#early 1930's

[fortunaestalta]

[frogshunnedshadows]

Early 20th century American home styles.

[aiiaiiiyo]

[early20thcentury]

"At the Monocle" 1932, Brassaï

[queerism1969]

Notable transgender people from history

Here's the list I put together for when people on non-trans subreddits claim we didn't exist until recently:

Ashurbanipal (669-631BCE) - King of the Neo-Assryian empire, who according to Diodorus Siculus is reported to have dressed, behaved, and socialized as a woman.

Elagabalus (204-222) - Roman Emperor who preferred to be called a lady and not a lord, presented as a woman, called herself her lover's queen and wife, and offered vast sums of money to any doctor able to make her anatomically female.

Kalonymus ben Kalonymus (1286-1328) - French Jewish philosopher who wrote poetry about longing to be a woman.

Eleanor Rykener (14th century) - trans woman in London who was questioned under charges of sex work

[Thomas(ine) Hall](https://en.wikipedia.org/wiki/Thomas(ine)_Hall) - (1603-unknown) - English servant in colonial Virginia who alternated between presenting as a woman and presenting as a man, before a court ruled that they were both a man and a woman simultaneously, and were required to wear both men's and women's clothing simultaneously.

Chevalier d'Eon (1728-1810) - French diplomat, spy, freemason, and soldier who fought in the Seven Years' War, who transitioned at the age of 49 and lived the remaining 33 years of her life as a woman.

Public Universal Friend (1752-1819) - Quaker religious leader in revolutionary era America who identified and lived as androgynous and genderless.

Surgeon James Barry (1789-1865) - Trans man and military surgeon in the British army.

Berel - a Jewish trans man who transitioned in a shtetel in Ukraine in the 1800's, and whose story was shared with the Jewish Daily Forward in a 1930 letter to the editor by Yeshaye Kotofsky, a Jewish immigrant in Brooklyn who knew Berel

Mary Jones (1803-unknown) - trans woman in New York whose 1836 trial for stealing a man's wallet received much public attention

Albert Cashier (1843-1915) - Trans man who served in the US Civil War.

Harry Allen (1882-1922) - Trans man who was the subject of sensationalistic newspaper coverage for his string of petty crimes.

Lucy Hicks Anderson (1886–1954) - socialite, chef and hostess in Oxnard California, whose family and doctors supported her transition at a young age.

Lili Elbe (1882-1931) - Trans woman who underwent surgery in 1930 with Dr. Magnus Hirschfeld, who ran one of the first dedicated medical facilities for trans patients.

Karl M. Baer (1885-1956) - Trans man who underwent reconstructive surgery (the details of which are not known) in 1906, and was legally recognized as male in Germany in 1907.

Dr. Alan Hart (1890-1962) - Groundbreaking radiologist who pioneered the use of x-ray photography in tuberculosis detection, and in 1917 he became one of the first trans men to undergo hysterectomy and gonadectomy in the US.

[Louise Lawrence](https://en.wikipedia.org/wiki/Louise_Lawrence_(activist)) (1912–1976) - trans activist, artist, writer and lecturer, who transitioned in the early 1940's. She struck up a correspondence with the groundbreaking sexologist Dr. Alfred Kinsey as he worked to understand sex and gender in a more expansive way. She wrote up life histories of her acquaintances for Kinsey, encouraged peers to do interviews with him, and sent him a collection of newspaper clippings, photographs, personal correspondences, etc.

Dr. Michael Dillon (1915-1962) - British physician who updated his birth certificate to Male in the early 1940's, and in 1946 became the first trans man to undergo phalloplasty.

Reed Erickson (1917-1992) - trans man whose philanthropic work contributed millions of dollars to the early LGBTQ rights movement

Willmer "Little Ax" Broadnax (1916-1992) - early 20th century gospel quartet singer.

Peter Alexander (unknown, interview 1937) - trans man from New Zealand, discusses his transition in this interview from 1937

Christine Jorgensen (1926-1989) - The first widely known trans woman in the US in 1952, after her surgery attracted media attention.

Miss Major Griffin-Gracy (1940-present) - Feminist, trans rights and gay rights activist who came out and started transition in the late 1950's. She was at Stonewall, was injured and taken into custody, and had her jaw broken by police while in custody. She was the first Executive Director of the Transgender Gender Variant Intersex Justice Project, which works to end human rights abuses against trans/intersex/GNC people in the prison system.

Sylvia Rivera (1951-2002) - Gay liberation and trans rights pioneer and community worker in NYC; co-founded STAR, a group dedicated to helping homeless young drag queens, gay youth, and trans women

Marsha P. Johnson (1945-1992) - Gay liberation and trans rights pioneer; co-founded STAR with Sylvia Rivera

[crumblinggothicarchitecture]

Taylor Swift is a Female Rage icon? Get a Grip.

I’ve just received word that Taylor Swift is calling her show “Female Rage: The Musical.” Here is my very much pissed off response to that nonsense:  

The phrase, Female Rage has an intimately rich history:  

Some of the first accounts of female rage dates to the Italian renaissance. To be clear, women in those days were not allowed to become painters- the arts were seen as the domain of men. They did not believe that women have rich inner lives capable of delivering the type of artistic innovation with which renaissance men were obsessed.  

However, rebels abounded, through the might of their fucking rage. Several women created some of the most compellingly emotional paintings I’ve ever fucking seen. They did it without permission, without financial support, and often under the threat of punishment. They did it as a protest. In paintings like “Timoclea Killing Her Rapist” by Elisabetta Sirani (1659), and another by Artemisia Gentileschi “Slaying of Holofernes” (1612) as it depicts the bravery of Judith as she slayed a traveling warlord out to rape Judith and enslave her city. The painting often is referred to as a way Artemisia was envisioning herself as slaying her rapist. These paintings were used against these women as proof that they were unfeminine- and far too angry.  Both these women suffered immensely for their audacity to call attention to the violation men perpetrated on them. Female Rage bleeds off these paintings- bleeds right through to the bone-deep acknowledgement of the injustice women faced being barred from the arts and having their humanity violated in such a sick way. Both women were hated- and considered far too angry.

