#d for devasena | Explore Tumblr Posts and Blogs

voidsteffy · 2 years

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Hey, could you rank every SSR movie from Absolutely Goated to Still good but worth watch again, and please provide reasons as to why you've ranked them as they are please? Pretty please 🥺👉👈

Ooo, what a task (I'm going to get beat up I'm afraid!)

but here goes, putting my life at risk: SS Rajamouli's movies (not in chronological order) with my ranking

Absolutely GOAT

Eega - Before he was Shyam Singha Roy in the body of Vasu, Nani was Nani in the body of a housefly and I find cinematic poetry in that. + The graphics, the music, the exaggerated comedy... Sudeep knows exactly what he's doing with his lines

Magadheera - (he really has it out for reincarnation stories doesn't he?) Charan's first real role (I hate Chirutha) The grandeur of the sets, the background here and there... Also the mass CGI with the gladiator audience was the new hot toy that SSR introduced. Anaganaganaga crawled so Ettara Jenda could run. (You know i'm right)

RRR - Just for Bheem's intro, it deserves an oscar. I'm one of the people who think Naatu Naatu was good, but not THAT good as they made it out to be. Also, RRR gave me the first himbo couple I could ship openly. My grandma agrees because the only dispute she had with RRR is that Ram had to pee and poop in that cell. No disagreement against RamBheem being the Tollywood IT couple

Chatrapathi - it gave teluguvallu fantastic inside jokes like: a. Tala tintada mondema? (will the shark eat his head or body first?) b. Suridu? YADUNDAVAYYA? SURIDUUU (Suridu, kaha ho? Suridooo) c. OKA ADDUGUUUU☝🏽👣 (one step, I want one step) d. Violin champakura babu (chatrapathi and simhadri kill our brain cells with the violin music in the climax emo moments, i always want to pull my hair out) - but also, Chatrapathi had a good bgs, worked fantastically for hero-uplifting moments like the interval and okka adugu scene

Bahubali: The Beginning - Only and only for the interval scene and the architecture of Mahishmati. TOP TIER. The loopholes and characterization of Avantika could have been way better. Pacha Bottesina was totally unnecessary

Good, Can Watch Again

6. Vikramarkudu - Chintata chita chita chintata TA! (teluguvallu can translate this into literally anything) 7. Yamadonga - just for the RAMBA, OORVASI, MENAKA moment I take away 5 points from the 10 points it earned. Tarak and Priyamani was a pairing I didn't know I needed 8. Maryada Ramanna - Sunil anna I love you anna but this wasn't your movie. This is the cycle's story, and that one song in the train. the screenplay is a cart wheel without the cart. It's funny in some places but Brahmaji dies FOR NO REASON. JUSTICE FOR BRAHMAJI 9. Simhadri - I didn't really feel for the characters. BUT. BUT BUT. I have to say this because it's been stewing in me for so long: Simhadri's interval scene ran so Bahubali 1's ending twist could fly. I said what I said y'all know it's the same vibe we all catching.

Eh, One Time Watch

10. Sye - it doesn't seem like an SSR movie, but it's not that good. Young Adult revenges were in trend when this was made and it fit well with its counterparts. Sometimes I even forget that Genelia and Nithiin did indeed work with Rajamouli 11. Student No. 1 - not that special, honestly early-career Tarak's movies just blend in my head: SN1, Aadhi, Samba... but hey at least SN1 started a long lasting kinship 12. Bahubali: The Conclusion - THAT IS NOT SIVAGAMI! HOW DARE YOU! this is beyond ooc, it's not a character at all. At one point I thought they'd bring out a tantrik doing black magic to change Sivagami... And Devasena is not the best written character in SSR's filmography. This movie makes me want to scratch my eyeballs out. If only my mom had the audacity and hardheadedness to talk to grandma like this. Also... Avantika's leader, who is killed by Bhalla in the seige, IS DEVASENA'S BROTHER. and she just LOOKS as he's getting the life choked out of him? oo don't make me start about this movie I can rant for a loooong time

and so.... *flaps hands* that was it ig? thanks for the ask babu!

#ss rajamouli #rrr #magadheera #bahubali #ravi teja #eega #manu answers #asks

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ambidextrousarcher · 5 years

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For @avani008.

Filling the request for the Baahubali Alphabet Challenge- D for Devasena, romantic relationship: Amarendra/Devasena- Words left unsaid.

Accompanying fic to the edit-

In the 25 years of hell that Bhalla had visited on Devasena, everyone said that she remained strong, unshaken. Devasena alone knew how much she had shaken, still shook. Yes, she had never lost hope that Mahendra would come back, that she would get her justice. But she had to work hard to keep a hold on her sanity.

Baahu had helped her then. Even though he wasn't physically present, she tried to keep him alive her spirit, her heart. However hard she tried, her memories of her Baahu, her Veera were turning slippery, elusive, losing themselves day by day.

Until then. Kattappa Maama's voice weaved their story in words and the memories came rushing back to Devasena. Baahu's inept acting, his steadfast courage at the first sign of adversity. Him holding her hands for the first time. Going together to Mahishmati. The Queen Mother's anger. Baahu staying by her side inspite of his mother's ire.

Maama kept speaking, and, unbidden, the montage of their marriage came to the forefront of Devasena's mind. Baahu staring into her eyes, the love he held for her clearly reflected on his face. Had they ever said "I love you" to each other? Devasena did not remember. But she did remember entwining her fingers in his, thinking 'I am his and he is mine'.

