#divine beast form.....

[amiharana]

totk should have been about reviving the champions and then finding the secret fifth divine beast that link & zelda pilot together in order to create an overpowered sheikah voltron and then they battle against ganondorf's demise voltron to save hyrule

[prototypelq]

Divinity Original Sin 2 has spoiled me

I’ve played my fair share of this wonderful game before, but this year’s BG3 hype had my interest pique again, so I’ve given it another go (this time with mods, which I’ve definitely spent too much time learning how to install and make work together). And boy, oh boy, this game might just have spoiled the RPG’s for me forever.

First of all, this game has no class system. While the character creator offers you some options to choose from, those are just pretty suggestions for the beginning of the game, and even those beginner’s setups are very creative. For example, the Inquisitor preset offers you options from the Necromancy and Warfrare skilltrees (Warfare is focused on dealing physical damage, and the Necromancer has an array of ranged magic and skills to stay alive in battle longer), or a Shadowblade preset, which offers you skills from Scoundrel and Polymorph trees (Scoundrel is your rogue build skills focused on backstabbing, and Polymorph offers you abilities to morph your body into different animal-themed parts, like Chamelon Skin spell which will, predictably, make you invisible). You also, obviously, have more typical options like Enchanter (lightning abilities from Aerotheurge tree and water spells from Hydrosophist) or a Fighter (Warfrare plus armour buffs from Geomancer tree), and they are no less effective than the previously mentioned more exotic combinations.

The character-building, combined with clever enemy AI in this game makes the build-creation process extremely robust. For example, the standard Tank-Healer-DamageDealer holy triad is completely useless in this game, as the AI is clever enough to ignore the characters with the most HP and go for the low-health targets first. This simple change completely breaks the standard mould, and now the best strategy you can have is either outdamage your enemies, or dictate your own rules over the battlefield to control them.

The diversity in building is only intensified by the skills inside different trees, because almost every skilltree in this game will have its own abilities for healing, crowd control and movement. Huntsman (the ranged bow skilltree) tree has Tactical Retreat, Warfrare has Phoenix Dive, Aerotheurge has Teleport, Polymorph has Wings – all of these abilities serve the same function of assuming a better position for your character on the battlefield (which is critical in this game). This means that specializing into any skilltree will also grant you access to a lot of self-sustaining abilities and options. Plus, levelling up any skilltree will grant you additional perks, like levelling up Necromancer will give you bonus % of healing from all the damage you deal (which is an awesome trait for ANY character build really), levelling Hydrosophist will give you a bonus to all the healing and magic armour restoration you receive, or the Huntsman levels give you a damage bonus if you're on the high ground, which is great for ranged units of any kind, so there is incentive to spend some levels on those skilltrees even if you aren’t really using any skills from them. Which destroyes the rpg-triad even further.

(my mage gets shamed by the party, because she is the only one without points in Polymorph for the Wings ability, she makes do with the Huntsman's Tactical Retreat instead, because she needs the high ground damage boost)

For example, the Warfrare tree, which is crucial for any close-range build, has a lot of abilities to control your enemies, because they can Knock Down enemies with their first-level skills from the get-go, and this means the enemy loses their turn on that round of combat. Now your typical damage-warrior is actually your second-best source of crowd control abilities, and not just a monkey with a club. While your ranged-mage builds will be controlling one, two at best character from their range, your properly positioned melee fighter can make an entire crowd of enemies lose their turn. And getting your enemies to lose a turn is the only thing better than doing massive damage to them, in time you will learn how to do both and it’s great fun.

Speaking of what works wonderfully in this game, it’s time to mention the elemental system! I don’t think I’ve played Big RPG Game with an elemental system as robust as the one DOS2 has. I believe someone on the Noclip Podcast mentioned how, each battle in this game feels like it’s not just a battle against different enemies and their damage numbers, but it is also a battle for the terrain that you control. So I guess, this makes DOS2 a Splatoon predecessor?...Moving on.

For example, in the first act of the game you will stumble upon an ambush from a bunch of skeletons, problem is – there are Poison puddles all over the place. And DOS2 skeletons have ‘reverse’ healing mechanic, which means they will get damaged by normal healing spells, but they do receive healing from poison. It means that fighting skeletons with a party of not-undead/living characters can be much fun, as you can constantly cast chain healing, or Bless a big water surface to heal your party, and if the spell jumps to the undead they will be damaged constantly. The Rain spell is, arguably, the most important spell in the entire game, and it is crucial to keeping control of the elemental battlefield.

Rain will create a big water surface, and which you can use to your advantage – freeze it with Global Cooling and isolate your enemies, because walking on Icy surface can and will make them (and you) slip and fall if they try to move, and they will lose their turn.

You’re playing Lone Wolf (=solo buffed character, without companions) and YOU’RE the undead? Cast Rain and Contamination and convert the entire battlefield into a poisonous swamp that will heal you.

You’re not undead? Well, blow that poison basin with any Pyrokinetic skill and watch everything standing in it get converted into ash by the resulting explosion! The battlefield is already on fire? Add some more by creating an Oily surface with Geomancer skills to have it instantly blow up in your enemy’s face. Having trouble with your battlefield Constantly Being On Fire and losing heath fast? Reset the battlefield with Rain and create a cover for everyone, as the resulting Smoke will make it impossible to target anything farther than touch-range skills.

Blood is also a surface in this game, and extremely powerful at that. Every attack that damages the character’s health directly (meaning it bypasses their physical and/or magic armor or they have none left) creates a blood puddle under them, which you can also use.

This surface-elemental madness can also be improved upon with mods made by the community, the most noticeable example here would be Odinblade’s skilltree reworks, which rebalance the original skills a lot and add a lot of very fun additional ones. For example, the Aerotheurge tree gets an additional Conductive debuff to place on your enemies, which will increase all the lightning damage they get and will spread any electric damage to enemies around them, or the Necromancy tree gets a Hex bonus damage dealt to any enemy if their magic armour is gone. Etc, etc, please install Odinblade’s mods they level up the gameplay to new hights.

I’ll also admit here that, while I’ve spent a lot of hours in this game, and was quite invested in the story of my companions and the main quest, it’s…not the best way to play the game. Don’t play this game for story. The story is very good when it gets going, but it will be spread like extremely uneven butter of maybe 2-3 final hours over a 20+ hours of each Act as your bread. Play this game for the extremely versatile gameplay and the amazing systemic nature of it, then exploit the game to hell and back.

Sneak into an arena of magic golems and pickpocket their energy cores, so they die immediately. Use Surface transmutation to move a bunch of lava to a boss arena and place it under his feet to kill it instantly. Talk to a turtle in a dungeon, to learn that she is in love with her neighbor – a rat, and find a way to bring them together. Equip a new ring, only to find out it’s cursed, it sets debuffs on you, you cannot unequip it as it became smaller around the finger and search for a solution.