In philosophy, also as early as the 15th century, an example of female rage is a philosophical text, often hailed as one of the first feminists works in the western world, written by Christine de Pizan titled The City of Ladies (1405). She wrote in protest on the state of women- writing that “men who have slandered the opposite sex out of envy have usually know women who were cleverer and more virtuous than they are” (“The City of Ladies”). People mocked her all her life- but she stood fast to her convictions. She was widowed at a young age with children to feed and the men wouldn’t let women have jobs! She wrote this book and sold it so that she could feed her family- and to protest the treatment of women as lesser than men. Her work was called aggressive and unkempt- they said she was far too angry. 

In the 18th century, a young Mary Wollstonecraft wrote, A Vindication of the Right of Women ( 1792) upon learning that the civil rights won in the French Revolution did not extend to women! She wrote in protest of the unjust ways other philosophers (like Rousseau) spoke about the state of women- as if they were lesser. She wrote to advocate for women’s right to education, which they did not yet have the right to! She wrote to advocate for the advancement of women’s ability to have their own property and their own lives! The reception of this text, by the general public, lead to a campaign against Wollstonecraft- calling her “aggressive” and far too angry.  

Moving into modernity, the 1960’s, and into literary examples, Maya Angelou publishes I know why the caged Bird Sings (1969) in which she discusses the fraught youth of a girl unprotected in the world. It beautifully, and heart-wrenchingly, described growing up in the American South during the 1930’s as it subjected her to the intersection of racism and sexism. The story is an autobiographical account of her own childhood, which explains how patriarchal social standards nearly destroyed her life. Upon the reception of her book, men mostly called it “overly emotional” and far too angry. Maya Angelou persisted. She did not back down from the honesty with which she shared her life- the raw, painful truth. With Literature, she regained a voice in the world.  

Interwoven into each of the examples I have pulled out here, is the underlying rage of women who want to be seen as human beings, with souls, dreams and hopes, yet are not seen as full members of society at the behest of men. They take all that rage, building up in their souls, and shift it to create something beautiful: positive change. Each of these cases, I have outlined above, made remarkable strides for the women as a whole- we still feel the impact of their work today. They were so god-damn passionate, so full of righteous anger, it burst out into heart-stopping, culture-shifting art. Feminine rage is therefore grounded in experiences of injustice and abuse- yet marked too by its ability to advocate for women's rights. It cannot be historically transmogrified away from these issues- though Taylor Swift is doing her best to assert female rage as pitifully dull, full of self-deprecation, and sadness over simply being single or losing money. She trivializes the seriousness with which women have pled their cases of real, painful injustice and suffering to the masses time and time again. The examples above deal with subjects of rape, governmental tyranny, and issues of patriarchally inspired social conditioning to accept women as less human than men. It is a deadly serious topic, one in which women have raised their goddamn voices for centuries to decry- and say instead, “I am human, I matter, and men have no right to violate my mind, body, or soul.”  

The depictions of female rage over the last few centuries, crossing through many cultures, is an array of outright anger, fearsome rage, and into utter despair. The one unyielding, solid underpinning, however, is that the texts are depicting the complete agency of the women in question. The one uniting aspect of female rage is that it must be a reaction to injustice; instead of how male depictions of female rage function, (think Ophelia), the women are the agents of their art with female made- female rage. They push forth the meaning through their own will- not as subjects of male desires or abuses, but as their own selves. That is what makes the phrase so empowering. They are showing their souls as a form of protest to the men who treat women like we have no soul to speak of.  

Taylor Swift’s so-called female rage is a farce in comparison. Let’s look at an example: “Mad Woman” (2020). I pull this example, and not something from her TTPD set, because this is one of the earliest examples of her using the phrase female rage to describe her dumb music. (Taylor Swift talking about "mad woman" | folklore : the long pond studio sessions (youtube.com)  

The lyrics from “Mad Woman” read “Every time you call me crazy, I get more crazy/... And when you say I seem angry, I get more angry”  

How exactly is agreeing with someone that you are “crazy” a type of female rage in which she’s protesting the patriarchy. The patriarchy has a long history of calling women “insane” if they do not behave according to the will of men. So, how is her agreeing with the people calling her crazy- at all subversive in the way that artworks, typically associated with concept of female rage, are subversive. What is she protesting? NOTHING.  

Then later, she agrees, again, that she's “angry.” The issue I draw here is that she’s not actually explicating anything within the music itself that she’s angry about- she just keeps saying she's angry over and over, thus the line falls flat. The only thing this anger connects to is the idea of someone calling her angry- which then makes her agree that she is... angry. So, despite it being convoluted, it’s also just not actually making any kind of identifiable point about society or the patriarchy- so again, I beg, what on Earth makes this count as Female Rage?  

In essence, she is doing the opposite of what the examples above showcase. In letting an outside, presumably male, figure tell Taylor Swift what she is feeling, and her explicit acceptance of feeling “crazy” and “angry,” she is ultimately corroborating the patriarchy not protesting it. Her center of agency comes from assignment of feelings outside of herself and her intrinsic agreement with that assignment; whereas female rage is truly contingent on the internal state, required as within our own selves, of female agency. As I stated above, the women making female rage art must have an explicit agency throughout the work. Taylor Swift’s song simply does not measure up to this standard.  