The memories kept coming. Baahu's silent grief at his family's continued rebuffs, grief that he always smothered with a smile, but was apparent to her nonetheless. The Queen Mother's simmering anger. The incident at the temple. Baahu alone believing in her innocence. Her own harsh and thoughtless words. The exile.

Baahu was not a man of many words, but they hardly needed any to understand each other. She could read the forlorn, lost expression on his face when he stared at the edifice of the palace, where his mother was. She had offered her silent sympathy and comfort, and, for him, that was enough.

She remembered the joy on his when he'd finally felt Mahendra moving, the exultant music he had played. The evenings spent in the sun's shadows. The last, silent goodbye kiss on her forehead. She remembered her Veera, her husband. Amarendra Baahubali.

Without her realizing, Devasena's eyes had closed. She opened them, and, for a moment, she saw her husband. The light shifted then, and Baahu's ghost became Mahendra once more.

Devasena smiled nonetheless. She had her husband where he belonged. In her heart, in her soul. She had her memories back, their words, both said and unsaid. She could begin healing now.

Also available on the link: https://archiveofourown.org/works/18785452/chapters/44730481

#baahubali alphabet fic challenge #d for devasena #amarendra x devasena #amarsena #scribbler scribbles #my fics #linked #my edits #gifts for friends

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avani008 · 6 years

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KTB it up! ⊙ - Devasena, ✐ - Avantika, ❧ - Kumaravarma; you can interchange/switch the prompts if you're inspired differently!

Devasena, fending for herself

Jayasena is with her more often than not, but even the King of isolated Kuntala must travel; and when he does, he always leaves Devasena behind as regent.

At first, it is a terrifying thought that the entire population’s lives rest in her hands; but then, as the moments drag on, and the palace does not spontaneously catch fire nor the river run dry simply because she is in charge, Devasena relaxes. It is not so very different than an ordinary day, after all: and she tells herself that, again and again, until her brother is home again at last.

Avantika, school

It is Queen Sumitra who decrees that the children of the camp must learn their letters and numbers. The Chief sees no need for it; they can just as easily learn to leave behind signs and symbols to communicate with each other, but Sumitra persists. They are raising Kuntala’s future, after all, not savages, and as always, her husband relents.

Avantika sees the Queen’s lessons as only one more challenge to overcome. She must always be faster to learn, quicker to write, first to shout the answer; and when Queen Sumitra gently chides that the others will not progress if she does so, Avantika can’t see what that has to do with anything. She does not have the time to wait for the others to catch up–doing so will only get them all killed, or so the Chief always says. All that matters is she do the best she can, and let the others fend for themselves.

The Queen looks horrified to hear of this; they will speak of it later, she says, when she returns from the raid she means to lead into Mahishmati.

Except she doesn’t. Avantika learns that Queen Sumitra had gone back to help, when she ought not to have, and look where it had gotten her. She sniffles, but does not cry, and from that day on, there are no more lessons.

Kumar Varma, comfort food

“Only meats and pulses build muscle,” warns his sister, but Kumar Varma refuses to mind her; is he to give up warm idlis, too, in this fool’s quest to prove himself worthy?

As his growth and surprising strength eventually proves: why, no, he is not.

#baahubali #hc meme #devasena #avantika #kumar varma #KTB forever :D

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thebaahubalibakeoffchallenge · 3 years

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COOKIE BOX - THE BIG REVEAL

From your mods, @bleedinknight & @ruminationsofaraven:

When the bake off was nothing but a dot in the womb of our minds, we wanted to create a safe space for the participants to showcase their creativity without an ounce of judgement or favouritism. The pandemic had taken a toll on all of us and we couldn't think of a better way to celebrate life as we live it, right here on Tumblr with you crazy folks!

The Baahubali fandom had brought us together and we wanted to share that bond with the rest of you and make you warm and fuzzy with these sweet treats. And might we just add that this is only the beginning. We have more in store for you in the near future.

We would like to thank all the participants for putting together the most scrumptious, dark, fuzzy, funky, flaky and gooey box of cookies!

Although some entries did cross the word limit, we honestly do not give a flying flippity flop about it as it's a done deal!

We couldn't have pulled this off without your participation and zeal for this life-changing fandom. We thank y'all once again for partaking in the brisk Baahubali bake off challenge - 2021.

Stay tuned for more baked goodies!

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Entries:

Baker #1 - @carminavulcana

Entry 1: Bhadra/Devasena/Bhallaladeva (Poetry)

DARK AU

Entry 2: Jayasena/Vikramadeva/Sivagami Devi (Fic)

CRACK!

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Baker #2 - @mayavanavihariniharini-deactiva (withdrew due to personal reasons)

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Baker #3 - @avani008

Amarendra Baahubali/Kattappa/Bhallaladeva (Fic)

CRACK!

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Baker #4 - @rippys-chai

Kattappa/Aslam Khan (Fic)

OTHER AU - VIKRAM VEDHA (TAMIL)

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Baker #5 - @amarsenadiehardfan Amarendra Baahubali/Devasena (Fic)

CRACK!

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Baker #6 - @chameli

Devasena/Sivagami/Jayasena (Gifset)

OTHER AU

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Baker #7 - @acemoppet

Bhabuna (Amarendra Baahubali/Devasena Fic)

DARK AU

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Baker #8 - @bellairestrella -

Bhallaladeva/Avanthika (Fic)

OTHER AU: LUCIFER AU/MYTHOLOGY

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Baker #9 - @sea-salted-wolverine

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Note: We will update this post as the entries come through from different time zones. Thank you for your patience. 💕

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heyifinallyhaveablog · 4 years

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Amarendra/Devasena- Finish your damn food!

