#did things in the editing suite

[prettyboy-like-you]

>come together<

(right now, over me)

.

(mash-up piece; original artworks HERE and HERE)

[blmpff]

OK TAEC YEON for KITTO 02.07.24

[chaoticlandworlder]

Max suffered long-term visibility issues after the Silverstone 2021 crash

[tippenfunkaport]

(Posting this in the dead of night literally just so I stop fiddling with it.)

Some time ago, I saw a picture of Alaina Scott in a confusing bathing suit and wanted to see Glimmer in it. I have since made that happen because I can.

[unproduciblesmackdown]

truly 2 trans 2 furious is also extremely like [billionsposting as people never meant to be here yet having the symposium while not necessarily having a good time but we can also analyze &/or simply play around with it in other ways with an easy ability to deconstruct things enough for that & perhaps have a good time, perhaps have something way more complicated than that but which could also be called having a good time] like including in its having the "there's a nonbinary f&f character" entry in there at all through kompensoing & monitoring billions since & drawing funny little guys about it (winston, e.g., and taylor) and then also that like, Any & Every Entry in 2 trans 2 furious is of that genre of crucial tour de force visionary symposium understander posts that get 2 notes. and then compiling that is like yes of course this wins an award, a surprise but also not really at all.

[mirai-desu]

Eliza Scarlet's Outfits in Miss Scarlet & The Duke S1-3

A Visual Guide

Disclaimer: This is primarily based off of me going through my caps, and there's always a chance I have missed something and/or typoed.

I have lightened some of the caps, but I did not recolor them, so they might still appear darker to you depending on your device.

You'll also see that some outfits photograph/films differently in different lighting, etc.

And obviously I don't include every scene an outfit is worn in the collages; it's just examples, outside of the first and last appearance caps.

(also I didn't label some of episode stills because originally I was just uploading the original files, but then had to make them collages too when I ran out of room. And sorry William et al., I had to crop you out at times).

I also did not really keep track of when she changes up her ties or hats with outfits, but she doesn't really mix and match until S2.

Open the images in a new tab if on desktop to get the larger image to zoom in.

The first outfit we see Eliza in ever (1x01), and the bit used in the opening sequence

The outfit in some S1 keyart images, but most were her other main outfit

We don't get to see what this outfit looks like without the jacket and thus don't really get to see the blouse

Makes it into S2, but the last we see of it is in 2x01 when then it falls victim to the pigeon incident.

However its final appearance is in the HANDS scene (well technically right after), so it does go out in a blaze of glory

Seen in 1x01-4, 2x01

The black funeral dress (1x01)

Only worn in the two scenes in the cemetery

(again it gets to be part of an iconic Wiliza scene at least)

Seen in 1x01

The other blue outfit from S1

What she is wearing in the main S1 keyart and PBS DVD cover

We don't get to see what this outfit looks like without the jacket and thus don't really get to see the blouse. She does appear to be wearing a different blouse with it at times though (e.g. 1x06 is a different blouse from 1x01)

While she wears it in almost every episode of S1, she notably wears this almost the entirety of 1x06, making its last real appearance in the scene where she has William apologize to Moses.

It is also the outfit that she is wearing in all three of the photographs of adult!Eliza in the show (1x06, 2x03, 2x06), so its technical last appearance in 2x06

There's an edited version of this outfit that's red and used in other keyart (it is not the red outfit from 1x06)

Seen in all S1 episodes except 1x05; appears in photographs in 2x03 and 2x06 as well

A burgundy ensemble that's only worn twice, both times in S1

The burgundy skirt is possibly the same skirt that goes with the outfit that’s actually in all three seasons

First seen when she goes to find Clara Simms; she wears it through being released from Scotland Yard the next morning. This version she has a choker on.

In 1x02, she wears it with a cloak at the beginning of the episode, and that's its last appearance

Seen in 1x01, 1x02

The burgundy dress that Eliza says in 1x02 is her best dress, that she specially wears to catch William's eye

She first wears it in 1x02, to try to get William to give her a case

Its last appearance is in 2x06, when her and William were going to go to dinner together

Seen in 1x02, 1x03, 2x01, 2x06

The burgundy skirt outfit is the only one of her outfits to appear in all three seasons

We actually first see it without the jacket on (1x03), and we know what the blouses she wears with it look like

It's only outfit she wears in 1x05 ("Cell 99"), including without the jacket

She mixes and matches hats and ties with this outfit starting in 2x01, as well as sometimes has on a different blouse (likely the one that goes with the green outfit).

In S3, she does sometimes wear a navy blue cloak over it, like she does many of her outfits that season

Its last appearance has been 3x05, without the jacket on, drinking with Ivy

Seen in 1x03, 1x04, 1x05, 2x01, 2x04, 3x01, 3x02, 3x04, 3x05

The nightgown in 1x04

Also notably the only time Eliza's hair isn't in a bun (barring flashbacks to Young Eliza)

She's only in this for two connective scenes

Seen in 1x04

The actual Scarlet outfit

Only appears at the end of 1x06, when Eliza is in her office and William comes to take her to dinner

Seen in 1x06

The green outfit

First seen in 2x01, as Ivy is pinning the hem. We first see it without the jacket, and get a good look at the blouse she tends to wear with it. This blouse is also used with other outfits.

She first wears the whole outfit together in 2x02

Comparative to other outfits, she doesn't seem to switch up the hat (or blouse)

This outfit carries over into S3, with its last appearance in the scene at Arabella's house having tea at the end of 3x05

Seen in every S2 episode except 2x03; 3x01, 3x05

The burgundy and gray one with velvet trim

First appears in 2x01, in the pub with the guy from the Wentworth's shop

She seems to wear the same blouse as with the green outfit

It has a waistcoat, and we do see her several times without the jacket on

Its last appearance is in the flashback to her office in 3x03.