Her finishing remarks corroborates the fact that she's agreeing with this patriarchal standard of a "mad" or crazy woman:

"No one likes a mad woman/ You made her like that"

Again, this line outsources agency through saying "you made her like that" thus removing any possibility of this song being legitimate female rage. There is simply no agency assigned to the woman in the song- nor does the song ever explicitly comment on a social issue or protestation of some grievous injury to women's personhood.

She honestly not even being clever- she's just rhyming the word “crazy” with “crazy.” Then later rhyming “angry” with “angry.” Groundbreaking stuff here.  

Perhaps Taylor Swift is angry, in “Mad Woman,” but it is not the same type of rage established in the philosophical concept of female rage of which art historians, philosophers, and literary critics speak. Instead, it is the rage of a businesswoman that got a bad deal- but it is not Female Rage as scholars would identify it. In “Mad Woman” I fear her anger is shallow, and only centered on material loss- through damaging business deals or bad business partners. She is not, however, discussing what someone like Christine de Pizan was discussing by making a case for the concept that woman also have souls like men do. In her book, she had to argue that women have souls, because men were unconvinced of that. Do you see the difference? I am saying that Swift’s concerns are purely monetary and material, whereas true examples of female rage center on injustice done against their personhood- as affront to human rights. Clearly, both things can make someone mad- but I’d argue the violation of human rights is more serious- thus more deserving of the title “Female Rage.”  

Simply put, Taylor Swift is not talking about anything serious, or specific, enough to launch her into the halls of fame for "Female Rage" art. She's mad, sure, but she's mad the way a CEO gets mad about losing a million dollars. She's not mad about women's position in society- or even just in the music industry.

She does this a lot. The album of “Reputation” was described as female rage. Songs in “Folklore” were described as female rage. Now, she’s using the term to describe TTPD, which is the most self-centered, ego-driven music I’ve heard in a long time.

Comparing the injustice, and complete subjugation, of women’s lives- to being dumped by a man or getting a bad deal- wherein she is still one of the most powerful women of the planet- is not only laughable, but offensive. 

[writingwithcolor]

My alternate universe fantasy colonial Hong Kong is more authoritarian and just as racist but less homophobic than in real life, should I change that?

@floatyhands asked:

I’m a Hongkonger working on a magical alternate universe dystopia set in what is basically British colonial Hong Kong in the late 1920s. My main character is a young upper middle-class Eurasian bisexual man.  I plan to keep the colony’s historical racial hierarchy in this universe, but I also want the fantasy quirks to mean that unlike in real life history, homosexuality was either recently decriminalized, or that the laws are barely enforced, because my boy deserves a break. Still, the institutions are quite homophobic, and this relative tolerance might not last. Meanwhile, due to other divergences (e.g. eldritch horrors, also the government’s even worse mishandling of the 1922 Seamen's Strike and the 1925 Canton-Hong Kong Strike), the colonial administration is a lot more authoritarian than it was in real history. This growing authoritarianism is not exclusive to the colony, and is part of a larger global trend in this universe.  I realize these worldbuilding decisions above may whitewash colonialism, or come off as choosing to ignore one colonial oppression in favor of exaggerating another. Is there any advice as to how I can address this issue? (Maybe I could have my character get away by bribing the cops, though institutional corruption is more associated with the 1960s?) Thank you!

Historical Precedent for Imperialistic Gay Rights

There is a recently-published book about this topic that might actually interest you: Racism And The Making of Gay Rights by Laurie Marhoefer (note: I have yet to read it, it’s on my list). It essentially describes how the modern gay rights movement was built from colonialism and imperialism. 

The book covers Magnus Hirschfeld, a German sexologist in the early 1900s, and (one of) his lover(s), Li Shiu Tong, who he met in British Shanghai. Magnus is generally considered to have laid the groundwork for a lot of gay rights, and his research via the Institut für Sexualwissenschaft was a target of Nazi book-burnings, but he was working with imperial governments in an era where the British Empire was still everywhere. 

Considering they both ended up speaking to multiple world leaders about natural human sexual variation both in terms of intersex issues and sexual attraction, your time period really isn’t that far off for people beginning to be slightly more open-minded—while also being deeply imperialist in other ways.

The thing about this particular time period is homosexuality as we know it was recently coming into play, starting with the trial of Oscar Wilde and the rise of Nazism. But between those two is a pretty wildly fluctuating gap of attitudes.

Oscar Wilde’s trial is generally considered the period where gay people, specifically men who loved men, started becoming a group to be disliked for disrupting social order. It was very public, very scandalous, and his fall from grace is one of the things that drove so many gay and/or queer men underground. It also helped produce some of the extremely queercoded classical literature of the Victorian and Edwardian eras (ex: Dracula), because so many writers were exploring what it meant to be seen as such negative forces. A lot of people hated Oscar Wilde for bringing the concept to such a public discussion point, when being discreet had been so important.

But come the 1920s, people were beginning to wonder if being gay was that bad, and Mangus Hirschfeld managed to do a world tour of speaking come the 1930s, before all of that was derailed by wwii. He (and/or Li Shiu Tong) were writing papers that were getting published and sent to various health departments about how being gay wasn’t an illness, and more just an “alternative” way of loving others. 

This was also the era of Boston Marriages where wealthy single women lived together as partners (I’m sure there’s an mlm-equivalent but I cannot remember or find it). People were a lot less likely to care if you kept things discreet, so there might be less day to day homophobia than one would expect. Romantic friendships were everywhere, and were considered the ideal—the amount of affection you could express to your same-sex best friend was far above what is socially tolerable now.