Okay so, @ruminationsofaraven and I were having a chat about how we were reporting on a certain kind of special duty. (Classfied information, sorry!), and Yours Sincerely got around to fidgeting in her ask box lying in abeyance. And I found this ask from @carminavulcana lying around for a prompt that I had writtten, ages ago.

Warning: Not edited/proofread/self-reviewed. :D

Ankur, here you go, Bae! Sorry this took so long! <3

---

Dinnertable conversations:

Relationship: AmarSena

Characters: Amarendra Baahubali, Bhallaladeva, Devasena, and Little Mahendra.

Setting: Modern AU

----

Devasena stopped dead in her tracks by the refrigerator, as Amar blankly cast nervous glances at her and their five-year-old.

“Where. Did. You. Hear. That. From?!” came the question Amar dreaded.

Mahendra was perhaps the only one to retain his normalcy in this silent chaos. After all, for him, asking the meaning of a particular word during dinnertime was casual dining table banter.

After all, Bhalla Papa used the word at least five times in a sentence, right?

“Mahendra,”- Amar intervened, making a brave attempt at some kind of damage control -which, by the way, had actually gone beyond human control.

-“Why don’t you finish your dinner and go to bed, Darling?” he volunteered, sounding utterly, unduly cheesy even to himself.

-“But-” the child interjected, - “The ice-cr-”

-“FINISH YOUR DAMN FOOD AND GO TO BED! NOW!” Devasena screamed, making the dining hall tremble in fear.

“Okay.” both Father and Son complied as they promptly left their seats, one in obedience, another as a means to escape the (in?)famous spousal wrath.

“Not you, husband,” she deadpanned.

“I’m talking to the child.”

---

Devasena was still seething in anger, and a hint of something that said,-

-“I TOLD YOU!” she hissed at her husband, “I TOLD YOU TO NOT LET-”

“His tongue might have slipped.” Amar gulped.

“SLIPPED?!” she thundered, “HE was with a five-year-old!”

“Look Deva,”- Amar dared to speak again, - “Bhalla is a very casual person. Moreover, he didn’t mean to-”

-“Teach his nephew what ‘Fuck’ meant?” Devasena acrimoniously completed for him.

Precisely, Amar thought, but knew better.

“When does he return?” the angered mother inquired.

“He is probably heading home as we speak.” Amar looked at the watch as its hands stopped at ten-thirty at night, which conventionally was bedtime for Mahendra, television time for his parents, and literally the beginning of the evening for the convict who was unknowingly awaiting a trial.

---

“And?!” Bhalla eyed his sister-in-law with a nonchalant incredulity.

Amar, for his part, just remained the mute spectator that he had intended to be.

Let the monsters kill each other, his mind involuntarily spun the line out of nowhere in Game of Thrones.

“You used the f-word in front of your nephew!” Devasena relentlessly rallied on.

“Chill!” Bhalla calmly interjected, “It is just part of his training.”

The proud smile of his face, was reflected in Devasena’s ignited eyes, which had hellfire burning ablaze in them.

“TRAINING?!” Devasena mouthed, splattering a gob of spittle. Amar, for his own safety hid his laughter.

But Bhalla didn’t.

“Seriously, Deva,’- he managed to speak amid peals of laughter, - “Do you really think the little devil shall stay pure in his teens?!”

Nostrils flaring, eyes blazing, and hair flying, Amar swore his wife was a Goddess of Destruction, and yet, she was still fumbling to come up with a proper retort.

“Smart child there,” Bhalla continued, “Very smart, and witty. Unlike his dumbass dad, of course.”

Amar was simply jolted out of his trance with a start.

“Dumbass?!” he croaked.

“Yeah, like,”- Bhalla shrugged like it was the most obviously known fact in the entire universe, - “for all your straight A-s and everything,” he continued, “you were the dumbass.”

“The quintessential good-boy trope, man,” Bhalla kept speaking, “You were just too good to be my brother.”

Amar didn’t say much. Well, there wasn’t really much to say here. Bhalla was the Badass Brother, he was the Dumbass Brother, as Bhalla put it in no unclear words.

“But that boy of ours, man!” he spoke proudly, “I’m so proud of our little Mahendra!”

Sweet Mother of God!, even Amar swelled in pride. Bhalla complimenting their child was a plus. The man had scant respect for worldly beings, relatives even less, but he doted on his nephew and spoilt him silly with regular weekend outings and rides. The two even had plans for adventure trips when Mahendra grew up, and frankly, Amar couldn’t help but marvel at the manner in which his child had his otherwise snarky Uncle wrapped around his little finger.

But then, Bhalla, was well- Bhalla, for crying out loud. There were few things known to mankind that were controllable when he was in his element, which was, pretty much, always.

“Moreover,” Bhalla was still speaking audaciously, “I’m quite certain that he’ll learn the ways of the wayward world sans my tutelage.”

“You,”- Devasena opened her mouth

-“Must exercise some restraint when it comes to language. Only when you are with him.” Amar spoke.

Bhalla listened. Apparently, calm was far better than anger.

“He is five, Bhalla,”- Amar spoke,

-“And smart enough to pick up a cuss word?” Bhalla smiled slyly.

Amar rolled his eyes. Plainly, winning a match against this guy was a tough task. But then, he was handed the responsibility of handling this hellhole of infantile adults, angry wives, and over inquisitive children.

“Look, man,” he spoke again, quietening his wife with a gesture, “He’ll learn when he does. You don’t need to give him an induction session on cuss words, this early in life.”

