The way I see it, each life series is related to a season.
Third Life- Fall
Last Life- Winter
Double Life- Spring
Limited Life- Summer
Secret Life- Fall
Real Life- Winter?
Last Life is winter. I haven't actually seen Last Life in a while so this might not be a great analysis but bear with me. Everyone sort of went into this season with an almost sense of scramble and knowing what was to come. The winter set in quick and they all made their groups hastily in an attempt for shelter (which ended up causing unstable alliances). The boogyman caused distrust as players just tried to survive and keep themselves safe. Everything feels inevitable and every player is aware of what's at the end. I have strong feelings about this one, but if anyone else who is more familiar with Last Life wants to add on, please please do.
Third Life is fall. Now, you might say, "but, Frog, what about Red Winter?" to which I point out that Red Winter was coming, but it never fully came. The Red King and Dogwarts fell before it could ever officially be winter. Third Life is also fall because of the slow decent into death of everything as well as scarcity of resources as winter approaches. It's not winter yet, but it lurks on the horizon and as things get colder, so do the players and their relationships with each other.
Double Life is spring. Third time around, everybody is sort of starting to get used to the game and how it goes. They know what'll happen, but their attitudes are lighter. The ranchers ranch, new fresh partnerships are made, and everyone is sort of out and about. New elements are introduced such as, goat horns, allays, frogs, powdered snow, and the warden (rip Rancher's Revenge). The whole energy feels kind of excited and fresh in a way. Like just coming out of hibernation.
Limited Life is summer. I feel like I don't need to explain this one too much. The amount of water and ocean themes we get tie into the warm weather aspect. Everyone is social with each other (even if that's because of murder). I've seen this season compared to little kids playing pretend on the playground which sort of ties in with the fun and lighthearted energy. And yet the ticking timer reminds them that nothing, not even summer, can last forever (play 2000's teen summer movie trailer music here)
Secret Life is fall and it's the start of the season cycle again. Lizzie's pumpkin vibes help this theory. This season also had a sense of division to it with the secret tasks forcing people to go off on their own most of the time. In sort of a call back to Third Life, this season could be seen as a omen of what's to come in the winter, and I think that with, as the biggest thing, the Canary Curse getting broken can show that these people have changed and that they are prepared for the winter ahead and that things are going to be different.
And then I guess Real Life would be winter. I haven't quite figured out where this fits into my season theory, but I feel like it could show how this winter is different than the ones that came before. I admit, this season was too short to get a great vibe, so depending on the next season it might get cut to Fall 2.0 (cause I definitely think it's been accepted as canon and I don't want to just remove it)
Anyways those are my thoughts. I'd love to hear what anybody else thinks. I definitely could have said more about some of these but I don't want to ramble too much. I also feel like this could kind of tie into some funky things with the winners too, but I'll save that for another time.
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Sorry I never gave a proper update on tumblr——
here’s some brainstorming doodles from Keo and me on the white board and some examples Keo made in my notebook. I won’t forget it, one of my harshest note was “NEVER draw Kenny in 3/4!! Trey hates that!” 🤣 The story leads stressed that Trey is very particular with acting decisions and poses, most of which don’t translate into the animation. It’s for him at the editing stage, to “make his voice sing”. Getting into Trey’s head, funnily enough, requires FEELING. Feeling what he’s going for in terms of delivery, to learn what not to take literally in his script (when trey says “kathleen kennedy is like terminator” it’s not what you initially think it means), what emotion or gesture to put in to elevate a joke, to get the message through. It’s so fascinating!
In short, I didn’t make the cut. I was “too fresh”, and needed more experience with the technical aspect of storyboarding…. but I was complimented by Keo for my intuition, something that can’t be taught. I was over the moon when I was told I got the style of the show, whereas other trainees with 10+ experience couldn’t. Some of them tested but don’t even watch the show!! That’s crazy, but I guess that’s to be expected. My knowledge of the show and deep love for the characters got me this far, but I need to work on my actual story boarding skills (keo said my struggles are in composition and scaling) to stay!! 💪🏼 I’m taking this… as a not yet, not a no. I’m already on their radar, in their database, I’m incredibly lucky I got to make my THIRD connection in the studio, I just need to work on myself until I can arrive. I’m so grateful for all the support from friends family and industry moots to get me this far, it’s only the beginning of the year but I don’t think anything could top what happened to me this March!!!!!
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