Seen in 2x01, 2x02, 2x04, 2x05; 3x03

Navy blue outfit with waistcoat

First seen in 2x02, when she goes looking for the insurance firm

We do see her several times without the jacket on

In S2 she wears it with a blouse that has a collar that's trying to mimic a men's double round collar (the style William wears)

Notably, this is the only outfit she wears in 2x03

This outfit makes a reappearance in 3x03, with a different and stripped blouse. It's the outfit she wears the whole episode (barring the flashback), and she only has the jacket on in her first and final scenes of the episode, plus the wool cloak.

In 3x05, it's back to the collared blouse, and last seen when Eliza and William talk after Crabtree's arrested

Seen in 2x02, 2x03, 2x04, 2x06, 3x01, 3x03, 3x05

The blue evening dress

First scene for Hattie's engagement party in 2x06, and she does not wear any adornment on it then

In 3x02, which is the second and last time that she wears it, she has pinned her mother's brooch to the middle of the neckline

Both instances of her wearing it, she also wears a small shawl/cape with velvet trim when she is outside

Its final appearance is when they go back inside of Arabella‘s restaurant after the brooch is stolen

Seen in 2x06, 3x02

Jacket with the brass buttons

Oddly enough, we first see her in this outfit in the S2 keyart, but it (and most of their clothing/whole image) has been edited to be red

It first appears in the show at the end of 3x01. First we see Eliza in the kitchen without the jacket on, and then in the next, and final scene of the episode in William's office with the jacket on

The blouse has some blue in it

She does occasionally have the thick wool cloak on with this, as well as an apron

Its last appearance is in the final scene of 3x06, at Nash's office

Seen 3x01, 3x02, 3x04, 3x05, 3x06

Blue outfit with the navy blue blouse

This is the outfit that she has on in the S3 keyart

Eliza first wears the skirt in 3x02 when she has to change after being pushed down, but she wears it with the lacy white blouse she usually wears with the green outfit (she's also in this blouse again when she bakes the cake with Ivy)

But she wears the usual combination later in the episode when she returns to Arabella's to speak with her

She also occasionally wears the wool cloak over it, as well as an apron

Its last appearance thus far has been when she and Moses go to see Solomon in 3x06

Seen in 3x02, 3x04, 3x05, 3x06

Bonus! Young Eliza

Same outfit in both flashbacks

It appears to be the same outfit in the photo on Henry/Eliza's wall (makes sense)

Seen in 1x01, and anytime there is a close up of the photograph (1x06 features last true close up of it)

[notthestarwar]

Snippet from: When is a monster not a monster? Oh, when you love it. Chapter 5

Ghost Mace speaks to past Jaster (alive) and tells him what he knows of Jango's future, in the life he lived.

Mace's brow stiffened. "When we realised what we had done, we tried to find him but we could not."

"We tried to find the True Mandolorian's but the survivors had fled in all directions. We did try and see justice done, there was an overhaul of our internal mission preparation process. We changed our training. Dooku left the order as did his apprentice."

"None of it could make up for what we did. Years after the fact, I learnt that Jango was sold in to slavery by the governor. It took him years to escape. I learnt of the weight of what we had done in helping end the True Mandolorian's. In leaving Death Watch unchecked."

He meets Jaster's eyes. "We are here to discuss why we haunt Jango, but it would be remiss of me to not tell you that your son has haunted me every single day since the day I left on a mission to retrieve him; to attempt to offer reparations for what my peoples neglect brought down on him, and came home empty handed."

" We thought him dead, but I did not forget him. From that day, I've carried the weight of what we did to him. I have often thought of him over the years." Mace shook his head.

"You hold no blame here, but we just might."

And isn't that a thing. His son haunting a Jedi even before that Jedi might haunt him.

Jango is tangled up in something here far beyond Jaster's reckoning.

Mace is laying out the constituent parts that when put together, make Jango in to the man that is responsible for the death of every single person standing in that warehouse. Jaster isn't sure where that leaves him, because once he's done hearing this story, in the years that lay ahead of them yet, every single one of these horrible pieces is going to fall in to place. Tragedy after Tragedy ready to be pasted and slapped on to the boy he loves, his son, in order to make him in to the man that did this.

How the hell can Jaster stand by and let that happen?

There are no rules that apply to Jaster, not anymore. He doesn't care about morality or the ethics of fucking with a future that's apparently already happened. He has no care for his own code, not now. None of it matters.

Jaster is Jango's buir, before all else. He has been from the day he stepped in to a smoldering farmhouse and against the odds saw signs of life dancing across his HUD. The Ka'ra gave him Jango and by god, it can stand back while he brings his son back from the abyss.

Mace is watching him. "Jaster, you had no hand in making Jango Fett the man he became at the end. You did not abandon him, you were taken from him. I need you to know this. You should know that none of this was your fault. "

Jaster doesn't care. It doesn't matter if its his fault or not, he is responsible all the same; because he wants to be. He didn't fall in to parenthood, he walked in to it willingly. For Jango, there is no monster that Jaster will not face.

The ka'ra has given him one last gift. The opportunity to see Jango's life after Jaster, and a few precious years in which to try and change them. It may not be in Jaster's power to save his son from himself but by god, he'll die trying.

He looks at the Jedi.  "Tell me the rest."