This game is about finding clever and funny ways to solve problems/quests, and that is super fun to do in DOS2. Also, really, the elemental and class-less rpg system of this game spoiled me so hard, I think I might have some trouble in the future adapting to another class-based rpg game after this xD. Anyway, talk to animals, upgrade your persuasion and take Beast into your party, he is hilarious.

[seagullcharmer]

gosh. drawing my botw lorule au again. i love my versions of these characters so much

[summonhouse]

in case anyones interested in sweetheart . i should post art more

[phoenix-before-the-flame]

Jordan Peele's Nope got me like

[alteredphoenix]

[Wolf and Pup]

A girl from the Federation and the Canid Lord of the Empire. Both are curious about the other, but none more so than Lazui, who takes in the sight of Michelle sitting between his paws and wonders.

[1tsjusty0u]

once i can view models with their sesetlist files it sll over for you

[asexual-levia-tan]

recent mabinogi storylines have been like "what if climate change was caused by a cult attempting to start the apocalypse by summoning the demon lord. and also a giant flying whale (horse)"

[plutoswritingplanet]

It's A Special Death You Saved (Feyd Rautha x Female!Reader) pt. 2

a/n: re-uploaded cause tumblr wouldn't show it in the tags for some reason Cross-Posted on AO3

Warnings: Dub-Con, Arranged Marriage, Reader is an Atriedes, Horny Violence, and some angsty family relations (lmao)

Summary: The courting becomes more and more complicated, as both you and the Na-Baron discover something about each other.

Part.1, Part 3. Part 4.(finale)

- He's a beast.

Lady Jessica stops in her tracks, her hands sliding gently across the fabric of your nightgown. It's your Mother, that puts it out on the table next to your bed. But the person, who turns back towards you with an unreadable expression, is most definitely not her. You're talking to a Bene Gesserit sister now. A freezing chill runs up your spine, and you start picking at the skin around your fingernails, a nervous habit you've picked up a long time ago.

- Have you forgotten all that I have taught you? - she asks, turning to face you fully, in the dimly lit space of your bedroom

Subconsciously you retreat into yourself, body leaning further away from her, as if that distance might save you from whatever unpleasant revelation will most likely fall upon you. Lady Jessica takes a deep breath, her lips pulling back into an easy, soothing smile. In the past, you would look for expressions such as this, fish them out for comfort. Now, as you look upon your Mother's face, it all seems to be a trap made specifically for you.

- Men like him, beastly men, are the weakest ones - she explains, taking slow steps towards your hunched form - They need the power and the blood to feel worthy of existing, which makes them easy to manipulate. Keep them pliant under your hands like fresh dough. 

She sits beside you, your mattress dipping under her weight, and your eyes are immediately drawn to your Mother's elegant hands, folded neatly in her lap. You wish you could put your head there. Have her pull your running thoughts out with gentle caresses. A hairbrush lays abandoned on the vanity in front of you, and silently you contemplate, whether you'll ever have the opportunity to have your hair brushed by her. 

- You must find his weakness, what drives him to do what he does. And then control it.

- I don't want to control my husband - the words spill out of your lips, before you have the chance to stop them - I want to love him, to support him. To give him children he'll love, children I'll love. 

Tears fall in heavy waterfalls down your cheeks. You haven't had the luxury of a good cry since your betrothed had arrived, and it feels divine. Letting your body shake and shiver, wrecked by uninhibited sobs, as your Mother looks down upon you, torn between the two roles she must fulfill. 

The more you've thought about your situation, the more hopeless you felt. The Harkonnens will never let you see your family again, you're sure of it. You'll have to deal with all the horrors of Giedi Prime entirely on your own, with no support from your husband, no friends, no family. And your children, as they are sure to come, will be taken away from you. Thrown into the black and white, until there's no love left in them. 

The Emperror is a cruel man, you think. An execution would've been a kinder end. 

- Why did you have to make me a Daughter? - the way your voice breaks in desperation fills you with shame - Why couldn't you give Father another Son?

You know you've overstepped, as soon as the accusatory tone registers in your brain. It is far too late by then, and the hands, which just moments before you've fantasized about running through your hair, grip you tightly. Your Mother's face, a constant image of beauty, twists into something darker, something you don't recognize, and you gasp, as her dull fingernails dig into the skin of your wrist.

- Your Father has Paul - her voice is barely above a whisper, blue eyes stabbing you with the intensity of her gaze - I gave him a son, because he asked for a son. Because I loved him enough to give him one. And he can have him. He can fill him with lessons of male leadership, of short-sighted plans. You. You are my Daughter. You are mine, and I've trained you well enough to conquer this task.

A hopeless pit settles itself in the void of your stomach.

You've always known your destiny would be to marry well, to further House Atreides' legacy. And yet, somehow, there was a sliver of hope, treacherously worming itself into your brain. Your Father had Paul, the perfect heir. Surely, he could send him off for the greater good and leave you to your own devices. Let you find someone to care for you, someone you'd do anything for. The thought sits in the pit of your stomach, turning your insides in shame. Still, you can't shake the sinking feeling, that if the universe was kind, you would've been born a Son. 

Your Mother, or more likely, the Bene Gesserit, stands up, a cold chill filling the space where her body used to sit. She regards you once, a stern, unwavering gaze.

- Wear black tomorrow.

Perhaps, you'll die in your sleep tonight. Perhaps the universe will bring you this small mercy.

*** Perhaps you did die. 

Through the haze of dreams, you can see him. Bare, as the day he was born, body gleaming white in the darkness of your room.

You can't move, can't see his face, and when he approaches, every single one of your muscles tense. You shift under the covers, cold tendrills of fear engulfing you entirely. He comes closer, moves like a wild cat, stands at the foot of your bed. 

The need to run is overwhelming, but your body refuses to listen, as slowly, torturously slowly, he climbs on top of you, defined muscles moving under his skin in a way that reminds you of some cursed demon, rather than a man. His scent fills your nostrils, a mixture of something heady and metalic, and, like a little child scared of the dark, you try to hide your face under the covers. 

This demon version of your betrothed sits down, sculpted thighs squeezing around your sides, and with rising panic you realize, he's slowly choking the life out of you. A fitting end, a welcomed one. Perhaps it would be better to die right now, before you discover what atrocities he plans to commit on your body and mind, after you're wedded. 

Then, his hand reaches behind his back, full lips pull upwards, exposing blackened out teeth. You barely register the glint of his sword, not until he holds it high up, above his hand. You're not allowed a moment to wallow in your confusion, as your future husband brings the weapon down, sinking it with brutal force into your beating heart.

You awake screaming.

***

In the morning, you pull a black tunic over your head, remnants of your dream clinging to you like an unwanted shadow. 

Every move of the silky fabric against your skin feels like a small defeat, and with your head hung low, you make your way towards the dining hall. Truly, you're not hungry, stomach turning and twisting, a steady presence of nerves keeping your body on edge. Your attendance is required however, such are customs, and it is entirely too eaarly for another lecture about your behaviour. 

