#can't let the daughter down!

[bam-monsterhospital]

if you’re playing ana and you keep getting sniped by pharah the entire match, with no help from your team despite pointing her out, i find it helps if you go into chat and try to play the mom guilt card ;u;

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[transvampireboyfriend]

thinking of Otis Senior having to use Jean Jacket for a shoot and not looking up at Em, maybe knowing he had disappointed her. And Em being so hurt by it, that disappointment affecting her whole life, not being able to see it hurt him too. Otis needing help and taking OJ, even when Em had clearly shown interest in the work ("watching y'all train my horse. MY horse"). Em clearly not having interest in the work now. Otis asking about her in the opening scene. OJ looking up at her from the arena, and looking up at her in this scene, pointing out how similar she is to their father.

[schmweed]

[reddiamondyeet]

Brings victory?

Always wins??? 🤔

Whoops, my hand slipped and I accidentally made Manfred-Victini.

[magdaclaire]

someone tell me i don't need to write the father!jamie tartt fic that just sprung into my head whole cloth

[lisbonsteresa]

i'm seconds away from losing it

[righteousruin]

ooc. / comic ramble

T*m K/ng's Bane was already super weird, but the origin story for why he got back on venom is so ...deeply incorrect. In the comic, Ctwomn kicks him in the back, thereby breaking it, and making him require venom to go fight Batman Kicking a 350lb body builder in the back to break it

This is Ar.nold Schwarzen.egg.er -- around 250. Here's what he said about the incident: Thanks for your concerns, but there is nothing to worry about. I thought I was just jostled by the crowd, which happens a lot. I only realized I was kicked when I saw the video.

[missmitchieg]

What I hate is that Ashley Seaver could've been an incredible, absolutely beloved character if only the writers actually cared and let her do things with the team that weren't cry about her father and be helpful on cases.

What I love is that Rossi calls her kiddo & plays video games with her <3

[crystallinearts]

SO I TOTALLY FORGOT

that over the next like week and a half I’ve committed to a paid job of making a graduation video for one of my mom’s friend’s daughters

which means for the next week I’ll be doing video editing, and not too much else

however, I’ll obviously need breaks as I can’t work on it every single spare moment or I will go INSANE

but I’ll be working as much as I can

(this friend always puts me under a time crunch, she doesn’t seem to realize that one-two weeks for seven songs’ worth of editing is INCREDIBLY stressful, no matter how many times we’ve told her, she gets the pictures to me later and later every year, UGH)

hopefully this won’t affect the week-or-so promise I made you guys about chapter 46 of chosen. tho!!

I’m getting the pictures for the project tomorrow, so tonight I’m pushing myself to get as much of this chapter written as I can, so that I can work off and on during breaks from the video and, with any luck, have it done in such a time that I don’t leave y’all on that cliffhanger for TOO long XD

good news is I’m 2500 words in and maybe, like, a third done with chapter 46, so I’m optimistic!!

I’m also having lots of fun with it and y’all are probably still gonna hate me but also you’re gonna hate me less than with that cliffhanger I think, so, maybe I can redeem myself-

ANYWAY LOVE YOU GUYS, THANKS FOR ALL THE SUPPORT AND UNDERSTANDING, YOU GUYS ARE SO WONDERFUL!!! <3

[figtreeandvine]

I want to write a movie that is sort of the flip side of a Hallmark holiday movie. Not an anti-Hallmark movie, just like the other side of the same coin.

It starts with a well-dressed professional woman driving a convertible along a country road, autumn foliage in the background, terribly scenic. She turns onto a dirt road/long driveway, and stops next to a field of Christmas trees, all growing in neat, ordered rows, perfectly trimmed and pruned to form. She steps out of the car--no, she's not wearing high-heels, give her some sense!--and knocks on the door of a worn but nice-looking farmhouse. An older woman, late fifties maybe, answers the door, looking a bit puzzled. The younger woman asks if she can buy a Christmas tree now, today. The older woman says they don't do retail sales--and the younger woman breaks down crying.

Cut to the two women sitting at the kitchen table with cups of tea. The young woman (Michelle), no longer actively crying, explains that her mother loves Christmas more than anything, but is in the hospital with end-stage cancer. Her doctors don't think she'll live to see December, let alone Christmas. Nobody is selling Christmas trees in September, so could the older woman please make an exception, just this once? The older woman (Helen) regretfully explains that they have a contract to sell their trees that forbids outside sales. The younger woman nods, starts to stand up, but the older woman stops her with a hand and asks her what hospital her mother is in. After she answers the older woman says that "my Joe" will deliver a tree the next day. "Contract says I can't sell you a tree, but nothing says I can't give you one."

