#complex plots

[baeshijima]

thoughts on being engaged to duke!sunday, the head of the oak family, an incredibly influential figurehead within society, the close subordinate of emperor gopher wood who brought him and his sister in and raised him like his own, and the villain who faces a tragic ending in a novel you recently finished — the very same one you just so happen to find yourself transmigrated into. he is as cunning as he is blinded, a trait which brought ruin to many in the empire, and one which ultimately brought ruin to himself at the hands of the protagonists.

as luck would have it, you became a barely mentioned side character from a marquis family, whose role was to be the villain's wife stuck in a one-sided love who, too, would get caught up in the tragedy alongside him. however, now that it's you who is stuck in this position, you're determined to try any means necessary to deter him from going down that path, all in an effort to escape your predestined doomed fate!

of course, you didn't expect it to be easy. the day of your arrival in this world was already the night before your wedding, so you had little time to prepare yourself for the nonchalance of your supposed family, how they viewed you as but a means — a tool — to boost their influence and prosperity, the dismissive mannerisms of the household servants, and the absolute beauty of a man you will be married to.

(seriously. the novel descriptions did not do him justice. he was like... like... like he was handcrafted by god himself! and not to mention his sister, robin, was the very epitome of an angel! perhaps you're destined to perish by the god-tier visuals instead...)

to say the least, the wedding ceremony went by quickly. safe to say you didn't spend the night; he was cordial and gentlemanly upon letting you know that he won't do anything until you're ready, that you can take this relationship slow, but somehow you ended up feeling a tad insulted. like, who leaves their newly wedded alone in a big cold bed as they walk out on their own? a sick bastard that's who!

well, whatever. it's not like you need nor want to consummate with him! besides, you have bigger things to worry about — things such as your impending death. and, of course, the only way to stop sunday that you can imagine working is by chipping away at his resolve bit by bit, and opening his eyes to reality.

he is a tragic character, one who cares more about the well-being of penacony and its people than anyone else, but was manipulated into getting his hands dirty in the emperor's stead. you knew this. you sobbed over his story, cursed out the protagonists, and even fought internet randos on novel forums about sunday's motivation and how,

no, he is not just a stupid villain. he is a complex character with flaws and humanity and was cruelly taken advantage of by someone he considered family. he was deceived through the suffering the emperor wanted him to see to make him easily manipulated, creating a rift between him and robin to have that prominent separation. you know what? maybe you're just a !%#@ who can't even #@?"% read properly!

and yet you still find yourself at a loss when faced with the walls he has in place. your initial efforts went as well as it possibly could have; you trying to earnestly help him, while he "kindly" dismisses your offers! well, "kindly" being more condescending since you could read between the lines of his mannerisms and amiable demeanour, but that's fine! you expected this! that just means you have to double down on your sincerity, get through to his heart (somehow), and help him realise humanity isn't as weak as he's led to believe!

you have three years until the novel's plot officially starts, and another year after that until your demise. that's plenty of time to get him to warm up to you!

it was easier said than done, but after your valiant effort and abundance of time put into this relationship, which admittedly you could do with some of that lost time back, you could give yourself a pat on the back with the progress you made! while you definitely could have done without a lot of the headaches, it's safe to say sunday has significantly warmed up to you in comparison to your wedding day. he now willingly eats all his meals with you with some real conversation, takes garden strolls with you in the early evenings, invites you out for dinner at a restaurant at least four times a week, hell he's even joked and laughed with you more frequently! but most importantly, he has begun asking for your opinion before finalising any decisions he is required to make. and he actually listens and considers your side! now, that certainly is the best outcome you could hope for after all this time, and it most definitely will help in your endeavour to save you both from the protagonists!

however, you've noticed he's been more... affectionate? well, at the very least he now willingly holds your hand when in private (not just in moments when you're in the public eye and he has to make sure the family's reputation is spotless), sometimes he will hug you out of the blue ("i just need to... recharge. you have a way of calming me down. i hope you don't mind." ...how could you say no to his supreme god-tier face card? that's just a losing battle you won't even bother fighting against.), oftentimes he opts to just gaze wordlessly at you (robin had mentioned over one of your tea times how it almost appears as though there is no one but you in the world when sunday gazes at you with, in her words, "the eyes of a man so deeply in love!" ...whatever that's supposed to mean...), but a more recent development has been his sudden interest in kissing you; well, more specifically giving you a kiss to the back of your hand or on your forehead — certainly not anywhere near the lips! (besides, he's probably just gotten comfortable with you, enough where he can freely act without judgement. nothing more, nothing less.)