As you enter the room, your mask of tired indifference slips just for a second, a mixture of fear and anger flickering in, and out of existence.

 There, opposite of your Father you can see him. Your future husband, the love of your miserable, ending life. Slow horror washes over you, as you suddenly realize that this demonic, otherwordly version of him, which visited you in your nightmares is just how he looks. He greets you with a polite inclination of his smooth head, and you consider not showing any outward sign of repulsion, a small victory on your part. Your Mother doesn't think so, but you dodge her sharp eyes in favor of greeting your brother.

It doesn't go unnoticed, the way Feyd Rautha's eyes drink in greedily the sight of you embracing Paul. His gaze lingers on your smile, and he raises his cup to his lips, scrunching his nose ever so slightly at the unfamiliar drink he's been offered. You want to ask, if they have coffee on Giedi Prime, but the question is forcefully swallowed down. You will not talk to this man. He will never know anything more than contempt from you. Curse your Mother's words, you'll fight this battle every day, on your own, if you have to. 

- My Daughter will show you around the training barracks after breakfast - Duke Leto announces, and you freeze with a cup of coffee half-way to your lips.

- Will I? - you ask, trying to control the edge in your voice. 

- Na-Baron has made inquires about a place to train - your Father explains, giving you a meaningful side eye - You'll accompany him. 

The coffee tastes like rot in your mouth, and you place your cup down with a note of finality. You won't look at him, you don't have to. That knowing smirk could be felt through the very particles flowing in the air, every single one laughing at your predicament. 

Despite your best efforts, the breakfast comes to an end, your family slowly rising to attend to their duties. Your Father, ever the cordial man, bids his farewells to the unwelcomed guest. Your Mother does the same, albeit sounding more honest. Paul lingers as long as Lady Jessica allows him, until he is forced to retreat by a slender hand tugging mercilessly on his elbow. A gesture both of you know intimately from your childhoods. 

Before you know it, you're left alone with the pale imitation of a man. He arises slowly from his seat, smoothly making his way towards you, each of his footsteps echoing in the dining room. 

- Shall we, my Lady? 

Out of the corner of your eye, you can see his offered hand, like a white spider living just outside of your vision. With a shudder, you slip out of your chair, trying very hard not to touch him, and failing immediately, when his broad chest nearly pushes you back into your seat. 

He smells nice, your brain betrays you, the scent bringing back images from your night terror, causing an involuntary shiver to run up your spine. With averted gaze, you turn to leave, ignoring his still extended hand. He follows you like a shadow, catching up to you in no time, as you slide through the corridors of the Palace. It's uncomfortable, to say the least, walking with him behind your back. His eyes bear into you, a prickly feeling at the base of your neck making you roll your shoulders.

It follows you, as he follows, right to the very destination. All in blessed silence, a small miracle to save this already dreadful morning.

The men, launging about at the training barracks freeze in their spots, and your heart nearly jumps out of your chest, when Duncan Idaho catches your eyes. His skin has a beautiful, warm tone, highlighted by the morning sun flowing into the room through the windows. You nod, he nods back, an unspoken understanding blooming between the two of you. There could be no suspicion of any closer bond, lest this engagement would be called off. A result, perhaps favorable to you personally, but your family would never live down the shame. And you would never jeopardize Paul's future, no matter how hollow yours looked.

- You have a warrior's body - your betrothed comments, as he inspects the blades laid out on a small table - Do you train here as well?

Small talk, you could do small talk. With a sigh, you tear your gaze away from Duncan, and turn to the Harkonnen, forcing something resembling a polite smile to bloom onto your features. 

- Yes, I do - you answer curtly, eyes falling onto elegant, white fingers, sliding over a shiny metal blade. 

- It is not a common practice here, is it? - he looks at you, eyes gliding over your stature - Women being trained to fight?

Suddenly very much aware of your body, you cross your arms on your chest, hugging yourself tightly. You don't miss the way his gaze seems to linger on the low neckline of your tunic, and with bitterness on your tongue you wonder, has this man ever felt ashamed. 

- Not common, but it does happen - your voice betrays your emotions, a sharp edge settling over your tone, causing the man to arch an eyebrow.

Finally, he settles onto a chosen blade, bringing it up to the light and with laser focus observing the way particles dance on the steel surface. Then, he looks back at you, catching you in the act of observing the prominent, lean muscles on his neck. You ignore the knowing smirk and will your blushing cheeks to suddenly become devoid of color.

They don't, of course, and you scurry to the side of the table, to fiddle with the rest of the weaponry. Your favorite training blade is there, and instinctually, your hand reaches for it. 

- Train with me.

The request catches you off guard, and you shoot him a questioning look, one he deflects with a nonchalant shrug. 

Your muscles flinch, as you drag your hand back from the blade. 

- It would hardly be appropriate - you counter, fingers fidgeting with the hem of your tunic.

To that, he tilts his head, light eyes studying you for a longer moment, until you truly feel uncomfortable under such scrutiny. 

- And suddenly you're worried about what the court says? - he cuts you off, before you have the chance to ask, just what exactly does he mean by that - Perhaps you're too soft to fight me.

- I know what you're doing - you point an accusatory finger at his chest, and the man smiles, blackened teeth peaking between his full lips.

- And what am I doing? - it's hard to ignore the teasing timbre in his voice, and you swallow thickly.

- You're trying to get under my skin.

Shivering under the expected cruel glint in his eye, as another, most likely filthy innuendo purses his lips, you turn to him fully, a serious expression on your features.

- I've seen you fight, Na-Baron - his jaw tightens at the sound of your voice curling around his title - I know you're a force to be reckoned with, I'm not scared to admit that.

He straightens, regards you with furrowed brows for a longer second, until, yet again you start to fidget under his gaze.

- Perhaps then, you're scared you'll hurt me - the mere idea is so preposterous, your head snaps in his direction - If I had known, you liked me that much...

- That is entirely not true, and you know it - you deflect again, although annoyance begins to paint your voice.

Then, his hand shoots out, gripping your arm and pulling you closer. Air seems to thicken around you, as you look up at him, with surprise quickly morphing into outrage. His breath mingles with yours, and you can't seem to look away from his eyes, pupils nearly drowned in the overwhelming blue of his irises.

- Stop hiding, my viper. Fight me.

The command, spoken in a harsh whisper just shy of your lips, turns your insides into molasses. 

His taller form leans down to tower over yours, an intense expression settling over his sharp features. Close to excitement, much too close to desire, even closer to a murderous curiosity. Your throat feels entirely too dry, and before you can stop yourself, you swallow thickly, tongue darting out to lick your lips. His eyes snap almost immediately downwards, and your heart stops beating. You can't see anymore blue in his irises, only black. Darkness covers his eyes reflecting his thoughts, and you feel like you have to flee right now, before something terrible happens to you. 

So you do just that. Ripping yourself away from his closeness, you return to the table, hand finding your chosen blade without really looking. 