Some of my thoughts below the cut

Some of my thoughts (because clearly rambling in the comments hasn't been enough for me lol)

I had a lot of fun with this one. I've written about ghosts before but with this one, I went at it from another angle. In this au, ghosts aren't bound by linear time. If you do something that leaves a ghost tied to your soul, they are tied to you in the past as well as the future. Jango and Jaster are both Force Sensitive (tho with a Mando understanding of it. They call it 'star touched') and so can see ghosts.

In this fic, moving in with Jaster sets Jango on the path that brings him to the prequels. Once he's on that path, the ghosts that'll be tied to him in his future, can move freely along the timeline, with each of them pulled to a particular version of Jango. Jango will obviously be responsible for the deaths of quite a few people, there are his bounties, the Jedi and the clones and so on; but when the first ghost appears he's just a kid. The story deals with Jaster coming to terms with the fact that his kid, who he loves beyond reason, even if he stumbled upon him quite by accident, one day becomes the person that will make all these ghosts.

At first there's only one ghost in their time, but Jaster can't let it go (tho he knows he should), he needs to know what happens. So he keeps asking until she admits that she isn't the only ghost and that they are tied to Jango as he's responsible for their deaths. Then, he keeps pushing until she introduces him to the others. She gathers them in a warehouse (so Jango doesn't see) and takes Jaster there.

In the part of the story this snippet is from, Jaster has just been confronted with an excessive number of people (including children) who are all tied to Jango as he's responsible for their deaths. He's had a (understandable) freak out, and ghost Mace has taken him aside and offered to tell him what he knows of Jango's future, and how it led to the death of so many people.

What follows is a buddy up adventure between Mace and Jaster (unlikely duo) in which Jaster tries to come to terms with what Mace has told him, and the horrible events that led to Jango becoming the man that would one day be responsible for all these ghosts. While he tries to save Jango from himself, long before he needs saving.

The idea behind the fic is the inevitability of a tragedy. There's a feeling when you're watching a tragedy play out, that it's all so unnecessary, that it didn't need to happen, but you only know that because as the audience you know that they are in a tragedy, the characters don't know. So what if a character did know? Jaster is served advance notice, will having that allow him to save Jango, or will it just feed in to the fulfillment of this prophetic future?

I wanted to explore the fact that there's only so much one particular character can do, in trying to prevent the end another is headed towards and also, the power of familial love, even when it's found somewhere unexpected. Jaster isn't Jango's blood family, he didn't even know him till he was an older child, which I think makes his love for Jango in spite of knowing what he will become, all the more powerful. The glimpse of Jango's future is disgusting to Jaster, it goes against all he believes in, but its Jango so he can't hate him for it, he loves him too much and so, he's determined to save him from himself. He's willing to do the impossible.

Then there's Mace: so in this au, Mace is sent out shortly after Galidraan, when it becomes clear to the order that they've made a mistake, to find the survivor they left in the hands of the Governor, and to right a wrong. He isn't successful, he looks everywhere but he can't find him, and in the end the order write him off as dead. In this au, Jango was 18 on Galidraan and what Mace sees as his failure to save someone that was little more as a child, and suffered so greatly thanks to what the order see as their own neglect, haunts him for the rest of his career.

Its that idea of 'the one case you couldn't close'. It's at the start of his career and he goes on to do amazing things, Mace is peak Jedi, he invents a new form, he's one of the youngest Jedi to be elected to the council, he ends up heading that council, but he is still human (or near human lol sw complicates everything. he's 100% human in a fallible/emotional/sapient sense) I think that as a Master Jedi he's very aware of his own weaknesses, and he tries to work through it, he talks to it with other Jedi, and he certainly doesn't let it affect his judgement, but he can't forget it all the same.

So it's this version of Mace that ended up meeting Jango in the arena. Which I think adds such an interesting angle.

[cleromancy]

the specific flavor of roydick when they were queercoded, or at least--i mean theres *at least* a *strong* argument that they are, starting around... maybe devins arsenal mini through titans 99, but *definitely* outsiders all the way through roy leaving the team. but like, they're simultaneously queercoded and maintaining that very late 90s/early to mid aughts-specific heteronormativity yk. a swell couple in an erotic butch and sundance kind of way

(and i mean we do know devin in particular was writing with bi dickie in mind, shes gone on record on that, but like specifically roy and dick in relation to each other...)

and im just. thinking about this because in my beloved The Cheshire Contract in the *80s* they are not actually queercoded, the homoeroticism was just. two bros gettin naked in the same hotel room, being touchy feely bros hetero style... idk man theyre really affectionate with each other in it! but then by the time graduation day rolls around you can't even picture them that comfortable touching each other despite like. still being written as... i mean they're close, you know? *close.*

but they don't touch anymore.

and like thinking about. by contrast. my beloved outsiders #11 where. dkdkckflf. god. grace's famous you boys would make a swell couple in an erotic butch and sundance kind of way quote, roy cuts her off with a kiss, they have sex, and-- god im sorry please just read outsiders v3 because this issue is. insane. anyway then dick and roy have what *eye* would argue is a sexually charged sparring scene, particularly bc of the way it was juxtaposed with roy and grace. and it ends when dick pulls a fucking gun on roy *as an expression of care.* like explicitly that's why he's doing it. like oh my god! the rituals are so fucking intricate!

and like FIVE ISSUES LATER they have this massive blowout fight and-- fkflflfm.

the point is. the point is. my last reblog was about fictional male intimacy needing violence as a pretext. and i was thinking about the specific flavor of heteronormativity at the time and. weighing in my mind whether my beloved outsiders 11 or my beloved action comics 613-618 feels more intimate. thinking about the heteronormativity flavor of, these two guys can't be physically affectionate bc of it vs the flavor where they *can* be physically affectionate precisely *because* heteronormativity means it wouldn't be gay if they did. and i think its not quite a fair comparison bc i do believe the point of outsiders 11 *was* the intimacy, compared to the cheshire contract where it was an easy comfortable byproduct of their friendship. but, well! there most certainly is violence as a pretext, huh?

much to think about.

