#does that make sense? is this a bad take?

[asidian]

One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

[endless-ineffabilities]

chemical override (2)

Ewan Mitchell x actress!reader

a/n : aaand I just couldn't let this storyline go. Typical. Best to read part one before this one :)

all my other works ▪︎ part one

The reader and Ewan have gotten a lot closer since the press tour for season two, but neither one has made a move. The reader is spotted with another costar, and allegations arise.

The press tour came and went like a fever dream. From Paris to New York to London, everyone had been highly anticipated your upcoming show.

Albeit you had a minor role, it all seemed like everything you could ever wish for.

A blossoming career. Lifelong friends made from your peers. The overwhelming support from audiences.

Only two episodes have since been released to the public, and already your character has become a fan-favourite.

Sadly, you and Ewan only had that one press day together, after which you were paired with other cast members. That didn't stop the onslaught of comments under your interviews with him, fans stating how good you looked together. Speculating whether there was something going on between you two.

You are good friends, but that's all.

He calls you often, mostly in the evenings after you're both finished with work. He sticks close to you during premiere after-parties. Now and again, you would catch him looking at you from across the room.

But... well... that's all there is to that.

Maybe he's just being nice. Maybe he only sees you as a good friend, and this is just how he is. With his effortless charm and cheeky remarks that can be mistaken as flirting, you think that maybe you're reading too much into it all.

"Ewan likes you, you know," Phia looks at you over her shoulder, as she does her makeup in front of your dresser.

The cast is having a private get-together in Fabien's apartment for a night, and yourself and Phia decide to prep together, her own place only being five minutes away from yours.

"He's just being nice," you shake your head at her observation, as you sift through your closet looking for a top.

"He's not that nice to everyone," Phia laughs. "Trust me, that lad fancies you and it's plain as day. Ask anyone, I mean, Tom even pointed it out the other day."

"And Ewan was there with you guys?"

"Uh-huh," Phia swivels her chair around, all done, nodding at you, "Poor sod just about turned red as a beet."

"What did he say?" you ask, not even bothering to hide your curiosity. Phia's got your back, after all.

"Well..." Phia glanced away, weighing just how much she is at liberty to say. Ewan's her friend just as much as you are, and she doesn't know how deep she can meddle in this.

"How bad is it?"

"Nothing bad, promise," Phia walks over, then takes over the task of sorting through your closet, "He likes you. A lot. But it seems like he's apprehensive about jumping into a relationship right now."

You plop down on your bed in a huff, "I guess that makes sense."

"Chin up, darling," Phia turns around, arms folded behind her, concealing her chosen top for you. "You're both rising stars, with great careers ahead of you. If you're going to commit to each other, you're gonna have to do it right."

You smile, because you can't help it, the high from landing your dream career not yet subsiding.

"And," Phia continues, "even if he's too chicken to make a move, that doesn't mean you can't torture him with this." She grins, presenting a green satin top, the material weightless and shimmering.

"This? Are you sure?" It was definitely revealing, and it would have your back exposed, only tied together by two strings.

"Ewan loves green," she hands it to you, and you hold it up with concern etched in your features.

"I guess I could wear this," you mumble.

"Oh, you will wear it," Phia smirks, pushing you over to your bathroom so you can get changed.

Already wearing your trusty pair of bootcut jeans, you shimmy into the slinky top, calling out to Phia so she can assist with securing the strings at your back.

"You look absolutely gorgeous," she beams at you in your bathroom mirror. "Ewan is going to melt at the sight of you, doll."

"Huh," you say, checking yourself out in the reflection. "Okay then, I think we're ready - "

Your phone rings, cutting you off. Phia beats you to it, and her face is scandalous when she raises your phone up like it's precious evidence.

Ewan's name flashes bright on the screen.

"Oh, look who it is!" Phia practically sings, "Lover boy."

"Give me that," you demand, reaching for your phone, but Phia quickly sidesteps you and presses the screen to answer the call.

You gasp, and the both of you struggle to keep down an incoming fit of giggles. Phia then clicks on the speaker mode, and Ewan can be heard saying your name, his tone a bit confused.

"Are you there?" Ewan asks.

"Yeah, I'm here," you take the phone, waving to Phia so she doesn't make a fuss.

"Hmm," he says. "I hope I'll be seeing you tonight. The party won't be as good without you."

"Well, Phia and I just finished getting ready," you glance at her, and she makes a kissy face at you.

"Hello, Mr. Whipped," she playfully cuts in with this greeting, effectively letting Ewan know he's on speaker.

You hear Ewan snort on the other end, before he says, "Hello to you too, Phi."

"We should be heading out in 15 minutes, and we'll be there on time," you let him know.

"Okay, I suppose I'll see you guys there," he replies.

"Okay." A beat of silence passes, and Phia just shrugs at you.

"I, uh - " he finally speaks up again, but hesitates.

"Yeah?"

He clears his throat, having decided on saying, "Nevermind. See you soon, darling."

The line cuts off. You slowly let your hand fall to the side, sighing at how it abruptly ended. Shaking off your worries, you look at Phia once more, and she already has her line all prepared. "See you soon, darling," she recites in a low voice, imitating Ewan.

"Oh, shush," you shove her playfully, and she shoves you right back.

"I can't wait to see you, darling," she continues teasing you, laughing, and you can't help but blush and smile, finding her endearing.

"Well, let's go," she says, picking up her things, "your darling boy of Derby awaits."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Fabien greets you at the door with that perfect smile of his, arms outstretched to pull you and Phia into a hug.

"Welcome, welcome," he greets, leading you into his apartment, where most of the cast is already assembled, including Ewan.

You happily exchange pleasantries with everyone. Chatting with Emma and Olivia. Profusely thanking Matt when he gushes over your outfit. Catching up with Harry and Bethany. All the while sensing that Ewan watches you from somewhere in the room.

You're eventually directed by Tom to the corner table where Ewan and Phia share a loveseat, drinks in hand.

"I'll get you a drink," Tom kindly declares, heading to the kitchen.

"Thanks, Tom," you say. You sit next to Phia, leaving her between yourself and Ewan. You finally say to him, "Hey, you. How are you doing? Got here early?"

Ewan's jaw clenches and loosens, and you catch his eyes quickly drift down to rake over your figure. When he meets your eyes again, his pupils are considerably dilated.

The boy just shamelessly checked you out.

"Ewan," you hear Phia say, elbowing Ewan from beside him. "She just asked you a question, be polite." She wags her eyebrows at you, mouthing the words lover boy.

Ewan hears that, astute as he is, and it snaps him out of whatever haze he seemed to be stuck in.

He shakes his head at himself, offering a smile to you. "I got here just before you guys," he answers. His voice lowers when he adds, "You look really good, darling."

You smile in return. "Thanks. So do you."

Phia beams at the exchange, then makes some excuse of having to catch up with the others. The look she gives you before sliding off the seat reveals that she just wanted to give her two lovebirds some privacy.

"So," Ewan inches closer to you, his arm outstretched on the back of the seat, "how did the script turn out?"

"It was better than expected," you say. He refers to a script you told him about a week ago, for a potential project which will shoot in Atlanta in the fall. "I'm supposed to meet with the director pretty soon to discuss it further, but I think it might be the right fit."

"That's amazing," he expresses sincerely. "Rian Johnson's a brilliant director and they would be lucky to have you as their lead."

"Thanks, Ewan! Yeah, I'm really excited for it, it's a lot different from House of the Dragon, but I'm all in for the challenge, you know."

"Is it a drama film, or thriller, or - "

"Oh, it's a rom-com, actually."

"Oh," he nods, leaning back a little, like that needed a bit of processing. "And you'll have a romantic co-lead..."

"That's right, and - " you confirm.

He smirks, like he just thought of something amusing. "Well, maybe I could - "

But you finish your statement then, " - I think Jacob Elordi has just been selected as my partner in the film."

His face scrunches in apparent distaste, "Has he now?"

"Mhmm." You note the switches in his expression, how his face fell when you mentioned your upcoming co-star. He can't have something against Jacob; they already did a film together and it seemed like it went well on set.

That thing nags at you, that little spring of vanity and desire creating warmth in your stomach. That Ewan might be jealous.

Which is ridiculous, given your shared line of work. Besides, you were not together. What could he possibly be jealous over?

"You've worked with him, right? What's he like?" you continue the topic, keeping watch for the minutiae of his reactions.

"He's... he's a good actor, I guess. Dedicated and all that. Pleasant on set." His answer is curt, not giving away any details, tone flat like he's disinterested.

"Riiight," you nod slowly, smiling impishly at him to get him to lighten up, "I'm sure he'll be just as pleasant on our set then. Good to know."

He catches the look you're giving him, causing the corner of his lips to pull in a soft crooked smile. "Hmm, be that as it may... I think I'll do a much better job as your love interest, don't you?"

"Oh, will you now?" you lean forward, and he does the same.

"Yeah, didn't you hear?" he whispers conspiratorially, like there's a secret to be shared. "According to the internet, we have a lot of chemistry. Practically oozing with it, based on some comments I read."

"You've been lurking on comments? You? The last crusader against all social media?" you joke, fully knowing that he keeps a few shadow accounts just to keep up with how his work is being received by the public.

"Sure," he shrugs his shouders dramatically, " that, and also to stalk your page, of course."

"Oh, of course," you quip, "I wouldn't expect anything less."

You share another laugh, feeling light all over, and even lighter when his fingertips brush against your arm for a few seconds. Goosebumps erupt on your skin, and you sneakily rub your arms to cover the effect he had on you.

Tom reappears from the side, handing you a drink as promised, "What are you kids giggling about over here?"

"Nothing," you share, "just that Ewan is planning to join Instagram."

"A damn miracle, that!" Tom exclaims, lightly punching Ewan in the shoulder.

"Yeah, yeah," Ewan looks at you warmly, playing along, "you can be in charge of keeping my account running."

"Tough job. All those fan messages I'll have to answer."

"Yeah, you'll have to quit your day job," Tom adds jokingly. "It was fun while it lasted. The industry will miss you."

You feel a pressure by your shoulders, and notice that it's Ewan's arm snug behind you on the seat. In the midst of conversation, he must have drawn even closer. You glance down briefly and see his knees touching yours.

You nervously take a huge gulp of your drink. There is no hiding the effect he has on you now.

"Don't you two look cute?" Tom comments, then he stands right in front of the loveseat and puts his phone up. Before you can say anything, a clicking sound makes it clear that he has taken a photo of you and Ewan.

"Awww, I ship it," Tom gushes afterward as he looks at the photo. He then reaches over and passes his phone to you.

The image betrays what the both of you are probably struggling to hide - it's there, clear as day. The attraction, the tension, the chemistry. Ewan practically has his arm around you, looking at you intensely with the inscrutable spark in his eyes. His teeth lightly clamping down on his lip in desire.

There's a subtle scrunch between your eyebrows as you return Ewan's look, a result of trying to maintain composure when he is so close. But your posture is relaxed, almost cozying right up against him, showing just how comfortable you feel around him.

As Tom just said, you ship it.

If only.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Two weeks after the party at Fabien's, the main cast members of House of the Dragon are engaged in an additional round of promo work. Season two is at its peak, and the media is just clamoring to get more from the cast.

Some are booked for photoshoots, others for interviews.

While a minor character in the show, they also wanted you to take part in engaging with the press, but you are already busy with your upcoming film with Jacob. You're currently out in LA, doing rehearsals in preparation for the actual shoot.

Ewan is yet again lounging in a hotel suite, about to do an interview with Vanity Fair.

He sends you a text, in response to your complaint about a difficult scene.

You had shared, It's a pretty dramatic scene. What if I can't cry on command?

He easily texts back, You can do it, darling. Trust me, you're one of the most talented young actors I know.

- Thanks, Ewan. Good luck with your interview!

Ewan pauses typing. I miss you, he aches to send. He does miss you so much. Why can't he just commit to it?

- Thank you, good luck with rehearsal. I miss --

He ends up sending, I'll see you soon, in its place.

He knows he wants to do everything with you. Take you out on dates. Sweep you off your feet. Travel to wherever you will be filming just to see you. Confess how much he wants you.

Why can't he? It's terrifying to him, being with someone, in danger of falling in love - truly falling in love - with a fellow actor, and that relationship exposed to much public scrutiny.

He's always been a private person, so will he be able to handle all of that? Acting is his first love, and he's devoted to the craft. If he succumbs to his desire for you, will that cause him to go off track?

What if the relationship is not well-received? He is aware of how passionate fans can be. What if they cruelly decide to make you the object of their ire as a result? He can't possibly put you through that.

But... but fuck it.

The Aemond in him turns proud and defiant. Why can't he? Why shouldn't he?

He types another message in a second, then clicks send.

And I miss you.

His publicist walks over to him, giving him a few last-minute instructions. In a few minutes, the room is all composed and the interview is ready to begin.

The line of questioning has almost become routine-like for him, a far cry from when he first started giving shorter interviews for previous projects.

The answers flow from him smoothly, stemming from his care for Aemond and the show.

Near the end of the interview, he is asked about the remaining normalcy of his life. Surely it has all changed ever since he landed the show?

"Well, I try to go back to my hometown as much as possible. Just, you know, spending time where I grew up really helps maintain a sense of normal, for me," he responds. "It keeps my feet planted on the ground, that is, when I'm not on dragonback flying high up in the clouds."

The interviewer promptly laughs at his last remark, then asks, "What's next for you? Your fans are just eagerly awaiting your next project. Maybe a film like your new costar? Everyone is excited for her film with Jacob Elordi."

Ewan can't hide the way he perks up at the mention of you, never mind how Jacob is included too. "Ah, yes, well there are some things down the line for me. More than anything, I want to choose a project that I am passionate about, with a story and a character that is rich and complex. Whichever that is, I guess you'll find out soon!"

"Yes, yes, we will!"

"And about her project, I mean, I'm just so proud of her. We've become really close and I think she's a fantastic actress and person. She's going to smash it in this film, that's for sure."

The interviewer nods enthusiastically, smirking as he adds, "Apparently a bit of romance on the cards for her as well!"

"You mean in the movie?" Ewan replies, half-smiling in confusion. But he spies his publicist gesturing to the interviewer from behind the camera, a signal that private affairs are off-limits.

After a final question, the interview wraps up.

His publicist grumbles to him afterward, as they prepare to leave the room. "It was clear that no private questions are allowed. Sorry about that, Ewan."

"It's alright, that was... well, what was he on about? Did he mean romance between the two of us?"

"I believe he's talking about Jacob and her. They were spotted out in LA today. The interviewer probably just wanted you to spill some dirt on your costar."

Ewan frowns, "What do mean they were spotted?"

His publicist appears surprised at his question, and his obvious interest. "They've been papped walking arm in arm in LA. Seemed pretty close, not that it's any of that interviewer's business."

As they walk out of the hotel, Ewan can't help but do an immediate Google search of your name, and sure enough, the headlines about your walk with Jacob are abound.

He can't pinpoint how he feels as he sees the photos, the statuesque Jacob with his arm around you as you beam up at him. He notices that his grip on his phone has tightened, so he turns it off quickly and shoves it in his pocket.

Whatever this is, and how it makes him feel, he doesn't like it. He doesn't like it one bit.

His phone vibrates from his pocket, but he ignores it.

So he doesn't yet see your reply.

I miss you too.

Ewaaaan! Make a move, my guy!

As much as we'd like to see them make declarations of love or get into the passion quick, I wanted to make it as realistic as possible. How would two young actors begin dating? Reader, kudos to you for keeping it cool as a cucumber thus far - it's up to Ewan to make the big move.

Part three may be the last. What'll they be? Just friends? PR relationship? Notorious fling? Or new celebrity power couple?

MASSIVE thanks for all the lovely feedback for part one! 💙

[liliannadelaphinehartifelt]

What Type of Kinks & Turn Ons They Have [2]

[ NSFW + MDNI ]

Alastor

Power Play (He’s an extreme dominant. You won’t ever get a chance to have the upper hand.)

Master / Servant Dynamic

Gore (Anything fear inducing for you really)

Primal Play (Predator / Prey ( IICYIFY type of thing…)

Breath Deprivation / Choking (Alastor tends to withhold physical touch in public but choking you ‘casually’ isn’t abnormal. Although, behind closed doors he’s nowhere near as gentle as he is out in the open. The marks he leaves on your throat never seem to fade…)

Knife Play / Sharpness (His claws are incredibly sharp and get even more deadly when he transforms into his larger demon form. It terrifying but the pain of a few scratches is nothing compared to the consequences you’d suffer if you ran from him..)

