netizens making any exo scandal abt getting chen out is very kendra coded. like how chen got up in sehun pregnancy rumors? literally me trying to get [redacted] out of vixx when it was hongbin getting ate up 😭😭😭😭
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ARTISTS FOR PALESTINE 🇵🇸 - On the 6th and 9th of March, I'll be doing art requests on stream with other notable artists to raise money for Operation Olive Branch and the PCRF.
I'm incredibly lucky to be counting quite a few big names in the roster, including known Jesus and Odysseus enthusiast @wolfythewitch, the extraordinary fanartist @denimcatfish, and the incredibly talented @troubledminnesotan, as well as Lilypichu from OfflineTV.
You'll be able to watch the streams on the day of the event either on my twitch channel here, or via the links provided by the artists below.
Lilypichu
Cuptoast
Akairosu_
Sevvanto
Wolfythewitch
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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When Danny decides to reincarnate, centuries after his adventures, he chooses a random Dimension of Heroes and Villains.
He's expecting adventure! Heroics! A life worth bragging about in the Afterlife!
He wakes up in a tube, staring down at surprised teen heroes as they release him and another person.
Later, he finds out that he's a clone of Batman and Superman, and the other clone is of Superman and Lex Luthor.
He came into this world expecting adventures, not a weird custody battle about him and his brother (because that's what Conner is) between two A-List superheroes.
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realizing thistle never actually reached the maturation point for an elf is so. eye opening. especially bc he actually witnessed both delgal's birth and the birth of delgal's son (AND HIS GRANDSON!!). as a human reader it's so easy to be lulled into thinking he's so old and marcille's remark of him being a child came so fast it's so easily forgotten
like i definitely think the golden kingdom and delgal himself never knew let alone be able to perceive thistle as an immature person. bc in their years he's just so old. and i think growing up surrounded with all tallmen also gave thistle false perceptions of how mature he was and it played a part in him taking on the responsibility of rejecting death for the whole kingdom. it's a brilliant and raw display of what age discrepancy actually means in the world of dungeon meshi
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okay not to over analyze a lighthearted piece of dialogue from freshman year but when gorgug dies and wilma&digby are upset because they don't know how to connect with him in that feeling, it makes me think abt transracial adoptee gorgug and the experience of white parents who fundamentally do not understand their child of colour and cannot bridge the gap to sympathizing with things they do not relate to. i know wilma&digby love him and i think they're good parents, but the stance in fandom that they're perfect parents is very strange to me tbh. their house is too little for their son to exist.
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If the media landscape is going to be just remakes and reboots from now til the end of humanity, can we at least start doing what Scott Pilgrim Takes Off did, which was recontextualize its previous iterations rather than overwrite them? It never said "the books and the live action film are in the trash now, this is the new canon." What it actually said was "the books and live action film are my predecessors, I will build on what they made and have conversations with what they said." And I think that fucking rules
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