#dick has a few interesting complexes about the past and his experiences but

[voltrons]

there is something sooo eerie about reading for pre-crisis jason. readers then knew how it would end. you in the present know how it ends. you know he gets a second chance. you know how that ends.

but he doesn’t! he’s always looking up at dick.

it’s the most heavy handed foreshadowing To Ever Exist and dick is still painted as the optimist.

[fortunatelyfresco]

A Holistic Integration of Type 1 Narcolepsy into the Reading of Moist von Lipwig

Literary Interpretation, Disability, and Finding Yourself Between the Lines

As it goes, "I wrote this for me, but you can read it if you want." It might be a fun ride for anyone who is very interested in Moist von Lipwig, or narcolepsy, or both, and/or anyone who enjoys collecting small details from within a body of work and arranging them into threads that are supportable by the text, without being actually suggested by it.

Personally, I find it very interesting to read the meta behind different headcanons, and see how creators can unintentionally write a character who fits certain criteria. There are only so many traits, after all, and some of them tend to travel in groups! Humans are pattern seekers, etc etc.

The first step of reading Moist von Lipwig as narcoleptic is wanting to read Moist von Lipwig as narcoleptic. Being narcoleptic myself and relating heavily to Moist, this step was very easy. I invite you to take my hand and come along, at least briefly, if you were interested enough to click the readmore.

Once you have taken that step, things start falling into place. At least they do if you're intimately familiar with narcolepsy, or if you first learn about it in detail through, for instance, a Tumblr post with an agenda :)

I'll break this down symptom by symptom, citing only the ones I both have personal experience with and see textual support for.

I'll be using OverDrive's search function to catalogue "evidence" in (the American editions of) Going Postal, Making Money, and Raising Steam, so I might miss passages that don't use certain keywords.

Please take any statements along the lines of "being narcoleptic means X" with a huge grain of salt. Sometimes it's just more succinct. Narcolepsy can manifest in many different ways, and is still being actively studied. Don't base your entire understanding of it on a fandom essay I wrote to cope with the crushing pressures of capitalism. I have not even fully read the scientific studies linked here as sources.

Here we go! Spoilers abound.

I. Excessive Daytime Sleepiness (EDS) and sleep attacks.

Being narcoleptic means (salt now, please) that your brain does not get adequate rest while you sleep, no matter how much you sleep. This is because of a disturbance in the order and length of REM and NREM sleep phases. This leads to constant exhaustion. Some sources describe narcoleptic EDS as "comparable to [the sleepiness] experienced by a healthy individual who has been sleep-deprived continuously for 48–72 hours."

(Source.)

Sleep attacks can come on gradually or suddenly. In my case, I become irritable and easily overwhelmed, and nothing matters except finding a place to lie down. A more severe attack, under the right circumstances, can put me to sleep while I'm actively trying to stay awake and engaged.

Moist refers to 6:45 am as "still nighttime." He is "allergic to the concept of two seven o'clocks in one day" and is "not good at early mornings," and the narration even cites this as "one of the advantages of a life of crime; you didn't have to get up until other people had got the streets aired."

In Going Postal, he repeatedly falls asleep at his desk. I can only find two instances, but the first one describes it as having happened "again," so it happens at least three times over the course of one week. Both of the times I found were after Mr. Pump cleared his apartment, giving him access to a bed, and I can't find any reference to the fire destroying it—just that his office is "missing the whole of one wall." His presumably wooden desk is still intact, even, just "charred."

There's also no build-up either time. No direct narration of the time right before he falls asleep, just retroactive accounting for it.

Which is primarily a function of stories not showing us every boring second, and secondarily one of the smaller ways we're shown Moist being overwhelmed and racing to keep up with himself, but tertiarily it's a great set dressing if you've already decided he's narcoleptic. Sometimes sleep is just a thing that happens, without any deliberate transition. Sometimes you sit down to catch your breath or get some paperwork done, and wake up several hours later.

I've found only one example in GP of Moist waking up in his actual bed at the post office: the morning after being possessed by all the undelivered letters. Presumably either they put him there, or Mr. Pump did.

There are two points in Making Money where Moist, in an effort to be a comforting and/or guiding hand, advises people to get some sleep. First Owlswick Jenkins, and then one of the clerks (Robert) who is worried about Mr. Bent.

I take the optimistic view that this is Moist genuinely caring about these people, not just trying to get them to do what he wants. He has always done some combination of those things (GP opens with him having befriended his jailers, after all), but there's definitely a thread of him learning to treat both himself and those around him more like real people. (See also.)

Looking at this thread through narcolepsy-colored lenses, you get Moist perhaps drawing from his own experiences in an effort to be helpful. In Owlswick or Robert's position, what is something he would want to hear from the man currently in charge of his fate, or at least his job? "Get some sleep."

If we accept this as a pattern, it culminates in Raising Steam, when Moist starts to worry about "Dick Simnel and his band of overworked engineers," fixating particularly on their lack of sleep.

What sleep they got was in sleeping bags, curled up on carriage seats, eating but not eating well, just driven by their watches and their desire to keep the train going.

[...]

"People are going to die if we push them any further," he said to Dick. "You lot would rather work than sleep!"

[...]

The young man swayed in front of him and Moist's tone became gentle. "And I see now that part of my job is to tell you that you need some rest. You've run out of steam, Dick. Look, we're well on the way to Uberwald now, and while it's daylight and we're out of the mountains it's going to be the least risky time to run with minimum crew. We're all going to need our wits about us when we get near the pass. Surely you can take some rest?"

Simnel blinked as if he'd not seen Moist the first time, and said, "Yes, you're right."

And Moist could hear the slurring in the young man's speech, caught him before he fell and dragged him into a sleeping compartment, put him to bed, and noted that the engineer didn't so much fall asleep as somehow flow into it.

Moist then recruits Vimes to help him talk the rest of the engineers into getting some rest. The two of them briefly commiserate about people not realizing how important it is.

"I have to teach that to young coppers. Treasure a night's rest, I always say. Take a nap whenever you can."

"Very good."

II. Insomnia.

This is a lesser-known but very common symptom of narcolepsy. Or a comorbidity, depending on how you look at it. It seems counterintuitive if narcolepsy has been presented to you as "sleeping all the time," but it makes sense once you know it's really a matter of disruption in the brain's ability to regulate sleep cycles.

The case for this symptom is flimsier, and I fully admit I'm just reading my own experience into it. But here are two excerpts from Going Postal that I find quite suitable for my sleepy agenda:

1. "A man of affairs such as he had to learn to sleep in all kinds of situations, often while mobs were looking for him a wall's thickness away."

I latched hard onto this detail the first time I read GP.

At my worst, I could not get more than a couple hours of sleep in my bed. I kept taking naps in the bath because it was one of the few places I could sleep. It seemed to fulfill some of the criteria (isolation, temperature control, etc) that my brain demanded in exchange for playing nice.

We're told over and over again, throughout Moist's books, that he functions best under pressure.

(Brief aside: This is often cited as a reason to interpret Moist as having ADHD, which I'm also fully on board with. Not coincidentally, narcolepsy and ADHD share a few symptoms, have a notable comorbidity rate, and are treated with some of the same medications. Source.)

So again, if you're already inclined to read Moist as narcoleptic, the following is an easy jump:

"Moist thinks he's good at sleeping in strange places under strange circumstances. This is because A) his basis for comparison is a disordered attempt to sleep in normal places under normal circumstances, B) something about danger satisfies his brain into running more smoothly, and C) he's a resourceful person who is 'not given to introspection,' and so is less likely to wonder why his body demands sleep at strange times and more likely to focus on finding a place for that sleep to happen, and chalk this up later as a skill."

And returning briefly to EDS: Why would someone like Moist waste time finding a safe place to sleep while people are actively trying to kill him? At the beginning of GP, he leaves Vetinari's office and immediately goes on the run. In multiple books, when he feels threatened, his brain instinctively launches into complex escape plans. We see him successfully blend into an Ankh-Morpork crowd at least once after becoming a public figure.

So why bother? After all, a safe place to sleep is also a safe place to change clothes, or at least remove whatever distinguishing features he's given himself. Why wouldn't he just become someone else and leave town immediately?

The obvious answer is that sometimes things just happen, and an author doesn't need to know or explain every single detail of a character's past.

I would suggest, though, that one of those things might be Moist reaching a point where sleep is just not optional. A point where he not only doesn't, but can't, care about anything else. Where he is too tired to think straight, too tired to talk his way out of trouble, too tired to even contemplate the long journey from one town to the next.

2. "Moist knew he ought to get some sleep, but he had to be there, too, alive and sparkling."

Sometimes (especially in combination with underlying mental health issues) narcoleptic sleep deprivation can bypass everything I've described so far, and lead straight into a manic state. You won't necessarily find that on Google, but it's been my experience.

That's obviously not what the text is implying. "Alive and sparkling" is just a very relatable description. And we do often see Moist getting away from himself, speaking without thinking, making absurd promises that he justifies immediately afterwards as Just Part Of Being Him, always raising the stakes.

And here are a couple of excerpts from Raising Steam that could be interpreted as Moist being a light sleeper, AKA struggling to get deep sleep:

1. "And slowly Moist shut down, although a part of him was always listening to the rhythm of the rails, listening in his sleep, like a sailor listening to the sounds of the sea."

2. "All Moist's life he'd managed to find a way of sleeping in just about every circumstance and, besides, the guard's van was somehow the hub of the train; and although he didn't know how he did it, he always managed to sleep with half of one ear open."

Moist is exactly the kind of opportunist to see that as a useful tool, isn't he?

III. Hypnagogic and Hypnopompic Hallucinations.

These are hallucinations that come on as you're falling asleep or waking up. They can also happen during REM intrusions while you're awake. My most memorable ones include piano notes, someone calling my name, being trapped in the waves of a large body of water, and a huge truck going over a guard rail and tumbling down a hill. These are often, but not always, accompanied by sleep paralysis (and sleep paralysis is often, but not always, accompanied by hallucinations).

In GP, Moist casually cites his own hallucinations as proof that what is happening at the post office is not one.

"They're all alive! And angry! They talk! It was not a hallucination! I've had hallucinations and they don't hurt!"

Obviously that's not true for everyone, but it's true for Moist, and he has enough experience that he immediately recognizes the difference.

At one point while awake, Moist "[snaps] out of a dream of chandeliers" to realize someone has approached him to talk, while he was busy having visions of what the post office used to look like/could look like again.

Now, that's cheating, because we're probably supposed to assume it's a side effect of being possessed, but... I'm putting it here anyway.

There is also perhaps a case to be made for the tendency of Moist's internal monologue to lapse into extremely specific and prolonged hypotheticals. The lines between hallucinations, waking dreams, and "regular" daydreams have always been very blurry to me. I'm especially curious about the example at the end of Going Postal, which goes like this:

"Look, I know what I'm like," he said. "I'm not the person everyone thinks I am. I just wanted to prove to myself I'm not like Gilt. More than a hammer, you understand? But I'm still a fraud by trade. I thought you knew that. I can fake sincerity so well that even I can't tell. I mess with people's heads—"

"You're fooling no one but yourself," said Miss Dearheart, and reached for his hand.

Moist shook her off, and ran out of the building, out of the city, and back to his old life, or lives, always moving on, selling glass as diamond, but somehow it just didn't seem to work anymore, the flair wasn't there, the fun had dropped out of it, even the cards didn't seem to work for him, the money ran out, and one winter in some inn that was no more than a slum he turned his face to the wall—

And an angel appeared.

"What just happened?" said Miss Dearheart.

Perhaps you do get two...

"Only a passing thought," said Moist.

In-universe... what is Adora reacting to? What did just happen? The fact that these incidents are not isolated to Going Postal is a point against it being some sort of literal timeline divergence caused by The Spirit Of The Post.

So maybe Moist visibly zoned out. Maybe he had some kind of minor but noticeable cataplexy attack (more on those later) as part of a REM intrusion, brought on by the intense emotions he's currently struggling with.

IV. Vivid Dreams.

Again, at least some of this is probably supposed to be part of the possession, but I've been professionally projecting myself onto the surreal dreams of magically afflicted characters for years. Do try this at home.

1. "Moist dreamed of bottled wizards, all shouting his name. In the best tradition of awaking from a nightmare, the voices gradually became one voice, which turned out to be the voice of Mr. Pump, who was shaking him."

2. Moist is uneasy about the Smoking Gnu's plan, and then he has an extremely detailed dream about the Grand Trunk burning down.

This culminates in "Moist awoke, the Grand Trunk burning in his head," followed by a paragraph of him thinking things through and starting to form his own alternative plan, followed immediately by "Moist awoke. He was at his desk, and someone had put a pillow under his head."

So he fell asleep at his desk, woke up from a vivid nightmare, was awake just long enough for a coherent train of thought, and then passed back out. Which once again is not "proof" of anything, but fits the predetermined interpretation like a glove.

V. Cataplexy.

Cataplexy is a sudden loss of muscle control, usually triggered by strong emotions. This is thought to be a facet of REM intrusion—waking instances of the atonia that is meant to stop us from acting out our dreams.

The most well-known manifestation is laughter making your knees buckle, but it's not always that severe. My own attacks range from facial twitching, usually when I'm angry or otherwise extremely upset, to all-over weakness/immobilization and near-collapse when I laugh. My knees have fully buckled once or twice.

This is the biggest stretch. This is the one that is absolutely only there if you've already decided to read entire novels between the lines. It's also not even necessary for the broader headcanon; plenty of people have narcolepsy without cataplexy (or such mild cataplexy that it's never noticeable, or very delayed onset, etc).

However. I am doing this for fun. So I want him to have it. It's also become a major part of how I imagine Moist engaging with emotion, and I'd like to make a case for that.

There are a few scattered references to Moist's legs shaking, or being unsteady, or outright giving way, but there's usually an external physical reason, and/or enough psychological shock to justify it without a medical condition.

The most compelling example I've found so far comes from Moist and Adora's conversation about people expecting Moist to deliver letters to the gods.

"I never promised to—"

"You promised to when you sold them the stamps!"

Moist almost fell off his chair. She'd wielded the sentence like a fist.

"And it'll give them hope," she added, rather more quietly.

"False hope," said Moist, struggling upright.

"Almost fell off his chair" at first sounds like casual hyperbole, but then "struggling upright" implies it was a bit more literal. It's also an accurate description of me recovering from my more severe attacks, supporting myself on a wall or my spouse, or pushing myself up if I've fallen over in bed.

That happens to me multiple times per day, by the way. It doesn't bother me, and I didn't realize there was anything unusual about it for a long time. I barely think about it, except to fondly note that my spouse is good at making me laugh.

Which is to say, even severe cataplexy is not always noticeable or debilitating. Sometimes it absolutely is! It can be downright dangerous, depending on where you are, what you're doing, and whether you have any other conditions it might exacerbate. I don't want to undermine that.

I am just hell-bent on justifying the idea that this fictional character could have repeated attacks throughout the canonical narrative that are so routine they don't merit an explanation, or even a description. Especially for someone who is used to hiding his few distinguishing features behind false ones that are much more memorable. (See also.)

(That link goes to my own fanfic. Sorry.)

On the milder side, between Going Postal and Making Money, there are three instances of Moist's mouth "dropping open" when he's shocked, upset, confused, or some combination of the three. This is the kind of thing that shows up a lot in fiction, but rarely happens so literally in real life.

(There's technically a fourth instance, but I'm not counting it because it seems to be a deliberate choice on his part to convey surprise.)

And then there's laughter. Or rather, there isn't. I could be missing something, but I've searched all three books for instances of laughter and various synonyms (not counting spoken "Ha!"s), and what I've come up with is:

Moist laughs once in Going Postal, when he receives the assignment for the race to Genua.

Two packages were handed over. Moist undid his, and burst out laughing.

There's also an instance earlier in the book where Moist nearly "burst[s] out laughing."

I find the specifics here interesting, and, for our purposes, fortuitous. Cataplexy is complicated and presents differently for everyone. In my case, when laughter triggers an attack, one of the effects (which is sometimes also a cause) is that I laugh very hard, with little or no control. "Burst out laughing" is quite apt.

Let's move on to Making Money, and start with a quick tangent:

Mr. Bent explains that he has no sense of humor due to a medical condition, and that he isn't upset about this and doesn't understand why people feel sorry for him.

Moist immediately starts in with "Have you tried—" before getting cut off by the frustrated Bent.

Out-of-universe, "Have you tried" is such a well-known refrain to anyone with an incurable condition, I'm not at all surprised to find it in a book written by someone who had at least begun the process that would lead to a diagnosis of early-onset Alzheimer's. And Pratchett has certainly never shied away from portraying ignorance in his protagonists.

In-universe, it feels a little odd. Moist's tongue runs away from him all the time, but usually in the form of making ridiculous claims or impossible promises. Moist's entire stock-in-trade is People Skills, and it feels strange for him to make this kind of mistake immediately after being told Mr. Bent is not looking for solutions.

But if one were reading with, for instance, the idea in mind that Moist himself has an incurable condition related to laughter and is enthusiastic about, but still relatively new to, the practice of drawing on his own experiences to help people... it is easy to imagine the gears in his head turning the wrong way, superimposing those experiences over the tail end of Mr. Bent's explanation. Disabled people are not immune to these well-meaning pitfalls.

There is another Mr. Bent moment that I want to discuss, but we'll circle back around to it later.

I found two instances of Moist himself laughing in MM.

1. "He said it with a laugh, to lighten the mood a little."

This is deliberate laughter, employed as a social tactic. A polite chuckle, probably. Not the sort of thing that generally triggers cataplexy.

2. "Moist started to laugh, and stopped at the sight of her grave expression."

The first and only involuntary laugh in MM. It doesn't always trigger attacks...

Which brings us to Raising Steam. Compared to the first two books, Moist laughs a lot here. I count nine instances. Two of them are "burst out laughing"s, a couple include him as part of a group, some of it comes off as deliberate, and some of it doesn't.

I've always seen a lot of... rage in Raising Steam. Combing through it for laughter, I realized Moist's emotions in general are much closer to the surface here, and he's much less concerned about letting people see them. He laughs with friends and acquaintances, he cries in front of strangers, he shouts at Harry King, he has that entire conversation with Dick that boils down to "I'm very worried about you," etc.

Opinions vary wildly and sharply on Raising Steam. I have my own hangups with it, as I do with most books in the series. (Every time I make a new Discworld post, Tumblr passive-aggressively suggests the tag "my kingdom for a discworld character who is normal about women and other species.")

But I like this particular change in Moist, and I choose to see it as character development. He's trading in the professional detachment of a conman for the ability to grow into himself as a person and make meaningful connections.

So, what does that have to do with cataplexy? A lot.

I don't want to get too maudlin, so I'll just say I have plenty of personal experience with emotional repression masking cataplexy symptoms. And so, I believe, does the version of Moist we've put together over the course of this post.

Which brings us back to Making Money, and Mr. Bent. He says something about Moist that I find very interesting: "I do not trust those who laugh too easily."

Unless I've missed something, at that point in the book, Moist has never actually laughed in front of him. And Mr. Bent is a man who pays very close attention to details.

So, what is the in-universe explanation for this? I'd like to propose that Moist is very skilled at seeming to laugh, without actually laughing. He smiles, he's friendly, and he makes other people laugh, which is another thing Bent dislikes about him. He gives the impression of being someone who laughs a lot. (He certainly left that impression on me; I was very surprised by the lack of examples in the first two books.)

Even staying strictly within the bounds of canon, it's easy to imagine why this might have become part of Moist's camouflage in his previous life. He wasn't looking to get attached to anyone, and he didn't want anyone getting inside his head. Engaging with people genuinely enough to laugh at their jokes would run counter to both of those things, but some of his personas still needed to come off as friendly and sociable.

Still working within the canon, it makes sense to assume he's similarly distanced himself from emotion in general. He sits in a cell for several weeks without truly believing he's going to die. He's bewildered when Mr. Pump points out that his schemes have hurt innocent people. He has no idea what to do with his feelings for Adora. Etc.

Interpreting Moist as having cataplexy adds an extra element of danger. Moist thrives on danger, but there's a difference between the thrill of a con and the threat of sudden, uncontrollable displays of vulnerability. And so it becomes even easier to see him stifling his own emotional capacity.*

We meet Moist at a moment of great upheaval. He is forcibly removed from his cocoon of false identities, and pushed out into the world as himself. And we are shown and told throughout Going Postal that he does not know how to be himself. (See also.)

He is repeatedly stymied by his own emotions. He gets tongue-tied and confused around Adora, he snaps at Mr. Pump, he lashes out at Mr. Groat, he gets lost in school flashbacks when he meets Miss Maccalariat. This thread continues in Making Money, where the sudden reappearance of Cribbins immediately rattles him into making an uncharacteristic mistake.

I called him Cribbins! Just then! I called him Cribbins! Did he tell me his name? Did he notice? He must have noticed!

Later in the same book, Moist misses a crucial opportunity to run damage control on the bank's public image... because he's excited to see Adora.

The Moist of GP and MM is not used to feeling things so deeply. It throws him off his game. I'm not at all suggesting cataplexy is the only (or even primary) reason for that, but I do think there's room for it on both sides of the cause and effect equation.

With or without the cataplexy, I find Moist's relative emotional openness in Raising Steam... really nice. (It's a work in progress. He's still getting a handle on anger.)

Cataplexy just adds another dimension. A physical manifestation of emotional vulnerability, which would have been especially untenable for a teenager on the run. Just one more facet of the real, human, fallible Moist von Lipwig who spent years buried beneath Albert Spangler and all the rest.

Another piece of himself that Moist is growing to understand and accept, as he learns to more comfortably be himself.

The Moist of Going Postal runs into a burning building to save lives without fully understanding why he wants to, and justifies it on the fly as an essential part of the role he's trying to play.

