#discussion guide
Explore tagged Tumblr posts
ocshowandtell · 1 year ago
Text
thought it might help to have a starting point for anyone who isn't sure how to begin! (these are just suggestions, and not required by any means!) use these as a guide for submissions if you like, or for your personal use!
Short OC show and tell template
[Image of character]
Name of character:
What’s their story’s setting/context?
What do they do with most of their time?
What do they want? Why?
How do they plan to get it?
Who do they know? How do they feel about them?
Favorite bit about character:
Longer OC show and tell template
[image of character]
Name of character:
Gender, sexuality, age, general vibe, species (if relevant):
Favorite bit about character:
What’s their story’s setting/context? What’s the general plot?
What do they do with most of their time? What do they do for fun?
What do they want? Why? What’s stopping them?
How do they plan to get it? Do they plan to get it? 
Who do they know? How do they feel about them? Which/what sort of relationships matter the most to them?
How will/have those people changed their life, for the better or worse?
What’s their biggest flaw?
What do other people think of them?
What genre is their story? What genre do they think it is?
How do things work out for them?
if you would like more character questions to think on, check out @characterbabble!
30 notes · View notes
tahbhie · 5 months ago
Text
Creating Emotionally Devastating Scenes.
Crafting a scene that earns the total sympathy of your readers can be challenging, but it's not impossible. Most emotionally devastating scenes fail at two things, but when these are done right, the results can be powerful.
⚪ The Important Concepts for Writing an Emotionally Devastating Scene
1. The Build-Up,
2. Breaking the Dam.
Before I explain these concepts, let me share a case study.
⚫ Case Study
I wrote a story about a young orphan named Jackie and her younger brother. Their village was burned down, leaving them as the only survivors.
For the next few chapters, readers followed their painful journey and their struggle to survive. The younger brother had a heart problem, and Jackie vowed to become a cardiologist to save him.
She was very ambitious about it, but at the time, it was very ironic. Later in the story, when they encountered a tragic living condition with a family, the brother died while telling his sister how much he missed their parents.
When her brother was fighting for his life, she was sent out of the room, only to be let in again to see his cold, lifeless body.
⚪ Explanation of Concepts
1. The Build-Up
The build-up is extremely important when you aim to convey strong emotions. Here's a secret: if you plan for a scene with strong emotions, start leaving breadcrumbs from the very beginning of the story.
Take the previous case study. I carefully built up their journey so people could easily relate and feel the pain of the older sister during her brother's sudden death.
You need to give the situation enough reason to feel utterly hopeless and devastating. Gradually cultivate the tension until it's ready to let loose.
⚫ Understanding the Use of Breadcrumbs.
Breadcrumbs in stories ensure you utilize the time you have to build up certain emotions around your characters.
At the beginning of my story, Jackie’s fate was already pitiable, but she survived every hurdle. This gave the readers enough to feel for her while still leaning away from the outcome. When I built enough, I introduced her brother's sudden death.
Hence, leave your breadcrumbs while leaning away from the outcome.
⚪ How to Properly Leave Breadcrumbs
When building up your story, consider these elements:
☞⁠ Character Relatability: The characters need to be realistic to draw readers into the story. This helps readers invest themselves in your story.
☞⁠ Realistic Emotional Pain: Just as characters need to be relatable, their emotions need to be realistic and not appear forced.
☞⁠ Create a Strong Emotional Attachment: Give them something they care about or that has the power to ruin their lives in any way. It could be something that makes them happy or something their happiness relies on. When it's time, snatch it away without remorse.
☞⁠ Have a Backstage Struggle: This struggle keeps readers occupied, so they won't see the outcome coming. For example, Jackie’s constant struggle to find food and shelter keeps readers engaged while the impending tragedy looms in the background.
☞⁠ Attach Believable Elements: For a realistic character, emotion, and struggle, attach believable elements. It could be death, ailments, sickness, disorder, disappointment, failure, etc.
Now that we've covered the build-up, let's move on to the next crucial part.
2. Breaking the Dam
This is when you make your readers feel the strong emotions alongside your characters. All the tension you’ve been building up is released, making all emotions come into play.
☞⁠ Break Your Strong Attachment: Cut off your strong attachment from your character when they least expect it or at a point when they couldn't use more struggles (i.e when they are helpless).