Kaz Rowe has a lot of videos with cited bibliographies about various queer disasters [affectionate] of the late 1800s/early 1900s, not to mention a lot of other cultural oddities of the Victorian era (and how many of those attitudes have carried into modern day) so you can start to get the proper terms to look it up for yourself.

I know there’s a certain… mistrust of specifically queer media analysts on YouTube in the current. Well. Plagiarism/fact-creation scandal (if you don’t know about the fact-creation, check out Todd in the Shadows). I recommend Kaz because they have citations on screen and in the description that aren’t whole-cloth ripped off from wikipedia’s citation list (they’ve also been published via Getty Publications, a museum press). 

For audio-preferring people (hi), a video is more accessible than text, and sometimes the exposure to stuff that’s able to pull exact terms can finally get you the resources you need. If text is more accessible, just jump to the description box/transcript and have fun. Consider them and their work a starting place, not a professor. 

There is always a vulnerability in learning things, because we can never outrun our own confirmation bias and we always have limited time to chase down facts and sources—we can only do our best and be open to finding facts that disprove what we researched prior.

Colonialism’s Popularity Problem

Something about colonialism that I’ve rarely discussed is how some colonial empires actually “allow” certain types of “deviance” if that deviance will temporarily serve its ends. Namely, when colonialism needs to expand its territory, either from landing in a new area or having recently messed up and needing to re-charm the population.

By that I mean: if a fascist group is struggling to maintain popularity, it will often conditionally open its doors to all walks of life in order to capture a greater market. It will also pay its spokespeople for the privilege of serving their ends, often very well. Authoritarians know the power of having the token supporter from a marginalized group on payroll: it both opens you up directly to that person’s identity, and sways the moderates towards going “well they allow [person/group] so they can’t be that bad, and I prefer them.”

Like it or not, any marginalized group can have its fascist members, sometimes even masquerading as the progressives. Being marginalized does not automatically equate to not wanting fascism, because people tend to want fascist leaders they agree with instead of democracy and coalition building. People can also think that certain people are exaggerating the horrors of colonialism, because it doesn’t happen to good people, and look, they accept their friends who are good people, so they’re fine. 

A dominant fascist group can absolutely use this to their advantage in order to gain more foot soldiers, which then increases their raw numbers, which puts them in enough power they can stop caring about opening their ranks, and only then do they turn on their “deviant” members. By the time they turn, it’s usually too late, and there’s often a lot of feelings of betrayal because the spokesperson (and those who liked them) thought they were accepted, instead of just used.

You said it yourself that this colonial government is even stricter than the historical equivalent—which could mean it needs some sort of leverage to maintain its popularity. “Allowing” gay people to be some variation of themselves would be an ideal solution to this, but it would come with a bunch of conditions. What those conditions are I couldn’t tell you—that’s for your own imagination, based off what this group’s ideal is, but some suggestions are “follow the traditional dating/friendship norms”, “have their own gender identity slightly to the left of the cis ideal”, and/or “pretend to never actually be dating but everyone knows and pretends to not care so long as they don’t out themselves”—that would signal to the reader that this is deeply conditional and about to all come apart. 

It would, however, mean your poor boy is less likely to get a break, because he would be policed to be the “acceptable kind of gay” that the colonial government is currently tolerating (not unlike the way the States claims to support white cis same-sex couples in the suburbs but not bipoc queer-trans people in polycules). It also provides a more salient angle for this colonial government to come crashing down, if that’s the way this narrative goes.

Colonial governments are often looking for scapegoats; if gay people aren’t the current one, then they’d be offered a lot more freedom just to improve the public image of those in power. You have the opportunity to have the strikers be the current scapegoats, which would take the heat off many other groups—including those hit by homophobia.

In Conclusion

Personally, I’d take a more “gays for Trump” attitude about the colonialism and their apparent “lack” of homophobia—they’re just trying to regain popularity after mishandling a major scandal, and the gay people will be on the outs soon enough.

You could also take the more nuanced approach and see how imperialism shaped modern gay rights and just fast-track that in your time period, to give it the right flavour of imperialism. A lot of BIPOC lgbtqa+ people will tell you the modern gay rights movement is assimilationalist, colonialist, and other flavours of ick, so that angle is viable.

You can also make something that looks more accepting to the modern eye by leaning heavily on romantic friendships that encouraged people waxing poetic for their “best friends”, keeping the “lovers” part deeply on the down low, but is still restrictive and people just don’t talk about it in public unless it’s in euphemisms or among other same-sex-attracted people because there’s nothing wrong with loving your best friend, you just can’t go off and claim you’re a couple like a heterosexual couple is.

Either way, you’re not sanitizing colonialism inherently by having there be less modern-recognized homophobia in this deeply authoritarian setting. You just need to add some guard rails on it so that, sure, your character might be fine if he behaves, but there are still “deviants” that the government will not accept. 

Because that’s, in the end, one of the core tenants that makes a government colonial: its acceptance of groups is frequently based on how closely you follow the rules and police others for not following them, and anyone who isn’t their ideal person will be on the outs eventually. But that doesn’t mean they can’t have a facade of pretending those rules are totally going to include people who are to the left of those ideals, if those people fit in every other ideal, or you’re safe only if you keep it quiet.

~ Leigh

[saintmuses]

❝𝙬𝙝𝙚𝙣 𝙨𝙝𝙚 𝙡𝙖𝙪𝙜𝙝𝙨, 𝙩𝙝𝙚 𝙝𝙚𝙖𝙫𝙚𝙣𝙨 𝙝𝙪𝙢 𝙖 𝙨𝙩𝙪𝙣 𝙜𝙪𝙣 𝙡𝙪𝙡𝙡𝙖𝙗𝙮❞

Pairing:

Thomas Shelby x Advisor!Reader

Summary:

When Oswald Mosley flirted with Thomas’s political advisor, he could not hold back the green monster thus crossing the boundaries he had sworn was set in place between themselves for her sake.

