#but you still can find comfort with them

[neon-impressions]

I AM SOFT AND KIND AND FULL OF LOVE

[gentil-minou]

"This is more about your ego and pride than Palestine" No its about putting pressure on a party that is supporting genocide

It's about logic

Biden and the DNC would rather cause dissent and dissatisfaction within their own party rather than call for a ceasefire

They know they can get away with it because they're a better option than Trump, because they know they could murder babies in front of you and you'll still vote for them.

So why would they call for a ceasefire when they don't need to?

That's why putting the pressure on them, saying they won't get our vote or saying we are looking for other options is so important.

Because that's the only way they will change.

By saying "Vote Blue No Matter Who", you give him and the DNC permission to permit genocide despite the vast majority of public opinion. You say they can do whatever they want because you will vote for them anyways.

You tell them they don't need to do anything else. That in fact they can do whatever they want. You've shown them you are so terrified of your own government that you would rather lie down and let it walk all over you than put any pressure on them at all

They have a year to make a change. Biden could end this all tomorrow, but why would he when he has you doing his dirty work?

[uncanny-tranny]

You know, I feel like other trans people might get this, but it's honestly kind of refreshing when a cis person has, like, undeniable tboy/tgirl/whatever swag. It's like when you come across somebody who speaks the same language as you and you only find out when they start speaking it, too.

[clownsuu]

Ay. An offer; one doodle of lovelie for the price of answering my question 🦅

Eh? Eh?— Anyways my question is; what’s an art tip you can give that really helped you? Anything special when drawing or do you just have a hand of god?

(Btw your one of my favorite artists and I love seeing your work homie, number 1 inspo fr. Keep on cookin 🦅💞)

WAHHH THEY LOOK SO SCRUNGLYYYY (despite his many, m a n y crimes)

[tinyclowndancer]

pspspsps porretta besties from the dark place who refused to bring this song to its end here's a little something for you. 🎙️

[nellasbookplanet]

Sorry but my thoughts are still on the nature of death in dnd (and other fiction where resurrection is possible), specifically on the implications it has on worldbuilding.

Resurrection magic existing kind of makes for cultural issues that have no parallel in our world. Some of it compares - such as the inherent class divide and tensions when the rich and powerful can literally buy their way out of death (a class divide is a class divide, this just digs the chasm deeper, which I'd love to see explored more in media btw) - but the implications on grief and acceptance are on another level. In our world, there is no bargaining with death. So much of our lives is spent coming to terms with the fact that we will all die one day, and mourning and moving on whenever death strikes near us. We experience stages of grief like denial and rage and bargaining but in the end there is no escaping it, no matter how hard you work or beg or rage. Clinging on can only hurt you. It's pointless. All you can do is move on, and it is so hard.

But if death is conditional. Impermanent. Something that can be defeated with money or power or faith. How do you ever move on. On a societal and cultural level, there should be entire rebellions based around who has access to resurrection. Powerful people offering resurrections as incentive would be all over the place, with desperate people selling their souls and freedom and entire lives to save a loved one. Would soldiers fear dying, seen as disposable, or would they fear being brought back again and again to die eternally on the battlefield?

But on an individual level. Is acceptance of the inevitability of death even possible when it’s no longer inevitable? If you decide that no, you can not give up everything to go pursue resurrection of your child, will you hate yourself? You could save them. Why aren’t you? Why aren’t you doing everything in your power? How much do you hate the people who have this power but won’t offer it freely? If you yourself are brought back from the dead and find out most of your loved ones just, let you go, would you hate them? Would you feel abandoned and betrayed? If you’re watching from the afterlife and see your loved one, who’s been working to get you back, decides to accept your death and move on because they have found new love, would you find a way to fucking haunt them? Oh, you think I only lived for you? That I don’t want life just because I can’t have you, too? How selfish is that. But how selfish would it be to bring someone back only to salve your own feelings of guilt, whether they want to or not? Would there be an entire industry of mediums based on people needing to ask their loved ones if they wish to remain dead or not? How much more powerful would hate and love and hubris be in this world, lacking the absolute limit of death?

