We to the six of crows couples: Aww, you are so perfect together
The Soc couples: Thanks, its shared trauma
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TRY AGAIN LATER
it's like. well. its several things.
(Plutarch's Crassus, trans. Warner)
and also this
(ibid.)
that compliment sounds like an insult, baby.
anyway, there's a fun kind of eroticism in being given everything, in taking things that aren't yours without any real consequence, in climbing towards becoming a Roman Alexander, only for one man to deny you, over and over and over again, at every turn. Sulla tried, Crassus did it better. who would put a butcher in their place? who else knows you well enough to do it? who else can match you step for step like this? doesn't it feel like a kind of intimacy, a kind of—
it's also about the 'even sulla kissed my sword/so you want me on my knees too?' innuendo was too good to pass up. that was actually the first line I wrote, I figured out the rest of this to justify making a comic with it
and finally! the sword line is referencing/playing off of Lucan's Pharsalia a little bit because it fucks hard
(Lucan's Pharsalia, trans. Jane Wilson Joyce)
EDIT: oh, and that's a public domain anatomical illustration of a heart. you know how it is with love and hate.
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louis, lestat, and their single bed as a motif louis puts into his own story, but refuses to explore, is literally one of the sexiest parts of the show. it speaks volumes about a level of fulfillment and freedom that louis feels by being with lestat that he rarely explicitly comments on when he's relaying his story to daniel, which feels extremely relevant to his overall reluctance to examine the parts of his relationship with lestat that he really enjoyed.
because louis is a character who's hyper aware of how he presents himself. he's lived his entire life projecting a certain masculine, heteronormative image, and he's aware of how deviating from that presentation has implications that impact how people view him - from enjoying the opera, to the presentation of his nails. the fact that he moves in with lestat and neither of them ever put a second bed into any room in the house as a level of plausible deniability is so huge and oversight by so cautious a character, it can only be read as deliberate - especially when the conspicuous lack of a second bed is pointed out to them by both antoinette and a literal police officer. in an existence where you don't sleep in a bed, the bed becomes a symbolic object more so than a practical one. it's louis choosing to deliberately transgress against the societal expectations he lives out when he leaves his house, a bit of presentation that actually amplifies his truth as a gay man living with his partner, rather than masking or hiding himself, like he does for the outside world.
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I'm just gonna stand in the corner and politely drool over Horror and your OC...Sorry not sorry.
Dw, they won't notice, they're too absorb in their own world 🤭
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