Warning(s): Soft SMUT. Age gap (Reader in her mid-20s and Thomas in his early 40s). Spanking. Fingering. Major power imbalance. Thomas being sweet on Reader. Possessive!Thomas. Implied misogynistic only because of her job and obviously Oswald Mosley. Infidelity. Minors, dni! Note: I’m not well-versed in English politics in 1930s, and women during that time rarely had positions in politics especially as a career.

Word Count: 1.9k

Thomas Shelby’s gaze caught the figure sitting by the fireplace, his breath was caught in his lungs at the sight of her pretty presence in the armchair. However, he could tell she had her neck craning backwards laughing with a small smile painted on her face as she was speaking to someone in front of her.

He frowned, curiosity creeping through his veins as he wondered who was talking to her, making her laugh like that.

His teeth grounded as his jaw clamped together, the color of green rushed through his veins as the creature rattled in its cage of his mind when the figure stood up, stepping out of Y/N’s way as she stood up from the furniture as well.

Oswald fucking Mosley. 

He stood under the alcove, waiting for her to make her way down the hallway. His ears prickled at the sounds of heels tapping against the granite floors, every footstep were increasingly louder as she neared the alcove.

He was mentally praising his luck for the separation of offices due to his position as a member of parliament. He could pretend to put a front in public; the one where he was not a backstreet gangster who grew up poor, a soldier who had to do things no one should ever have to do in the name of the war, the one where he was a politician, but he dropped all pretense once the door was close temporarily.

When she walked past him, unaware that he was waiting for her, his hand snapped forward, fingers enclosing her bicep gently before hauling her behind him as he stormed down the hallway. Barely paying any mind toward bystanders who were still lingering in the hallways.

He wanted to punish her, for breathing in Mosley’s direction, for giving him a very brief but sweet laugh, for even entertaining him despite the fact she did not like sleazy men like Mosley.

He just wanted to punish her for giving her time to someone else when her time belonged to him.

Even though they had not crossed the line other than innocent stolen moments, longing stares and little sweetheart comments that were not made to be condescending. To her he was Mister Shelby the member of parliament, but to him, she had become his everything.

Oswald made a mistake in bringing in a powerful force to improve the Labour Party campaign in order to gain votes, someone who would make him fall in love with her instantaneously.

She had left once after her goal was completed. He had tried to do the right thing by keeping her at distance, but he ended up offering her a position as his advisor in that hallway to hire her due to his selfish desire of keeping her close again. The emotions he felt at the idea of not seeing her again held a threat against his conscience.

Oswald was right that she could help save the political party, but she ended up more than saving it, she saved him by giving him air to breathe, to make him feel alive since Grace’s death

She saved him.

And he was not going to let someone like Oswald Mosley or anyone else take her away from him.

“What the hell is wrong with you, Mister Shelby?” She asked, nearly icily as she was trying to keep up with his pace as he stormed down the hallway towards his office.

He knew what she was doing when she called him by the government name along with the position in the rank, reminding him of their circumstances, despite being nearly unprofessional with her words.

“You,” his voice deeper than usual and harsh against the quiet hall. “You are my problem.”

She huffed impassionedly. “Mister-“

He interrupted, not allowing her to form a reprimand against him. “I have been very patient with you, Y/N-,” he spoke, abruptly turning to face her once they neared the door that led to his office. His icy eyes glinting with feral before it retreated. “You say I’m your superior, right?” He waited for her to nod at him. “You do what I say in terms of what I want, correct?” He asked with his gritted teeth. His eyes were blazing with fury, not thinking straight in his head as his emotions threatened to boil over.

Despite his inner turmoil, he pushed her gently to his office, turning to her after closing the ornate door, locking it with the key.

“Yes, but-“

He interrupted her grabbing her wrists with gentle strength, “then bend over the desk.” He maneuvered her towards the wooden furniture, clear of documents and little knick knacks.

A look of surprise flashed across her facial features. “Mis-” she started, but he did not let her finish.

“Bend. Over. The. Desk.” A growl rumbled in his throat as he glared down at her since he towered over her.

She stared at him, eyes wide.

He was going to make her acknowledge the connection between them. However, he will back off if she truly did not want this.

And Y/N would not do anything if she did not want to.

He swore on his father’s makeshift grave that he could see her lips trembling slightly as her eyes dilated in soft desire before turning away from him to face the desk. He inhaled slowly when she slowly bent her upper body over his desk, pressing her chest into the furniture with her palms placed flat on the dark wood above her, curling her fingers around the edge.

He breathed heavily as he looked at her, bent over the desk and obediently exposed, like a prize. As if he was in a trance, he reached out and dragged the hem of her skirt upwards until the sight of the curves of her flesh were revealed peeking out in her light-colored underwear, not without gliding his fingers across her smooth skin, making her tremble. He tucked the hem of the fabric into the waistband.

Fuck.

He could feel himself hardening in his trousers at the sight of her bare skin. His eyes flickered to her face. She was looking forward now, though he could still see the side of her face from his position. Her cheeks were flushed prettily.

He lifted his right hand, and he hit the right cheek with a loud crack in the silent of his office. Y/N’s body jolted forward beneath him at the contact with an unexpected, guttural moan.

Something inside of him snapped.

He was like a man possessed - he couldn’t stop, addicted to the way her soft, pliant flesh felt underneath his calloused palm. It was truly the first time he had touched her skin other than shaking her hand in Mosley’s office when she was introduced to him.

One coming right after the other, causing the flesh of her ass to reverberate from his palm.