well, either way, development is development! soon enough, the time for the main plot to start has arrived. it of course follows what you remember, from the organised balls to the protagonists meeting to the political aspects of it all. the only difference is sunday's less active involvement in all the schemes and the emperor's ploy. rather, he seems more focused on you and the future of your marriage and even displayed a sudden interest in your practically non-existent relationship with one of the foreign diplomats, aventurine— wait...

"[name]," he calls your name out so sweetly you nearly disregarded it as someone else he was talking to. well, perhaps you would have done had he not suddenly appeared before you, a tight-lipped smile tugging the corners of his lips as he steadily approaches you.

oh. he doesn't seem very happy, if his tense figure is anything to go by. you wonder if one of the nobles grated his nerves a little too much this time?

sunday comes to a halt a step away from you. "i don't like that... gambler being so close to you. it... it brings me a rather unpleasant feeling." there's a slight, trembling pause. not a moment later does he close the gap between you, one knee on the ground as he matches your seated height on the fountain rim, your hands gently enclosed in both of his.

you idly wonder if this is what robin meant by the so-called "eyes of a man so deeply in love" she constantly gushed about, for the way in which he gazes up at you is enough to render you breathless.

"tell me, [name]," he begins once more. there is an underlying desperation woven within his tone, one which has your head spinning and heart thumping wildly as his trembling gaze holds you in place. "tell me, what am i to do with this fervent love and overwhelming adoration i hold for you?"

oh.

...oh.

perhaps your impending doom should be the least of your concerns when you now find yourself in the arms of a clingy husband...

(though, it's safe to say you did, in fact, manage to prevent him from succumbing to his tragic fate! you just gained a loving, yet slight slightly emotionally challenged husband along the way.

well, you can help him work through it; you have the rest of your lives now to figure it out, after all.)

[biggest-gaudiest-patronuses]

i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice

[mythalism]

call me crazy but there is a difference between treating your adult players like they are new to the world and treating your adult players like they have the memory of a goldfish and the vocabulary of a 9 year old

[rednightmare18]

It's not even about the vindication of calling a ship, okay. It's that the supposedly anti woke studio wrote about 3 million words of medieval fiction centering the relationship of the two main characters who are in most ways (or in all ways if you follow the obvious canon momentum of the story) meant for each other, as counterparts who help each other survive the great travails of their lives and who challenge/complete the other to become fuller, braver, kinder people. It's so clear these two people are soulmates, platonically or romantically, something observed consistently by the world around them and by themselves.

Except their society (feudalism, Catholicism) dictates that they are intended to be completely incompatible by nature and divine law. Not just for the obvious fact they are both men, but they are separated by what is arguably an even steeper chasm of social class. Their existence even as friends utterly spites, interrupts, and threatens feudal order right down to its theological and philosophical roots. They should not see each other as human and yet.

It's the fact that they do. The fact that the entire story has been about this--that these two protagonists fit together, undeniably, and grow to love each other fiercely (a love that deepens superbly from their knee-jerk playful puppy-friend-love in kcd1 to something selfless and mature by the end of kcd2). And they do so despite the immense opposition by their world, their social circles, their faith, and indeed their fandom.

And yes, it really does fucking matter that all of this culminates into a deep onscreen romantic love (if you get out of the way and allow it to) between two fandom-beloved male main characters (not just side characters rammed in for an optional gay romance but THE main characters of the duology; the "you" as in the player character and your erstwhile dick-jokes bro you have perhaps grudgingly at first been invited as the audience to love) in a historical fiction story that has been wrongly touted by the worst of our contemporaries as the holy grail of cultural conservatism.

Holy shit. Warhorse -- y'all. I'm sorry I doubted you. So few game writers understand how love works and indeed how people work, let alone translate it so well onto the screen.