The Moist of Raising Steam mindlessly throws himself under a train to save two children, and then blows up at Harry King about the lack of safety regulations. Freshly traumatized by the murder of several railway workers and his own violent, vengeful response to it, he still offers, in the face of Harry's own grief, to be the one to inform their families. On a long and dangerous journey with plenty of moving parts to think about, he worries about Dick Simnel and the other engineers, and pushes them to take better care of themselves.

He also meets a bunch of kids who nearly derailed a train as part of a childish scheme. His admonishment is startlingly vivid.

"Can you imagine a railway accident? The screaming of the rails and the people inside and the explosion that scythes the countryside around when the boiler bursts? And you, little girl, and your little friends, would have done all that. Killed a trainload of people."

[...]

"I'll square this with the engine driver, but if I was you I'd get my pencil and turn any clever ideas you have like this into a book or two. Those penny dreadfuls are all the rage in the railway bookshops."

Maybe what he is also saying, between the lines, is:

I left home at 14 and began a life of smoke and mirrors. I was empty inside, and I thought everyone else was, too. It was all fun and games, and then a man made of clay told me I was killing people. Nip it in the bud, child. Write books.

------------

*There are studies suggesting that in addition to deliberately employed "tricks," people with cataplexy may experience physiological reactions in the brain meant to inhibit laughter. (Source 1, Source 2.)

Most of the information here is way over my head, but that second link also says "one region of the brain called the zona incerta (meaning 'zone of uncertainty') was only activated during laughter in people with narcolepsy, not in controls. Research on the zona incerta in animals suggests that it also helps to control fear-associated behavior."

The linked article about that (https://www.nature.com/articles/s41467-018-03581-6) is also over my head, but I would certainly describe Moist von Lipwig as having unusual fear responses.**

**Narcolepsy is a fun roller-coaster ride of constant scientific discoveries about exactly which parts of your brain are paying too much attention, not paying enough attention, or trying to eat each other.

[river-bottom-nightmare]

Nightwing #81 Review

i swear i actually thought no one was interested so i didn’t write one but a grand total of two (2) people said they wanted to read it, so here it is. honestly, my opinion’s been going a bit downhill, but the art is really cool and there are some decent parts so. holding out i guess? i really hope taylor has an end goal or at least a cohesive plan, otherwise i don’t see this series going anywhere i’ll particularly enjoy

the cover is very straightforward in its imagery, this villain has nightwing in the palm of his hand, easily manipulated, easily controlled no matter the action dick thinks he’ll take. 

what i find interesting is the colour: both previously and heavily in this issue, the colourist has chosen to make pink this villain’s main colour, with different shades of pink as accents. so why the red in the cover? possibly to just make it more eye-grabbing, though one could argue that pink is even more eye-catching than red. maybe to convey a sense of dread or fear that pink won’t fully get across. either way, it’s definitely a decision i’m curious about.

so melinda zucco is in a high enough political position within bludhaven that she is next in line to become the mayor after the previous mayor died and dick just,,,,didn’t have any idea she existed? dick didn’t know anything about her? forget dick’s own brilliant detective skills, forget his doggedness at anything zucco related, you’re telling me bruce never found her and told dick about her? maybe he wouldn’t have now, but back when dick was a young kid, he definitely would have at least made dick aware of her existence, to let dick know and ask if he wanted to interfere with her life or anything.

i have a thought about zucco’s facial expressions. she is very much stone-cold poker face throughout the entire issue. the only time i see her pull a different expression is near the end when dick corners her against a wall with an arm around her throat. 

this is most certainly intentional, what with the varied and intense expressions we see on other characters, dick most prominently. i’m wondering what exactly is the creative team’s reasoning behind this. in these panels, zucco is meeting with the most dangerous, powerful, near-bloodthirsty man in all of bludhaven and becoming the mayor of the city respectfully. in both of these panels, there is barely a hint of emotion in her face: no fear, no determination, no satisfaction. it’s just odd, considering the circumstances she’s in, regardless of any training recieved.

just spitballing here but. like. from what i’ve read so far, dick doesn’t really seem like bludhaven’s guardian angel. more like when peter parker first put on spandex and blindly stepped out into new york.

dick, how exactly can you underestimate someone from one move. so he caught your escrima. anyone with enhanced reflexes can do that. you still don’t know how he can actually fight, and this is shown in the next set of panels. 

i just don’t like the wording here. dick’s “underestimated” him, but beats him up easy in the next page. in addition, i don’t know much about combat, but i would assume it would take more than one move to determine exactly what an opponent’s skill level is, made even more complex when you add physical enhancements and metahumans and aliens into the mixture.

idk my first thought when i saw that he caught the stick was “ah ok he’s enhanced” because obviously he couldn’t have reacted fast enough if he wasn’t (as there are few people trained enough to catch it on human reflexes alone.) then the wording in the next panel, i’ve underestimated him, made me think “oh no ok so he’s not enhanced, he’s just a really good fighter and can give dick a run for his money in a fight.” then, it turns out my first assumption was proven correct in the next panel. it just comes across as misleading to me.

(also sidenote but his curls are cute.)

have i praised the art enough in this series? no, i have not.

i adore the way this is laid out and illustrated. without even having to read the text, the action sequence is visually engaging and intense, and easily followable from one panel to the next. dick’s physical expertise comes through quite efficiently, and i love the special attention shown to draw our attention to dick’s escrima in the bottom right corner.

also that move in the middle row leftmost panel that’s the mcu black widow move to get up off the ground it was the first thing i noticed and it made me laugh; thought it was worth noting

i’m really loving dick’s escrima sticks in this run. they’re just so multipurpose, it’s hilarious and exhilarating. kinda reminds me of bruce’s belt, the way the button in the middle does eevveeerrryyytthhiinngg. 

got a problem? don’t worry! dick’s installed a feature into his escrima that can fix that! (i like thinking dick helped make them it makes me happy and makes my engineer!dick side satisfied)

yawn. your big heart is your one true weakness yadda yadda the fact that you care will be used against you blah blah we get it. jesus can the villains please find a different weakness to exploit, this is getting old.

i need dick’s capacity to empathize and care and love to stop being a weakness that villains sneer about. bonus points if dick saves everyone anyway, either because of or despite his great big heart and the villain is surprised by the goodness of mankind or some shit like that.

i need it to be a strength, right from the get-go. the fact that he cares so incredibly much should be an asset that dick has and will use. he’s a very complex character with years of background, it can’t possibly be that hard to find another weakness of his. 

ooooh this is cool, gosh i absolutely love this.

because what exactly is the reader doing? we are seeing the fear in dick’s face, just as this villain intended. even better, we’re seeing the reflection of it from the villain’s glossy mask, telling us exactly what we’re seeing and exactly what he likes so much about it.

dick’s standing up straight, shoulders drawn back, looking up at this villain’s face with determination and resolve, but his suit is tattered. one eye looks to be swollen. his hair is falling limply around his eyes, as opposed to the curls from earlier. his escrima aren’t even part of the main focus, instead blending into the side of the mask in the outer corners of the mask’s eyes, which tells you exactly how big of a threat they are to this villain.

poor bitewing’s quite alarmed.

also on second thought why would you bring your puppy out like this, when you know you’re gonna end up fighting someone in the suit. a) how many grey three-legged adorable little puppies live in the bludhaven area dick? and how easy will it be to connect the doggo running around with nightwing with the doggo that dick grayson owns? and 2) is this puppers trained? does she have fighting experience? how exactly can you ensure she will survive this highly stressful situation?

dick take better care of your dog 

you know what? i was with tim on this one. why exactly is dick so optimistic and trusting about the people of bludhaven? bludhaven, which has been described as gotham’s smaller, smellier, more corrupt sister city once or twice. it’s not just the corrupt people in power, the entire system needs to change and people need to have faith and hope in order for them to come together, espcially if they’ve been living in conditions like how bludhaven has been described. from how clueless dick is about his own goddamn city, i can tell he hasn’t been here long.

it was a nice moment of hope, i’ll admit. but it was a tad unrealistic for me.

also it was in a weird place in the comic. this sort of confrontation and big get-together of the people to rejuvenate hope in each other feels like it should come near the end of a run, if not the end of an issue. certainly not in the first third of an issue. the pacing’s a bit off to me.

loyal little puppy patiently waiting for her human to wake up. i love her so much.

no it’s not. it’s bitewing.

living for this t-shirt honestly. do comics of dc characters exist in the dc universe? they must if the mug and the shirt are any indication

(now i’m imagining the first batman movie that came out in the dc universe and bruce just. being so offended at who they chose to play him.)

well, yes. but when a group of people are put through hellish conditions over and over again, they soon become desensitized to the pain and terror of their everyday lives in order to both stay sane and keep their life relatively stable, and part of that becomes ignoring or blocking out anything that isn’t directly important to you or your loved ones. having a bleeding heart will most likely get you killed in a city like bludhaven if you don’t have the same skills that vigilantes have.

and of course, people are more than capable of coming together and rallying under their city’s vigilante after seeing the good they’ve done and how they’ve helped the people, but that sort of trust takes time and effort to build. dick also had the whole ric arc and was gone for a while, which has been referenced several times in this particular issue in fact. that’s not going to make bludhaven’s citizens any more likely to trust him.

maybe i’m being a bit harsh but this comic is comic off as a bit too idealistic for the amount of change nightwing can do in a city given the present and past circumstances as well as nightwing’s own abilities. even dick grayson can’t pull off everything.

ok seriously this needs to stop this needs to stop.

right now, dick reminds me of oliver queen in the few episodes of the cw’s arrow i watched. he does the punchy-kicky-fighty and occasionally has smart insights due to the skills he gained from his past that he certainly definitely totally has but only ever exhibits once, while his team does all of the background research and information gathering and actual work.

this is dick’s city. if he has the same intelligence, worth ethic, and stubbornness in this run that he’s been shown to possess all his life, then he knows this city inside out. he’ll have meticulous notes organized in a ridiculously efficient system, he’ll have scouted out zucco long before this started, he’ll have known when anything big happened in the bludhaven political landscape in an instant.

i’m really not liking exactly how much dick’s relying on babs and tim in this series. sure, he loves them and cares for them and likes working cases with them. but he always pulls his own weight, has always been a mentor figure to tim instead of what’s weirdly becoming the other way around, and takes point on the cases in his own damn city.

what kind of weak-ass oracle is this?? redacted fbi files are child’s play. babs used to hack into the fbi for fun. this one particular picture is so out of character i want to laugh.

reading this series has unfortunately made me confront that, despite the tiny fluid acrobat dick that lives in my head 24/7, canon dick is impossibly 5′10 and muscular at that.

mmm. titties.

tim said hydrate or die-drate bitch

love how dick’s doing all this intense brooding and stuff meanwhile bitewing is curled up in a soft comfy post having the time of her life.

you don’t understand i would legitimately kill myself for her.

also the lighting in this one scene is cool. the blue tones come off so well.

they’re just. so multipurpose!! they can become a bo staff. they can cut glass. they can become a grapple hook/line. they can electrify someone. they’re a funky colour. i’m becoming really attached to these things. absolute solid choice in weaponry.

if you’re gonna write up every rookie mistake dick has made during this series to head trauma, then dick shouldn’t be out and about at all, much less in costume.

see this? this is just straight up wrong. dick most definitely should have spotted her, and would have immediately moved to take her down.

scratch that, dick would have done a full check of the building, because he knows not to break into places uninformed, especially if the owner of the apartment was raised by the maroni family. someone as highly trained, experienced, and competent as dick wouldn’t have done this.

and if you chalk it up to head injury, (which is probably true), than his ~love interest~ and his little brother should have done a much better job making sure he stays in his house.

zucco looks so awkward it’s fucking hilarious

are those shadows that mimic a domino mask, to both reflect and hide the fact that his mask is missing? are those bruises around his eyes, to show how, despite what good he’s doing, being nightwing is hurting dick right now? 

(isn’t his domino mask supposed to have an electrifying feature that keeps people from removing them?)

it’s a little odd how the three known villains of this series are all coloured in warm shades, more specifically pink. meanwhile, in earlier issues, dick’s fondest memories were in pink, memories of him and alfred in particular. why has the colour pink changed from signifying something benevolent to something malicious? idk i hope this gets explained later.

this i did like. either it’s just a display of brute force in anger, or dick slipped the ties and pulled them off once untied. both ways, it’s an unintentional display of power, and i think that’s kinda cool.

again. dick is,,,tall? sort of? weirdddd

i’m so glad most readers are unified in the notion that this was the absolute dumbest fucking thing.

i’m hoping this gets disproved or something soon. and i hope dick doesn’t fall for it, because he definitely knows better than to take something as important as this at face value.

what exactly is taylor trying to accomplish here? why is he trying to go back on what we all knew was a happy, loving childhood and throw strife and disharmony and (what i’m assuming will be) infidelity? this will not end well at all.

---

,,,,,this review got way longer than expected lol. and i realize most of it just became me ranting. i guess i didn’t realize how ticked off i was originally. fingers crossed it gets better.

tag list: @woahjaybird @birdy-bat-writes @anothertimdrakestan @subtleappreciation @screennamealreadyused @bikoncon @pricetagofficial @catxsnow @thatsthewhump @xatanna-troy @red-hood-redemption @capricorn-stark @batshit-birds​ @comics-observer

[galacticxcosmos]

𝐖𝐚𝐬𝐭𝐞 𝐢𝐭 𝐨𝐧 𝐦𝐞 ❣︎ ᵏᵗʰ

Pairing :- Taehyung X Reader

Genre :- Bestfriends to Lovers AU, Erotic, Angst, Romance and Fluff.

Rating :- 18+ ( M )

Word Count :- 4.4k

Summary :- "Not everyone in this world deserves to be loved. I am one of those little number of unfortunate people" that's what you thought after your terrible breakup which led you to your bestfriend's appartment at midnight to seek comfort until things went way beyond just 'comfort'.

Warnings :- It's CEO Taehyung (but no office romance shit), Broke college student, Dom Taehyung, Sub reader, Some angst that idk how I managed to write, Sexual Tension, Buried feelings, Past feelings, Teasing, Morning Sex, Daddy Kink, Pinning, Oral (M receiving), Unprotected Sex, After care (omg) with fluff (omg).

A/N :- I know that I haven't been very active on Tumblr, but trust me I am trying my best, also I am still working on the next chapter for "Chemicals Collide", so please be a little more patient. Also I got inspiration for this Oneshot from Jungkook's cover, I think you guessed it already, but then I saw I had already written a JK Oneshot, so I gave this to Tae baby. Enjoy~

Not everyone in this world deserves to be loved. I am one of those little number of unfortunate people.

I could feel the numb pain in my stomach, feeling like I am going to throw up, going back and forth between feeling nothing and being unable to stop the tears. All I  could think about was if this is really the end. I picked up my pace, now breaking into a fast jog towards Taehyung's house. Tears we're rapidly streaming down my face, uncontrollable at this point. I sprinted through the apartment complex, my legs moving as quickly as they could to get to him. I wiped my face with my sleeve as I got to his floor, a failed attempt to make myself look slightly okay.

I knew Taehyung would see right past these attempts though, he'll quickly understand that I've been sobbing with one glance in my direction. He knew me too well. After knocking on the door, there was a faint thud before someone cautiously opened the door. Taehyung stood there, slightly disheveled with the smell of alcohol dripping off of him. Right, Saturday means Taehyung gets shit faced every night. Although intoxicated, he quickly realised I wasn't okay. "What happened? Did someone hurt you? Do I need to go and fight someone?" He slurred slightly, stepping outside. I chuckled, placing a hand on his chest and pushing him back into the apartment before he got the both of us locked out.

"How many have you drank?" I asked, going to the kitchen and grabbing a water bottle to give him. My legs were threatening to give out, but he should property drink something besides alcohol before he puts himself in a coma. I walked over to where he sat on the couch, handing him the water bottle before going to pick up bottles. Sure, drinking was absolutely terrible and Taehyung may have developed a problem. I just never comment on it because we all have our own ways of dealing with things, not all of them being good. After cleaning up his expensive ass apartment, I went to sit down with him. He was quietly watching TV, taking interest in some show that showed people getting hurt. He was slowly sipping his water, showing barely any interest in the almost full bottle he held in his hand.

"Tae, I asked, how many have you drank?" I asked again. "I counted like 10 while cleaning up." Taehyung didn't say anything, just shrugging as he propped his feet up on the ottoman. I sighed, following his actions and getting comfortable. It must be nice to have an apartment to yourself and not be stuck in a crammed dorm room with another person. Must be nice to not go to school and struggle everyday. Nice to not have your heart broken on the day of your anniversary. Without noticing, a small sob fell from my lips, catching Taehyung's attention instantly. Worry was written across his face as he peered over to me, one eyebrow raised.

"What happened?" He mumbled, moving to wrap one arm around me. He held me close to him, a mix of his cologne and alcohol filling my nose. "He broke up with me." I mumbled, another sob falling from my lips. I wrapped my arms around Taehyung's toned torso, hugging him like there was no tomorrow. "Isn't it your anniversary? Didn't you text me earlier today about everything?" He asked gently, trying not to make it seem like a big deal. Another sob fell, making him realise that maybe it wasn't a good idea to pull on that string. He sighed, moving so he could easily pull me into his lap. I quickly straddled him in order to bury my face in his neck.

My arms still held onto his torso as he wrapped his arms around me. He must've closed the water bottle and tossed it aside sometime earlier, deciding it was more important to comfort me. So, how the hell did a broke college student become best friends with one of the youngest CEOs in Seoul? It honestly still amazes me that we're even still friends, that I get the pleasure of being his best friend. He's everything you'd want in a person. Caring, beautiful, fit despite his work schedule, one of most hardworking people you'll ever meet.

We've been friends since we were teens, simple freshmen stuck together for a lab experiment. Thinking back on it, it's sort of funny because the first thing he ever said was I like your shirt. I smiled slightly, thinking back on the fond memories. Taehyung and I are some of the closest of people, and we're always joined at the hip when we aren't busy. I mean, we grew up together, figured out college together, lost our virginity to each other. I chuckled slightly thinking about it. Two teens frustrated and scared to lose it to someone who didn't know us. It just sort of played out one night, safe word established quickly since Taehyung was so worried. Taehyung shuffled slightly under me.

"What are you laughing about, Miss?" He teased, jabbing my sides. He's always loved fucking with me, and knew how to get on my nerves in just a few attempts. I decided to lie, figuring that, if he even remembered that night, he wouldn't want to hear about it. I shrugged, shoving my face into his neck further. "I was thinking about science when we were paired together." I said, my focus going to my shirt that was riding up slightly. Taehyung paid no attention to it, his hands resting on the bare skin of my back.

"Ugh, don't remind me." He laughed before mocking himself. "I like your shirt." I laughed, shaking my head at him. I sat up, my hands placed on his chest. He seemed tired, but sobering up a bit. His hands released my torso, going to wipe the tears off my cheeks. I smiled slightly before climbing off his lap and standing back up. "Finish drinking your water." I said, tossing the bottle over to where he was sitting. I walked into his living room, opening up the fridge and seeing what was there. I shrugged, settling on leftover takeout I'm assuming was from the shop near his work. I tossed it into the microwave before calling out to Taehyung.

"Do you want anything?" I asked, waiting for a response. "You." A small reply came, unsure and small compared to his normal loud ass. I laughed at him before asking the question once more. He simply said nothing, stating he wasn't hungry. He usually isn't when he drinks anyway. I took the takeout out, walking back into the living room. I sat and ate, making sure not to spill anything because I definitely couldn't afford to buy him a new one. This couch is probably my salary, the boy's got money. "Are you okay?" He asked, reaching over to rub my thigh. "Didn't I tell you he was a dick though? You should date better people. Like me."

I laughed at him, playfully swatting his hand away from me. I went back to my food, not paying attention to the hand creeping up towards my thigh once more. He rubbed his hand up my thighs once more, smiling slightly. "Taehyung, you're drunk." I mumbled, shoving food into my mouth once more.

Taehyung moved once more, placing his hand on my arm. Whines immediately came from me, complaining about the food and expensive couch. "Taehyung, I'm going to spill this on your couch and you're going to be mad at me" I threatened. "Fuck it. I can buy a new one." He mumbled, reaching up to smack the food out of my hand. I jerked my arm away, setting the tray down on the coffee table. "No you can't you drunk cunt." I mumbled, jumping over and pulling him down on the couch. I curled up under his arm, my face buried in his chest while I placed my arm on his side. He smiled, looking up at the TV after placing a kiss on my forehead. He held me closer, and continued to hold me until I drifted off to sleep.

∆∆∆

The sound of shuffling woke me up, my eyes barely adjusting to the bright light. Taehyung was shuffling next to me, struggling to get up. I let out a small grunt, moving so he could easily stand up. He apologized before running off to what I assumed was the bathroom. I smashed myself into the corner of the couch, trying to gain back the warmth that just left. Taehyung's chuckles filled the room as he passed by the living room, walking into the kitchen. He was probably going to go grab pain killers and a water. He waltzed back to the couch, plopping down. I let out a small grunt of disapproval.

"Come on, go and do your classes." He said, pulling me by my shirt towards him. He's always used his strength to do whatever, and it gets annoying every now and then. "Would you stop pulling me around like a ragdoll?" I said, rolling over to look at him. He had a smirk on his face, missing his shirt that he was previously wearing. "Go get a shirt on" I said. "No." He said, dropping a water bottle and laying down. I rolled over, cuddling into his warm embrace. His golden skin always give off warmth, and god I loved it. "Shouldn't you have classes to attend?" Taehyung asked, wrapping his arms around me. I rolled my eyes at him, wondering how stupid he has to be to not understand.

"I just got my heart broken yesterday, why would I want to do anything?" I mumbled, "I just want comfort and to rest for awhile." Taehyung nodded, holding me. He mumbled something that I didn't quite catch, but I was too lazy to ask what he said. "Why do you date douchebags? I mean, they don't give you the love you deserve and end up breaking your heart. You should find someone that actually cares about you." He mumbled, tangling his legs with mine. "Why does it matter to you Taehyung?" I asked, looking up at him.