After the last one was landed with a sharp heavy smack, he heard her letting out a grunt as her thighs shafted together in response to his aggressive ministrations.

Breathing heavily, “is that it?” She asked, turning her head back toward him with defiance glinting in her gaze. 

Oh, she was challenging him. She looked delicious, all bent over with her skirt flipped over her waist.

His eyes narrowed at her, flicked his wrist to slap her fabric covered cunt, not too hard but still nice and sharp. His lips curled into a smirk when she whimpered in surprise, thighs clamping together.

It didn’t deter him as he eased her thighs apart slightly, pushing her underwear to the side, revealing her pretty cunt to his hungry gaze before sliding his index and middle fingers into her warmth. Roughly dragging his fingers back and forth in response to her own breathing patterns as moans and little whines emitted from her throat. “If I ever catch you allowing even so far as encouraging Mosley to flirt with you, I will kill him.” He did not give a fuck if Mosley was an important politician or not, he will find a way to put a bullet through Mosley’s body and bury him with some believable cover story about his unfortunate death.

Thomas removed his fingers, towering over her body slightly grinding his hardened cock into the curve of her ass, reaching around to her face and shoved his fingers into her pliant mouth. “You’re mine,” he growled, the words sounding more of a threat.

His other hand gripped her flesh when he felt her lips closing around his fingers and sucked them to clean her arousal off his skin.

She moved, pushing back at him while flipping her skirt back over her ass until he stood a step back to give her space when she turned to face him with a defiant expression on her face.

“Fuck off, Mister Shelby. I am not yours. I am not one of the whores you like to fuck.” She hissed, eyes flashing with anger.

He chuckled coldly, looking at her with disbelief in his eyes. “Sweetheart, you let me lay hands on your arse, but it’s crossing the line when I want to bend you over, fill you up with me cock while making you mine? Eh? Got that bit twisted.”

She glared at him with hostility in her pretty eyes. The ones he would see in his mind whenever he could sleep without the sounds of bloodshed from the Great War.

He sighed, raising his hands to cup her jaw, brushing the pad of his thumb against her cheek. “Trust me, I haven’t fucked anyone since I’ve first laid eyes on you. My only companion is my hand.”

“Not even your wife?” 

He gazed down at her, sliding his thumb from her cheek to her lips, brushing against them softly.

“Not even her,” he said throatily after pulling his thumb away from her soft pliant lips. “I have been patient with you, willing for you to come to terms with your feelings that you and I fucking well know you have for me.” He said lowly, his fingers gripped her jaw slightly as a reflection of his statement. “You wanted to come back after shaping up the political party, accepting my job offer, despite knowing that I crave you in that hallway. You still walked back into this godforsaken place, and this is the consequences of our own actions.,” he whispered before using his hand, he grabbed her face, pulling her into a filthy kiss and she reciprocated in return with a whine, lips biting tongues tangling, battling for dominance.

He listened to every word she said to him, ignoring the harsh words from Arthur, his brother. Lizzie, his wife at this point in the name only. Michael and Polly who berated him every chance he got. Arthur. Polly. Lizzie. Linda. Michael. He ignored the words spewing from everyone filled with contempt despite following his words as if they were the law. Except her, her words were soft and firm if needed to be.

He did not care about anyone else, about what they want. Not while he was feeling this way for her. 

He cared about what she wanted because her wants became his wants, and he knew that his wants were somewhat becoming her wants too

His wants were consuming his thoughts in the moment, his jealousy destroyed the control he had over his desires which brought them to the moment in his office.

“Say my name,” he murmured, a command etched in his words after he released her lips from his.

He heard her exhaling softly, her eyes were gazing into his. “Tommy.”

[the1920sinpictures]

1920's Cabaret singer Florence Mills. From Vamps & Flappers of the 1910s.1920s and early 1930s, FB.

[girlactionfigure]

THURSDAY HERO: Albert Goering

Hermann Goering was Hitler’s right-hand man and the founder of the Gestapo – may that monster suffer true justice for his deeds.

Albert Goering was Hermann’s younger brother. While his maniacal sibling was killing Jews, Albert worked tirelessly to save them.

The Goering brothers, only two years apart, grew up in a Bavarian castle. From an early age, the two were obviously different. Hermann was bold, confident and obsessed with war games; Albert was shy and thoughtful.

Later, Hermann would tell a psychiatrist from his Nuremberg cell, “Albert was always the antithesis of myself.”

In the 1930’s, ruthless Hermann rose in the ranks of the Nazi party to become Hitler’s top military commander.

Albert was strongly opposed to Nazism and left Germany in protest. He moved to Vienna, where he worked in the film industry and counted Jews among his closest friends.

As Hermann’s campaign against the Jews intensified, so did Albert’s determination to help them.

In Vienna, Albert once came upon a group of Nazi thugs, who had put a sign around an old woman’s neck proclaiming “I am a Jewish sow.” A crowd gathered to mock the woman.

Albert pushed through the mob, and punched two Gestapo officers to save the woman. His life might have ended right there, as the crowd turned on him. The SS men demanded to see his papers.

When they saw his name, they escorted him to safety in deference to Hermann.

When Albert’s Jewish friends in Vienna were arrested by the Nazis, Albert again used his unique position to save them.

He forged documents, using his brother’s name, to help longtime pal Jacques Benbassat escape to Switzerland, and used his influence to get his former boss Oskar Pilzer, and Pilzer’s entire family, freed. Again and again, he saved Jewish lives.

Whole families owe their present existence to Albert. He saved many Jews by sending trucks to Nazi concentration camps with requests for workers. Once aboard, the trucks would take them into a forest and allow them to escape.