It was Bhalla’s turn to roll his eyes.

“Okay, Brother,” he spoke sarcastically, “I would censor my telephone conversations with my incompetent, teammates, so as not to defile my little ball of sunshine.”

“Thank You!” Amar heaved a sigh of relief.

“But then,” Bhalla began once again, as Devasena looked up, “Don’t accuse me of anything when you find ‘Playboy’ magazines stashed underneath his clothes, ten years later.”

Bhalla winked before he made his way to the stairs up to his room.

“He is a bad influence, you know.” Devasena mumbled to her husband.

“Needs training, nevertheless,” Amar smiled, “But he isn’t really half-bad.”

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raat-jaaga-paakhi · 5 years

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If You Like Baahubali, You Will Also Like These Indian Literary Works.

1. Valmiki Ramayana

This goes without saying, of course. Many before me have said it already (looking at Shubhra Di and others), and I am not adding anything new. What I can say, however, is that Baahubali is something of a fix-it universe for Ramayana, not in the sense of the plot (where Amarendra dies – damn it), but in the sense of the characterisation, not only of Amarendra/Rama, but many other characters. That being said, considering Baahubali as a fix-it for Ramayana may have a few unsettling (and ignorant) connotations too. Ones not as familiar with both the works as most people in the Baahubali fandom are, might see Baahu’s act of standing with his wife as leading to his downfall. This is not me blindly conjecturing; an acquaintance (not part of the ‘organised’ fandom) made this speculation, and I couldn’t talk them out of it even after a 20-minute (mostly one-sided, namely mine) debate.

To sum it up, it would be interesting for fans not yet familiar with Ramayana (which is quite unlikely) to go through it, if only for the sake of eyes-go-round moments where you notice the parallels and can’t help but compare between Rama and Amarendra (the fix-it characterisation that jumps out the most).

2. Adbhuta Ramayana

I know, I know – but with the many versions floating around, I find it imperative to give credit and proper mention to each. Nothing is canon in my head, so this becomes even more important. Don’t read the entirety of it – just try to catch lines of where Sita laughs seeing Rama helpless on the battlefield and fights Sahastra Ravana himself and imagine Devasena in Sita’s place, Bhallaladeva in Ravana’s and...wait for it, Mahendra in Rama’s place.

Seriously, whenever Mahendra was being beaten up by Bhalla, half of me was cheering for a crack AU where nice! Bhalla gives his errant, long-lost nephew a proper lesson on how to court women---‘Seriously, boy, you have my damned genes, work that charm to some use!’---in the absence of his soft-hearted father, while the other half of me wished Devasena would just snatch up a bow and an arrow from somewhere, pin Bhallaladeva to the pyre in Arjuna-style, and light him up... blast the damned Agni-prasthana.) *pants*

Thanks for coming to my TED talk. :D

3. Vyasa’s Mahabharata

Do I have to say this? But oh, well, I said Indian literary works, so what is better than Mahabharata? As @mayavanavihariniharini aptly pointed out, we Bengalis grow up with the ‘Ja nei Bharate, ta nei Bharate’ proverb, translating to ‘That which isn’t in Bharata (Mahabharata), isn’t in Bharata (India)’. Any work – film, book, music, whatsoever – with India-centric themes will always, always, find Mahabharata to be its mother. And while (in my head) Baahubali is something of a Ramayana fix-it, it owes its spice, flavour, aroma and character (somewhat) archetypes to Mahabharata. I cannot say more; everything will pale in comparison to reading the actual text – to those who haven’t yet (again unlikely). (Also, there is the teeny-tiny fact that this has been said before.)

4. Silapaddikaram

Repeating Shubhra Di’s rec, because this needs to be repeated. Want more of all that southern charisma and magnificence? Go for it! Ethics and doctrine are central to this story, as they are to Ramayana, Mahabharata and Baahubali itself, and you’ll find yourself in deep contemplation at times. Very thought-evoking on concepts such as relationships and governments like the monarchy.

I would suggest Manimekalai for the lovers of sequels, but Silapaddikaram is more suited to my tastes and perception and is more relevant in the present context. Kannagi resonates strongly with Devasena, and oh, this is to fantastic, grievous courtroom scenes.

5. Rajatarangini

I don’t know why exactly this came to my head. But there’s a lot of lineage game going on, and monarchy things, so...

It can be monotonous, but Kalhana (the alleged writer) stresses on the exploits of a certain king Lalitaditya, who, I think, resonates a lot with the princely side of Amarendra Baahubali. There is that charismatic privilege, the gait of a king who is meant to be, the surrounding miracles... Hm. *shrugs* You may like it if you are into the fantastical side of Baahubali.

6. Devi Mahatmyam

This list cannot be complete without the mention of this. While Devi Mahatmyam is more popular in Eastern India, especially Bengal, it is a major part of the all-India Shakti culture, and one of the first expressions of organised worship of the Female Supreme. Given Baahubali’s feminist undertones, and how most of us love it solely for Devasena and Sivagami, both of whom resonate as warrior goddesses, you will enjoy a read-through. I would suggest taking the over-reverent prayers (the least interesting parts, according to yours truly) with a pinch of salt – I personally imagine laughing at the eulogies with the Goddess to wave off the humdrum of it. Just imagine Devasena and her entirely unimpressed looks at the disguised Kattappa. *chokes*

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Tagging @teambaahubali and @teammahishmati for Fandom Entry - Milana - Summertime Challenge.