"Because you come to my apartment at like 3 am sobbing usually. And you shouldn't even be out at that time, with someone else or alone for that matter. It's not safe. And you deserve better." He mumbled. "Would you stop worrying about that? I'll be okay." I could barely even finish my sentence when Taehyung crashed his lips onto mine, our lips molding together within seconds. Taehyung pulled away slightly, attaching his lips on to my jaw. My breath hitched, hands moving to grab at his arms.

"Taehyung, I don't think this is a good idea." I mumbled, his movements coming to a stop and his body stiffing. "I just mean we're probably just confused and I just broke up and you're a famous CEO hooking up with a college st-" I knew if I asked, he would immediately stop. It's not that I was afraid of him doing something stupid, I was afraid of the underlying feelings I had for my best friend. The feelings that make me want to cherish and love him just as much as have him fuck my brains out.

"Tell me y/n, do you really think I don't notice?" He asked, raising an eyebrow. "Think I don't notice the looks you give me when you think I'm not paying attention? You rubbing together your thighs when you're around me?". "Taehyung I still don't think-", "You don't think this is a good idea because you're afraid. You'll have a real man now, someone that will love and appreciate you as well as please you? Listen, I have no problem with that as long as you return it." He mumbled, moving over to whisper in my ear. "Do you know how much you affect me?"

He licked my ear, sucking slightly causing me to whimper. My eyes were screwed shut, head cocked to side. He climbed around so he could be on top, grinding our hips together slightly. His bulge rubbed against my thigh, rock hard. "Taehyung-", "Waste it on me y/n. Your love, please just this once. You waste it on everyone else, so why not me? Why not your best friend that's in love? Please, it's not going to hurt if it's just once." He mumbled, locking eyes with me. "Taehyung-", "Daddy." He corrected, is he serious right now?? He wants me to fill in his kinks now??

"Taehy-", "Did you not hear me babygirl?" He said, staring down at me. I gripped his torso, wondering how the hell I got myself into this situation. How I ended up here, with him. "Daddy, please." I said, coming out more whiny than I expected. He smirked slightly, a look of confidence flushing over his face. "What babygirl? Tell me so I can please you." He said, moving so his face was a mere millimeters away. "Kiss me."

He did, quickly getting rid of the space in between us. I wrapped my arms around his neck, pulling him closer to me. My hands tangled in his hair, pulling slightly. His hips slightly rolled into mine, pulling a moan from the both of us. Taehyung's hands slipped down, running up and down my sides, stopping to squeeze slightly. His hands found their way to my ass, squeezing and rubbing. "Daddy~" I whined, rolling my hips up into his. He let out a small groan, moving to place hot, open mouthed kisses all along my neck. He stopped to suck a small bruise here and there, making sure to leave his mark.

His hands slipped into my shirt, squeezing my sides. I giggled slightly, jerking away from the ticklish action. Taehyung smiled up at me before slipping my shirt up and eventually over my head. My arms instinctively went to cover my skin, Taehyung clicking his tongue slightly. "Come on babe, don't make me tie you up." He mocked, smirking at me. My eyes widened slightly, taking Taehyung back for a moment. "God, I don't remember a freak in highschool.", "Oh my God. Please don't." I said, staring at him. He's referring to losing our virginity to each other, embarrassing.

"So shy and innocent-", "I don't remember such a cocky shit in the bedroom either? You think you've gotten better?" I challenged. "I know I've gotten better." He answered. He's so full of himself. "Whoever cums first, loses." I challenged, staring up at him. He looked taken back. I smiled, sitting up in order to push him back on the couch. I straddled him, sitting on his hips as I took my bra off and tossed it somewhere across the room. Taehyung's hands flew up, squeezing and pinching what he could manage. I let out a small whine when he took a sensitive bud in between his fingers, twisting it roughly. My hips involuntary rolled, Taehyung's hips jerking up. I moved, going to pull on his shorts. The more I pulled down, I realized he wasn't wearing any underwear.

"This was your plan all morning?" I questioned. "Nope, just when I seen you over here looking like a fresh baked snack." He said, making me laugh at how stupid he was. I rolled my eyes, kissing his hips slightly. Once his shorts were off, he wasted no time kicking them halfway across the room. I giggled slightly, laying down on the couch so I was level with his cock. Taehyung threw his head back, his breathing becoming uneven. I licked a long stripe from bottom to top, stopping at the top to flick my tongue along his tip. I slowly wrapped my lips around his tip, sinking down slightly before coming back up. I took inch by inch until he hit the back of my throat, sinking down a bit more before coming up. A low moan fell from Taehyung as I swallowed around him, his hips involuntary bucked up into my mouth.

I fought off my gag reflex, hallowing my cheeks around him. I let him face fuck me, his hands roughly controlling my head to please himself. A loud whine fell from him, grabbing my hair and pulling my head up an off. He wrapped his fingers around his base, squeezing. Once he calmed down, he looked up at me. "Okay Miss, your turn." He said before basically pouncing on me. Our lips connected in a rush, molding together as his hands slipped into my jeans. He popped open the buttons with ease, sliding my jeans down my legs. His warms hands squeezed my thighs, coming up to link his fingers with my lace panties.

He pulled away from the kiss, locking eyes with me quickly before sinking down. He gently pulled off the lace, tossing it aside. After a bit, he nipped at my thigh, sucking a bruise. He continued nipping at my thighs, making me get more and more impatient. "Daddy! Please!" I whined, my hips bucking up. He moved, licking a long stripe. I whined as me began sucking on my clit, flicking his tongue every now and then. My hands were buried in his hair, resisting the urge to crush his head with my thighs.

I felt Taehyung's smirk, wrapping his arms around my thighs and pinning me down. I bucked my hips into his mouth, a low moan falling from my lips. "Taehyung, slow down." I whined, my legs shaking in his arms. He did, slowing down his tongue flicks. He let go one of my legs, moving his finger to me gently. Slowly, he pushed his finger in knuckle deep. I couldn't fight the loud moan that fell from me.

"God I fucking love your thighs." He mumbled, drawing circles where one of his arms was still wrapped around me. "So thick and full, so much better than the sticks that throw themselves at me." A small laugh came from me, shaking my head at him. "I'm sure you've had plenty of those sticks in here." He shook his head, drawing his finger out slowly before pushing it back in. I grabbed his wrist, positioning it a bit differently and told him to curl his fingers next time. He followed, hitting exactly where I needed him to. My whole body jerked, making him smile up at me.

"Fuck I've missed you." Taehyung groaned, talking to himself more than anything. I wasn't sure if he meant me, or my heat. I decided not to ask, not wanting to get hurt over something so stupid. His fingers picked up their pace, hitting exactly where I told him. Moans fell from my lips, my head thrown back as I held onto his head. Slowly, I felt an orgasm coming upon me. "Taehyung!" I whined, grabbing his arm and jerking him away. He could easily continue, overpower me completely with just one hand. But Taehyung isn't like that. He became instantly worried."Are you okay? Did I hurt you? Do you want to stop?" He asked, panic striking him from all sides.

I laughed, sitting up. I pulled him to me, kissing him as deeply as I could. "No, you're okay. Just, a bit overwhelming." I smiled. He nodded, sitting up. "Is it okay if I continue, I need to stretch you out. I'd hate to hurt you." He said, slightly hesitant with each word he spoke. "Of course. And what happened to the man that was just so cocky seconds ago?" I asked, teasing him. He scoffed, continuing. He started with one finger, slowly adding a second and beginning a scissoring motion.

Small moans fell from me, gripping his arm where I was able to. Looking down, Taehyung still wore his arrogant smile. After he deemed me stretched and ready enough, he sat up and in between my thighs. He looked around for a few seconds, for what I'm assuming is for a condom or something like that. "No condom." I mumbled, making his attention snap back over to me. His cheeks were slightly flushed and eyes full of concern and slight worry. "I'm on the pill." I reassured. "Yeah, but that's not a 100% you won't get pregnant." Taehyung mumbled, still worried. I laughed, shaking my head at him.

"It's pretty damn close, but if you're really that scared go find one. I'll be here waiting for you." I teased, watching his eyes narrow at me slightly. I giggled as he pounced on top of me, pinning my arms above my head with ease. A small smirk grew on my face as I nibbled slightly on his earlobe. "Daddy, please fuck me." Taehyung couldn't resist anymore, positioning himself before easily sliding in. He let out a loud grunt as he bottomed out, his head falling into my neck. "Fuck, when's the last time you've had sex?"

"What? What do you mean?" I asked, slightly panicking at his question. Taehyung slowly pushed himself up, sitting back on his legs with my thighs in his palms. I propped myself up on my elbows, watching as he slowly slid out before slamming back into me. I jolt of pleasure shot throughout my body. "You haven't been fucked in awhile, no? You're so tight." Taehyung said, placing on of my legs over his shoulder to give him better access. I let out a loud moan as he picked up his pace, gaining a steady and rather quick rhythm. Taehyung was letting out small grunts, his face becoming sweaty and his bangs sticking to his forehead.

"Ah, Taehyung" I whined, grabbing onto his arm as he pounded into me. He scoffed, leaning forward to nail my g-spot. He was folding me in half, basically. "I'll let that one slip, babygirl. But next time you're getting punished." He growled, crashing his lips onto mine while still maintaining his thrusts. As the kiss became rougher, so did his thrusts. The sound of skin hitting skin soon filled the room accompanied by moans. Taehyung's grip was harsh, holding onto my waist and thighs like it was the only thing keeping him alive. I could barely see straight anymore, pleasure washing over me. I smiled, remembering something Taehyung was absolutely weak for. I reached up, taking one of his sensitive buds in between my fingers and flicking it roughly.

He let out a throaty groan, head falling forward slightly. He was focusing on his thrusts, speeding up and slamming harder than before. Profanities spilt from the both of us, gripping onto whatever we could to keep us in place. "Fuck, I'm going to cum." Taehyung moaned, making me smirk up at him. I mumbled a small, then I win. His head shot up, completely forgetting about the dumb bet set long ago. His fingers went straight to my clit, roughly stimulating me. I yelped, holding onto his wrist for dear life while clamping down around him.

His thrusts we're sloppy and more desperate than before, quickly reaching his high. With a few lasts thrusts and moans, he came deep inside of me. As soon as he came, the stimulation caught up and sent me flying over. Bolts of pleasure shot throughout me, my toes curling and head thrown back into the sofa. I ripped Taehyung's fingers away from me, becoming too sensitive. He smirked, sliding his fingers into my mouth. I licked them, rolling my tongue in between. He watched, shaking his head.

My body was shaking, something Taehyung was quick to notice. He laid his body weight on top of me, kissing me with the most passion he ever has. The shaking came to an eventual stop, both of us relaxing for a few seconds. "Well, I guess we both lost." I mumbled, not really knowing how to not make this awkward. Taehyung laughed, shaking his head violently.

"Let's not do that weird thing where you think I'm going to suddenly leave you." He smiled, running his hands up and down my thighs. "I'll go run us a bath." He got up, jogging into the bathroom. I heard water turn on followed by a few drawers opening. After a few moments, he came back and scooped me up into his arms bridle style, making me laugh. Taehyung sat down first, then helping me sit down in between his legs. I let out a small hum, leaning against his torso and relaxing. "You know Taehyung, this is really nice." I smiled, letting him trace little patterns onto my shoulders and chest.

He smiled, kissing my shoulder gently. "Your girlfriend is going to be so lucky, she just doesn't know it yet.", "Well um, I was actually hoping you'd be my girlfriend. And I mean like, official official like dating and going out and doing things together." He laughed, "Not just hook-ups at 3 am.", "Are you serious? You're messing with me?" I calmly said, acting as if I didn't care but the frantic beating in my chest told another story. "Yeah, I've loved you since like high school." Taehyung said, becoming cheesy and acting offended when I made fun of him for it.

"I'd love to be with you Taehyung. I just think it's weird that the youngest CEO in the world is dating a broke college student." I said. "And don't get me wrong, I'm not dating you just because you're a CEO. I actually do love and care about you a lot. I always have cared about you in a more than friends way.", "Stop referring to yourself as a broke college student. You're my best friend since high school, my first ever love and my love now." He said, a dumb smile plastered across his face. I laughed, making fun of him again.

"I'm glad Taehyung. I love you too." I smiled, looking back and pecking his lips. He wore the brightest smile, kissing my shoulders while wrapping his arms around me and holding me close. I smiled, "Jesus Christ I'm happy that dick broke up with me." Taehyung laughed in response, "Get broken up by a dick and then dicked down after. You fucking slut.", I laughed, turning around to punch him in the shoulder. "Says the one that was willing to fuck me right there, on the spot." I said, mocking him. "Hey, you never told me to stop. And if you did you know I would've." He said, beginning to ramble and get cheesy again. "Okay, relax. You just fucked me, don't get all phycological about it." You playfully rolled your eyes.

"You know what?? I am glad that this time you wasted it on me" he lovingly kissed your cheek.

The End.

Feel free to like or reblog, comment down any requests you have and you can follow me inorder to stay updated.

~peace out.

[lovenona]

it’s here, it’s wild, and it’s fun – welcome to “what happened after the art show” featuring everyone’s favorite menace art student ryomen sukuna (previous installment here and full universe here) 

(note that this does contain some references to explicit content – it will be clearly marked within the text) 

now that i've captured your attention: there are a myriad of ways this could go, really. let’s start with the basics. 

first things first: while the thought of scratching up geto’s stupid little car sounds awfully appealing to you, and while you simply wanted to accept the offer for the sake of sukuna’s unusually kind gesture, you also know that you don’t want some serious claims filed against you. geto’s a prick, as you’ve learned, and it’s best to keep things civil. 

so you politely tell sukuna as much, and while he might tease you for being a coward, you know there’s no real malice behind that impenetrable voice of his. 

but the night is not over! sukuna will take you to his car, then. it’s vintage and black and a little beat up and there’s miscellaneous art supplies and tattoo reference books strewn across the backseat, but it smells so distinctly like sukuna that it feels strangely like home. he controls the music, of course, blaring indie and punk with his windows cracked so every stoplight can hear. (he has a preference for wolf alice. he thinks the lead singer is hot.) and even better, he’s got a smirk, a real one, as he drapes one hand across the steering wheel and the other on the glove box between you. 

(you think you’d like his hand to reach further. but you’re still technically in recovery mode, so of course you won’t say it, not yet.) 

your earlier sadness melts away with every minute you spend in sukuna’s car. he’ll take you for a drive without needing to ask. he can read the vibe – it’s you. you don’t want to go home, you don’t want to go out, you don’t want to be anywhere; so he’ll keep you in that liminal space, driving in circles and turning down strange roads whenever and wherever he feels like it. he’ll pass familiar buildings on campus to make a silly little quip, drive past the grocery store to watch students filter through with their reusable grocery bags, drive past the parks that loom in the dusk shadows. you don’t need to talk, and neither does he. it’s quiet, strangely, but a silence so comfortable you hardly notice it. 

and, frankly, the most realistic ending to this night would be that sukuna drops you off at your apartment complex and lets you go home for the night with a final joke. but, of course, i know that’s not why any of us are here. 

so, of course, let’s go to sukuna’s place, instead. it’s an expected gesture, almost, and you can’t say you’re particularly surprised when you see the familiar building come into view. you’ve been to his apartment a few times now, and it’s a place you’re beginning to learn like the back of your hand. 

at this point, your night could go one of two ways. you may now choose your own adventure: safe and fun or sex and spice? 

safe and fun: (mentions of alcohol) 

you’re stumbling through the door with sukuna, arguing with him as you always do, only to find yuuji and his crew in the living room playing god-knows-what on the xbox. they’ll wave you in with a casual vigor, their loud and raucous behavior making sense once you see the array of empty white claws on the table. (many of them are mango. it’s yuuji’s favorite flavor.) 

“you’re back early,” yuuji tells sukuna with a loopy grin, a grin that suggests something unspeakable as he wiggles his eyebrows. he looks at you with that dopey little smile and you roll your eyes. 

“the art show sucked,” sukuna responds, scrunching his nose and heading to the kitchen to fix himself a drink. “you fuckers still drink that shit?” 

sukuna, you know, hates white claw. he’ll only drink hard alcohol, mixed drinks, things that make him feel like a man. you’ve seen it firsthand countless times by now. 

“you’re fourteen minutes older than me,” yuuji whines. “don’t act so high and mighty, old man.”

so sukuna will make himself a drink – a real drink, he clarifies – and offer you a glass almost instinctively. your fingers brush his as he hands you the glass. something electric runs across the surface of your skin, rustles your bones. you make eye contact, and it’s a thousand lifetimes unsaid between you. 

(you wonder if you like him. you don’t know.) 

so the night passes: you watch yuuji and his friends try and struggle to complete the missions in their silly little game as sukuna sits next to you, flexing his biceps as if he knows you’re watching from the corner of your eyes. megumi yells at yuuji who yells at nobara, and while they offer to let you play, you simply cannot break the connection between them. you like the way yuuji laughs and the way nobara smiles and the way their presence is like a soothing balm, cool and collected. 

it’s strange and comforting all at the same time, this newfound ease you feel as you settle back into the couch, your drink sweet on your lips. 

the night is a warm lilt; the silly party plays their games, you watch, sukuna acts indifferent to the spectacle and threatens to return to his room at any moment. you know, though, that he’s enjoying himself, even if only because of his posture and the smirk ghosting his lips. it’s wonderful and mundane and in this moment of pure domesticity, you can allow yourself to forget the night’s events entirely. 

you hardly remember silly geto now, you do. you know you’ll be angry as all hell when you see him in class but for now, here, it’s okay. 

and when you fall asleep, slowly, suddenly, someone – you think sukuna, but he insists he didn’t – tucks you beneath a layer of warm blankets. it’s a warm night, a comforting night, one that feels like a kiss to the forehead. you need it. 

(you think sukuna really does kiss your forehead, too, but you don’t know. when you wake on the couch the next morning, you wonder whether it could have all been a dream.)

sex and spice: contains nsfw, slight dubcon (both characters are tipsy but very much consenting and happy with their situation), oral (f! receiving), sukuna being a tease 

oh, but the second option. you’ll stumble through the door in this life to find that yuuji’s not home – the apartment is dark and quiet and full of a tension you cannot name. you’ll become hyper aware of your actions, suddenly, shyly, taking note of the exact way you take off your coat and shoes and leave them in the doorway. sukuna feels incredibly present and you don’t know why. you’ve been alone with him before, but perhaps it’s different when you’re alone like this. when it’s his home, his couch, and not a classroom. it’s different, now, when the chances of being seen by strangers have decreased significantly. 

you’ll warm up slightly, though, when sukuna offers you a drink in that teasing voice he always uses when he wants to fluster you. he’ll fix the drinks with a bartender’s ease and sit down on the couch, throwing an arm back, letting his bicep tattoos flex in the golden glow of the living room. 

it’s so quiet, and you’re trying your best, really, but you don’t know what to say. you’ll put the television on and sukuna will find something you both know you  won’t watch but lets you ease the strain. you’ll make fun of it, he’ll make fun of it, and you’ll slide back like molasses into the lazy semblance of friendship you’ve cultivated together. 

and it’ll be easier to feel normal, too, once you’ve had a drink or two – your tongue loosens up, and you find yourself able to say things to sukuna that you’ve never said before. you find yourself forgetting that you’re alone with sukuna in his house, and that you are suddenly and absolutely nervous in a way you have never been before. 

“so tell me,” he’ll ask, turning to you on the couch, brave and arrogant with a dark and stormy in his system. “how was it?”

you pretend you don’t know what he’s talking about. “how was what?” you’ll purse your lips together and suppress the butterflies in your chest. you wonder just how long you have thought sukuna to be attractive. 

he’ll shake his head. “fucking geto, you idiot.” plastered across his face is the smirk you’d know with your eyes closed. he leans in, slightly, not enough to terrify you but enough to leave you struggling to form a complete sentence as your brain shuts down. 

but you’ve had something to drink, too, and while in daylight you would have ignored his question entirely, brushing him off as a perv and a jokester, you can’t help but think there’s something different in the aura of the room tonight. you can’t help but be honest. 

“it was fine, i guess,” you tell him. you shrug your shoulders and look back towards the television. you pretend you care about what you see. 

he smells like something smoky and earthy today. “fine?” 

you try to make a joke, but your head is spinning from his undivided attention. you do not know what you are anymore. “are you always this interested in my sex life?”

sukuna, surprisingly, grins with genuine amusement. “no, but geto gives off the vibe of a limp dick film boy, and i wanted to know if it’s true.” 

“limp dick film boy,” you repeat, and a hearty laugh escapes your bubbling chest. you feel your inhibitions melt away, and your secrets fly out of you, the horrifying experience of the art show fading behind you. you’ll deal with geto in class, you think vaguely. at least he never said your name. 

you sigh, forgetting him like a bad pun. “i mean, i guess it was fine. i don’t know.” 

“you don’t know.” you can’t tell if he’s being condescending or if he’s genuinely concerned for the state of your pitiful sex life. “did he at least give good head if he made a fucking sculpture about it?”

“what?” your heart stops, your face is hot, your brain on fire. it’s not that he’s crossed a line, you think, but that that question opens something deep and unspeakable and strange. “no?” you don’t know why you answer, but something within you tells you that you must. something tells you that the world is shifting, and you must follow.

“he didn’t?” you feel the couch shift as sukuna shifts closer. “what kind of fucker doesn’t? it’s common courtesy, you know.” 

“he didn’t want to,” you respond, but you don’t know what you’re defending.

“and if i do?” 

you freeze. one of sukuna’s hands traces your shoulder like butterfly wings. it must be the rum talking, you think, because there’s no way sukuna would want you. it wouldn’t make sense, certainly, you rationalize. he must be out of his mind, this must be a joke –

“you still there?” a finger taps your forehead. 