After the war, Albert was imprisoned at Nuremberg and interrogated for fifteen months. Nobody believed his story until 34 Jews he’d rescued submitted sworn statements on his behalf.

He was freed, but soon found that his name made him an unemployable pariah. Albert sank into depression and alcoholism, surviving on a small government pension and food packages sent by Jews he had saved.

He died in obscurity in 1966.

Albert’s wartime heroism was unknown until documents were recently unearthed in British archives showing that he saved hundreds of Jews.

For proving that it is our choices that define us, and not our relatives, we honor Albert Goering as this week’s Thursday Hero.

[random-brushstrokes]

Raeburn Van Buren - There Were No Chain Stores in San Esteban in the Early 1900's (1930)

[glaciertea]

Tickets for Two

Miguel O'Hara x GN!Reader two-shot

Part 2 (coming soon)

This is part one of this story that's been on my mind for quite a while.

Summary: Working the graveyard shift at a movie theater has it quirks. It's not the best thing, and it's not the worst.

Well, there is one thing that keeps you from leaving this job.

The huge, gorgeous man who comes in every Thursday.

CW: Nothing for this chapter, just having a crush on Miguel.

Word count: 1.7k

There was something about Thursday nights in the movie theater that always made you exhilarated.

It wasn't the smell of freshly stale popcorn that stunk up your nostrils or the fact that you were able to score the after-hours time slot on this day. The ones many would kill to have because after 9 p.m., the place is a barren ghost town. Oh, no. It wasn't one of those reasons. 

It was him.

Throughout the year and a half you managed to survive working here; you've never seen a man like that before in your life. Yes, you've seen your fair share of attractive people come in and out; of course, this was a place to watch the latest hit-or-miss films. But this one, this one was different.

Tall, high cheekbones, a jawline that could shapren diamonds merely by looking at them, those piercing eyes, and those muscles. You always have to pinch yourself to make sure you're not dreaming.

He started coming three months ago for the ‘Traditional Thursdays’ feature presentation. Your theater would show old movies from the 1930's ranging to the 2020's or 2030's. It was a nice addition, as your boss wanted to have that “retro-style feel,” and it was pretty successful… if one were to go at the 9 p.m. slot. That frame usually brought in a decent amount of customers, but you were happy to not deal with that anymore.

You managed to get in the ten-to-one schedule block. It was a ghost town during those hours, especially with the midnight showings. You would lounge behind the concession, eyeing a few nightcrawlers emerge, but you would wait for him.

He would walk through the sliding doors exactly at midnight. Never a minute early, never a minute late. The actual film doesn't begin until 12:10 to showcase the following week's feature and a trailer or two. 

So it gives him enough time to head in your direction. He has become a regular for you, always ordering a medium black roast coffee, a small popcorn, and a pack of gummy worms. It got to the point where you realized the items were never going to change, so you made it a habit to have them prepared for him on hand. You barely speak because you don't know what to conjure up, and you certainly don't want to make a fool of yourself, so you stick to the basic “Here's your order” and “Enjoy your film.”

He always responds with a “Thank you” or an “I appreciate it,” and each time, your knees will wobble. His voice was smoother than the butter that you poured on the popcorn. He had you weak. His chiseled profile, his domineering height—he was too good to be true. You want to know more about him, but he's very much to himself. You are intimidated by him; his demeanor can make him seem unapproachable, but that only draws you in more.

There will be a day you will finally find the courage to strike up a conversation. One day.

You just weren't expecting it to be today. You manned the concussion stand, eyeing the time and counting the milliseconds. It was, of course, slow, but you loved it. Easy money to you.

His order was fresh and ready to go; he was going to stroll in less than a minute, and you had to put a lid on your excitement. And like clockwork, he came in and made his way right to you.

Putting on your best smile, you placed the snacks and beverage on the counter. “I got everything ready to go, sir. Piping hot and a new batch of popcorn made.”

“Actually, I want to switch it up. I'm sorry for the inconvenience.”

Your brain practically malfunctioned. Not from the request, but from the fact he uttered more words to you. Your reaction must have given something away as he rubbed the back of his neck.

“If not, that's fine. I don't want you wasting supplies on me.”

Scolding yourself, you shook your head and waved your hands. “No, no! No, sir, it's not an inconvenience at all. I'll gladly ring you up with a new order. Anything for the customer.” You despised saying that phrase as it got so many ungrateful, smug idiots out of problems they decided to cause. But for him? You would repeat it endlessly.

Discarding the usual and clearing the order from the register, you nodded. “What are your taste buds tingling for?” Did you really say those words in that order? Your body suddenly wanted to combust.

The man raised a brow as you chuckled nervously. “That sounded... less dumber in my head.”

His lips turned upwards at that, and your heart stopped. He smiles? He can smile! You never once saw him do that, but if you did, you managed to miss it. He managed to look more radiant; how was that possible?

“Well, my taste buds are craving pretzel bites, fruit snacks, and... can I make my medium roast into a large?”

“Yes, sir, I'll try to get it done before the film starts.” 

“No hay necesidad de apresurarse. Take your time.”

“Okay.” You squeaked out, hiding your flustered state from him.

Miguel rested his arms on the countertop and observed the way you moved back and forth, blending new beans and meticulously placing the hot pretzels in a bag. 

“Here you go.” You reached down and took a packet of fruits and propped it nicely on the pretzel bag. “Steaming and raring to go.”

“Are you usually precise when making these orders?” Miguel pulled his wallet out and paid for the meal, leaving a nice tip.

“Kind of. Maybe it's because I have more time to do these things, and I like my regulars to enjoy nice treats.” You grinned and went to clean up his usual. “I hope you enjoy.

“I'll be sure to keep that in mind. Definitely keeping sure. Thank you again.”

