Sick Nasty
Rendacted is (love) sick who cares if it's cute and weird get him to a doctor!!! Kinda drabble. GN reader.
14 Days With You is an 18+ Yandere Visual Novel. MINORS DNI
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You wanted to surprise your boyfriend early in the morning to get breakfast, but he didn't answer the door. He hadn’t responded to your text messages either. So you simply used the key he’d given you months ago to let yourself in. But instead of finding him awake and distracted by something else, a concerning sight greeted you in his bedroom.
[REDACTED] was splayed out face down on one side of his mattress, in an unusually deep sleep. His tank top had ridden up a little, exposing his lower back. One tattooed arm dangled off the edge of the bed, while the other was slung over a body pillow—decorated with a particular sweatshirt you hadn't seen in a while. That didn't actually concern you too much. What did, however, was the strange halo of plushies and more of your clothes stacked around his head. Several hoodies, another sweatshirt, and some sweatpants that you'd left for whenever you were staying the night encircled his dark hair like a summoning ritual.
You looked down at him with mixed feelings, but silently pulled out your phone anyway. "At least I have evidence of your crimes now," you hummed while snapping a few photos. Once that was taken care of, you bent down and shook his shoulder. He felt surprisingly hot.
He mumbled and rolled onto his side, disturbing his shrine. His blue eyes were clouded as he roughly pushed his messy bangs back. He sucked in a breath before giving you a tired smile. "Oh, Angel? G'morning," he yawned. As he sat up and stretched, he looked down at the clothes and stuffed animals strewn across his sheets. It took a moment for his eyes to widen a fraction, as if he wasn't quite sure he was awake yet. "Shit. I can explain."
You ignored him and grabbed both his cheeks, worriedly studying his face. He immediately drifted into careful silence at your touch, eyelids fluttering closed. His skin felt like it was on fire. There was a light sheen of sweat on his forehead. And despite just waking up from what must've been a coma, he looked exhausted, the bags under his eyes far worse than usual.
A frown pulled at your lips. "You're sick."
"I was going to wash them," your tired boyfriend mumbled in a hazy voice, his head falling forward slightly. "The scent just helps me sleep—"
"I'm not talking about my clothes, you thief. You have a fever,” you emphasized and pulled away, standing back up. He whined in disapproval, leaning forward to follow your retreating hands. You held still so he’d calm down before continuing, “Do you have any medicine here? I’ll have to go to the pharmacy if not.”
“I don’t think so. ‘Can go with you.” He weakly tugged you close and pressed his head against your stomach.
“No.”
You felt him groan into your shirt, “I’ll wait in the car.”
“You can wait in your bed.”
“Angel, please. Y'hurting me.” He squeezed a little tighter, but you knew it’d be much easier than normal to get out of his grip.
Even so, you relented with a fake sigh. Letting him have his way at the moment would hopefully make him more agreeable later. “I can just get it delivered. Scoot over,” you demanded and gently nudged him. He excitedly moved away to make room as you crawled onto the covers. You made a point of gathering all your clothes into a pile at one corner of the bed. They’d have to be dealt with later. “Since you’re sick, I won’t take these back just yet.”
[REDACTED] innocently smiled—without even a hint of shame—but didn’t say a word. Instead, he draped himself over your lap to relish in his victory. You sat back and scrolled through your phone to place the delivery order. It didn't take long.
“We’ve got 20 minutes. Can you try to be a bit more reasonable by then?” you asked and dropped your phone to the side. You busied yourself with his hair, threading through the dark strands as he closed his eyes.
He barely mumbled a ‘hmm’ in response, much too content with your fingers massaging his scalp. Unfortunately for his immune system (and your legs), he had no intentions of getting out of your lap.