“yeah,” you respond, returning to yourself. you curse your flailing heartbeat. you turn to look at sukuna, so close to you, and you’re met with the terrifying depth of his dark gaze. you have never seen this gaze, this look that places you at the center of the universe. your breath nearly catches in your throat. 

sukuna leans in. so do you, instinctively. you disregard geto and the sculpture and everything that came before. this, you think. this is what it should have been like. you’ve been waiting for this moment since the first time he kissed you months ago. you’re overcome with sensations you cannot name, an ache that builds and spreads through your belly. perhaps you’ll regret it tomorrow. but now, here, you want it more than anything. 

“you don’t have to,” sukuna says. his breath is hot on your cheeks. 

“i want to,” you say, and it’s a kiss for the ages. 

so he’ll push you backwards to lie on the couch, and his shirt will be off and disregarded before you can think about it. you’ll trace the tattoos on his broad chest, lines and patterns you’ve never seen until now that you will never be able to forget. you’ll memorize the feeling of his tongue in your mouth, the smooth metal of his tongue piercing sending shivers down your spine. it’s messy and crude and everything you would expected it to be – neither one of you is willing to give in to the other. neither wants to admit this is anything more than a challenge. 

(you’re in heaven, though. geto who?) 

and fuck, god, the look he gives you as he asks if he can take your pants off now: you’d paint it, frame it, place it in every art museum in the world if you could. it’s the second time you’ve taken your clothes off for someone in your life and while it’s strange and weird and sukuna, it feels right at the same time. he bites your neck when you left your hips to slide the clothes off you body and you feel dizzy with hunger. 

sukuna loves to tease. he’ll make his way down your body slowly, tantalizingly, sly, and you swear you’ll lose your mind if he waits any longer. and when he looks back up to meet your eyes, with that lustful, dangerous, blown-out gaze, you know you’re fucked. you know you’re fucked when you realize it’s ryomen sukuna hanging out between your parted thighs, asking for consent before he places a soft kiss to your clit. 

and you know, you know bitterly, that this would have been the most mind-blowing sex of your life had the key not turned in the lock because yuuji decided to come home early. 

so you scramble to get your shit together, angry and disappointed. and even though you’ve regained your clothes and your dignity before yuuji can even remove his shoes and make his mindless way to the living room, you cannot quell the fire that grows within you. you cannot stop the hunger that has already begun. and sukuna knows it, too, because his eyes have not lost the look of a predator looking for prey. 

(and, you notice, because his dick is still hard.) 

he looks at you, and you look at him. he leans in, grins, whispers, “my room?” 

[luninosity]

A few thoughts, mostly me trying to work out my own reactions, about the new Falcon & Winter Soldier trailer (under the cut, hopefully, to hide possible spoilers!):

(this is all just my own personal feels! yours may differ!)

~more Sharon! Sharon getting to actually be awesome, it looks like! I’m here for that!

~I like the overall look, obvious production values, clear exploration of another new genre (buddy action comedy)

~Mackie and Seb are obviously having a fantastic time!

~I like seeing a Bucky who’s sarcastic, (relatively) recovered from trauma, out there trying to help people/the world; I like the brief glimpses we get of Sam struggling with the legacy; on the other hand...

~...I really wish we’d gotten some more exploration of Bucky’s recovery, and also of Sam’s (probably complicated) feelings about taking up the shield - I feel like all the promo has been action/snark at the expense of emotion/interiority, and that feels like...not necessarily a bad omen, but like they’re going to just sidestep a lot of what I like best in a narrative, which is complex character development

~along the same lines, there’s definitely such a thing as *too much* snarky comedy, where every single line/scene is that and no genuine emotion or affection - minus sarcasm - ever balances it out; you’ve gotta have moments, even wordless ones (maybe especially wordless ones) in which these characters actually do seem to...like each other...respect each other...value each other’s contributions...right? (obvious example where this works well: Leverage)

~I feel like so much of the trailer is Sam being kind of a dick to Bucky, frankly, and Bucky being justifiably Grumpy about it. That’s not 100% a bad thing, and it’s fun, and it’s nice that Sam doesn’t walk on eggshells around Bucky, but it’s a dynamic that at least for me will get old fast if it’s *all* there is, or if it stays that one-sided.

~Sam’s joke about “you got your ass kicked by a little girl” REALLY doesn’t sit right with me. These two characters have to know by now that size and gender don’t mean anything when it comes to power, right? Why is this funny? Why say it? Why are audiences supposed to find it funny? If that’s an example of the humor we can expect, it worries me.

~Zemo is interesting in a post-Blip world! I completely understand him being utterly and totally done with superheroes, honestly. But we did just need them on a large and dramatic scale, didn’t we, in Endgame? Or...did we? Was Endgame basically unnecessary, as the world had moved on? (Of course we needed to get beloved characters back...) I hope the show actually takes the time to explore the nuance of his position, so it’s not just “superheroes suck and shouldn’t be around!” (which is an Evil Dude position, right? because we naturally sympathize with our heroes, so just being anti-heroes makes someone Evil, right? /sarcasm) but something actually informed by past events, a choice made by someone who’s looked at and thought long and hard about the world and how to make it a better place, and the ethics and cost of that decision - I want a villain who actually changes the heroes and how they think about themselves through the course of their confrontation, not just someone else we deal with and shrug and move on from

~I like Zemo’s costume choices!...still not a huge fan of Bucky’s new jacket; not flattering in cut/fit on Seb; I miss Bucky’s long hair, both purely for aesthetic reasons (more hair is good, people!) and because short-haired Bucky now just looks more like “generic white boy superhero;” having said that, I completely understand if it was a character choice, in order to shed the Winter Soldier persona, but I would’ve loved to’ve seen that reclaiming of self and agency!

~the Falcon outfit looks good! Love the wings and how much we get to see him in action!

~I really want to be optimistic, but...I’m also nervous. I wanted to love the trailer, and I like it, but I don’t love it. I don’t know that I trust Marvel with good character development these days, especially with Bucky, but also Sam. There’re elements I would’ve loved to see that I think would be very relevant right now - healing from trauma, Sam being empathetic, a complex villain, humor that feels kinder (maybe more about the job or *shared* experiences?) and less about making fun *of* someone - and I don’t think we’re going to get any of that.

~I do think we’re going to get an interesting exploration of Sam’s journey and his struggle with picking up the shield and the Captain America identity, which should be fantastic and also timely. I think they’re going to try to be funny, and it’ll definitely be quick and action-y and a decent fit in the genre they’re going for. I’m trying to be hopeful; remaining ambivalent but willing to be convinced.

~anyway, all just my personal thoughts, at this particular moment, after the Superb Owl trailer! your thoughts may differ!

[tainted-muses]

Rules & Muses

(Muses will be under a read-more)

1. No god-modding! Do not write my characters for me; stick to your own characters.

2. No nasty stuff! Like vore, scat, vomit, guro, excessive violence… that’s for my sideblog.

3. Do not pester me about replies! I get online very infrequently, so please be patient.

4. Don’t just hop in my IMs saying “RP?” or “RP pls?” or anything like that; send in a prompt, or a message. If I like it, I’ll reply.

5. Don’t take me too seriously. I promise, I’m not trying to be mean; I’m just bad at reading texts.

6. No NSFW RPs with anyone under 18+. I shouldn’t have to say this, but I do.

7. …Have fun. Seriously. We’re all trying to have fun here.

If you actually read these, just tell me. No passwords necessary

OCs:

Name: Jazz Steele

Sex: Male

Height: 7′2″

Age: 20

Description: A rich-kid with an inferiority complex, Jazz tries his best to be kind to everyone he meets- but, he’s got a bit of a mean streak when it comes to sex, and he’s a little insecure about how rough he can get. Set to inherit his family’s fortune, he’s honestly just trying to relax and have fun before he has to take on the responsibility from his mother.

(Side note: Jazz used to be a sci-fi OC based on the game Trials in Tainted Space, but over time he’s just become a fandomless oc that I insert wherever I want. His personality’s roughly the same wherever he goes, though- the same goes with his sister and his mom.)

Name: Jasmine Amber Steele

Sex: Female

Height: 7′3″

Age: Never ask a woman her age! (Which means she’s most likely in her late 40s)

Description: Recently widowed, Jasmine is currently the one in charge of the Steele family business- what that business is depends on the universe that I decide to insert these OCs into- but in all honesty, she doesn’t do much; she was never a businesswoman, so she lets other people handle it for her. Jasmine just wants to mourn her lost love... although, it’s rather easy to seduce her- there’s a lot of love in this woman’s heart.

Name: Bebop Steele

Sex: Female/Futa (depends on what i feel like writing her as atm lmao)

Height: 7′2″

Age: 22

Description: Jazz’s older sister (by 2 minutes), Bebop is... a lot more cruel than her big brother- she ran away from home at sixteen, and has effectively become a gang leader, though the nature of her ‘gang’ changes depending on the universe- a space pirate, a more traditional ‘gang,’ hell, sometimes just a pirate. Bebop still has room in her heart for kindness, but due to traumatizing experiences in her past, rarely does she view someone as more than a tool to fulfill her desires.

Canon:

Name: Hakuno Kishinami

Gender: Variable

Species: Human/NPC

Height: 5'6" (Male)/5'2" (Female)

Description: The last Master in the Moon Cell, Hakuno technically isn’t a real person- as while their body is based on a comatose amnesiac from Earth, Hakuno is just data, stored within the SE.RA.PH. However, their determination and level-headed nature led to them winning the Holy Grail War, and taking control of the Moon Cell and SE.RA.PH. as its ruler and administrator, the Regalia and Command Seals showing their right to rule over every Servant, NPC, and Wizard within SE.RA.PH.

(I will also RP as any Servant from Fate/Extra or Fate/Extella Link, though not from CCC as of the time of writing, with a preference for:

Nero Claudius

Tamamo no Mae

No Name Archer/Nameless

Robin Hood

Li Shuwen

Gawain

Lu Bu Fengxian

Though if there are any Servants from Fate/Extra or Fate/Extella Link that you’re interested in, feel free to shoot me an ask for ‘em, and I’ll try my best!

No Darius III though. I will be deleting any ask that mentions him.)

Name: ???? (Goes by “Lamb”, “The Lamb”, or “Great Leader”)

Gender: ???? (Has a dick though. And probably a few tentacles.)

Age: ???? (Immortal)

Species: Lamb/Deity

Height: 4'7"

Description:

“That which is not dead can eternal lie, And with strange aeons even death may die.”

…although, the Lamb wouldn’t describe themselves that way. Yes, they’re a cult leader, and yes, they’ve murdered countless on violent crusades- but they’re completely trustworthy! Honest! Just come to the cult’s base of operations! It’s practically a never-ending orgy there! There’s just a lot more tentacles involved than one would usually think. And a lot more ritualistic sacrifice to appease The Lamb’s never ending desire for continued power.

….Ignore that last part. You can trust the Lamb. You can always trust the Great Leader.

[skamamoroma]

hey do you mind summarizing what happens with martino and nico? i heard they broke up??? i’m just really curious how they changed s4. i don’t have netflix lol and don’t speak italin

Oh I can’t sleep so I’ll do my best - you need to watch yourself though! NOTE: I’m not fluent Italian so if I got anything wrong, please tell me! I had help in understanding it so I think I got most of it!

SPOILERS SPOILERS SPOILERS: don’t read!

- Nico keeps some pretty big stuff about his past to himself but effectively he had feelings for one of the Rose squad aka Sana’s brother’s friend, Luai

- Luai is gay (I think, not 100% on his actual sexuality) but this was NOT like the Og. They had an actual THING. Luai’s family took his sexuality VERY badly and things happened

- The fallout from it all is how we have Nico with us now. Luai was the one filming Nico for his piano video.

- Nico doesn’t tell any of this to Marti and he’s clearly frightened but he still cares a huge amount for the boys. They were clearly a huge part of his life. At a party, Marti sees Nico looking at Luai across the room and Nico walks off to the Rose squad to say hello and they look very close. Marti looks betrayed. He reads into everything. Marti ends up losing his temper with the Rose squad and a fight starts because of what he saw.

- Marti feels lied to. Nico continues to lie to him because he doesn’t know how to explain it. Marti doesn’t believe him and Marti asks Sana about it but she respects Nico not to say

- Marti leaves Nico. They don’t really break up as such. It’s a little hazy. It’s more Marti freaking out and being terrified of losing Nico. He full on has what can only be described as a LOW POINT 😂 and is a real mess. He’s clearly so scared of losing Nico and their communication breaks down. He doesn’t speak to him because he’s too proud and frightened. I mean, Nico is his family!

- Marti is taken to Dr Spera by the boys and Elia calls Sana to help Marti understand. Marti is 100% heartbroken. Sobbing and genuinely his face broke me

- Marti moves in with Filo (scenes of hilarity!) and feels sorry for himself like a total ass. He is clearly freaking out because he believes Nico doesn’t want him, is going to leave him...

- Sana finds out that Nico has zero interest in Luai and that Luai is engaged! But he’s frightened to make it too known after what happened in the past. She tells Marti

- Gio and the boys tell Marti to stop being a dick. Marti says things are really tough and he feels like he’s going insane as Nico is being difficult and Gio (yes dude) tells him that Marti knew that things wouldn’t always be easy and that Nico tries so hard and basically tells him they love each other and to stop being idiots

- At Silvia’s birthday, Gio decides they should play a game of hide and seek and Gio chooses Nico as the searcher. Up until this point, Marti and Nico aren’t speaking and are sharing all these long puppy dog looks. Marti continues to be a dick about it all aka he’s frightened and feels he’s messed stuff up. The entire gang end up helping Gio to look them both in a bedroom. Marti is literally under the bed 😂 calls them all bastards. Typical Marti stuff. Nico asks if he can come under too and then we’re robbed of that scene 😫

- They’re back together, even if they weren’t necessarily broken up... just apart and, well, being idiots. It’s Marti’s birthday and they’re at the beach. Nico BUYS HIM A RED JUMPER (don’t think I didn’t notice that shit) and they banter and Marti says they need to be honest with each other and Nico says he will answer absolutely anything so Marti asks him a few questions about his past. Marti, like an idiot, spoils his own surprise birthday and they kiss which is seen by a fisherman who shouts homophobic bile

- Marti screams at him, calls him a dickhead, goes off on one and Nico calms him down, reminds him they don’t give in to people like that and to focus on the here and now. They have the sweetest cosiest cuddle and Marti asks if he can still throw the fisherman in the sea. Nico tells him no and smiles because Marti is an idiot but he’s his idiot and they’re both idiots together

It’s a LOT of mess and they’re genuinely given a LOT of time... and Marti has even more! But, for me, although it is messy, it works. Personally, I think all Evaks have the same experiences we just don’t get to see it. We do here and they both are in the wrong in different ways but both come with a LOT of complexity and a LOT of things that can make a relationship a challenge but through the entire thing, you can feel how much they adore each other. Marti is legit BROKEN by the whole thing and his own idiocy.

I love them both endlessly and I genuinely enjoyed seeing them tested. I trust Ludo with them. He knows Marti WELL. Marti has never been only sweet and gentle. He has always been spikey with a temper and blunt honesty. He can be a little jealous and manipulative. He can snap and can be insensitive. But he’s also incredibly brave and kind and loving and patient. He’s funny and loves with is whole heart. He’s sarcastic as hell, he calls you names out of affection, he’s horrendously literal... he’s VERY complex. But Nico also isn’t at all simple. Season 2 left them reaching a common ground and realising their love and we watched Marti realise he considers Nico his family and learning compassion. Here... that’s threatened to be taken away from him but all because of his own fear of being left and abandoned... he kind of orchestrates it himself 😂 albeit not helped by Nico keeping things from Marti and lying... again, out of fear that he’d perhaps mess things up if Marti knew. The whole thing is just fuelled by fear of losing the other!

The way they chose to test them, you can only do that with couples whose grounding is well established and I hope when you watch it you enjoy it! 💙

[to44y]

39 Role-Play Fantasies Every Gay Couple Should Try

By Alexander Cheves

39 Role-Play Fantasies Every Gay Couple Should Try

I snuck into the bedroom on all fours. I was tired. It had been a long day. My boyfriend at the time was sleeping on the bed. I started sniffing his neck until a sleepy grin formed on his face. When I knew he was awake, I licked him — a long, sloppy, wet lick up his cheek — then ran to the living room. 

I heard him behind me. “Where are you going, puppy?” I was being bad. I was on all fours, shaking my ass on the sofa in his direction. He pulled out his dick and said, “Here boy.” 

This is role play. Specifically, this is “puppy play” — a form of role play I love the most. Role play can be spontaneous or pre-planned, and as elaborate as you make it. At its simplest, role play happens when two adults consensually engage in an eroticized pretend game, a shared sex fantasy. And it is not limited to two adults — group role play offers some of the hottest sex experiences imaginable.  

Everything in the world can inspire role play. You could do sofa role play and have someone sit on you. The most iconic gay role play scenarios have been done and redone endlessly by gay porn companies because they work — “Daddy and Son” will never get old — but that does not mean you can’t try them out for yourself. Try these 39 role play scenarios for the adventurous gay couple. Use your imagination! 

A Word of Warning From Writer Alexander Cheves

My name is Alexander Cheves, and I am known by friends in the kink and leather community as Beastly. I am a sex-positive writer and blogger. The views in this slideshow do not reflect those of The Advocate and are based solely off of my own experiences. Like everything I write, the intent of this piece is to break down the stigmas surrounding the sex lives of gay men.

Those who are sensitive to frank discussions about sex are invited to click elsewhere, but consider this: If you are outraged by content that address sex openly and honestly, I invite you to examine this outrage and ask yourself whether it should instead be directed at those who oppress us by policing our sexuality.

For all others, enjoy the slideshow. And feel free to leave your own suggestions of sex and dating topics in the comments.

Hungry for more? Follow me on Twitter @BadAlexCheves and visit my blog, The Beastly Ex-Boyfriend. 

1. Construction Workers

As I write this, the house next door is being renovated. If you listened to them, you would think a gay porno was being shot outside my window. Lots of laughing and group camaraderie with one poor guy (the sub) making pained, grunting noises. He’s being paddled with what sounds like a wooden paddle wrapped in sandpaper. Just when I think the mean top is about to ease up, the sound of an electric drill starts, and the guys start laughing again. They’re playing old school country music and I imagine there’s lots of spitting. One of them literally says, “It’s a bitch.” 

Construction worker role play is a great group role play to get into if you can conjure up some buddies and orange vests — and you can even redo your kitchen in the process.

2. Sports Teammates

There seems to be more “locker room” gay porn than any other sub-genre. You know the scenario: a young freshman walks in the locker room among the beefy seniors on his football team, who have a nasty initiation ritual planned for him after practice. 

Accouterments of this play involve sports gear (a fetish all on its own), knee-high socks, gym shorts, copious amounts of sweat, and that wonderful camaraderie that forms when the group’s submissive guy gets bent over a bench press. 

3. Frat Boys

The gay porn site Fraternity X has capitalized on the fantasy of frat boy hazing. All their videos have the same basic narrative: a group of horny college guys are sitting around in a trash-strewn commons area drinking beer and watching TV when one bro starts running his mouth. Before long, his hands are tied and his mouth stuffed with someone’s underwear while everyone takes turns fucking him in a swivel chair. “Come on bro, it’s not gay if it’s with your brothers.” 

4. Brothers

When my ex-boyfriends and I visited new cities where no one knew us, we would sometimes say we were brothers. It was funny sometimes, a lark — other times, it was really sexy. At the local gay watering hole, we would tell the guys interested in us that we were related and see how many of them believed it. I’m not sure many did — especially when we got a little drunk and started making out on the dance floor — but they wanted to. Many guys have a brother fantasy. This is an easy one to role play in the bedroom, and there are endless imagined scenarios available to you: Big brother is visiting home from college and has to share your bedroom for a night. You two are close and like to wrestle, and one day the wrestling goes a little too far when one of you gets excited.

5. Strangers

Anonymous public hookups are rapidly becoming a thing of the past. Our mediated, digitalized hookup culture has all but replaced discreet staring contests in the gym and public cruising in parks and bathrooms. Many formerly cruisey places are more heavily watched now, and your success rate is inevitably lower. 

Also, some guys have some discomfort with completely anonymous sex. The risk of sexually transmitted infections is a factor — although, to be sure, someone who says they love you poses the same risk unless they’ve been rigorously tested. 

One solution to all these is to do anonymous role play with someone you know. If you want to play in public, plan to meet up somewhere that you are fairly certain will offer some privacy. If your fantasy is to anonymously pick up a stranger and take him back home, this is easier: just plan to meet somewhere (the gym, a bookstore) and watch him from across the room. Pretend you don’t know each other, and when the time is right, make that classic, subtle head nod — “Let’s get out of here.” 

6. Coach and Player

Another common gay porn scenario: the gruff, frustrated football coach tells his star quarterback to stay after practice for some additional training. For obvious reasons, this scenario works great for group role play as well. Who says the coach only has one MVP? 

7. Pup and Handler

Like many scenes in the world of kink, puppy play at its simplest is a form of role play. It falls under a broader category of role play types called “pet play.” In pet play, humans act stereotypically like different animals before and during sex. 

Like all forms of role play, puppy play is as simple or complex as you make it. Some pups — myself included — love the pup headspace and extend it past the bedroom into daily life. We do this by wearing collars, barking at/sniffing guys on the dance floor, and sitting/kneeling whenever our handlers/boyfriends say, “Sit.” 

There is an inherent power dynamic in puppy play, and many pups would say there is a Dominant/submissive relationship. Pups are automatically submissive to handlers. A good pup loves getting scratches, treats (sexual or otherwise), and led around on a leash by a handler. And while this is certainly not always the case, handlers are typically tops and pups bottoms (alpha pups being a common exception — see number 11). 

