The whole discourse about the privacy/secrecy/support thing has been sitting with me for a few days (I mean other than it always does to a certain degree) thanks to all the excellent discussion happening and I know I'm not saying anything that hasn't been said a million times before, but I think what we're seeing and what we're going to learn (e.g. from TTPD) is that it wasn't just the support issue, but how it was shown/handled.
We've all gone out of our way to show that introversion =/= lack of support. Someone can be shy, reserved, etc. and still show up for their partner, whether in public or at home. To chalk any of the differences up to the clash between introversion and extroversion is unfair to folks who count themselves among either tbh.
@thisisctrying said something the other day that hit the nail on the head about how if that support had been offered in private, there very well may not have been a Joever to begin with, or at least not at this point in time. (Sorry for loosely paraphrasing, and for namedropping you! Long time listener, first time poster.)
If this were a case where the "shy" partner said, "I am really uncomfortable with the spotlight personally and do not want to court it, but I will support you in your ambitions and offer you whatever you need to make them happen and make the glare bearable," I suspect that would have gone a long way to making Taylor feel seen and comfortable in pursuing her goals in the way that she now has. Again, that might have been more akin to the balance that seemed to have been struck around 2019 from what we can see, but even speaking in a general sense, there are lots of couples out there, celebrity or not, that have similar approaches where there are highly driven people and busy careers involved.
(A famous example being Dolly Parton's marriage. Tbh I know next to nothing about her and Carl, but she's always heralded as an example in this regard, because her husband is famously uncomfortable with the spotlight and hasn't accompanied her to public events in decades, but she's said that she never minded that because that was always work to her, and what was important was that he supported her in pursuing all her career goals and basically ensured she had a place to call home to return to at the end of the day.)
We're kind of in a brave new world with her current relationship because it felt like, at least at the start, we were maybe watching her figure out her boundaries in real time as to what she was comfortable with or not and adjust accordingly. Like so many have said, I fully believe the extreme privacy thing was initially driven by herself and her experiences in 2016, and she needed that quiet time to recover from all of the things and figure out how to exist in the world again.
Stating the obvious, it seemed like eventually privacy was equated with secrecy, turning the relationship and the celebrity into the elephant in the room and something to never be spoken of to the outside world. People are free to choose whatever works best for themselves and their relationships, and for some the separate public lives might work, but the “kept me like a secret but I kept you like an oath” theme is all over her work and it’s clear that it’s a sore spot for her, because she’s been made to feel shame just for the life she leads so many times in the past.
What I’m trying to say is that it’s pretty obvious something Not Great was happening behind the scenes, which didn’t just amount to “she wanted to be a public celebrity and he wanted to be a private hermit.” (Also, in case anyone forgot, this is a person who also chose a public-facing career who also has to engage in press for it, but I digress.) As her career reached new heights post-folklore, if she had the support at home to do all the things without judgment and with encouragement, and in turn offer the same support to her partner, she may have very well lived just fine with that, not unlike Dolly Parton’s case.
By reading between the lines in all the press since, as well as comments on tour and general ~vibes~ with TTPD teasers, it seems like one of the issues was that that was likely not the case. There was all the stuff that we saw — the reticence to acknowledge each other in the media (particularly on one side), the lack of public support even at events at which they were both in attendance for their respective jobs, the great lengths they went to not to be photographed together at events they attended yet no problem taking pictures with other friends and coworkers, the jobs that separated them, the withdrawing from the public even for work accomplishments, etc. Which could all be manageable if a couple chooses to do so together and are not inherently a sign of trouble in themselves.
But what we’re seeing now I think is a reflection of the things we weren’t seeing then, and it seems to indicate some very deep hurt. (I know, call me Captain Obvious.) And like so many have been saying, it feels likely that that part of that hurt is rooted in that very lack of private support where a person would expect it from their partner. Obviously as a Taylor fan blog I’m going to be more inclined to understand her side of a story, but tbh, it’s also because… this is sooooooo common, and something I’ve experienced in my friend group. (@taylortruther is right when she says most breakups are the same one way or another lol.)
One partner is resentful of the other’s success, or resentful that the other’s priorities begin to evolve as new experiences unlock new goals, or feels the other’s ambitions are not worthy of pursuit, and coupled with perhaps their own struggles in the same domain, it’s easy to see where that can chip away at the other partner’s morale and faith in the relationship. I know I’m just speculating here, but I also don’t think it’s totally unfounded. (Again, because a) I’m picking up what she’s putting down and b) it happens to sooooooo many women even among us dull normals.)
With all the pointed mentions about how much Taylor feels supported in her current relationship and how she in turn loves to offer the same show of support to not only her partner but other loved ones, how she’s stepped out more in the last year to a whole host of events, how she’s mentioned feeling like she locked herself away for years and she’s just proud of her partner and happy she can show up for him even if the chaos around it is unsettling, it paints a picture of what perhaps was happening before last year.