This will not only evoke readers’ emotions but also pique their curiosity as they wonder how the character will survive the situation.
☞⁠ Description of Sensory Details to Invoke Emotions: The advice of "show, don't tell" will be really helpful here. It's crucial to ensure that the final execution matches the build-up.
A well-crafted build-up can fall flat if the emotional release isn't handled effectively. To avoid this, blend the climax seamlessly into the narrative, making it feel natural and impactful.
Reblog to save for reference! 💜
2K notes · View notes
fafodill · 2 months ago
Text
Tumblr media
The exact wording of the ask I got was: 'what if someone was asking deprived!Snape (read my whole essay about him) to "break them off a piece of that KitKat bar?" How would they go about it?'
So today we're going to discuss this. Buckle up people.✨
SO his reaction will largely depend on the context and their current relationship but one thing that will happen FOR SURE every time before anything else is that he's going to think they're messing with him.
What else could it be? This man had been so heavily bullied as a teen his self-esteem is buried and has its own tombstone.
"Here lies Snape's self-image. Spit to pay your respect."
We don't have any canon proof of it happening but many people headcanon that some of the bullying might have been people being dared to come up to him and fake attraction or compliment him (so funny omg) only for him to realize they were just messing with him. It's totally the kind of immature stupid shit kids will come up with (speaking from personal experience here). Not funny but deeply scarring for one's self-image. So being told he's attractive would trigger him in his adult life. Any potential suitor asking him out would be welcomed with him immediately closing up and getting angry at them. They'd need to find a way for him to believe them first.
If you're thinking "this already sounds like a pain", yes it is. Welcome to deprived!Snape. Welcome to Snape, basically. If they want a piece of him, they have to brace themselves for the long run.
He will get angry and leave a lot. Fleeing the situation - since it's a very vulnerable subject for him - will be his go-to move. The whole ordeal will require patience. So what should this person do?
Friend or Stranger?
If it comes from a DE he'll think it's an angle. If it's from a member of the Order, he'll think it's a joke. If it's from a colleague at Hogwarts, he maaaay be a tad less suspicious? In any case, it will depend on how close they are. The more time they have spent together, the closer he'll be to not flip out... too much.
I'm a bit torn about his reaction if it was coming from a stranger. Either it's easier because he can lean into the idea that maybe they're lying about their attraction and he doesn't care (and if he's horny then why the fuck not, it won't affect him as much since they both now they're here for physical release) OR he might not be into it at all because he actually needs a real connection (and I think this is more realistic). Severus is a feral cat, he needs time to trust people.
What else? He could also maybe open up faster with someone not from his usual inner circles (a foreigner or a muggle) as the interactions wouldn't be charged with the same deep-rooted habits and expectations.
I also believe he'd unconsciously feel way more at ease with someone coming from a modest background. A pureblood aristocrat hitting on him would have little chance of getting past his natural distrust of them (unless he knows them very well).
So what should they do?
Build trust
The quality of their interactions and conversations will have a huge impact. Do they have an interesting personality? He needs someone capable of taking him on and keeping up intellectually. Can they keep up with him and challenge him?
Severus has a temper. Can they deal with his bullshit and not give up on him at the first scowl? Argue with him? It doesn't mean they can't be nice, but I don't see him get worked up over someone cowering under his gaze.
They need to be stubborn. He's a Capricorn and he's got the horns. He's hard-headed. They need to not back down when he bites or dismisses their attempts at flirting. One of Severus's classic tactic is to hurt people so they leave him alone, so they need to be able to dodge the attack, make fun of him or retaliate.
If they manage to deal with his temper, they will start to see what's on the other side of the snarky exterior. Then, they'll be able to start kneading the dough (Severus is the dough).
Convince him the attraction is real
That person could go the gentle/honest way, assuring him they're not kidding and explaining what they find attractive about him (he'd be super wary and need days to digest it - if he can). Genuine compliments could work quite well as he's good at reading people but it would be a process and it shouldn't be too much at once. He's NOT USED to compliments so if the person goes too hard, he's going to get overwhelmed, distance himself and reject it. A good trick would be to compliment his intelligence and magical skills alongside physical traits. A 2/3-1/3 ratio would be a good start. He would trust compliments about his big brain way more than anything regarding his cute butt.