Puppy play is implicitly, if not explicitly, a sex role play, but some pups and handlers have removed the sex aspect of it and turned puppy play into a practice more akin to yoga — a de-stressing activity that frees them from the daily rigor of life. While I’m certainly not one such pup, I think that reveals something important about role play itself. There can be a therapeutic aspect to adult pretend games, if only because they remove you from your daily headspace and allow you to be imaginative. We know the positive effects that playing has on children, but few cultures have spaces for adults to do the same. 

8. Kitty and Cat Owner

This is like puppy play, but the submissive guy acts like a cat. This features of this role play are endless: rubber or latex cat suits, tail plugs, and felt mice dangling on a string. 

9. Pony and Rider

Pony play follows the same basic form as the other pet play types. Human ponies love neighing, wearing bits in their mouths (ones designed specifically for human pony play, as actual metal bits will break teeth), and being taken for a ride. The rubber, latex, and leather gear for pony play gets pretty elaborate and very costly, but I know some guys who have an almost quasi-religious dedication to pony play and are willing to fork over the cash. If Equus and all the endless bestiality porn on the internet reveals anything, it’s that horses inspire something very carnal and sexual in us humans. 

10. Pig and Farmer

In modern gay lexicon, a “pig” is a guy who loves bareback sex and male bodily fluids (cum, piss, spit, and sometimes scat), so it should come as no surprise that pig play has evolved as a form of pet play that typically involves all these things. Say “oink” when the farmer comes around with his fisting gloves — you’re in for a wild night. 

11. Beta Pup and Alpha Pup

There is nothing more fun than pupping out with another pup, which means barking, roughhousing, wrestling, licking, and rolling around on the bed with another guy that shares the pup headspace. If you’re a beta pup (submissive), you hope to pup out with an alpha — one that gets dominant when you start sniffing his groin. 

12. Slave and Master

The range of power dynamics in the world of kink can be explained by placing them on a spectrum. On one end, you have puppy play — a mild role play with a relaxed Dom/sub dynamic (some guys say there is not a Dom/sub dynamic at all). On the opposite end, you have Master/slave. Although extreme, Master/slave is still a role play — one that typically involves hardcore BDSM, leather, rubber, extreme bondage and restraint, temporary imprisonment, and long-term domestic service (washing, cleaning, yard labor, etc.), all in service of the Dom/Master. 

13. Doctor and Patient

You’ve undoubtedly seen these scenarios in porn. The restrained male patient needs an anal exam from the rugged doctor, who is conspicuously naked beneath his white coat and stethoscope. Doctor and patient role play is enhanced by a plethora of sex toys and kink supplies that fall under the “medical fetish” umbrella — speculums, metal douching nozzles, anal probes, white latex gloves, etc. 

14. Soldier and Drill Sergeant

This is a clear Dom/sub role play where the sergeant barks orders and the sub — I mean, the soldier — obeys. When sergeant tells you to drop down and lick his boots, you better drop down and lick his boots, private. Atten-shun! 

15. Ransom Victim and Kidnapper

Ransom/kidnap scenes typically involve a lot of bondage and duct tape. The full parameters of the play should be discussed before starting. Some guys might think the idea of being kidnapped and tied up is hot, but after three hours in a closet with duct tape over your mouth, you might feel differently. In the pre-play negotiation talks, you should set clear limits and boundaries. This role play is one that can be taken to extreme lengths — some guys love getting abducted from a public place and thrown in the back of a car — so you should only play with someone you know and trust (not a stranger or someone you met online). 

16. Daddy and Son

Many tops like being called “daddy” in the throes of sex, but daddy/son role play scenarios go a bit further. There is a lot of written and video daddy/son porn online, so explore the internet for ideas, because the scenarios are endless: Daddy sneaks into his son’s room at night while mommy is sleeping. Son comes home from college one day and catches his dad in the shower and decides to join. Son sneaks into his dad’s room one night to see his dad jerking off. Son forgets to clean his room and daddy decides it’s time for a spanking. Daddy and son are washing daddy’s car and they both get soaked and have to strip off their wet clothes. The fantasies are unlimited! 

17. Merman and Fisherman

Don’t lie, you’ve fantasized about walking down the beach and coming across a poor mer-boy washed ashore who needs help getting back out to sea. He will do whatever it takes. You might need to carry him. But first…. 

Aretwork courtesy of Fred Lammers. See more of his work here.

18. Baby and Parent

Baby role play commonly overlaps with diaper fetish and sometimes scat (feces) fetish. An adult baby will crawl around, cry, and eventually need someone to change his diaper.

19. Intern and CEO

For all its wincing misrepresentation of BDSM relationships, Fifty Shades of Grey touched upon a longstanding role play with a clear Dom/sub dynamic — low-level intern and executive CEO. Business tycoon and office boy. “Cancel my 3:30 meeting and crawl under my desk, boy.” 

20. Porn Star and Director

This one works great if you and your boyfriend like to film yourselves having sex. Strip for the camera as he directs you. He may eventually decide that this shoot really needs a second man, at which point he’ll begrudgingly have to step in as an actor/director. This role play obviously lends itself to groups, especially if you like to watch and direct others and be in control. 

21. Santa and Naughty Child

Christmas role play! When Santa finds out how bad you’ve been this year, he’ll have something more than coal to fill your stocking with. While a santa hat and some black leather boots should get you started, a hefty amount of playfulness and creativity is all you need to get on the naughty list this year. 

22. Cousins

This is like “brothers” role play, but considerably easier to accomplish if you do not, in fact, look anything like your boyfriend. Some guys are wigged out by immediate-family incest scenarios, but cousins? No problem. It’s perfectly acceptable to disappear off to the basement or woods during family reunions for some quality time, right?

23. Batman and Robin

The dynamic duo has been the source of superhero role play for much of the caped crusader’s long career. Their whole setup is kind of obvious, and pretty gay in itself: a wealthy older bachelor takes in a poor young house boy just to fight crime (in spandex and black rubber) every night? Please. 

See more of Philip Bonneau’s great photography here.

 

24. Batman and Superman

This power couple has inspired a plethora of gay fantasies (who’s the top? who’s the bottom?) and if you’re into cosplay, this role play is an easy one to get into. Unsurprisingly, a gay porn parody of the recent Batman vs. Superman: Dawn of Justice movie just hit shelves.

25. Uncle and Nephew

There’s a lot of gay porn modeled after the proverbial “gay uncle” that comes by the house and messes around with his in-the-closet teenage nephew. As you can see, anyone into incest fantasies has unlimited role play options to choose from.

26. Married Couple

This is only role play if you are not, in fact, married. Everything under the sun — including the sun — can be fetishized and inspire eroticism, especially a married couple (as opposed to boyfriends or simply two gay men who play together). This milder role play involves acting like a married couple before or after sex. If you’re non-monogamous, go out and introduce each other as your husbands the next time you’re in a new city, and interested guys will flock to you. Many guys, myself included, love being the third (or forth, or fifth) for a married couple.

27. Pirate and Cabin Boy

All hands on deck! This more imaginative role play goes great with costumes and props. What submissive guy has never fantasized about being the lowly cabin boy on a ship full of rough and restless pirates? The group scenarios are very sexy, and the role play necessitates a lot of rope and a gag — opt for a torn strip of cotton cloth instead of a ball gag. 

28. Teacher and Student

The handsome, bespectacled professor needs you to stay after class. You’ve been misbehaving and it’s time for a lesson in manners. If you want to paddle your student’s bum over a wooden desk, do not use an actual yardstick, because they break easily. Invest in a good wooden or rubber paddle designed for the job. 

29. Firefighter and Rescue Victim

You do not need to light your house on fire to enjoy this role play. It will simply require some creativity, and perhaps a firefighter’s costume, which you should be able to find at your nearest costume store.

30. Policeman and Criminal

“Officer, please don’t give me a speeding ticket. I’ll do anything.” 

“Anything?” 

This old-school role play scenario is not complete without a good set of handcuffs and a black police baton — or, even better, a baton dildo. Thanks to Tom of Finland’s Kake Comics, homoerotic group police scenarios will always be part of the gay canon. 

31. Warden and Inmate

There is a lot of “prison” and “psych ward” porn on the Internet that typically involves groups, handcuffs, straight jackets, cages, and intense BDSM and ass torture (one particularly intense enema porn scene comes to mind). These should give you some inspiration when it’s time to teach your unruly prisoner a lesson. 

32. Hitchhiker and Motorcyclist

This is another Tom of Finland inspiration — one that old-guard leather enthusiasts will be familiar with. Grab a pair of daisy dukes and stick your thumb out on the side of the road — your leather-clad biker boy will surely come along and take you for a ride. 

33. Priest and Sinner

The darkly kinky undertones of penitence and adulation, glory through suffering, and asking for forgiveness on one’s knees has created an massive fetish sub-genre in which religious iconography is integrated beautifully into sex play. This darker role play can get very raunchy with a priest’s robe, a rosary, robe, anal beads, a good leather flogger, a gag, and an unbridled imagination — crown of thorns not required. 

34. Rape Fantasy

Many forms of role play involve overpowering someone or being overpowered, but as soon as you add the word “rape” to any label, it pushes the descriptor into uncomfortable territory, and in the case of “rape fantasy,” intentionally so. “Rape” is a socially and politically charged word that automatically evokes something ugly and violent — as it should. While the kinky community has always embraced pushing the sexual envelope, we draw the line at consent. We stand by three tenets: play must be Safe, Sane, and Consensual.  

That last tenet, “Consensual,” is one that does the most work combating the still-heavy stigma and misunderstandings that people seem to have for kink — namely that it is a culturally condoned form of abuse and rape. While this misconception is not true, at least for not the international majority of kinky men and women, it is simply a fact that many people fantasize about non-consent scenarios. Talking about them and addressing them goes into murky territory. If you engage in “rape fantasy” role play, it must be role play — that is, it must be consensual, a carried-out fantasy, a sexual pretend game. While you and your boyfriend can pretend that your play is non-consensual, and use bondage gear and other kink supplies to enhance that idea, you should also use safe words and establish and respect limits to make sure that what your are doing is safe and healthy.

35. Interrogator and Prisoner

Interrogation typically involves some degree of bondage and BDSM. We’ve all seen hot interrogation scenes in action movies, where the hero is tied in some kind of predicament while the bad guy and his thugs question him. He always escapes at the last minute, but while he’s tied to the chair, guys into interrogation scenes are intensely aroused. This role play may seem more like a performance than a sex play, it can also get pretty intense. Some questions can strike a painful and emotional chord in someone, especially if they are hooded and blindfolded. You should discuss beforehand emotional limits as well as physical ones: What “no-tread” topics can the top/interrogator not ask?

36. Home Invasion

You’ve see it in porn: the handsome thief in a black ski mask breaks in and sees the muscular home owner sleeping in bed (with an all-too-obvious erection beneath the sheets) and decides to take what he wants. Sometimes this scenario gets flipped on its head — the home owner knows Jiu-Jitsu or something and handcuffs the thief to the bed: “You’re going to pay for this, punk.”

While it certainly nudges closer to “rape fantasy,” some guys into home invasion are not aroused by the sex aspect of it. Some guys get off on being held up or mugged, and their fantasy may simply involve someone entering their home and stealing their money. 

37. Airport Security

If you’ve ever had a fantasy of traveling to Berlin and being stopped by the German airport personnel, strip searched by seven muscular men in uniform in a sterile backroom, and rectally examined on a cold chrome table, you might be into role play scenarios involving airport security. 

38. Fantasy Characters

The idea of being fucked by a minotaur is in the upper echelon of my hottest fantasies (their pantheon includes getting fucked by an faun, getting fucked by Rocco Steele, and being stranded on a desert island with all the guys from high school and seeing who makes me his bitch first). Fantasy and its counterparts — anime, comics, video games, mythology — are playgrounds of hot role play. Carried out, they might seem pretty elaborate and require some dedication, and probably some makeup and prosthetics, but what better weekend pastime could you have? Imagine the refusal texts: “Sorry guys, Danny and I can’t come downtown tonight, he wants to role play as a satyr so I’m dressing up as an orc and fucking the shit out of him.” 

Orcs, by the way, are so hot. 

39. Daddy-Home-Early and Yard Boy

This is one of the oldest in the book. Bill comes home from work, loosens his power tie, drops his briefcase by the door, and sees the new yard boy his wife just hired through the kitchen window — young, shirtless, and bent over transplanting sod. Bill gets stirrings he never felt before, and before long he’s stroking his enormous penis in the window when the young man turns and sees him. The two have an uncomfortable five-second staring contest, then Bill calls him in — perhaps for a glass of lemonade — and the young man struts and sweats across the yard and closes the screen door behind him. 

And that, gentlemen, is how gay porn was made.

[evilmortys]

Have you ever talked about/drawn/ have head among about c-136’s rick? His relationship w/ his family and morty? Is her better than other ricks or worse? Etc!

i’ve  never  talked  about  rick  c-136  much  extensively  come  to  think  of  it!  so  i  hope  you  don’t  mind  if  i  use  this  ask  as  an  opportunity  to  ramble  about  him  and  their  dynamic  and  their  dimension  in  general  a  little.  it’s  quite  divergent  from  what’s  typical  for  a  rick  and  morty  dynamic  in  places,  i  think.

first  off  i  wanna  lead  with:  morty  c-136  is  sixteen!  so  his  summer  is  of  course  older  too,  and  is  now  living  away  from  home  and  attending  college.  he  misses  her  a  lot,  but  they  still  call  a  few  times  a  week  and  bitch  about  their  parents  and  what’s  going  on  in  their  lives  and  bully  each  other  a  lot.  she  comes  home  sometimes,  usually  for  holidays  such  as  thanksgiving  or  whatever.  they’re  overly  sappy  for  a  minute  max  upon  reuniting,  then  she’s  kicking  him  in  the  balls  and  he’s  calling  her  a  dumb  bitch.

his  mom  and  dad  are  divorced,  and  have  been  since  he  was  ten,  so  jerry  is  not  really  in  the  picture.  rick  is  very  relieved  about  this  and  hates  jerry  about  as  much  as  is  typical  for  bastard  grandpas.  morty  was  sad  about  their  messy  break  up,  but  very  quickly  came  to  understand  it  was  for  the  best.  there’s  a  security  system  rick  set  up  to  kick  jerry  to  the  curb  if  he  ever  comes  around,  much  to  morty’s  aggravation,  but  it’s  not  put  to  much  use  anyway.  (usually  he  walks  over  to  his  dad’s  sad  studio  apartment  of  his  own  volition  for  custody  weekend  instead  of  being  picked  up,  because  his  dad  sleeps  until  late  noon,  so.  not  exactly  a  dependable  ride.  if  he  goes  himself  he  can  shake  jerry  awake  at  a  reasonable  hour  and ...  try  to  shake  some  sense  into  him  too.  so  he  doesn’t  come  to  the  house  much.)

c-136′s rick has a complex relationship with his beth.  she’s  still  very  much  wrapped  up  in  his  opinion  of  her  and  works  to  please,  impress  and  ultimately  attain  his  attention  whenever  she  can.  an  easy  way  to  do  this  is  back  rick  up  when  morty  backtalks  him.  if  morty  angrily  says  “shut  the  fuck  up,  rick”  within  earshot  of  his  mother,  she’s  very  quick  to  fly  to  her  father’s  defence  as  apposed  to  her  son’s-  “morty,  don’t  speak  to  my  dad  like  that!”  rick  plays  off  this,  recognizing  an  opportunity  to  make  beth  feel  like  it’s  them  versus  morty,  and  says  “thank  you,  sweetie.”  the  two  then  delve  into  conversation  about  how  morty  is  “out  of  hand”  as  if  he’s  not  even  there,  which  understandably  infuriates  him  further.  

it  hurts  him  a  lot  that  his  mom  is  so  desperate  to  feel  like  her  and  her  dad  get  along,  and  for  him  to  acknowledge  her  existence,  that  she’ll  invalidate  his  feelings  and  bitch  about  his  behavior  with  rick  to  get  it.  he  very  much  feels  like  his  mom  values  having  a  positive  relationship  with  her  dad  over  him  as  a  result.  morty  continues  to  love  and  care  about  her  even  in  spite  of  the  fact  that  it  feels  largely  nonreciprocal  at  the  best  of  times,  but  can  come  across  quite  cold,  dismissive  and  clearly  subconsciously  angry  with  beth  when  talking  about  her  at  times  as  a  result.  don’t  get  me  wrong,  they  go  see  the  occasional  movie  together  and  morty  helps  her  out  preparing  dinner  very  often.  he  cares  deeply  about  his  mom  and  he  loves  her,  of  course  he  does,  but  he's  also  felt  incredibly  estranged  from  her  for  most  of  his  life.  if  nothing  else,  they  can  always  at  least  bond  over  an  eyeroll  at  one  of  his  dad's  latest  fuck  ups  or  stupid  statuses  on  facebook.  there’s  some  stuff  about  his  childhood  i  could  tack  in  here  that’s  relevant,  but  i’m  very  conscious  of  how  long  this  is  and  i  haven’t  even  talked  about  rick  and  morty’s  dynamic  yet ...  adjaskjdfaksf  sorry!

her  alcoholism  worries  morty  whereas  rick  seems  a  little  indifferent  to  it,  or  considers  it  not  a  big  deal.  likely  because  he  knows  it  invites  accusations  of  hypocrisy  if  he  calls  out  her  self  destruction  via  these  vices.  

in  the  past,  morty’s  tried  talking  with  her,  watering  down  and  pouring  out  her  alcohol  stashes,  and  even  pleaded  for  rick  try  and  make  her  see  reason-  to  no  avail.  (his  grandpa  ended  up  cracking  a  joke  about  what  a  fucking  buzzkill  morty  is,  they  laughed  it  off  together,  and  they  both  went  out  for,  you  guessed  it,  a  fucking  drink,  or  more  likely  ten  of  them,  directly  after  the  fact.)

right  now,  beth  c-136  has  been  seeing  a  bartender  for  eleven  months.  rick  seems  to  idly  approve  of  him-  at  the  very  least,  doesn’t  hate  him  like  he  did  jerry,  which  delights  beth.  her  father  deeming  anything  in  her  life  a  good  choice  means  everything  to  her  because  she  fights  so  hard  to  impress  him  while  also  trying  not  to  look  overtly  clingy  and  needy,  because  that  seems  to  repel  him.  also,  he’s  her  genius  father  who  doesn’t  like  anyone,  so  how  the  hell  can  his  judgement  be  wrong,  right?  him  approving  of  this  guy  has  locked  him  into  her  life  for  the  forseeable  future.  again,  this  pisses  morty  off,  because  this  bartender  guy  encourages  his  mom’s  worst  vice  of  daydrinking  with  his  job  and  lifestyle.  he  makes  her  happy,  but  he’s  the  fucking  worst,  and  it  makes  morty  want  to  tear  his  hair  out.  him  and  summer  frequently  snipe  about  the  guy  in  private.  sharing  distaste  for  their  parents’  prospective  partners  is  very  valid  bonding  they  think.

c-136  rick  and  morty's  relationship  is  emotionally  flexible  at  the  best  of  times.  some  days,  so  very  rarely,  they  get  along  just  great.

to  name  one  wholesome  headcanon  before  we  Get  Into  It.  occasionally,  rick  will  pretend  to  know  absolutely  jack  shit  about  one  of  the  plants  in  morty’s  greenhouse  just  to  let  him  go  off  about  it  and  suddenly  seem  excitably  sure  of  himself  for  about  twenty  minutes  of  nonstop  infodumping.  95%  of  the  time  he  knows  absolutely  everything  about  the  plant  he’s  asking  about,  actually,  and  on  some  level  morty  is  absolutely  aware  of  it.  the  smartest  man  in  the  universe  apparently  doesn’t  know  what  a  flaxtius  olcum  is?  right.  but ...  he  still  appreciates  the  gesture  a  lot,  and  it  cheers  him  up  after  a  shitshow  adventure.

it's  not  too  clear  what  allows  these  occasions  of  treating  one  another  with  basic  respect  and  almost  fondness  to  arise-  maybe  his  grandfather's  in  an  uncommonly  gracious  mood,  maybe  they're  playing  minecraft  or  bashing  animal  crossing  together,  maybe  they're  snickering  and  exchanging  incredulous  glances  during  some  cartoonishly  evil  alien's  monologue  of  a  plan  as  it's  dictated  to  them  in  painstaking  detail …  regardless,  those  come  around  less  and  less  often,  these  days.

rick  secretly  considers  morty  to  be  very  capable  and  alarmingly  more  competent  as  of  late,  and  he's  not  sure  whether  to  feel  almost  proud  or  work  to  scramble  to  unravel  all  this progress  lest  morty  start  pulling  away  from  him  and  revelling  in  his  own  independence.  

they're  a  kickass duo  when  adventuring, very  in  sync.  morty's  less  of  a  whiny  burden  or  wide-eyed,  unremarkable  sidekick,  and  more  of  a  borderline  asset  at  this  point.  which  again,  makes  rick  feel  very  conflicted  over  how  that  skews  their  dynamic  in  a  way  that's  less  favorable  for  him,  because  morty  doesn't  need  to  lean  on  him  as  heavily  or  stick  as  close  anymore.  but  at  the  same  time,  there’s  less  inherent  risk  of  him  dying  while  they  adventure,  because  he  handles  himself  so  well.  they  can  split  up  as  needed  to  get  shit  done  faster.  morty  frequently  solo  adventures,  or  as  he  calls  it,  “runs  rick’s  goddamn  errands,  actually.”  he’s  outgrown  the  concept  of  getting  to  choose  an  adventure  and  instead  claims  the  portal  gun  every  twelve  adventures  they  have  together,  and  goes  off  for  one  of  his  own.

morty  speaks  his  mind  very  bluntly  with  rick  and  isn't  really  afraid  to  tell  him  to  get  fucked  when  he's  being  an  unreasonable  dick.  he  resents  rick  immensely  for  putting  him  down  and  pushing  him  around  all  the  time.