Another flash of black teeth, as the Na-Baron realizes what you're doing, and the both of you enable the shields surrounding your bodies. 

The gathered soldiers watch on, as you march towards the center of the room, determination filling every step to the brim. Duncan gives you a look, which you choose to ignore. You can't think about him now, not when you have your honor to defend against this Harkonnen monster of a man. 

Feyd Rautha rolls his shoulders, discards the thin fabric of his dress shirt, and once again you are stricken with his almost god-like physique. The blade looks like an extension of his hand, as he weighs it and slashes the air in front of him. Then, he fixes you with a challenging expression, as if he expects you to do the same, to try and best him at some shameless display.

You decide to keep your clothes on, blade held high, ready to strike. 

He jumps from one leg to another, and immediately an orchestra of alarm bells rings out in your brain. Should a man really be this excited at the prospect of fighting his future wife? Should you be this excited? Questions without answers, and before any of you make a move, another one absent-midedly floats to the surface. Just how much can you hurt each other, before the wedding is concluded? How much you'll inevitably hurt each other after?

The darkness he has brought on the ship with him must be contagious, because despite your better judgement, you smile. A sharp smirk, that makes your eyes look less like a human and more like a wild animal. And he drinks it all in, as he begins to circle you.

You'd never show him your back, never again. He's a tried and true predator, the only instinct he has, is a killer one. A fact you quickly get aquatinted with, as he unleashes a series of lightning fast strikes your way. 

Immediately you realize, that small show of cruelty he organized at your grandfather's theatre was nothing, compared to what he could truly do. And still, you suspect he's holding back, as you barely dodge a nasty stab, right under your ribs. Another one is blocked against your sheild, and before you have a chance to collect yourself, third one sends you back a couple of steps. 

He doesn't let you get away, with confident steps pushing you further and further out of the center of the training floor.

Out of the corner of your eye, you can see Duncan Idaho stand up from his place. Thinking back to your last training session, you shudder bitterly. "Never fight in anger" is easy to say, when you're not forced to marry, bed and sunsequently give children to the man you're fighting. 

Panting and sweating, you give Feyd Rautha your all, twirling in place, sliding on your feet. A different kind of choreography, which seems to work surprisingly well, with his almost animalistic force. Gurney taught you how to be powerful, how to land strikes which were as effective, as they were cunning. Duncan, on the other hand, taught you how to dance. So that's what you do.

Finally, you manage to grab at his free hand, locking your feet between his and bringing him closer to your blade. It stops just short of his artery, blocked by his dagger, the clash of metal reverberating through the halls. 

The smirk he gives you is beyond nasty, and forcefully, you push away from him, as if the very idea of skin to skin contact repulsed you. And it does, it truly does, especially now that adrenaline mixed with frustration boils in your head. 

- Again - you snarl his way, assuming your fighting stance.

- As my Lady commands - his voice has a natural growl to it, made even more prominent by the exertion of the fight, and he twists his body into a perversion of a curtsy.

This time you're the one to attack first, ignoring your menthor's words and relying on pure rage to guide your steps. A stab to his thigh, which he deflects with seemingly childish ease. Your tunic slips through his fingers, as you slide under his arm. Out of the corner of your eye you can see his blade, when he hides it into his belt. Confusion hits you suddenly. Was he giving up, why was he hiding his weapon? None of the questions get answered, as a foot curls itself around your ankle.

Your balance leaves you with a gasp of surprise, and soon, your back is on the floor, Feyd Rautha following closely behind. Your heated gaze meets his, as one hand wrenches the blade from your grasp and pins both your arms above your head. The other one supports his weight, as he hovers above you, light bleeding behind him in an unfitting image of a halo. 

Your chest heaves, sweat rolling down your collarbones, and the Harkonnen doesn't even try to hide the way his gaze follows a stray drop of salt, as it disappears between your breasts. 

- You fought well - he complements in a hushed tone, and you writhe desperately under his body.

The night terror rears its ugly head again, as you feel his tighs press onto your sides, almost as if he wants to shape your flesh into the imprint of his body.

- I think I prefer you like this - he whispers, face coming closer to the exposed column of your neck - You belong under me. 

That's what does it. Your face twists into an expression of equal parts disgust, and fury. You won't give him this victory, you'd rather die. Legs tangle themselves around his calves, and you use all your strength fueled by the burning need to fucking hurt him. 

The world spins, two bodies rolling on the floor, and suddenly you're on top of him, legs biting into his hip bones. While one hand supports your weight on his naked shoulder, the other finds the dagger hidden in his belt. The surprised gasp, which leaves his lips feels like music to your ears, and you don't even try to fight the awful smirk splitting your mouth.

The shield on his neck glows an angry red, as you press the tip of the blade down, right under his bobbing Adam's apple. He swallows, for just a second letting you see the mask of self confidence slip. He has quite long eyelashes, you notice, as his eyelids flutter, a low hum reverbating through his chest. Eyes that are neither blue nor completely black drink in the sight of you. The halo of your hair, the snarl on your lips, the curve of your waist, where one of his hands settle. 

Missing all of this, too enraptured by your own fury, you push the blade further down until it pricks his alabaster skin. He hisses through his blackened teeth and you want more, you want him to scream. A thin streak of red begins to flow down his neck, and God help you, it looks like art. 

His grip on your waist tightens, all five fingers digging into your flesh through the thin tunic. Feyd Rautha bares his teeth at you in a cruel smile, one that makes you question whether you're the one in control.

And then his hips roll upwards. 

A barely noticable movement, easily mistaken for a spasm of the muscles, but you know better. You can read it all from his expression, his pupils blown wide, the quickened breaths of air slipping past his lips. From the quickly hardening length pressing against your inner thigh. 

Your stomach flutters with a well known feeling, and that terrifies you more than any pain-motivated erection ever could. Because he sees it, he sees the beginning flames of desire taking root in your center, and the realization looks like ecstasy on his face. Humiliation washes through you, fills you completely. There is no awkward blush on your face, no. All you feel is white, freezing terror, as all your defences seem to crumble all at once.

Like a scared animal, you're off of him in a split-second, and he doesn't chase you, as you all but run from the training barracks. Doesn't have to, he already has everything he needs. 

[ezlo-x]

Josha the Malotologist

A short comic abt Josha and her cute little test subject Malice :] (Dialogue undercut!)

Page 1 -

I am Josha and I am an aspiring Malotologist. I created this new field as I want to study this fascinating parasite, and to teach and show others to not be afraid of it.

I was born a year after the attack occurred, while I wasn't really directly affected by it. In a way, me and other children have to deal with the aftermath of The Calamity.

Page 2 -

What fascinated me of this "monster" was how it was possible to corrupt all the technology done by the ancient Sheikah, including the Divine Beasts.

The day I found out that Malice has a form of sentience, I show it to my teacher Purah and Robbie.

However, they seemed far from thrilled.

Page 3 -

I would ask simple "yes" or "no" questions and Malice would go to each side to answer.