[wikiangela]

Day 30 - April 11th, 2023 from a new upcoming one shot - something (horny) 6x13 is happening and I'm not sure what exactly it's gonna turn into yet haha

He feels Buck's hands, limply hanging by his sides until now, settle on Eddie's hips gently, carefully, like he's handling something delicate, something he loves, and… and Eddie might just melt, with how gentle Buck's being, but also he might lose his mind with how much he wants Buck to put those big, strong arms to use and roughly pin Eddie against the wall and kiss him like he means it - and maybe do some other things Eddie hasn't been able to stop thinking about this evening.

[skeksismars]

D4V3 1S TH1S YOU >:]

[oflgtfol]

why do so many leaders actively want to be leader since they were kits like idk it gets so old having these characters spend their entire lives fighting for their ambition its like snore. what about a super edition about one of the classic iconic leaders who never planned on becoming leader but became leader anyway

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[strangeasexuallegume]

I redesigned the EG Mane Six! I tried to go based of the general design ideas of the originals, though I did deviate where I felt it better suited the characters.

Twilight: For Twilight I mostly went for something that could look decent enough to make up for the fact that she has definitely been wearing it three days in a row. That bitch is NOT taking proper hygiene and you know it. I also wanted to play around with the idea of her struggling to walk no matter what, making her own mobility aids (that are albeit low quality and seriously uncomfortable since she was working with what she had) the first night that she was there, and then at some point Rarity reveals that she purchased and bedazzled a much better and comfier set of aides for Twilight. Other than that, not much else to say.

Fluttershy: Tbh, I don’t have much to say about her other than True Stoner Rights and also I wanted to give her a look that would look nice enough to wear to school without risking being picked on, and also isn’t too outside her comfort zone. The look is based on what I thought as a kid was “Parisian fashion.” I imagine that that Fall Formal dress is actually outside her comfort zone, but she didn’t wanna make Rarity come up with a different outfit and honestly the whole thing was outside her comfort zone so it’s whatever.

Rainbow Dash: I HAD TO FIX IT. RDS IS THE ONLY ONE IM CONSIDERING FIXED BECAUSE THIS IS NOT. MY. GIRL!!!! First off, why did they make her a SOCCER PLAYER??? TRACK IS LITERALLY HER THING SHE WAS BUILT FOR SPEED— I made her a track athlete instead. Second off OH MY GOD THESE OUTFITS ARE SOOOO NOT HER STYLE UGH, I KNOW THAT THESE DESIGNS ARE MOSTLY TO GO WITH THE SAME TREND AS MONSTER HIGH BUT TRJEJSHDJDGSISDRAGH THIS IS NOT RAINBOW DASH!! SAME THING WITH HER FALL FORMAL OUTFIT WHAT IS THIS, THIS ISNT WHAT SHED WEAR TO A PARTY!! UGH!! STUPID!!!!!

AJ: A lot of her outfit was me working on pure nostalgia from when I was a kid in the early 2010’s. (Oh yeah I forgor to mention, I tried to change these designs to fit what I thought would work for 2013. Aside from Twilight, she looks more current to look more out of place) I remembered stuff like the ankle/shin high boots with all the different buckles that I remember adoring, the jeans or shorts that’d have all sorts of pretty embroidery on them, etc. etc. I also wanted to try and make her fall formal dress look more casual, which I figured would work since I’m assuming Fall Formal is sort of like the homecoming of this universe. Overall, hers was one of the most fun to design.

Side note, RD and AJ are making fun of each other’s trademark poses in all of the default pngs

Rarity: She was kinda easy, I don’t have a lot to say about her if I’m being honest. I think she was the one that the designers ate with the most. Even her fall formal dress, there’s not much I wanted to change and was actually kinda stumped for a bit on what to do differently.

Pinkie Pie: she is my Maximalist Kandi Scene Furry Queen. When dying her hair she either did it herself or told the person at whatever salon she went to that she wants to “look like an acid trip.” The non binary flag was made one year after EG first appeared but the genderqueer flag was made in 2011 so Pinkie Pie got True Genderqueer Rights. I couldn’t control myself and gave her straps. She stands out like a bleeding thumb. I love her. By far the most fun design. This was so incredibly self indulgent and I couldn’t be happier.

Edit: forgot to add, I used this pose reference by @albanenechi !

[navybrat817]

Hold You Tight: Part 1

Pairing: Club Owner!Bucky Barnes x Female Reader

Fic Summary: The owner of The 107th wants you to be his girl whether you like it or not.

Series Masterlist | Part 2

Chapter Summary: You encounter an unexpected visitor in your home.

Chapter Word Count: Over 2.8k

Chapter Warnings: DARK AU, breaking and entering, stalking, coercion, threats (not against reader), creepy and unhinged behavior, flashback, possessiveness, Bucky Barnes (he's a warning, okay?), more warnings to come.

A/N: Welcome to the Turn It Up AU! Thanks to @starlightcrystalline for helping bringing this unhinged Bucky to life and @targaryenvampireslayer and @tavners for the support. Bucky edit by the beautiful @nixakimbo. ❤️ Beta read by the lovely @whisperlullaby , but any and all mistakes are my own. Divider by the talented @firefly-graphics . Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!