Complimenting his presence, aura, voice might be good too as it's not directly related to physical traits. Else, physical starters could include hands and eyes. But I also love the idea of taking him by surprise and complimenting his nose. Might weird him out in a good way.
Or they could go the blunt way (or what I now refer to in my mind as the @maxdibert way) and be like "dude, I really think you're hot, deal with it" and leave him to sort his feelings out like a big boy.
The two strategies can be mixed of course. But at the end of the day, the real problem is that Severus as approximately a thousand confirmation bias in his mind telling him this is not happening. So what could they do to help ease this process?
Make him horny
Less overthinking = more chances to get this piece of ass.
Severus Snape needs to be warmed up. And as stated in my previous essay, he's plagued with the core beliefs that he's ugly, ridicule and undeserving. These beliefs need to be kneaded and challenged enough (not healed, this would take decades and it's not their job), so that he can relax and open up to the idea of intimacy.
Here are a few strategies to do so.
First, de-dramatize the subject. Making the topic less taboo by talking about it in a lighthearted way (no flaunting! certainly not!). A good move would be to joke about it. Deprived!Snape isn't comfortable with the subject but it's because it's evaded him and then he convinced himself he wasn't concerned or interested.
-> Here are some of the things he could benefit from hearing: that sex is not a big deal at all and we can laugh about it. It should be fun, a shared moment, trials and errors are part of it and there should no be judgment about experiences and preferences. People with a high 'body count' aren't necessarily good lovers, it's all about presence and intent etc.
His potential partner could share funny mishaps that happened to them and - when there's an opening - ask him what he would expect from a pleasant intimate moment (that's a very advanced move, don't forget he's bad with words)(it would only work in my opinion if they're both drunk and have been going at it for a while).
Also sharing experiences is a great way to build trust and intimacy (and arousal). He thrives on knowledge so learning more about his potential partner might ease his mind in some way (and give him some free intrusive thoughts). See it as added ingredients to make him simmer.
Though they shouldn't talk too much about the number of partners they had and said partner's skills. This might make him retreat. Again: low self-esteem and always on the lookout for an excuse to sabotage it.
Wait what about drunk!Snape you say? That's a trope we enjoy around here. Although I headcanon him as not being a heavy drinker (if a drinker at all because of his father) it would be a great way to lower a bit his inhibition. A DE would have a hard time sharing a drink with him, same for an Order member (he never stays after meetings but could be coerced), but a colleague could maybe drag him to the Three Broomsticks with other members of the staff and then leave early with him. wink wink Come on, rub his foot under the table and look at him choke on his ale. He'll skin you alive with his eyes and you can just raise a suggestive eyebrow back.
Persistence, persistence.
Of course a bit of physical baiting could help with his dusty libido. After all, they'd kinda be dealing with an teenager, experience-wise. Nothing too bold (though I headcanon that his sooty Cokeworth self would get way more worked up over unabashed desire than delicate courting but he's buried a bit too deep at the moment) but a nice cleavage, some leg showing, a fitting pair of pants or robes might not be a bad move. Since he might be uncomfortable with words, they could flaunt the goods in his face! The man has eyes, let him look and scold himself for looking. Also a few heavy looks, biting a lip and lingering fingers could go a long way for such a deprived man, especially if it's directed at him.
At the end of the day, the trick is to make him able to put his worry aside (or snap, if you find the word sexier).
They could go the provocative way, being insufferable and making him want to shut them up.
They could try some endless teasing until he's a lost hot mess, unable to express what he wants except by going 'fuck it' and going for it.
They could go slower and create a safe space with a weekly ritual (every Friday night meeting for a drink/to grade essays/to hang out) which can lead to a late night snog (floating candles optional).
They could be blunt and go 'I want to kiss you so bad right now' as they leave Hogsmeade together and are walking on the dirt path towards the castle. A gust of wind will prevent him from hiding himself behind his hair and they'll see the flush creeping on his face.
They could hammer the compliments and validation, because Severus craves recognition (is there a praise kink in there? yes). So first it could be his mind, his work, his skills... then the way his cape suits his frame so well, his silky voice... and then bam, hitting the nail on the head with complimenting his mouth. Blabbering mess guaranteed. Might flee but blush deliciously. Or might stop dead in his track and then it's time for them to claim these lips.