Calling this an "optional romance" is not technically incorrect, I suppose, because it's true you can opt out and choose to remain platonic friends. But this language feels like a disservice, as if Henry & Hans's romance is a typical RPG wham-bam fanservice makeout with a minor fan fave character who never interacts meaningfully with the player again. Or as if it's a Bioware-style "give this NPC the right gift and do their side quest and you get to see a jankly ugly-bumpin' montage" situation.

Kingdom Come: Deliverance is so very much not that. The "main, optional" romance scene in question is just one consummation event of two people who have been growing up and falling in love in front of us over the course of some 200-300 (or god knows how many) hours. The fact these protagonists openly love each other is very much not optional.

This is, sincerely, groundbreaking storytelling in this medium and this genre. How fucking cool that we all got to see it now.

[tsuutarr]

Yandere Otome Isekai Lawyer x Reader

Elliot Armstrong is the youngest child of the Armstrong Estate, which means that he’s often given scraps in favor of his older brothers. It also doesn’t help that Elliot has never been too fond of the physicality of combat despite being part of a family of military might.

Instead, the battle of wits is what enthralls Elliot. Chess, riddles, puzzles – all of it captivates him. Perhaps that is why it is no surprise that Elliot has found himself fascinated by the human psyche, too. Humans are interesting specimens – they’re simple but also quite complex.

Elliot’s interest in humans is what draws him to pursue law. The variety of cases that fall in his lap – some more intriguing than others – always make his daily life that much more interesting. He can observe a great variety of people, which excites him to no end. Besides that, due to his awareness of his own intellect, he likes winning against other humans, too.

After all, brain is better than brawn. He’s much better than his brothers, his parents, his ancestors. He is the most superior Armstrong – the superior human.

Others just cannot compare. They’re too easy to manipulate, too simple once you understand their inner workings.

Well, all humans except you, somehow. 

The Heir to the Arrington Estate – you hadn’t really caught his eye before, being the quiet but rather dry child of the infamous Duke Arrington. Yet somehow, one day, out of the blue, you began to stand out.

Elliot remembers the exact moment you had become a centerpiece of his thoughts, someone he spins and spins inside the crevices of his brain just so he can make sure he never forgets anything about you. 

It was a few moons ago, when his family had been tried for their involvement in embezzling the Royal Family’s fortune. With his silver tongue, Elliot had managed to come out unscathed, unlike his idiotic family who had all been put to jail – it was all karmic justice, really.

The family that had ostracized him now begged at his feet, imploring him to save them. Hilarious.

It was quite difficult holding back his laugh, but he managed just fine. Perhaps he managed too well, however, since so many nobles began to pity him. They pitied him – him!

He’s much greater than they are, to the point that he knows all their secrets and yet they had the gall to pity him. Disgusting worms, the lot of them. 

And yet you, the Heir to the Arrington Estate… you were the only one who showed him genuine compassion. It surprised him – most nobles are self serving (him included) and care very little for others. Yet you care. Perhaps a little too much, really. But it’s nice, he won’t deny that. Being acknowledged, praised, for his intellect. Being shown compassion for his “plight.” Being shown the kindness in those lovely eyes of yours. 

Oh, Elliot just adores it all. Your attention, your kindness, your praise – he desires it all.

So, of course Elliot offers to be your personal lawyer. You’re kind, but perhaps a little too kind for your own good when, really, you only need to show kindness to him. Besides, your… Father, is a piece of work. You’d be much better as the Head of the Arrington Estate, so of course Elliot needs to be there so that he can ensure your position and safeguard it from your greedy relatives.

Oh, yes, you need him. You definitely, most certainly do.

Just like he needs you.