Light Bondage (He’ll never let you use any restraint on him…those are just for him to use on you..)

Orgasm Control / Denial (His favorite punishment for you…it’s pure torture…)

Voice kink (You have it bad for him but he’s also wildly attracted to yours as well -he will never admit that to your face.)

Branding / Biting / Scratching / Marking

Titles (He isn’t a huge fan of pet names and he uses them only to persuade or fluster you on a daily basis but when ‘sir’ ‘master’ or even ‘daddy’ slips out of your mouth the deer demon loses his mind for a spilt second. He adores it…)

Somophilia (Alastor does not sleep….its bound to happen and you don’t mind as long as he gives you a gift/treat when you’re finally awake.)

Free Use / Slight CNC. (He prefers control over everything -even when and where he fucks you..)

Breeding (This only happens during his severe ruts…he wears you out a little too fast but you can’t complain.)

Sadism. (He’s a certified sadist and can’t have a good time if he’s not humiliating you in one way or another.)

Humiliation (Alastor is never above making you feel flustered or shy and he’s definitely no saint either. If you break into tears from mere vulgar words he whispers in your ear …he’s totally fine with it.)

Aftercare (He is surprisingly efficient and gentler with you but on a few occasions seeing how weak and docile you are after the fact makes him want you all over again…)

Lucifer

DDLG (He can’t help it..)

Daddy kink.. (You called him that once on a dare and now he’s obsessed with it and quite literally gets rock hard when you do.)

Innocence / Corruption Kink (This is more of a semi-natural reaction he has to you. It’s in his nature and you play into it well…)

Oral (It’s an addiction for him but you’ll never refuse his offer to go down on you. He’s a pro by anyone’s standards. You learn how to please him properly with a few lessons from him after a while.)

Massachist (Once in a blue moon Lucifer actually gets rough with you and it’s usually because of pent of rage on his part.)

Sense Deprivation (Being denied the option to feel, see, taste, or hear you drives him insane. The same goes for you and from time to time it leads to a longer night for the both of you.)

Overstimulation

Cuckholding (The instant you leave him hot and embarrassingly bothered he’s a mess. It’s almost euphoric seeing the King of Hell collapse under your fingertips.)

Exhibitionism

Impact Play (General punishments for you specifically. A light slap across the face or backside. Maybe a rough tug of your hair as as a sign from him for you to listen. Nothing too outrageous.)

Praise / Degradation (Works both ways)

Voyeurism (Lucifer prefers to watch you pleasure yourself for him more often than not but there are times he’ll purposefully relieve himself just for you to watch…)

Spit / Drool (Similar to a blood kink, he enjoys the taste of you. There’s also the implication of your body belonging to him and willingly taking in whatever he gives it. The first time he spit in your mouth was purely on accident but when you smiled and asked for more…it became his new favorite thing to do to you…)

Aftercare / Cuddling. (Let’s be real, he’s the absolute best at aftercare and does everything within his power to make you feel comfortable again. However, you aren’t allowed to leave his side for hours and end up curled up close to his side for most of the day/night. Sometimes he keeps his hands to himself…other times…you’re back to square one.)

What should I do next? For these type of posts I mean? ❤️

[bonefall]

how much of Stormpaw’s demon are Maple’s curse vs just things that happen (cause in canon it’s really vague about whether Maple causes all those tragedies or has the ability to see his future for some reason)

EVERYTHING that happens in Stormpaw's Demon involves her. It's not being so dramatically renamed for nothing, she's a major driver and cause of the plot! Crookedstar's young name is in the title; but really, his demon is driving the misfortune.

That said... It's been a while and I'm heavily considering retooling the narrative.

Since I last REALLY worked on it, BB has changed in the sense that I'm a lot more willing to alter canon than I used to be. While my driving mindset used to be "telling a better version of the original story," and that IS a value I still hold... I've lost patience with the misogyny within the original work.

I've spoken at length about the way Crookedstar's Promise grinds my gears (PLEASE follow this link for a full breakdown of why), but in summary; it desperately tries to keep every male character likeable when they shouldn't be, saying nothing about the fact they are complicit in or even enabling abuse, while giving Crookedstar TWO flatly evil maternal figures. Even Brambleberry, who's heavily praised for being "like a mom instead," has a weird moment where she starts giving Crookedjaw the cold shoulder because she finds out he's chatting with a demon.

So like... I'm not sure if I want to make the "better version" of that story. That was the one that I already had, which had Mapleshade be acting entirely out of just the malice of wanting to hurt a child, while Hailstar and Shellheart are the excellent people canon wanted to see them as.

(not that it's even a BAD super edition, it's actually a really good one, but if it's my kitchen that's not what we cook here. Man I really do always massively overhaul my favorite SEs LMAO)

I think, specifically, I want to make Mapleshade slightly more morally gray and Hailstar more of an enabler. Shellheart is getting significantly retooled to make him more of the heartwarming parental figure I think he should be; someone loving to help balance out a very heavy rework.

And of course Brambleberry, I'm going to tweak her some. Try to make her flaws more consistent, get rid of that odd cold shoulder moment.

Old regulars will remember an old AU which is also still a massive favorite of mine; it was called Better Call Mapleshade, and it was kind of a commentary on how an environment can shape a person. Mapleshade, as a demon in heaven, was essentially their best prosecutor and defense attorney.

You can actually see how a lot of ideas from that AU ended up in Better Bones with the expanded trial system! I'm thinking of taking another page out of it, by making Mapleshade more aware of "the game" of Clan culture's structural unfairness, while also using it like a weapon against people she wants to hurt. A powerful demon of revenge.

Under the cut, what won't be changing, the way it was, and Draft 2 of Stormpaw's Demon.

(MASSIVE CONTENT WARNING FOR MENTAL AND PHYSICAL CHILD ABUSE including ableism. BB!Rainflower is WORSE than canon.)

WHAT WON'T BE CHANGING;

These are major details of Stormpaw's Demon that are different from canon. I'm working with these as givens and won't be changing between drafts.

Mapleshade does have a bone to pick with Appledusk's lineage specifically. One option might make her more discerning when it comes to her targets, but no matter what, she is going to have her eyes on this bloodline. She Haunts Applekin.

Rainflower is Hailstar's deputy. And I will make her downfall spectacular. If you were worried I was going to make her more sympathetic then you have no idea who I am LMAO

Shellheart is not Crookedstar's biofather While I want Hailstar to maybe be worse; I do want to fix Shellheart by making him a good parent. I've decided a good way to do this is to make it that Shellheart adopts Storm AFTER he's been abused by Rainflower. He didn't have authority over him before then. In general, I do want him to have a bigger positive role in this narrative. DEPENDING ON WHICH VERSION: Oakheart might also not be his bio-brother.

Crookedjaw is not a cruel name; it's an Honor Title. I've ALWAYS been frustrated by how canon treats scars and injuries as bad things. It's a BATTLE culture. Surviving brushes with death is their WHOLE THING. There is no "crookedkit" or "crookedpaw," he was Stormpaw until he earned his warrior name, with "Crookedjaw" commending the massive lengths he's gone to in order to survive, adapt, and honor StarClan.

Mentor change: Goodbye Cedarpelt, hello Magpiesky! I decided to repurpose one of the Barn Cats! Magpie from the books is a daughter of Perchshine-- the cat who killed Mapleshade. She joined RiverClan long ago. She's actually the one who points him in the way of the barn, and has to train him "as a punishment for teaching him disobedience" when he comes back. I actually have a couple of minor reasons for making this change but I'll spare them for now. He might start with Cedarpelt, but then run to the barn when Cedarpelt is basically refusing to train him properly.

Some family tree shuffles I need to update this tree to show Crookedstar's new situation with Shellheart (and also reflect some other changes I made like confirming Hallowflight fully being Lizardtail's honor title and Robinpaw being the apprentice who gets eaten by Ripwater), BUT, overall this tree is solid.

The ableism Storm faces is going to have a different flavor I have built BB in a way where him surviving his injury would be very respected, but he'd get badly coddled and pushed into early retirement. Him running to the barn is because he suspects he wouldn't have gotten training otherwise.

He kills a fox there because it's Cool. I might give him the tail to wear as a trophy of the kill because that's also Cool. The fox was very old and feeble at that point, which was why it was attacking chickens, but shhh

The Way It Was (Very Evil Mapleshade)

Darkstar's Commandment creating the Queen's Rights, that no queen would ever have to reveal the other parent of their kittens, wasn't enough to appease Mapleshade.

Nor was the damning of everyone that Mapleshade killed. In a fit of irrational fury at all the death, StarClan sent all her victims into the Dark Forest.

But she can't chase them. In the Dark Forest, you don't see someone unless you WANT to see them, not unless you're hanging out in a "land mar" (a sort of personal hell that all demons get).

on the off-chance she does see them, Frecklewish usually rips her to shreds...

Which is the next problem.

You can't DIE in the Dark Forest if you're a demon. You poof back into existence the next day, no injuries, no scars, nothing.

she's bored.

And vengeful. In spite of the wrong being righted, she still thinks she deserves MORE revenge, because what she wanted was really Appledusk.

She finds it unfair that HER legacy is snuffed out, that it's Darkstar's Commandment and not hers, that her babies were destined for greatness and by extension SHE should have been great.

So she takes up a hobby in tormenting Appledusk's descendants. She wants to eradicate them completely, but is spiteful enough that she'll just settle with hurting them.

The first one she managed to kill was Applefrost, Reedshine's son. Just by accident. She didn't know she had such power over the mortal plane.

After that, she managed to drown Duskwater. The daughter.

But she couldn't wipe out HER daughter in that storm... and she brought two more Applekin children into the world.

Stormkit and Oakkit.

So, naturally, Mapleshade turned her sight on the little fuzzball.

He would be an easy kill, in theory. She smashed Stormkit's jaw on the rock, but Oakkit pulled him out.

From there, it's similar to canon for a bit. His recovery is long and painful.

Rainflower is disgusted, and wants absolutely no part of helping him through this process.

That wasn't an injury gained in battle-- it's because he's careless and didn't listen to her. He's going through all this suffering, and for what?

To never become a warrior?

She's cruel to him, begins to neglect and distance herself from him. Discourages him from suckling.

Mapleshade LOVES this. It's worse than she could have imagined. Rainflower is horrible.

Gleefully, she realizes that Stormkit dying now is what Rainflower wants.

So, she kills two other kits in the nursery.

Fallowtail's only survivor is Willowkit, so she has plenty of milk. She starts suckling Stormkit.

(Graypool is now an older sibling! She's actually an apprentice at this time! Later, she encourages Willowkit to visit their father, who decides to just kidnap them completely)

Eventually, being the deputy, Rainflower had some kind of conversation with Hailstar.

During that conversation, she asked him to do something very cruel to Crookedkit.

And Hailstar LOST IT

He's the successor of Volestar, who was appointed by Darkstar herself to uphold the Queen's Rights and protect children.

How DARE you try to turn RiverClan into a place of disrespect?? To use my power this way?!

So, her power was stripped, and Oakkit and Stormkit were taken from her.

From there, Storm eventually goes to the barn as discussed, and Mapleshade continues to do things to hurt him.

This was my first draft, and now having thought about it a lot, I feel like it's not super cohesive. A demonic Mapleshade who's entirely malicious is neat, but I feel like this makes her flat. Shellheart's not tied in super well either, and Hailstar's stand feels kind of hollow because Rainflower hasn't actually used or leveraged the new authority I've given her.

But most egregiously? Rainflower's abuse being so close to canon tastes kind of bland. I feel like I can make it sooo much more intense, complicated, and painful.

Draft 2 of Stormpaw's Demon (Demon of Revenge Update) Essentially an outline for the first few chapters establishing Mapleshade by dealing with Rainflower and then fragments for the rest.

Mapleshade's still malicious, but this time, there's more to it.

Darkstar's Commandment, and the damning of her victims, DID appease this Mapleshade.

But is she satisfied? No.

She doesn't feel like she was wrong at all, actually. Without her killing those three in revenge for her kittens, StarClan's anger probably would have subsided.

She can't hunt her victims down again though, because, they don't want to see her. She fights Frecklewish every now and then but what's the point?

She WON already. She already GOT the euphoria of dragging them all down with her.

Punishing everyone who had ever wronged her was the highlight of her existence... but now it's done.

She's in Hell and she's bored. Her punishment is never seeing her kits again, but more importantly, her punishment is eternal shuffling through the leaf litter when she's SO GOOD at getting revenge.

Problem with revenge is, when you get it, it's gone.

She probably messed with Duskwater and Applefrost a bit, but if she killed one of them, it was accidental. It made her realize that revenge without a motive is just boring.

The prologue would probably open up with establishing her as a character. Who she is, what she wants.

Because the first chapter would dive RIGHT IN to Stormkit. The only child of Rainflower, the deputy.

Right along with Stormkit, you only learn in hindsight that he was born in a storm that killed his grandmother. It's clear that Rainflower reminds him of this often.

And that she's nasty to him. Giving him unclear instruction and finding things to critique, telling him to jump and then barking at him that he didn't ask how high.

She has great expectations for him, and reminds him of their family lineage often. Of who killed his great-grandfather, of what a fantastic pair of warriors Applefrost and Duskwater were

"I lost everything the night you were born. You'd better be able to make up for it."

Unfortunately, Stormkit is not the sort of child who's good at listening to those sorts of orders. He's stubborn and defiant; angry and oppositional.

When he doesn't understand why you do something, he doesn't want to do it

He "embarrasses" her a lot, and gets hurt for it.

In public, these are swats and whacks. The things you're "allowed" to do to discipline your child. In private these are a lot more severe.

So when Stormkit is given an order or a command, he obeys completely out of fear rather than respect. And sometimes he forgets his fear.

The other cats in RiverClan? Well... Stormkit is a problem child, and Rainflower is a fantastic, organized, respected deputy.

Hailstar especially, unfortunately. He feels bad... for Rainflower.

"It must be so hard for her to have such a little brat as a son. He never seems to learn his lesson. When will he stop wandering off? What's wrong with him? He certainly didn't get that from her."

His best friend, Oakkit, gets in the SAME trouble he does.

He's mischievous, fearless, and outgoing, and... never gets punished for it.

There's times where Oakkit does something and Stormkit physically recoils, just imagining what Rainflower would do if HE did something like that. Especially in how Oakkit talks to his dad, Shellheart.

For example, Shellheart will come to get his son for suckling time and Oakkit will tell him to his face things like, "I don't want to! I'm HAVING FUN!"

and shellheart doesn't flip out. He just. explains why it's important to eat on time.

"I know. But Fallowtail wants to go have fun too! She's waiting for you to come and suckle so she can go play."

"Well why can't she just play now and I suckle later?"

"When a suckler is full of milk, it makes their belly very itchy. She's uncomfortable when you don't come and eat on time."

"nnnh"

"Tough sell? How about I sweeten the pile with a badger ride back?"

"Hm. You drive a hard bargain, Mr. Dad."

Stormkit doesn't know why he hates it. He's all angry inside when he sees them acting friendly. He's polite because Oakkit's his best friend and Mr. Shellheart is really nice, but he just...

He's too young at the time to know he's envious. He wants what Oakkit has so badly it hurts.

Sometime after an exchange like that, Stormkit is visited by Mapleshade for the first time.

And they talk about Stormkit's anger and resentment. Stormkit lets it slip that he HATES his Mi.

Waits for Mapleshade to stop him and tell him, like everyone else does, that "she's still your mother."

...but she doesn't.

Besides Oakkit and Shellheart, she's the first person who doesn't tell him that.

She just lets him talk. Lets him go on. Starts making nasty jabs, which make him laugh.

"She says she lost everything the day I was born!!"

"What?! That's crazy! She got you that day!"

"Right?! It's like she's saying I'm nothing! Maybe she SHOULD lose everything, then she'd know what she's got!"

And then she asks, "Do you want her to die?"

Suddenly, there's a chill in the air. He's really shocked by the suggestion of that. He didn't... he didn't mean it to go THAT far. That's not what he meant... is it?

But she's fading back into the shadows, just her eyes visible in the dark. Tells him that she can see he's unsure. That's ok.

Holds up a budding sprig of sycamore, the maple she's named for. Its buds grow in a "deer hoof," with one large bud in the middle and two "toes" sprouting on its sides.

Teaches him that if he needs someone in his corner, all he has to do is call.

(to summon her, a bud is plucked off the sprig and thrown in the river.)

He wakes up with the sprig in his paw, panics, and shoves it under the nest he shares with his mother.

The experience shakes him. He probably ran to Brambleberry for the first time, who explains very seriously that he was contacted by a demon.

