it comes to wizards seeing as she herself is a former mortal, so her position likely feels even more tenuous. The way she interacts with wizards and relates to her own position as a goddess is not as someone secure in her own power, but someone who sees anyone coming close to her level as a direct threat to her life. She needs casters to be strong to fuel her portfolio, but if they're too strong they can challenge her. So she is using whatever tools at her disposal to keep them beneath her while maintaining her own strength. It's also worth remembering that Mystra has no pretense of being good-alignment. Her motive in confronting the Netherbrain wasn't to protect Toril from mindflayers, but to protect herself personally from the Crown of Karsus and protect the Weave from the Karsic Weave. If magic as a force is in danger (as per the Karsic Weave) she might try to do something, but what befalls mortals is irrelevant to her. I'd argue she's 1000% acting out of self-interest for Baldur's Gate 3. And again--it makes sense given her position. It makes sense given the track record for gods in the Forgotten Realms.

So, if we go with the in-game implications that Mystra is supposed to have been active across Gale's life and was active when Minsc was running around a century ago (referenced in his comments about Rashemen protecting boys from Mystra)... what kind of relationship has Mystra built with wizards in particular? This is heavy speculation here but I'm going off of Gale's experience, Elminster's behavior, a point of notable cattiness from Lorroakan, and Mystra's motives.

I think Mystra encourages wizards to compete for her favor, both through their arcane power and on a personal level. She encompasses their entire world and dictates everything they are capable of by holding the Weave in her portfolio. Casters are nothing without her. She is fickle in her attentions, moving between wizard paramours and chosen so they constantly feel the need to prove themselves worthy of her love. As their goddess, they have no room to question her or ask for loyalty born of personal affection. Mystra does not care. She is inherently more than they are and ever will be, and unless they have something to woo her through her portfolio specifically there is no reason for her to stick around. They're lucky she gives them the time of day. Even if she can't literally, physically, personally prevent a wizard from interacting with the Weave--she can seriously screw with them while they do. Mystra's first post-Mystryl act was to blanket-limit the spells wizards could perform, remember? And BG3 Mystra was able to pluck the orb from Gale's chest at any time, whenever she felt like it. She just didn't. Lifetimes of work, dedication, study, and innovation are not ultimately credited to the casters who built themselves through their art but to Mystra. Memorized spells, arcane gestures, the interaction of components. She can make all of that so much harder. And she takes credit for any advancement a wizard makes. Origin Gale has lines with Minthara where he struggles to see himself as capable of anything without Mystra's say-so and needs to be reminded that she can't claim everything he has ever done through magic, and she hasn't managed to stop him yet. The fact that Gale himself, as Mystra's former lover, doesn't believe this initially and needs someone who very much is not a wizard to remind him says a lot about the dynamic Mystra set up with him and (in all likelihood) other wizards. So how does all of this fit in with the grooming point? Well, magic users are going to be much easier to psychologically control if Mystra starts taking advantage of them when they're still children and don't know any better. She needs to feed off of their strength with no risk to herself, so she needs to make sure they are can't even fathom turning on her. Maximize the power difference, ingrain that shit early. And if it becomes a sexual relationship... Mystra can tell herself they're even less likely to consider turning on her because it's just one more way they depend on her for validation.

Mystra's own fear and trauma (like Cazador's) does not prevent her from becoming an abuser. And like Cazador, she's using it to fuel the abuse she commits herself.

Something else I want to highlight before I segue to focus on Gale further, is how wizards deal with each other and why policy differs toward wizards versus other casters.

Wizards are nerds with shared interests. They're fucking around to see what's possible with magic and seem genuinely excited when anyone innovates. Innovation is something they can learn from and incorporate it into their own art. But actual wizard friendships, at least in Baldur's Gate 3, seem to be rare. They undercut each other emotionally and often look for ways to elevate themselves above their peers. Gale's colleagues left him to twist alone in his tower for a year. Elminster prioritizes pleasing Mystra by passing on her message for Gale to kill himself, and defends her if the player condemns Mystra's behavior. He even gets angry for certain dialogue options.