#medha recs #baahubali #ramayana #mahabharata #silapaddikaram #devi mahatmyam #rajatarangini

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carminavulcana · 5 years

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5 lies told about Baahu, and 1 he told himself? (So glad to have you back! :D)

The 5 Lies

1. He was barely 14 or 15 when he heard it the first time. It was at his gurukulam. The boys in his class often gossiped about his supposed devotion to his mother. The general consensus was that he was only loyal to the throne of Mahishmati; because even though Sivagami had accepted him as her own son, in reality, he had been raised by Katappa. And he had to be bitter about it deep down. All his so-called love and regard for Sivagami Devi was just an act that he would keep up till it was time for him to ascend the throne.

2. If there was a warrior as great as Arjuna in Mahishmati, it was Amarendra Baahubali. He was graceful and deadly on the battlefield; an angel of death. And like most people born into the warring classes of society, he relished the power he held when he decapitated enemies in war. He never showed it because it would be unbecoming of a prince to openly enjoy bloodshed. But one had to be more than a little bloodthirsty in order to kill with such fluid ease. Isn’t it?

3. Bhalla could never forget what Sethupathy told him that night. Baahubali had actually slept with the manoharis from Singhapuram. And if the rumours were to be believed, he had the three women service him all at the same time. He wished he had some proof. Without proof, he could not use this to ruin his precious brother’s reputation. But boy, even if he had no proof, he secretly enjoyed the thought of how Amarendra was no better than any other man. In some sense, he was categorically worse.

4. Baahubali definitely regretted marrying Devasena and were it not for his oath (and the need to keep up appearances), he would have relinquished her to Bhalla in an instant. The prime minister was greatly troubled when Sivagami Devi disowned Baahubali. Sometimes at night, he was unable to sleep because of it. And always, he wondered if the outcome of Devasena’s confrontation with the Queen Mother would have been different if it had taken place in a more private setting. Baahubali would not have felt so compelled to stand by her then. After all, he hadn’t really been in love. Had he? How could that be possible when he had only known her a few days before bringing her to Mahishmati?

5. Baahubali’s last words were not “Look after mother.” This was a lie concocted by Katappa. In reality, his last words were filled with anger and bitterness. “I will never forgive you,” he had said. And in a bid to protect his sanity, Kattapa’s mind had blocked these words from his memory. Otherwise, they would have led him to suicide.

The One Untruth He told about himself

“I have no anger against mother or anyone,” he told Devasena one night. They had just finished dinner and were lying in each other’s arms. Like the previous night, she was feeling anxious and guilty. Even though her husband smiled and laughed like before, she could tell how stressed he was. And there was grief too. And anger. He assured her that was not the case. Devasena was a smart woman. But she believed her husband completely. And if he said he was at peace with the situation, then he was. And with that thought, she drifted off to sleep.

But he lay awake, trying to come to grips with the fact that for the first time in his life, he had lied to someone he loved.

He was angry. Instinct told him that as a son, he had every right to be angry with his mother. But a snide, little voice in his head chastised him for thinking of himself as her son.

“You were never really her son, were you?” it taunted him. “One perceived infraction and she acts like you mean nothing to her. Would you do that your child? Would Devasena do that to the little one growing in her belly?”

A lone tear made its way down his left cheek. After all this time, he was nothing but an orphan. And in that moment, he loathed the 25 years of kindness Sivagami Devi had showed him. Maybe, he would have fared better if she had left him on the street to fend for himself. It would have saved her relationship with Uncle Bijjaladeva. And it would have spared him the agony of being ripped apart from the lie that had been his life all these years.

#asks #baahubali fics #amarendra baahubali #5 + 1 fic

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movieshubstuff · 5 years

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Survey of Movie "Baahubali - The Conclusion"

I got a call from my more youthful sister that the tickets had been reserved and the family would watch the motion picture "Baahubali-The Conclusion" in Telugu language on April 29th, 2017 at Eros Theater in New Delhi. Not surprisingly, I was energized and guaranteed her that I will arrive at the performance center legitimately after my working hours or I would take the consent to go along with them at the theater. Notwithstanding, it was concluded that I should arrive at home and go with them. Every single one of us was energized. In any case, my sister, who was at the driver's seat, was pleased to report that she has seen the motion picture in the Hindi language on April 28th, 2017. She was hyper about it as if it was an extraordinary accomplishment for her. In addition, she needed to look at the film in the two dialects. She guaranteed me that she won't impart the story to me.

The venue was jam pressed and everybody needed to watch the motion picture without losing a solitary scene. Every single one of the individual landed in time and took the ownership of their sets. I wish we were so dependable in our classes as well! Youngsters requested their folks for the enormous pack of popcorn and soda pops. How might I miss them? I needed to complete two things together-watch and chomp! Much obliged the film started on schedule.

As indicated by the Central Board of Film Certification, the name of the motion picture was "Baahubali-The Conclusion". It was in Telugu language. It was hued one and was cinemascope. The date of discharge was April 24th, 2017 and under the Universal class (that is intended for the two grown-ups and kids). Nonetheless, it was plainly referenced that the motion picture must be viewed under parental direction. The name of the candidate to sign was Shri Y.N. Sobhandari for M/s Arka Media Works Entertainment LLP, Hyderabad and other underwriter was Shri Pahlaj Nihalani, Chairperson, CBFC, Mumbai. The term of the film was for 167 minutes and 30 seconds. My review here https://123movieshub.eu

Stunning! I enjoyed the titles of the film for following reasons:

a. PC designs and fakers were utilized for different sorts of creatures appeared in the motion picture like pony, elephant, parrot, pig, bulls, flying creatures, ducks, buffalo, hog, hawk, swan, and so forth.