Next day "Joe" shows up at the hospital in flannel and jeans, with a smallish tree over her shoulder. Oh, whoops, that's Jo, Helen's daughter, short for Joanna, not Joe. Jo sets up the tree and even pulls out a box of lights and ornaments. Mother watches from hospital bed with a big smile as Jo and Michelle decorate the tree. Cue "end of movie" type sappiness as nurses and other patients gather in the doorway, smiling at the tree.

Cut to Michelle sitting in her dark apartment, clutching a mug of tea, staring out at the falling snow and the Christmas lights outside. Her apartment has no tree, no decorations, nothing. She starts at a knock on the door, goes to open it. Jo is standing there, again holding a tree over her shoulder.

Plot develops: the second tree is a gift, because Michelle might as well get it as the bank. The contract for the tree sales was an /option/ contract, which prevents them from selling to anyone else, but doesn't guarantee the sale. The corporation with the option isn't going to buy the trees, but Helen and Jo can't sell them anywhere else, and basically they get nothing. They'll lose the farm without the year's income. Michelle asks to see the contract and Jo promises to email it to her.

Next day at a very upscale law firm, Michelle asks at the end of a staff meeting if anyone in contract law still needs pro bono hours for the year. No one does, but a senior partner (Abe) takes her to his office and asks about it. She says the contract looks hinky to her ("Is that a legal term?" "Yes.") but contract law's not her thing. He raises an eyebrow and she grins and pulls a sheaf of paper out of her bag and hands it over. He reads it over, then looks up at her. "They signed this?"

More plot develops. Abe calls in underlings--interns, paralegals, whatever--and the contract is examined, dissected, and ultimately shredded (metaphorically). It's worse even than it looks--on January 1st Helen and Jo will have to repay the advanced they received at signing. The corporation has bought up a suspicious number of Christmas tree farms in previous years after foreclosure, etc.

Cut to Abe explaining all this to Helen and Jo while sitting with them and Michelle in a very swanky conference room. The firm is willing to take on the case pro bono, hopefully as a class's action suit for other farmers trapped by the contract--but there's no way it can go to court before January. Which will be too late to save the farm's income for the year. They might get enough in damages to tide them over, but….

After Michelle sees Helen and Jo out, she comes back and asks Abe if there's anything they can do immediately. Abe looks thoughtful for a long moment, then gets a really shark-like grin on his face. "Maybe…."

Cut to Helen wearing a bathrobe, coming into her kitchen in the morning. She looks out the window…and there's a food truck stopped in her driveway. She pulls a coat on over her robe and goes out--two more trucks have pulled up while she does this. Driver of the first truck asks her where they park. Another truck pulls up behind the others. Behind that is a black BMW--Abe rolls down the window and waves. Helen directs the trucks to the empty field/yard next to the house. Abe pulls up next to Helen's car and Jo's truck and parks. He and Michelle get out--Abe wearing a total power suit, Michelle in weekend casual.

The case will be easier if the corporation initially sues them for violating the (uninforcible!) contract, rather than them suing to corporation (damn if I know, but it's movie logic). So they're going to sell the trees now, and rounded up some food trucks and whatnot to draw people in.

Cue montage of Jo and Michelle running around helping people set up while Abe and Helen watch from the kitchen table. The table starts out covered in file folders…and slowly gains coffee cups and plates of cinnamon rolls. It becomes increasingly clear here that Abe and Helen are becoming as close as Jo and Michelle.

Everything gets set up and a very urban, very motley crowd appears--tats and studs and multiracial couples and LGBTQ parents and everything--and everyone is having a wonderful time eating funnel cake and choosing their tree so Jo and a bunch of rainbow-haired elves can cut it for them. At which point someone shows up from the corporation (maybe with a sheriff's deputy?) and starts yelling at Helen, who's running checkout. And suddenly Abe appears from the house and you realize why he's wearing that suit on a Saturday….

Cue confrontation and corporate flunky running off with their tail between their legs, blustering about suing. Cue Jo kissing Michelle. Cue Helen walking over and putting a hand on Abe's shoulder and smiling at her.

I want the lawyers to be the heroes because they are lawyers and know the law. I want a lesbian who lives in the country with her mother. I want urbanites to turn out as a community to help someone who isn't even part of their community. I want Michelle to keep working at her high-power job, loving Christmas and grieving her mother.

[lo1dman]

˗ˏˋ      ᶠᶤˡᵉ·      ﹙      aesthetic   sideblog   tags      ﹚      ﹕      part   one.

[wiseagent]

˗ˏˋ      ᶠᶤˡᵉ·      ﹙      tags      ﹚      ﹕      part   two.

[lina-lovebug]

I'd Fight The Devil

Pairing: Alastor x fem! reader

Background: reader is Lilith and Lucifers oldest, and resembles Lilith more. Lucifer has a hard time bonding with her because of this, and Alastor decides to step in.