morty's  more  assertive,  yet  still  very  much  resigned  to  their  irrefutably  imbalanced  companionship ;  there  are  countless  factors  as  to  why.  but  primarily,  it  tends  to  boil  down  to  feeling  like  he  owes  a  lot  to  rick.  were  it  not  for  his  presence  in  his  life,  morty  knows  deep  down  that  he  wouldn't  be  half  as  interesting  or  even  marginally  as  intelligent  as  he's  capable  of  being  now.  he’d  still  be  stupid,  and  mediocre,  and  uninteresting.  unremarkable.  unworthy  of  anyone’s  attention  or  time  because  of  how  dull  he  is.

he's  at  a  point  where  (to  an  extent)  he  feels  distant  from  his  life  on  earth  at  the  best  of  times,  because  space  and  the  infinite  multiverse  has  encompassed  his  daily  life  for  so  long  and  on  some  level,  he  handles  himself  far  better  fighting  for  his  life  on  the  edge  of  the  universe  than  trapped  in  a  school  full  of  sweaty  teenagers  and  material  he  either  blitzes  through  or  can  barely  grasp.  plus,  rick  was  the  closest  thing  he  ever  had  to  a  friend  while  he  was  growing  up.  morty  cares  about  rick,  even  if  the  older  constantly  cites  reasons  as  to  why  attachment  is  moronic  and  sentiment  is  stupid,  and  he's  aware  that  rick  has  come  to  care  for  him  too-  even  if  all  his  pointed  jabs  about  not  giving  a  shit  and  aloof  front  makes  it  hard  to  believe  that  all  the  time.

the  issue  is,  once  morty  seems  to  waver  in  feeling  that  he  has  to  constantly  acquiesce  to  rick  and  falters  in  tolerating  rick  as  an  result  of  this  obligated  feeling  of  familial  love,  no  matter  how  slightly,  rick  then  begins  to  exert  control  over  their  relationship  by  other  means,  such  as  emotionally  manipulating,  gaslighting  and  outright  blackmailing  him  to  keep  him  in  line  with  what  he  wants  out  of  their  dynamic:  rick  and  morty,  a  hundred  years,  the  only  two  people  in  the  infinite  multiverse  that  truly  matter-  theretofore,  they  should  both  solely  consider  one  another  as  important,  and  worthwhile.  he's  willing  to  tarnish  any  other  connections  morty  might  form  beyond  their  duo  for  fear  of  losing  him.

he  grows  out  of  this  irrational  attachment  a  little  more  each  time  his  grandfather  lets  him  down,  disillusions  him  ever  further,  hurts  him  or  traumatizes  him  or  actively  fucking  experiments  on  him-  slowly  but  surely.  he'll  snap,  in  some  sense,  sometime.  when  exactly  can't  be  known.  what  precise  actions  he  might  take  to  pry  himself  free  of  their  codependent  dynamic  is  unclear.  but  the  way  things  are  headed,  the  two  of  them  splintering  apart  is  inevitable,  and  it's  unlikely  to  be  an  amicable  thing  at  all.  rick  often  actively  renounces  and  appears  repulsed  by  the  very  concept  of  familial  love  and  basic  attachment,  constantly  rants  and  raves  in  his  drunken  stupors  about  how  replaceable  everyone  in  his  life  is,  and  it's  hard  for  morty  to  bite  his  tongue  when  he's  behaving  like  that.

he  just  hates  that  he  feels  badly  about  himself  and  second  guesses  himself  around  rick.  strangely  enough,  when  he’s  having  to  push  through  crazy  shit  alone,  he  does  fine.  great,  even.  sure,  he’s  freaking  out,  making  everything  up  as  he  goes  along,  and  secretly  wishing  rick  was  around  to  guide  him  out  of  the  chaos  because  he  knows  in  his  heart  rick  would  probably  do  it  smarter.  but  once  he’s  with  rick,  he  feels  incapable  and  stupid  beside  him.  like,  being  apart  from  him  makes  him  feel  so  much  lighter,  allows  him  to  lean  on  the  intelligence  he  very  much  does  possess,  without  being  berated,  second  guessing  it,  and  reminded  it’ll  never  match  up  to  rick’s,  so  there’s  really  no  point  in  even  trying.

[myupostsheadcanons]

Books “Read” in 2020

Previous entries: 2019, 2018, 2017

I don’t rank these based on actual literary quality, but by how much i enjoyed reading/listening to them. Hopefully with Audible’s new “Premium Included” feature it would cut down on so many Average/Below Average books next year, it’ll give me more of a choice on what kind of books/podcasts i want to listen to rather than given a handful to pick from a month.

The “Top 10″

Forging Hephaestus / Bones of the Past: Villains' Code Series - Drew Hayes has became one of my fav authors over the past couple years, from his Vampire Accountant series, 5-min Sherlock, and his Spells, Swords, and Stealth books. FH is one of the few times he wrote Adult Fiction. This is the second time Drew created a world of super heroes (the YA Superpowereds), thus previous experience in dealing with the nuisances and meta of super meta dynamics. I love the main character, Tori, and especially love many of the side characters (like Ivan) and the comedy is the right tone of dark and not-in-your-face (not quite as well -written as something like The Venture Bros or The Tick, but being adult fiction you can get away with having characters named Johnny Three-Dicks and Captain Bullshit)

Dreadnought / Sovereign - the second super hero series I’ve placed on my top list this year, this one is Young Adult. This one is far more serious and deals heavily in issues like trans and women’s rights, mental abuse, and social acceptance. The main character is full of angst, but that should be a given for a 15 yo with lots of mental baggage and new social pressures. The main character is the main draw, most of the side characters are a bit more one-dimensional.

The Trouble with Peace: Age of Madness, Book 2. It isn’t a “First Law” book if you don’t want to strangle half of the main characters. Many are stepping outside of the shadow of the previous generation and finding themselves falling flat on their faces. If they aren’t at each other’s throats, they would soon have to deal with rebellion in the streets and the constant looming presence of Bayaz, who waits to sweep the board clear and rearrange the pieces the way he sees fit.

Michael J. Sullivan’s: The Riyria and Legend of the First Empire Books.

Riyria Revelations: Theft of Swords / Rise of Empire / Heir of Novron

Riyria Chronicles: The Crown Tower / The Rose and Thorn / The Death of Dulgath

Age of Death / Age of Empyre, Pile of Bones

After finishing the Legend of the First Empire books that came out earlier this year, I went ahead and read the prior series that takes place in the same world. I would suggest reading the entire series by Publish order, but they can be read Chronologically. I read the Legends books first, and it helped me see where Sullivan was heading and when he started to plan out the Legends books in more detail. (The early cameo of the Main characters from Legends in a mural in Heir of Novron, and knowing who is behind the events in Dulgath)

The Dresden Files: Peace Talks / Battle Grounds - They really should be read as one book, because that was how they were written. It is a Feast of Crows / Dances with Dragons situation, where the book got too long and got split up. The fans are pretty divided by the book(s) ending and how some of the main characters are handled, but these are Jim Butcher’s characters not theirs and he can drop bridges on whom ever he wants.

What Lies Beyond: Cycle of Galand, Book 6 - This is a “mythology” book (like Sullivan’s Age of Death was) where it introduces most of the Pantheon of their religion and corrects much of the mythology that had been lost over the decades. They seek a weapon to vanquish the Litch and save their world and the afterlife from oblivion, but not all of their Gods are happy about it.

Will Destroy the Galaxy for Cash - Yahtzee (Zero Punctuation!) has to be one of my favorite internet personalities for the past 10+ years, and I eat up every book he puts out and because he wrote the books, and is an actor himself, he could deliver the lines as they are intended to be. The sequel to Will Save the Galaxy for Food does not disappoint and even ups the stakes from the previous book.

The Girl Who Drank the Moon - This has to be one of the most charming books I’ve read. It is magic and wonder at it’s finest, no need for long explanations on how the world works. If you like Ghibli movies, you’ll be interested in this book. It has its dark moments but isn’t outside of what you’ll find in something like Spirited Away, Princess Mononoke, and Nausicca.

The Goblin Emperor - the youngest son of the Elf King finds himself emperor after the death of his father and brothers in an assassination. The only problem is, that he is only half-elf... his late mother was a Goblin, and he had been in exile as an embarrassment to the family for most of his life. He knows nothing of how the courts work and what’s left of his own family work against him just for being who he is.

Lost Gods: Brom - I liked this book more than I did American Gods (which I read a few years ago). It is darker and bleaker by the bucket loads. One of the few books with a downer ending that I actually liked. I would compare this book to books like All the Pretty Horses and No Country for Old Men-- but it is a Fantasy!

Above Average.

Siege Tactics (Spells, Swords, & Stealth. Book 4)  - What happens to adventurers after they retire? A fun concept that is explored with our party of NPCs running across a town full of epic-level characters that no longer have a player.

The Arthurian Saga - The Crystal Cave / The Hollow Hills  / The Last Enchantment / The Wicked Day - A more realistic version of the Arthurian tales, taking the POV of Merlin, bastard son of a princess, as he earns notoriety as a scholar and wizard.  The Wicked Day takes the POV of Mordred, making him far more sympathetic than other iterations of his character.

Arc of a Scythe - Scythe / Thunderhead / The Toll - Science and Technology eliminates death and in order to prevent over population and complacency an order of grim reapers are chosen to randomly deal out quotas of permanent deaths. An example of what happens when every need and want is satisfied by a higher force and the apathy that causes rot in human society and the superiority complex of those in charge of life and death.

The Diviners / Lair of Dreams / Before the Devil Breaks You / The King of Crows - Horror during the Roaring 20′s. Tackles issues as Racism, Poverty, Government Secrecy, Christian-Evangelical Cults, Nationalism Cult Mentality, Communism, Labor Unions, Eugenics, Post-WW1 trauma... It could almost pass as an adult fiction book. I wouldn’t recommend giving it to someone under High school age.

Ancillary Justice / Ancillary Sword / Ancillary Mercy - Artificial Intelligence takes over human bodies as a form of capital punishment, controlling ships and space stations. The dominate human empire outgrew the need to label any gender, using “she” to refer to everyone rather than the vaguer “them/they” pronouns, and only outlying colonies stick to the binary ideals. Think of “The Left Hand of Darkness” but on a more broader scale and as the default majority/ruling empire. Toss in a solid military action novel on top and it isn’t nearly as boring as Left Hand.

Children of Time / Children of Ruin - War destroys the human population of Earth and those that remain are the ones that headed out to the stars on tera-forming missions. A virus created to advance life forms to prepare a world for human habitation runs amuck with out its overseers, creating intelligent arachnids, crustaceans, and squid.

The Licanius Trilogy - The Shadow of What Was Lost / An Echo of Things to Come / The Light of all that Falls -  It is very heavy on info overload, there is a lot to keep track of, so much so there is a summary of book one and two at the start of the third. I like the twist at the end of the first book and that the villain is actually trying to help save the world, and you spend most of the second stuck between who thinks they are doing the right thing and who is actually doing the right thing - a lot to talk about doing the lesser of two evils.

Mythos - Steven Fry - A humorous retelling of Greek mythology. I read Mythology - by Edith Hamilton prior to this book, which is a more scholarly take on the myths, and helps if you are unfamiliar with classical mythology prior to reading Fry’s take on it.

Iron, Fire and Ice: The Real History That Inspired Game of Thrones - a nice history book about Iron Age royalty. It is actually refreshing to read after going through so much faux fiction that is in Philippa Gregory’s books.

Will My Cat Eat My Eyeballs? - Children ask questions to a Mortician about death and what happens to bodies after people die. I listened to her autobiography last year/year before and it is worth picking up this one along with it.

Average, but still good.

Jack Campbell’s Lost Fleet Universe: Triumphant (Genesis Fleet, Book 3) / Tarnished Knight: Lost Stars, book 1 - The realistic space battles just drag me back in each and every time.

The Case of the Damaged Detective: 5-Minute Sherlock - Drew Hayes can’t write a boring book. It isn’t quite on point as his other series, but still fun to read. Hayes is really good at making YA books with Adult Protagonists. It is a road-trip book, the main character is a washed-out operative that is getting his second chance playing bodyguard and future assistant to the 5-minute Sherlock.

Locked In / Head On - Do you remember “Surrogates”? that Bruce Willis movie where people walk around in robotic avatars, well... it’s almost the same thing. A virus kills millions, save for a select few that experience “lock in” syndrome and are able to connect to robots via their brains and the internet.  The main character is gender neutral and you get a choice to listen to the book with a male or female reader.

Murder by Other Means: The Dispatcher Book 2 - more John Scalzi! The first book was in my top list a few years ago, and i enjoyed the sequel just as much. Between Scalzi’s The Dispatcher and Locked In series, i like the Dispatcher more.

The Shattered Sea Trilogy: Half a King / Half the World / Half a War - Joe Abercrombie’s attempt to make Young Adult books. It keeps all the grim dark, but lacks all the swearing and humor that made The First Law books more enjoyable. Many of Joe’s favorite character tropes are still present and is one of the better “Fall to Darkness” stories I’ve read. It also has different POV characters each book and is one of those “faux fantasy” settings.

Mage Errant: Books 1, 2 & A Traitor in Skyhold: Book 3 - If you are wanting to get away from Harry Potter, pick up this book series. It takes place in magic school, but it is its own world and setting and not just a hidden world within our own. The main group of kids are misfits among the school, unable to master their powers, that get taken up by the badass librarian to be trained in more unconventional ways.

Dawn of Wonder: The Wakening Book 1 - the main character has ptsd from growing up in an abusive household, and i thought it was handled rather well. He would be rather competent and cleaver most of the time until he gets triggered into an episode, he fights really hard to overcome this short-falling of his. Standard classic affair else wise, family leaves home because the local authority figure doesn’t want them around anymore, goes to big city, kid wants to do good and avenge the deaths he was accused of, joins the badass school of hard knocks...  big powerful evil thing trying to consume the world.

The Rage of Dragons - It shares a lot of tropes and story points with Red Rising... just in a fantasy setting, not in space. If you are wanting fantasy with POC main characters and a non-European-centric culture, that doesn’t pull any punches, give it a shot.

Earthsea - Tehanu and Tales from Earthsea - I had read the first three books several years back, and i did re-read them in order to refresh myself prior to reading the final two.

The Secret Garden - I absolutely loved the movie from the 90′s as a kid, and finally got around to listening to the book.

Six of Crows - A heist book in fantasy world with the magic users being heavily “Jewish / Slavic” coded by how they are treated and persecuted. I might have thought more favorably about the book if i hadn’t read other books with “street rat slum” main characters. (Seriously, after spending six books with Royce in Riyria someone like Kas is just second bananas)

Unconventional Heroes / Two Necromancers - Comedic Fantasy, the humor’s not on par with say MogWorld, and has more jokes than Fred The Vampire Accountant. It is still a parody of villains and heroes in fantasy worlds. I would find it safe for a 12/13yo to read, cursing and all, though they might not be aware of many of the tropes that are being deconstructed. The reader of the book did better in this one then he did with Six of Crows and Beezer, still the audio needed some editing because it repeats itself a few times.

Once More Upon A Time (Free Audio Book)  - I don’t always care to read romance stories. I like the idea behind it however, to trade their love for each other in order to save their partner’s life, then learn to re-love one another again.

Monster Hunter International - If you think Dresden is too liberal, this takes a hard turn to the right.. replace the magic with GUNS, lots and lots of GUNS. An organization that hates the government but hunts monsters for government bounties. The main cast is multi-ethnic and they do make fun of that at one point. There isn’t a lot of thought into the plot, because action is #1, but it is fun enough to ignore the politicking.

The Chronicles of Narnia: The Collection - i bitched about there not being an omnibus last year, and then Audible uploaded one. The ending is still one big clusterfuck.

Stephen King’s Insomnia - this book is the bridge between Steven King’s two universes. It is a sequel to IT and brings up the Darktower often. IT dealt mainly with childhood fears, Insomnia deals with Elderly and feminine fears.

D’Arc / Culdesac: War with No Name - I liked D’Arc more than i did Mort-e, and Culdesac is more on track with Mort-e. The virus that mutated the ants and animals reminded me of the virus from Children of Time/Ruin, even though i read Mort-e first, reading D’Arc after CoT let me notice it.

Michael McDowell’s:  The Amulet / The Elementals / Gilded Needles / Blackwater - From the guy that wrote the screenplay of Beetlejuice, and the pioneer of the Southern Gothic Horror. Gilded Needles is a bit out of place, taking place in 1890′s, and is more of a social horror rather than a super natural horror the other books are.

Gardens of the Moon: The Malazan Book of the Fallen, Book 1 - high fantasy dark fiction. if you really want some CHONKY door stoppers, there’s over 10 of them in this series. Could’ve done less with the manipulative bastard mage that speaks in 3rd person. I had read The Willful Child, an attempted comedy science fiction novel by the same author, and it showed that the author was unfamiliar with that kind of genera and should stick to grim fantasy.

The Knife’s Edge / Citadel of Fire: The Ronin Saga - This is one of those series that I’m always going “oh, that reminds me of [insert another better series]”  At times it reminded me of The Licanius Trilogy, Shades of Magic, Arc of Scythe, Riyria, Korra... It is just shy of being as good as them, and is rather firmly in that Sci-Fi Fantasy Ghetto and has a bit of “anime” feel to it with their magic users having ‘power levels’ and the power creep. 

In Calabria - My only problem with the book is the massive age-gap between the Main character and his love interest. Outside of that, the whole Unicorns in the modern world concept is done very well.

Pout Neuf (Audible Free Book)  - Journalism and romance during WW2. A quick read and the book really shows that research had been done about the setting and time period.

Nut Jobs: Cracking California's Strangest $10 Million Dollar Heist: An Audible Original - Not only does it talk about the heist, it actually touches on the subject of migrant farmers and slave labor, as well as the desertification of the California Valley.

The Science of Sci-Fi: From Warp Speed to Interstellar Travel (Free Audio Book) - a neat little informative podcast if you are looking for an introduction to some of the harder science fiction.

Mythology - by Edith Hamilton - Text book about Greek Mythology. Like “used in schools” text book. It is a good read if you don’t want to go through Ovid, Virgil, Homer, and all the other classical writers on your own.

The Space Race: An Audible Original - America didn’t win the Space Race. Russia did just about everything first. The only thing we did first was put people on the moon. It also goes into detail about how the inventor of the Nazi’s V2 rockets became employed with the US Space program. As well as the government’s announcement to let space travel become privatized.

Pale Blue Dot / Cosmos: A Personal Voyage - It’s Carl Sagan. Come on! Everyone should be reading them. Pale Blue Dot was being turned into an Audiobook in the 90′s but with Sagan’s death, only the first few chapters were read by him and his partner reads the rest of it (she does a decent job, and i understand why they wanted her to read it, it should’ve been done similarly to Cosmos, with guest readers doing each chapter)

Thicker Than Water (Free Audio Book)  - start up pharmaceutical company scams people out of millions with promises of a miracle machine that was ahead of its time. Story told from the whistleblower himself as he recounts what his job was within the company and how he knew the owner/founder of the company and how coming out about what was going on ruined his relationship with his family and friends.

Don't Panic: Douglas Adams and the Hitchhiker's Guide to the Galaxy - biography on Douglas Adams and the history behind the creative process behind the Hitchhiker’s Guide series.

The Genius of Birds - It reminded me a lot of “The Soul of an Octopus” in quality. It is rather informative about birds, how they behave, and how we judge intelligence in non-human animals.

It’s “ok.”

Les Miserabes - I can see why people favor movies and theater versions because of how dense the book is, getting the cliff notes version of the book instead of reading several chapters about the Battle of Waterloo. 

Viva Durant and the Secret of the Silver Buttons (Audible Free Book) - It’s cute, and I spent the next several weeks humming that freaking song.

Challenger Deep - A book about mental illness by the same person that brought us The Arc of a Scythe series. It isn’t a bad read, but if you are prone to get panic attacks and have mental illness yourself, you might get too into it and make you uneasy. It can help with neurotypical people with understanding how some illnesses work.

Into the Wilds (Warriors, Book 1)  - Ah, the cat book. It is prob because there are soooo many books in this series that it over-saturates the kids impressionable minds.

House of Teeth (Audible Free Book)  - I read this book prior to Monster Hunter International, and thinking back on this one, i am reminded about the other. Save for this one is PG. So... the kid friendly version.

The Martian Chronicles - Space Horror, on Mars. If you like old science fiction, like Classic Trek, Wells, or Forbidden Planet stuff. There is a lot of zerust.

Andrea Vernon and the Corporation for UltraHuman Protection - The third superhero series I’ve read this past year. It is not as ground breaking nor subversive as Villain’s Code or Dreadnought. The humor is a bit too forced and parts of it falls into “we can be more offensive because it is an adult book” category.

Interview with the Robot - Don’t really care for books or programs that are set up in the “interview” format where it is two people talking to one another. (I have no fucking idea how this book got top Kids book of the year on Audible, it is more of a YA book... it must been because it was Free and lots of people picked it because the rest of the choices that month were complete garbage)

Micromegas - perhaps one of the oldest examples of Speculative Science Fiction. Written by Voltaire, it is about a giant from another solar system that is so big that humans and life on Earth are microscopic. “what value are the lives of ants to a man?”

The Three Musketeers - i had forgotten how much espionage there was in this book. I would say this is a good companion book to Don Quixote, as it takes its fair share of inspiration from and even name-drops the character a couple times. 

Charles Dickens: Oliver Twist / David Copperfield / A Tale of Two Cities - DC is the standout IMO among the three, it is Dickens’ Magnum Opus. Les Mis did a far better job with the Revolution than Tale did as well. I felt rather obligated to reading these books because of the subplot in the Age of Madness books being about Poverty during the Industrial Revolution and Workers Revolts against the Ruling Class.

20,000 Leagues Under the Sea - the version i listened too made most of the Americans sound like GWB... which is funny because one of them is Canadian, and the Comic Relief character about how boorish Americans are.

