sith oc!
her name is (for now, but I'm not sure) Kalusna (attribute of the underworld domain in etruscan language). she is part twi'lek and her lekkus have more mobility. i have outlined most of her background but have still major problems on her period as sith alchemist and her late journey bcs i don't wanna break the eu continuity in any way.
backstory under the cut!
she lived on shili during a time of intense conflicts between the togrutas and other alien species (& their hybrids), back when the hydian expansion region was being discovered, (haven't decided the years precisely YET but probably around the great hyperspace war or earlier). shili was not very frequented at the times but it had visitors and was on its way to become part of the Republic.
she was ousted by her community after her parents' death, and was left behind in the grasslands with an albino akul who she tamed thanks to her force abilities.
akuls, for those not super familiar with the lore, are supposed to be the apex predator of shili, very powerful orange quadrupedals, prone to albinism, with which they make headdresses after a hunt, because it's a symbol of the hunter's capacity.
she then found many other people and full groups and decided to unite them under her powerful rule. they settled in a strip of land surrounded by a sea on one side and a lake on the other, and there they lived and trained, with the secret goal of taking over the key communities of shili. she guided her people and, starting with nearby villages, she quickly expanded her territory to the point where the main cities suffered from the many refugees who left their homes at the mercy of her army.
when they conquered a village, they usually took some of the villagers as prisoners and cavies for her experiments with the dark side. to create a more powerful army, she created hybrid monsters with a rudimentary sith alchemy and thus strengthened both her warriors and the animals they kept.
when the rejected reign got closer to a bigger city, the togrutas called the republic for help, and two jedi ambassadors were sent. as soon as they realized a dark side user was involved, they called for reinforcements, but the news of their arrival had gotten to Kalusna's hears. the outcasts quickly launched an attack on the city, but the jedi, scared of the threat, had already evacuated most of the citizens and prepared for their arrival. a bloody battle began, and it ended the togrutas and the only remaining jedi setting a trap for her and her avant-garde warriors, that initiated an explosive chain reaction that expanded and tore down most of the side of the city under her control.
as the jedi called in for reinforcements, the news got to the ears of the sith, who, intrigued, sent one of them to bring kalusna to the academy on korriban before she fell into the jedi's hands.
but, with her whole army gone to the explosion, and too many wounded to tend to, she was presumed dead by the jedi and left behind. the sith then found her, alive with burns, clinging to her best friend (trandoshan-togruta hybrid) who shielded her from the explosions, and took them to korriban, where she would keep on studying alchemy and sorcery, and got particularly interested in semi-sentient animals. her friend, though, died on the ship before having the chance to reach a hospital.
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Heise News Article: "Ladybird web browser takes off: One million US dollars from GitHub founder"
LadyBird Browser GitHub Page
Article Date: July 4, 2024
Open source browser “ladybird” is in pre-alpha stage and gets 1 million dollars from Github. “Ladybird” is aiming to be a new fully open source non-commercial competitor (not firefox nor chromium-based) in the browser market, expecting a full release version by 2026.
Lady Bird browser and Lady Bird initiative is fully funded by donations and sponsorships, while adamant on staying free, open source, and non-commercial.
Andreas Kling, the president of Ladybird Initiative, has decided to focus his time on LadyBird Browser development and parted ways with his original Serenity OS project.
Sidenote: There has been small controversy on social media for the "no ideologically motivated changes" policy rule on the GitHub.
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Today In Card Design [11]: Transparency in Publicity
Today's article is different, and a bit on the shorter and concise end. Very recently, I had an incident involving a major Magic: The Gathering content creator, and while I'd rather not talk in detail about it until I'm feeling much less stressed, I feel there's a lesson to be learned from it; transparency is key when you're making anything, and it can be applied to a card game as well. This lesson applies more to running a brand than anything else, but if you want to get started making your own card game, you need to learn really quickly to hold yourself accountable. This pertains to PR in general, but it's exceptionally important when you're first starting out, trying to build an identity and fund your game.
Pay attention to what you say and do, and hold yourself accountable. You may not remember what you said a month ago, or even last week, but the people you talk to will.
If something changes, let people know ASAP and at large. Inform your entire community.
Don't rush the details. You may miss a vital piece of information in an announcement or discussion.
If you make a mistake, don't brush it off or try to sugarcoat it. You can tell yourself it's no big deal, and from your lens it might be utterly insignificant. However, publicly stating that viewpoint will tell people that you don't care that you're wrong.
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Aeri can’t decide what she hates more - the way the bejeweled pin in the victor from District 8’s hair is lopsided, or the girl herself. Oh, what Aeri wouldn’t give to wear such an accessory again, or even wear the finery the victor has been gifted to wear to the viewing. That was her once, wasn’t it?