b. The group expressed gratitude toward organizations, advanced film, travel accomplices, money trade office in Hyderabad, human services accomplice, online life channels, settlement partner,chocolate and confectionary accomplice, sustenance, versatile, correspondence, Reliance Fresh to get different products, multiplex and Jewelry accomplice, area and experience accomplice, stationary, informing accomplice "howdy", office partner,beauty accomplice to "Lux", wellness accomplice, Make a Wish Campaign, merchandizing and authorizing through ICICI Bank, Simba, and so forth , protection suppliers, their brokers were IDBI and Kotak Bank, Hyderabad, their financers, media and radio accomplices, and so on. They remembered the commitment and support of single individual moreover. That is something to be acknowledged for the accomplishment of the film.

c. Extremely elaborative and particular foundation was appeared in the titles. This is must for catching the consideration and focal point of the group of spectators. Credit for their reasoning forces.

d. The film was a mix of both genuine shots and interactive media graphical structures. Along these lines, consideration of the kids was at its most extreme level.

e. Titles were giving, partner and connecting the network between Baahubali Part 1 and Baahubali-The Conclusion. The short story of the section One of the motion picture was exhibited in the Titles of the film (one more likely than not saw the group of spectators in the theater-I saw that every one of them were dumbstruck and not by any means a solitary individual was squinting their eyes-I thought motion pictures for sure assume a significant job in learning and instructing ourselves, and there is no compelling reason to buckle down with the people. This will do ponders in the classes of Law, Literature, History, Sociology and Journalism and Mass Media. ).

The motion picture was exhibited by K. Raghavendra Rao, generation of an Arka Mediaworks and inventive film by S. S. Rajamouli. The verses and exchanges were composed by Manoj Muntashir. The music was by M. M. Keeravani. The cinematography by K. K. Senthil Kumar. Distinctive shaded representations were presented toward the start of the film with the tune at the foundation. The makers of the motion picture were Shobu Yarlagadda and Prasad Devineni. The screenplay and Direction was by S. S. Raja Mouli. The principle star cast was Prabhas, Rana Daggubati, Anushka Shetty, Sathyaraj, Ramya Krishna, Nassar and Tamannaah. It was conveyed by Arka Media Works for Telugu rendition, K. Creations for Tamil variant, Global United Media for Malayalam form and Dharma Productions for Hindi adaptation. It was discharged in 4K superior quality organization.

When the titles are finished, the story starts for us. Our saint Amarendra Baahubali-accomplishes his triumph in the war zone. The Queen Mother is glad for this accomplishment and pronounces that he will be delegated as the future ruler of Maahishmati. Her words ended up being the celebration minutes for the individuals in the realm. In any case, her very own and genuine child Bhallaladeva and spouse are against her desires. Her significant other beginnings impelling Bhallaladeva against her. This is the defining moment in the film.

The Queen Mother educates Amarendra and Katappa to take the voyage through their realm so as to acquire information regarding their matters and prosperity. Amarendra meets Devasena and is pulled in by her appeal and abilities. They become hopelessly enamored with one another. Before long this data spans to Bhallaladeva and he makes an arrangement to make the contrasts among Shivagami and Amarendra. He tells his mom that he has experienced passionate feelings for Devasena and communicates his craving to wed her. The proposition is sent to Devasena from the side of Shivagami and is dismissed by Devasena. The Queen is irritated at this disposition of Devasena and teaches Amarendra to catch, tie her as detainee and present her at the court of Maahishmati.

Amarendra helps and shields the realm of Kuntala from their foes called Pindaris. With his astounding abilities, Amarendra overwhelms Pindaris and recoveries the realm. Devasena was interested to think about reality and requests to uncover his character. She comes to realize that Amarendra is the future lord of Maahishmati and won't be the detainee. He vows to secure her humility and weds her. Them two leave for Maahishmati. Shivagami comes to think about reality and is disturbed about it. As of now, she feels regretful for not staying faithful to her obligation to Bhallaladeva. This is the principal point where the defining moment of the story can be seen in the motion picture.

The contrasts among Shivagami and Amarendra kick off starting here. Before long Shivagami asks Amarendra to leave the realm with his pregnant spouse. With the assistance of abhorrence thoughts, Bijjaladeva is fruitful in making more contrasts between them. In one situation, he announces that Amarendra is attempting to kill Bhallaladeva so as to be the King. She arranges Katappa to slaughter Amarendra furtively with the goal that the realm is spared from disharmony between the illustrious family and the subjects. Thus, Amarendra is cut to death by Katappa, the sovereign is educated about the misleading thoughts of Bijjaladeva and Bhallaladeva and her misstep in making a decision about her very own kin. Meanwhile, Devasena brings forth a child kid and lands to the royal residence in the wake of knowing the demise of her significant other. Shivagami reports that the new borne child is Mahendra Baahubali and future ruler of Maahishmati.

Bhallaladeva is astonished and arranges his warriors to catch the Queen, slaughter the child and detain Devasena. The Queen escapes from the royal residence and kicks the bucket soon. The child is saved by the average folks and called as Shivudu. Before long he comes to think about his detained mother Devasena from Katappa and begins to look all starry eyed at Avantika. He battles against the bad form and is successful at last.

Positive purposes of the motion picture:

a) No creature was harmed or abused in any scene. They get full stamps from every creature darling, naturalists and eco-minding rationalists and women's activists.

b) This implies innovativeness was at its most elevated level in the media research centers for the colleagues.