To feel like you’re all alone in carrying the weight of the relationship (or burden of it), of twisting yourself into knots to accommodate the other person’s boundaries (or insecurities) but not feeling reciprocity for your own has to be so painful. (The idea that it may have been even darker and to have a partner not only be unreceptive to your own needs but even perhaps resentful/dismissive/belittling of them is even more painful to think of. I guess we’ll find out when TTPD comes out if that was the case, too.)
At a certain point, that lack of acknowledgement will force your hand to be able to reclaim yourself. And it feels like the further removed Taylor in particular is from it, the more she moves from being sad about the life she felt she gave up by leaving, to angry at the life she felt she was giving up by staying. Especially being in a relationship now where it seems like everything comes much easier, where she can be open about the person she’s with and show up for them, all the stuff that seemed as challenging as climbing Mount Everest in her past is nothing more than a molehill at best in her current life.
TL;DR: I don’t think it’s privacy that inherently spells doom for a celebrity relationship like this; it’s the mutual support and respect that does. If Taylor had felt that in the later years of her previous relationship, I think we could be seeing a different, though not necessarily unfulfilled, person right now in 2024, who’d be happy on tour but whose personal life would look a little different. But it seems like by losing that support she lost parts of herself, and we’ve seen her reclaim that in spades in the last year, and perhaps to degrees she didn’t even realize she could from before all the Bad Stuff started happening in her young adulthood.
I know this was extremely long-winded and unnecessary, especially about total strangers we only know through scraps fed through the media, but I just always bristle at this idea that issues like these boil down to “personality differences,” as though one person wants to live in a city and the other on a remote island, or some shit like that. The whole support (and gender tbh) issue is one that’s just very close to my heart because again, I have seen it play out with so many of my friends in long term relationships and marriages and I just think people in relationships (and women in particular in some circles) deserve better than to feel like they’re being, well, tolerated.
55 notes
·
View notes
“Henry’s monologue this” “Michael’s monologue that” okay?? Have you considered??
Circus Baby’s night 4 monologue
Don’t get me wrong, night four is a pain in the ass (especially on console), but even after days of trying I still found myself enjoying listening to her speech to Michael about her thoughts on The Scooper. The way it portrays her thoughts on what she’s about to do, while keeping the idea in the player’s head that Circus Baby is just a kid, is excellent. It’s just a few sentences, but it sets up Circus Baby and The Scooper very well and expertly foreshadows for night 5. (There will be a transcript of her speech in the reblogs, incase you want to read it first, I started it at when she first mentions The Scooper.)
First: She’s obviously just a kid
One of my favorite moments in the whole game is when Circus Baby says “Do you know why it’s called The Scooping Room? Because, dummy, this is the room where they use the scooper.” Hilarious. Like yeah, dummy, obviously. But her soft, mature sounding voice can make you forget that Elizabeth was a kid, and Circus Baby is just a little girl. Her calling the player (Michael, her brother) “Dummy” is really cute and actually serves her character well. Her comparisons of The Scooper to something you’d want at your birthday, something for ice cream and sprinkles, serves as a good reminder of who Circus Baby really is, she’s Elizabeth. For her, birthdays are the best thing in the world. Which leads me to my next point…
Second, Circus Baby loves The Scooper
During night four, a first time player won’t know why Baby would like The Scooper. When we first hear it, it’s loud and scary and kicks Ballora’s ass, it’s not friendly at all. But Circus Baby speaks so fondly of it, it does a great job establishing that the scooper will be important later. It’s also intresting on replay of the game (more on this later) because you know what it is to her, freedom. She’s been in a dark basement for a while and for her, the Scooper is the best thing in the world, her way out.
Third, Circus Baby briefly empathizes with her brother
Michael is clearly the “Freshly opened pint of ice cream”. He wouldn’t like the scooper, to him it would be scary, that is, if a freshly opened pint of ice cream felt anything at all. Because the way she momentarily considers her brother, and how he might feel about all this, is important too. She knows that what she is doing to Michael is bad for him, but I read her delivery of the last line “Thankfully, I don’t think a freshly opened pint of ice cream feels anything at all” as her trying to convince herself that it won’t affect him. She’s telling herself that “The Scooper only hurts for a moment” and that he won’t feel what’s she’s going to happen. Circus Baby isn’t a monster, she’s a kid who’s been in hell for a while and needs to get out. But she doesn’t want to hurt anyone, so it’s a good thing he won’t even feel it…
Finally, none of this is clear on a first play through
You have to know what Circus Baby is going to do to Michael on night five to truly get the full experience of listening to this speech. On a first listen, all it does is set up an uneasy atmosphere and a little bit of mystery for the player. It doesn’t seem weird, but it manages to convey (and foreshadow) all of the emotions felt by Baby during an event that hasn’t even happened yet in game. It’s something that has an impact on first listen, but doesn’t mean much to the player unless they know what The Scooper truly means to Baby, and what she plans on doing with it.
Bonus: The voice actor is incredible. She really eats, no crumbs.
51 notes
·
View notes