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i know we talk a lot about the isolation of chronic illness and disability, but i really don't think ablebodied folk get it.
i have made one new friend in person since graduating highschool in 2020. she is my housemate's girlfriend. she stays over frequently, and the only reason we are friends is because she stays over and we have shared university papers. i would not have had the opportunity to befriend her otherwise. that is in the space of three years.
i don't go out much. i cannot guarantee that i will leave my house within any given week. technically i have class i need to go to twice a week for an hour, but those moments aren't time for friends, they're time for classwork and i don't interact with people in a social capacity there.
i simply do not get the opportunity to meet people.
i cannot go out with friends and meet new people that way, because my social circle is already so small, and i don't have the energy to go out half the time anyway. when i do, i suffer for it later.
i don't meet people on campus because i'm immuno-compromised, and ableds seem to have forgotten that we are still in a pandemic.
i don't go to clubs or go out for the sake of going out because i can't. i've grown agoraphobic, because i am so worried that something health related will happen and i'll get stuck somewhere alone. i hate leaving the house because of the guarantee of an anxiety attack which leaves my body more likely to flare. it's a vicious cycle of isolation.
i am not the only one who has experienced this -- i can still leave the house, i can still go and visit friends with assistance. i struggle, but at the end of the day, it's still an option. there are others who are completely isolated.
the worst of it is that people leave. people get tired of the 'i can't come, i'm sorry', of the 'hey, i'm sick, can we postpone?'. even people who you love and hold dearly will stop trying. and it's awful. you have to sit and watch these people who you love walk away because they can't deal with your disability. i don't have words to describe how much that hurts.
it really is impossible for ablebodied people to understand, because for the majority of us, this isn't temporary. this is just how we have to live. and your social circle can only really get smaller.
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After reading multiple metas on all sides, I think the biggest problem with OFMD, specially Season 2 is that it is almost entirely built on tell don't show. Worse sometimes it is hint, don't tell or show. This is not great writing in itself but it is made worse when the POV characters are all shown to have a rather unstable relationship with reality and memory.
Stede is self-centered enough to just not acknowledge or even notice things around him that don't actively interact with his focus which is mostly just Ed. He is self-centered to the point of being delusional about other people and reality of circumstances. Season 2 sees him doing better and his rescue of the crew is his highest point. But we see this even through Season 2 in his interactions with Lucius and during Ed's apology his interactions with Zheng Yi Sao.. Basically anyone not Ed.
Ed is shown to have a negotiable understanding of truth - seen with his Ed/Blackbears/Kraken split, his "I didn't kill them, the fire killed them" dissociation with his own actions, his rewriting of the context of his own memories (Knife parade) or just straight up forgetting shit (Talent show). And yes all of these are trauma responses but that does not dismiss the fact that his perception is far from objective.
Izzy is straight up shown to be lying in his first interaction with Ed regarding Stede. He is aware of his surroundings better than Stede and Ed but he is also supremely blind to himself and his interpersonal relationships. Where Stede is delusional about the world he can be interpreted as delusional about himself.
We as the audience ofcourse can put context to their words from their actions and this worked ok in season 1 (not always but mostly and that becomes important later) But Season 2 leans much more heavily on tell without show. (Yes yes budget cuts...but that doesn't change the final product).
Where season 1 added some flavour of back story with tell dont show, Season 2 expects dialogue to do all the heavy lifting (none more than Izzy's death speech) without this dialogue being backed up by action. Worse (or better) this dialogue isn't exposition which makes the scene better but which also means more often then not it is merely hinting at a meaning.
So we have half explained dialogues, sometimes with dubious context, used as a substitute for action given to us by characters with established unreliable perspectives. The heavy lifting of understanding the meaning of these dialogues, their significance and weigtt, has then been shifted to the audience interpretation. This interpretation is of course done per individual interest and bias. This is not bad in itself but remember this has been happening since season 1. Which means the new interpretations are being built on older interpretations. Those little flavour back story hints have now become the lens through which the entire season 2 is meant to be understood.
We are all watching a different show in a sense and that us not a failure of the audience. It is, rather, an accidental byproduct (and a failure) of the show's design because of the combination of all the above factors which was (made worse by the budget cuts leaving less time/space for action)
The show then unfortunately comes down to whose POV are you accepting (and certain fans have turned this into an exercise of moralizing self righteousness.) and to what extant.