(It bears saying, I think Elminster has been psychologically wrecked by Mystra too. He does seem to be trying in spite of that but guy's not well himself.)

Even if not all wizards look to become romantically entangled with Mystra, Mystra has definitely encouraged competition and mistrust between them. After all, if the wizards supported each other they might realize they're stronger than her and that she's been causing harm. Another potential death.

I suspect the reason Mystra focuses on wizards is because wizards are ordinary people who know they were born ordinary, and know how hard it was to build arcane power. They aren't as secure in themselves as sorcerers who use magic like a reflex. And warlocks manage to work around Mystra with patrons who aren't beholden to her. So best for Mystra to undermine, manipulate, or otherwise occupy sorcerers who are strong enough to pose threats and teach the wizards they'd be nothing without her.

... One of the other arguments I saw recently was that Gale was being disingenuous/lying to himself and the player when he claims he wanted to gift Mystra a part of herself back. That he only wants power for power's sake, is kind of a terrible person, and it would be boring if he was being genuine. I deeply disagree with this stance.

When it comes to motivation, I'd argue power is by nature a means to an end rather than the end itself. "If I'm powerful enough no one will be able to hurt me again," "If I'm powerful enough I can fix every terrible thing I feel the need to," "If I'm powerful enough I can push the boundaries of what is possible and find a sense of wonder at the results."

Power because power does not cut it as a motive. It's likewise with ambition. We're not 2-D mustache twirlers here.

Ambition includes experimenting with a project to see if you can pull off something new or particularly difficult. Finding joy in the process and challenge itself isn't evil. It isn't even unhealthy.

Competing with others isn't necessarily negative either, in the right context. Being an elite athlete at the Olympics for example, you're putting your own skills against those around you in the hopes of surpassing them. It doesn't mean you think poorly of your fellow competitors. If anything, one would hope you respect them deeply for the shared discipline and passion. (But you still want to win, course. ;P)

If you read my post about DnD's pantheon, it's pretty clear I'm not opposed to the idea of A. firing gods from positions they're neglecting or B. nominating others to oversee necessary-but-unused portfolios. There are established gods of the Forgotten Realms who need, urgently, to be sacked. Being born into divinity, set up through nepotism, or 'elected by seniority' is not enough to shield a deity from my judgment. Mystra is abusing her worshippers, and while her portfolio might be able to squeak by I'd argue she's been compromised and is committing unprofessional and detrimental behavior in her capacity as goddess of magic. ESPECIALLY knowing she's like this as an ascended mortal. Any other mortal would be well within moral bounds to replace her. She has no ethical high ground in that regard. Managing autonomic maintenance of the Weave is an issue, but if someone showed up to replace her with the argument that Mystra is unfit due to committing abuse... I don't think that person would be morally wrong. Ballsy as hell, but not wrong.

So what's going on with Gale?

Gale canonically, in dialogue, thinks he and the world might both be better off if he was dead. I'll go a step further and argue that before the game even starts Gale considers his personal self a net-negative. If he isn't offsetting that with magical skill, knowledge, achievements, material possessions, and overall usefulness--he doesn't think he has a reason to be alive. The universe is worse for his existing in it.

Gale brags because he's trying to show he has something of value to give other people when he sees nothing of value in himself. He's trying to prove he can be an asset so others will keep him around. He brags notably less as he gains a sense of self-worth, self-confidence, and general support as acts progress. The times he gets snippy with other casters are because if he isn't the only and most useful magic guy to get something done, Gale thinks he might as well be thrown away. He is replaceable. He's also terrified to admit anything about the orb in Act I because there is no way to see it as anything but a danger and a burden. When that's added to his depression, he's sure he'll get abandoned in the wilderness to explode by himself and it might even serve him right. No one will mourn him. They might even be glad to be rid of the burden he brought.