Part 1, Part 2, Part 3

_ _ _ _ _ _ _ _

"DAD'S COMING?!"

(Y/N) Morningstar, firstborn daughter of Lilith and Lucifer, was currently having a breakdown over the fact that her father was on his way to the hotel.

She'd have no issue leaving, of course, but Charlie tricked her dear old sister into staying by saying she needed help with the hotel. . .and told her their dad was coming when he was two minutes away.

It's not like she didn't miss him, but things became different once their mother disappeared. Lucifer threw himself into his ideas, and (Y/N) tried maintaining their relationship but he couldn't even stand the look of her.

"I'm sorry! But I thought maybe you guys could talk while he's here?" Charlie suggested with a gulp, twiddling her fingers.

"I'm done trying with dad. If he wants to talk, he can come to me," (Y/N) crossed her arms, firm on her stance.

"I never thought I'd meet someone with worse daddy issues, but here you are, cher," Alastor, with his famous grin, looked down at the Princess of Hell. She huffed, not in the mood for his side comments.

"Alastor, please-"

"He's here!"

"-please fucking hide me!" She ran behind him, despite the mass amount of blonde hair making it obvious.

He chuckled.

Honestly, since meeting the eldest Morningstar, Alastor deemed himself her Protector. Not that the girl wasn't capable or needed him persay, but he cared for her. Being on the aroace spectrum, he wasn't plagued by a selfish desire to fuck her, but it was a sweet concern that slowly turned into a need to be near her.

A need to make her his.

"Hopefully he doesn't-"

"Pumpkin?"

"Fuck," (Y/N) silently cursed under her breath before Alastor stepped aside.

"Hey dad," Lucifer felt a pang in his sinister heart at her tone. She sounded uncomfortable and wouldn't even look at him, but he also remembered that he couldn't look at her at times.

It reminded him of happier times.

Times he didn't want to be reminded of anymore.

"So how've you been? Heard you've got a fancy job now. Probably making loads of money, huh?" He chuckled nervously.

"Dad, it's my company. I made it."

And he couldn't even remember that she did that?

Any dad would remember that his child created her own business.

"Ouch."

"And it's got a fucking duck on the logo. God, dad," She rose her voice, "you can't even remember that?"

"I've been busy, pumpkin-"

"Too busy to call? Too busy to even fucking call?!"

Charlie flinched at the harshness in her voice. She's always been a firecracker but she's never seen her so angry.

"I'm not fighting with you, (Y/N)," Lucifer stepped towards her, "why do you insist on fighting? Especially when I'm here for Charlie."

"Oh, you're here for Charlie?" Her horns started to come up through her skin, rolling back like a rams.

Just like her mom.

"I'm not making this about me. I just wish you'd make the effort instead of it having to be me," She missed who he was.

And during this, Alastor could see the pain on her face. She was furious, and rightfully so.

But he let her fight her own battles.

"I'm sorry that I look like mom. Is that what you want me to say?!"

"Yes!"

He didn't mean it. Of fucking course he didn't mean it, but it slipped out.

"Dad! That's enough!" Charlie ran to her, seeing tears well up in her sisters eyes. "How could you say that?"

"Pumpkin, I-"

"Don't," She sniffled, holding Charlie close, "don't come near me."

But he didn't listen.

He hated being the fact that his little girl was crying because of him.

"I think you've come far enough," Alastor spoke, getting infront of Charlie and (Y/N). He is excellent at saving face, so his pure unadulterated rage was hidden beneath his smile.

She hiccuped behind him, sobbing into Charlie's shoulder.

"Don't make me move you," Lucifer glared.

"And don't make me fucking kill you for hurting what's mine."

His voice turned more static-like than before, his eyes a burning red and his horns outstretched. He was a fucking shield for his Princess, and not even the King of Hell could get through. Lucifer recognized this and humbly backed away, retreating with his tail between his legs.

_ _ ☆ _ _

(Y/N) spent the next hour crying in her room. Over the years, she had started to hate herself for looking like her mom, and Lucifers' confirmation only reaffirmed it.

"Need anything else?" Charlie asked her. Although her sister wasn't searching for redemption, she had her own personal room in the hotel.

"Can you get Alasto-?"

A knock sounded at the door.

"Was he there the whole time?" She sniffled, and a muffled "maybe" came through the door.

Her bed was surrounded by napkins that she quickly placed on her bedside as Charlie allowed Alastor inside.

Alone.

The two of them.

Might as well just throw them condoms and say get to it, is what (Y/N) was thinking. She's known about her crush on The Radio Demon for a few months now, having a fantasy dream here and there, but wasn't much of an active person herself.

"Thank you. I know he tried to fix it, but I couldn't stand to look at him," Her puffy eyes made Alastors eye twitch, still a small spout of anger for her father.