Kissing
Clumsy. Tentative. Awkward.
But earnest.
He might freeze at first. Wait, these lips knew how to do that once upon a time... how does it go again? He'll need a bit of time to remember but the best way to (re)learn is practice.
It will be a lot for him. As he's extremely touch-deprived he'd be literally rediscovering human contact. So much to feel, the supple of the lips, their shape, the softness, the wetness.
Honestly, deprived!Snape could get really worked up just from kissing.
(They could honestly make him cum just from this and some grinding. Amen. If he does he'd need reassurance after and still might flee and hide and snarl for a few days because male performance blahblahblah. Hopefully they'd be able to skip this step at this point in the relation.)
But I believe he'd enjoy it greatly and this might be a step he'd want to stay at for some time before going further.
Undressing
I headcanon deprived!Snape as being very self-conscious about revealing his body so it might only be possible with someone he really trusts. It might be painfully difficult for him (might require dimmed light if not obscurity but I mean come on, they're here to look at him and it'd be better for him to rip the bandaid... but giving him the option might help).
Either he'll be too aroused to care (or act as if he doesn't) or he'll feel very self-conscious and look for cues to confirm his belief that his partner will find him disgusting. It's the right moment for them to express their desire.
If for some reason he gets too triggered and leave, they wouldn't be back to square one but again, patience is key. He needs time. Or maybe they could convince him to stay and try to resolve the situation by stopping the intimacy and just talk about something else. It could be good practice to show him this isn't a big deal and that everything is fine.
But at this stage, complimenting him sincerely (no coddling) whilst not hiding their arousal could work nicely. Sprinkling some of the fantasies they had about him as well. ('I've been dreaming about these hands on me', 'You have no idea how much I've been wanting to kiss these lips to make you shut up', 'I laid awake at night thinking about touching this part of you'). Showing appreciation with touch could convince him more though and it has the advantage of preventing him to think too much.
But really, he won't like to focus on his appearance as it's something he has no control over so they should -unfortunately- bite their tongue and keep the flood of horny compliments to themselves at first. A new one might be fed to him once every two weeks to slowly build his confidence.
In Bed
Deprived!Snape is: prideful, yearning for control and very sensitive.
Now honestly I could make a whole other post with the different scenarios where he'd be more top or bottom. Instead, I will focus more on what would happen either way.
He'll want to learn. Because Severus is nothing if not a scholar. He's got a very curious nature regarding topics that interest him so if his partner is showing him how they like something, he'll get super serious about it. He will try to touch them in the exact same way at first and he's a fast learner so once it's mastered, he'll experiment. And he's going to be good at it.
That man got dexterity and an inventive mind. And that's canon.
But his focus on his partner might also be a way to keep control during this highly new situation. Depending on how self-conscious he is about his inexperience, shifting the focus on him might be a challenge. Maybe letting him take the lead could be a good idea. But maybe shoving him against the mattress and seizing control is the way to go here.
Now, he will be very sensitive, won't he?
Yes, he might. He might be a whimpering mess in no time. His partner should be cautious and gentle with him. Severus letting his guard down and letting them touch him is a very big effort coming from him so they should savor it and be sure to make it feel safe if they want this to happen again. Help him relax, let him breathe, don't hesitate to pause if he gets nervous. The walls will be destroyed, moan after moan.
But what if he isn't sensitive?
That's a possibility as well. He's been by himself for years and his wariness of intimacy and people is wired in his cells at this point. He's disconnected from his own body and never pays attention to it. He might also tense heavily once in bed with his partner, the vulnerability of it accentuating the disconnection. He might not feel pleasure, might get frustrated and feel angry or inadequate.
This situation - which I find very interesting and seems like a realistic follow-up to him wanting to kiss for a long time and struggling with undressing - is tricky and will require diplomacy and more patience.
But maybe this could be a dealbreaker for him. If the payoff isn't worth the discomfort, he could easily take it as a confirmation bias that intimacy isn't for the likes of him. The best course of action could be to focus on non-sexual aspect of intimacy.
But this essay is way too long already so I'm going to stop here.
What should I write about next? Is there something you wish I had addressed here? Is there something you'd like me to discuss next?