Gale wants others to like him, to see him as a good person, to see him as someone brave and smart and worthy of trust. He absolutely does not see himself that way. If he's trying to prove it to the party--he's trying to prove it to himself just as much. There's a line he can give with The Dark Urge where he comments that if people are being killed just for being annoying, he should be dead a thousand times over. If you get solid approval with him at the tiefling party, he'll admit he didn't have any friends before the game. And while I can only speak to a particular romantic route, in Act III he talks about having been told to his face at various points/in various ways that he's insufferable. He knows other people don't like him and don't believe in him. If bad things happen to him they probably think he deserves it. He might even think so too.

Gale doesn't see anything worthwhile in himself that isn't built through wizardry. It has to be because he was smart enough, worked hard enough, and showed enough character to earn his power. If it's sorcery (and this is only a standard he applies to himself) then all that effort he put in would become meaningless. He can't look at his personal self as having done anything deserving of value or respect if he's a sorcerer because magic was easier for him than other people. And if he can't provide any magic, knowledge, or resources at all then no one has reason to give him the time of day. People hate him. Mystra only paid attention for his abilities as a spellcaster. The mortal, personal aspects of him were things she put up with.

So forget power and ambition for just a moment. What does Gale as a person in that position, who feels that way about himself, actually want? I'd argue that he probably just wanted to know the person he loved most actually gave a shit about him as a person. That he wasn't disposable or only worth as much as his skills and material possessions. I'm pretty sure he'd have wanted that regardless of whether Mystra was a goddess. Mystra both being the kind of goddess she was and the kind of person she was kept telling him he should be satisfied, that he shouldn't want any more than she was giving him. He can't climb any higher than her. No one can give him more than her. She is divine, she is the world itself. Gale never felt loved in that relationship. Due to Mystra's abuse he got to a place where the idea of wanting to be loved back became sacrilegious. It meant there was something wrong with him, that he was arrogant and insatiable. How else could he feel utterly alone and unlovable with a goddess?

Gale desperately wanted to mean something to Mystra personally, so he tried to offer a gesture of love in her language. Something he thought would be valuable to her as an individual and something requiring a ton of arcane skill/strength to deliver. He wanted her to look at him like he was irreplaceable as a person. I genuinely don't think that's a power-hungry or ambitious thing to want.

Gale didn't understand the orb, and unfortunately for him he didn't understand Mystra either. She wasn't the wise and understanding goddess he thought she was. She never wanted an equal. She does not have it in her to love someone as such. The idea of equality, for Mystra, is something that must be crushed to preserve herself.

I figure that the Gale who ascends to godhood has accumulated a divine amount of stuff and power to compensate for his belief that lacking those things, he would be worthless. If Gale wasn't a wizard it might have been music, or writing, or fighting, or politics--any skill, influence, or resource could be used the same way. It’s not that ambition is inherently bad. It’s that for Gale, it’s unhealthy. The ambition isn’t for its own sake. He’s using it as a counterweight against his own sense of worthlessness. God Gale buries his problems instead of dealing with them. He will never know if a character who romances him only did so because they saw his potential and wanted to come along for the ride. He will never know if they'd have bothered to stick around if he was only Gale Dekarios, if he didn't have so much to offer them. He tells himself it's enough that they believed he could do it.

With the mortal Gale ending, we should note that Gale doesn’t need power to enjoy the study of magic if he’s healthy. His priority isn’t about pushing the limits of spells, making new ones, or making a name for himself. Given room to decide for himself, he just wants to uplift and share with others through teaching. His trends in approval and disapproval support this preference too.

For Gale, I really think ambition and power are crutches he uses to justify being alive because he doesn't see any other reason. Give him a reason and he genuinely doesn't need them. They're the means, not the end. He does not want power for the sake of power. Guy is sad and doesn't know how to live with himself. He's not a worse or less believable character with that being his motive. Stories are about people, and people don't move through the world with static 'flaws' and 'virtues' checklists that need to be balanced. There's nothing inherently deeper or more meaningful about villainous characters compared to heroic ones. People make choices and deal with situations according to their experiences moment to moment, trying to make sense of things as best they can throughout their lives. Gale fits perfectly within this. The other cast members do too.