[cryptidmickle]

hi your amnesiac au has me in SHAMBLES plsplspls im crying sobbing stabbing the floor

im so glad i discovered your blog 😭 your art is so lovely and nice and just. Yes. eats everythibg snd leaves no crumbs /silly

PLEASE i require more info about amnesiac au.

could this happen to the other Beasts? if it can happen to Shadow Milk, it might be possible with the others, should their Ancient counterparts get lucky with their attacks

does Shadow Milk gradually become less of an ass? does he seek answers as to Why he was so awful? does he care at all?

how horrified is he at the revelation that he was such a huge issue for the faeries + PV, if at all? he already doesn't know much about himself, so would not knowing he was such a problem, such an awful person, terrify him, considering he doesn't remember any of this?

idk. i personally would be so so incredibly horrified and terrified that i was so terrible and..well, monstrous, if i may. i kinda project onto Shadow Milk im ngl so that's probably why im saying any of this

IM SORRY THIS IS SO LONG im just so,,, AAAUAGTHYBHLRHTLBFLTTKG /POS abt this entire au. hoenstly it inspires me; both your art and your ideas and concepts

hope you have a good day!! stay safe /gen

SOBS IM SO GLAD YOU LIKE THIS AU!!! i read all the tags on my posts btw so if any of u went crazy in there i saw it and went crazy w u. im deranged and mentally ill if u cant tell.

i would say the cracking of the souljam and loss of power is very possible for the other beasts! the amnesia however is a Very special case of pure vanilla fucking up the spell he cast

the other beasts would be depowered and much weaker, but retain their memories...... actually, would their corruption break as well since the souljam disconnected entirely from them? hm, i think redemption would be more possible if an ancient got a lucky shot, in that case

shadow milk does in fact become less of a jerk! what with no longer being secluded in a spire losing his mind and sense of identity all by himself, his personality is forced to become. eh. LESS THORNY.

pure vanilla is socializing him like a dog and he is NOT enjoying it. but i am. put that guy in situations.

shadow milk does in fact seek answers to why he did so many terrible things! he knows his... current personality isn't the greatest, but he can't imagine doing some of the things described

he feels a certain disconnect to the him others describe terrorizing them to the him of present, while he feels bad for what happened to them he doesn't really feel apologetic because was it really him? how's he supposed to know?

should he feel sorry because it technically was him, just.. evil? would that excuse it if he doesn't feel sorry at all?

this is where shadow milk and white lily have similar dilemmas because they both have previously done terrible things to others, especially pure vanilla. they feel bad about it, they dont wanna hurt him or others like that ever again

but then this is where they separate because shadow milk doesn't feel at fault, he doesn't remember doing all those things, he doesn't even know who that was! you want me to grovel forever about it? pathetic, what's done is done anyways, why not try to do something now?

white lily absolutely despises that mindset as she's competing with pv over who can hate themselves more, and she is winning. she thinks they both deserve to repent forever for their crimes but is constantly reminded of the fact that she remembers but shadow milk doesn't! she knows what she did, why she did it, it was bad and terrible, but she understands and that's what's important and she must repent for it

shadow milk doesn't know, he doesn't know anything at all and theres even more that they can't tell him as he's apparently been evil for centuries. it's hard to argue that he needs to feel bad when the personalities are truly separated.

......i went on a ramble again.

he doesn't feel bad about what he did but he is in fact, very unnerved that he may be capable of those actions again, and with pure vanilla trying to teach him to be good and kind its...... panic inducing sometimes, that maybe he can do something terrible again, that the evil is possibly just lurking under the surface and hes fooling himself and everyone around him

[shieldmaiden-tabris]

Alright at this point no Star Wars writer other than Timothy Zahn should be allowed to touch Thrawn in current canon. Don't look at him, don't think about him, none of that. Don't even breathe in the blue man's direction. If you don't understand the fundamentals of his character, namely the primary force that drives and motivates him to do things, then do not have him do things!!! Create your own character to be the big bad!! Leave him alone.

[secretmellowblog]

Everyone talks about the tragedy of animated media getting reboots that replace their excellent art direction with uncanny realism —like the Lion King and its “live action” reboot—- but there’s one series that embodies that tragedy better than anything else. And I need to share it with you all because I can’t be the only one Haunted by it day and night. Please let me tell you the Sad, sad story behind this image:

There was an early 2000s video game trilogy called Sly Cooper, whose main appeal was its super unique art direction, style, and atmosphere. The trilogy had a unique tone focused on a cartoon Phantom Thief who did Moody Atmospheric Heists in a comic-book-inspired world.

