#characters are allowed flaws

[tubbytarchia]

Hey guys I think The Last Unicorn is such a Scott book

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[suzukiblu]

Please, cuddling, and TimKon?

. . . I am sorry but also I am NOT sorry for what I have done with this reply, but hey, why don't we all enjoy this one being the only prompt fill from this meme that got a read-more cut??

“Please,” Kon tries, trying not to look–he doesn’t know, weird and needy and like an embarrassment, or whatever. It feels like such a stupid thing to ask for. He knows Tim’s not really a hugger or a touchy-feely guy or whatever and that he likes having his own space and basically always hops out of bed right after sex to go write down all the shit his post-nut clarity made him think of, and the idea of, like, just staying still and actually cuddling or whatever is probably basically literal torture to him, assuming it’s ever even occurred to him at all, just . . . 

Just he’d kind of like to sometimes, maybe? Like–not regularly or whatever, he’s not trying to drive Tim nuts or cut into either his worktime or downtime here, just . . .

Just he’d like to do it sometimes, that’s all. 

Tim’s not the tactile type. Tim isn’t even the eye contact type, unless he’s lying to somebody or at work or just faking it for Robin-mode or whatever. Kon gets that. He’s been, like–careful about that. Not trying to take up too much space or ask for too much attention or mind when Tim doesn’t even look up at him when he– 

He’s been careful about it. 

But he is . . . well. The tactile type. Like . . . kind of, anyway. 

Like–it’s kinda unavoidable, honestly. 

“Oh,” Tim says, blinking at him in just enough bemusement to make him feel even more self-conscious about bringing this shit up to begin with, and Kon tries to keep his expression casual and noncommittal and–and just normal about this. Because he is totally normal about this. He is so normal about this. He is.

He’s also normal about the fact that when he asked Tim if he could talk to him about something, Tim didn’t even put down his tablet. Didn’t even put it to sleep, or actually even look up from it until . . . 

Kon’s normal about that. About all of this. 

(and he definitely never feels kind of weird or a little bit abandoned because Tim can’t EVER just bring his stupid laptop back to bed or at least work on whatever he’s thinking about IN the bedroom at the untouched desk he's got set up in there or even just, like . . . stick around and hang out on the couch with him, or anything like that. he definitely totally ENTIRELY doesn’t ever just feel like a casual fuckbuddy or an easy hookup or a gala-night accessory or just the most immediately convenient option and not actually–not actually any kind of a–not actually something that– 

he doesn’t. 

definitely.)

“Uh,” Kon says, and backpedals awkwardly, because clearly this conversation is not going the way he’d wanted it to and Tim just looks so surprised by it all, like–like it never even occurred to him or something, that maybe . . . that maybe Kon would want anything like that, or like he literally just hasn’t noticed how hard Kon’s been trying to be normal about it, or . . . 

It doesn’t feel very good, the idea he’s been trying so hard to respect Tim’s space and preferences and comfort levels and Tim hasn’t even noticed that he was doing anything at all. 

Especially because Tim usually notices just about everything. 

Maybe Tim’s just never thinking about it. Maybe he gets out of bed so quick because he’s spent the whole time in it thinking about other shit and just putting up with–just– 

“Kon,” Tim says, his voice going a little tight, and Kon just tries not to wince. He didn’t mention any of the complicated stuff he’s been trying not to feel, he just asked if Tim could–if Tim would– 

He didn’t even mention any of the complicated stuff, so it’s, like–not a great sign that Tim’s looking at him like that right now, like he’s said something really serious or upsetting or . . . 

He really shouldn’t have said anything, yeah. 

“Sorry,” he tries stiffly, glancing away and wrapping his hand around his own wrist and digging his fingers into the inside of it. It’s–tactile. Just . . . something tactile. “I know you don’t–sorry. Uh. Just forget it.” 

“Fuck,” Tim mutters for some reason, and Kon feels like such an idiot for saying anything at all, and a worse one for apparently doing it in a way that’s got Tim making that face at him. That face is Robin’s “my utility belt is empty, comms are fried, and the mission just went to shit” face. 

He really fucked this up. It was fine. Everything was fine, and now he’s wrecked it and Tim’s about to say it’s not even that serious, it’s not like it’s even–not like they’re even–and that Kon’s clearly gotten the wrong idea and they should just–just– 

“How long have you felt this way?” Tim asks very, very carefully, like the question’s something fragile, and Kon thinks from literally the first fucking time you left me alone in bed all night so you could go recalibrate some stupid useless specialty sensor that wasn’t even part of your primary gear, like, a WEEK into us sleeping together and says, “I dunno. It’s not–I told you. Forget it. It’s not a big deal.” 