From the description... Mapleshade. The cat who killed his great-grandfather.

He BEGS her not to tell Rainflower. PLEADS with her. He can barely hear her already saying yes under the throbbing sound of his heart in his ears.

When he calms down, he hears her saying yes. On the condition she will need to smoke the nursery with sage and cedar, and that he will be needing a bath as well.

When he's still concerned that Rainflower will question him, she makes a plan to distract her for a day, long enough for him to do his cleanse and the smell to fade.

And, of course, that he will not follow any instructions that Mapleshade left him. He agrees. But does not tell Brambleberry about the sprig.

For a while he's very "well behaved." But it's not about him, never has been.

It really doesn't take long at all for Rainflower to get worse. Kids who are defiant like that are usually exercising a defense mechanism-- if they're not aggressive about their boundaries, their limits are pushed to a breaking point.

And after a big blowout like this, which was probably a public spectacle, Stormkit runs back to his nest and digs out the sprig, runs to the river, and throws a bud in the river.

Having calmed down from his shuddering fury, the dread begins to set in as a dead-smelling wind ruffles his fur. He can't help but feel like he just did something very stupid out of anger.

Looking at his reflection, he sees no cuts or swelling. The blows weren't "bad enough." He doesn't have the kind of injuries that anyone would do anything about. Equal parts guilt and frustration swell in him like a tide at full moon. How could he be sitting here wishing she hurt him worse?

So he tries to soften it, "I don't want her to die, I just, I... I just want her to lose everything like she says. Please..."

The wind whispers in his ear, "it will get worse before it gets better."

"I can handle that," he sobs, "I can do anything. Please. Make it stop."

After that, Oakkit probably runs to come find him. Stormkit doesn't want to be found. He makes up a childish plan, on the spot, to run away and join ThunderClan.

Oak says that's mousebrained, but Storm has DEVOTED himself to this plan he made just now.

And is crossing the stones.

Oak sighs, but if Storm's going to ThunderClan, he should really go with him because then they could totally fight off a small fox (Childish hubris)

Unfortunately, Rainflower found them. asks Exactly What He's Doing.

The kids freeze. Stormkit in particular has that horrible, twisting anxiety that you get when you hear The Tone that means you're in for an absolute wallop when you get home.

He's about to start running, but then the voice tickles his ear-fur again. Mapleshade tells him to go back. It'll be ok. She's on his side. She'll make her pay.

Oakkit is still frozen in place when, as if possessed, Storm's body stiffly returns to his mother.

There's a silence. The river trickling through the stepping stones. Storm looking with fear and anger up at her.

She's waiting for an apology, groveling. He doesn't give her one.

So she raises her paw and gives him an awful, hard blow.

His little body twists, flung off balance, trying to correct himself, and he can swear he felt paws pushing him a second time, whipping him downwards.

The feeling of falling fills his stomach, the water sloshes into his ears before there's a ring of a sound like CLUNK-CRUNCH, and then the river floods his nose and mouth.

It all goes dark.

When he wakes up, it's with a throbbing pain in the side of his jaw so intense that he can feel it all the way down in the tip of his tail. He learns from Brambleberry that Oakkit rescued him-- jumped right into the water to pull him out. And then Rainflower pulled him out. That was when Shellheart came and found them.

There's a LOT of arguing outside, but Storm can't ask what it is because it hurts to move his mouth at all. Brambleberry hushes and soothes him, telling him it's nothing he needs to know about.

(MEDICAL INFODUMPING: i do actually have a medical reason I want his injury to come from someone hitting him which causes him to fall. The injury he'd get in canon would actually be a really simple and common split in the front of the mandible, which wouldn't cause his mouth to have a dramatic twist and would heal very easily. He needs to come down on the rock at an angle to shatter the joint like that.)

From here, the tune about Stormkit starts to change.

Oakkit was distraught when they got back, telling everyone that Rainflower smashed him against a rock.

Rainflower's story is that he was running, and she chased after him. EVERYONE knows that he has a habit of doing this.

Then HE slipped and fell and hit his face on the rocks. His fault.

Oakkit was running away with him, he's lying.

Shellheart is FEROCIOUSLY taking the side of his son, furious that she would imply he raised a liar.

Hailstar is taking the side of Rainflower. It's two troublemaking kits against his deputy.

Yes, Rainflower's disciplined him before, but that's no indication she'd do something like this on purpose.

Brambleberry weighs in that the injury that Stormkit has isn't the sort of injury a kitten gets from hitting his jaw. The bone is shattered.

probably does some kind of visual to go along with it, using a stick and a stone

"The bones of a kitten are like the young shoots of a tree. When they fracture," she takes a young twig and snaps it in her paws. The fibers in the center are bent but unbroken, with the bark splintered around them, "they flay but don't snap."

She places the stick on the ground, "So for the injury that Stormkit has," and violently smashes the rock down onto it. It's shattered and pulped, the fibers flattened, "there would need to be a great force."

Shellheart hisses, saying that THIS is the evidence. Oakkit's story is consistent but Rainflower HAS to have lied.

Several cats are now on his side.

...But more are on Rainflower's.

"She's his mother. She loves him. Oakkit has to be mistaken."

"Why would she chase down her own son just to smash his face on a stone?"

"She wouldn't pull them out of the river if she really wanted to hurt him!"

Hailstar prompts if there's ANYTHING else that could explain this?

It comes up that Brambleberry cleansed the dens the other day.

She says that it's possible there is a demon's influence at work. She can't know for sure which one it is-- but it may have a grudge against Rainflower.

She allows them to reach the conclusion that it's probably Mapleshade on their own. She will be talking to Crookedkit when he's able, but she's not about to tell anyone about his dream yet.

She doesn't want him to have the extra scrutiny when he needs to rest and heal, but if she'd shared that an unnamed cat had a demonic dream, it would set off panic as cats accused each other of dark magic.

Rainflower manages to escape consequences by pointing out that it was likely Mapleshade that injured her son.

Oakkit is still trying to tell everyone SHE did it, he SAW it, Stormkit walked back and she hit him and smashed his jaw on the rock

But he's hushed. It's decided there's not enough evidence. And not enough reason to doubt the noble deputy.

She's never done something like this before, after all. It's more likely it was an accident.

There is a group of cats that are dissatisfied about this, though, and it only grows when Brambleberry explains that Stormkit's prognosis is not good.

There is a very high chance he will die. Even adult warriors can wither slowly from this sort of injury.

Recovery will be slow and it will be painful.

...but after that incident? Rainflower gets bolder. She got away with it in public. She got a taste of the leverage she has, how much they trust her.

Stormkit spends a lot of time floating in between his dreams and his living-world pain. There's at least one interaction where he speaks to Mapleshade, screaming at her that he TRUSTED her, he KNOWS she's the one who hurt him! How could she?!

She can't say much, kept at bay by a hazy smokescreen of sage. "You must live! You must survive!"

Her old words echo in his head; It Will Get Worse Before It Gets Better.

Throughout the recovery, Rainflower grows more cruel and more distant.

In public she likes to talk about how difficult this is for her, but he's strong, he will survive.

In private, she'll do things that hurt him, like repositioning his head in a way that "his jaw will heal better in." When he cries, she's unsympathetic.

"You brought this on yourself. This is for your own good."

Her definition of "private" is also changing. She's getting more comfortable with snapping at him in front of limited groups of people.

Since she's deputy, the other two parents in the nursery, Shellheart and Fallowtail, do their best to care for Stormkit while she's away. He's pulled away from them when she gets back, any ideas or suggestions they have vetoed.

When they try to go to Brambleberry about this, she shakes her head with frustration and tries to make them understand she knows... and she's just as unhappy with it as they are.

She tells them she keeps going to Hailstar, but he's still hesitant. Even though she's trying to tell him that Stormkit's recovery is being undermined.

"Rainflower's son has always needed tough love. She's his Mi and knows him best... she's still taking care of him. Give her a warning before suggesting anything drastic."

In the other draft, I had Mapleshade kill two of Fallowtail's kits to free up milk for Stormkit. I'm not sure I need that anymore honestly, plus, this rework's heavy enough! She can just have Willowkit without any deaths, while Graypaw remains an older sibling.

When Brambleberry informs Rainflower and Stormkit that the jaw isn't healing straight and it will probably be at an angle forever, Rainflower reacts with disdain.

"His first scar and it's nothing he earned?!"

She's reminded he might not even survive. He's lost weight. He's eating less. Stormkit curls up quietly. He hates how they talk about him like he can't hear them.

"Surviving is the bare minimum," she scoffs reflexively. There's a silence so thick you can cut it with a claw. After an uncomfortable heartbeat, she continues, "What kind of a life will he live if he-"

"a life," Brambleberry cuts in, "he'd live a life. And it can be a good one"

Rainflower growls, spitting that the twisted jaw is a disfigurement. He'll never be able to open his mouth all the way. He can't chew and he can't suckle forever. Stormkit will never become a warrior if he can't even dispatch a fish with a killing bite.

"Scars are the sign that StarClan has mended our bodies after fighting a good fight, making any Clanborn cat worthy of being an elder" Brambleberry preaches, "Names are what mark us, calling upon our ancestors to look down at us and witness our actions, Rainflower. Don't say anything you wouldn't want them to see."

Rainflower flicks her ear, seething, a rumble in her throat, "was that some kind of threat? As if I've said something wrong?"

"If you feel threatened, look within."

Stormkit resents all of this talk. He can feel his mother tensing up next to him, hears the low rumble progressing into a growl. When adults play stupid games with his mom, he's always the one who ends up dealing it. Why don't they get that?

It's only Shellheart who seems to have it click, "Hey, this is the nursery. Can you take it outside, please?"

As Brambleberry and Rainflower leave, Stormkit lays curled up in his nest, cold and alone. Oakkit leaves Shellheart's paws to curl up around his best friend.

Shellheart stares at them, shifting, but ultimately stays where he is.

There's a lot of words I could write there, between Storm and Oak. Ones where Storm speaks about how he just wants the pain to be done with. Others where Oak comforts him, tells him how much he means to him. More where they end up running into the wall that they're just two little kids and they've both learned the truth that they have no control over what happens when Rainflower comes back into that den.

But I think it would be good to end there, at the lowest point. Because it gets better.

Pissed off by being gently confronted, after her warning from Brambleberry, this is the moment where Rainflower goes too far.

Hailstar is gradually losing his patience. Every time this issue comes up, he's making some kind of new excuse for her.

She's still a competent deputy who holds the Clan together, but this has taken a toll on her reputation.

Her biggest mistake was becoming more open with her abuse after being emboldened. And I think Hailstar is beginning to feel like he's got "egg on his face."

After standing up for Rainflower several times, getting heat from Brambleberry, and now the Clan also starting to murmur...

It's getting very difficult to justify why he's sticking his neck out.

and maybe, part of him is starting to feel a little self-conscious about the way that his deputy is acting about her injured child.

When she comes storming up on this fateful day, interrupting whatever he was doing to make a proposition, it's the breaking point.

Her suggestion: "I've realized that there's only one way to ensure my son survives his injury. He's being haunted by our demon, which only started threatening him when he disobeyed me for the last time. WE need to teach him a lesson, and make sure StarClan gazes down upon him to acknowledge his mistakes."

"...how do you intend to do that?"

"Stormkit must be given a Dishonor Title."

A Dishonor Title, one of the greatest shames that a leader can put onto one of their warriors. A punishment that ranks just below exile in terms of severity.

"you want to put a dishonor title... on your child? one with a life-threatening injury?"

"One that acknowledges his carelessness. To protect him from the demon."

Protect him from the demon. "I see now what must be done."

Previously, I'd thought of Hailstar as someone who would be loud and merciless when he does this. Now I'm thinking it was something he put a lot of thought into. He stands up, brushes past her, and goes to talk to some of his most trusted cats. Brambleberry, his mate Echomist, an experienced warrior such as Piketooth or Ottersplash, and lastly, Shellheart.

So it's not a surprise to anyone but Rainflower herself. He doesn't want this to be dramatic. He doesn't want it to be another big scene. Stormkit has gone through enough.

When he eventually has this Clan meeting, he calls it quietly. In his address to the gathered cats, a crowd that Shellheart and his family are missing from at his request, he says that his greatest regret is that he didn't do this sooner. He even doubts that Mapleshade is haunting her at all-- now having seen her behavior, he says it's more likely that Rainflower bashed her own child against a rock and simply lied.

First, he announces that Stormkit will be removed from her care. He will no longer be of the Applekin bloodline.

She is banned from the nursery at the request of Fallowtail, and will only see Stormkit when supervised by his new Mi, Shellheart.

Brambleberry has already agreed to this necessity, and is performing a ritual so that StarClan may approve of this choice.

He also strips her of her deputyship, and appoints Ottersplash instead. (I might change this to a different deputy eventually)

Not everyone agrees with Hailstar. There's an uproar from Rainflower's supporters.

She was a VERY popular deputy.

More that are just uneasy, feeling that this was a BRUTAL punishment that she didn't deserve.

Lots are happy and optimistic, though. But the mixed reception is exactly why Hailstar asked Shellheart not to be here.

This isn't something Stormkit has to deal with right now.

When Darkstar herself, who created the Queen's Rights, was on her last life, she appointed Volestar to uphold the law as her legacy knowing that Oakstar might try to break it again.

Volestar appointed Hailstar, in the hopes that he would uphold her legacy in turn, to protect kittens and those who can't protect themselves.

He was late, and can only hope he was not too late. He hopes that Volestar can forgive him for that.

Meanwhile in the nursery, Shellheart, Oakkit, and Stormkit are alone, far in the back, where the padded moss keeps out arguing voices.

Oakkit, bless his little heart, is babbling with excitement because his best friend is his BROTHER now. And it's gonna be THE BEST.

He's talking about how it's fine he can't chew because now they can have soup, and they're going to make the nest bigger, and they can stay up later because they can whisper quieter if they're this close together

But Storm doesn't really hear him. His head's swimming, thinking about the dull ache in his jaw, how MAD his mom's going to be because he can't imagine her not finding a way to hurt him, how this is all his fault because he called Mapleshade.

He can't stop it anymore and starts sniffling, which turns into weeping. Still, he's TRYING not to bawl, knowing, knowing he looks stupid when he does that

Shellheart just pulls him in close, so he can bury his face in his fluffy chest. Tells him it's going to be ok. He's safe now. No one can hurt him there.

Not on his watch.

Unfortunately, it's not the last he sees of Mapleshade. After this...

Mapleshade shows him everything she did for him. Yes, she did smash his jaw-- but it was to get him away from his mother.

And she planted an idea here and there, just little whispers into Rainflower's ear. Nothing she wouldn't do all on her own.

And now... Mapleshade believes she's earned some respect.

Stormkit can't disagree... she did exactly what she told him she'd do.

And now that he's not Applekin anymore, they can be Real Friends. They could even strike up a partnership, of sorts. After all, what did StarClan do to help him?

It wasn't StarClan that answered his prayers.

I'm still figuring out what, exactly, she's going to want from him. I have a scintilla that she wants to give him a life, maybe as some kind of bridge to StarClan to see her kits?

Some strange "attempt" at redemption, perhaps? Which she ultimately doesn't get.

Not that she didn't enjoy doing all that for love of the game, mind you. She's very good at getting revenge and it's fun and exciting to pull it off.

But hey, if you're good at something, never do it for free.

What causes Mapleshade to ultimately turn, and begin haunting the bloodline again + Oakheart, is Crookedstar rejecting her in some way.

She comes to collect on her end of the bargain and he refuses, breaking their partnership. He chooses StarClan.

And then from there, it's ON again. Now she has another EXCUSE to do what she wanted to do, and take out her boredom and malice on his family.

This time, it includes Oakheart as well-- because he was Crookedstar's brother.

It was also her curse that harmed Willowbreeze and eventually Silverstream. She's on the warpath.

Maybe she actually helped make him leader on purpose. Like he explicitly asked so she helped him by making the squirrel omen, instead of just doing it for him unprompted. Still figuring it out.

Shortly after the scene where Stormkit cries, he needs to have a confrontation with Brambleberry about Mapleshade I think. She needs to explain why Dark Forest demons are seen as bad.

She's biased, of course, but it's not like she's TOTALLY wrong either. Cats like Mapleshade ARE vengeful, in ways many other spirits are not.

If you're curious, Crookedstar's dishonor title from Rainflower would have been something comparing him to a parasite and referencing his ""accident"" like Fleaskip or Midgefall.

The point she's trying to make with the Dishonor Title is that her son is an annoying bug who didn't listen, as well as subtly erase she fact she knocked him off that rock.