And for the record, while I'd argue Karsus was far more ambitious in character than Gale--even for him, it wasn't just about power. The guy was trying to save his people. He fucked up in a horrible and traumatic way so he's a Netherese blood fountain now. (RIP Karsus but also someone please pact with him.)

And as one last, controversial section... what did Gale's experience with Mystra do to him when it comes to his relationship with sex?

From how Gale talks about and shows Weave-sex, I'd argue it's an extension of him feeling inadequate as a mortal. And knowing this is a controversial point + a lot of people have done and loved the Weave scene because it reflects Gale's love of magic, I offer this: Gale would not be less worthy of love if he didn't have magic. Gale does not know this about himself. He went from an archwizard with a tower and Mystra's chosen to a level one adventurer sleeping on the ground. His entire relationship with magic for much of the game is incredibly unhealthy because he sees the person left in its absence as worthless. For Gale to have a healthy arc, I'd argue he needs to learn how to look at himself as nothing but a man and know he's still precious and irreplaceable. He needs to learn that he doesn't need to prove he deserves to be alive. He isn't disappointing. He doesn't have to try to impress others all the time to have a place in their worlds. He doesn't need to bribe people with shiny things or unique abilities so they'll tolerate the rest. He can exist as no one and nothing but himself and be treasured just for that.

I think at some point Gale could potentially have sex in the Weave again as a repairing experience where he's confident that his physical body, his reactions, and his wants weren't anything to feel ashamed of. Reclaiming that from his experience with Mystra could be very powerful and sexy. But for the first time he has sex since Mystra, when he thinks he's going to need to kill himself any day now and has been struggling between terror and self-hatred, I personally think it's healthier for him to get the validation of being enough as just Gale. Not the Wizard of Waterdeep. His life isn't being advocated for because he's strong or unique in bed. Someone wants him alive as just a person.

And not for nothing... I'm saying this as a writer who can't not write. I've had to do my own share of reflection about how I look at myself if writing isn't the metric of my worth. I wouldn't think Gale needs to abandon all magic any more than I would need to abandon all writing. But it's really important to know we aren't empty trash without our callings, you know?

Before I end this post, I do want to invite readers to think back to those bullets I made before on unhealthy power imbalance.

A character is physically and/or mentally incapable of participating with proper awareness of the situation, as a partner with equal respect and sway within the relationship.

A character is dependent upon the prospective partner for survival and cannot refuse them without fear of retribution or withholding necessities to survival.

A character is being systematically isolated and made dependent on their partner for all socialization and self-worth.

If Mystra deliberately started grooming Gale from a young age, emphasized and exaggerated the power discrepancy rather than making any effort to close the gap, that's a pretty big deal. Gale definitely never had equal respect or sway in the relationship compared to her. She'd probably find the idea insulting in the face of her godhood. She didn't want a partner but a supplicant who obeyed her with no needs for himself. Mystra actively distorted Gale's sense of boundaries and magnified what she could take from him if he displeased her. His life's work, his ability to access parts of his own mind for spells, his means of functioning in the world, his ability to defend himself... but also? His health and survival, once the orb was brought into play. And socially, Gale was incredibly isolated. It sounds like he hasn't even seen his own mother in at least a year, which I have some thoughts on. He was friendless for a long time even as Mystra's chosen. And Mystra made sure other wizards knew when she abandoned him to the point that even Lorroakan was aware. Mystra's offense was something for others to look down on him for. And Gale struggles in-game with the idea that Mystra mistreated or neglected him--because how could a goddess, his goddess, do that? He's been gaslit so hard that he doesn't quite get a moment of fully realizing it wasn't his fault. In some dialogue options Mystra even tries to frame his trauma over her abuse, unaware even that he had the Karsic Weave inside him, as wallowing in self-pity.