[thedreadvampy]

btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.

having said which

as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"

which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.

like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.

like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer

and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.

but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.

personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.

idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.

[anxiously-sidequesting]

Since we're talking about Grandfather Spider can we Girls please just take one single moment of the day to remember and think about his, "I am beyond angry with you, but I could never hate you." quote to Grandmother Raven please. Please. Please can we do that? I will become sick as fuck if someone doesn't acknowledge this with me

[hella1975]

there's a very specific kind of vibe that comes with living with your friends in final year that it just does not have in first year or even second year. like as a fresher it's usually the first time any of you have lived away from home let alone with SO MANY people your age and it's terrifying and exciting and randomised to boot so it's generally carnage for a whole year in the best and worst ways, and then second year you pick who you're living with and it feels like for the first time you're doing this adult thing PROPERLY. you have a place of your own now. these are the people you've chosen to live with. studying gets serious etc. but it's still fresh. it's still new. you still don't know how to navigate it. but final year? final year is when you actually get it right. you know how to manage your time better. you know what works for you and what doesn't. studying is the main focus and you've been out in the world for three years now and it's not loud and boisterous like it was in first year and you're not exciteable and awkward like you were in second year. you're comfortable. every single one of my flatmates has their own friend group and we mainly keep to our own social circles, but we'll still meet each other back at the house after a night out and sit in the kitchen or my room to do the debrief. sometimes i'll go days not seeing either of them despite sharing a house but every now and then someone will softly call up the stairs that 'the heating's on!' or one of us will sneeze and the other two will yell 'bless you!' through the walls. the lack of interaction isn't interpreted as dislike in ways it would have been even last year, because we're all just old enough to be past that now and settled enough in our friendship not to worry about it. idk. uni is very loud and unsettling a lot of the time so it's been really sweet to see how almost boringly comfortable final year is.

[pillowspace]

Fascinated by how many people are picking the Daycare Attendant on that poll, I would have been soo scared of Sun

[comfymoth]

woke up thinking. about spiderbit. they r making me so sick and ill i’m gonna puke

[bhaalsdeepbat]

The tadfools were just SO connected for such a long amount of time that I can't imagine them seeing each other as anything but family after a good run, especially a good Resist Durge run. I think they'd swoop right in for one another like they were siblings if they absolutely needed something.

[dairyfreenugget]

(Going insane boinkinh one AU in my head)

Hey hey hey

May I interest you in

(Slowly slides my FaaF AU towards you but void just Disappears without a trace one day before the accolade)

Teehee

[unhealthy-leon-brainrot]

i would like to thank every single leon x reader fic writer who has written about reader being generally insecure about their self and their worth in the relationship 💐😭

(if you’ve written one, please reblog with a link to your fic!! i promise you ill read it and hype it up !!!!! i seriously love supporting the leon kennedy nation!!! 💞)

[bluesmoth]

They settle and the vet rocks them, a hand playing with the braids in Warriors' hair, hums and it's okays getting kissed into his bangs.

hey so carved  //  hollowed    by @quirkle2 made me feel emotions. hello linked universe nation

[boatswainscall]

As knowledgeable as I am with Warframe after god knows how many years playing it consistently I am genuinely. So bad at teaching players stuck at the midpoint progression wise. And not because I was carried out of it quickly or anything - I know for a fact I was trapped in the midpoint hell for a very long time due to lacking a carry but my memory of it is just utterly gone due to how long I've comparatively been at the endgame.

So whenever as a MR30 I'm asked for specific advice like what weapons and Warframes to prioritize and how to build stuff I'm just like uhhhh shit. Fuck. Hang on let me open up the goddamn Wiki so I can remember most things' MR levels let alone if you can even obtain specific mods at your point of progression.