Stuck (Free Audio Book) -  it is a neat idea, getting jarred free of time but everybody else isn’t and doesn’t remember. It gets a little heavy for a kids book near the end, edging into YA territory as the character gets older mentally and the people around him age physically.

Phreaks (Free Audio Book) - i knew a lot about Captain Crunch and other phone hackers of the 60′s. There is a subplot of the big radioactive corporation covering up causing cancer to their workers, and the father (voiced by Christian Slater) being in the closet but still homophobic about it.

Silverswift (Free Audio Book) - If you like fairy tales set in modern times, it is worth a look. It is similar to In Calabira in that way. The mom being the nonbeliever and thinking grandma is off her rocker, but the granddaughter knows it in her bones that grandma is telling the truth.

Sleeping Giants - alien mechs from the distant past, once mistaken as the titans and gods form mythology, now being studied and experimented on by the government. This is another “interview style” story telling.

Celtic Mythology: Tales of Gods, Goddesses, and Heroes - there is a lot of names and stories, it is worth prob getting a physical copy of the book to keep things straight and to use as a reference.

How to Defeat a Demon King in Ten Easy Steps - A love letter to The Legend of Zelda’s Ocarina of Time and other RPG games.

Casino Royal: James Bond - the movie was rather faithful, including the part of being tied to a chair. I do wish they kept more of the book’s ending where Bond was ready to retire prior to his secret-spy love interest gets killed.

Aliens: Bug Hunt - a compilation of Alien stores about people landing on various planets and encountering aliens, not always the Xenomorphs we know, but the term “Bug” came synonymous to any dangerous alien lifeforms encountered.

Macbeth: A Novel - retelling the story of Macbeth but in a novel form. If you can’t get past the language of the original play, this would help. It sets it more firmly in historical fiction.

Hannibal: A Novel -  I went ahead and re watched the tv show after finishing the book. I’ve seen the movie a dozen times, and i understand why they changed the ending to the movie. The book is the main one that characterizes Hannibal and the show uses a lot of the plot. Hannibal Rising wasn’t really needed because Hannibal (in this book) does think/talk about what happened to his sister and home, and i can see why Harris didn’t want to write that book either. The audiobook is rather poor quality, they talked too fast in places and i don’t really care for their acting...

The Power of Six - I read I am Number 4 several years back and this one popped up on sale so i nabbed it. I like Neil Kaplan, and i think this one is better than the first one and actually gets into the meat of the story.

Cut and Run: A Light-Hearted Dark Comedy - body parts harvesting.... mmmm.

Calypso - non-Fiction, biography of the author. Talks about his family, his life with his partner, and what he does. Much of it is charming and it is read by the author. this was prior to him loosing his marbles about retail workers and becoming a karen.

Our Harlem: Seven Days of Cooking, Music and Soul at the Red Rooster - the history of Harlem and the Harlem Renaissance. I didn’t mind this podcast so much because i was reading The Diviners during the same time.

Malcolm and Me - another biographical book. one of the free books i got during Feb’ Black History Month.

History of Bourbon (Free Audio Book) - Informative about the liqueur industry in America.

Junkyard Cats: Shining Smith Book 1 - post apocalyptic action science fiction novel. the moment that guy showed up i was “that’s your bf.” and it was so... the plot wasn’t hard to figure out, it’s all about the action and setting.

The Moon is a Harsh Mistress - One of the better Heinlein books. The man can’t write romance and he is rather big on casual polygamy and open marriages. An anarchist-revolution book written by someone that is more on the Libertarian side of the aisle. Mycroft (the computer) comes off as rather antiquated, an AI that runs on a closed server, communicating through the telephone lines and printed paper, makes me wonder what Heinlein would’ve done if he was told about the internet and Deep Fake tech. (the book takes place in like 2075, but written in 1966)

Caffeine: How Caffeine Created the Modern World - the production of coffee and it’s prevalence around the world.

The Life and Times of Prince Albert - Exactly what it says on the can. *rimshot*

The Real Sherlock: An Audible Original - a biography of Sir. Arthur Conan Doyle.

The Design of Everyday Things - using psychology to improve the design of systems, products, and the modern business model.  It gives proper terminology for several common design features and how to improve on existing structures.

Bottom of the Barrel.

The Pagan World: Ancient Religions before Christianity. I was hoping there would have been something in there about European Religions, there isn’t, and the book was mostly Greek and Roman life styles and how gods are worshiped. It let me know where the word “auger” came from and why it was used in the Licanius Trilogy.

Life Ever After - disjointed at best. a couple that aren’t good for each other spend the next several hundred years in a crappy relationship.

Beyond Strange Lands: An Audible Original - The audio was complete crap on half of the voices. Which is bad because this could’ve been better. It is a Pod Cast Show and the director couldn’t make sure everybody had decent recording equipment and the sound effects often drown out the actors.

Henrietta & Eleanor: A Retelling of Jekyll and Hyde: An Audible Original Drama - They were going for a modern telling, but the language used is archaic. They speak like Dickens characters even though they talk about cellphones and computers.

A Crazy Inheritance: The Ghostsitter book 1 - The concept is there, but it is too nerfed. It was made for the 8-12yo crowd in mind by people that don’t know how to write for children.

Tell Me Lies (Free Audio Book) - It really wants to be smart. Who’s playing who and who is the actual villain of this story? If you want a quick “who done it?” maybe look into it.

Evil Eye (Free on Audible Plus) - told through phone calls between a mother and daughter. The whole genera of evil boyfriends/husbands isn’t really my cup of tea, and the boyfriend’s actor was too fake and the set up to the meat of the story was annoying.

The Half-life of Marie Curie - I didn’t mind learning stuff about Marie Curie... falls squarely in “made for TV lifetime movie” quality though. You should not carry around a vile of uranium where ever you go.

Alone with the Stars - A girl in Florida hears the call for help from Amelia Earhart, but nobody listens to her. Part fiction, part biographical. It would’ve been better as a biography and talking about various conspiracy theories about what happened to her and finding the pieces of the airplane.

Beezer - The son of the Devil learning to become a good person with a found family... however, most of the characters are annoying.

The Year of Magical Thinking (Free Audio Book) - very heavy on the subjects about loss and death.

Complete Garbage.

The Getaway (Free Audio Book) - A man being a POS by stalking and abducting women. It broadcasts just about everything that is going to happen.

Agent 355 (Free Audio Book)  - Do you like “American Mythology?” Like the whole “the founders are the greatest people in the world” kind of vibe? I don’t. I also hate the main character for being one of those “i’m smart, because i read books that women aren’t supposed to” girls when she doesn’t really think for herself at all.

[gilmesc1]

Do you have any thoughts on fictional portrayals of DID, like danganronpa, spl!t, and others?

Yes, I usually would take time to do research but lucky for you I already did XD

I looked into Danganronpa a while ago since we have 1 or 2 system mates from it, and in that case, prepare yourselves for a hot mess of my opinion and facts I got from a google fest.

So, to start out, I guess I might share spoilers?? So you hath been warned. Additionally I’m not going to sit here and rephrase the entire story so, honestly why am I even explaining this. Anon at least knows what’s going on XDD

So Danganronpa is a psychological mystery anime that focuses heavily on the themes of hope and despair, where in most versions of the story characters are forced into a killing game where they have to kill each other. Bet you couldn’t have figured that one out on your own XD

One thing I like about it is that the characters overall are written fairly well. Many of them are complex multi layered gems of writing with good development and story arcs. One thing that I found interesting is the semi accurate portrayals of mental illness and how it impacts the characters in this insane situation.

So, let’s break into that. I focused on the portrayals of NPD and DID specifically, and I could go back and look into others, but we’ll focus on those for this post. And just going to throw this out now, I think it’s interesting and also kind of a bold move to tackle those kinds of things in an anime.

So let’s look at the DID portrayal. The character’s name is Toko Fukawa, and she is a fucking wreck. Confirmed emotional abuse gives a lot into her character, and we see her as this timid, deflective, honestly broken shell. Later in the series we are introduced to her alternate personality, I know, exciting.

However it’s a literal serial killer. So like. Yeah.

I don’t love that part. I mean, out of all of the portrayals for this alter, you had to go with serial killer? And not only that, but a really famous, generally acknowledged as insane serial killer. Thaaaanks writer.

To recap what a lot of tumblr says, this kind of portrayal is dangerous because the majority of DID portrayals are of crazy violent stereotypes. It was quite honestly disappointing, and I wish that the writers hadn’t used this as their big reveal.

But hey, neutral standing here, let’s look at why he did do that from a different perspective. Since the theme of the game/anime is killing, it does make sense plot wise to have a serial killer. Additionally, it’s a clever way to get said serial killer into the game in the first place. Plot wise and with a few things I’ll mention in a second, it does make sense in a twisted way.

But let’s get the bad out of the way first. One thing I really don’t love is her appearance. It’s like someone took the original character design of fukawa, took some drugs, and then drew a nightmare creature. Seriously, there’s crazy eyes, hair flying everywhere, and this freaky inhuman tongue that the alter has out no matter what she’s doing. Like whaaaaaat the fuck.

Firstly this spreads misinformation that we can change appearance at will. Like don’t get me wrong, I wish I could, but the best I got is changing clothes if I have the time. Also the tongue I really hate because it gives the impression of the alter being this inhuman monster. Also again with the impression that we can morph stuff when we switch. I mean, if I had that, I’d be having a lot more fun in my day to day life than I do now.

Do what you will with that information.

Additionally we do see Fukawa’s tongue, and it’s not a weird demogorgon kind of thing, so, yeah, the tongue thing is weird.

Finally her name. It’s Genocider Syo/Jack/Jill. Not a normal name, no the only name we have for her is her serial killer name which I feel serves to continue to show her as this inhuman thing where we all go, Oh god oh fuck time to be afraaaaid.

But hey, let’s look at what they did right.

The backstory of how genocider came to be is really accurate to how it works. Fukawa has a history of abuse at a young age, and genocider eventually comes into the picture to protect her.

Let me explain: So this is a theory on my part (Check out Weeby Newz’s youtube video, that’s where I got this) but Fukawa was revealed to have suffered massive emotional abuse at the hands of a boy who she had romantic interest in. Since he was moving away, she decided to confess her love to him in a letter before this happened. Turns out the boy pinned the letter in her classroom so everyone would make fun of her. Dick move.

I think genocider formed after this specific event, firstly because this is a huge defining experience for Fukawa. Additionally, the way genocider acts serves to prove this. Her target victims are boys, and her first victim was the boy who hurt Fukawa. I mean yeah, killing was waaaay extreme, but bear with me on this next part:

I’d say that genocider is a protector. A lot of her initial actions were to protect Fukawa from getting hurt in the same way, and protectors do have a history of going to the extreme to protect their hosts and systems. Even though she seems like a persecutor, I don’t think any of her actions have been directed at herself and Fukawa, they actually seem to have a decent relationship, and to end this theory that is completely non canon and just me pretending I’m smart, I’d call her a protector.

Next, looking at the relationship they have. Genocider at one point tells the protagonist that they have a “non disclosure policy” when they switch when the other is in the middle of something. (like murder??) And I personally really liked this, as it was a kind of realistic DID humor in my eyes. Take it or leave it, that’s my opinion.

And that’s really all I have on that behalf. Genocider really isn’t shown as a “normal person” often, which I guess is the point but also leaves me with nothing to evaluate. (Side note, this is only V1 of the series and I’m aware she changes but dear god go easy on me)

Finally, here are a few things that I find a little weird tbh.

At first glance when they switch, it’s a touch accurate, if over dramatic. Losing consciousness and coming to as a different alter is possible so I do like that, however they also have her constantly switching when sneezing, which is a little out there.

I mean, I think I’ve done that before, but for it to be a consistent theme, idk. Maybe overdramatized again.

Secondly, there is a voice change, which is accurate, but it really just serves to fit the crazy image, so I’m conflicted on that.

So that is really all I can say on that specifically, to end things I’m going to talk about one other character Fukawa has interactions with, Togami. (He has a first name but I can’t spell/remember it.)

So I gravitated towards him while watching the series because he reminds me of me, hence me saying that he seems to be a dead ringer for npd. Let me explain.

He’s very cold and distant from others and obviously feels superior, additionally he is willing to fight tooth and nail to consistently be on top and win in any situation, leading to him doing some fucked up things.

But like I feel for him. It’s like watching me XD

His past was a very competitive cuthroat environment, where he was taught that losing is worse than death. Additionally he was almost groomed to be this untouchable figure so it’s no surprise that he believes that. I might make a second post about him because there’s a lot more I can say, but I’m going to double back to Fukawa now.

So Fukawa gains a very unhealthy obsession with Togami, despite him wanting literally nothing to do with her. He’s verbally abusive to her and does go out of his way to attack her, but she thinks it’s a sign of love. Poor Fukawa.

This also kind of fits with NPD, because we can have some pretty gravitating personalities. I think the attraction has a lot to do with Fukawa’s mental state, but I just found it interesting that the emotional abuse victim gravitates to Togami of all people.

So I brought him up for that above thought I had, and also to compare this last point. So Fukawa was confirmed to have DID, like it was specifically stated. To my knowledge it was never stated that Togami has NPD, but I strongly assume that he does. (key word assume, I could be wrong.)

So I found it interesting that Togami has this very accurate portrayal of NPD without ever confirming that he has NPD, while Fukawa is specifically confirmed to have DID while having a semi accurate portrayal. I think the writer really wanted to include mental illness in his story line and I doubt he intended anything to be intentionally harmful.

Writing mental illness into a story is very very very tricky, and it’s practically impossible to satisfy everyone, but the fact that he did do it is in my opinion, very bold.

He made good and less good choices, but overall he did make very compelling characters. Genocider admittedly fits better in this plotline as a crazy killer than she would as a realistic alter, but this is fiction.

So final statements: Toko Fukawa is not a bad character. I like a lot about her and overall I think she is very well written. Genocider is very less developed and more of a surprise plot twist than a character, which is unrealistic. The writer made some very awkward choices from a realistic standpoint despite it fitting well with his story.

So overall, she really isn’t a good portrayal of DID. You can enjoy her character like I did, but the main takeaway here is to not take her as a realistic portrayal. I know it seems obvious but this is the kind of thing that forms unhealthy ideas in viewers.

I’m not hating on Danganronpa or Toko, I actually really loved both. I’ve tried to stop ranting about fictional works that I hate. I used to be a loose fucking canon but I realized that I had been bashing a few autistic friend’s special interests, so now I try to be hyper aware that a fictional work might mean everything to someone even if I personally disliked it.

But that isn’t the case here because again I loved Danganronpa XD

So friends, that about does it for me. I liked doing this kind of analysis so if you want me to do more, send them my way XD

My next post will probably be the syscourse analysis if I can get that done before I get an easier topic. So thanks for reading, hope you enjoyed, thank you for the ask anon.

And I’m now out of words. You all should be happy. XD

[adventuringsidhe]

A Discovery of Witches Season 2 - I Have Issues With This Season!

Before anyone gets defensive, I do like this show. It’s not my favourite TV show, but I’ve been very reserved in liking a show too much after Game of Thrones. Seriously, that show ruined my way of enjoying a show forever. The last two season, whatever you felt about GOT, in terms of storytelling, it was a disaster and decisions made within it were stupid and non-sensical. But I digress (even thinking about it makes me irritated). 

A Discovery of Witches Season 2 was a long, drawn out bore fest. If I’m to sum it up, that is how it felt. There is one thing that really bothered me more than anything by the last episode and this may seem trivial but it made me dislike the main characters (which I was struggling to like throughout this whole season anyway).

Jack.

If you don’t know what I’m talking about, in season two, Diana brings a little orphan boy into her and Matthew’s tudor home, feed him and gives him a place to stay. They then go on throughout the entire season to allowing him to grow attached like family to them (we’re talking months here if not over a year). Give him education, reading, and caring for him at night when he has night terrors etc. Basically adopting him. So, why am I so bothered? Well, by the end of the season, Diana is pregnant, and their going back to the present. So they just say their goodbyes to Jack and leave.

That pissed me off so badly I can’t reconcile with them as characters. It was obvious he had grown attached to them, bonded, and basically like family, even mother and father to him, only for him to be left behind by them. I think that is pretty shitty no matter how you look at it. Whether intentional or not, they brought him into their home and treated him like their own child, but then at the last moment because they’ve to come back into the present era, they leave him. I don’t know, but I just found that whole story line a little shitty. Jack had no family and was living on the streets, stealing because he was hungry, only for this couple to give him a home and only later abandon him again. Shitty.

It honestly reminded me of that Youtube couple who adopted a child that had needs, only to ‘return’ him a while later because they couldn’t cope with him, while giving a sob story and a few tears.

I was struggling to like Matthew throughout this whole season, he acted really shitty towards Diana, which bothered me so much, and it was all played down as ‘protecting her’. Bsht. ‘But look how good he was with Jack?’ Yeah, that was the only good thing about him this season, and then made worse by his easy disconnection when they had to leave by the end of it.

I know some fans will disagree with me and excuse this behaviour because their from the future and Jack is from Tudor times, so blah blah reasons. I get it, you love these characters, but I just didn’t this season, and major flaws in their ‘good’ persona broke through which just weren’t nice at all.

So yeah, I didn’t appreciate them taking in an orphan and making him feel like family, only to abandon him at the last moment because you got to return to the future and you’re pregnant. Kinda shitty in my opinion.

Matthew - Blood Rage.

Never mentioned in the first season, and honestly - it was such a lame thing. Another vampire series where you never see the vampire’s teeth. This is getting boring and kind of childish. A series that has magic, blood, violence, sexual moments, doesn’t have vampire teeth? Boring. Sorry not sorry. The vampires in this world are boring, not scary, not even interesting. Matthew is made out to be a good vampire, who restrains himself, blah blah crap, but honestly - I have more connection to Lestat, Lois, Claudia, Blade, Stefan, Eric, Pam even Bill (William Compton) etc. Matthew though? No, he just wasn’t as good this season. They tried to make him have a ‘issue’ because of the time, etc, but I just thought he was a bit of an dick. Blood rage also was a poor excuse and given a modern plot too, with some character had blood rage, along with Marcus. Anyway, I just didn’t like him this season or the whole ‘blood rage’ excuse.

Diana.

Look, I appreciated the whole ‘’They’re not teenagers’’ thing when it came to this show, same with True Blood. I hate teenage romances or that follow teenagers around as if they have more years of experience than a 30 something. I appreciate the change of audience, the maturity, the complexity, the lived in past, all those things that come with older characters that I can relate too so much more than a teenager. Which is why I like vampire shows like True Blood, movies like Interview with the Vampire, Blade, Vampire Hunter D etc. They are fantastic, deeply complex characters with amazing stories.

Diana though...meh. I was so into the magic thing in the first season, what drew me to it, not the vampires (lost interest once I knew I wouldn’t see the teeth). However, this season, I’m so over the ‘’must protect Diana’’ thing, I just found myself nodding off in parts. She’s treated like a sacred divine being, and the only one of her kind. Those ‘’chosen one’’ stories can be intriguing in some cases like Harry Potter, who, grew over time and had complex emotions about it, and he did suffer immensely for being the ‘’one’’. Diana however, this season - is a bit of a bitch. A know it all. A little too smug. 

I’m also tired of the whole ‘’rich vampire who played a role in major historical things’’. The rich vampire who can give you the world is a nice thought, but I don’t like it all that much, it just makes it harder to buy into the whole secrecy, living in the shadows stuff. It seems everyone in Tudor times knows about Vampire, Witches and Daemons, so...a bit weird honestly.

Diana getting pregnant I knew was coming, as its apparently in the books too (not into the books, sorry). But, it’s another cliché like Twilight. Honestly, this is very similar to Twilight but their older. Yeah. And Diana has magic and apparently the most powerful being on the planet. I get that their these incredibly intertwined lovers who were destined for each other across time and space, which is all nice and everything, but Jesus....is their no one else or anything else important to them at all? I also thought it was cheap as f**k bringing Diana’s dad in at the last moment, as this emotional weight, which just didn’t do it for me at all. It’s really sad to say this but I lost all connection to Diana this season, and to their love story. It fizzled out faster than my lemonade when I leave it to sit in a warm spot.

The Other Characters

Their really wasn’t that much time with them at all to bond with. Marcus’s relationship with the auctioneer woman? That escalated quickly. Seriously, one moment their having a one night stand, to the next, he tells her all the secrets of his world and bringing her to France and meeting Ysabeau. Is he planning on staying with her forever now? Like what is going on there? No interest.

I wanted to know more about this baby born of Daemons but damn they left it so late and gave so little time and by the end it’s hard to care about everything. These stories really need to stop trying to add multiple characters and stories into a just one story. Just make one story. Not several packed into a main one. Flesh it out better, slower with other characters. 

Don’t get me wrong, I love the aesthetic of this world, the design, the beauty of it. Even the magic is interesting, to a point, if a little simple for my taste. I do appreciate what they’re trying to do, but once again the stories fall flat, the characters become distant to the audience (talking of myself, maybe others don’t feel that way), and not relatable at all. This is fantasy, and we can’t related in many ways, but their lives, choices and feelings do make it relatable. I remember watching Interview with the Vampire and seeing how much consequences Lois’ choices caused him, it was devastating because you knew Lois had to make a choice which wasn’t always right and it burdened him immensely. Even as bad as the last few seasons of True Blood were, their were heavy, heavy consequences on all the characters for everything that had happened throughout the show and all the years.

This show just felt very Twilight by this second season, and as much as Twilight is okay back in the day, now it feels outdated in terms of relationships, intimacy, toxicity, danger, and other things important to us in terms of love, romance, family and friendship. 

Another tv show I’ve been disappointed in unfortunately, like Game of Thrones, Outlander (even though the standard is still there, the story has gone off too far not for me to hold interest anymore), are but a few that I was really into and then slowly they veered off course and so did my love for them. Same with A Discovery of Witches, which is only in its 2nd season but already it feels flat.