He’s being weird about this. He’s being an asshole about this, actually, because being prepared for literally every single possible contingency ever is the Bats’ whole thing and he got into this knowing Tim wasn’t the touchy-feely type or all that expressive and emotive about–about his feelings, or whatever, and–and it’s not like he even–not like he– 

(he just wants a fucking HUG he didn't have to FUCK him for every now and then, or for Tim to at least exist in the same space as him for longer than the time it takes for the next email from Oracle to come in or next alert from Batman to go off or next self-assigned project to finish processing or–

but that’s not something Tim does, and Kon knew that going in, so–so it’s his own stupid fault if he feels SMALL sometimes, when . . . when there’s always something else, always another problem to solve or place to be or thing to think about, always . . . always something more important than just . . . staying, just for a little bit, and just BEING with–with him. just him. not the team, or either of their families, or . . .)

He knew all this going in, Kon reminds himself. He knew it. If he were this bad at being with literally anyone else, he’d just–he’d just– 

But something about it being Tim means he just . . . can’t. 

Tim’s jaw tightens, and he finally sets down his stupid tablet. 

Only now, though, Kon thinks bitterly, and digs his fingers a little deeper into the inside of his wrist. 

“Kon,” Tim says again, says too carefully again. Like something’s fragile, again. “I–” 

“I said forget it, for fuck’s sake!” Kon snaps too hotly, and maybe hates himself for both doing it and for the stricken look that doing it puts on Tim’s face, and also maybe cheats a bit by super-speeding straight out the balcony door into the night air and not taking his cell or his communicator with him. Or–definitely does, in fact. Definitely that’s cheating. He knows it is. 

He just really can’t stand to hear Tim tell him how he’s fucked up this time right now, though. He just–he tried so fucking hard not to fuck up this time. 

He really, really tried. 

He should’ve known it wouldn’t work, but . . . but he really did try.

[frogs-in3-hills]

rewatching hxh is crazy like the foreshadowing is so good. i’m just as emotionally engaged as i was the first time watching but in a COMPLETELY different way bc it’s almost hard to watch through the sheer sense of foreboding you feel as gon learns more and gains more power. his recklessness was always taken quite seriously by the narrative and that’s clear on a first watch, but knowing exactly what happens and where that self-abandoning recklessness, that thrill-seeking, that bullheaded perfectionism (not to do everything perfectly but to do everything with perfect accordance to his own terms), and that childish willingness to disregard everyone else in pursuit of his own impulsive goals (thereby reinforcing his own worldview for better or worse) goes… the show is SCREAMING at you that this is all going to go horribly wrong and it’s so sinister in this weird offhanded way, like it’s sticking to shounen tropes just close enough that you definitely notice something off but don’t suspect it’ll snowball the way it does.

[can-of-w0rmz]

THOSE Frankenstein fans when both Victor and the Creature have positive and negative qualities, and the story is a tragedy where both characters involved are flawed and it’s not a morality battle between who’s the innocent one and who’s the Bad Guy™️ (and then get pissed at anyone likes one of those characters and labels them as problematic like we’re in the fucking 2020 Danganronpa fandom):

Just while we’re at it, Frankenstein is not a weak whiny bitch and the Creature doesn’t have no moral compass and didn’t emerge from the operating table murderous

Frankenstein IS vastly immature and incapable of communicating his emotions and considering the consequences of his actions bar a few instances and the Creature is basically an incel serial killer

Now shut the fuck up with the “who’s the victim, Victor or the Creature?” bullshit arguments and agree they’re both pathetic morally flawed babygirls and collectively up the fan content for our best girl who deserved so much better Elizabeth Lavenza my beloved wife

[natsmagi]

honestly the more i hear about engstars and its TLs the more i absolutely dread the inevitable release of poltergeist and what may ensue from it, bc if if the translators themselves are already invalidating arashis identity then i Really Truly do not want to see how theyll translate natsume and tsumugis microaggressions/transphobia towards her. esp since ive noticed a rise in people being comfortably transphobic towards her, and i REALLY do not wish to see natsume and tsumugi being stupid fucking morons be used as evidence to discredit her

and i think this is all the more reason why its VERY IMPORTANT for engstars to DIRECTLY ACKNOWLEDGE arashi and her gender. bc sometimes characters are STUPID and RUDE and APATHETIC. enstars is a story with NUANCED and FLAWED CHARACTERS, and when a character is being a fucking asshole youre meant to PROVE THEM WRONG. but they dont even acknowledge arashi as a girl themselves. so, if you do use engstars, please keep pressuring them bc omfg this is so bad and i can only see it getting worse

[alicentflorent]

I didn’t sit here for years tryna stay calm and silent while listening to your bad takes on gale (who grew up oppressed, in poverty and then witnessed his entire district getting wiped out then rightly went to fight in the rebellion because it was his inlg chance of tearing down the system the wanted him and his family dead) being a “terrorist war criminal who is single handedly responsible for killing innocent people including prim and who is the REAL villain of the hunger games” just for y’all to turn and start stanning and defending actual facist dictator and child trafficker Coriolanus Snow because you saw a young hot version of him.