Else they may have missed on the moment subtleties of the specific scene. There is a need to acclaim the whole group.

c) The Police Commissioner and his group were uniquely expressed gratitude toward for enabling the film unit to deal with territories of Rachakonda in Andhra Pradesh for the shooting of a portion of the scenes in the motion picture.

d) The crowd were applauding and getting a charge out of the comic scenes present in the motion picture.

e) Elaborate endeavors were taken to make wonderful visual and sound impacts in the film.

f) Game was likewise created on the arrival of the motion picture.

g) Care had been taken to depict the substances of the chronicled era9as this was a verifiable motion picture however not taped on a specific ruler or sovereign or realm).

h) The Prince had been prepared and instructed in all the individual abilities required for the future ruler in the motion picture. For instance, the Amarendra Baahubali realized how to go out on a limb, handle the circumstances both deliberate and unconstrained one, nearness of the administration characteristics, minute perception aptitudes (for instance when Prince visits the realm of Kuntala, he sees that the townspeople were utilizing their solid assembled cows for different purposes and same ability was useful and utilized when there was the need of great importance to battle against the amazing armed force of Pindaris), being caution and helping the military of the other realm without designating the work to other people, and so on.

I) Sensitivity of the Prince towards his own affection, keeping guarantees, battling against the disasters, supporting his very own subjects, keeping up different sorts of connections, relinquishing his very own life for the realm and mother, securing powerless subjects and ladies are important and learning exercises for all.

j) No underestimation of the people was seen in the film. This is the need of great importance in the contemporary society wherein ladies a

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ambidextrousarcher · 5 years

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For @avani008, who had asked for D for Devasena and her handmaidens- Friendship, for the Baahubali alphabet challenge. Hope you like it!

#gifts for friends #baahubali alphabet challenge #D for Devasea #friendship #devasena #baahubali #my edits #scribbler's edits

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avani008 · 5 years

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Meta: Baahubali and Flashback Timelines

At least in my opinion, sometimes the most difficult part of sorting out the films’ backstory for fic purposes is figuring out the chronology--especially given how little is actually stated! For obvious purposes, including symmetry, I tend to assume that the majority of the flashback (Kalakeya War- Amarendra’s death) all happens in the span of...a year, tops? Not in the least because, I suspect, that’s what the creators intended us to. But, for those of us who don’t want to be fenced into such an implacable (and frankly depressing) course of events, is there another possibility?

We know two things for sure: Amarendra’s father dies/he is born around 50 years before Shivu returns to Mahishmati, and Devasena has been in captivity for ~25 years at that time, both from Kattappa’s narration. Technically....that’s it, AFAIR; while Kattappa mentions that the fire walk is held every 25 years, as well, there’s nothing that says that Sivagami’s is 25 years exactly prior to Devasena’s. Given that there’s currently no (unimprisoned) daughter-in-law to Mahishmati, since Mrs Bhalla never shows up even for the unveiling of his statue (where one would expect her to make at least a brief appearance), it’s very likely that Bhalla, who didn’t care enough about the first one to show up, let the ritual fall behind, and that Mahishmati is actually off schedule by a few years. Why, that could even be responsible for the dystopian, unhappy appearance of the city itself, assuming that this is a direct result of forsaking the city’s blessing.

Furthermore, in the weeks and maybe 1-2 months tops prior to the Kalakeya war, Sivagami was actively looking for her successor. Given the instability of the throne, it seems really, really odd to wait until twenty-five, when say, twenty or twenty-one would make more sense even to modern audiences. While the ancient Hindu texts recommend the brahmachari before taking up adult responsibilities, this is thought to end around age 20-25. If I were Sivagami, I’d certainly err on the younger side, rather than the older, particularly since she is very clear about being regent not Queen in her own right. (That said, one could take a particularly dark interpretation of Sivagami intentionally waiting longer than she has to, to give up the throne to her sons and thereby lose her power, if one wanted to explore that take in fic.)

To add to this, even assuming the twenty-five year mark was from Sivagami’s fire walk, we know from canon that Amarendra and Kattappa go on what seems to be a rather leisurely exploration of foreign lands--to the point where they make it all the way to cultures that are far removed from any we see, suggesting they travelled quite some distance. Surely this must have taken at least a few months, but if that’s so--are we meant to compress the entire Amarendra/Devasena courtship and the entirety of their marriage into...all of 9 months?

Surely not.

To me, it makes far more sense to imagine Amarendra and Bhalla competing for becoming the next heir around 20-21, with the fire walk/field trip with Kattappa taking the place the year after, which at least gives Amarendra and Devasena approximately 2-3 years to be married and actually have a life together before having to worry about pregnancy, exile, and Amarendra’s eventual death at 25.

Now one could argue (1) that years is a very long time for Sivagami to still be angry and (2) Bhalla does have that creepy line of “You were only with him for 10 months, and me for 25 years” which could be interpreted to be as much about Amarendra as it is Mahendra. However, there’s nothing to tell us that Sivagami’s moods didn’t ebb and flow, and that we pick up at the seemantham when they just happen to have done something to make her mad; and crazy Bhalla is crazy, so I have few qualms about ignoring him shamelessly.

That said, you guys don’t have to agree! Feel free to chime in/correct me/etc.!