I would reward it by giving it a small piece of meat, I shouldn't do this as I can see it is gradually growing from it's tank.

But I wanted answers and it seemed like such a rare opportunity to have to speak to one of the sources.

Page 4 -

One day, I woke up and headed to my lab and realized that the Malice that I was testing on grew a mouth filled with teeth.

"Do you understand me?"

'Yes...'

"How were you able to grow a mouth?"

'Meat...'

Ah. Guess that's my own fault. I decided to press on

Page 5 -

"I have a question, how were you able to corrode and corrupt the Guardians and Divine Beasts?"

'Low...Guard...Pathetic.'

It did not gave me a cohesive answer that I--

‘I…use. Guards…to see…I have eyes

I see every-thing-Hyrule.

I eat to grow, consume.

I have eyes, I see. Everything.'

Page 6 -

'[Ex]-cept, forest.

The Light

Sword of Evil's Bane

I must see I don't. Have. Eyes in there...

Help me grow turn me into one...'

Page 7 -

I put Malice back into its smaller jar.

I didn't tell anyone about this. For the first time working with this parasite I've felt true genuine fear.

I leave my lab more often than before, I'm afraid that one day it will catch me by surprise.

I wanted to discard of that jar...but it knows. It always knows.

[themodernwitchsguide]

greek god epithets (pt.2)

this post includes hades, persephone, aphrodite, hermes, apollo, artemis, dionysus, and hekate. for part one including zeus, hera, demeter, ares, athena, poseidon and hephaestus click here

HADES:

-PLOUTON= of wealth

-THEON CHTHONIUS= god of the underworld

-POLYSEMANTOR= ruler of many

-POLYDEGMON/POLYXENUS= host of many

-NECRODEGMON= receiver of the dead

-NECRON SOTER= savior of the dead

-ADESIUS= of grace

-STYGIUS= from the Styx

-URAGUS= of fire

-NIGER DEUS= the black god

PERSEPHONE:

-CHTHONIA= of the earth

-CARPOPHORUS= bringer of fruit

-SOTEIRA= the savior

-MEGALA THEA= the great Goddess

-HAGNE= the pure/holy one

-DAEIRA= the knowing one

-PRAXIDICE= the exacter of justice

-PROTOGONE= the first born

-BRIMO= the dreaded/vengeful

APHRODITE:

-URANIA= of heavenly/divine love

-PANDEMOS= common to all people

-MACHANITIS= the diviser/contriver

-EPISTROPHIA= she who turns to love

-CALASCOPIA= the spying/all seeing

-PSITHYRISTES= the whispering

-PRAXIS= of sexual action

-MELAENIS= the black

-SYMMACHIA= the ally in love

-APATURUS= the deceptive one

-NYMPHIA= the bridal

-MIGONTIS= of unions

-DORITIS= the bountiful

-MORPHO= of shapely form

-AMBOLOGERA= the postponer of old age

-NICEPHORUS= the bringer of victory

-EUPLOEA= of fair voyages

-HOPLISMENA= the armed

-AREIA= the warlike

-PONTIA= of the sea

-LIMENIA= of the harbor

-XENIA= of hospitality to foreigners

-PHILOMIDES= the laughter loving

-APHROGENEIA/APHROGENES= the foam born

-PHILOMMEDES= the genital loving

-CHRYSEA= the golden

-DIA= the golden/shining

-POTHON MATER= the mother of desire

-EUSTEPHANUS= the richly crowned/the well girdled

-EN KIPIS= of vegetation/agricultural fertility

HERMES:

-EPIMELIUS= keeper of the flocks

-OEOPOLUS= the shepherd

-AGORAEUS= of the market place

-DOIUS= of crafts/wiles

-ENAGONIUS= of the games

-PROMACHUS= the champion

-HERMENEUTES= the interpreter/translator (of the gods)

-TRICEPHALUS= the three headed

-DIACTORUS= the guide/messenger

-ATHANATUS DIACTORUS= the immortal guide

-ANGELUS MACARON/ANGELUS ATHANATON= messenger of the divine

-CHRYSORRHAPIS= of the golden wand

-CLEPSIPHRON= the deceiver

-MECHANIOTES= the trickster/contriver

-PHELETES= the thief/robber/rustler

-ARCHUS PHELETEON= leader of robbers/thieves

-POECILOMETES/POLYTROPUS= the wily

-DAIS HETAERUS= comrade of the feast

-CHARIDOTES= giver of joy

-CHARMOPHRON= the glad-hearted

-DOTOR EAON= giver of good things

-ACACETA= the guileless/gracious

-EUSCOPUS= the keen sighted/watchful

-CYDIMUS/ERICYDES/AGLAUS= the glorious/famous/splendid

-CRATUS/CRATERUS= the strong/mighty

-POMPAEUS= the guide

APOLLO:

-THEARIUS= of the oracle

-PROUPSIUS= the foreseeing

-CLERIUS= of distribution by lot

-CLEDONES= of omens

-HECATUS= the shooter from afar/the archer

-AGRAEUS= of the hunt/the hunter

-MUSAGETES= the leader of the Muses

-ULIUS= of good health

-PAEON= the healer

-ACESIUS= of healing

-ALEXICACUS= averter of evil/harm

-EPICURIUS= the succoring/helping

-BOEDROMIUS= the rescuer

-LYCIUS= of the wolves

-SMINTHEUS= of the mice

-DELPHINIUS= of the dolphin

-ACTIUS= of the foreshore

-THEOXENIUS= the god of foreigners

-ARGYEUS= of streets/public places/entrances to homes

-VIROTUTIS= the benefactor of humanity

ARTEMIS:

-AGROTERA= of the hunt

-PHERAEA= of the beasts

-ELAPHAEA= of the deer

-DAPHNAEA= of the laurel tree

-CEDREATIS= of the cedar tree

-CARYAE/CARYATIS= of the walnut tree

-LIMNAEA/LIMNATUS= of the lake

-HELEIA= of the marshes

-EURYNOME= of broad pastures

-LYCAEA= of the wolves

-LEUCOPHRYNE= of the white (bird)

-PAEDOTROPHUS= the nurse of children

-PHILOEIRAX= the friend of young girls

-ORSILOCHIA= the helper of childbirth

-SELASPHORUS/PHOSPHORUS= the light bringer

-SOLEIRA= the saviour

-HEMERASIA= she who soothes

-HYMNIA= of the hymns

-HEGEMORE= the leader of dances/choir

-ARISTE= the best/the excellent

-EUCLEIA= of good repute

-CALLISTE= the very beautiful

-BASILEIS= the princess

-HIEREIA= the priestess

-HEURIPPA= the horse finder

-PEITHO= the persuasive

-PYRONIA= of the fire

DIONYSUS:

-BROMIUS= the noisy/boisterous

-MAENOLES= the mad/raging

-NYCTELIUS= of the night

-LAMPTERUS= of the torches

-HESTIUS= of the feast

-PHALLEN= the phallic

-ANDROGYNUS= the androgynous (of sexuality, he bed all genders)