You yawned as you flipped on the light switch in your apartment and set the keys on the table. It was early, but you were ready to settle in for the night after a busy shift. Maybe you could make a cup of tea and curl up with a book to unwind after dinner. Or maybe even a nice, hot bath and a glass of wine.

If only Addison could hear your thoughts now. She’d tease you for not living it up and enjoying the single life. Nothing new.

Your mouth fell open as you walked into the living room, but no sound came out as you skidded to a stop. Your heart nearly burst out of your chest and plummeted to your stomach at the same time as your phone fell from your hand. It was like you couldn't breathe. Because a man was sitting on your sofa.

And you lived alone.

“What…” you exhaled, no louder than a whisper.

The man didn't speak as he stared at you. He didn't even blink. The staring contest gave you a moment to take in his appearance. Intimidating even though he was sitting, his dark suit looked tailored to perfection on his broad frame. Dark brown hair framed his face and matched the stubble on his face, with the exception of a few gray hairs. The dangerous glint in his hard blue eyes did little to put you at ease, but there was something soft there as well.

In any other circumstance, you would've said he was handsome.

You bent down to pick up your phone before he let out a tsk, a subtle warning for you not to try anything. “Who are you? Why are you in my home?” You asked as you straightened up, hoping your tone didn't betray how terrified you were.

Nothing looked out of place. If he was there to rob you, there wasn't much worth taking. While you weren't struggling, you were far from rich.

He smirked and leaned back further into the cushion, his eyes roving over your body. You hadn't noticed right away, but the hand draped on the back of the sofa appeared to be metal. Or was it a glove? He didn't have to stand for you to know he was larger than you. If things got physical, you wouldn't stand a chance.

“Okay…” If he wasn't going to give you any sort of answer or clue as to who he was or why he was there, you’d just leave. You could go to a neighbor’s place or Addison’s to call the cops. But he didn't seem to like it when you took a step back since he pinned you with a glare and crooked his finger, beckoning you to go to him.

Your legs wobbled with the first step, but you righted yourself as you continued to move forward. If he noticed your misstep, he didn't acknowledge it. You swallowed, worried that bile would rise to your throat from how sick you felt when you stopped in front of him. That feeling only grew when he leaned in to grip your waist and roughly pulled you toward him.

A scream escaped this time around, but his hand clamped over your mouth to smother the sound. The cold fear that trickled down your spine would stick with you for days to come as he pulled you onto his lap and shook his head with another tsk. There was no mistaking the evident lust in his gaze as his eyes bore into yours.

What was he going to do to you?

You put your hands on his shoulders to push yourself away, but the hand on your hip held you tighter. You squirmed in his lap before you brushed against the outline of his cock, your body stiffening when he let out a low groan. With wide eyes, you decided moving wasn't a wise decision.

“Keep moving your hips if you want, but don't scream again,” he warned, his deep voice rumbling from his chest as you breathed through your nose. “There’s time for that later.”

Blood rushed to your ears as your heart pounded faster. You wished you could've stopped the tears from filling your eyes, but you weren't that strong. Was he going to hurt you? Kill you? If so, why?

The brunette cooed as a tear slid down your cheek. “I’m not going to hurt you, okay? But I will gag you if I remove my hand and you scream again,” he promised, his tone lighter than a moment ago. “Blink once if you promise not to scream.”

You blinked, another tear falling from your eye.

A pleased look crossed his face when he removed his hand and you complied. “Good girl,” he whispered and you ignored the new kind of shiver that rolled down your spine. “I didn't mean to startle you, but I couldn't wait any longer to see you.”

You exhaled as he used his thumb to wipe the tears away, your body still stiff as you focused on trying to stay calm. Couldn't wait to see you? You had never seen this man before in your life. “Who are you and what do you want?”

“My name is Bucky Barnes. And don't worry. I already know your name.” He smirked as he rested his hand on your cheek. You managed not to flinch at his calloused touch. “Did you have fun at my club?”

Confusion flickered in your gaze. “What?”

“My club, The 107th. I own it. Did you have fun?” He asked again, looking at you expectantly.

The 107th was the most luxurious and expensive nightclub in the city. Chic and glamorous in design with a friendly staff who waited on people hand and foot, you felt like royalty as you hung out in the VIP section. The upscale venue wasn't one you frequented often. In fact, you had only been once.

For Addison’s bachelorette party.

“Y-Yeah,” you replied, still confused as to what he wanted. “It’s a nice club.”

He hummed, his thumb brushing across your trembling lip. “I’m glad to hear it, but you didn't seem to have as much ‘fun’ as your friends. Did you?”

You nursed your drink as you gazed out at the dancefloor from your seat. The place was packed, the strobe lights flashing over the crowd in various hues as they grinded to the beat. You adjusted the hem of your short black dress as you debated going out to dance. You decided against it since you weren't looking to hook up.

“Come on! Another shot!” Addison yelled, adjusting her tiara on her head. She was lucky the “bride to be” sash was still on straight. “Shot, shot, sh-sh-sh-shot!”

You giggled as she plopped down beside you. “I did a shot. I'm fine,” you hollered back.

Your best friend grumbled something you couldn't make out as she put her head on your shoulder. “But you aren't even driving.”

“I don't want to deal with a hangover tomorrow,” you argued, thanking the server as she brought another bottle.

“Ugh. If you won't drink, at least get laid,” Addison whined a little. “You're wearing a slutty black dress and everything.”

You looked around at the group. Addison was the only one in white since she was the bride. Everyone else wore black. They looked great, but you weren't dressed to get any sort of attention.

“Yeah! Get fucked!” Dana shouted.