She wanted his name to say "everything that happened was my fault and my mom did nothing wrong"

Not that Hailstar got as far as even asking lmao

[fractualized]

"#if the depiction is aware of the context of this image #and why it's so fucked #then yeah I'm into it"

well I'm not aware of the context but now I'd like to be 👀

Haha, oh boy. Apologies for how long this is, but I felt some context is useful. (And there's even more context than all of this!)

Alright, so here again is the panel in question:

Out of context, we have Bruce praising his friend Clark for making him believe in the impossible, and Clark happy to have a friend who believes in him.

In context...

This image is from Justice League (2018) #25, which takes place in the lead-up to Dark Nights: Death Metal. The full storyline, "The Sixth Dimension," starts in #19, but long story extremely short, in their attempts to find a viable plan to stop the consequences of breaking the Source Wall that surrounds the multiverse, the League finds themselves going up against another version of the League in a future dimension of their own multiverse, except for Clark, who is trapped on a dark planet in a pocket universe.

Silver Fox Clark turns out to be the World Forger. He says that the perfect world he's shown the rest of the League up to this point is the only version of the multiverse where the League ensured the multiverse's survival. They did so by determining which beings would side with doom instead of justice, and then locked up or killed all those beings to ensure the multiverse survives judgment. (If you want any of this to make more sense, you'll have to read Snyder's whole multiverse thing.) To prevent the impending calamity, the World Forger wants to replace the present multiverse with this future one.

The League refuses, of course… except Batman expresses doubt. So the World Forger sends the others to be imprisoned on Apokolips, but he talks with Bruce one-on-one.

The World Forger says Bruce needs to convince the rest of the League. He also says that it's possible Clark will escape the dark planet, and no doubt doom the whole plan.

And Bruce chooses.

DUN DUN DUNNNNNNNNNN

So that's bad! Also, to make it worse, we learn that Future Bruce achieved this future by brainwashing everyone before he died, but that's a weirdly small detail.

Of course the League escapes Apokolips and find themselves battling not just the World Forger and their future brainwashed selves, but Batman. During this fight, Bruce tries to convince his team that the World Forger's plan is the only way they can save everything. In the meantime, Clark is struggling to complete the flight out of the pocket universe.

Clark gets to the suns via the power of will and love and all that good stuff, and he makes it back! He stops the World Forger from overwriting the multiverse, and then Bruce explains his thinking.

Yay! They found another way forward! So let's just glide past:

1) Bruce agreeing not only that the World Forger's plan was likely their only chance, but that the League had a better chance of winning if Clark died. 2) Bruce giving Clark a chance to prove his doubt wrong by pushing the suns further away from Clark. It was entirely up to Clark if he had the hope and will to travel even further than he originally had to in order to get back. (I keep thinking that Bruce had to have meant he figured out how to put the suns in a better position for Clark to get to them, but he explicitly does not say that.) 3) How if Clark didn't manage to make it back, Bruce was fully prepared to align with the World Forger and brainwash his friends.

Admittedly, yes, if you read the whole storyline, there are many pages of Clark struggling to get out of the pocket universe, even before Bruce moves the suns. The reader is meant to understand that Bruce pushing Clark even harder is what made this victory possible.

But that doesn't mean that Clark responding like "aw, shucks, thanks" isn't wildly fucked!

To be clear, I'm not saying there aren't superbat fans who share the initial panel because they like exploring how Bruce's bonkers behavior affects Clark, and how that behavior gets repeatedly dismissed as Bruce just being a loner with a heart of gold. But when that image gets posted in isolation, inevitably some of the people who share it will be those who prefer a rosier view of superbat, and sorry, it's just funny.

Read comics: you'll understand more, and it'll ruin everything!

[hazbinshusk]

husk x afab!reader. you're a kept pet in the casino, making your way as husk's personal assistant. you've got a good working relationship, but unfortunately he's finding it harder and harder to concentrate around you. the solution is simple if he doesn't want to send you away: he needs to fuck you and those sexy little stockings of yours out of his system. 1.8k

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

He doesn’t know how much more he can take of this.

Husk has been distracted. For days now. And an Overlord distracted, in or out of a gamble… it’s far too dangerous for Husk to let it keep happening. He knows better, he really does. And he’s usually far better at keeping control of any given situation. So, why can’t he stop watching you?

It’s not his fault… it’s yours.

Yours, and those fucking stockings you’re wearing.

You’ve been his personal assistant for the last six months – an owned soul tied to his casino and earning your keep running his day-to-day business. Most of the staff here are owned by him, and they ensure that they don’t end up among the chips on the table by doing a good job. And really, he’s had no complaints about you – you’ve done your job well, even seemed to enjoy it. But still, every damn day you’ve come dressed in a short skirt and a button-down and those motherfucking stockings. They shouldn’t be so distracting… nothing about your clothing is overly sinful, especially by Hell’s standards. Occasionally he’ll see a flash of cleavage as you bend over, a sliver of skin above the waistband of the skirt if it comes untucked… nothing more.

But the stockings… they always seem so professional, but when you sit down, he can see the hem of your skirt ride up on your thighs and the lace lining the top of them will be exposed. And despite the fact that Husker can confidently say that he’s just about seen and done it all since he’s arrived in Pentagram City, he hasn’t been able to stop fixating on you since he’s realized you wear thigh-highs.

“Shit,” he mutters to himself as he realizes he’s misplayed another hand, a low growl playing through the back of his throat. You’d just passed the table to set a drink in front of him, and his eyes had turned to that brief glimpse of the swell of your breasts as he’d caught the scent of your perfume. He tosses his cards on the table, tossing back his drink and slumping back in his chair.

He sits like that for a moment, claws circling the rim of the heavy crystal tumbler, his tail twitching back and forth. The other players have sensed the shift in his mood, and even the ones benefitting from his bad luck know better than to comment.

Husk stubs out his cigar in the nearest ashtray, turning his gaze towards you.

“Doll.”

You look up from where you’re standing obediently against the wall.

“I need a word.”

You nod, training your face into a well-practiced mask of professionalism despite your confusion at the sudden request. He stands, waving a hand towards the elevator to his penthouse, and you follow after him without a word. Husk doesn’t say anything until he has you upstairs, and every moment in the ride up has you burning with unspoken tension. You twist your hands together behind your back as your only outward show of nerves. It isn’t often that your Overlord is displeased with you, and even then, he’s never pulled himself away from the table to reprimand you. Hell, you’d started to think that he might even be growing fond of you, but perhaps that was wishful thinking. You were just a pet, after all.

Husk set himself down in a plush, velvet armchair the color of merlot, and you move automatically to the bar in the corner to fix him a drink. He takes it from you with a gruff hum, his claws brushing against your fingers. Husk nods, indicating for you to stand in front of him, and you do so immediately.

His tail is still twitching back and forth by his feet.

Husk watches you over the rim of his glass for a long moment, and something in his gaze makes your insides burn. You swallow, squeezing your thighs together. He notices, and embarrassment floods through you as his gaze drops to your skirt.

“You’re a distraction.”

You blink, surprised. “I’m… sorry, sir?”

He blinks, slowly, taking another sip of his drink. He sets the glass aside. “Do you like your job here, doll?”

“Yes,” you nod, and mean it. You like… spending time with him, even if only to fetch him a drink and manage his schedule with the other Overlords and potential new contracts. And as far as soul contracts go, you'd heard of much worse treatment.

“Good,” he tells you, holding out a paw. You hesitate, confused, before taking it, breath catching as he tugs you closer to him. Your knees are caged in by his own, your shins meeting the edge of the armchair. “I guess that means you’re not distractin’ me durin’ my business on purpose, hm?”

You shake your head. “I didn’t—”

“I didn’t think so,” he continues in that velvet voice of his. You can feel the power of it between your thighs, send a tickle down your spine. “Because you’re a good girl, aren’t you, doll?”

You nod, a soft whine slipping past your lips despite yourself.

Husk smiles, huffing a quiet, amused breath. “So, does that mean you’ll do something for me, pet?”

Swallowing, you nod again, just once. “Yes, sir.”

“Good,” he replies, shifting back against the chair more comfortably. “Then come here, and stand over me.”

The instruction stuns you for a moment, but he doesn’t repeat himself; he just arches a brow expectantly. You do as he asks, toeing off your shoes before letting him retake your hand and help you up onto the armchair. You stand with a foot on either side of him, flushing as you stand with his face set only a few inches lower than your crotch.

“Good girl,” he murmurs, and your breath hitches as he runs his paws up over the back of your legs, sweeping them from ankle all the way up to your thighs. They settle there, squeezing at them. He watches the way your flesh bulges ever so slightly over the edge of the lace. “Now, lift up your skirt.”

Your hands shake as you do as he commands, eyes squeezing closed as you hear him hum his approval. You feel the cold shock of his nose brush against your inner thigh before his mouth is suddenly against your clothed cunt, and you moan, almost collapsing on top of him.

“Fuck…” he mutters, his tongue tasting you through your underwear. Even dulled by the fabric, the rough texture of it makes your eyes roll back, your hands curling into fists around the skirt you have bunched up by your sides.

Husk’s claws dig into your flesh, an arm banded around each thigh to hold you in place over him, his fangs tear at your panties and he tastes you in earnest, tongue lapping at your clit before dipping into your already dripping hole. He groans against you at the flavor of it, the threads of your stockings popping under his claws. You find yourself rocking your hips against his mouth, the alternating sensations of his cold nose and his rough tongue against your clit making you see stars.

“Fuck, sir,” you moan as you feel one hand move up to clutch at your ass beneath your skirt, and you’re rewarded for the sound by him sucking on your clit. “Fuck!”

“Taste so good,” his voice is muffled against your cunt, the heat of his breath teasing at the slick skin of your inner thighs, and your knees shake. He lets you lean them against his shoulders, and when you dare to curl your fingers in the fur by his ears Husk groans aloud, claws digging into your skin hard enough to draw blood. “Such a good girl for daddy.”

“God…” you whimper, and when he purrs your legs shake beneath you, threatening to collapse out from beneath you. “Please…”

“Hmm…” he sounds, pressing a biting kiss to the inside of your thigh, just above the lace of your stockings. “‘Please’ what, baby?”

“I need… I need…” you whine as he returns his mouth to your cunt, eyes rolling back. “Please can I…”

“Need to say it, pet.” he tells you, the claws on your ass rising further to untuck your shirt and stroke almost absently at the small of your back. It makes you shiver. It drops away then, and you hear the sound of a zipper lowering, the steady sound of his fist stroking at his cock.

“Need to hear you say it,” he continues after a moment, his voice more uneven than before as his own pleasure builds quickly now that he’s finally taken mercy on himself. “Ask your daddy for what you want.”

“Please can I cum, sir?” you choke out, and you swear you can feel him grin against your flesh. “Please, sir, I need…”

Your whole body seizes as you feel a vibration roll from his mouth up into your clit, his dusky voice now layered over the steady thrum of his purring. “Soon, baby… you’re doin’ so good for me. Don’ wanna disappoint me, do you?”

You shake your head, humming a ‘no’, and he rewards you with a deep, rumbling. “That’s my good pet.”

You can barely breathe by the time Husk finally gives you permission to cum, his tongue on your clit as your whole body curls forward above him. You clutch at the back of the chair behind him, white-knuckled, and when you thank him in a shaking, high-pitched whine he cums too, cursing as his head falls back and his hips rise off the cushion. You can feel the warm threads of his cum land on your calf, and the Overlord catches hold of your waist before you can collapse on top of him.

Husk helps you down from the chair onto shaky legs, and he exhales slowly, the mask of detached, professional Overlord returning. He picks up his abandoned drink, raising an eyebrow at you and nodding pointedly down towards his lap. Still, his voice is softer than he intends. “I’ve got a game to get back to, pet.”

You move forward obediently, color flooding your cheeks as you drop to a kneel in front of him and tuck his softening cock back into his pants. He groans lightly at your touch, tossing back the rest of his whiskey as he watches you through heavy-lidded eyes.

He sets the glass aside without looking away, letting himself enjoy the view of you kneeling between his thighs. Your fingers linger against his zipper for a long moment before you remember to pull them away.

“Get yourself cleaned up, doll. You’ve got twenty minutes before you’re expected back downstairs.”

“Yes, sir.”

Husk watches you rise and pull your skirt back down over the lace of your stockings. His eyes never leave you as you do as he ordered and exit the room, and he heaves a long sigh once you’re gone. He closes his eyes tight, raising a hand to squeeze the bridge of his nose.

“…Fuck.”

[propertyofkylar]

crawls in covered in blood

Harper 19 👀?

doctor's orders - m!harper x gn!pc

tags/warnings: 19. kidnapping, drugging, dubcon, medical kink, reader's genitalia left ambiguous

word count: 1810

note: wow....i hope THE harperfucker enjoys this...

“Mhm. And how has your mood been lately?”

You shifted slightly in your chair, sitting on your hands. Dr. Harper was a strange one. He was something of a therapist and psychiatrist. But he also treated injuries, and you had heard he’d even done gynecology work, so you still weren’t entirely sure what kind of doctor he even was. But the pills he prescribed worked well, so you came every Friday to see him. 

“Um,” you hedged a bit, but Harper’s encouraging smile urged you forward. “I mean, it’s not great. You know? Things kinda…suck.”

Harper nodded as you spoke, looking the perfect image of a doctor as he jotted down something on his notepad.  

“So I guess I’ve just been kind of…down. If that makes sense?” You offered. 

Harper nodded again. “Would you like a cup of tea?”

“Huh?” You hadn’t expected that. Harper offered you a warm smile. 

“I’m experimenting with more herbal remedies,” he explained. “I’ve purchased some tea leaves that claim to help with feelings of depression and anxiety. I thought you might like to try some. I know you like the pills, so this would just be a supplement of sorts. It may help lift your mood, even just a bit.”

Something made you feel a little uneasy. But your doctor had never steered you wrong before. And it was just a cup of herbal tea. What’s the worst thing that could happen? It would taste bad?

So, you nodded. “Sure. Thanks.”

Harper gave you another smile and stood up, busying himself with an electric kettle in the corner of the room. You watched idly from your seat. Maybe a warm cup of tea would be exactly what you needed. 

Several minutes later, Harper handed you a steaming mug. An herbal smell of chamomile, lavender, and something else you didn’t recognize wafted towards you. “If you like it, I’ll send it home with you along with your meds.”

You thanked the doctor and took a sip. It was warm with a mildly sweet taste. “It’s good,” you said, going back in for another sip. 

“I’m glad you like it,” Harper said. 

At the very least, a warm drink would make you feel better temporarily. The doctor made idle chitchat with you as you continued drinking. By the time you had emptied the mug, though, your head was feeling a little fuzzy. 

“Are you alright?” Harper asked, only seeming mildly concerned. “The herb blend does have a relaxing effect. It may be that it’s making you tired. 

“Mm…yeah…” you rubbed your eyes, suddenly feeling groggy. “Haven’t been sleeping well lately…”

“Don’t worry,” Harper was leaning forward in his chair, almost in anticipation. “Close your eyes. My next appointment isn’t for a while. You can sleep here for a bit, no worries.”

“‘Kay,” you murmured, your eyes shutting of their own accord. “Just a lil bit…”

You were out like a light. 

When you came to, you had no idea where you were. 

It didn’t feel like you were still in the hospital, though it still seemed like a doctor’s office of sorts. But the light was harsh and artificial, and you got the feeling this room wasn’t used too often. 

Also, your arms were bound to the bed, which wasn’t great. 

“Mm?” You were still quite groggy, so actual words didn’t come out of your mouth. You suddenly became aware of a figure looming over you, smiling. “D-doctor…?”

Harper undid your arm bindings, inviting you to sit up. “Sorry for that! I didn’t want you to move around or get violent in your sleep. The…tea effects are a little unpredictable.”

You rubbed at your sore wrists - how long had you been like this? - as you took in the surroundings. “Where did you take me?”

Harper rolled a chair next to the bed, stroking your hair in a rather unprofessional manner. “This is my private office. You need a more intensive therapy.”

You blinked. “I do?”

Harper nodded. “Yes. Your depression and anxiety is rather treatment resistant. I want to try some different things with you to help you get better,” he slid his hands to hold yours. They were cold and smooth. “Doesn’t that sound good?”

There was something wrong. Something was off. But your brain felt so, so fuzzy. “Yeah…that sounds nice.”

Harper beamed and clapped his hands together. “Excellent! Now, let’s begin,” he pulled his notepad out and studied it closely. “You say you’ve experienced rape and sexual assault. Is this right?” 

You shifted uncomfortably. “Uh…yeah.”