-PHLEON= the luxuriant

-STAPHYLITES= of the grape

-OMPHACITES= of the unripe grape

-LENAEUS= of the wine press

-THEOENUS= the god of wine

-AGATHUS DAEMON= the good spirit (as in a ghost, not a drink)

-OENOPS= the wine-dark

-ACRATOPHORUS= the bringer of mixed wine

-CISSEUS= of the ivy

-CITIOPHORUS= the ivy bearer

-ANTHION= of the flowers

-CISTOPHORUS= the basket bearer

-DIMETOR= twice born

-IRAPHIOTES= the goat child

-AEGOBOLUS= the goat slayer

-MELANAEGIS= of the black goat-skin

-ANTHROPORRAESTUS= the man slayer

-LYSIUS= of release

-ELEUTHEREUS= of liberation/freedom

-PSILAX= uplifted on wings

-SAOTES/SOTERIUS= the savior

-AESYMNETES= the dictator

-POLITES= the citizen

-MYSTES= of mysteries

-CHTHONIUS= of the earth

-MELPOMENUS= the singer/of the tragic plays

HEKATE:

-BRIMO= the dreaded/the vengeful

-CHTHONIA= of the earth

-DESPOINA= the goddess/our lady

-ENODIA= of the crossroads

-AENAOS= the eternal/the ever loving

-AGLAOS= the beautiful/the bright

-APOTROPAIA= the one that protects

-EROTOTOKOS= the bringer of love

-INDALIMOS= the beautiful

-KLEIDOUCHOS= the keeper of the keys of Hades

-KOUROTRPHOS= the nurse of children

-PHOSPHOROUS/LAMPADEPHOROUS= the bringer/bearer of light

-SOTERIA= the savior

-TRIMORPHE- the three formed

-TRIODIA/TRIODITIS= she who frequents crossroads

[comicaurora]

Nick Bostrom's "Fable of the Dragon Tyrant," which CGP Grey adapted into a video, left me feeling unsatisfied, and I got a certain unsettling vibe about the entire story.

I don't think it was the dragon's lack of agency, that just makes it an unusually traditional Western dragon.

You're a master at picking narratives apart to figure out why they don't satisfy. Do you have any insight, opinions, or cracktheories about why this story might be unsatisfying to some folks?

Probably because it's a very unsubtle metaphor casting the dragon as death, and death itself as a cruel, malevolent beast devouring and subjugating humanity for its own whims. This is very much intentional on the part of the writer. The paradigm of the story is that the dragon is huge, terrifying and incalculably cruel, and everyone lives their lives in the shadow of its terror or are just too deluded to recognize that it's COMING TO EAT THEM OH GOD

Intrinsic in this metaphorical structure is the idea that the dragon, aka death, is an artificial imposition on the natural order, and if we just got rid of the big ol' mean dragon, everybody would live forever and be fine. Accepting that the dragon exists is framed as a sign of desperation or even cowardice. This is an understandable read when facing a monster that only SEEMS timeless and inevitable (like LeGuin's thoughts comparing the current state of capitalism to the historical acceptance of the divine right of kings) but becomes bizarre when applied to something as legitimately factual as biological death. It's not even framed as unnatural death - the dragon specifically gets sent mostly old people. The metaphor is very explicitly about trying to frame death from old age as a big horrible dragon that everyone only thinks is unstoppable.

I get what they're going for here. The purpose of this story is to make the audience question if death is a true inevitability or if it can be fought, staved off, even defeated. But in the process, the story frames the systems of the world that have formed around death - doctors, pallative caregivers, will executors - as macabre gears in the machine dedicated to the genocidal cruelty of feeding the dragon.

In the dragon tyrant framing, these people only exist to make the rest of the world more okay with flinging themselves down the gullet of the dragon and to streamline the process by which everybody dies. By casting death as the enemy, everybody whose jobs are based on the compassionate act of comforting and aiding people suffering from loss become reframed as collaborators with the incalculably evil enemy, and everyone who's ever accepted their own death becomes a loser. This is a deeply cruel way to frame people who dedicate their lives to helping people through one of the hardest and most tragic aspects of life.

Damn, that's fucked up. Look at this eloquent idiot, explaining why we should be okay with letting a big dragon eat us because it's the natural order. Clearly he is wrong and it's not debasing at all to want to stay alive and not get eaten by a big dragon. This is a fallacy of false analogy: death is like being eaten by a big mean dragon. All his arguments look ridiculous when applied to getting eaten by a big mean dragon, therefore they must be ridiculous when applied to dying when your organs start failing because they've been running nonstop for nine decades and biological systems accumulate wear and tear like literally everything else in the universe.

Entropy increases; systems break down, from DNA to planetary orbits. Successfully shoot down the dragon and you'll end up outliving everything you thought was eternal, even the stars. The goal of immortality isn't really to personally witness the sun exploding, it's to have more good time. It's to make your twenties last into your sixties. It's to keep your back painless and your vision good for longer. We want to postpone the story's end as long as we can, and so we extrapolate "more time" into "I never want to die, I want to be young and healthy and hot forever" even though "forever" doesn't exist. To look to "forever" is to understand that your culture and language will drift, your home will eventually crumble out from under you, your shoreline will erode and change, your climate will transform, your tectonic plate will subduct or shatter, your moon's orbit will slow and tidally lock, and eventually your sun will start burning helium and cook your planet. You don't want "forever" to look like that, you want it to look like your twenties felt. But at that point you aren't fighting the Big Mean Dragon That Eats People, you're fighting the ocean and the biosphere and the earth and the stars, trying to hold them in place against entropy so your immortality can have an equally immortal world to enjoy it in. No, this argument doesn't want true immortality, it wants their twenties to last longer. But it can't admit that.

Back to the story. There's a condescending and spiteful tone in the narration. Death (being eaten by a big mean dragon) is OBVIOUSLY awful and we should all be fighting as hard as we can to make it stop happening. Even a child can see it.

The story even helpfully adds a lengthy moral explanation at the end, in case you didn't understand that the dragon was the inevitability of death and we should dedicate all our resources to figuring out how to make a big rocket and shoot it.

"Nobody should ever die" is generally understood to be a childish dream with extremely obvious and unpleasant consequences that would turn its realization into an unending and waking nightmare, and once out of the confines of easy metaphor, the story tries to act like that wasn't what it was just saying. But its more realistic proposed substitute, "It would be great if people could live longer and have more healthy, youthful years in them," is probably the world's most uncontroversial statement. This story frames it like a bold revelation that the world will attempt to beat down and crush out of a misguided acceptance that Big Mean Dragon comes for us all. It's a morality fable whose conclusion is "I hope science improves the length and quality of our lives, potentially even to the point where we never have to die at all," which has been the number one goal of huge swaths of science since the invention of agriculture. This is not a bold or controversial take. It's just being written as though we're all looking at the naked emperor and pretending he's wearing pants.