“Is that encouragement or an insult?” You teased, glancing at the small blinking light in the corner of the VIP section. You didn't notice it before.

“Raise your hand if you think our girl should get laid!” Addison announced, raising her hand high and spilling some of her drink on the seat. “Whoops.”

The group raised their hands as you attempted to clean up the small mess. “I’m not hooking up with anyone tonight,” you said to their disappointment. “This night isn't about me and my love life.”

“Your love life? Babe, it doesn't exist!” Addison grabbed your left hand and held it up to stare at your bare ring finger. “I don't get it. You're the only one not engaged or married yet. And you're, like, the sweetest one in our group. And you're so pretty! It’s not fair that you don't have a man. You deserve one.”

“And sex!” Dana chimed in. “You deserve lots of sex!”

You gently pulled your hand away and pushed down the sadness that surfaced at the reminder that you were the only single one left of your friends. You didn't know why you hadn't met the right one yet. It wasn't like your standards were too high and you were a good, loyal partner. You wouldn't say you were supermodel gorgeous, but you were pretty. You knew how to have a good time.

Right?

Addison's lip wobbled when she saw the look on your face. “Hey, hey, hey. I’m sorry. I didn't mean anything by it,” she rambled, hugging you from the side. “I just want you to have what Brady and I have. I want someone to love you.”

Guilt crept in before you shook your head and flashed your best smile. You know she wasn't trying to make you feel bad and you didn't want to ruin her night. “And one day, I will. Someone will love me the way Brady loves you and I’ll love him, too,” you assured her, giving the other girls a shrug and wishing they'd stop with the pitying stares. “Shots?”

“Shots!”

Your eyes briefly went back to the blinking light before you put a small smile back on your face. Addison was having fun and that was what mattered. You could worry about yourself and your feelings tomorrow.

“I’m sorry, but did my friends and I do something wrong?” You asked, dodging his question. You booked and paid for the section well in advance. Your group danced around in the area, and behaved overall and kept to yourselves. The server got a nice tip at the end of the night.

So what was the matter?

“Not at all,” he said, tilting his head. “I’m just sorry I couldn't introduce myself to you that night.”

“I don't understand. You broke into my home just so you could introduce yourself to me?” You asked as he traced small circles on your hips, the motion making your head spin a little. “How do you even know where I live?”

He chuckled, the corners of his eyes crinkling, before he got serious again. “I have my ways. And I can be a little intense and forward at times, but you’ll get used to it,” he said, your eyes wide again. What was wrong with this man?

“Okay, Bucky,” you said slowly, seeing something wicked flash in his eyes when you said his name. “Being intense and forward doesn't excuse breaking into my home. And since my friends and I didn't do anything wrong at your club and you formally introduced yourself, I think it's time for you to leave.”

A second passed before he shook his head. “No, doll. It’s time for you to get the love life and man you deserve.”

Fingers brushed your throat as you struggled to take your next breath. “What did you say?”

“I'm going to take you out to dinner tomorrow so you can get to know me and you’re going to wear the dress I bought for you,” he explained as if he didn't hear you, nodding toward the hall. “It’s waiting for you in your bedroom and, yes, it’s your size.”

How did this man have the nerve and how long had he been in your place? “You went into my room? You-”

“And I bought you that perfume you recently ran out of. I know how much you love it. I know everything about you,” he continued, running his nose along your neck as your blood ran cold. “Oh, we’re going to have so much fun together.”

You moved back, desperate to get away as your stomach twisted. He didn't let you get far, easily yanking you close again. How did he know anything about you? How did you catch his eye?

The blinking light in the corner of the VIP section …

“And if I say no?”

Bucky pulled back, his eyes calculating as he studied you. “I’m not going to force you into going out with me. It’s your choice to say yes or no, but I want you to think carefully about that choice.”

Dread pooled in your gut. “What do you mean?”

“Well, I obviously know where you live and I can get in and out undetected,” he pointed out. You wondered now if this was the first time he had been in your place. “I also know where your friend Addison and her fiancé, Brady, live.”

A wounded sound escaped at the thought of anything happening to your friends. “Please, leave them alone.”

“And the shop you work at, I know where it’s located. Those floral arrangements you make are stunning. Your boss even gave you a raise recently. You should be proud,” he smiled.

Your eyes watered again. The man was certifiably insane. Maybe this was a sick joke or a bad dream. Soon you'd wake up in your bed.

But the iron grip on your body reminded you that this was very real.

He waved a hand dismissively. “But we both know you’ll make the right choice because you're a good girl… a smart girl,” he said like he hadn't just threatened your friends or livelihood. “Just take the night to think it over. Have a glass of wine and draw yourself a nice bath while you do.”

He surprised you by moving you from his lap to the sofa. His hands and eyes lingered on you momentarily before he released you and stood up. Towering over you, he gave you a tender smile as he buttoned his jacket.

“I’m going to lock the door behind me when I leave and I’ll be back tomorrow at 7pm so you can give me your answer. And if you try and tell anyone I was here tonight, I’ll know about it,” he said, grasping your chin when you tried to look away. “It’s taking all of my control not to drag you to bed, but I can wait a little longer.”

Fear prickled the back of your neck as you tensed up. “You couldn't just ask me out like a normal person?”

You almost regretted asking when he narrowed his eyes, but he huffed out a laugh. “Where's the fun in that?” He winked as you shrank back in your seat. “There’s nothing to be afraid of. I won't hurt you. And you know what? I just thought of something. You still need a plus one for the wedding. I’m free. I’ll get a suit to match your bridesmaids’ dress. We’ll look perfect together. And Addison will be so happy that you aren't going alone.”