He nodded again and checked something off on the notepad. “Good. Then we are going to have sex.”

“What?!” Your ears were ringing. Did he just say that?

Harper set down the notepad and looked closely at you. “You say the assaults cause you trauma. Correct? I can show you how sex can be pleasurable and it will sort of rewire your brain.” He smiled placidly at you. “Don’t worry, you can trust me.”

It was weird. Something felt off. But…you trusted him. So you found yourself agreeing.

“Good!” Harper smiled warmly at you, standing up in front of you. Despite the smile, there was something oddly intimidating about him. But he was a doctor, and you weren’t. So it was probably okay. Right? 

The doctor sat next to you on the bed, moving closer then he’d ever been. “The first step is foreplay. This usually begins with kissing. Are you comfortable with that?” His breath was warm on your face. You nodded. 

And then the two of you were kissing, Harper’s mouth surprisingly cold, much like his hands were. “Very good,” he murmured. Harper practically tugged you into his lap and your patient gown rode up, making you suddenly very aware that there was nothing on underneath. Wait, weren’t you in a therapy session before? Where did your clothes go…?

Your thoughts were interrupted when you realized you could feel Harper’s cock rubbing against your most sensitive areas. The feeling drew a whimper out of you, which sparked Harper to reach under the gown and grab at your back. 

“P-please,” you whined, grinding down on Harper. 

But he did not relent. “Please what?” He asked. “You need to be specific.”

“Please…” you sucked in a deep breath. “Please, fuck me.”

“Very good,” Harper pulled away and beamed. “You’re a very good patient. You learn quickly.”

He reached into a nearby drawer and pulled out a small tube. As he squeezed the slimy fluid onto his fingers, you realized what it was - lube. “This may be cold,” Harper said before slipping two fingers into your hole. You bit down on your lip and groaned as the doctor scissored his fingers inside of you. It felt good, but it also felt methodical and practiced.

You pawed at the bulge in Harper’s pants, which he was not expecting judging by his sharp intake of breath. “T-that’s enough,” he stammered, momentarily losing his cool composure. “I think you’re ready now.”

Harper pulled his hand back and unzipped his pants. With one movement he tugged down his pants and boxers and you were suddenly staring directly at his thick cock. It was flushed and twitching, and the bead of precum on the tip gave you the sudden urge to lick it. 

But that wasn’t what was going to happen, at least not today, as Harper was stroking his dick with additional lube, and the way he was looking at you - no, leering - was decidedly unprofessional. You were too far gone at that point, though. The only thought in your head was how badly you needed that cock inside of you.

Your doctor grabbed you by the hips and, ever-so-slowly, lowered you down onto his cock. Harper practically hissed as you sunk further and further onto him, until your hips were flush with his. 

“V-very good,” Harper managed to get out, his face turning red. This was an act you were quite familiar with, and your instincts kicked in. You started moving up and down, Harper’s hands still gripping you tightly, and he began rocking his hips in unison.

Harper seemed practiced in every aspect, with his cock managing to hit every sensitive spot inside of you. He was consistent, too. Every thrust was almost rhythmic. It made the hospital bed creak and squeak, and if you weren’t almost entirely fucked out of your mind, you would’ve worried about its stability. But all you could focus on was riding Harper and how fucking amazing it felt. Maybe it was that tea you had, or maybe your doctor was just that good at fucking.

His grip on your hips only added to the pleasure and you quickly began feeling heat intensifying within you.

“I think,” you tried to start but were cut off by your own moan. “I’m gonna…” 

“Cum,” Harper said plainly, though clearly struggling to stay calm. “You can cum. It’ll - haa - be good for you and your…fffucking treatment.”

You didn’t need Harper to tell you twice, his hips slamming into you. You grabbed onto his shoulders and cried out as the orgasm wracked your entire body. You squeezed your eyes shut, but when you opened them, you noticed Harper was staring intently at you. It felt as though he was staring into your soul.

After several more thrusts, you could tell Harper was about to hit his limit as well. Never easing up on his grip, Harper held you down as he came, filling your insides with his hot cum. The two of you stayed connected for a few moments before he gently pulled you off, you letting out a whine at the loss of contact. Harper quietly studied his cum leaking out of your hole and dripping down your leg, then jotted down a few more notes in his notebook. You wondered what he was writing.

“Well,” Harper smiled at you, straightening his clothes out. “You did a great job. You’re a fast learner. I hope that was pleasurable.”

You could only nod in response.

“However,” Harper looked down at his notebook with a slight frown. “I’m afraid you still have a long way to go. This is only the beginning. I’ll need to keep you here at least for a few more days for further studying and treatment.”

“Oh…” you mumbled. In your post-orgasmic state, you struggled to understand what was going on. But maybe a longer stay wouldn’t be so bad.

Harper stood up, clutching his notebook to his chest, and gave you a few soft pats on the head. “No worries. I’ve already communicated with your guardian and school, so everything will be just fine.” He gave you another grin, one that felt a little less genuine, and made you feel a little uneasy. “Trust me. There is no better place for you to be right now than right here.”

And with that, he left the room.

[oblique-lane]

"Just a bunch more biblical paintings then I'll go back to drawing yaoi" Or you can do both, renaissance style, Michelangelo or Raphael I honestly forgot who drew those naked men on the Sistine Chapel's ceilings ok bad joke aside: I'd love hearing more about your headcannons, specifically about the childhoods of the characters (ranging from the mercs, to Miss pauling, the Administrator, hell anyone you have ideas about!)

Childhood headcanons... How did you know I've had something about that on my mind? Alright, let's talk about...

Little Sniper

(Lots of trigger warnings ahead, check tags!)

Mundy was obviously an unhappy child. When I imagine the surroundings he grew up in, I see miles and miles of empty landscapes, dry yellow grass, unkept barns destroyed by rust and a deep choking sense of loneliness.

The closest neighbour woul be so far away you better bring a bicycle with you if you want to visit. School and Church were the only places to go, which were also very far away. No kids his age nearby. And even if there were peers at school, no one wanted him anyway.

Mundy was "weird", he didn't quite understand other kids' jokes, didn't get what was so fun about what everyone else enjoying to do; he was weaker, always loosing in close fights; he didn't even look very local for whatever reason. Even if he tried to get along with someone, it either ended up with him being ostracized or with him experiencing the greatest boredom imaginable. And the kids quickly picked up on his "difference", making him an object of bullying.

It started making fun of everything Mundy does, his habits and speech patterns, his morals and ideas... Which wasn't anything too big for him but it was still very annoying and upsetting, he grew to hate school very quickly.

Coming home being exhausted from this kind of socializing, no one would really comfort him. Being very little, he used to tell on his bullies to his parents, telling how hurt he was by their words... And it would only made a mess in his family.

Overreactive mother: "Poor baby, I'm so sorry, I'll tell their parents to stop being mean, my little little baby, maybe we can go homeschooling..."

And a strict father: "Are you a man or what? Yeah, he will end up a bloody baby if you keep spoiling him like that! Suck it up! Of you can't stand for yourself, no one will. At this pace you'll end up a nobody, with no home nor respect from the world".

Mundy didn't want to be neither a baby nor a disappointment. He figured that sharing his feelings with parents wouldn't be that good of an idea, they won't understand anyway. And also that he must fight somehow.

If he can't win in close fights, he thought, he could hit them from a distance: throwing small rocks at the bullies from up the tree...

–He was punished for that. For some reason, every time Mundy fought back, he was scolded by the elders, who for some reason always believed the bullies that HE was the one starting the fights. They forbid him to fight back. He closed his feelings shut and stopped paying attention to almost everything around him.

Why was it like that? Why was he so different from other kids, why couldn't he understand them? Why couldn't he understand anyone in this world? The world was a mess of unspoken rules and suffering, overcoming oneself, pain; he couldn't fit in. He was always on the wrong even if he didn't do anything. He felt like an outsider everywhere he went.

Sometimes he wondered if he was born into a wrong family or that he wasn't a human at all. Looking at the night sky, he was thinking about aliens, maybe they would come to him someday and take him to the planet he truly belongs, being accidentally swapped at birth. Maybe then he will be happy, he will leave this sickening place and finally start living. He thought about dying, too.

He started to spend a lot of time in the forest any chance he got. He was alone here, unwatched, somewhat free. It was easier to breathe here. He was alone but it didn't feel worse than being with those people. He played by himself. He started to believe that he actually likes loneliness.

As Mundy and his peers grew older, the kids started to become more and more savage, thanks to the hormones and age crisis. Bullying intensified as those kids started to feel the need to assert themselves. Mundy was maliciously beaten (he fought back as much as he could and even win sometimes, but the beating only got worse each time). They used any chance to humiliate him.

And each time after that Mundy would take the knife or his father's shotgun and go to the forest to take his anger on animals, "hunting", since he couldn't do anything to fix the root of the problem.

He would hunt for something small, like birds or feral rabbits so he could butcher them and cook on fire to eat. At moments like this he felt like a beast, and somehow it was the most pleasant state for him to be in.

There were no words available to form his pain into, so the pain came through violence. The more violent his abusers became, the more violent he was at his "hunting". The more he felt his father's gaze piercing him with disappointment, the sharper his knife movements would get. Sometimes he would let the bodies to just rot like that, completely butchered in a very non-culinary way.

(Maybe someday he would lure one of those bastards to the forest and kill him the same way and blame it on an animal attack)

And at some point... His classmates would came up with something that would cross all the lines if forgivable. Somewhere there was the peak of what they could do. Something beyond.

There wasn't a known way to him to deal with that. No known words. Everyone would be so grossed out of him if they knew. He was beyond disgusted with himself, too. What was the point of living now?

That day he would shot a wild boar, take his machete out and cut it open, butcher it the way his father would when they wanted a pork dinner for the night... And reached to the its heart.

The heart is where the love is stored, right? That's what people say when referring to this "love" he'd never seem to know. A dark read bloody organ that feels like sponge inside of thin rubber. There's something about this that Mundy lacks. He has a heart too, it's pulsating inside him, but for some reason it was unable to produce the "love", a very necessary fluid for a human body. He wondered if it's sweet. He wondered if he was even able to taste it.

He took a bite... And realized what he was doing.

He was, indeed, a monster.

When he went back home, later than usual, he would be met with his father's gaze. He was always throwing gazes, for every occasion, Mundy was used to feel small and guilty under them. But this time... It felt somehow more personal. More disturbing.

His father looked at him as if he was a dirty little creature, a rat, a maggot. He looked at him the way one would look at a criminal who wronged their whole family. He looked at him like he knew.

His father didn't say anything that day and it wasn't brought up ever again.

Mundy was indeed a monster who was utterly terrified of this though. He didn't want to be one. He made a promise to himself that everything he does will be morally justified, he promised himself to become a good... decent person. He would earn his place in the world, even if his father, everyone else denies it.

It gets blurry at this point. Sniper doesn't really remember his life before about 17, when he was finishing school and starting to work on his sniper licence. For some reason he always knew he would be good at shooting and killing. When remembering his home, Sniper would recall the smell of grass, mother's cooking, the warm sun, and a steady life he had. He knew it was boring, but it still somehow felt like home. Home he felt was lost somewhere he didn't remember.

Either way, he was always a loner.

[keilanana]

𝑻𝒐 𝑫𝒆𝒇𝒚 𝑭𝒂𝒕𝒆

ɪɪ. sᴛᴜᴅʏɪɴɢ ᴡɪʟʟɪɴɢʟʏ (ᴡɪʟʟ ɴᴏᴛ ʙᴇ ʜᴀᴘᴘᴇɴɪɴɢ ᴀɢᴀɪɴ)

You vs. Your VERY EASILY Distracted Brain (feat. Mother being a schemer, because why wouldn't she be.)

The moment you're old enough, you basically dive head first into every Greek and Roman book you can find, whether it be on mythology or mystery.

For every chance you get when your parents decide to pay a visit to the library, you scrounge the shelves for anything you might have missed, and the moment your [E/c] eyes lock onto something that could have valuable information, it's free game and you're already dragging Mum over to the front desk.

Your moms are, understandably, a little concerned over your sudden obsession for almost anything Greek or Roman, but your Mother likes to soothe her wife's (and her own) worries by saying that maybe Willow's stories had more of an affect on you than they thought they would. It doesn't really do a lot to reassure your Mum, nor even Mother, to be frank, but your nose is usually stuck too far up in a book to care.

Of course, you don't like making your guardians worry, but your guilt over seeing their concerned gazes is unfortunately not enough to make you slow down—which is admittedly a bit of a surprise to you, as none of your teachers from your previous life could hardly ever get you to pick up their required text books of your own violation.

Oh, if only they could see you now. They'd probably think it was either a miracle or you'd gone insane (you have).

But then again, it's not like you were trying to be difficult on purpose or anything, back then; you'd just found it hard to really pay attention to anything those old school books were saying because they couldn't really ... connect with you, if that makes any sort of sense.

(Actually, does anything about this whole scenario make any sort of sense? It may have been years—eight years, to be exact—since you've accepted your new circumstances, but would you really be surprised if you just woke up in a hospital one day and were told you'd been in a coma for a while?

... Yes, actually. And maybe a little disappointed, too, but only just a little.)

And you know, now that you think about it, you also lacked a lot of motivation to put any effort into studying, no matter how important it was. Maybe your past teachers should've told you that you'd start getting hunted down by monsters at a certain age. That probably would've been enough to make you wanna put more effort into their classes.

(That is a complete lie you would have laughed in their faces at the absurdity alone.)

Now that you are quite literally in the world of Percy Jackson (holy shit you still have to take a moment to think about this sometimes), though, the threat of monsters is an absolute guarantee, and you are not about to risk dying a second time.

So, for the first (and ONLY) time in both of your lives, you're willingly buckling down and genuinely trying to absorb as much information as you can. It is a process of trial and error, as you're pretty easily distracted, but your life is actually at risk even more so in this world than your old one, and you'd feel bad if you had to rely on your parents to protect you forever.

"This is getting ridiculous," Mum says on the day she finally gives into Mother's suggestion of buying you a bookshelf for your research.

You ignore the exasperation in her voice, naturally, and continue sliding all of the books you've collected over the years into your newly acquired piece of furniture, with Mother at your side and giggling at the look of genuine disbelief her wife gives you while you work.

"Close your mouth, dear," Penelope says, voice teasing and eyes tinkling playfully as she sends her lover a grin. "You'll catch flies."

Willow huffs and crosses her arms with a small roll of her eyes, but she still closes her mouth as her wife told her to nonetheless.

Mother giggles again, and you don't need to turn around to see the way Mum's face starts cosplaying that of a tomato at the sound.

━━━━━━━━━━━━━━━━━━━━━━━━━━━━

One year before your death, you played Undertale.

Such a fact may seem irrelevant, but that would only be true in literally any other world that didn't have monsters in it.

You see, when you were gifted the game for Christmas and played it about three weeks later on your Switch, you played the Pacifist route first.

And then you didn't bother with the other two routes afterwards, because you decided to watch a Genocide playthrough beforehand. You didn't intend to finish it; you only wanted to get a feel for what the game would be like to prepare yourself before you actually played it on your own.

You got to Toriel's death, closed the video, and then cried into your pillow for the rest of the day.

Undertale made you sympathize with the monster, and this is how it affects your second go around:

When you read about Medusa, only a priestess with no where to run when Poseidon rises from the depths of his realm and offers his hand to her, and powerless when this act from her fellow God makes Athena's rage and curse Medusa into a monster for heroes to hunt with the promise of glory, you grip the book in your hands until your knuckles are white and feel your teeth grind together in a quiet anger.

Then you learn of Charybidis, unyielding in her loyalty to her father, even as he brings her into yet another petty feud between him and his brother, only for her to pay the price in having her body contorted and shaped into something indescribable and surely painful if it's sole purpose is meant to suck in as much water as possible and then spit it back out over and over again, you find yourself slamming the book shut and tossing it onto your bed to hit something.

And when you come upon the tale of the Minotaur, you finally give into the temptation and weep because you can't imagine being born into a world that calls you 'wrong' long before you even take your first breath. What was it like, you wonder, spending a childhood in a home that was never truly yours, where the denizens did nothing but look upon you with disdain and disgust. How old was he, you think, when the king deemed him a 'prize' and then threw him into a dark maze that only fed him when 'heroes' (not to him, never for him) sought out his blood?

Undertale made you sympathize with the monster, and you know, deep down, that that fact alone will one day cost you.

You just hope that it won't be anytime soon.

━━━━━━━━━━━━━━━━━━━━━━━━━━━━

"Your birthday's coming up, little love," Mother says as she runs her fingers through your hair. You hum in acknowledgement, too distracted by the book in your hands, and Penelope releases a sigh—an amused one, but still a sigh nonetheless.

"I bring this up," she begins, voice teasing as she abruptly boops your nose and makes you flinch back, blinking in surprise, "because I would like to know if there is anything else you'd like other than more books." She chuckles.

Still caught up in the suddenness of Mother's random assault on your face, you scrunch up your nose and lift your head up to meet her eyes, your brows furrowing.

"I ... don't know," you answer honestly. Then, with a small shrug of your shoulders, you add, "I don't think I really want anything else."

Mother hums, a thoughtful sound, but there's a familiar quirk at the corner of her lips and a twinkle in her [E/c] eyes that lets you know she's planning something, and it takes everything in you to stop yourself from gulping, because when Mother makes plans, she always pulls through—for better or worse.

Oh, God, you think, making sure to refer to Capital G God and not the Greek ones because you don't trust them. Maybe my birthday present can be skipping the day all together? Would that work?

(That was a rhetorical question; you knew it wouldn't, but it was nice to give into false hope every now and then.)

━━━━━━━━━━━━━━━━━━━━━━━━━━━━

(You have to stop lying to yourself: false hope only leads to more suffering.)

Mum has been acting strange.

You first notice only a couple days after your birthday conversation with Mother, around the middle of dinner. Granted, everything had been relatively normal at first—but those were the two, key words: at first.

Spaghetti and salad had been served that night, with you eagerly digging into your pasta and garlic bread while Mother ate next to you with far more grace; pretty normal, except for the fact that Mum—a far more messier eater than you—was taking bites of her salad slowly.

Maybe it was nothing. Mum could've just been feeling sick and didn't want to upset her stomach further, or maybe she was just tired.

But you saw the quick, repeated glances she kept sending her wife's way, and you knew at that moment that something was up.

The question was on what exactly that 'something' was.

You consider bringing it up to ask, but then figure out that if your parents had wanted you to know whatever secret they're pretending they don't have, they would've already told you.

So you watch, and then you bring out the last empty notepad you have to write your observations down, because your memory was apparently biased and seemed very picky on what you should and shouldn't remember.

(Unsurprisingly, this fact may be one of the key factors in you doing not so well in school, but. Anyway.)

- mum is hovering

It's the first thing you notice: Mum following Mother around like a lost puppy, eyes wide and begging, teeth sinking into her lower lip whenever Mother walks up and down the stairs and tries to do the basics of her everyday life. Months ago, Mum had no problem with Mother reaching for something on the top shelf, or crouching down to get something beneath the sink, but now the satyr looks like she's going to have a heart attack if Mother so much as leans down to get something from one of the bottom shelves of the fridge.

Watching it the first few times is kind of funny, honestly, because it's such a sudden switch up from Mum's usual confidence.

But then it lasts longer than two weeks, and that's when you begin to worry.

- mother appears to be sick???

It's the only explanation you could think of to understand Mum's constant hovering. That, and not long after you noticed Mum's constant trailing after her wife, you managed to clock in that Mother seemed rather ... fatigued, so to say.

Granted, it wasn't as noticeable as Mum's hovering, but it was still there in the way Mother would stumble backwards a little after reaching for something, or how—whenever she'd bring you outside to join Mum at the barn—she'd have to take a short break, sometimes even sitting down to catch her breath.

You'd fret, just a little, and ask if she was okay everytime, but she only smiled with that familiar twinkle in her eyes—so much brighter than your own despite being the same color—and nod her head, telling you not to worry and that she was fine.

Weirdly enough, it was only that look in her eyes that made you believe her—even if the concern still lingered in the back of your mind after she'd get back up, take your smaller hand into her own, and then lead you the rest of the way to your sun-kissed Mum.

- they both keep giving me these "subtle" (they really REALLY aren't) looks

You're more than used to your mothers sending you 'looks', whether they be warnings like, Hey, get away from that, it's dangerous or, What are you doing? and, most importantly of all, Wanna learn another way to mess with your mom?

Those looks are what you're most familiar with, naturally, so when your mothers start giving you ones you've never seen before, you take note of them in an instant, and now you're trying to decipher that in hopes you'll be able to decipher the layer above it and finally know what's got your Mum Mother Henning Mother and Mother sending you a look that borders on mischievous everytime you send her a suspicious look at the dinner table.

Not knowing, in truth, sometimes make you only a little uncomfortable. Not knowing when you feel like you should, though, is absolutely driving you insane because you can't help but feel like the answer is right there and yet you're missing it for some reason and—

Mother decides to drop the bomb right when your ninth birthday's over and you're all stuffed on cake.

"I'm pregnant," she says, shrugging like it's the most casual thing in the world and smiling because she knows she just tipped yours upside down. "You're going to be an older sibling, [Y/n]."

Mum chokes on her drink just as your jaw practically hits the table.

"I—" You blink, suddenly thinking back to everything you've jotted down in pursuit of learning your parents' secret, and then feel your face warm once you see the knowing look and amused smile on your Mother's face.

(Of course she knew.)

"... Okay," the word comes out in a croak.

Mother has the gall to snort.

<- Previous Chapter || Next Chapter ->

Tag List: @randomgurl2326 @jassy-teaa @thatbird-fromrio @tsukishiro-yue2402 @littlesliceofcheese @smartiepants217 @smuuchies @valiantparadisezombie @rairakkikoseao @lovelorngirl

[highdefhoetry]

the strawhat pirates when they realize they love you.

summary: gender neutral reader. something wholesome for a change. this can be interpreted as platonic, romantic, or whatever other kind of relationship you want!

luffy knows you’re going to be one of his best friends as soon as he meets you. the two of you hit it off right away, spending almost every waking minute together laughing, eating, or doing some stupid shit like pulling rubber stunts on the deck after seeing who could chug the most juice. he wins at almost every game you play, but he never makes you feel like a sore loser. when you’re not around, he’s bored out of his mind waiting for you to get back. and when you’re together again, all hell breaks loose. the two of you get into a lot of trouble, but it’s worth getting a scolding from the rest of the crew. being with him is just so fun! 

usopp realizes what’s going on while he’s building a trinket for you. he stares at the empty space beside him at his work desk, suddenly missing your presence and feeling the weight of your absence. he got so used to you barging into his workshop, asking about every little piece and part strewn about and how everything fits together, that now it feels almost empty without you. you're the only one that shows an interest in his engineering. you're the only one that listens to his tall tales and actually believes in him. you're the only one that looks up to him as a hero. and when he does realize why he's got this fluttery feeling in his chest, all he can do is smile. he’ll make sure to build you the best weapon a warrior can wield!

it takes time for zoro to make sense of his feelings. he’s not a mushy guy, and he’s good at keeping his emotions in check. but that changes when you come along. he’s always been a loner, preferring time away from others to focus on training and growing even stronger, so it was difficult for him to adjust when you suddenly started hanging around him. but in time, he realizes that he doesn’t mind your company. he’s not much of a talker, but he finds himself blabbering on and on when you ask him about swordsmanship and combat. it’s the only chance he gets to talk about his life’s work. he even offers to train you, if you’re willing to go through his bootcamp of hell. that’s when it hits him; you’re something special. no one else gets to be this close to him. no one else gets him talking like this. no one else makes his heart soar, except for you.

sanji knows he loves you as soon as he starts memorizing all your favorite dishes. after his initial infatuation with you wears off, something deeper takes its place. a rich, decadent feeling of care that tastes oh so sweet. he hates when people come in the kitchen while he’s cooking and always kicks them out no matter who they are, but for some reason he can’t say no when he sees your face pop in. his heart melts when you offer to help him prep, and he swoons when he watches you chop vegetables or stir the simmering sauce for him on the stovetop. he doesn’t mind if the ingredients are misshapen, or if the minced veggies aren’t exactly minced. the food you make together always tastes amazing.

nami knows you’ve got her wrapped around your finger when you ask her for money and she doesn't say no. she always keeps a tight fist when it comes to finances, but for some reason she just doesn't have the heart to refuse. she’ll still make a fuss and complain; she worked hard to steal that cash, damn it! why would she just hand it over?! but one look into those eyes of yours and she’s done for. she’ll grumble about a 300% interest rate as you grab the cash from her hand, but she’ll forget all about it when you come back with that new thing you’d been eyeing in town for weeks. she’ll sigh, ask you to show it to her, and decide to waive the fees for now when she sees that wide smile on your face. seeing you happy is priceless.

robin knows she’s got it bad when she finds herself smiling for no reason every time you come around. you show great interest in her archeology studies, listening intently as she rambles about ancient polyglyphs and civilizations lost to time. with you, she feels like she can finally pass down her extensive knowledge to someone who is just as passionate about history as she is. the two of you often sit together in comfortable silence reading books about bones and artifacts, and while your face is buried between the pages, she’ll glance over and watch you with a small smile. her heart warms when she sees the focus and passion on your face. finally, she has a friend that will never leave her side.

[shabbytigers]

good thing i didn’t know about the DLAB, the U.S. military foreign language aptitude test, till now. had i acquired that information at a plausible age, i might very well have ended up working for mfucking Defense because this is the greatest test in the world. look at it!

first of all this is gold. it’s hands down the funnest kind of question i’ve ever seen. are there prep books. does it have a name i can use to scour the internet for puzzles

but what’s amazing is that it’s authentically fucked up. janky, if you will. like, i think i can see what choices are the best of those provided, but they do not feel like great, lucid, this-is-so-obvious-now-that-i’ve-thought-it-through, rock solid answers. they feel more like, okay i’m def lost in the rain forest but yeah me and my machete are gonna head in this direction. this, uh, can you call four instances and two tentatives a corpus? this dataset is a goddamn mess. i love it. i said “authentically” because tbh that’s pretty much the flavor of the feeling i have wading chest deep into one of the trickier thickets in a real existing foreign language, albeit one with fewer actual cryptids

—

we’re dealing with wo/wohin/woher prepositions in German and it’s an overt swamp; there’s a desultory table but they obviously got demoralized and punted. drilling a lot of examples—gehen zum Arzt, sein beim Arzt, kommen vom Arzt—may be better than trying to decide rationally, in the middle of a sentence, whether the Kino is more of a building or an activity.

the feeling i get wondering why they chose a skull, specifically, for farkila in this DLAB sample question is very akin to the feeling i get about … look

if a German cat sits on a table, the table is in dative—die Katze springt auf dem Tisch—because the cat is immobile, so it’s answering a where question

if the cat jumps onto the table—auf den Tisch—it’s in accusative, because it’s answering a where-to question

but if the cat jumps off the table, that’s a where-from question, and requires dative. vom [= von dem] Tisch. this is true even though there’s motion involved, and I was told not a month ago that motion = accusative, no motion = dative, using wo and wohin examples. now that woher is here the entire fucking heuristic is broken and i feel gaslighted. how can it be that jumping onto X is accusative but jumping off X is dative?

well, they say, it’s von. von always takes dative.

ok great, two rules in conflict, i’m supposed to just know which one wins, this is like what if order of operations in arithmetic but worse

furthermoar, why vom and not aus dem? onto = auf. on = auf. off (of) = von. feels messy. also, the cat is literally still in midair, so why isn’t this like coming out of the supermarket (physically exiting it) vs coming (to some not immediately proximate place) from the supermarket? well, it’s just different, they say. it would be aus if the cat was jumping out of a container like a cardboard box. but this is a flat surface so it’s von. hope this helps

o yes thank u that helps. i am definitely going to vom

it’s not that much palpably better than farkilam jankov? it makes a kind of unsatisfactory spot sense, if you wrestle assiduously through each example and get to ask annoying questions, but like. The System Is Bad

[brookstolemybrand]

Another post because I have more thoughts on the ASL brothers

(btw is there a better word for them bc I kinda feel bad about possibly clogging the search results for the language?)

Anyway, I was thinking about how Ace and Sabo represent different big brother archetypes for Luffy:

Ace is the big brother who has the closest relationship with Luffy. They very much grew up together, Ace trained him, protected him, lightly bullied him, all the classic big brother things. And both of them gave each other companionship, they both kept each other from getting lonely, especially after losing Sabo

Ace is also the big brother that Luffy looks up to, who Luffy strives to follow, who's like the older, stronger, cooler version of Luffy. He has similar (though very crucially still slightly different) ambitions: he also wants to become a notorious pirate. He's also the pioner, trailblazing ahead of Luffy. Luffy is always in some sense following in his footsteps, even as far along as Wano!

(And of course this is why he's the brother who had to die for the narrative....)

His role in the story is also to introduce Luffy to the wider world of pirates, the big league pirates. He is the connecting link between Luffy and Whitebeard and arguably also Luffy and Blackbeard

I also feel like as a big brother he's primarily Luffy's protector; whether he means to or not, he ends up saving Luffy over and over again, from the marines, from Blackbeard, from Akainu...

Meanwhile Sabo is the brother who kind of ends up taking the role that Luffy might have played in another timeline where Dragon raised Luffy as his own. I'm never going to bother arguing over whether Sabo or Ace was actually older, but here Sabo kinda plays the role of the oldest son, destined to follow in the father's footsteps.... except of course for the fact that Dragon isn't originally Sabo's father! He's a father figure Sabo chose for himself!

It's a very funny twist of fate

Sabo is the brother who takes the role that was arguably destined for Luffy, but that Luffy didn't want

So that Luffy can be free to do what he actually wants to do

Because that's what SABO's role is as a big brother, and the role he plays in the story; he takes Luffy's place in order to free Luffy. He does this in Dressrosa obviously, but he also does this in a more general plot level by fighting the World Government and the Celestial Dragons directly while Luffy is busy elsewhere. This is all very protagonisty stuff that would better fit the main character, but Luffy simply does not have the time to be doing it and can't divert from his path

This is kinda meta in fact, he's taking a necessary role in the story in order to free Oda from needing to make Luffy do awkward detours and mess up the pacing (particularly with the Reverie; imagine if Luffy had to go all the way back to Mariejois... and hell, he almost does when he hears about Vivi! But even here it's actually partially thanks to Sabo that Vivi managed to escape on her own and didn't need Luffy to come and save her, although this was very indirect and unintentional of course)

He also plays the role of the Hero of the People that Luffy explicitly doesn't want

So where Ace is Luffy's protector, Sabo is Luffy's liberator

Ace protects Luffy while he's still too weak to always take care of himself and teaches him important lessons early on, but he has to die so that Luffy can stand on his own feet and become his own man, not the little brother protected by an older brother

Sabo frees Luffy to follow his own path, mainly on the meta level but occasionally also very literally (such as Dressrosa), and that's why (for narrative reasons) he's brought back when Luffy starts to become more adult and more independent and is starting to get threatened by (gasp) responsibilities (and as the plot becomes too big for one protagonist to handle all alone)

Both of them act as conduits for Luffy to be able to continue this adventure, and they show up exactly when they're needed and exit when they're not

[supercorpkid]

How You Get the Girl - part 2

Supergirl. Lena Luthor x Reader!

Word Count: 2995.

Part 1

Notes: should I do another part? Would anyone be interested in a part 3?

You make your way to a new Earth, with a quick search you find out that the DEO is still active. Lena works for them and Supergirl doesn’t, which makes way more sense than the other way around.

“Hey, there you are!” One of the agents greets you with a lab coat with your name on it. “Ms. Luthor is waiting for you in lab 3.”

“Oh, I’m not —“ you breathe deep. “Heh, you know what? Whatever. Which way?”

“Lab 3?” He repeats as if you’re supposed to know. Then points in a direction when he draws no reaction from you. “That way.”

“Thanks!” You put on the lab coat that clearly doesn’t belong to you, and follow the direction he pointed to. “Hey Lena!”

“Oh.” Lena says, not looking up from the experiment before her. “Look who is finally on time!”

“No one’s ever complained about my tardiness before.” You complain half to yourself, half to Lena.

“Not to your face.” Her response comes quickly and you roll your eyes to it. "Take your place, please." She looks at the chair and you make your way there.

"So, why do I have a lab coat with my name on it? I'm not a scientist."

"God, no. Thank God, no." Lena says and you roll your eyes at her one more time, unamused. "You're my guinea pig."

"Cute." You already don't think this will be your favorite Lena.

Lena throws one look back at you, then clicks something on her computer. She looks at the cameras and you follow her gaze to see they no longer have a red light on, so that probably means she shut them down. "Did either J'onn or Kara see you coming in?"

"No."

"Does Alex know where you are?"

"I don't think so, no."

"Great." Lena turns around, straddling your lap, and she holds you face with both hands before kissing you so hard, you're almost left with no air inside you. 

"Wait, wait." You try while she kisses down your neck, and her hands make way under your shirt. "I'm not your Y/N! I'm not –" Your brain refuses to work while her cold fingers slide on your bare skin. "I'm from a different universe!"

Lena takes her face from the crook of your neck and looks at you in disbelief. "Is this another excuse for us not to make out anymore?" She sounds uninterested. "Are you feeling bad for Alex again?"

"Why would I feel bad for Alex?" 

"Because she is your wife?" Comes in the form of a question. Like a duh.

"WHAT!" You push Lena from your lap and stand up in a hurry. "I'm married in this universe and you and I –"

You look disgusted, but Lena just stares at you like she is waiting for your tantrum to be over. "We're horrible people!"

"Ok. Ok. I see what's happening. Alex did something sweet and now you want to break things off and then in a couple of days you're gonna call me again." She sounds nonchalant about it, and you're almost throwing up while hearing it. 

"Oh no." You hold back the vomit on your mouth. "Hell no. I can't be stuck in this. I'm gonna get far away from you. You and Y/N from this Earth are both disgusting and messed up. I hope you know this." You take off the lab coat that doesn't belong to you and run so fast, you miss your counterpart walking in the DEO at the exact same time.

You land on a different Earth. It takes you a lot more investigation to find out where Lena is, and it's almost as if she is hiding. But you're a good reporter, you know Lena pretty well, so you manage to find her in a secret lab.

"Hey Lena." You have a smile on your face that soon fades when a gun is pointed to your head.

"You have ten seconds to tell me how you found me here, before I kill you." Lena's expression at you tells you she is not joking. She really means it.

"Shit. Wrong Earth. Wrong Earth." You fumble with your ring and thank God you get out of that place in less than ten seconds.

By the tenth trip it has gotten easier. Find Lena. Check if she doesn't hate you; if one of you is not married; if you two are actually gay; if the thought of you together doesn't make her gag. Explain who you are. Ask for advice. Get out of it empty handed. 

Everything becomes a blur, and your memories start to merge the different worlds together. The many Lenas you've met seem so different that none of them resemble your Lena anymore. In fact, the confusion in your mind grows so intense that you begin to forget what your Earth and your Lena truly look like. But you won't quit.

You arrive in yet another world. You've seen it all. Earths where Lena doesn't love you, ones that she is straight, others she is with Kara, and in some you and her are together. Though those weren't exactly helpful. If anything, they added to your confusion and desperation. Are you ever gonna get the girl?

In this reality, Lena is the head of CatCo, making her your boss—a less than ideal situation, to say the least. You drag your sorry ass one more time, to face yet another disappointment, you're sure.

"Y/N!" Lena smiles when you wander into her office. It's late, most employees have left already, but there's a handful of people still preparing to leave. "I thought you had called a day." She looks at her watch. "A couple of hours ago."

You wait, is there a kiss coming your way? Are you going to stop it before it happens this time or are you going to pretend you don't want it to happen after it does? The kiss doesn't come. This Lena is waiting on your response from the exact same place, which probably means you two aren't together in this universe.

You collapse onto her beige couch, letting out a huge sigh. You're so tired of this hopeless crusade. Perhaps you and Lena were never meant to end up together. Maybe the versions of you that actually got the girl are a fluke. Glitches in the system.

"Darling," She comes closer. "are you ok?"

"No. God, no. I'm not ok." You raise your head to see Lena's worried features, while she hovers over you. "Before I say anything, I need to warn you I'm not your Y/N. I'm from another Earth, and this is probably the 15th one that I visited so far. So I'm exhausted and far from ok, and I just want to cry."

Lena blinks. Green eyes framed with dark eyeliner, pink lips slightly open, so confused. Her straight, dark hair falls around her face, and you can't help but to steal a look at her incredibly inappropriate cleavage for show.

"Just call your Y/N if you don't believe me."

"No, I –" She sits next to you, calmly. "I believe you." Lena purses her lips, staring at your watery eyes. "So, how come you want to cry?"

You blink your tears away. "I love you." You breathe out. "Well, not you exactly. But you, from my Earth. But you don't love me back, and I've been everywhere trying to find one universe where it all worked out. Where you didn't love me, but I could – I somehow won you over." The tears are now streaming down your face without your control, and you don't even bother cleaning them. She stares at you with wide eyes. "But what if you and I are never supposed to work? What if Lena is never supposed to love me back?" Your breath shudders and you can't barely get your words out. "What if this is it?"

Lena licks her lips, unable to respond. You're unsure of the endgame here; you're merely using this Lena to finally unload your emotions.

"How do I just bury this feeling so deep down, when it wants nothing but to exist?"

The question falls heavy from your mouth. Loaded with more than heartbreak and it can be felt from the way your words sound. Lena feels it too. Surely, the whole world would be able to feel it. 

"You don't." She whispers back and you startle with the sound of her voice. You didn't think she would answer. "Y/N, I –" Lena breathes deep, gathering all of her courage. "I love you too. Well, you know what I mean. But on this Earth, you and Kara are dating."

"Yikes." Not yikes as in gross, but also, yes somewhat. Because you and Kara? That's weird and absurd and like dating a sister. But also yikes, cause you've landed on a universe where Lena loves you but she also didn't get the girl. "I'm sorry. I guess the last thing you needed was me crying on your couch about how much I love you."

She chuckles, looking up to hold back the tears. "God, this is so surreal." She turns to you like she's telling a secret. "I bought this company for you."

"Oh! You did that for Kara in my universe." You give her a watery laugh. "That's so very Lena of you." After a moment's thought, you lean in with a whispered revelation yourself. "I almost killed your brother to defend you. And trust me, I don't kill."

"Yeah, you – you did that for Kara here." 

You and Lena fall into a weird silence. You notice from the corner of your eye that a few tears started falling on her face and you make a move to clean it up. She holds her breath to it, and her eyes flutter closed when your thumb brush softly against her skin.

She is not your Lena, but God, do they look the same, sound the same, and even smell the same. She is everything your Lena is, plus one huge difference: she is in love with a Y/N.

"I have an idea." You whisper, not to startle her, then move your finger away.

She doesn't open her eyes to whisper back, "Please, don't say Parent Trap."

"Hey!" You defend yourself earning a heartly laugh from her end. "Parent Trap is always a solid idea."

Lena looks at you fondly, while trying to sound annoyed. "God, Y/N."

"No, that wasn't it." You actually defend yourself this time, and she sits up straighter, looking at you curiously. "I love you and you love me. Sounds like an easy fix."

"No." Her voice comes as if she is talking to a toddler. "I love you from this universe, and you love me from your universe. We're all different individuals."

"Not that different. You knew I could say the Parent Trap idea, you bought a company for someone you love and I almost killed for someone I love." She only blinks at you in utter disbelief. "Oh, come on. You're still Lena! You're absurdly smart, and beautiful. You call me darling, and laugh when I say something silly. And I am still me, I'm –" You can't find the words to describe yourself.

"You're a bright light everywhere you step in. You're the only one that makes me laugh so hard. You're the most charming person I've ever met, and you have terrible ideas and try to pass them off as good." You laugh when she says that. 

"What? I don't –"

"You've been to 15 different Earths just to find a way to make your Lena love you, instead of just talking to her about it."

"Yeah, whatever. Like you're so perfect being filthy rich and buying companies as a form of love." She chuckles again and you stare at her with renewed intent. "Come on, it's not that crazy. We can find out the differences between our counterparts, but I doubt there's anything you've done that would make me stop loving you."

"My scientist mind says this is the craziest thing someone has ever told me."

"But the stupid part that made you fall in love with me, says…"

Lena inhales deep, then lets it all out in one breath. "That I'd die for your kiss."

You've kissed many Lenas from different universes. Short and sweet kisses, big and passionate ones, and completely wrong ones as well. You can help that your heart beats almost out of your chest in anticipation for this one. This Lena, she's so much like the one you fell for, but there's an ineffable quality about her, something more. Without even a kiss, you sense that if she isn't the one for you as well, then no other Lena will ever be.

The office is bathed in a soft, dim light. The last employee left a few minutes ago, leaving you both in an oddly calm, private CatCo. You draw Lena's face close to you, feeling her hold her breath in sync with yours.

"What if this is it?" Lena asks and you realize she has different worries than yours. But you know, regardless of the uncertainty – whether this is going to be it, or not – the only way to have the answer is by kissing her.

The moment seems to stand still, as the question reveals to be the answer itself. Time stretched out so thin through the space between your lips. And you smile to yourself as the gap between you two doesn't feel insurmountable anymore. 

Lena closes the distance. It feels impossible to believe that you two haven't known each other all your lives, when the dance of your lips and tongues moves in perfect harmony. The kiss is explosive and urgent, as if it has been in the making for years. Breathless, desperate, and exploratory. It's everything, and it's only the start.

You part your lips, staring at her from so close the only thing you can look at is her glossy eyes. "I'll die." She whispers so close to your mouth you're sharing the same breath. "I'll die a little death if I can't have you again."

The floor seems to open under you, as your heart flies to your mouth beating so fast it's ringing loudly in your ears. And you cease to exist in many universes to just exist right here, in this moment.

This is it. This is love. The love you've been jumping around from one universe to another to find. The love you've been dying to have and you know it. You shared one kiss and you are sure of it.

Lena swallows a tear, a question, a whirlwind of thoughts going through her mind as she kisses you again. Then again. And each kiss becomes more passionate, more certain. It's so right it binds you two deeper and stronger at every lip and tongue and breath shared. It can't be undone. 

Lena has a million questions and you know that, can see it in her eyes, and God you have them too. How can you erase your histories? Is it as easy as this? As easy as sharing a kiss so right that defying the boundaries of many universes cease to matter? 

But you know, God, you know it's just the start. It's the start of a chain reaction that makes your heart feel alive and complete. It doesn't matter anymore if she is your Lena, because she is the Lena.

"How will this even work?" she whispers against your lips, but deep down, you both know—it will work, it must work. Nothing can stop it now.

"I don't know. God, I don't care." You answer between kisses, your breathless words expressing a certainty that defies logic. "I just know it will."

It's many, many kisses later that you both fall into a less desperate silence, tangled up in each other's arms as if this is the 100th time you've found yourselves in this position. You don't have to talk to know you're both thinking the same thing. How will this work?

"I have an idea." Your eyes widen and you untangle yourself from your place on her chest, so you can look into her eyes.

"Here we go again." She jokes lightly, but you know she trusts this idea will be just as good as the last one.

"I've been to one universe where I didn't exist. I don't know what happened to me there. If I was never born or if I'd died. But you existed and Kara was your best friend, and all of you would work in a Tower, and there was this guy Brainy, instead of Winn… Anyways." You stop your ranting when you realize you're getting a little side tracked. "I'm sure there's one Earth out there where both you and I don't exist. We could just –"

"Go to another world and start fresh. No two of you, no two of me. Just you and I making a name for ourselves." Lena completes and you smile at her, happy she understood exactly where you were going with this.

"I mean, you're stupidly smart and I have powers. Surely we can make a life for ourselves anywhere." You stop yourself when an idea crosses your mind. No, not anywhere. You smile. "And I know just where."

"You would do that?" Lena blinks, her question isn't coming from a place of confusion. She knows you would do exactly that and some more. The question is coming from a place of complete adoration.

"I'm dying to believe that you won't be the death of me." She kisses you one more time to be sure. And it's obvious. Every single time it's even more fated.

"What about everyone else on our Earths? Wouldn't we miss them?"

You show her your ring. "Have a portal –"

"Will travel." She completes it.

Yeah. This one. This one is your Lena.

[thehollowwriter]

I thought this would be smt fun to post the night before Silas' birthday XD. Blame @the-trinket-witch who was inspired by my Finn shitpost/j

Silas Clearcove x Reader HCs

•Firstly you're going to have to be at least 40 because Silas views young adults as kids, and the idea of dating them is out of the question

•You'll need to have tough skin because Silas is blunt and to the point. He's not purposefully cruel or mean, but he doesn't see the point in tip toeing around things and trying to soften the blow

•Don't be clingy. He's busy, so you won't see him as often as you may like, and he's not very talkative either. He won't ignore you, of course, but he's a man of few words, and if you're chatty, you'll have to carry most of the conversation.

•Don't think he's ignoring you, though. He listens carefully to every word you say and is genuinely interested in what you have to say, even if it's as mundane as accidentally dropping your toothbrush while brushing your teeth or something

•Finn has to like you. It's like a major requirement. Not only has he sat through enough drama in relation to stepparents with Morrigan's family to last a lifetime, but he's simply not going to make Finn go through that

•So yeah, he makes it quite clear that you're second to Finn priority wise and be does not sugar coat it

•Other than that, your gender, species, etc doesn't matter at all to him

•It's impossible to tell if he's interested in you romantically because he acts the exact same as he usually does unless you initiate some form of flirting first, and if he catches on his flirting is a bit weird

•He's pretty to the point, just like Finn, except all he does is give you a courting gift, and if you aren't merfolk, he probably forgets you don't know what that means lmao. But he will clarify after he realises you don't get it

•Silas isn't lovey dovey in the conventional sense, but he loves deeply and fiercely and holds you in high regard

•He's protective and will absolutely kill for you, no questions asked. As long as you're safe, he's happy.

•He gives you things he's found or made that he thinks are interesting or useful, usually weapons

•You will be given lots of food and you will eat it. Nah, he'll just eat it if you don't want it

•This man does not believe in wasting anything, and if there's something you don't want to use anymore, he'll probably find some kind of use for it. There are very few things he can't reuse

•Doesn't mind getting into tussles with you at all and would be quite delighted if you are willing to

•He's paranoid, though he hides it well and frequently checks up on you to make sure you're aliv- *ahem* doing ok

•His toxic trait is that he will compare you to Morrigan internally. He doesn't do it on purpose, but it's a bad habit

•He doesn't take off Morrigan's courting gift either and that might cause some... issues if you have a problem with that

•You'll have to be chill with a lot of things because Silas is by no means morally ok and he does a lot of fucked up shit

•Silas is very loyal and supportive and if there's something you want to achieve he'll help to the best of his ability

•He takes immense interest in your culture and home and will pester you with questions about it

* * *

This started as a joke what happened 😭

Tags:

Tagging: @distant-velleity @br3adtoasty @rainesol @theleechyskrunkly @jovieinramshackle

@galaxies-and-gore @cyanide-latte @cynthinesia @officialdaydreamer00 @krenenbaker

@offorestsongs @kitwasnothere @elenauaurs @boopshoops @inotonline

@1dont-really-know @kazumify @minteasketches @elysia-nsimp @skrimpyskimpy

@casp1an-sea @offorestsongs @tixdixl @poisoned-pearls @the-trinket-witch

@ramshacklerumble @ghostiidasponk @thegoldencontracts @the-banana-0verlord @cloudcountry

@skriblee-ksk @twstinginthewind

[yuri-is-online]

After reading a translation by Yuu Rei on twitter, I’ve been thinking about Book 7 and how this could potentially end. I know there’s been a lot of discussion of how this may need to be ended with a peaceful resolution since Malleus is so powerful and/or Idia’s plan is looking too much like Henrik’s very successful take down of Maleanor. Personally, I actually want to see Idia’s plan succeed to a degree and think it would be fun to defend why.

I’ll link it for reference here if you want to read the thread too: https://x.com/yuurei20/status/1672514883215331328?s=46

1. I personally would find it narratively fitting. History repeats itself when no one learns from it, and it was a previously mentioned lore tidbit that fae history is not well known among humans. And let’s be honest, anything that does exist on the human side for history would not be completely truthful on what happened with Maleanor if her fate is even mentioned. There has also been a lot of buildup with how overblots are dangerous to the health/wellbeing of the overblotter, and using Malleus to pay it off would both parallel Maleanor’s fate and nerf him for Book 8. A necessary action in order for the plot to not be immediately solved by Malleus’s ridiculous might.

2. I think it works with Malleus’s portrayal so far. He does have his good moments and traits, but I haven’t forgotten his tendencies to steamroll the opinions and perspectives of others. Take the Spectral Soirée for example, when Malleus decides to freeze time and kidnap a significant part of the student body simply because he sees himself in the lonely ghosts. No concern whatsoever for harm to his classmates or how it would look for an entire chunk of the student body to suddenly go missing. Or his dorm uniform vignette, where Malleus remains stubbornly insistent that it is the fault of the other housewardens or circumstance that he does not attend the meetings despite very reasonable measures to remind him having already been taken. Followed by a complete disregard for what’s polite/acceptable by summoning the other housewardens using magic reserved for objects because he doesn’t want to miss another meeting. The point I’m making here is that a massive rebellion like Idia gathering up his peers may be what it takes to get through to Malleus that what he is doing is not acceptable behavior just because he was afraid of Lilia leaving and didn’t want to be alone.