The trilogy integrated 2D animation into the game for cutscenes, and the characters-- while low-poly-- were designed to look as much like those flat 2D cartoons with cel-shaded outlines as they could within the limitations of the Ps2.

It took heavy influence from comic books and anime, especially Lupin III. The first game even had alternate anime versions of its 2D cutscenes that you could unlock!

Nearly all the levels took place at night, but the designers talked often about how their goal was to create the illusion of night time through vivid color palettes rather than darkness, taking inspiration from the vivid nighttime cityscapes in Baz Luhrman's Moulin Rouge.

As a result of their stylized art direction, the visuals-- primarily in the second one, which is the one that focuses the most tightly on Thieving & Moody Atmospheric Heists-- still hold up today.

And then Sly Cooper started appearing in “brand crossover games” and “reboots” and Oh god. Oh no. so that's why no one talks about it anymore.

I am haunted by this. People talk about their favorite cartoon character getting hit with the Uncanny Hyper-Detailed Beam and I instantly think of the sad fate of poor, poor sly cooper, who I am very nostalgic for, and his now-dead franchise that hasn't had a new installment in over a decade.

But to me this really emphasizes how strong art direction is far more important than polygon count, realism, or level of detail. Because there have been similar franchises rebooted in ways that manage to elevate the old 2D-inspired art styles with more modern graphics. Toys for Bob's new takes on Spyro and Crash Bandicoot both had stellar art direction!

But that kind of thoughtful art direction can be difficult to achieve. It's not even the fault of the artists or developers; these things are often beyond their control. But I am glad we're in an era where stylized 3D animation is becoming more popular. I hope more creators continue to realize that there is actually a big demand for media with interesting, unique art styles! also you should play sly 2: band of thieves

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[p1ctur3]

@octdl-lee

Random captive TDL au lore dump and some behind the scenes stuff since you asked so nicely :]

Dark in captivity

victim did use dark as a way to train and get the mercs and him used to the box

victim and agent (i would probably explore their dynamic in this au also, mitsi would haunt this narrative because yes)

some behind the scenes things

additional art

[tightjeansjavi]

I love being a writer, I really do, but when the plot I’m writing gets complex, my brain hurts and I want to crash tf out

[deadlysoupy]

would anyone be interested in tfe starbee whump? this might be cringe but i just have the desire to hurt one of them. preferably bee bc he has a punchable face (/j you know what i mean). full disclosure if you do want that it's probably not gonna have plot (UNLESS YOU GUYS HAVE IDEAS??? IM OPEN) aside from wound tending, banter, soft vibes and also pain (bc i wouldn't be myself if i didn't break and mend at the same time)

upd did it tehee

[babynorppa]

Jere’s obsession with a waiter/bartender foreplay should be studied more

[tofusfortbhk]

An Exorcise in Devotion — Part 6

Part 6 — The End

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Extras

[sunlight-shunlight]

me staring into the distance:

so the evanuris/blight situation is that: solas managed to, at the height of his power + with all his ancient elf besties helping, seal them into the black city and make the veil. and this took so much out of him that he was basically comatose for 5000 years. ok fine.

but then in vg, his initial plan was to put them in a different jail, while the veil is still up (despite that weakening all magic significantly and making it difficult to even access the black city). and then he wants to tear down the veil afterwards, presumably expecting to still be awake to do so. despite not having his original orb or his ancient elf besties anymore? so it doesn't particularly make sense in general. similar to how he described what he wanted to do with the orb, you'd expect him to take out the veil first and then reseal/move the jail?

(and then he wanted to put them into a Regret Prison when he is the ONLY one out of that entire situation who feels any regrets... 😭)

then his more ambiguous-sounding veil removal motives of being depressed about elves/spirits and unable to see the modern world as worthy of existence... become almost irrelevant. bc it's kind of necessary for him to Do Something? or else everyone fully dies of turbo blight when the archdemons die and the black city inevitably opens?

but then no one really mentions the looming catastrophe of the blight part, and they handwave it at the end, and all act like he's being very unreasonable. which he is! but only bc they made him dumber than a rock and weirdly inconsistent in his capabilities, not bc his motivations were actually proven to be wrong. aaaaa.