[kiame-sama]

Omega Marechi (Yandere!Upper-Moons x Omega!Reader x Yandere!Muzan)

Warnings; yandere, multiple yandere, stalking, mention of violence, mention of social imbalance, my abo au (less than 1000 omegas world wide and omegas are a commodity of sorts), omega reader, abo social ladder, abo societal structure, unfair situations, instinct manipulation, kidnapping, threat of murder, blood, violence, mention of human consumption, demons, female bodied reader, female reader pronouns (let me know if y'all want a male version).

(It's a personal headcannon of mine that omegas are short & chubby, so very soft and squishy)

(Also, let me know if y'all want a continuation of this, I have a certain idea involving stockades I have been interested in trying out)

~~~~~~~~

Deep within the winding surfaces and ever changing interior of a fortress wreathed in darkness, demons began to gather. Though they were few in number, each demon had their own impressive strengths and abilities that set them apart from the many other members of their brood. Even with their combined presence and strength, their master stood above them in every way possible.

The king of demons, he who sired every other demon, stood watching his upper ranked generals as they gathered beneath him. Short dark hair seemed to swallow all light in the inky abyssal color, bright red eyes glinting like lit lanterns on the darkest of nights. His fair skin unblemished and so smooth it could be mistaken for the marble of a true artisan's finest work. Truly a vision of a true apex alpha with the beauty of a divine being.

The six generals that gathered were supposed to be without company and solely focused on their sire, yet one was not alone. Next to the top general of the king's army was a large rectangular box shape that was draped in heavy fabrics to conceal what may be held within. The fabrics seemed to be soaked in a heavy perfume mixed with the hint of an unusually appealing scent that taunted the senses.

"What have you brought, Kokushibou?"

The deep and commanding voice of the demon king rumbled out with a tint of curiosity in his tone. Where he expected quite a bit from his upper moons, even he had to admit that the actions of his top general were odd. It was not often that the upper moons did something that surprised him- and usually was met with a swift reprimand- but his curiosity had been peaked by the abnormal behavior.

Without saying a word, Kokushibou gripped the heavy fabric and quickly pulled it away, revealing what had been concealed. Beneath the cloth lay an iron cage- much like what an exotic beast would be transported in- with blankets lining the bottom of the cage for cushion. The cage itself wasn't very interesting when compared to what lay within.

Laying bound in the iron cage was a woman, her (h/c) locks strewn around her head and her (s/c) flesh looked incredibly plush and no doubt was soft to the touch. A delicate and fine silk kimono wrapped around her bound form, even that which held her was made of the expensive materials. Her eyes were covered in a long silk ribbon, mouth held shut by an intricate golden muzzle, her arms cuffed together with similarly intricate cuffs in front of her and lower legs cuffed together.

A woman- no matter how decorated- wasn't much to crow about, but the pungent scent that had been smothered by the perfumes was now free and quickly reached those nearby. There was a visible change in the way the other upper moons stood, their nostrils flaring and eyes fixed on the soft woman as they contemplated what she was. The scent reached Muzan last, but he knew immediately what was being presented to him, though he could scantly believe what his senses were telling him.

"No," Douma started, his multi colored eyes wide in disbelief, "that's impossible. Omegas aren't real! It must be a trick."

"Looks real to me. Smells real too. Actually," Akaza sniffed, looking curiously at the bound female, "she smells like a marechi."

A soft whimper came from within the cage, the female inside moving and seemingly trying to pull away from her binds. The muzzle secured on her kept her from speaking and muffled her sounds as she responded to the voices around her. Blindly she turned her head towards the sound of Akaza speaking, seemingly trying to understand where she was and who she was with.

"She was being transported as cargo on a train. From her scent, it was made clear to me that she is an Omega and a marechi. She has no mating marks present on her body. The humans transporting her were on their way to deliver her to slayers, a gift from a small village of fools."

Muzan silently descended from where he had been standing above the upper moons, approaching the cage curiously. The other demons watched in interest as their sire crouched, observing the bound female that had been presented to him. He had not encountered an omega, even in his long life, so seeing such a rare and unusual being in a cage was surreal. Truly, he had thought omegas were just another myth created by humans.

He reached a finger between the bars, his sharp nail gently scraping over the exposed neck of the omega. Naturally, she responded with a fearful sound at the feeling of something sharp against her neck, trying to writhe away from the sensation. The obvious fear was accompanied by an intense scent that prodded at their minds to defend the soft woman from whatever may be causing her distress.

Muzan observed the struggling of the delicacy he had been presented with, red eyes gleaming and unwavering. After a moment of simply watching the omega struggle, he reached his hands forward to grip the cage bars. With one flex, the metal groaned beneath his hands, crumpling like sand and bending out of shape. One of his hands held the cage still as he ripped the bar off of the cage, pulling out several more until he could access the omega.

The loud sound of the metal bending and crushing had clearly upset the omega who let out a muffled scream into the muzzle, body twisting and writhing to escape the frightening sound and its source. Another scream escaped her as one of Muazan's hands gripped the back of the her kimono, dragging her out of the remnants of the cage. A sharp scent made him freeze, the taunting ambrosia of marechi blood filled his nostrils as he moved to examine the omega.

Sitting on her cheek was the smallest of cuts, blood slowly beading along the line of the slice. Within the second Muzan noticed the small injury, a greedy mouth formed along his hand. The elongated tongue quickly stretching out and slowly laving over the gathered blood with an apparent groan of satisfaction rumbling in his chest from the taste.

His pleasured sound only seemed to frighten the omega more, whimpering out and beginning to cry from the terror. It was understandable, she had been in the cage for an unknown time and now was listening to the sound of an unknown assailant flavor her blood. With a quick motion the blindfold was pulled away, revealing (e/c) eyes that were filled with delicate tears and horror.

Her gaze became fixed on the bright red eyes of the predator in front of her, body falling completely still. Much like the way an injured fawn would freeze upon seeing the open jaws of a bear. The body of the soft omega seemed to curl in on itself, as if she were trying to seem as small as possible all without looking away.

He lifted his free hand towards her and gripped her ornate metal muzzle despite her frightened sounds and slow shaking of her head back and forth. She cringed and closed her eyes tightly as his hand gripped the clasp of the muzzle that held it on.

For a moment, things seemed to stand still in baited anticipation of what the demon king would do next. All upper moons keenly awaited their sire's next move as it would determine the fate of the omega they all were interested in. Wanting to get their hands on her if he allowed her to live, or wanting a piece of her if he chose to consume her.

A soft click of metal could be heard in the profound silence as the clasp of the muzzle was disconnected.

~~0~~

You warily watched the frightening man remove the muzzle you wore, seeing how hungrily he looked at you the entire time. He seemed to be contemplating you, much like many others would when first coming into contact with you. The man- or monster, would be more accurate- suddenly grinned, hand gripping your neck and slowly lifting you up.

Even with how you struggled, the man seemed to have no problem holding you until he was fully standing. His expression became more fierce as the veins in his face became more pronounced, tongue slowly dragging over his lips. After a moment he lowered you so your feet were on the ground, no longer holding you off the ground but still holding you in place.

"You are a truly unfortunate human. Luckily for you, I intend to keep you for the time being. You staying alive or not will be determined by your actions."