UPDATE: so a few people seem to be mad at me, demanding I keep on elaborating SO. Let's say I'm done here for the 'how to bed him' part (which was the premise of this essay) and I'll do another one following thoughts and possibly... focusing on the different roles in bed (top/bottom/switch) for our dear Severus. See you there.
TLDR: He's gonna be a pain, his partner needs to have calming draught for their nerves but in the end it will be very rewarding because he's starved and inventive.
327 notes · View notes
forthefictionallesbians · 4 months ago
Text
kudzu affini who doesn't understand personal space or why "into you" is not a valid direction to grow
kudzu affini who wakes you up with a feeler already moving down your throat
kudzu affini who breathes for you because they're in your lungs and up your nose
kudzu affini who loves to restrict that airflow just to tease you, to get you nice and desperate for them
kudzu affini whose haustoric implant spreads through your entire nervous system and pops leaves out of your arms
kudzu affini who is never going to let you go because you're a part of them now, petal, and isn't that so lovely?
329 notes · View notes
afterthelambs · 10 months ago
Text
i adore Maruki as a character because he's simultaneously the most relatable depressing character that will make you cry with empathy, and the goofiest wettest cat loser in the game like what do you mean youre a licensed therapist and your first response to trauma is to brainwash a girl, project ur relationship issues onto a 17 yr old boy, and then rule the world in a golden leotard? bro went from 0 to 100 so fast??? anyway he's like 30% of the reason why p5r works as well as it does
623 notes · View notes
sforzesco · 10 months ago
Text
Tumblr media
I got. thoughts. about valens and voices in imperial roman history. but I also got a lot of thoughts about uhhhhhh choosing your brother for co ruling the Fratricide Foundation Story Empire. many thoughts about themistius' oration too
Tumblr media
Brotherly Love, Themistius (trans. Peter Heather & David Moncur)
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / insta
240 notes · View notes
mothmanavenue · 7 months ago
Text
can i confess something else that will absolutely get me stoned in the town square since im dropping my unpopular opinions. I don’t like altean broadsword Lance. i already disliked red paladin Lance. the broadsword was like rubbing salt in the wound. why couldn’t he have his own niche. why was his character development just making him keith. i understand that it was like “he accepts that he doesn’t have to be a leader and excels as a co-leader and you can find happiness that way yada yada yada”. but you could’ve done that without making him keith. also now give him something unique, cool, that falls in line with his sniper bit. i’m not saying just give him another gun, im saying give him something quiet and lethal. like a garotte. yeah i want garotte lance.
i yap a lot more in my notes by the way if you were interested in other unpopular opinions. don’t send me hate messages or comments i won’t read it and will block viciously i also will not be debating this this is my hill to die on <3
#voltron#if you wanna hate on me uh maybe don’t#i just also think everyone’s writing was lazy except allura’s by the end#i don’t go into RP/BP klance posts and hate on them so don’t come into my space i’m warning you im liberal with the block button#that’s my OPINIOOONNNNNN#voltron legendary defender#moths unpopular opinions#i hate red paladin lance and black paladin keith im not sorry#i also dislike the idea that the black paladin has a designated right hand man (figuratively)#that feels unfair in a way i can’t explain#to me#black paladin is someone that creates harmony in the group#not necessarily is the Ultimate Most Important dude#but the guy that can listen to all the noise and filter it out and come up with reasonable ideas and facilitate discussion#and make well informed snap decisions to guide the team#i don’t think there’s space for a right hand#moth speaks#lance mcclain#and i hate that shiro got side lined because they shot themselves in the foy#foot#anyways having a lion swap betrays the fundamentals of voltron we were introduced to#you can’t introduce a hard magic system and then say no thanks#like oh ok i guess it doesn’t matter if the lion chooses the paladin whatever#which by the way is my biggest issue with season one#i think it was structured badly and having allura designate lions from the get go also betrayed the principle#which you could argue for the lion swap using that argument but lance is really the only one who was without a doubt chosen by his lion#so#no#anyways#thanks for listening to me yap
93 notes · View notes
swordscleric · 5 months ago
Text
I can't stop thinking about the post from a few days ago about how Critical Role has been great at doing personal faith but didn't put the necessary work in to discuss the religious/god angle of c3 in-depth. Like the fact that Cardinal Respa was linked to both the Dawnfather and the Chained Oblivion is, on a personal level, very interesting (fallen/corrupted priest goes hard) but like does that mean that there's a Papacy somewhere in Exandria dedicated to the Dawnfather? If so, are there more cardinals who ordain the bishops of the Dawnfather? Are there Conclave-level intrigues going on in the Dawnfather's Sistine Chapel? Why is the Dawnfather so Christianity-coded in vibes alone if there's no actual outline of his religious organisations? With Downfall the Dawnchild/Dawnfather thing makes the allusions to Christ as Son of God co-existing with the Father textual - was there a Dawnfather Schism around whether the Dawnchild was a separate mortal? Was there a Reformation about how the Dawnfather's Pope kept selling indulgences? Is that why the priest of the Dawnfather Grog & Pike offer a drink to doesn't partake because of a cultural shift between Protestant-Temperance-League-coded and Catholic-coded Dawnfather congregations? Why do I have so many questions about the religious organisation of one of the most important Prime Deities in Exandria and to Critical Role's 3 campaigns? How on earth were the cast (and us as the viewers!) meant to care about the gods if all they had were "really tall kings" instead of interrogating how religious organisations provide both a place of healing and community to a wide range of people and also a place of horrific harm and abuse for a wide range of people?