His tone was light and happy like it was a suggestion and not an order, but the ferocity in his gaze had you trembling. “Why are you doing this?” You asked above a whisper.

“Because I want you and I get what I want,” he said as a matter of fact, releasing your chin. “Like I said, it's time for you to get the love you deserve. And I know you'll give it to me in return.”

It was like your spirit floated out of your body as he bent down to kiss your forehead. You couldn't move or speak. Was this what shock felt like? Or was it complete and utter fear?

You stared ahead as he picked up your phone and unlocked it with your passcode. He knew that, too? “Can’t leave without giving you my phone number,” he smiled, putting his information in before he set the device down. You didn't respond. Once he was gone you could scream and cry. But you wouldn't give him the satisfaction of breaking down in front of him. “I’ll be back tomorrow night, 7pm. Get some rest. You'll need it.”

Even as he left you alone and locked the door behind him as promised, you didn't move from your spot as tears streamed down your cheeks. You didn't dare go to your bedroom to see the gifts he left for you, your hand shaking as you wiped at your face. The scent of his cologne lingered, as did his touch. It was like his shadow covered you, leaving you cold and afraid. Your home was no longer safe.

You weren't safe.

With his subtle threat looming over your head, you’d have no choice but to go out with him. Maybe he’d get bored of you quickly and move on. Or maybe not. You had no way of knowing. All you knew was that your average life was upheaved by the owner of The 107th.

And you were going to be his girl whether you liked it or not.

Bucky isn't wasting time. Where is he taking you on your first date? Love and thanks for reading! ❤️

Masterlist ⚓ Bucky Barnes Masterlist ⚓ Ko-Fi

[everythingisliminal]

I did it. I called my parents, told them they need to use they/them for me for us to have a healthy relationship, and it worked.

My dad said his love for me is unconditional and he's invested in getting this right. My mom asked in a strained tone how this affects my relationship with my husband, how she's supposed to refer to me with people in her life, etc. (best case scenario given how abysmal this convo went with her a year ago). And we ended it all with our life updates and "I love you"s.

Since it took a lot of research to find articles more suited to adult children coming out as trans/nonbinary, here's the list of (primarily non-aggressive) resources on terms and mindset I texted them in case they can help anyone else:

Itchy sweaters: An ally’s guide to understanding late-in-life pronoun and gender changes (new pronouns = softer sweater metaphor)

Your adult child just came out as non-binary. Now what? (terminology)

The Wonderful World of Gender: What It Means to Be Nonbinary (terminology)

What Does It Mean to Misgender Someone? (terminology)

8 Things I’ve Learned Parenting a Non-Binary Kid That Might Help You (acknowledges parent's emotional response)

Edit:

OMG Y'ALL MY MOM JUST TEXTED THIS

"I know I was quiet in today's conversation but you are my child and I love you and support you. I want nothing but happiness and a healthy life for you!!!😉😀"

[moonstruckme]

Thanks for being patient with me! This is edited on about four hours of sleep so apologies for any errors <3

part 1 │ part 2 │ part 3 │ part 4 │part 5 │ part 6 │ part 7 │ part 8 │ part 9 │ part 10 │ part 11 │ part 12 │ part 13

roommate!James x shy!reader ♡ 1.6k words

Water sizzles on the stove. You reach over to turn down the heat, your side heating from its proximity to the boiling water, before spinning back around to keep speed-chopping onion. This is a result of poor planning. 

It’s possible that some of your nerves could be reinterpreted as excitement. Giddiness, even. You’re finally—finally—doing something to try and repay all the kindness James shows you. You’ve felt like such a mooch, eating his cooking and stealing his time with his friends, but last week had been too much for you to take. He’d discovered the stomach bug you were weathering, and James had completely devoted the next two days of his life to making sure you were looked after. 

Your fever had gotten so out of hand he’d very nearly followed through on his favorite threat (going into your phone while you’re sleeping and phoning your mum), and though you’d done your best to downplay it at the time there are admittedly gaps in your memory wherein you think you were simply too out of it to know what was going on. It’s not a very comforting thought when you’re harboring a humiliating crush on your roommate; you may well have been just as talkative as James always is, you don’t know. At least he hasn’t said anything. 

He had, thankfully, managed to avoid catching it. You’re not sure how he managed what no one on your shift at work did, but you assume it has something to do with all that kale he eats. Which is why you’re doing your best to make the thank-you meal you’re making him as healthy as might suit his standards. 

You hear his key in the door, and a little frisson goes up your spine. 

“You’re early,” you accuse as he walks in. 

“Since when do you know when my training ends?” James asks. You sound like you’re sniping at one another, but as usual the joviality in his tone is unmissable. 

The sounds of his entrance are familiar, perhaps more ingrained in your mind than they ought to be. Keys jingling as he hangs them on the hook, shoes toed off and left by the mat, heavy footsteps headed for wherever you are in the apartment. 

When he finds you in the kitchen, you both speak at once. 

“What happened to your shoulder?” 

“You know how to cook?” 

“Hurt it at training,” James answers, shrugging with the shoulder that doesn’t have an ice pack held to it. He’s probably too nice for it to occur to him to withhold his answer until you’ve given yours, as had been your first thought. “What are you making?” 

“How did you hurt it?” Worry pries at your tone. Your hands have stilled on the cutting board. 

“We had a scrimmage, and I got shoulder-barged.” He gives you a smile, a shadow of the real thing, but gentler. Reassuring. “It’s not bad.” 

You frown. “I don’t know what that means.” 

“Didn’t expect you to, love.” 

“Why do you need to ice it if it’s not bad?” 