~~~~~~~~

You had been taken to a large ornate bed that no doubt belonged to the demonic alpha that broke your chains but left your cuffs. From the way he stared at you, you felt like you were being appraised much in the way one would appraise a meal. A yelp escaping your lips as you were thrown down on the soft surface.

In seconds you felt the silk that held your clothing together rip open, the ornate kimono falling open. Your body was completely left exposed to the intense gaze of the man, you had been dressed for meeting several new mates who were top members of the demon slayers. Instead it seemed the demons found you and decided to keep you for the time being.

Part of you was terrified to fight back as you didn't wish to anger the demon that took you to bed. Based off of his scent, you knew you were dealing with an alpha of great strength and willpower. The alpha himself seeming to be above other alphas that you had caught the scents of whenever one would pass through your village. He was clearly the one others answered to as they had gotten out of his way rather quickly when he decided to drag you to his chambers.

You tried to keep your thighs pressed together to give yourself some kind of protection, but the demon was quick to pry them open. His gaze was intense and you felt your body warm in response to how he stared at your exposed figure. A whimper from you seemed to break the trance he was in as his eyes flicked up to look at you for several seconds.

"And still, you are afraid. Tell me, Omega, did the humans you lived amongst even give you a name, or have you always been Omega?"

"My name," you struggled to keep the fear out of your voice as you answered the alpha demon, "it's (Y/n), (L/n)(Y/n)."

"(Y/n)? I am Kibutsuji Muzan, king of demons. You have gained my attention, (Y/n), quite dangerous indeed. I expect you to be an obedient omega, understand?"

"Ye-yes, I understand, Alpha."

"Good."

You whined softly as one of his hands came up to palm your soft chest as if appraising it like fruit. His bright red eyes gleaming in interest as he observed you trying to sit still for him and let him continue what he wanted. Clearly you were a high tier omega as you were so obedient and did exactly what the alpha told you to do.

The village you grew up in must have trained you to be a good omega, taking the word of an alpha as law. In any case, he was quite pleased to have such a treasure in his grasp. He vaguely considered keeping the omega for himself, but he knew the way the upper moons stared, even Akaza showed clear interest.

An omega would certainly be a unique reward and incentive to push the upper moons further. Beyond just that, using the unique human omega sent could throw off the slayers in such a way there would be no one left to stand against the demon king.

[m5or]

So, in Twilight Princess Link is only called a divine beast by Midna and other twili/dark world beings during his era. In the light world, he is called cursed and a monster. The exact farthest thing from "divine". However. I love that the divine beasts in Botw/Tolk are inspired by Twi. I think that little chuckle from Twi is him laughing that it took until Botw to get the divine beast title by fellow light dwellers.

I have to wonder if the ones who made the divine beast ever knew that Twi's "divine" form was a wolf. I can see them going into catalogs of history to look up ancient beasts/animals to guess which one the hero could have been. Understandingly each tribe had its own biases on what a divine beast was. Goron did a Dodongo, Rito did a Helmaroc, Zora did Elephant, and the Gerudo did a lama. (just possible thoughts) None even thought a "Devine Beast" being a wolf, since wolves are considered enemies/monsters in both games and are commonly found. This has brought my attention to one thought that has never left my mind since. "They just can't get my beast form right!"

[rene-darling]

GROPING- pretty boy Xiao's body<33

He's so cute and pliable!! His years of training also make him really flexible

His body is littered with scars he's got from his past battles

He doesn't get your infatuation with his body, he personally never payed much thought to his mortal form

His stomach is really soft and squishy despite being slightly toned

He gets that when having intercourse you have to touch his body, but he doesn't understand why you go out of your way to touch his skin!!

He's related touching his skin with yours to intercourse so whenever you grope him he just assumes you wanna fuck!

You don't catch on cuz you'll never pass out an opportunity to fuck him

You and xiao had a rather rough night of fucking that's why this was one of the few times you had woken up before him

You couldn't help but admire how the sun hit his face just perfectly- he looked divine though he is a divine beast so it's understandable

Xiao shifted in his sleep turning his back to you, last night you cleaned up xiao and only put a shirt on him- which was yours, and was much larger than him, it was draping off his shoulders leaving them exposed

You moved closer to him and your hands found their way to your favorite place, in between his thighs of course you fondled them to your heart's content, they were so soft and squishy!

Your hands made their way under his shirt to his stomach running your hand along the scars that covered it and squishing his soft tummy in your hands

You continued switching from groping his stomach to now, your hand was in between his thighs drawing circles and squishing them

Soon enough xiao stirred in his sleep and finally opened his eyes, they adjusted to the light and slowly made their way down examining his body, he soon noticed you groping his soft thighs kneading them in your hand

"mhm-...y/n I can't go another round this soon.." he mumbled while slightly sitting up and turning his head to you "huhhh darling I haven't even done anything yet" "...but- your groping m-my body- don't be sly"

"darling the reason I'm groping your body is because your so fucking cute- and soft" your response just left him with wide eyes and a cute cherry blush spreading on his cheeks "uhm- i-i like your body too"

You just laughed at his cuteness and stuffed your head in his neck continuing to grope his soft thighs

[bahbahhh]

As Above, So Below

[Line art here]

Notes under cut

big shout out to @newtsnaturethings who does amazing nature studies and inadvertently helped me make stone look kinda like stone.

@manxden posted a nice summary of the battery theory. It is one of my favorite theories out there. The idea Ganondorf is the source of the power that saves Link, the hero meant to destroy him. Poetic cinema. I made a rambly post back in September that inspired this piece. You can read the full chaos here but in summary:

LONG AGO ganondorf is sealed and everyone thinks problem-solved but THEN they realize how much spirit/life energy he emits and the Royal Family orders the Sheikah to expand tech around it. What they don't anticipate is battery acid - malice. Monsters start appearing but they have the tech and just wipe them out without looking for the source. The more they use the spirit energy, the more malice is created in the sealing chamber. THIS is where get the events of 10,000 years ago. First Calamity Ganon appears...they go back to the old equation (goddess blood princess plus hero) WITH tech/Divine Beasts and beat back the Calamity. Again, this doesn't fix the problem. The Royal Family decides to banish "Sheikah" tech and like a nuclear plant meltdown, they just bury everything and hope that fixes it.

Because spirit energy is not being used during this time, Malice builds much slower. Takes 10,000 years for another Calamity to form but he's smarter this time because at his core he is a PERSON in stasis who remembers everything that was done to him.

BOTW happens.

The history of the royal family of Hyrule is also the history of Calamity Ganon

I love this line and hope it’s expanded upon in TotK.