#baahubali #team baahubali #team kuntala #meta by me #apologies if this is just rambly and doesn't make a whole lot of sense

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freckledbastard · 6 years

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rewatching baahubali and the scene were devasena is shackled in the courtyard where everyone can see her made me think of a super indulgent fic (the best kind of fic)

don’t ask me how this would work in the canon timeline because it absolutely wouldnt

reverie comes about, with everyone there, luffys allies like vivi and shirahoshi, cp0 with lucci and kaku, the admirals, wapol, stelly, the other world leaders, the revolutionary army and of course, the celestial dragons

halfway through the reverie there is a session break, and the celestial dragons invite everyone to a show which after the shirahoshi spectacle has everyone on edge. and rightly so, because, chained in the middle of the courtyard of the celestial dragon’s domain is monkey d. luffy. he’d been missing for a couple of years now, along with the rest of his crew. it was thought they might have gone into hiding or perhaps dead. instead it looked like luffy had suffered a far worse fate.

the celestial dragons throw rocks and sticks at him, occasionally food which they’ve considered to be beneath them and laugh as he eats it as best as he can with his shackled hands. there are cuts and bruises all over him, with whip marks scarring what’s left of his back after having the slave tattoo branded. his hair has grown, covering his face and what he’s wearing can barely be considered clothing any longer, only just covering him.

the CDs are proud of what they’ve done, the state they’ve reduced this D, this enemy of the gods to. the CDs have no idea just what hellfire they’ve brought down upon themselves.

naturally, shit is going to hit the fan. leo and sai alert the other members of the grand fleet, sabo has to be restrained by the other members of the army to not go on a mass slaughter, but even if he did there wouldn’t have been anyone to stop him as fujitora was also absolutely pissed off and ryokugyuu who has heard about luffy from fujitora is also feeling indignant.

lucci and kaku and stussy are kind of in a shock, especially lucci who respects luffy as an enemy and is not happy about the state he’s ended up in. shirahoshi begins to panic, and it’s only through her family, vivi and rebecca that they manage to stop her from calling the sea kings to demolish the red line. rebecca’s hand is clasped around kyro’s wrist, which had been halfway through drawing his sword. in everyone’s eyes an unholy fire burns.

and hidden behind his hair, the same unholy fire shines in luffy’s ever proud eyes.

#long post #fanfic #one piece #monkey d. luffy #the straw hats are creating a plan to save luffy by the way they arent dead or cowering in fear #oh no they're going to save their captain #jimbe and carrot have also joined the crew at this point the timeline is so fucked up!!!!#wait until shanks and katakuri and hancock and GARP find out about this #ohhhh my god

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queenofmahishmati · 6 years

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Platonic Devasena + Avantika training or sparring together post-movie, maybe? :D

Thank you so much for that prompt :D

Plot I won't write — Devasena sees too much of her younger self in Avanthika and knows she has to train the future Queen of Mahishmati in politics if she didn't want a fate so similar to hers fall upon her daughter-in-law.

She begins the training in a language Avanthika knows best. Warfare— Archery at that!! Devasena tests her in ways similar to how the Great Drona must have tested the Princes of Hastinapur. She notes how the younger woman sees only her targets, observes how she forgets her own surroundings when given a goal to set her mind and eyes upon, which was dangerous both in the battlefield and the court room if she forgets to keep her senses keen. And so, she begins teaching Avanthika things that no one thought of teaching her when she was just as young.

#fic I won't write #devasena #avanthika #baahubali things #answered #ofc she would be a better mom in law than sivagami #this one had me thinking for a while #and let's be real #I would of course plot this plot in someone's mind and cajole them into writing it #than write it by myself #I'm a sloth #goddess of laziness

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herawell · 6 years

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Your wish is my command! :) For the ABCDE meme, Rani Padmavati, Devasena, Avantika, Anne Boleyn, Catherine of Aragon, and (if you want) Chandrakant, your Baahubali Prime Minister OC!

The last one!

Rani Padmavati

d) Four things they fear.

1. That Jodhaa will die. When she hands her daughter the vial of poison, she is being kind in the only way she knows. Padmavati has been taught the value of her honor all her life, how to live without it is no life at all, and she has passed that lesson on to her daughter, like any Rajput woman would. Did not her own namesake achieve greatness through her sacrifice? Yet she feels as though she ought to have given her better advice, and when she sends Jodhaa to the Red Fort, she is terrified that her daughter will indeed uncork that vial, and that she will have been woefully inadequate as a mother.

(Jodhaa proves her fears so, so wrong.)

2. Sujamal. She ought not to fear him so; it is no fault of his that his late father was Bharmal’s older brother, and that his claim supersedes Bhagwant Das. He is an upright, kind young man, one she is as proud of as if he were her own son, and he has always treated Jodhaa and Bhagwant Das like his own blood siblings. Yet she looks at him, looks at the fire burning behind that quiet, noble exterior, and trembles at the thought of the future.

(Sujamal proves her fears so, so right.)

3. Birds. As a young girl, she was attacked once by an angry sparrow that she had bothered. The scratches have long healed and she has gained some wisdom since then, but the fear of those feathery menaces has always lingered. Jodhaa loves to feed the pigeons and sparrows, though, and Padmavati swallows her distaste for her daughter’s sake.

(When Jodhaa writes from Agra that she has freed Shah and Shurukh, Padmavati is glad for an entirely different reason than the birds’ freedom.)

4. The Mughals. Her whole life the Mughal Empire had always been a distant presence, like a storm cloud on the horizon, growing in strength and darkness until it loomed over Amer, blocking out all sunlight. Padmavati shakes at the thought of Jodhaa going there in exchange for peace, and awaits every letter anxiously to know that she has not sent her daughter into the hands of barbarians.

(When the Emperor comes to visit Amer for the first time, she is quite happy to put the tilak on his forehead.)

#jodhaa akbar #rani padmavati #abcde redux meme #avani008 #answered #myfics

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