[sunsetcougar]

It’s like 2 in the morning but here we go! This is probably one of the most anti posts I’ll ever make, I’m generally not the type to post about things I dislike, but this has been on my nerves for a while. Alastor is annoying and the fandom makes it worse.

Like he had the potential to be such a cool character but he kind of comes off as just like, trying too hard to be creepy. Like a middle schooler wanting to be weird and scary and edgy. It’s so obvious to me that all he’s doing is posturing because either he’s that overconfident or he knows he’s outclassed by a lot of people.

The fandom didn’t help with my view of him either. When I was first introduced to Hazbin the people who did so painted a neat picture. I love manipulator characters, watching them pull the strings to make everything fall into place according to their whims is entertaining, so I started out really interested in his character.

Then I started poking around the fandom and found… a bunch of people who fell for his mediocre, middle schooler esc manipulation. (I try not to judge simps since I’m aro and don’t experience those emotions, but some of ya’ll…)

The only time I genuinely enjoyed seeing him on screen was when Adam was beating his ass. Every other time he was just annoying.

Like Adam for example is a horrible person but he’s not annoying, he’s entertaining. Alastor could have been a horrible man but incredibly entertaining, but he’s not.

(Related note, I’ve worked with kids and watching Alastor and Vox fight kind of reminds me of that… Alastor and Lucifer too.)

Okay I’m going to sleep now

[okthatsgreat]

i’m realizing that one of my favorite ways to create a character is by first establishing a major flaw of theirs and then examining how that will inevitably fuck them up a bit. then fleshing them out from there

[antigonesghosts]

autistic4autistic jazzalil. Send post

[harmonicabisexuals]

i love cuddy but i find the huddy relationship thematically boring compared to hilson and hameron...it's not her fault tho!! bc she's just not enough of a foil to house like wilson and cameron are. cameron is house's conscious, wilson is his reflection and cuddy is his enabler :/ so the curse of her character is no matter how many times she tries to stand up to house, he will ALWAYS manipulate her, trick her, and eventually circumnavigate her and she will LET him! she'll even help him do it!! cameron and wilson are really the only ones who actually are able to stop him, and half the time wilson isn't even stopping him, he's just pointing out the truth of the matter after the fact...but it's still a point of conflict and something for house to push up against—with cuddy there just isn't that same tension

[nirrvana]

why do all of my favorite characters keep getting impaled both literally and metaphorically by a thousand sword blows representing the eternal weight of hatred and pain they must carry all by themselves why does this keep happening (this is about anthy himemiya and xie lian)

[prosecutors-gambit]

dont you think its crazy how big top is where its revealed that franziska considers edgeworth a little brother and its also a case about an older brother attempting to enact revenge against the person he perceives as having killed his younger brother. and missing the mark completely both on who he should be getting revenge against but also failing to get it against the person he’s attempting to kill. food for thought

[navree]

i was expecting bruce to take absolutely zero accountability for anything he did as zur so i'm choosing to find the silver lining in having him refer to the stupid fear chip thing as "what i did to you" and the way he's taking responsibility for the wrong he did to jason and not worm out and actually try to own it and potentially make amends (even tho i know what they're gearing up for is to have jason absolve him* without any real work involved on bruce's part)

*which isn't necessarily out of character for jason, he's a shockingly and verifiably incredibly forgiving person, considering that he's never publicly disparaged sheila for literally murdering him and still holds affection for willis and catherine in spite of their mistakes to the point where he was deeply upset about willis being killed and out loud said he forgave bruce for not saving him (not that he never blamed him, specifically that he forgave him, which implies both bruce's culpability and jason's own internal work to give him absolution which i wish more people remembered) and in general still has a relationship with half the fuckers in his family in spite of shit they've pulled. i just wish it was actually treated as a character trait, that jason is forgiving and goodhearted to the point where he lets things slide that he shouldn't so long as it only concerns himself and not others (cuz he's fundamentally selfless yes i will die on this hill) and not the writers never acknowledging that he's the fucking victim and that people deserve to be taken to task for stuff they do and that not everything bad that happens to him is his own fucking fault i hate dc.