There’s a look in James’ eyes that’s wavering between smugness and softness. You balk at the sight of it. “I need to be a bit careful with it,” he hedges, “but it’ll be good by morning. Now, you’ve distracted me. Do you mean to tell me you’ve known how to cook this entire time?” 

“Yes,” you concede with a laugh. “I’ve always said I cook for myself when you’re not around.” 

“And here you are, doing it right before my eyes.” James leans on the counter with his good arm. He looks immensely entertained. “I’m honored.” 

“This isn’t just for me,” you say, looking down to resume chopping onion as your face warms slightly. “It’s for—” Another remonstrative hiss from the stove, and you whip around, moving the pot off the hot part entirely. You’re a bit relieved for the excuse to face away from him. “It’s for both of us. Also, I just want to provide a disclaimer right now that I never said I was good at cooking, only that I knew how.” 

James’ laugh rumbles behind you, just as you knew it would. He’s too easy. You can practically feel the force of his smile hitting your back, like the sunshine brought inside. 

“Here,” he says, taking a couple of steps toward you, “let me help.” 

“No!” You whirl again, stopping him before he can actually enter the kitchen. “No way. James, I’m trying to do something nice.” 

“And it is very nice,” he says, earnest. “It just seems like you could use a hand.” 

“I’ve got it,” you insist. Your hands are up to ward him off, but you put them at your sides when you realize how close they’re hovering to his chest. “It doesn't count as doing something for you if you do it yourself. Anyway, you’re incapacitated.” 

“I’m…” James looks confused, but then he glances down to his icing shoulder. “Oh, come on. I’m hardly immobilized.” 

“For all intents and purposes, you are.” You do your best to infuse your voice with conviction. You’ve found that’s usually the way with James. If you show any hesitation, he’ll turn on the charm and have you eating out of his hand before you know what’s happened. You herd him away from the kitchen. “Go sit down. Dinner will be ready soon.” 

You can’t help but be aware of him as you finish up, knowing he has to hear the sizzling when you accidentally spill things onto the stove or the one mumbled curse you’re not quick enough to bite back. All evidence that you’re not nearly as practiced a cook as James. You can practically feel his grin from a room over. Still, when it's done you’re fairly proud of yourself. 

James is beaming as he accepts his bowl. He hikes his knees up so you can pass between the couch and the coffee table, making a show of sniffing the steam rising from the food. 

“Is this risotto?” he asks, waiting for your little nod before his mouth drops open in astonishment. “You are so sneaky! I didn’t know you could cook at all, let alone fancy shit like this.” 

“It’s not that hard to make.” You look down at your fork as you raise it to your lips, blowing. 

“Sure it is! Loads of people have a hard time with it.” 

“Do you?” 

James grins, caught. You feel your own smile tugging at your lips as you take a bite.

He follows suit, forking a bit of the risotto and blowing to cool it before taking it in his mouth. His eyes dip closed, head lolling back, and he moans. 

“Oh my god, this is good. I’m never cooking again, now that I know you can do this.” 

You take another bite to avoid a response. You’re fairly sure the heat from your face could power the apartment for a month. 

James makes a few more over-the-top compliments of your culinary skills, which you deflect as best you can. As always, you eat mostly silently while he chatters, but when you look over your attention gets snagged on his shoulder. 

He’s only using the one hand to eat, bowl resting in his lap while you hold yours up closer to your face. His ice pack sits beside him now that he can’t hold it on anymore. You catch yourself gnawing on the inside of your lip. 

“Does it hurt?” you ask. 

James looks over, following your gaze. “Yeah,” he admits. “Nothing I’m not used to, though.” 

You feel your eyebrows pinch. “You get hurt often?” 

He smiles bemusedly. “It’s rugby, love. Getting a bit roughed up is part of the deal.” 

This doesn’t sit right with you. Though you hadn’t pondered it much before, you realize you’ve sort of been thinking of James, with his muscles and constant smiles and easygoing manner, as somewhat invincible. He seems like such a source of light in the world, it hadn’t occurred to you that anything bad could happen to him. You don’t like the idea of him being hurt. In any capacity. 

You realize this is likely playing out on your face when you notice James watching you. His eyes are soft. “As much as I would love to milk this for attention and maybe a sponge bath,” he says, setting his fork in his bowl, “it’s really not that bad. See?” 

He pulls down the sleeve of his shirt, and the effort to placate you is wasted. You take in a quiet, horrified gasp at the deeply colored bruise on James’ shoulder. One of your hands raises as if to touch it. It hovers in the space between you. 

“That’s not that bad?” you look at James in alarm. “It looks broken.” 

“It’s not,” he laughs. It’s a bit awkward, as close to self-conscious as you’ve ever seen him. “Trust me, I’ve had a couple broken bones in my time. It’s only bruised, and the muscle’s a bit strained.” 

The muscle, you’re noticing now, is quite substantial. Your focus is on the bruise, but the shoulder beneath it is eye-catching as well, hefty and taut-looking, presumably from the strain. That, or James is flexing. 

You raise your gaze quickly to his. Brown eyes tinged with smugness. 

“You’re worried about me.” His lips stretch into a grin. Not your favorite one in his arsenal. “Aw, sweetheart, I love you too.” 

You direct your attention back to your food, face hotter than hot. “I have justification for worry,” you say, the teasing tone you were going for undercut by the unintentional softness of your voice. “You’re voluntarily participating in a sport that seems like it’s trying to kill you.” 

James takes a self-satisfied bite of his risotto. “I don’t know, I was pretty worried when you fainted in my arms last week.” 

You side-eye him suspiciously. “I didn’t actually do that.” 

“Guess you’ll never know.”