#cr meta#cr discourse#critical role#it's just. maddening#i mean a college of cardinals who can all shoot god a quick dm and ask who's the best for pope is an absolutely hilarious image#makes for a great comedic setpiece tbh#but like seriously matt if your whole multi-campaign story needs people to have strong feelings about the gods beyond how they personally#affected them (keyleth vex and ashton come to mind as people who were negatively affected by certain gods due to personal reasons)#it might be a good idea to develop the religious organisations of these gods! let people see how these things work out instead of letting a#vibes-based approach to christianity rule the whole discussion! kord's whole deal about strong people is fascinating! are his priests all#body builders? do they have a central hierarchy based on strength? we don't know!#are the wildmother's clergy pro- or anti-alcohol? does she even have a clergy?#or are all the religious temples we have seen just set dressing because religious buildings in the real world just have cool designs?#is it because in fantasy the trope is that most protagonists don't care about religion and their temples are literally there for vibes?#i'm aware i'm getting way too close to stan-parasociality on that last point but if we have a cardinal “do we have a pope” is a logical#follow-up question. i'm aware there's not that much info in the campaign guides so that gms can do their own thing but in the#“the gods deserve to be eaten because they were mean to me” campaign surely a more interesting line would be “do the gods deserve us if#their organisations cause systemic harm as was done to bor'dor and........"#can you tell i don't want to do any actual work today. i sure can't#and yes i'm main-tagging this if people are hostile to me on the internet for this buddy there's a phenomenal button i'd like you to meet
60 notes · View notes
watercraver · 7 months ago
Text
Two of my friends just read the original HDG in a discord VC.
They seemed to enjoy the world building but were kinda put-off by Elvira and Miss Nele’s dynamic.
They commented on how Elvira was constantly unhappy and how the concept of domestication is sorta framed as a negative, at least if you’re not already into it.
I sent them both Dog of War, since I think it’s just… better than the original, especially when it comes to how it frames and executes being a pet and I think they might enjoy it more, even if it has ‘weirder’ kinks and explicit sex scenes.
They’ve said they won’t be reading it in-call (primarily due to the aforementioned sex scenes) but I think it’s generally a better read.
Yeah so TLDR; I accidentally got my friends interested, even if morbidly, in the HDG setting.
93 notes · View notes
generic-enthusiast · 2 months ago
Text
idk I think it's really special how you can meet someone or see a fictional character or watch an episode or read a chapter or listen to just one song and not know that it's going to be the beginning of a huge part of your life. the person that helped you through a crisis was once just someone you said hi to that seemed nice. the character you've written or read thousands of words about used to just be a distant piece of media. that chapter that changed your life didn't use to exist in your mind. you cried to that song for the first time once.
24 notes · View notes
pioneer-over-c · 9 months ago
Text
Tumblr media
blorbo from my prison break
64 notes · View notes
clovepaw · 2 months ago
Text
Is no one gonna talk about how a WC forum naming guides were taken down for no reason? I don't know if it is because the mod made a new TOS or either updates but a lot of them somehow become a lost media like rabbits-ultimate-warriors- naming-guide including the glorys-name-guide. Idk if it is my country or if they have the (only having accounts) options about only logged in users can communicate
If you know something about it, please tell me.