[musicalmoritz]

The pain of rarely hating characters in fandoms that treat stanning villains like it’s a moral issue

[aelinfireheartgalathynius]

The discourse about Sarah J Maas being called a Zionist is giving witch hunt vibes at this point. Nothing I've seen has been conclusive at all. Just because she's a Jewish woman who went on birthright doesn't mean you should loudly denounce her as supporting genocide.

I am a Jewish woman who is pro-Palestine — so, not a Zionist — but who loves her Jewish diaspora culture. I have anti-zionist and non-zionist Jewish friends who went on Birthright because it's a free trip abroad. I know Jewish people who are staunch Israel supporters and I have Jewish friends going to pro-Palestine protests. Jews are not all one thing, and in fact it's ingrained in our culture that we have NEVER been one thing. There are Jews of all races, of all levels of religious belief, across the political and socioeconomic spectrum, scattered across the world.

If I were a semi-public figure (I say semi because Sarah has been clear that she is not the one posting on her public accounts and she doesn't have much interaction with fans outside of tours) people would probably have loud assumptions about me being a Zionist because I am publicly Jewish, I was a Jewish Studies minor in college, and I used to work at a synagogue. Guess what? I'm not a Zionist. I donate to UNWRA monthly, I do my clicks for Palestine, and I do my best to support with what I have. As a multi-disabled person that's all I can handle right now. If I were a semi-public figure I don't know if I would feel comfortable posting anything publicly either, because people are vicious and terrifying creatures. Sarah has a husband and child. She had gotten threats about fucking ship wars. This is so much more intense than ship wars.

Making these loud assumptions and calling for boycotting SJM, commenting on her social posts even though she isn't the one reading those comments — this is what antisemitism looks like. I know those of you who are angry at Sarah won't want to hear that, or will say that 'everything is antisemitic now' — which is a refrain that should raise red flags since it's the same argument other people use about transphobia, homophobia, racism, etc. You're the good guys, you support Palestine and you're anti-genocide and so on. But using stereotypes about an ethnic group to make assumptions and harass an individual of that ethnic group is not a good look even if you're convinced you're doing it for a good reason. Take that energy and put it toward spreading awareness, contacting politicians, attending protests, maybe even sharing messages from public figures who have posted publicly.

I understand that a lot of non-Jews (and a small number of Jews) are saying that it "has nothing to do" with Sarah being Jewish, it's just that she hasn't "used her platform." I implore you to consider why you are seeing and sharing such anger toward this one (fairly private) Jewish woman and not toward other prominent authors, especially those who are more active online, who have also not spoken out. Do some soul-searching and many of you may find that because Sarah is Jewish, you feel that she owes you a public stance more than other people. Because she is Jewish you feel confident enough to make an assumption about her views and post publicly about these assumptions. That is antisemitism at work. That is why this feels like a witch hunt to me, and why it is upsetting to watch.

As a reminder, I am pro-Palestine. I am not posting this to defend anyone. I am posting this to remind everyone that Jews are not all Zionists. Jews are not all one thing, ever. And deciding you get to hand down judgement on a Jewish person who has not shared their views publicly is antisemitism. It is deciding that you can assume negative things about Jewish people from afar. It is deciding that some antisemitism is actually okay — good, even, if you think it's warranted. I understand that people have other qualms with her writing, but those are not tied to her Jewishness, they're tied to her doing things like using the name Illyria and Illyrians for her ACOTAR series, etc, which is the kind of thing other fantasy authors have done over the years. Doesn't make it good or right but it certainly doesn't have anything to do with Palestine or Zionism.

If you disagree with me, please do not send hatred into my inbox. I am asking you to interact with this post thoughtfully. If your disagreement is going to be an explanation of how Jewish people owe the world every ounce of our energy, health, safety and lives, please step away and take a breath. I do not share your opinion. I have great admiration for those risking life and limb, risking jobs, risking arrest, to support Palestine. However, not everyone should be *required* to do all of those things, especially if you're disproportionately expecting those larger actions from Jews, thinking we "owe" it to the world.

Also, I want to be clear: This is not really about whether Sarah is a Zionist. It's about the fact that we don't know, and you cannot pretend to know. Most of the arguments I'm seeing are making a lot of assumptions, and that is the part that makes me uncomfortable.

If Sarah ends up being a Zionist, I still stand by this post, because it isn't about defending Sarah, it's about my hurt and disappointment in seeing people make assumptions rooted in antisemitism, assuming someone's views based on Jewishness and little else.