Gale did make a mistake, but I'd argue it matters a lot that the mistake was innocent and that he's woefully misjudged Mystra's character. He's being told it couldn't have been innocent and he deserves to be punished for it. He largely believes that. Doesn't make it true.

[butterflieswhisper]

hiiii ^^ beastlife fishie analysis. spoilers ahead. etc etc

okay so. the main point of this is simple. I don't think the salmon head cursed c!fishie. Explaining that is the harder part I think. also i'm going to refer to the salmon head thing in e5 as "the incident" from here on out because frankly i think it's funny

Let's start with the incident. The big day. etc. What happened? Why did it happen? Obligatory third questioning statement? Well. She was gifted the salmon head for her birthday by kiwi(or like. someone in the kiwibird system. -bird system. the birds). Immediately upon receiving it she relives parts of season one and fishie herself doesn't really acknowledge it. The other players definitely notice but im not caught up enough in any other pov yet to like have thoughts on that I'll come back to that point someday. Fishie seems shaken, sure, but she moves on so quickly, especially considering what happened just there. 37 seconds of standing frozen, unresponsive. she recovers in 5 seconds. And seeing how she reacts later on to realizing the memory situation--if she was aware that happened, she would probably be concerned by it. She puts it on for a brief second at the end of the party and takes it off immediately. She's otherwise normal -- well. as normal as she is otherwise up to that point. Because that is also how she acts with pretty much any salmon head, even just kiwi herself.

I raise: Episode one, about 8:20 in. The slow zoom on kiwi as the static overtakes every other noise. This is the *exact* same behavior displayed when fishie receives the salmon head, albeit without actual concrete old video footage style flashbacks. In episode two (28:55ish) the same thing happens when she looks at the salmon head in moch's house, but this time there is technically a flashback -- kiwis grave. Fishie moves on immediately and doesn't acknowledge her behavior at all, and, seeing as it is fishie, im inclined to believe that means she does not know she is doing it. Fishie (when alone) will discuss all of her problems in immense, and usually misguided detail (bestie i promise kiwi doesn't hate you???) to the audience and/or herself. I mean she's not alone in episode one, and it is technically presession, and i guess getting struck by lightning is a decent distraction from your problems, but in episode two? She is completely alone. There is nobody with her. She went looking for moch and moch is not there. She still doesn't acknowledge the fiveish seconds she is completely frozen. This happens again and again with kiwi and salmon heads.

And then that leads you to e5. The incident. She's. well. she's doing worse. 0:50. "This will distract me if i leave it up." This is the first mention from fishie herself about how fucking weird she's being, and even then she doesn't seem concerned. I think she does not realize she's being so so incredibly weird about it. If the static and freezing is what's referred to as "distraction" then keeping it in her inventory makes it worse actually so it wouldn't really make sense unless the way it is distracting her is NOT the. well. whatever the fuck is wrong with her (affectionate). After she puts the head on there's the static all the time but for a short brief amount of time she's like significantly more normal and i don't really know if that means anything i just think it's really funny.

And then we all know what goes on during the incident i'm not analyzing this video frame by frame. um. i could. but i am not going to right now. And then she has the conversation on the table with kiwi where she like is normal for 5 minutes. Like genuinely the most. i guess stable? fishie's thought process is is like in the moments directly after the incident. She is immediately understanding with the antikiwi situation, they come to an agreement that they're like. okay now. "thank you for everything and im so sorry i couldnt do more" / "it was short, but it was nice" "i knew what i was getting into when i married you" etc etc and then they kind of rush it at the end because people won't stop dying. But then fishie is fishie and takes it in the complete opposite extreme (from. um. whatever was wrong up until now. to "oh kiwibird must secretly hate me because" and then there's no real good reason she's just like that) and it's also an issue. And i think the season two memory thing is also a part of that but this is so long already and so i'm not going to get into it rn. So bringing all of this back to my original point: the salmon head was not the cause of the curse(?) because she's been so weird all the time forever and the salmon head thing was just like. an effect. of whatever went Wrong(tm) in the season transition. like the head was a vessel to Be Worse about it but i feel like it would have worked with any salmon head she got her hands on and that it happened to be kiwico was a coincidence and also that the head wasn't cursed at all there's just something deeply wrong with fishie s3 in general and uh yeah 👍

