#do we hate it? maybe

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

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[egophiliac]

:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)

(thank you! 💚💜💚)

YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!

although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.

(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)

[arktic-rage]

honestly I absolutely love the Avvar in Jaws of Hakkon. How they worship the gods, how they view the world around them, how accepting they are and just how interesting they are too. I absolutely despise how the Inquisitor and Companions make commentary as if they're stupid or wrong in their beliefs, or that they're "just crazy people who worship spirits".

The dialogue you don't choose or even the ones you do are on the line of condescending, and it's frankly insulting, especially that all options on the dialogue wheel fall on that line.

the Avvar are so fucking cool, I hate we only get a DLC with them. (I also miss the Chasind - I wish they weren't forgotten or left in the dirt by BioWare :( )

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[skitskatdacat63]

OH MY GOD

[existencebringsonlypain]

For those who are unfamiliar with Deltarune

This is Kris, they're the main character of nutdealer 2

(their skin's not usually blue. it just does that sometimes)

we know almost nothing about them. However, we do know this:

They are nonbinary

They like (most of) their friends

They do NOT like us

They enjoy eating moss

They are going to touch the cheese

that's it that's all we know

Other additions:

They play piano (probably) courteousy or @/mystykmarigold

They are "normal" courteousy of many people

They like to flush bath bombs down the toilet. Their mom doesn't like that courteousy of @/sacrificialcat

They are a knife enjoyer, as well as a chocolate enjoyer

They like(d) to mess with their childhood friend both courteousy of @/the-beasts-have-arrived

They use apple shampoo, and apparently smell enough like apples that a friend associates it with them courteousy of @/spyret-the-shitposter

[mire-7viii]

Why are women on here going on about "it takes a village to raise a child" to alleviate the mother's burden like that "village" is some mystical entity? What labour are you asking for, from whom do you want it, and how will you compensate?

Demanding that other people (and let's be honest, these women at least claim not to trust men, so the burden will inevitably fall on child-free women, because other moms also want breaks from childrearing, yes?) sacrifice their decision to not deal with children for a mother's desire to have offspring is anti-feminist.

[jondoe279]

atp i genuinely doooon’t care if the old guard two is the worst thing put to film i just want to see the best character of all time (andromache the scythian) and her loser henchmen and everyone’s favorite girl nile freeman again

[athousandbyeol]

i can't stop thinking about this scene.

it was so light-hearted. sheng wang was all-smiley after finishing (perhaps multiple rounds) of revising and studying. but the lively atmosphere simmers down into this thick and stifling tension once jiang tian opens his closet.

honestly, if i were sheng wang, i would have so many questions too. why is he packing? is he going somewhere? but where? so, whatever sheng wang is thinking or feeling at the moment is valid (to me, at least, it is.)

i think it has so much to do with sheng wang's expression here (liu dong qin, the actor you are) that breaks my heart into tiny, million pieces.

it's in the way his eyes follows every movement of jiang tian, but particularly directed at the opened luggage, that has me thinking of sheng wang's fear of separation. the trauma he experienced when he was just a little boy.

i can't imagine how he felt when he saw his beloved mother collapsing to the ground—at the age so little to grasp the situation—to comprehend the meaning of sadness and grief and death.

he was broken. he was devastated. but those feelings as a child were just feelings. but the adult sheng wang now understood that those feelings come with bitter memories and realisations that death is inevitable, and death is permanent. his mother won't come back to him no matter how frequently she visits him in his dreams (and wake).

his heavy breathing. his fixated stare. that feeling of abandonment is washing over him again. they're coming in slow, steady and destructive.

so when jiang tian approaches him with the said book that has more extensive questions, he still can't look away. not until jiang tian realises that sheng wang's attention is now elsewhere.

and he finally asks,

i personally adore how benjamin acted this scene out. jiang tian immediately glances over at the luggage, somehow already knowing the context/direction of this conversation. (it's in the subtlety of benjamin's acting here that has me going nuts.)

when sheng wang asks this question, it reminds me of this scene in episode 1,

jiang tian was looming in front of sheng wang's house, wondering if he should stay or leave. possibly his only destination would be uncle ding's house. maybe he has nowhere to go, to be honest.

sheng wang immediately called him, voicing out his thoughts. and the context is similar—are you leaving?

although jiang tian answers sheng wang's question, not leaving him hanging the way he did in episode 1, it's still not enough. the reason being, as of right now, we're knowledgable of sheng wang's past. but what about jiang tian? we know nothing about him. we just know this boy is closed off and distant and cold and grumpy. but why?

these questions are the answers. but sheng wang doesn't know. not yet.

they could have just dropped the conversation here. but this is one of (the many) things i notice about sheng wang: he's always curious. always seeking answers. even in his studies, he would ask crab (i love you, friend) for the solution. and we saw some instances where jiang tian would share the method he used, etc, only to help him. and i think it's being presented at a different light here. sheng wang is waiting. he's waiting for jiang tian to give him answers.

as jiang tian says it's a habit, it might not be the answer sheng wang wanted, but it was needed, at least, only for the night.

it's so overwhelming to me how jiang tian has always been providing sheng wang with safety, happiness, anger, irritation, fun, answers and questions. how susceptible sheng wang is with everything jiang tian is. they are like mirrors reflecting one another. because for me, jiang tian is like a closed book, but i could understand him once i start reading. but sheng wang, he's more layered. he's open but also secretive. he expresses emotions, but not everyone reciprocates and understands him. not until jiang tian.

and i'm no longer sane in the head because of this.

[puppyeared]

boys night

[collophora]

Found a cool color palette. Might finish it later. (Probably not.)

[socksandbuttons]

How would little Eclipse and Blood Moon react if they saw someone trying to flirt (properly) with their father?

They'd be disgusted and confused if anything. They're not very supportive of KC getting a love life.

[dykegirlfriend]

which ship dynamic are you?

[ganondoodle]

the company i work for decided that its switching from the german formal "You"(Sie) to the informal "you" (Du) in all of our websites so now we have to scour the entire database to change it and i quite frankly hate that, not just bc the unecessary extra work but especially bc its such a weird and unecessary change

i bet its bc everything here is getting englishfied (both literally and culturally it feels like, when my new boss talks its half in english bc every second german word is just replaced by an english one despite there being perfectly fine words for it in german too, its so annoying) and bc they want to sound more personal in hopes of getting more clients bc 'company is your fwiend uwu!!', i know this here is the amercian tm site so you wouldnt understand really but i do not want to be greeted with 'du' by companies, no, thats too personal, you dont know me and im not giving you my data, stay away!!

i guess thats how i would describe it .. the formal you is like a polite distance, like someone you dont know staying outside your personal space, but when its the informal 'you' it feels invasive unless i told you you can call me that, and that goes double for companies

maybe its a small thing that doesnt seem important but i cant stand it, im just a little part time worker doing data work so i got no say in it but the companies founder also announced hes giving his post to his kids some time ago so ...... since then theres been alot of changes and new projects that solely aim to imitate whats popular and whats done by other companies, despite ours being one that is, or used to be, intentionally different, like, that was the POINT, but i guess chasing trends is just too appealing for CEOs

[casualavocados]

What are you proud of?

KISEKI: DEAR TO ME Ep. 03 / Ep. 06

Bonus: