#drawing takes time. and I am a person who really likes to do comics and art for asks.

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[doodlingbot]

About the swap au (if your still awnsering questions about it), do 1010s 'human' forms look similar to the charters to blend in? Like is Eloni got a spacey or student look to blend in around DJ SS? Haym matching Sayu's crew for fun outinga? Purl a refined look for around the concert hall? Zimelu rocking a leather jacket, trying to get Tatiana’s to wear her? Rin and Eve corridating crazy outfits?

Sorry if this is a lot but I'm super curious.

'About the swap au (if your still answering questions about it)' 'Sorry if this is a lot but I'm super curious.'

(It's safe to just assume I'm still answering questions about the AU. There is plot in this AU I want to get to and post eventually. Sending asks actually helps a ton at keeping me focused on working on this stuff. So don't apologize when I should be the one thanking you for taking the time to be curious and ask about it.)

[AU]

Their MK IVs? Usually not. It's the MK Vs that get the make over treatment.

Their 'human' disguises, the MK IVs, don't necessarily need to match their charters. Those bodies are for the 1010s' own personal uses to get out on the town. And they usually won't be in them when they're with their charters, those bodies lack built in weapons for 'proper protection' and a big part of their jobs under their charters are as body guards along side being assistants.

(There are exceptions as Tatianas face isn't known as a charter, and there are also probably obscurities with Sayu's team as well. Not as big of targets as say, DJ Subatomic Supernova who everyone in Cast Tech should know of.)

The 1010s are usually just going to dress how they personally please in their MK IVs. Though that doesn't mean there wont be overlaps, don't think Yellow would honestly need to change his usual MK IV get up to blend in with Sayu's team.

There's this one particular bit in here though I zeroed in on while reading this ask.

'Zimelu rocking a leather jacket, trying to get Tatiana’s to wear her?'

I'm going to make the assumption that you were saying 'trying to get Tatiana to wear hers' (but do correct me if I'm wrong.) Latched on because Red trying to get Tatiana to wear one of her older jackets is very in line.

[zan0tix]

Hi tumblr user Zan0tix, I have to say that I love that you draw Jake as big and hairy AND fem. It's such a rare combination outside of mean-spirited caricatures, every time I see your Jake I get a big smile on my face. :)

Hi tumblr user HermitCyclop ^u^ here is a jake drawing for you 🫶

The transmisogynistic demonisation of these features is so maddening!!! I agree! Im glad that the intent (appreciating these features) of my jake design reaches you c:

GOING TO PUT IT UNDER THE CUT BECAUSE I HAVE SO MUCH TO SAY. But jake english gender meta because i think about it Too Much and am taking this as an excuse to infodump abt it. 😁

The alpha kids and their specific defiance of both homestucks gendered narrative AND real life societal expectations are so fun to think about to me!! but since we are talking about jake, his specific defiance of both homestucks models of masculinity and femininity in the context of his queerness is like the reason he is my fav character.

He props himself up that he wants to be the adventure "hero" in the homestuck sense (the hardheaded blue femme fatale) and the western media sense (the hardheaded action man) yet whenever pressed to actually act on what he says he always refuses or obfuscates. Because really what he wants is to just be himself! I really love the alpha kids because they all just want to be Themselves, not be restricted and defined by what is expected of them, (all the characters have this but the alphas particularly really hammer this home for me)

The heavy emphasis on their beta selves, the heteronormative archetypes they embodied and what went wrong in their lives that manifest as fears in their alpha selves... im always thinking about it. How differently society affects queer ppls choices in life and then the fact that they all get a second chance and getting to watch them live out that second chance and realize their queerness and them all caring so much abt eachother and wanting to aspire to be better FOR the ones they love!!!!!! it always tugs at my heart strings to ponder😢😢

IM SO GOOD AT GOING ON TANGENTS MY BAD but basically. The alpha kids explicit queerness and how despite the comic itself protesting, they are all shown to be deserving of love (of all kinds) And as a person who super heavily relates to jake, his experience with his own identity (and dirks unending adoration and love for him and likewise jakes belief and admiration of dirk) serves to me as a reminder that yknow! We are all worthy of love!! Even if we dont think ourselves to be (this is just the message of shrek.) and there is always hope to be found in things improving!!!!

But in a text thats explicitly queer and not shy about letting its queer characters do wrong in realistic ways i think this message is incredibly powerful and certainly one of the best things about the comic in my eyes. And i love embracing that in my art of the characters! Drawing queer (but here specifically trans) characters all getting to be proud of themselves and their appearances makes me feel proud of myself alongside them and I think its wonderful to be able appreciate other trans peoples experiences and looks through it too!!

I specifically in homestuck fandom dont really see anybody but twinks (usually dirk or eridan LMFAO) portrayed to be fem in any manner 😢 when jake is the most explicitly feminine man in the comic. (I think the transmisogyny thats kind of rampant in this fandom means people dont want to consider those outside conventional attractiveness being feminine or transfem identities outside binary transwomen if even that😭😭) I am being the change i wana see in the world 🙏 The amount of transfem fat gay bear jake in the world increases by one every time i post

[polaritiesoop]

Day 1 - A Memory In Amber | COOKING TOGETHER

@hot-scarian-summer-2024

Please do reblog! Thank you!

( Open images for better quality. Read from Left then Right )

Hopefully this was an enjoyable read?

Keep Reading for explanation on page 5, if curious

This was a wonderful prompt! it took me looong to finish it. who knew making a comic would take long? like each page took me 4+ hours. but then i am a slow worker lol and this is my first time drawing a comic

anyways!! whats the dealio with the double life reference in page 5? i really wanted to insert it, as initially i was going to write this prompt as a fic but i didn't like where my writing was going?? A chapter in it showed Grian built the Velvet Keep (? Im sure thats what they called their base) pretty big with a kitchen unintentionally resembling third life's haha isn't that crazy. and Scar baked cookies for him for his secret soulmate in said kitchen, Grian saw him and was of course shocked. Now, the question is, does Scar remember their little moments in the kitchen in the desert? I'd said up to your interpretation!! Your personal headcanon on how life members remember past series. I just thought it'd make an ironic call on a future event, not like Grian was remembering a future event. I hope it wasn't so jarring hasdgfjlepnfk I really wanted to insert it okay!!

okay thats all, this was hard work really, i would say i'm not quite satisfied with it but atleast i got it done? so im proud of myself for that. even though this took up a lot of space in my mind leaving some of my other entries for this event neglected

[livelaughpeg]

I'm writing this from a throwaway account, because you know...Scientology.

I want to preface this post by saying I am not one of those "I knew it all along!" people. I can't stand that attitude. I was pretty ambivelant towards Neil Gaiman. Prior to the allegations, I didn't hate him but I wasn't that interested in him as a person either. I don't think you can always tell when someone is a bad or good person simply by the topics they write about. If that was the case we'd be arresting every horror writer on earth.

But one thing that did always rub me up the wrong way was the way he talked about getting work.

I borrowed and read "Make Good Art" (a small book based on a speech he gave to graduates at the University of the Arts) at a time in my life that I was really struggling to get by (I still am to some extent, but in a different way). I expected to see some practical advice. Instead it was a bunch of glib shit like:

I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it up as I went along, they just read what I wrote and they paid for it, or they didn’t, and often they commissioned me to write something else for them. Looking back, I’ve had a remarkable ride. I’m not sure I can call it a career, because a career implies that I had some kind of career plan, and I never did. The nearest thing I had was a list I made when I was 15 of everything I wanted to do: to write an adult novel, a children’s book, a comic, a movie, record an audiobook, write an episode of Doctor Who… and so on. I didn’t have a career. I just did the next thing on the list.

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do. Make good art. I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it’s all been done before? Make good art. Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.

Yeah, well, no shit. If you're a writer or artist you probably do anyway. Whether you get paid for it or not, whether you draw fan art or original art. But the point of Gaiman's speech was to give advice to people who wanted to be paid for their art. To make a career of it. Making art every day isn't always enough. You have to pay the damn rent, you have to eat, you have to network and do social media and promote yourself, and you have to do it while thousands of other people are doing the same thing in a massive crowd of people who want the same thing. Practical advice is much more valuable than platitudes and theory.

I am not a writer, I'm an illustrator, and let me tell you that for most people, 'getting your foot in the door' isn't a one time thing. Quite often you have to work at getting your foot in the door again and again until you become established, and it's very easy to be forgotten. I still feel like I'm in that stage now.

I watched my peers, and my friends, and the ones who were older than me and watch how miserable some of them were: I’d listen to them telling me that they couldn’t envisage a world where they did what they had always wanted to do any more, because now they had to earn a certain amount every month just to keep where they were. They couldn’t go and do the things that mattered, and that they had really wanted to do; and that seemed as a big a tragedy as any problem of failure.

The implication was that he was successful because he wrote every day and his friends weren't because they didn't, because you know, working a second job is tiring. He called this a tragedy, but there was something very glib about the way he narrated this.

I think someone had more financial cushion that he was letting on.

And yes, sometimes it does work that way, (some people are very lucky and make all the right connections) but Gaiman was getting Big Jobs right off the bat and something about that never smelt right to me after the way he talked about it.

And then I saw Jeff's tweets. Oh, that's why...

I suspect the truth is he was living off his family's money and connections, and while I don't think there's anything inherently wrong with that if you're a struggling artist, his family are Scientologists, and I don't think he ever struggled.

I suspect it's all a lie.

[genericpuff]

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.

[calamari-inari]

"... you become what you believe."

Dimitri and AM!Ferdinand mini doujin, 7 pages. Read right to left!

Transcript and personal captions under the cut

CW: blood

Comic transcript. Thoughts/monologues are in parentheses. Background dialogue is in brackets.

PAGE 1

D: Ferdinand.

D: I've been wanting to ask you a question...

F: (He looks like a demon..!)

F: Yes? What is it? Please speak properly...

PAGE 2

D: Why did you leave the Empire?

D: I remember how you were during our time at the Officers Academy.

D: You placed so much pride in your heritage.

F: What is the use of pride if I have nothing left?

F: The former Duke Aegir was dismissed. My title, my land... They are all gone now.

D: ...It's because of that woman.

D: Tell me, what do you seek?

PAGE 3

F: I am not sure I understand.

D: Last night, I entrusted one task to you.

[P-please! I'll tell you what I know!]

F: Yes. I killed the Imperial soldier as you had instructed me.

D: That is what I mean.

D: You are simply following my orders.

D: You did not want to kill him, correct?

F: Dimitri, he had vital information for us and you did not let him finish!

PAGE 4

D: Anyway, similarly, I also lost the throne. I have little care for that, however.

D: Now, I'm fighting with a single mission: avenging the dead. They will not be satisfied until I have her head.

F: *sigh* You had said that, but you should not accept that as true.

D: What rubbish. Anyone that deserves to die will die.

F: Dimitri! That is-

PAGE 5

D: Silence, Ferdinand!

D: This hatred and regret I feel... Nothing I do will ever be enough until that witch is gone.

D: What are you-

PAGE 6

D: ... Hmph. What a pest you are.

D: Why do you insist on staying by my side? As you used to closely affiliate with that woman, I could easily kill you here and now.

F: You do not wish to, do you? Because your heart says otherwise. Learn to forgive yourself.

D: But do I deserve forgiveness? The guilt that weighs down on me is...

PAGE 7

F: Dimitri, while I may have left the Empire behind, my nobility has not dulled.

F: Create the grandest vision for yourself because you become what you believe. Do you understand? It is a noble's duty to support you until the end, no matter how far you may stray.

F: That is why I am here for you.

💙🧡💙🧡💙🧡

I don't really draw comics often, but this was certainly worth the effort!! I've always thought Ferdinand is the greatest support character ever, and with him joining the Blue Lions, his role won't change. Just like in the stories of Pan and Loog, Ferdinand would choose to help Dimitri on his path to become the restoration king of Faerghus without ever taking any credit. It's quite evident in his character based on some of his paired endings. I just think that's one of the things that makes them so great and sweet 🥺 I imagine Ferdinand wouldn't hate Edelgard in AM, but rather, he wants to show her that he's able to support his lord (Dimitri) in a way that she never would have thought of. After all in AM, Edelgard only ever knew his snobby academy version who would always childishly rival her.

Please let me know if you liked it!! I'm definitely creating more fanart of these two (maybe a little more intimate next time because I want to lol 🫶)

[art]

Creator Spotlight: @velinxi​

Hello! I’m Xiao Tong Kong, better known as “Velinxi.” I’m the creator of the webcomic Countdown to Countdown and have been doing freelance artwork since I was a teenager. I love telling stories with my illustrations! Tumblr was where I first got my start as an artist, specifically a small fandom artist as a hobby… and now I’m somehow here! When I’m not trying my best to stay awake in front of my tablets, I’m usually cooking, gaming, or sleeping. Sometimes all three, in my dreams.

Check out our interview with Velinxi below!

Did you originally have a background in art? If not, how did you start?

Yeah! I’ve basically been on track to become an artist since I was a child. I went to a middle school with an emphasis on arts and a high school specializing in it. I went to SVA briefly for computer arts but dropped out to pursue freelance and webcomics after my first year.

Over the years as an artist, what or who were your biggest inspirations behind your creativity?

My biggest inspirations growing up were Yuumei and Shilin Huang, two titans on DeviantArt back in the day. They still inspire me today, but the list of inspirations has grown exponentially over the years, including artists, movies, entire art movements, etc.

What was your thought process behind the creation of your webcomic, Countdown to Countdown?

Well, Countdown to Countdown started as a passion project back when I was 15, in high school, and pretty depressed. I just wanted to draw whatever story I thought was cool, inspired by my favorite media at the time. There was a very loose beginning and outline, but I was truly just writing as I drew the story. That’s why I had to stop the comic in 2018 and restart from scratch the year after. Now, the story has a set story and a clear outline. It still has similar roots, characters, and themes of neglect, abuse, and escape—but I think the story is a lot easier to follow now. It’s got an artstyle I can actually keep up with in the long run. The origin of why CTC exists also remains the same: I simply wanted to make a story I wanted to read for myself. Which happens to be about two dumb boys with superpowers navigating a hostile world that wants them dead or caged—together.

Have you ever had an art block? If so, how did you overcome it?

Oh, all the time. It’s part of the process. Personally, though—I just have to draw through it. Every month on my Patreon, I have my patrons vote on a theme I have to draw by the end of the month, and I try my best to make it as interesting as possible. I draw quite a few—tens even, of doodles or compositions for each of these themes to try to make something that tells a story while still being aesthetically pleasing and clear. I think pushing myself like this helps with art block, really. I also do remember to take breaks and simply consume other media I like! It gets the inspiration juices flowing.

Advice you would give to an aspiring creator?

If you do one—your first webcomic should be a short, fun, messy thing. It’s not often you can get it right the first time, but you’ll certainly learn a lot through sheer experience. This goes for a lot of things in art, to be honest.

What is a medium that you have always been intrigued by but would never use yourself?

3D Animation. I briefly learned it at SVA, and I think that’s enough of that tech for me. I accept that there are some things that are truly beautiful if done right, and I am too simple and lazy for it.

What is your goal for the rest of this year?

Get Countdown to Countdown book 2 finished! And live HAHA

Who on Tumblr inspires you and why?

@yuumei-art on Tumblr, still! They’ve been a huge inspiration for digital artists and storytellers online for years. I have no doubt that many digital artists of my generation have been influenced by them, and they’re still here, making beautiful art and stories. It’s a thing to behold.

Thanks for stopping by, Velinxi! If you haven’t seen her Meet the Artist piece, be sure to check it out here. You can also follow her for more amazing art over at her Tumblr, @velinxi!

[pixelchills]

Chill's ramblings about the DCA fandom and personal feelings and issues towards TSAMS (both positive an negative):

(I'm writing this like an essay but treating it like a diary, so if I jump from subject to another, it is because I am just typing as the thoughts hit my head. Sorry for being so wordy.)

I simply feel like I need to write my thoughts down, so why not share them with you. Maybe you can validate my feelings or something, I don't know.

Intro:

So, oof, I got a fic rec from @thedenofravenpuff and I'm loving it so much I really wanna draw fan art for it...

But the problem is that it's a TSAMS fanfic and I've sworn to my name I'll never draw anything related to the show because that will make me engage with a part of the fandom I'm not comfortable with.

My biggest issue with TSAMS:

I have such complicated feelings towards the show and its fanbase and I do not wish to make my life and work more difficult because of it as it already is.

My own work and characters are already constantly being compared to TSAMS. When I first introduced Solar to my fic, he was constantly being referred to Eclipse from TSAMS. Now that the show had a character with THE SAME NAME, it has been even worse.

Dolldrop Moon has been compared to Lunar. Even though the dolldrops existed before the youtube channel was even created (and Lunar made his debut much later).

The biggest issue I've had has always been the fanbase, that takes the show as the canon for Sun and Moon from FNAF and uses it as an excuse to harass shippers like me because they think Sun and Moon are brothers.

I've first handedly seen the damage the fanbase has done to some of my friends who draw, or have previously drawn art for the show besides their own AUs and personal headcanons of Sun and Moon as lovers. I'm sorry to tag you, but @kriimhild and @fablekitty : I've seen how the immature side of the show's fans have treated you, I am so terribly sorry you've had to defend yourselves over and over again for things that were not meant to be mixed up.

I have posted some ideas of a possible Animutant Moon and Sun forming a polyamorous relationship with Solar in the future of "My Dear Daffodil" on my personal/adult Twitter account. Someone kept commenting on my posts that I was glorifying incest, because Sun and Moon were brothers and Solar was their cousin.

The post had "Animutant" in it. Not "TSAMS". These comments came from a person saying they were 19 in their profile. So it's not just kids who can't tell not every fanwork is about TSAMS. It's starting to be some adults too.

Vice versa I've had another person comment on my very clearly SFW Twitter how they're following me because I am an adult artist who draws TSAMS incest. I have never drawn TSAMS art. I ship Sun and Moon, but they're never related with family bond, because I love presenting them as lovers.

Why I ship Sun and Moon:

Because I am a hopeless romantic. I love romantic love. Every single story I write is always about love.

The only exception to this is the Poppy Playtime comic I am doing. But even then, I was originally planning for a romantic love between Dogday and the Player. Yet, I decided to leave it, and keep the relationship open for any type of representation the reader themselves will prefer.

I used to watch The Sun and Moon Show when it first started airing. I loved their playthroughs. I had a big distaste for them calling each other brothers, as well as some of the first "lore" videos they had. My biggest issue at the time was how Moon treated Sun, though. As someone who grew up with an abusive sibling, it sometimes just hit a bit too hard at home.

But it got better after Eclipse and Lunar appeared. Moon was more caring, and I started to really like his character development. There was one episode where Sun explained to Lunar that he and Moon had simply just "decided" to be brothers, despite not having a canonical relationship.

This actually made me really happy. Because the Old Moon was aroace, the love he felt was simply never meant to be romantic, but platonic. And by making Sun his brother by choice clearly indicated that Sun was always the one he loved the most - in a way that was suitable for aromantic person like him.

And it really made me enjoy the show for a while. Sun is my favourite character, and despite not always liking the way the show presents him, I always feel so much love for him, no matter the AU he is in. So I loved that Moon loved him more than anything, even if it was just platonic. Because I've always been under the impression that the canon Moon loves Sun, and is only under a virus to protect him. For me, the best part of any Sun and Moon AU is to know that Sun is the most important thing to Moon.

Why I stopped watching TSAMS:

And then that Moon I had really started to like, who loved Sun more than anyone else but just platonically, died.

It hurt so much I simply stopped watching the show. I've watched a few episodes here and there after that, but I am having a hard time liking the show the same as I did before.

Partially it's because of the fanbase. Partially it's because I don't find the lore very interesting and some of the stuff a bit repetitive. Partially it's because I am scared to see Sun eventually crumble up into madness, because he has been through so much.

I like the New Moon. He is funny and nice, what I've seen. His relationship with Solar has been interesting, and I genuinely hoped they would've been able to take the romantic route after Moon said he wasn't sure if he was aroace anymore. But as I said, I've only watched a few episodes after the old Moon died, so I don't know either of their characters that much to form any strong opinions about them. I just listen to the Monty and Puppet podcast once in a while and get a little inside to some of the lore that has been happening.

But hey, at least there's fanfics. Which is why I am rambling here today.

Fanfics:

It is a rare treat to find Sun x Moon fanfics that aren't simply just porn, or do not include reader inserts. So since my romance-filled brain needed something to fill the void, I've started reading some TSAMS fics with romance (that wasn't between Sun & Moon) and plot in them.

I know Solar was settled to be a "cousin" to the weird family tree of TSAMS. But I simply crave for Solar and New Moon to be at least queerplatonic. Solar is not from their dimension, no matter how much they decide they're 'cousins' it doesn't make him their real cousin or relative because they're not from the same world.

Sun and Moon are brothers but they technically gave birth to Eclipse, who then created Lunar so Eclipse is technically Lunar's parent and then brother and Lunar is Sun and Moon's brother and... do you see what I'm trying to say?

The family tree is so complicated that I don't think I'm a horrible person for shipping Moon and Solar and reading fics about them. Tell me if I am wrong though.

The FIC that is making me question everything:

So Puffy recommended this fic by @theinfamousdoctorf , "Eclipse Meets His Match".

I'm currently on chapter 40, and I am genuinely surprised how much I am liking this fic so far. It got everything; redemption and character growth, the representation of Sun as the good, glowing angel he is in my mind (for canon, and every AU. He is always perfect in my eyes I love him can you tell lol), slow-burn romance, drama, excitment, plot, jokes and funny moments... even if there are a lot of mentions of sex and sexual pleasure, it doesn't feel out of the place as there is so much more to it too.

Eclipse's redemption to become better and realising he is in love with Sun has been so interesting to follow. Sun deserves the love. I love when Sun is getting loved. I literally ship him with every other animatronic in the games and love it when people ship him with their self-inserts and OCs. Because I love him so much I want him to be loved in every possible universe he is in.

Even bigger bonus to this fic is the second pairing, Solar and Moon, which I already opened up about above. I don't know how much the fic is truthful to the canon lore of the show, but I wish to pretend this fic is the canon now /hj.

I love the characters and how they're written. I love the descriptions of their flaws and hopes and dreams. How vulnerable they can get. How closely they stick together. And as an appreciation for making me tearful and excited about fanfiction in such a long time, I would hope to be able to gift the author some fan art for their fic.

But I've sworn to not draw anything for the show. For my own good. I've got too many awful comments already from the fans of the show despite never doing any art for it. I am just scared it will turn things worse.

End words:

I don't know if creating a new alias would be the right choice. So my main name/account would be spared from the confusion that the show's fans seem to stirr into, where one tsams artwork turns all of the artist' work into tsams.

I don't care if the art style would be recognisible. The artist would be me, but not PixelChills. Just so I could gift something to the author of this fic that is currently saving me from the boredom of being unable to write my own.

Thank you.

(This text has been typed on my phone, so pardon for any typos).

-Chill

[inkblottzz]

Not a traditional request, but I'm curious to see how your art is formed and what your process is. It's so cool that your art is similar to comyet's!! I always wondered what other people in their newer artstyle would look like but they only ever drew Ink. I guess now I have a chance :D

Drink water and i hope you have a good day!!!

this is a really interesting request!! thank you for asking, actually! i like questions like these :-D

i'll start by explaining my personal art process—how i, 12-year-old me started out, and then explain how i got where i am with my art today! buckle up, because this will probably be a lengthy post :-)

The Progression of my Art

my first ever art posted online was at the beginning of 2020, when quarantine first hit. i had always had a knack for art; doodling in class, making OCs, etcetc. however, when i heard about undertale through a friend, that's when i really started to take things serious.

i did all the things kids do when they first find out about undertale—i watched countless comic dubs, animation memes, looked up fanart, etc. i first started my real art journey when i began making fanart for undertale and the AUs. this is why undertale is so special to me, and why i have loved it for so long! it has fueled my creativity for almost five years now.

this is the first fanart i ever had done. i posted it on amino sometime in may.

i was SO so proud of this piece. i showed it to my friends & family, and then decided to show people online! this was my first big milestone as an artist.

as time went on, i improved more and more, creating countless UT AU artworks in my spare time. and it was all because of the people who were kind and supportive of my art! the UTAU amino will always hold a special place in my heart, because of the positive experience i had. the positive feedback i got is what drove me to really want to start improving my skills and become a better artist like the ones i looked up to 💛 this is why it's so important to be kind to beginners. even if their art isn't the best at first, you bet your asses it'll be in the next few years!!

SO! i drew and improved, really just trying to find my own style that i liked. i had always loved ink sans, and that prompted me to look into his creator's artwork around late 2022-early 2023. i followed her instagram, and at first, just admired her work from afar.

then, i tried out replicating her style! this is the first piece i ever drew inspired by mye! i made this last fall, in 2023.

after that, i tried to find my own style some more, leaving the lineless style behind. but, in may of this year—2024—myebi decided to hold a DTIYs, and that's when i decided to replicate her style!

i know, i know, kinda defeats the whole "draw this in your own style" thing... but i had been wanting to try and replicate their style for quite some time, and i saw this as a perfect opportunity to try it out!

this is myebi's OC, aheran, that i drew for the contest !! it isn't exactly like her style, obviously, since i didn't want it to be too similar and weird mye out. however, i did replicate the lineless style, the grain textures, and the shading style as best i could. i also played around with shape language.

this piece was SO fun to do, and i did end up earning an honorable mention!

this was also my first post on instagram. after this, i started to draw all my art in a style inspired off mye's!

How do I draw in Comyet/Myebi's style?

here is where i'll be answering your question: what does my process look like when I'm replicating myebi's style?

i'll try my best to break it down into seperate steps that i usually take!

1. References!

References, references, references! References are the most important thing you need when trying to replicate something specific. I am currently at a point in my style where I do not usually need references, but you bet I used them big time when I first began to replicate mye's style!

Personally, I believe her instagram (@mye_bi) is the best place to get recent refs of her style! It's the social they post most often on. For Undertale specific references, I gathered them from her Tumblr (@/comyet) because her insta doesn't have Undertale related art. You may have to scroll a bit, but you'll find it on her blog!

I also have some niche references from other online sources, but I had to dig quite a bit for them. You don't need to be that thorough lmao

all art by myebi/comyet!

2. Sketching

After I gather references, I start with a sketch! Really, it's just taking a bunch of references and finding things you like/need to replicate in your piece. If there isn't a reference for something you are trying to draw, then the best you can do is guess! I have to make guesses on how Myebi would draw something all the time, because I draw a wide range of different characters. It's all about experimenting and doing your best!

sketch by me, ink reference by @/comyet, error reference by @/loverofpiggies

3. Coloring over the sketch

After I finish the sketch, I go straight over it with all my base colors! I typically do everything on seperate layers, which procreate... hates. I use a lot of layers.

And, to finish off, I really just add details! Lines, textures, shading, etc. I can't quite explain how I do it—I just go off Myebi's style!

Finding the right brushes

I have spent a long time trying to find brushes that best replicate Myebi's style, and the one I linked below is the best I've been able to find! It's the pack I use right now.

I use Weak Pencil 3 for any lineart I do, I use Fine Pencil 2 for color blocking, and Weak Pencil 4 for the grainy textures/shading :-)

The pack does cost a bit of money, but unfortunately, I haven't been able to find a free brush pack that gets the job done quite the same!

and that's all there is to it! i hope this answers your question and gives you some insight on how i make my art :-D

DISCLAIMER: i am not attempting to be a "myebi 2.0" or anything like that. i simply really enjoy how their style looks, and i enjoy drawing in a similar style! i mean absolutely NO ill intent towards mye—she is my biggest inspiration, and i will always have the most amount of respect and admiration for them and her work. 💛

[1-800-deactivatednearu]

woag character design notes

[i.d.: a drawn line up of the half life vr ai characters, from left to right, gordon, dr. coomer, tommy, bubby, gman, and benrey. /end i.d.]

yeah i skipped some guys , i dont draw some of them enough to have much unique designs and some of them are a png of a dog

trust me i am just surprised as the rest of yall that i am doing hlvrai art . design notes below (very long, mind your step)

gordon:

wow this guy dont got no head

i didnt want to give gordon a face because of how unexact the person is as the fandom engages with it. is it wayne rtvs? (well as presented to an audience, yes) is it gordon freeman? (well as seen from an in game perspective, yes) is it a whole new guy entirely? (well as

i cut the confusion and took it a whole new direction: guillotine

hlvrai being treated as a very broken game is fun to me as a design perspective, so if you (the audience) are not supposed to see his face, what happens when you see it anyways? missing texture time

there are eyes drawn over because i did not have confidence in my expressions at first and then it grew on me

i think if i were to draw (and i have drawn) an actual person under the mask i would still censor the eyes because that is where the vr headset sits!!

(i do not like putting an actual flesh to gordon though)

though i really like seeing how other people interpret gordon hlvrai it is not . my gordon ? we are talking about the same guy . but this is my gordo . i made this one . this guy my guy . maybe i should draw other gordon designs

i can draw the hev suit from memory and it is also the entire reason why i can render metal confidently

i liked how people changed the lambda to read ai :] i also have no clue if i wrote the lambda correctly

(i did, i just checked)

dr coomer:

as much as i draw/drew him i find it more fun to not stick to one set design :)

so a lot of my takes on dr coomer tend to jump from idea to idea, especially from what other people are doing, though they could be fitted to the left and right designs!

the left design is mainly based off what i saw in fandom spaces

we see rounder shapes, making for a more friendly and welcoming appearance

i think of this as straying from the more professional uniform of the actual scientist models

enter swimming shorts and bright yellow socks, for some reason

so now he kind of looks like a cool science teacher :)

it might be the lab coat

the right design is mainly based off thumbnails for hlvrai itself

these use a more angular appearance

i want to push how comically buff he is because of strength he shows at times, especially since his left design seems to completely down play it as a comically not buff man who is still very strong

the shadows on right design coomer get so much more harsh and exaggerated because i have comic books on the mind :)

he really does look like a dehydrated comic book character huh

tommy:

stick bug (he gets it from his dad) (this thought process is explained at gman section)

i pushed a lot of the saturation of colours in her design because i think tommy gets to be a little silly with it

fun art story of the day! when you color, try messing with hue! you might notice you can get away with a lot as long as your values are about right

i like pushing this with white because you can get away with a lot of things reading as “off white”

old faithful for me is cool shadows with a warm transition colour to keep things visually interesting

i keep making white objects the trans flag

happy pride

tommys design looks a little like a school boy, with the tucked in button up shirt+suspenders+shorts+jacket tied around the waist . and the primary colours . but like it is really fun to dress up so brightly

i actually was strongly inspired by medieval babies if that is a weird descriptor? i wanted him to both be a middle aged man but also a young adult

do not be like tommy, who has their finger on the trigger of the gun while not even looking at where it is pointing and good god he is squeezing the trigger . top ten firearm safety of all time

bubby:

the absurd part is that i think bubby is tall . he is just between tommy and gman who are exaggeratedly lanky .

i wanted to make bubby a pointy kinda guy, so he is the only one actually wearing the lab coat proper . and the only one actually wearing dress socks but not even wearing dress shoes

i wanted to give him a novelty tie but i was running low on ideas and running high on boreds so we dont get a tie

he does have crocs though!! in attack mode!!

i do think we all kind of saw his model and collectively decided it works for him because i have honestly not seen major divergences from his model?

gman:

stick bug

i wanted to stress the more spooky and unknowable nature of him and took it in the dark souls direction of “make bigger than player character”

maked too bigger

he cannot walk through any doorways but you will have to crane your neck to look up at him

in the opposite direction of tommy, i pulled a lot of the saturation in gmans design

it feels important to make them both not fully match the rest of the slightly less broken npcs because there was so much work to make them look cool so i have to respect that

actually a lot of gmans and tommys designs are made in opposite to one another

gman has a largely stationary face and very stiff line work

while tommy is pushed to expressive as possible

thats pretty fun, way to go me

benrey:

benrey also has two designs

and in both of these i keep getting too lazy to use a reference so  the vests are super plain (forgetting the badge and black mesa logo) . i think the helmet is supposed to be darker actually .

the design ethos of benrey was “built like a brick shithouse”

a friend of mine took this cooler and interpreted it as a shield/wall/barrier as a physical (and narrative) obstacle

again the first uses fandom designs

most notably the overcast shadow (seen in video thumbnails but i never noticed it or understood why so many people did it until someone pointed it out to me)

i think hlvrai is such a great medium because it acknowledges it is a game and is able to play into that to great effect! i think the shadow is fun to imagine as solid black as a small reminder of the impossibility of the space :]

benrey is a smug cat in the body of a human . to be honest . and this is the full range of emotion i have ever drawn him with

the second was mostly because as fun as taking creative liberties are, i just really wanted to see benrey as is: the half life security guard model in all its slight wonk :]

i actually do prefer this design . it is a little more uncanny because i choose the worst translations of the model . i like it because it is a little more uncanny !

that can be said for like . every single design in this line up huh .

[morteraphan]

I thought I should write this here too - and I think artists who draw both human/anthro art will understand me. I know a lot of you have been following me because of the anthro art (and designs) that I've been doing a lot over the last couple of years. But I always drew both human/anthro art, from the moment I posted my first pictures on the Internet (and that was more than ten years ago). I've just been experiencing burnout for the last few years and for the most part I've only been drawing design commissions with animals. I felt blocked, frustrated and tired when it came to personal art and especially drawing human characters. It really could take a lot of time, worry and energy to make even a small sketch portrait. Only this year I began to get out of this state and I felt alive.

I understand that not everyone is interested in our characters and many people would like to see more anthro art. And this art will be there! Because I'm not giving it up and will continue to draw it (and when I finish the current commissions, I'll open up slots for new ones). But I ask you to understand that my personal art will not go away either - illustrations, simple comics or doodles. This is what keeps me sane right now, brings me joy and keeps me from getting stuck in one place. It's an important part of me, not a passing fad.

I'm sorry if I disappointed you, but that's part of the creative journey too. I thank everyone who shows interest in my work, supports and writes warm comments. I am grateful to you for this and am happy to share every piece with you. Thank you for staying with me. 💛

[jojo-schmo]

hi jojo! im just wondering but ive been wanting to make a comic for a little while but im not too sure where to start 😅. i really love your style of art and your forgotten land roleswap, and i was wondering if you had any tips for beginners?

Hello, hello! Thank you for enjoying my Forgotten Land Roleswap comic, it means a lot! <3

I'm very honored that people have been asking me for tips and advice. All of this is coming from a hobbyist who draws these comics purely for fun outside of my regular day job. Some of my methods would probably deal psychic damage to a professional, LOL. But I'm more than happy to share some things I've personally learned! :)

First of all, the book, "Understanding Comics" by Scott McCloud ROCKS. It literally gave me a new dimension to understand the medium of comics and how it presents ideas and emotions to readers! And I haven't even had the chance to finish it all the way! I'm very happy I own a copy and I recommend having one of your own if you can, but it's archived here if you want to read it :D

I also like analyzing other comics and thinking about how they get information across to me as a reader. It's helped me learn more effective ways to visually tell a story, like what to include in a frame, how zooming in or out affects the feeling from the panel, maybe building a scene by focusing on other stuff if someone is talking a lot... etc.

ANYWAYS-! Some other tips I've learned through my personal experience-

I had to overcome a lot of negative self-talk in order to tackle a huge comic project like this and stay committed. I was a pretty severe self-deprecator for most of my life so far, and getting help has allowed me to catch myself when I'm slipping back into those habits, look in the mirror, and go, "NO, JOJO! You pour your heart into what you make and that is a wonderful thing! You are appreciated and loved and you deserve to have fun making something you are passionate about!!" Some examples of the negative self-talk I catch myself in....

"I'm a noob at writing and making a story interesting... What's the point of even trying?"

When it comes to starting a project, whether it's 2 pages or 2000 pages, is to just jump in and start! It's okay to be a little insecure or nervous about your technical art skills, writing skills, etc... But writing a "bad" scene is better than no scene- because you can always edit a "bad" scene down the line, but what can you do with nothing? Nothing!! I also put "bad" in quotation marks because I am trying to use that term less, and instead call them "early drafts." or "works in progress."

The first Roleswap scene I fleshed-out was the first Bandee boss fight, in May 2022. I made this drawing on an impulse, getting my ideas down on the page without thinking about the technical stuff like comic panel borders. I consider it like a "pilot episode" almost, haha. The final project is going to be very different from how things play out here. But it got me interested in the concept and excited to see where I could take it, and I made the decision to commit to an entire game plot's worth of AU comics!!

Also, what's the point in trying you ask? The point is to have fun! Making a fan comic in my free time means I don't have restrictions like deadlines, nobody's telling me what I can and can't write, and I can make the story as long or as short as I want! I have full control, which means the world I'm writing is all mine to create! Yes, with a fan comic there is a pre-established world with existing characters. But a universe like Kirby has enough open-ended concepts for people to take basic concepts in the world and take them to whole new levels! I think that's why there are so many amazing fan interpretations of Kirby characters and OCs. The rules are so vague, you can just make up your own a lot of the time!! And it's a wonderful exercise to learn skills for someday building an original world with all original characters from scratch! Magical!!!

"I'm not good enough to make a comic. I don't understand perspective or color and other stuff. Anything I make will look bad.

I once read a two panel comic on here. I can't find it anymore but I remember most of it. First panel showed the artist looking at what they're drawing on their tablet, looking defeated and sad. "Man, I don't even know how to draw this....."The next panel was like them smiling and shrugging, I think rainbows and sparkles were coming out of their tablet, ".....I GUESS I'LL JUST HAVE TO DRAW IT SHITTY!! :D "

IF ANYONE KNOWS THIS COMIC I'M REFERENCING, PLEASE TELL ME AND I'LL LINK IT!!! Because it permanently and positively changed my brain chemistry.

No kidding, making the decision to just do my best even if it's not perfect, helped me a LOT. I was always waiting to "reach a certain level" to tackle a huge project because I felt like I'd never do it justice at my current state. Except I had been telling myself that kind of stuff for years and I still didn't start any projects!!

So the day I said, "Oh well! If I draw backgrounds shitty, then it is what it is! I'll learn from it and draw the next background a little better," Was the day I could commit fully to the project. I'll keep studying how to draw them better for my own benefit, but I won't let my skill issues stop me from even trying!

And for my limited confidence in full-color art, I solved that by making the comic in black and white with no-to-minimal shading lolol. Because I can only address one skill issue at a time before it takes me 25 years to finish this HAHAHA.

It saves a BUNCH of time to work with skill issues rather than against them! Because at least experience is gained in other ways, and who knows, maybe that new knowledge will help address the skill issues someday! So identifying your personal skill issues and deciding which one to try to grow stronger, and which one to work around, could help with big projects!

"Nobody will read this. I'm going to put months or years of my life into a dumb little thing nobody will even care about."

Learning how to draw for my own enjoyment instead of somebody else's was one of the biggest breakthroughs I ever made. Enjoying the feeling of being challenged artistically and just doing my best, even if it's not technically perfect, is the reason why I was even able to start this!

And just because someone doesn't directly like, comment or whatever on a post doesn't mean nobody saw it! I used to get really down on myself for the lack of engagement on my art on other websites.

I was a lurker for pretty much my entire teenage years and never posted my own stuff or commented much. But that didn't take away the fact that I really enjoyed the things I saw online. Those positive feelings were real to me, even when I didn't know how to articulate it in words. Granted, I grew up into a Words of Affirmation main, and I use words to tell people the positive things I think about them as much as I can! But I know not everyone prefers words to express themselves. So I think about the people that I don't know enjoy my work- that just because I don't see it doesn't mean I didn't make a positive impact on someone by sharing my stories.

THIS IS GETTING LONG-- UHHH, STORY TIPS!!

If you work best on technology, start building the story in a Notes app, or a Google Doc! If you work best with pen and paper, start a notebook and rearrange stuff as you need to!

Or if you're chaotic like me, a mix of tech and paper!! I bought a notebook with ring binding so I can remove and rearrange pages of drafts as much as I wanted to! Like here's two very rough concept pages of one Chapter 1 scene made months apart.

I'd say planning out the biggest basic plot points and then filling in between as I went was most helpful! I also have separate notes for character motivations, important story-changing events, etc... So I can have my own reference when I'm writing new scenes!

Okay this was a lot, sorry about the yapping! Hopefully it helps even a tiny bit. If you have any specific questions I'm happy to talk about my experience in the creation process! Or elaborate on anything I said above.

And finally, because I'm not a professional there are probably plenty of other tactics that could work better for some people. My ADHD probably doesn't help with the chaos of my process either, HAHA. But thank you for reading this far and enjoying the peek into the rainbow glitter and soap bubbles that inhabit the right side of my brain, heehee.

[slowlysoluminary]

Still working on that chapter. Don't worry, it's coming along! Yesterday i was trapped at a party for 10 hours and, being the introvert i am, decided to take a break from drawing for an animatic by trying to draw for this au instead. don't know why i didn't just do artfight lol

FULL KING REFERENCE PACK + SIFFRIN DUO POSTGAME REFERENCES

Notes and details under the cut

sooooo howsabout postgame content?

the original post talking about postgame can be found here but it doesn't go into too much detail

So post-game resetfrin and gloop. they go with the party, kinda like a lot of twohats aus? resetfrin goes with the party because they know mirabelle and kinda know isabeau from when he would get apprenticed by the king (long story), but also because resetfrin acted so much like the old siffrin they used to know that it felt odd to leave him behind.

gloop, however, WAS the old siffrin! the party knows this, they found it out in the last loop, and they've formed such a bond with them that it's as natural as it is in the original game. the only issue is: gloop has changed SO much. physically, mentally, even a pronoun change - the party wants to help her out, but they want to explore who this New Siffrin is, too. Isn't it ironic that the new addition is the one you know far more of than the old addition?

resetfrin stays siffrin because... uh. because he's always been siffrin? there's no conflict there. gloop, after getting their memory back, ALSO goes back to siffrin, because that's who they really are and they acknowledge that loop is their own person. they don't want to be reminded of their time as gloop, either.

so... they're both Siffrin. And they're both technically the same person. do you see the issue?? the two of them didn't. the party did.

there's a comic I'm thinking about making to explore the processes and conversation that happened to initiate the name changes. the long and short of it is they can't BOTH be siffrin, but neither of them want to be siffrin if the other one can't also be siffrin, so they go on separate journeys to find a new name. they come back together with the party afterwords and they both ended up picking the same name so it's back to square one.

they talk to the party the second time and after a lot of brainstorming land on Orion for resetfrin and Lux for gloop. it helps the party distinguish between them and helps me establish the difference between postgame content and in-game content

(plug moment but these names were suggested by @the-bitter-ocean who gave me like. a whole list of things i could choose from. oh the life saver. i didn't even think about what names they would've picked until xe helped. and ohhh theyre so good. he also has some amazing aus including a miraloops au that you should go check out. pretty please)

the hair thing is SUPER IMPORTANT i originally only did it because they needed a way to separate themselves from eachother, but i realized they would also have done it to separate themselves from the old people they used to be. very poetic. 10/10 thank you brain for the excuse

the colors for orion's alt outfits are just a limited color pallete, they're not actually the colors afaik. (<- says the creator) but Lux's colors are 100% the colors, yes. their star body is different from loop's, where loop's body is solid black and lux's seems to glow on it's own. do you see where the name lux came from.

it's really dysphoric. imagine being turned into a ghost against your will and losing your memories, and them after gaining your memories back you turn into a completely different body AGAIN and it's STILL not the original body you had. i would cry.

gloop/lux's eye is still blind. even as a ghost they lacked depth perception. L. since resetfrin wasn't with the party to lose his eye they don't have any vision impairment

actually, about that. funny little thing. if siffrin wasn't there to protect bonnie, who did? haha hehe. hey why does odile have her arm in a cast...

KING TIME

okay i got a lot of questions about it so i double-checked on the original post and. yeah it DOES say the king's name. both in the text and on the image. but you'd be forgiven for missing it because it's pretty small on the image and there's a lot of text to read through

anyway pre-madness king's name is Lazare!! he originally looks like the lithe dude on the left. he's scholar-ish, came to vaugarde on vacation before losing his memory, yadda yadda... a lot of his information is on the original post so I won't repeat anything that's already been said

he picked Lazare a few days after losing his memory. he never told his name to anyone in the town he was staying so all he got was "travelling one" and he really genuinely thought that was his name for a hot second until he realized that Vaugarde really likes adding -one to titles

i made his hair curlier! after drawing the king for the chapter cg i realized i did NOT makw his hair curly enough when drawing Lazare. his hair type is almost exactly mine, though mine has more define curls, so drawing it is a BLAST!!

Defender arc Lazare! He bulked himself up to come off more physically and mentally strong. is this a trans allegory? is the King trans or was the body craft just to match his perception of himself? not sure. At this point in time he's already travelled with siffrin for a bit so i like to think he's a teensy bit protective. somewhere between friend snd father figure. cool guy

you know who's not cool? this guy vvv

this is where the King becomes the King :3 his hair is OBNOXIOUSLY long, almost rapunzel-like but nowhere near as bad. it always covers one eye but it doesn't really matter which one.

the crown happens like... VERY shortly before he makes the wish and starts freezing people in time. hes lonely and isolated and its something like coping with his delusions about everyone being out to get him

that's not the way he thought in the original loop, but after the reset his descent is much faster and harder than the last. when Siffrin starts climbing the tower, yearning becomes animosity as he thinks Siffrin finally betrayed him like he "always knew they would." or something.

hey 16yo sif jumpscare!!! wasn't he on the original post too?

.

anyway!!! that's it! that's all! i swear it's all. inevitably I'll have to make gloop and resetfrin full references but I'm happy with the ones i drew in the original post which I'll probably end up pointing people to if they want to draw either of them. the king was the one i worried about most because he's so different from canon, and same goes for the postgame designs. even coming up with new names was worrying because they're practically not even the same person from canon anymore

but that's the fun thing with aus, isn't it? lol

cya

[thechekhov]

How often would you say that you draw comics and art while also focus on the other things in life; work, family, etc?

Like, for example, if you had an exact number of minutes, hours, or days of drawing, what is an estimate per day or week? I'm just curious.

Honestly, it's difficult to count since my workweeks tend to vary based on the season but here's a quick example:

I don't work full-time at this point but I do have an hour commute both ways, and because I'm on a salary, I'm sometimes forced to stay overtime, meaning that my entire day is just sleep-eat-work-eat-sleep in that order, with nothing else that really happens that day.

During non-work days, most of my non-work time is..... art-work time!

And by that I mean that if I'm not washing the dishes, running an errand or spacing out, I'm drawing.

When do I play video-games or watch shows? I don't.

When do I spend time with friends? I don't.

Not unless it's specifically scheduled, such as when someone visits from far away. I have about 1 hour of social stuff set aside each week because I participate in a taiko group in the city I work at.

When I count it up, my art stuff ends up being anywhere between 30 -35 hours each work. My part time job is supposed to be 24 hours (not counting the commute), but often ends up going over. And I usually need another 5 hours each week to take care of the back-end office stuff - scheduling posts, managing Patreon, answering asks and planning future stuff.

I will admit I would not be able to do that if it were not for the kindness of my partner, who takes care of most of the cooking and cleaning, and often ends up cooking me things to eat:

I appreciate him and his commitment to keeping me alive very much

Also, just to be clear: I am not pretending that this is not a good work-life balance.

It it just the balance that works for ME, personally. I think most people would find this...less great.

I do not go out for coffees with pals. I do not watch new series, and I do not partake in social events. This is something I am fine with, but I know many other people would find my life incredibly repetitive and boring.

Actually, looking at this math laid out, I am quite disappointed in not being able to accomplish more with the 30 hours I have per week. But...the reality is that aside from running the comic on my Patreon and doing random personal doodling on my main blog, I'm also often trying to do other projects in the background that I don't feel like sharing until their completion.

The reality is, I enjoy this load, though. I make it work for me, and I'm getting to do stuff I like AND make money for myself and my partner! So I'm fine with it. I'm not actually dying from exhaustion.

It's just hilarious when I sometimes get asks going "Hey, have you played that latest 130-hour-long videogame? :)" followed by a swift "I wish you would post comics daily again :((( I want more arrttttt" like kids, you can't have both, I don't know what to tell you.

[netherworldpost]

Hey so weird question, but I saw your comments on the isikai comic and I needed to ask–

You have mythology clients? How does that work? What do you do? Most importantly, how can I get into your field as soon as humanly possible?

Mythology is a very deep passion of mine (thanks rick riordan) and I would genuinely adore the chance to work in a field that allowed me to really dig into that world :')

It’s the essence of every movie and/or every person you have ever heard say “I know a guy” (or in my case, “a them”)

I was a graphic designer from The Days When the Web Was Young (in terms of popular usage, not actual existence). The days when everyone was self taught because everything was so goddamn new.

As a person, I gravitated to role play discussions and whatnots. As time went on and people arched up their careers and I… arched up into art and being acutely interested in the nuances of the world, things started weaving together:

You are a writer and you want someone to hand you a folio about what magic potions taste like, you contact me. I say “based on your world building, healing potions taste like THIS and mana potions taste like THAT.”

You have a tabletop rpg with your friends and you want help figuring out why you would own Dragonlance’s Lord Soth’s helmet, I craft backstory options with you and your DM

You have a special interest in mermaids and want to know how they would build homes, so I build a series of thoughts…

…etc.

It’s not the sort of thing you can browse a directory for (or it didn’t used to be, the modern internet and social media has opened options up considerably. To be clear, I think it is a good thing it is more open)

I built up this practice slowly, over many years, largely around a very small group of clients.

The work is specialized (read: expensive) because I typically draw it up so you own it, unless it’s a bespoke fan piece (Soth’s helmet — you own the lore, but not Soth, so if you want to adapt it into something you totally own… let me grab my Make New Invoice pad).

From above, if I say “your world YaddaYadda has YaddaYaddaYadda berries and they make healing potions, they taste like…” you would own that. You can put it in a book or a movie or adapt it or put it on a soda pop can in the real world, whatever you like. Forever.

I am a ghost writer for this world detail so you can focus on the questionably important things like “plot” and “spell check” and “grammar.”

It’s ghost writing and ghost research (sometimes on actual ghosts), structured in a way that you have a private, personal archive to point to as a “historical record” (in quotes because the place, events, and people are strictly fictional).

Now is the part I hope to be helpful

You have two basic options. This is the basic option set of every business doing everything so you are in good company!

You can SPECIALIZE or you can GENERALIZE.

I specialize. I have a small number of clients and the projects take years to flesh out and convolute. I very, very rarely take on new clients — partially because I am at a place in my career I don’t want to, partially because we have to click clock clack together personally (this is an art project that you own and…), partially given the necessity of privacy, I can’t show anyone outside the group, so portfolio building is…

…difficult.

Specializing is great because per-project it pays a lot better, but it’s extremely difficult to get a project. Balancing, if a project isn’t large, I won’t take it.

If you go this approach and someone wants more on a magic berry, you need to make it worth your while.

How is the berry grown?

What does it taste like?

What is the life cycle of the plant that grew it?

What local lore surrounds this plant? What can the berry make?

Who discovered these uses?

A hundred other steps

It’s not “healing potions are cherry flavored and mana potions are blueberry flavored.” It’s a mini (sometimes not mini) textbook on one specific thing. That doesn’t exist!

Or you can GENERALIZE.

This has popped up a lot over the last few years, it’s great and I love it. This is adapting or building new mechanics for existing games. Create lore, artwork, mechanics, whatever you are good at.

Modules!

The downside is it is less profitable per unit — say you make $1-2 per PDF download, so you have to sell a lot of them to make a living.

The benefit is it’s a lot more accessible — it’s easier for someone to say “I shall pay $2 for this PDF” than “i will deal with this questionably unhinged often ranting weirdo and their humorous but sarcastic producer on a monthly basis for 4+ years.”

Generalizing is “healing potion taste like cherry, mana potions taste like blueberry”

Specializing is making actual real world cocktails so you can have a dinner party to LARP one weekend with bottle labels and lore about the berries and the brewer and the field the berries grew in and and and and and

How to get started

Specializing… you basically fall into it, job by job, person by person, you shift and mold and break and build your office brick by brick.

You get good at figuring how to make your money make money because sometimes things are going well and you’re very YAY MONEY

And sometimes you are “…where did the money go…” for a few years at a time. On that note I ramble about money and business on @notfinancialadvice but with a

Hmm

belligerent tone

Because the worlds of finance and my political views do not regularly align and I get

heated in discussions

But it’s important because you need to stretch those advances as efficiently as possible. Or starve to death!

GENERALIZING is simpler. Make stuff, talk about it, offer free samples. Learn business and marketing, keep your finger on the pulse of what marketing means to you and your audience today because it regularly changes.

Note: simpler, not easy, none of this is easy.

You always have the option of saying “oh wow I hate this risk and work, I am going to make SUPER ELABORATE STUFF as an art project.”

I have known a lot of people over the years who started in the realm of Lore Makin’ and said “nope” and became artists. Some as their job, most as their hobby (sometimes very very advanced hobby).

Ultimately…

… the choice is yours on what path you make.

And can make. Based on you, as a person, your goals, your resources, your needs and wants.

I have a former business associate who pulled stakes, went to live in a college town, got a day job in marketing, is raising a family in a very conventional and happy manner. We did a two year study together on old cartoons! Daily discussions of mechanics in the cartoon world! Like, massive drawings and real world physics research! 12-24 hour days!! Now he sells cardboard boxes and has a son and a wife and a yard and it blows my mind. Very happy for him, completely unexpected.

A former business partner cashed in and bought a plot of land in the middle of the desert and tinkers with old cars and plays fetch with his dogs all day.

I am (slowly) crafting a tiny greeting card company :)

The good news is you can do whatever you want, the bad news is the risk vs reward pendulum is massive

The start is making things, stumbling into people who will say “yeah I will buy that”

Stumble into people who like it until you build up the specific to you and what you offer skills to court those people

Repeat until you quit retire or die.

At this point, you share the basic business of business to everything, be it elaborate fantasy wedding experiences or hammers.

The best news is, and I say this a lot, you choose if this is how you make a living (career), thrills (hobby), or experiences (once in a while).

The best thing is to give this your all and love everything about it.

The worse thing is to give it your all and hate it.

I have… gone off script.

I hope this has answered your question and helped you move forward.