I'm so sorry this is so disjointed i had a thesis statement and everything. alas

[vulturevanity]

I feel like SV girlies haven't seriously considered "codependent mutually obsessive JuliNemo" yet and that's a shame, really. I've seen a lot of wholesome ChampionRank (really cute but a rehash of every wholesome yuri I've ever seen, not much original content here and that's okay) and one-sided obsessive yandere!Nemona ChampionRank (REALLY do not like the villainization of Nemona's neurodivergence but eh, you can do whatever you want forever) but not as much "these two get on like a house on fire. and boy, it's dry season" ChampionRank.

Where is "battle-hungry socially starved trainwrecks who have no one but each other" JuliNemo. Where is "oh god these two exacerbate each others issues into the stratosphere and this can only end in disaster but I can't look away" JuliNemo. Where is "bringing out the worst in each other and scaring the hoes" JuliNemo. Where is "you two are perfect for each other. Never change, just never involve anyone else in any of this" JuliNemo. There's so much potential here. Toxic codependent yuri save me

[pynkhues]

ooooooh would love your comment on this post (maybe just straight up under that post). considering your own stance on magnus' fortune 👀

https://www.tumblr.com/virginiaisforvampires/762167499843321856/hi-i-often-see-this-opinion-being-repeated-that?source=share

I mean, in terms of how it's possible for that anon's ask, I'd say that it's because a lot of the wealth Magnus left Lestat wasn't money, it was jewellery and artefacts that will generally gain value over time, so are probably worth eye-watering amounts of money now. Apologies for my crappy photos, haha (conveniently my copy of TVL is still on my desk), but:

(He then just looks at how beautiful he is in the pearlhandled mirror for like, four paragraphs lmao, I love this book so much).

But yeah, I mean, I disagree with that tumblr user's thesis that Lestat is very intelligent and invested well, honestly. I love Lestat a lot, which I think everyone on here probably knows at this point, haha, he was a formative character for me growing up and I love that we're getting such an incredible adaptation of him now, but Lestat sort of lacking intellectually is, to me, a pretty central (and charming!) part of his character.

He was an incredibly abused and neglected child - deliberately uneducated by both his parents, one out of a desire to control, and the other out of a lack of patience - and while for many children that can and does shut the world off, what I love about Lestat is that, especially in the books, it's bred this almost childlike sense of enchantment and wonder for him for every new thing he gets to experience.

And look, yeah, there is a pragmatism in him, which has I think been wrung out of being the only semi-competent person / the only true survivor in his family, and that pragmatism I think is probably what saw him hand over the wealth to an institution who could care for it, but at the same time, I don't know if I agree that Lestat likes to be a provider necessarily.

He invests in people because he loves them, and he gives them money because he has it (and probably feels a degree of detachment to it as a result of how he got it). Lestat buys the Theatres des Vampires and continues to send them money because he loved Nicki, and he invested in The Azaelia because he loves Louis - the fact that the latter was a good business investment and Louis a smart and capable businessman is incidental - Lestat would've invested anyway which we can basically see given the Theatres des Vampires has already had to downsize theatres and seems to be haemorrhaging money yet Lestat never cut them off.

I guess what I'm saying is that when it comes to everything - money included - Lestat's a character who thinks with his heart, not his head.

[variousqueerthings]

very funny when people on letterboxd describe a movie as "didn't reinvent the wheel" and it's like. lisa frankenstein. cocaine bear. i just don't think that was their intent as movies youknow. i think it was to have a fun time.