Anyway, rant over lol! Only my opinion, you can love it or not, just a random opinion on a personal tumblr page.

[nikkoliferous]

Ragnarok Makes No Damn Sense (Part 1)

Having now laid out who Loki has always been and why there was an open agenda to demean and debase him, we come to why Thor: Ragnarok is antithetical to his character. Buckle your damn seatbelt. We've got a lot to unpack.

Off the bat, we're supposed to be appalled/annoyed/something that Loki has usurped the throne from Odin. Yet when last we left our heroes, Thor had abdicated his role as King of Asgard, knowing full well that Odin's health was failing, he was emotionally unfit to rule, and there was no other heir to fill his role. Oops! And for all that we're meant to believe in Loki's selfish ambitions for a throne, let us not forget that Loki-as-Odin at the end of The Dark World offered Thor this kingship. It was Thor who refused. What was it he said at the time? Oh, yes.

"For all his grave imbalance, Loki understood rule as I know I never will."

Now Ragnarok wants us to forget all that. It doesn't suit the narrative Taika Waititi wishes to spin. He wants us to believe that Loki is a terrible, lazy ruler who cares only about glorifying himself. But wait, is Loki a terrible ruler? The Hero™ tells us he is, so it must be so. And yet all we really know of Loki's reign is that he had a non-interventionist foreign policy, improved public infrastructure, and supported the arts. Wow, yeah, what a dick.

We will soon go on to meet Doctor Strange, a character who in comparison to Loki is a novice at magic yet somehow repeatedly manages to get the drop on the trickster. This is necessary in order to minimize Loki's power and competence in the eyes of the viewer. Let me also explain why the "I have been falling for 30 minutes" scene is not charming.

Does anyone think perhaps Loki may have a touch of PTSD related to the sensation of falling? No? Then perhaps we should instead analyze the deleted scene in which Loki is locked in a portapotty while men repeatedly urinate on him until Thor arrives to let him out. The fact that this was an idea someone had to begin with is gross. The fact that they came close enough to using it that it was actually filmed is downright shameful. Every single person at Marvel involved in approving this trash should commit seppuku in penance.

Ignoring the sexual assault implications here... I mean, this is literally toilet humour. Literally. What are we, five years old? Who the hell actually finds this funny?

"I keep a watch list of individuals and beings from other realms that may be a threat to this world." - Doctor Strange, Thor: Ragnarok

So how did you miss the huge, purple nutsack wreaking havoc across the cosmos? I mean, no offense. I'm just saying.

Now we have the culmination of Odin's A+ parenting. He's at the end of his life just because he feels like it, I guess, so now it's time to pretend he gives a damn about Loki for a few seconds again. One "I love you" without even looking at him is supposed to make a millennium of emotional abuse and neglect all better or something. Even in his death, Odin can't seem to stop screwing with Loki's mind. What a charming man, I'll sure miss him.

Oh, but before he's on his way, he has a teensy weensy confession to make. Remember when he lied to you about your entire existence, Loki? LOL! He lied to Thor about being the firstborn too! And now the evil sister neither of you knew you had is coming to destroy everything and he's given you no time to plan how to stop her! Don't you feel much better now?

It's been about five minutes since we were reminded that Loki is a coward and an idiot or something, so contrary to Tom Hiddleston's own words that

"The thing with Loki is that, if he’s afraid, he won’t show it. He’s been highly trained, through the experience of his slightly traumatic life, to shield his fears."

it became necessary for Loki to immediately panic and lead Hela straight to the one place he knows she'll be most powerful. Whoops!

The Warriors 3 are quickly dispatched by Hela because it's important we remember that the first two Thor movies were trash and nothing that ever happened in them has any meaning. By the way, Heimdall is Thor's new BFF now and Thor will never mention his former friends ever again. Ever. Like, even in passing. Like they never existed. Those people who committed literal treason for him both before and after he was banished in Thor (2011). And then again in The Dark World. Those friends.

Meanwhile, Thor and Loki have both landed on a planet called Sakaar. It's a giant trash heap and that about sums up how I feel about this whole damn movie, so credit to TW for the symbolism, I suppose. Here's possibly the most cringeworthy moment in the whole debacle—and that's a very high bar. Or low, I guess, depending on how you look at life.

He's a Norse god... screaming, "oh my god!" I don't have enough hands for all the facepalming I feel like doing right now.

Anyhow, Loki and Thor have arrived on Sakaar separately and Thor has just noticed Loki sitting across the room, casually joking about his own suicide attempt. Because there's nothing funnier than suicide, amirite?! Especially when you still haven't sorted through any of the complex issues that led you to become suicidal to begin with. Who cares? We're just here for the lulz, yeah?

"Allow me to introduce myself. My name is Korg, I'm the director's annoying self-insert, and I'll be pissing on every poignant moment from here on out because reflection is for nerds. You just need to smile more."

Hey, remember that time in The Dark World where Loki was stuck in solitary confinement for a year and Thor didn't come to visit him even once? Now Thor is the one locked up and Loki has come to visit him almost immediately. To offer his help. To try to relate. Maybe mourn the loss of... everything together. But Thor's not interested in relating. He's interested in scapegoating Loki, because that's what this family does.

"What would you like me to say? You faked your own death, you stole the throne, stripped Odin of his power, stranded him on Earth to die, releasing the Goddess of Death.” - Thor, Thor: Ragnarok

To borrow a phrase from the late Luke Skywalker, "Amazing. Every word of what you just said is wrong."

► Loki has never faked his death. What he did is fail to die on Svartalfheim, through no fault of his own. It seems a little insane I have to defend Loki's right to not die, but here we are, I guess.

"We planned to have Loki have a redemptive death[...]We think he's wounded, but it wasn't a death blow." - Kevin Feige, The Dark World DVD extras

"Loki probably in his heart wants to be worthy, and the way he achieves his redemption—his salvation—is to ultimately sacrifice himself, for Thor and for Jane. I hope it’s a very cathartic and moving moment, by saving his brother’s life and avenging his mother’s death." - Tom Hiddleston, The Dark World DVD extras

The worst that can be said of Loki's "betrayal" of Thor at the end of The Dark World is that he failed to inform him that he had survived. And Loki had very good reasons to do so. What had Thor offered him in exchange for his help with the Dark Elves? He would return him to his cell to live out the rest of his days in complete isolation—a fate that I will just reiterate is classified as a form of psychological torture.

► Loki didn't steal the throne. As mentioned above, he offered Thor the throne. Thor said no.

► There is zero evidence beyond Thor's own assumptions that Loki stripped Odin of his powers. We are meant to believe this only because we are told that it is so. On the contrary: "It took me some time to break free of your spell," Odin tells Loki before his death. But if Odin had been stripped of his power, how then did he eventually break free? Upon examination, Thor's logic fails.

► Loki did not "strand Odin on Earth to die". He left him in a freaking retirement home where he had every expectation that Odin would be well-cared for. An argument can certainly be made that after everything Odin has done to Loki in the past, Loki was downright merciful not to kill the old man in his sleep and be done with it.

► Loki had no way of even knowing Hela existed. How is her release his fault and not, say, Odin's for dealing with all his problem children by tossing them out and throwing away the key? Or for not preparing his sons for the day they would be forced to face her?

Oh well. Now it's time for Loki Is A Coward™, Part Deux, because as I may have mentioned previously:

"The thing with Loki is that, if he’s afraid, he won’t show it. He’s been highly trained, through the experience of his slightly traumatic life, to shield his fears." - Tom Hiddleston

MINOR ENDGAME SPOILER:

Reminder also that this was Loki's reaction to the Hulk in Endgame, only minutes after being beaten to a pulp by him

Doesn't seem particularly frightened, but what do I know?

Hey, remember back in Thor (2011) when this happened? If the Valkyrie were already legend, why did Sif need to prove herself as a female warrior?

Shhh. You were supposed to forget about that minor detail. Now back to the butt jokes.

Now let’s take a short intermission, shall we? Because this movie blows so hard that if I put all my criticisms in one post, it’ll probably break Tumblr.

↩️ back to the compendium

[jason-rarepairs]

Inspirations: Barbara/Jason

When Jason was Robin, Barbara was an older sister/babysitter figure who didn’t see him as anything more than a kid and dismissed his bold attempts at flirting as such. He idolized her and she’s protective of him, even though she could come across as strict. (e.g., After catching him smoking, she warned him that the next time that happens, he will “eat the pack one butt at a time.”)

In canon, Barbara’s on-and-off romantic interest is Dick Grayson, a.k.a. the “older brother”, who becomes a recurring point of comparison. In Batman Eternal, Jason--returning as Red Hood along with an volatile relationship with the rest of the BatFam--joined her on a mission where Toy Master manipulated her vision so she could only see Jason as an enemy.

Jason withstood her attacks without returning a hit. All the while, he tried to break her out of control by recalling in detail the first time they met (thus proving his identity), which he claimed he could only do because it was important to him.

He even stopped her from making a grave mistake by taking on the burden of dropping a man she wanted dead off the side of a building, knowing she would save the man because “she’s better than [him]”.

Even though there was physical attraction between them after Jason returns, his inferiority complex is such that even when Barbara hinted at a budding romance with her as a potential reason for him to remain in Gotham, he refuses, stating that “[he’ll] never be Dick Grayson.”

Their relationship is often about missed-chances, wrong time/wrong place, unrequited love, and one-sided pining.

But it could also be loving and wholesome. Beyond their shared experiences in the past, they could also relate with each other in a way few can, having both suffered tremendously at the hands of Joker.

Their relationship has the potential to subvert traditional male/female romance. She easily calls him out on his BS.

Outside of the comics, they have a fascinating relationship in the 2015 game, Batman: Arkham Knight, where Jason’s a mysterious villain who kidnaps Barbara/Oracle, yet is extremely protective of her. In the process of convincing him to return home, he reveals to her his past trauma in a way he couldn’t to anyone else. The scene is presented as an audio clip here (link to youtube ~2:30 long). Have a listen, the voice acting is amazing!

[battlestar-royco]

updated faq

Round 2! I tried to shorten the answers so as not to be repetitive, and I also added new FAQs for your convenience. My past self who wrote my first FAQ annoys me, and this one is more thorough anyway, so here you go. I still can’t believe you all actually interact with me enough that I have to make one of these.

Questions up here, answers under the cut.

anti sjm basics

1. why are you an anti?

2. why are you specifically anti SJM?

3. do you like anything about SJM’s books?

4. terminology and practices

5. why do you hold SJM to a higher standard than other authors?/why do you focus on criticizing this one woman more harshly than you do men?

6. did you see what xyz stan did?

7. are you an anti for non-SJM stuff?

best of (in my humble opinion)

diversity and sensitivity

8. I have a question about writing and/or how to portray xyz identity...

9. can you please tag...?

10. is it okay if I like [x author]/[y series] even if I know they’re problematic?

11. what are your suggestions for aspiring authors who want to write diversely?

personal

12. is it okay if I message you?

13. why don’t you post about books/shows/movies you actually like?

14. favorites?

15. book suggestions?

16. are you a writer/what are you writing/do you plan on publishing?

17. is it okay if I follow you on other social media?

18. fandom research

19. when did you start your blog?

20. how did you decide your url?

anti SJM basics

1. why are you an anti?

I love thinking critically about the media I consume. Though I wouldn’t say I’m particularly “anti” any text or author, some people classify any criticism as “anti.” To respect people in the main tags, I post in anti tags so they don’t have to see critical posts. Otherwise, I love talking about positive, neutral, and negative aspects of books.

2. why are you specifically anti SJM?

The Anti SJM Manifesto

What made you turn into an anti? x x

Rowan/Rowaelin: x x x

The fandom: x x x x x x

3. do you like anything about SJM’s books?

Yes. I like a lot of SJM’s ideas, but I don’t like how they’re executed at all. I highly enjoyed TAB, TOG-HOF, and the witch storyline of QOS. My favorite TOG characters are Manon, Chaol, Nehemia, and Sorscha. Honorable mention for Lysandra, Kaltain, and Asterin. My favorite ACOTAR characters are Nesta, Lucien, and Tarquin. Additional links: x x x x

If you want my positive thoughts on certain SJM characters, look up: “anti sjm: [character name]” and you’ll find them.

4. terminology and practices:

Anti SJM Glossary. Seeing as many of us have had bad experiences with stans and in one case, authors, we censor names so our posts stay in our own tags.

What is soap dick? From August 2018 x x.

Manongate? when KOA came out, Charlie Bowater’s promotional art (x) depicted Manon as Asian. Here’s more on why that’s a problematic and lazy decision on SJM and Bloomsbury’s part: x x.

5. why do you hold SJM to a higher standard than other authors?/why do you focus on criticizing this one woman more harshly than you do men?

SJM alone out of all the biggest YA authors has yet to make craft improvements or display a social awareness similar to what I’ve seen from her colleagues. I give all authors an equal chance, but SJM’s writing and behavior has significantly decreased in quality compared to other fantasy authors despite her books being lauded as complex and feminist works. However, I’m not perfect, so do feel welcome to send me an ask if you think I’m being unfair.

The anti SJM community is focused on women because we all mainly read women. Critiquing women doesn’t mean we are unaware, dismissive of, or silent about the issues in men’s work. The “anti” movements for the likes of GRRM do exist, but under a different name than “anti”–there are thousands of critical meta blogs, book/TV critics and reviewers, Youtubers, etc out there who discuss his flaws in depth. I also have lengthy anti GRRM, anti GOT, and anti ASOIAF tags. Finally, I personally find critiquing and discussing women’s work a lot more interesting, productive, and empowering than doing the same for men, especially because my blog’s focus is on the YA author/transformative fan community at large.

About Leigh Bardugo: x x x x x x x

About GRRM (and GOT): x x x x x x x

About Tolkien: I've only read The Hobbit and a third of Fellowship of the Ring, and I’ve only watched FotR, so I don’t say much about him at all.

6. did you see what xyz stan did?

Probably not, especially if what they did was off Tumblr. I don’t look at stan accounts unless someone informs me that my posts or I have come up in conversation on their blog. Any specific stan urls in asks will be redacted both for their privacy and my own well-being. Stans have doxxed, harassed, and discriminated against antis, including myself, so I’d rather save us all the trouble.

7. are you an anti for non-SJM stuff?

I most often talk about SJM’s books, but I’ve also been very critical of GOT/ASOIAF. Following GRRM, several other YA authors have appeared in positive, neutral, and critical lights. On the more critical side we have Cassandra Clare and JK Rowling, and a very little bit about Victoria Aveyard, John Green, Maggie Stiefvater, Stephenie Meyer, and Veronica Roth. Otherwise, I’ve talked about Susan Dennard, Rick Riordan, Leigh Bardugo, and Marie Rutkoski. Check out my YA critical tag for more. I’m also down to discuss franchises like Star Wars, Fantastic Beasts, MCU, etc, as well as TV shows. Basically anything big in genre fiction media, there’s a good chance I’ve read/watched it and I have opinions!

best of

anti SJM

Are the Illyrians MOC?

Moral Ambiguity Series

Anti Nessian

Lucien or Rhysand?

Chaol or Rowan?

misc.

why are period dramas like... that

White Feminism

a beginner’s guide to fandom racism

diversity and sensitivity

8. I have a question about writing and/or how to portray xyz identity...

First and foremost, check my “writing advice” and “writing advice: poc” tags to see if the question has already been answered.

I am black cis girl with a dual degree in women’s/gender studies and creative writing. I will best be able to answer questions regarding black characters, women, racial oppression and identity as a whole, and most questions about queer characters. There’s a chance I can provide a basic answer to questions about demographics outside of these, but I’ll most likely advise you to ask another blogger or seek out sensitivity readers.

9. can you please tag...?

Yes. Just send an ask and I’ll tag anything. I’ve turned off all Tumblr notifications for this account so I probably won’t see tag requests in comments unless you comment within a day or so of the post.

10. is it okay if I like [x author]/[y series] even if I know they’re problematic?

Absolutely. I’m not the liking-things police and I can’t control whether you like something or not. There’s no such thing as an unproblematic author or unproblematic series, so you just have to like what you like at your own discretion and with a critical eye. As long as you’re aware of the issues and not denying or ignoring them, maybe even seeking out other people whose opinions add to the conversation, you’re good. It’s exhausting to be 100% critical but harmful to be 100% uncritical, so you have to seek out critics you like and figure out how to maintain a dialogue with the text and/or the author. The balance is different for everyone but once you find it, it gets easier to keep up!

11. what are your suggestions for aspiring authors who want to write diversely?

Concepts to be aware of and tropes to avoid: male gaze, the Bechdel test, the Mako Mori test, the sexy lamp test, fridging, Orientalism, xenoface (called “the Gamora Phenomenon” on my blog), black best friend, Spicy Latina, Dragon Lady, bury your gays, disability narratives, queerbaiting.

What not to do when creating a culture.

My advice about writing POC.

Check out these blogs if you like: x x x.

Follow as diversely as possible. Follow multiple blogs, especially writing- or fandom-themed blogs, run by POC (especially women and LGBTQ+), bloggers from religiously marginalized groups, bloggers with disabilities, older bloggers, younger bloggers, international bloggers, plus size bloggers, etc. Everyone has different perspectives and opinions, so it’s best to read from multiple sources.

Magnify marginalized voices in conversations about diversity, and LISTEN to what they are telling you.

Read diversely! Read genre fiction written by marginalized people. Maybe even read some gender, queer, race, or disability theory if you like. I’m personally a fan of Audre Lorde, Anne McClintock, and Sara Ahmed, but I like a lot more.

Seek out multiple sensitivity readers for the specific identity you are trying to represent (ie if you are trying to write a Muslim woman, ask a Muslim woman to sensitivity read for you. Experiences are not interchangeable so don’t treat them as such).

Don’t let the research stop here. This is just the beginning. There are plenty of awesome and accessible resources out there if you want to know more. I started learning about this stuff on sites like Tumblr, Goodreads, and Youtube. The Goodreads review sections, especially for YA books, are so entertaining and full of commentators coming at texts with feminist, queer, and POC lenses if you look in the right spots. There are also podcasts and Youtube videos about feminism, history of queerbaiting, and such. Happy reading/listening/writing!

personal

12. is it okay if I message you?

If we’ve been mutuals and/or we’ve interacted for a while (at least a few weeks or so), absolutely. When it comes to questions about writing or diversity advice in WIPs, I prefer asks (off or on anon is fine; if you’d like to be off anon but answered privately, you can indicate that in the ask). That way, other people with similar questions can join the discussion and I’m less likely to repeat myself. That said, I’m not opposed to messages; I just get shy around people I don’t know :). Regardless of ask or message, please try to ask the full question as clearly as possible so I can answer it to my best ability. Generally, you can expect an answer to your message or ask within a few days to a week of sending.

If you’re looking for a fight and/or if you start using condescending, rude, or discriminatory language, you will be ignored.

13. why don’t you post about books/shows/movies you actually like?

I do! :)

14. favorites?

books: Harry Potter; The Hunger Games; Six of Crows; Percy Jackson; The Winner’s Trilogy; Angelfall; The Secret History; Othello; Jane Eyre; The Lion, the Witch and the Wardrobe/The Magician’s Nephew; A Storm of Swords.

movies: Alien, Blade Runner 2049, Harry Potter, Wonder Woman, Black Panther, Annihilation, Mad Max: Fury Road, The Terminator 2, The Breakfast Club, The Lion King, Moonlight dir. Barry Jenkins, Sleeping Beauty, Mulan, Tangled.

tv series: Sense8, Battlestar Galactica (2004-2008), Black Mirror, The X Files, The 100, Westworld (season 1 only), Watchmen, Homeland (seasons 1-4 only), Orphan Black, Breaking Bad, The Office, Brooklyn Nine-Nine, New Girl, Fleabag.

15. book suggestions?

Book recs!

Maxine, did you read/watch...?

16. are you a writer/what are you writing/do you plan on publishing?

I hope to publish, yes! I write mostly YA fantasy, but I also love sci fi, crime drama, and certain elements of horror so I have works in or influenced by all of those genres. I want to get my foot in the YA fantasy door first and foremost :). Check out “polysorscha writes things” if you want to know more specifics.

17. is it okay if I follow you on other social media?

As of now I keep my blog disconnected from my personal life, so I don’t share my other socials but feel free to follow me over on my main blog @ripley-stark if you like! It’s just pretty gifs and photos of my favorite movies and shows, social justice, meta reblogs here and there, and rambling in the tags. Don’t feel like you have to follow if you don’t want to; I say a lot more on here.

That being said, I have given my Goodreads to a handful of people who ask, so if you want to track what I’m reading, private message me and I’ll send you the link. In the case that I share the link with you, please respect my privacy and do not repost or share the link anywhere else unless you see me share it on my blog publicly.

18. fandom research:

In March to May 2019, I conducted a survey on my blog in an attempt to gather information about fandom through a social justice–specifically, intersectional feminist–lens. Here are the results and my analysis of the survey x. The purpose for this data collection was to write my final undergraduate research paper in one of my two majors, women’s and gender studies (the other is creative writing!), which focused on diversity and inclusion in genre fiction media and fandom. The final paper is about 11k words. I haven’t publicly published it, but message me if you’re interested in reading it! I also plan on doing more similar surveys to gather information about what audiences want to see in future media, so if anyone is interested, please send messages, asks, comments etc about what YOU want to see and/or ideas about how we can spread the info to creators. This is much bigger than just me and I can’t do it without your help. I love hearing from diverse voices and amplifying them as much as I can. Everyone’s perspective is meaningful!

19. when did you start your blog?

No earlier than the end of April or beginning of May 2018.

20. how did you decide your url?

I wish the Celaena/Dorian/Chaol love triangle resolved in a polyamorous relationship, and that Nehemia and Sorscha were thriving. Seeing as I am black, Sorscha is one of two characters in T0G who represents me. Thus, polyamorous + Sorscha. :)