A true understanding, imo, can only be by accepting that none of their perspectives are absolutely true and trying to center the objective narrative between all of them in a way that best fits all their perspectives AND accounts for all their blind spots, rather than lift any one POV as the absolute uncritical truth. (And fans on all sides have been guilty of this)
(P.S. I think this may also have worked positively towards making this show so huge is season one because it left enough ambiguity for us all to project on it multiple complex and sometimes contradicting interpretations creating an Illusion of much greater complexity that was more in our collective heads than in the actual show.)
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Okay hear me out... You need money fast for some reason so you decide to sell your body - you'll get to have fun while also getting the cash you need. You go to Azul for a few pointers on how to run such business and while he might give them to you for a price, once he has Floyd amd Jade find out just what kind of business you need, he decides he needs to be the first in line. Like please take his virginity. He will pay you well. Hell, he might just pay you enough so you stay with him only...
Other part of the scenario is that your business is now open and all the boys that have been crushing on you are standing in line now. (this is just me wanting to take Azul's and Riddle's virginity... I want to take good care of them)
Omg he's a loser!!! T_T he needs to be the first and last in line, by which he is the only one in line. He probably tells the twins they're free to have fun with (beat up) anyone who even tries to make use of your little business. He is getting laid no matter what and it's going to be with you!!! >:( He boasts it so proudly that the twins can't help but laugh and tease him about his enthusiastic determination. If it isn't a business opportunity or new blackmail, then it's you who has him so eager. He would absolutely make you his contract lover. >_< so pathetic tako... the type to say "it isn't love" after you've signed his contract, but one of the stipulations is that you have to act like you're his loving partner and aaaaa he's so in love and so bad at navigating it with real, truthful rizz.
Open for business yes!!!! Could you imagine Riddle is one of the first in line and you don't expect to see him and he's so embarrassed and growing even redder by the minute!!!!!! orz he absolutely tiptoes around the real reason he's there and tells you he's not here to sleep with you and that he only wishes to take you out on a friendly outing (a date), so if you would be so kind as to indulge him just this once and maybe then... he's rambling and rambling and it looks so cute to see the usually eloquent Riddle flustered and fumbling over his tongue. You'll entertain him with a day's worth of fun things (tea party, croquet games, tending to the flamingos and hedgehogs, taking a stroll through the rose maze) and at some point in the evening you'll find yourself back in Riddle's room. He is incredibly nervous, but you're so patient with him. <3
It's probably really sweet and soft and slow sex because Riddle's settling into a pace that suits the both of you and it's also his first time so you want it to be endearing and memorable for him. Nothing hardcore or painful for the first time, but you can be certain that after that night he will find himself at your doorstep yet again. And again and again. Bad habits are hard to break, but even more so when you've become a crucial part of Riddle's schedules and he doesn't have the heart to write you out of it. Once the both of you are more comfortable in the bedroom, you will see many fun sides to Riddle (sides you never knew he could have, and from the way Riddle seems surprised even he was unaware he possessed such exciting sides).
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One thing I've come to appreciate about going into a story after having sought out or seen spoilers is that to me, it doesn't ruin my experience of the story - it changes it. That doesn't apply to all spoilers, but I've been thinking about Penacony's biggest spoiler (really, the one that so many people saw, it wasn't even treated as a spoiler anymore long before it actually dropped. Which was shitty, but a different topic).
For some, knowing Firefly and Sam were the same person before the reveal might have soured their enjoyment of the story. But since HSR's quests aren't replayable, I ended up really appreciating knowing their identity in advance, because otherwise I don't think I could have noticed some things - like Firefly's occasional little slip-ups into her more professional side, or the one that marked me most was how in both Sam's conversation with Acheron and few words with the Trailblazer pre-reveal, you can hear Firefly in Sam's tone of voice in a way you couldn't before. It really gave me a new kind of appreciation for those scenes.
(I still wish the main quests could be viewed again, though.)
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