21 notes · View notes
tahbhie · 4 months ago
Text
Effective Ways of Creating Relatable and Realistic Conflicts
As a writer, whether you're a beginner, intermediate, or expert, you've likely heard about the importance of creating "relatable and realistic conflicts." This advice appears in almost every writing guide. Yes, it's crucial.
However, this recurring statement might seem vague. Let's break down what these terms mean. We'll discuss how to create conflicts in your style that work, and what can lead to the opposite results.
✧✧✧✧
This is a flexible guide, not a strict set of rules. Let's begin.
✧✧✧✧
First, relatability is different from realism, at least in this context.
Relatability offers an experience that people have gone through before. They can easily identify it as something that happens.
Realism, on the other hand, can be a fresh experience or something entirely fantastical. Here's the catch: it must stay true to your setting and plot. For example, in a fantasy setting, your conflict could be the protagonist's dragon falling sick on the eve of a big race.
In the real world, we have no dragons. But in your setting, your situation with this creature feels real. Now consider an instance where we have intelligent insects with no apparent reason or explanation. This is an example of an unrealistic conflict that doesn't align with its setting. It's either you adjust a few things in the settings or adjust the conflict that stems from their intelligence or is solved by it.
Now that we've established that, let's consider what to keep in mind when writing conflicts.
Conflicts can be resolved instantly or extend further. They can begin your story, occur during it, or happen after a sweet moment.
Before writing a conflict, think about:
1. The Setting:
Where is your world set? This matters a lot! You can use our real-life world but still create your own rules, as long as you make that clear. Your conflict could come off as both realistic and relatable. However, where you have a total no is when your world is the normal world we know, with no changes, and your conflicts are unrealistic and unrelated.
You have such examples in some Bollywood movies. No offense to anyone in love with these movies. This is just a case study for clarification purposes.
Think of the fight scenes. The physical conflicts often stem from a grander conflict. You'll understand where I'm coming from.
2. Duration:
How long will this conflict last in your story? Earlier, I mentioned lasting conflict and fleeting conflict. The former helps create more meaning for your plot. The latter adds excitement that drives the plot forward.
3. Solvability:
Sometimes, the resolution to your conflict can render it meaningless, even after you've nailed the creation. Resolve your conflict in agreement with your plot.
4. Interesting Premise:
Conflict ideas sometimes come naturally as you write your story. I remember when I wrote high school stories, conflicts came to me as I wrote, but this doesn't happen every time. Sometimes, I knew I needed something more exciting and less predictable.
For example, it's common for a new female student to be rivaled by the school's most popular girl. This is usually because of the love interest—the most popular guy in school. But what if they become best friends, and the love interest turns out to be the popular girl's brother?
She mistakes the protagonist's friendship with a different guy as cheating, and the feeling of betrayal turns them against each other. This twist offers a fresh take on the usual antagonizing characters. It could make your story more interesting. This time the antagonist is doing what she feels is in her brother's favour not herself.
5. Character's Involvement:
This is slightly similar to the above. The difference is that it deals directly with the characters themselves, not just the conflict they face. The actions towards the conflict give the situation meaning.
6. Aim and Goals:
What do you aim to achieve with your conflict? Do you wish to entertain, hook the readers, drive the plot forward, or introduce a new object or character? It's best to aim for two at a time. Trying to achieve all in a single conflict could lead to complications.
Which conflict have you read in a book that made you wish you wrote it?
Aiming for a powerful plot? Check out this plot progression planner that helps you plan the aspects you often overlook. You get a free gift!
If you love what I do, support my work to enable more content production.
158 notes · View notes
chaztalk · 11 months ago
Text
Tumblr media
This is for the anime that aren’t officially shoujo/josei, but they likely could pass as one.
59 notes · View notes
bogkeep · 8 months ago
Text
idk how relatable this is but there's times where i've wanted to experience a piece of media that has been deemed Cringe or Pretentious, but i need to experience it With someone, so that someone must be non-judgemental and equally interested in accepting sincerity into their heart, and sometimes a particular friend becomes a repeat designated driver for that particular ride. anyway call that partner in cringe
46 notes · View notes