3. The last two books set a precedent for the shift from teaming up with solely the current and previous dorm to defeat an overblot to joining forces with students across various dorms. Combining that with the opportunity to build characters further by showing the NRC boys being capable of working together it would make sense for the big overblot battle to involve the other cast members like Idia’s plan intends to.

But I’m also kind of Malleus hater so take it all with a grain of salt. - 🦐

I am also kind of a Mallues hater and think his relationship with Yuu kind of gets overplayed by the fandom to an annoying extent at the cost of the character development and friendship of all other characters in the game by the English speaking fandom. In fic anyway, in game I appreciate him for what he is specifically for reasons like this, he's an interesting character.

I sort of disagree about Idia's plan looking too much like Henrik's take down of Maleanor. It might look like that on the surface to a fae who was there at the time but there is a big difference between Maleanor defending her territory and her child and the temper tantrum Malleus is throwing. To compare the two is disingenuous at best, which is why it is so narratively fitting that they might go down the same way.

I sort of get the sense that what happened is lost history because the fae eventually destroyed the human kingdom/ the kingdom destroyed itself. There is a reason Silver is an orphan and the fae keep to themselves. In a way Briar Valley seems sort of bad at history education? Which makes sense in a weird way, if you don't reproduce often and everyone lives for an age you sort of just expect to remember things and you don't always think to explain important stuff to kids. The point about needing to nerf Malleus for Book 8 is such a good fucking take I would be so surprised if the health complications angle didn't come up. I wonder if the consequences are worse for fae due to them being made of magic?

Malleus does seem to understand that his power is great and that it is meant to be used to bring people happiness... he just does not seem to see other people as. Well. People nor does he seem to understand the concept of dreams. In a way the ideals of someone like Azul are completely foreign to him because he's never had to work to be good at anything he's needed to do. Sure he might like learning to do mundane things like use a washer and dryer, but he doesn't need to do it and that's the only reason why he likes it. If he had to do it every day he would find that exhausting so yes, this plan does seem like the only way to get through to Malleus. He needs to realize he is treating people not like his subjects but his toys, just because Sebek is ok with that doesn't mean everyone else is.

Agree. I feel like the real threat in Twisted Wonderland, whatever it is, will need every student to work together in order to face it and not just a handful of students from one or two dorms. We still need to find out what's up with Grim and Crowley... and RSA if we're lucky!

[bloody-bee-tea]

June of (minimal) Doom 2024 Day 11 - We're out of time

Suguru smiles, watching the scene in front of him unfurl with a great deal of amusement. Shoko is trying to teach Satoru how to heal others, now that he figured out how to heal himself, and it’s going just as well as all three of them expected.

Suguru gives her another five minutes before she attempts to strangle Satoru with her bare hands and claim that maybe a life and death situation is going to speed matters along.

“Gojo, please,” she now says, her voice tightly controlled and she pinches the bridge of her nose. “Would you concentrate for once in your life?”

“I am concentrating,” Satoru shoots back. “It just doesn’t make any sense what you’re saying!”

Shoko takes a deep breath, clearly trying to calm herself down and Suguru honestly feels bad for her. It’s not as if he has any idea what they are talking about, seeing as he is the only one in the room who doesn’t have any kind of healing-power—neither himself nor others—and so to him it’s all gibberish anyway.

“You just have to concentrate,” she reiterates again. “Remember how it feels when you heal yourself,” she says, not for the first time and Satoru throws his hands up in frustration.

“I know how it feels when I heal myself!”

“Then put your hand on my arm and heal this goddamn cut!” Shoko snaps back and maybe Suguru was a bit generous with his estimate of five minutes.

It looks as if she’s about ready to snap any moment now.

“I can’t, why won’t you understand that! It doesn’t make sense when it comes to you, it’s just not the same!”

“What do you mean ‘not the same’? A body is a body!”

“But it’s not,” Satoru whines and slumps in his chair, eying the shallow cut on Shoko’s arm.

Suguru suspects it’s pretty hard for her to keep it open in the first place at the moment and he wonders if that might be one of the reasons she’s so annoyed by Satoru today.

“What do you mean by that? Gods, Gojo, would it kill you to explain yourself once in a while?”

“Things in my body make sense,” Satoru starts, clearly trying to make Shoko understand. “There’s a wound, I do a little—” he wriggles his fingers in what Suguru guesses is a sensible motion because Shoko nods “—and then it’s gone. But I can’t do the same for you. There’s this—barrier or something and everything past that is muddled and muted and confusing and makes no sense at all. I don’t even know where to send my energy to start on healing you and nothing you say makes sense because I don’t feel your body like I do mine.”

“And thank the gods for that,” Shoko mutters before she shakes her head. “But that’s not feasible, Gojo, you have to figure out how to look past this barrier. What if he gets hurt?" Her hand flies up and she points an accusing finger at Suguru, who almost jerks back.

He’s just here to bear witness to this madness, not be dragged in and besides—

“Wow, thanks for the vote of confidence, Shoko,” he drawls out and then very much does not wither under her burning glare.

“We all know neither of you are indestructible. We’ve seen it. So what if Geto gets hurt again, huh? What are you going to do then?”

“Bring him to you?” Satoru gives back and shrugs. “I mean, I can just teleport him to you if it comes to that.”

“It’s not that easy, Gojo. You can’t always assume that an injury will still allow you to move him.”

“Huh?”

“What if he’s impaled on something? What if moving him means exacerbating his injuries? What are you going to do then?”

 “I can just come and get you?”

“Don’t be stupid,” Shoko shakes her head. “You know Yaga sends me to Kyoto more often these days. What if I’m not here? Are you going to warp yourself all over Japan just to get me? We all know you can’t do long-distance teleportation—not yet—and even if you could: two times that close together while you’re also transporting another person? It’s unlikely even you can do something like that. And even if, let’s pretend your genius self can figure this out, what about him then? You want to leave him alone, seriously injured on a battlefield? Either with a curse still there or left all to his own? It’s not going to work, Gojo. You have to figure out how to do it, for his sake at least.”

Satoru looks over to Suguru with a frown and Suguru simply shrugs. Shoko isn’t wrong, after all. So many things can go wrong on a mission and there’s no way to predict a situation like this.

“It could also be a matter of time,” Suguru apologetically says, because he knows Satoru hates it when he’s not on his side but Shoko is right. “What if I’m bleeding out? You teleporting all over the place could take too much time. Sometimes it’s a matter of seconds that make a difference.”

Shoko only points at him as if to say ‘What he said’ and Satoru groans.

“Fine, I get it, I do, but that doesn’t change the fact that I cannot figure it out!”

“Then work on it! You learned RCT in a moment of shock to safe your own life. Imagine how you’d feel if he would die, maybe that will help.”

“Please don’t,” Suguru immediately blurts out because while he doesn’t believe in superstitions, it does feel a lot like inviting doom should Satoru imagine something like that.

And Suguru can really do without a near-death experience any time soon.

“Can we just stop for today?” Satoru quietly says, his eyes downcast, and Suguru doesn’t even want to think about what he’s imagining right now. “I promise I’ll work on figuring it out, I promise, but—not today?”

“Fine. Get out of my hair then,” Shoko mutters, waving them off and Satoru is off his chair faster than Suguru can comprehend.

Satoru snatches Suguru’s hand in his and drags him off with him and it’s not as if Suguru is putting up much of a fight, so he easily follows Satoru. He seems lost in his own head and Suguru keeps quiet until they are in Satoru’s room.

“You okay?” Suguru asks once the door is closed behind them and Satoru lets out a shaky breath.

“Don’t get hurt until I figure it out,” he says, his voice almost pleading, and Suguru’s chest suddenly feels tight.

“Satoru—”

“Suguru, just. Don’t get hurt, alright? I will figure it out, I promise you, but until then you cannot get hurt. I can’t—”

Satoru’s breath is coming a bit fast right now and Suguru steps close, resting their foreheads together.

Suguru gets it; he always feels a little bit faint when he remembers just how much blood he found in the spot where Satoru fought and he can imagine that Satoru felt much the same when he heard that Suguru had gotten hurt as well.

“I’m gonna be careful,” Suguru promises him because that’s the only thing he can do.

There’s always a chance in their profession that they are going to get hurt and things in a fight are more than unpredictable but he can at least promise that he’s not going to take any unnecessary risks.

“Please,” Satoru whispers, gripping Suguru’s arm almost painfully and Suguru pulls him into a real hug.

“I promise I’m going to be careful. I’m not going to do anything stupid.”

“Thank you,” Satoru says and deflates where he stands.

Suguru expected it, so he can easily hold Satoru up, but he does shuffle them over to the bed.

Today, they are going to take it easy and then tomorrow they can double down on Satoru’s training. Suguru has all the faith in the world that Satoru is going to figure it out because he’s a genius like that and so he’s not too worried about anything.

It will be fine.

~*~*~

Suguru can barely breathe and he guesses the huge hole in his chest is the reason for it. There’s a lot of red seeping out of him, he distantly thinks and tries to raise a hand to push it back in.

It’s not very successful and Suguru blames his hand for it, because it barely comes up to where he wants it.

“Suguru! Suguru, no!” Suguru hears Satoru yell out and then in the next second the sky is replaced with sky-coloured eyes.

Suguru thinks he might like the eyes better than the sky.

“I’m good,” Suguru says, can barely feel his mouth shape his words and watches how Satoru’s eyes drop to his chest.

“You’re not fine, fuck, what am I going to do?” Satoru cries out and Suguru remembers that he has not yet figure out how to heal other people.

“Shoko,” Suguru says, because he has to.

He’s going cold and things are getting more clear somehow and he knows he has to send Satoru away.

“Get Shoko,” he says again when Satoru doesn’t move and he tries to push his hand away from his chest, but he can’t find the strength to do so.

“Suguru,” Satoru whispers and Suguru blinks.

“No time, Satoru, need Shoko.”

It’s getting harder to form words and he knows in all honesty that he doesn’t have long left. This is it, for him, and he barely spares a thought for himself. The only thing on his mind apart from the fuzziness is the fact that Satoru cannot be here when he dies.

Satoru shouldn’t have to see that.

“I’m not going to make it, we’re out of time,” Satoru gives back, clearly knowing damn well that Suguru will be dead before Satoru is even halfway to Shoko and he puts his hand on Suguru’s chest.

Suguru thinks he might be sick when the wet noise makes it to his ears.

“I’m gonna heal you. I’m panicking, this is a life and death situation, I can totally figure this out,” he mutters and then closes his eyes to better concentrate.

Suguru’s eyes want to drift shut as well but he fights it. If he has to die then he wants Satoru to be the last thing he ever sees.

“You’re not dying on me, shut up,” Satoru says, a touch of hysteria in his voice and Suguru wonders if he said that out loud or if Satoru managed to read his thoughts somehow.

It could be fun, if Satoru were a mind-reader now as well.

“Suguru, stay with me,” Satoru pants out, clearly exerting himself by concentrating really hard and Suguru thought there was a hole in his chest so he doesn’t understand why it’s suddenly burning like that.

“Satoru,” Suguru gets out only to be met with a fierce glare.

“Shut up,” Satoru hisses and Suguru obediently falls silent.

Satoru is clearly doing something and it probably wouldn’t do to interrupt him now.

“You’re not going to die,” Satoru mutters as sweat beads on his forehead. “You’re not. I won’t let you.”

It’s a nice sentiment, Suguru thinks, and then his energy is all used up and the last thing he remembers to do is smile at Satoru.

He deserves at least that much.

~*~*~

Suguru wakes up to Shoko’s face. The sight in front of him doesn’t change, even when he blinks once, then twice and eventually he decides to accept it.

He didn’t expect to see Shoko in the afterlife, but stranger things have happened.

“How did you die?” Suguru asks, his voice raspy and Shoko snorts out a laugh.

“I didn’t, you idiot. Welcome back to the living.”

“Huh?”

“Yeah, you heard me right,” Shoko says and leans back. “You survived.”

Suguru cranes his head down to check out his own chest and he is honestly confused when he finds it whole and unmarred.

There should be a hole the size of his fist in there.

“What happened?”

“Gojo healed you.”

“He figured it out?” Suguru asks and he can’t help how proud he sounds.

He always knew that Satoru would figure it out eventually but to hear that he in fact did somehow hits differently.

“Uhm, that’s probably a conversation you need to have with him,” Shoko says, avoiding eye-contact all of a sudden. “You should feel a little bit groggy, but otherwise you’re good to go. Gojo is probably still sulking in your room, claiming I took too long to clear you to go.”

“I—see,” Suguru mutters because this is all a bit much. He does understand that Shoko wants him out of her hair and so he sits up and swings his legs over the edge of the couch he was laying on.

He feels a little unsteady on his legs when he finally pushes himself off but that feeling fades quickly.

“Thanks, I guess,” Suguru mumbles, waving at Shoko who only rolls her eyes at him.

“Go thank your possessive freak,” she gives back and that only serves to confuse Suguru further.

It takes him a little bit longer than usually, but he does make it back to his own room eventually and just like Shoko promised him, Satoru is right there.

“Satoru,” Suguru breathes out and Satoru is there a second later, fluttering his hands over Suguru’s chest as if he has to make sure that he’s really unhurt.

“Did Shoko clear you?”

“She threw me out, if that’s what you mean,” Suguru replies and then pushes past Satoru towards his bed.

Sitting down does sound kind of nice right now.

“That means you’re good then.”

“She did mention that you healed me?” Suguru asks and leans against Satoru with a sigh when he finally sits down on the bed as well.

“What else did she say?” Satoru asks, fiddling with his fingers and Suguru frowns.

“She called you a possessive freak,” he honestly gives back and Satoru huffs.

“Honestly, what does that woman have against me. That’s so uncalled for.”

“What happened?” Suguru asks and leans more firmly against Satoru. “You figured it out then? Healing others?”

“Not—really,” Satoru whispers and clicks his tongue.

“What is it then?”

“Remember that talk I had with Shoko? Where I said that it’s easy because my body makes sense and then there’s a barrier around everyone else?”

“Yeah?”

“Well—it turns out there’s no barrier around you,” Satoru rushes out and Suguru blinks.

“Huh? You mean I’m—what? Leaking everywhere?”

“No, it’s more like—” Satoru sighs. “There’s my body and then there’s everyone else’s. And you’re more like—my body.”

Suguru takes a moment to digest that.

“That’s what she meant by possessive,” he eventually mutters and drops his head to Satoru’s shoulder. “Because you see me as yours.”

“It’s more like—as if we’re one,” Satoru mumbles, his voice barely audible and Suguru hums. “Are you—mad?”

“About what?” Suguru wants to know because being angry is the furthest thing from his mind right now.

“About—that?”

“Satoru,” Suguru sighs out and reaches out to take Satoru’s hand in his, treading their fingers together. “Apart from the fact that you saved my life—for which I am beyond grateful—it’s always us, isn’t it? Why would I be angry knowing that you feel the same about me?”

“The same?”

“Of course the same. Besides, isn’t it you who always says that I’m your one and only? Don’t you think I would have complained before if I minded that?”

“Probably,” Satoru admits and Suguru shrugs.

“Then I don’t see what there’s to worry about. “I love you. You love me and it’s all like it should be. Especially now that I don’t have a huge hole in my chest.”

“Gods, don’t even say that,” Satoru says with a wet laugh. “You have no idea how scared I was.”

“I can imagine,” Suguru replies, because—again—he had to find so much blood after Toji.

He gets it.

“Now, I am cleared and I am very obviously not dead, but I am incredibly tired, so can we please just lay down?”

“Yeah, of course, sure, come here,” Satoru immediately says, moving away from Suguru to allow him to stretch out on the bed.

Satoru follows him easily but instead of laying down next to him, he almost drapes himself over Suguru, pressing his ear to Suguru’s chest.

“Do you mind?” Satoru asks and Suguru somehow musters the strength to raise a hand and card his fingers through Satoru’s hair.

“Not at all,” he whispers and with a sigh of contentment Satoru goes boneless.

“I do love you,” he says after a long moment, “just wanting to get that out there.”

“I think your actions said that loud and clear,” Suguru replies but he can’t deny that it does feel nice to hear him say it.

“Good. Can’t let you forget,” Satoru mutters and then drifts off to sleep, clearly having worn himself out with his worry.

Suguru is not far behind though and he sleeps very well, knowing that his one and only feels the same.