But now? She’s stuck here, watching this spectacle. The brat, who has no idea what privilege she’s been presented with, keeps on creasing the delicate threads of her gown and her stylists also clearly have no idea on how to do the brat’s makeup. And then there’s that damn pin- Aeri’s pin once upon a time- only in place because it’s tangled in there-
And Aeri can’t hold back. When the brat’s stylists are gone, she reaches into the girl’s hair and extracts the pin. Her fingers, callused from years of hard labor that still feels foreign to Aeri, are quick to untangle most of the obvious knots in the brat’s hair before shetwists the locks into a ponytail and then a bun. The pin goes back in.
Aeri glares at the girl through the mirror. Don’t you dare mess up my work.
( congrats lenlen!! you get....aeri, being really resentful, i hope marìa doesn't mind too much ^^' )
@stillresolved | !!!!!!!!!!!!!!!!!!!!! LET HER BE RESENTFUL
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There's a harshness to being dolled up when you are in no way receptive to it.
María isn't foreign to the roughness of life - she's a fucking Victor, after all, isn't she - she's started working in factories just about around the age even the most moral of District 8 people might turn their back in fear on seeing her walk in, pretending not seeing her would free them of the responsibility of working with a child.
Her hands and nose and palate and lungs had long gotten used and keep getting used to the aftermath of working with chemicals, of being so very intimate with garments and colours, with fumes and heat, with the hard work of surviving, with the hard work of fighting to be allowed a minimal chance at said survival, at figuring that there's little more for people from District 8 to fight for.
Still... it's not the same.
Being pushed around, dressed in things she would have never chosen for herself to serve a people, a man, because she's not stupid enough to not be able to tell what is Capitol and what is Snow and how Capitol is Snow, it's a kind of biting and harsh and rough that doesn't leave behind the usual kind of scars and memories and bruises.
Even surviving the Games had come with a desperately accepted sense of relief, one covered in blood and the humiliation of all she'd done and all she'd thought she'd get to accomplish, only for reality to crash in on her in a victory she hadn't wanted to partake in, hadn't wanted to make possible, when she'd wanted her Games to be victor-less in lieu of ending the Games themselves.
This... this is humiliation in the long run. This has hardly any hope attached to it, waiting for her on the other end of the line. Sometimes, on the worst days, it feels like the true brunt of the battle, walking with blood-stained soles and palms and sparkling as she does, wearing all that might make even the softest source of light appear like flames reflecting off her frame, covering her in fire that had not eaten her alive - much to a few people's disdain.
Picking at things, not holding still, grimacing, shifting her muscles, arms, face to make her stylists' life as difficult as possible, it was all she had to fight back.
The Arena came with death and violence, and living back at home had been physical labour upon physical labour, straining her young body until she could no longer tell if she was broken beyond repair or fitter than children her age should be - had they grown up privileged within the Capitol's safety.
Here she has only threads to tear apart and reflections to glare at.
And a new challenge behind every door.
She feels yanked back, an intensity of motion caused less by the avox suddenly in her hair and more her own stiffness that hadn't prepared her for submission to someone suddenly rearranging her.
After her stylists had left, she'd succumbed to the tension of not wanting to be there, without the added hard work of making sure everybody else does. Lost in her thought, somebody's hands suddenly returning on her had fortified, molten it into a newly forged blade, stiff and ready to strike, tensing everything within her and making a few fingers in her hair turn into a grappling hook tied to a moving mountain.
María is startled enough she can't remember how to glare.
A frown does accompany her widened eyes anyway, making her look... appalled, almost, an addition to her expression so unsuited to typically frightened features, youth tainted by the face of someone used to having to fight to stay alive.
It almost happens in a flash then. The reflection moves and adjusts and fixes and what had started as something that had María's lips split into something acid and trembling, turns into something unpleasant and acrid, but silent, as María sits and lets herself be mandhandled one more time.
That's when she glares. After the avox finishes up, after their eyes meet in the mirror and María sees none of the downturned gazes they're trying to make her accustomed to.
Seeing avoxes pisses her off.
Why take it out on them.
She understands what they are, what they're supposed to represent.
To her, an avox is a statement. No longer a person but rather someone rid of their innate right to be considered one. Even with the determination and life in this avox' eyes, María has come to understand them as tools Snow uses to assert his dominance, people from all circles of life, punished with the robbing of their words... and their detached tongue metaphorically forced to lick away at the tip of the shoes of people like María.
All a scheme.
Infighting.
Use the prey on the prey, make them take each other out.
It'd be easier to feel pity if María could sleep, if the avox hadn't adjusted her appearance, and if the avox wasn't staring her down as if she had any right to do so.
She's oddly beautiful.
She's oddly familiar.
"Why are you helping them?" she hisses, low, whispered, because she might never admit it, but she's... she's a little scared, isn't she? Lately? Devora's face swims before her inner eye, so stern, so wrong.
"I'm on your side more than they are," she adds, pulling a strand of her hair out of the freshly adjusted bun.
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