"Of course, my dear," He sat himself next to her on the bed.

"Because your father, although the King of Hell, is a fucking coward", is what he wanted to say but kept those words for himself.

"Did you mean it? That I'm yours?" She asked, her hand inching closer to his.

"I never say anything I don't mean, cher," He grabbed her hand, kissed it, and made the she-demon gasp.

"I thought you hated touch."

He chuckled, "Oh, I do, but not if it's you. Your skin is warm, and it brings me comfort. You bring me comfort."

"You'd have me, even if I want to be glued to your side? Even having petty fights with my dad?"

"Darling, I'd wear your skin if you asked."

"Oh, how romantic," She blushed before both his hands came up to her face, bringing her into a needy kiss. With her, he needed to feel her.

Someday, even all of her.

"And I'd eat demons with you," She whispered against his lips.

"Oh my heart may burst, my dear."

Taglist: @lorkai @droopingdatura @tr1coo @randomuser-89 @abbiedail @evelin1o1 @sseleniaa

[deunmiu-dessie]

divorced!john price who lets his daughter and her best friend (you) stay at his house every summer without fail. divorced!john price who leaves the two of you home alone more often than not when he's deployed. divorced!john price who spoils the two of you when he is home, by taking you out to restaurants and going shopping. divorced!john price who should see you as a second daughter, and treat you as such. divorced!john price who feels like a dirty old man for not thinking that way. divorced!john price who's wanted to feel your cunt wrapped around him since the moment he laid eyes on you. divorced!john price who swears to let his fantasies be nothing more than they are. divorced!john price who gets a text from his daughter during his early drive back that you had arrived sooner than she did. divorced!john price who gets home only to find you sprawled naked across his bed, playing with yourself and moaning his name. divorced!john price who can't help but swallow thickly at the sight of your messy pussy ruining his sheets. divorced!john price who clears his throat, voice gruff, "d'you wan' help sweetheart?"

he knows he shouldn't be doing this, knows that it's wrong, but the taste of you is addicting. warm and sweet against his tastebuds, innocent and needy. the precise but shaky roll of your hips against his mouth is driving him insane as well⸺ and the only thing he can do is watch. watch as you fall apart on his tongue while he grinds himself against the edge of the bed. listen to the muffled sound of your moans and pleas as he takes you higher and higher only to slow down his ministrations and ruin your orgasm, your slick, soft thighs trapping him against your swollen, drooling cunt. john can't help but groan against you, tongue lashing out to flick your engorged clit, when he finds your teary face, your head shaking back in forth. "m-mr. price! mmf--! please! i can't, need t'cum."

and maybe he shouldn't have given in as easily as he did, but god he's jerked off to the thought of this exact moment for what feels like an eternity. "all y'had to do 's ask, luv."

˖⁺‧₊˚♡˚₊‧⁺˖ - 𝒸𝓁𝒾𝒸𝓀 𝓂𝑒!

[saltoru]

being a jujutsu sorcerer and a parent rarely ends well. sorcerers who have to fight for their lives everyday barely have any time and energy even for themselves. adding babies to the picture is hard to imagine.

but gojo was determined to balance his work and personal life when you entered his life, which is why he has a baby girl strapped to his chest as he holds up his hand and crosses his fingers, already to send a special grade curse into his domain.

"daddy~" his baby babbles, cheek squished against his purple uniform.

"yes, baby?" gojo smiles down at his baby and gently sweeps her hair out of her eyes. he pays little to no attention to the curse, who had already spread out their domain and is currently sending wave after wave of attacks, all of which gojo repels with a touch. "this is domain expansion," he gently explains to her, smirking at the curse who is obviously offended that he wasn't taking them seriously. "in a second, you're gonna see daddy's domain."

his baby blinks and shuffles around in the strap, whining a bit as she tries to get comfortable. for all she knows, it's too dark and hot and she misses mommy's smell.

before she knows it, the space around her begins to look like the night sky, and she can't see the curse anymore.

"this is my domain," her daddy says, but she misses seeing the sun. why is it nighttime all of the sudden?

"nooo" she whines as she kicks around. where's the ice cream he promised her earlier? and where is mommy? she doesn't want to go to sleep yet!

"not easily impressed, hm?" he laughs, protectively holding his baby's head against his chest as he closes up his domain after finishing off the curse.

"let's go get ice cream, yeah?" he ruffles her hair and holds up her hands, dancing them up in the air with a huge grin. the sunlight hits her face again and a smile quickly reappears. "you did so good today. did you learn a lot about jujutsu fights today? did'ja enjoy our little adventure together?"

"ice cweam" she smiles, doing a few happy kicks. and that's how the tradition of getting ice cream after missions started for the daddy-daughter pair.