You didn't know what meant by that as he took up his things and headed off to catch the film. You put your hand to your chest and calmed your heart rate, going on about your night. You honestly believed that would've been the end of that interaction and that the following week would revert back to the same old, same old, but you were far from it.

The next Thursday, he was there, but fifteen minutes earlier, asking for a new item from the menu alongside the other treats. You were once again thrown off, but that didn't mean you got to be near his presence more, and if not longer. 

It started off with small extras. A bag of pretzels, sized up on the popcorn, an extra bag of candy—nothing too extravagant. However, as the weeks coasted by, the orders got bigger. A hotdog, flatbread pizza, sliders—those meals took you longer to make, but you did not mind one bit. 

You got to chat with him constantly; when Thursday rolled around, you had that extra pep in your step. The conversations ranged from his tedious office filled with people of the same personality, the many tales of strange movie customers from you, or anything that springs to mind. He was awkward, loveable, and sweet, and your crush for him only grew more with each visit. To the point that it was overwhelming.

And it wasn't blowing away anytime soon. 

You were fixing him up a basket of curly fries and chicken tenders casually yapping away when the topic of movie genres popped up.

“I'm into animated movies. They seemingly are able to convey more emotions than actual humans.”

Miguel enjoyed watching you; he honestly preferred looking at you than the film he was supposed to see. “I enjoy them as well. They tend to have moments that resonate with you on a higher emotional level.” He tapped his finger on the glass counter. “Do you have any favorites?”

“Hmm.” You rubbed your chin before moving back over to the fries and dumping some extra salt and pepper on them (they barely had any flavor to them). “I like a good Lixar film. It's funny how they're able to give certain things sentiment. Rather it's inanimate or not, they find a way. I mean, they gave a torso and sweater emotions. A sweater!” You poured the fries into the plastic basket and moved onto the tenders. “Now in particular, I love Bouillabaisse. Up is a heartbreaker, but I can understand the older man's pain. Searching Elmo is so gorgeous, especially for the time it came out. And Coco, that's a tearjerker. That ending scene when he's singing to her? Gets me every time.” 

“I enjoyed all those as well.” Miguel took a sip of his freshly brewed coffee. “Especially the last one.”

“Oh yeah?” You grabbed some tongs and flipped the tenders to cook them evenly. 

“Sí. A bit of a bias though.” 

“A bias?”

“I share the name of the main character.” He stared right into your eyes as he said that.

“Miguel.” It was velvety as it slid off your tongue.

Was that a suave way of him giving his name? It never occurred to you that you actually never learned his name. He knew yours because of the required name tag, but you were glad to know it now and took it with no complaints.

“It fits.” You smiled and finally finished and rang up his meal. “I shouldn't keep you from the movie. I hope everything is of satisfaction for you.”

“You already know it will be.” He paid and reached for his goods when he stopped.

You crooked your neck and looked down to make sure you didn't miss anything. His usual and the new meal were there, so you didn't know what was up. 

“Is everything okay? Did I mess up your order?”

“Everything is fine. I only want to…” he snatched up a napkin and scanned, even going as far as peering over the counter.

“Miguel?” 

“Do you have a pen?” 

“Yes?” You took one from under the register and handed it to him.

“Thank you.” He scribbled down at lightning pace and folded it half, sliding it across to you. “I'll see you then.” He bowed his head, snagged up his meal and left. 

You had to wait several seconds to recover from your shock when you hastily snatched up the napkin and opened it up. You drew your lips to your teeth to prevent yourself from screaming. 

There were ten digits written in blue.

[chere-indolente]

Half Moon Manicure Set

@therococoprometheus and I teamed up to bring you a set inspired by 1930's nail polish ads ! On my side of this collab you'll find cc nails perfectly suited for 20's, 30's and 40's looks. Check out @therococoprometheus's side here for nail and beauty related vintage clothes and objects ! More pics and download below

In the West, in the 19th and early 20th century, nails were usually cared for and tinted using faintly colored oils or powders that had to be buffed into the nail to achieve a slightly rosier and shinier look. At least by 1917 there was also "nail white", used to get a whiter nail end. Indeed the sought after look in the late 10's and 20's was a pink shiny nails with light contrasting sole and ends. The white nail ends as a beauty standart was pretty classist as it was initially a way to show you didn't belong to the manual laborers (...or at least give the appearance of it) who usually had to dirty their hands (and nails) at work. When liquid nail polish became more widely available in the 20's, this look was emulated by applying the polish solely to the middle of the nail in a crescent shape, and such giving us the half moon manicure an iconic style sported by about every fashionable lady from the late 20s to the late 30s. By the 40's, the half moon manicure started to decline in popularity, the most fashionable looks being either fully painted nails or a version of the half moon manicure with painted ends. By then longer nails were also more popular as can be seen on the likes of Rita Hayworth or Marlene Dietrich. Those nail polishes were quite shiny and a bit sheer so I tried my best to replicate these characteristics in my own cc. The color palette for these cc nails is also directly taken from old nail polish ads.

————————  Short Almond Nails  ————————

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These nails with their short and oval shape fit the style most popular in the 20s especially in their (20's) half moon manicure version. Though they could also suit later decade for a shorter more work friendly nail especially in the 40s and solid version.

3 versions : 20s half moon, 40s half moon and solids

for each : 1 bare swatch and 47 colored ones

only available for adults

male and female frame versions

————————— Long Almond Nails ————————

———————————————————————————

In the 30's longer and pointier nails became more fashionable and as such these long almond nails in their half moon versions would be perfect for a 30's look. They would also fit perfectly in the 40's in either their solid or 40's half moon version.

3 versions : 30s half moon, 40s half moon and solids

for each : 1 bare swatch and 47 colored ones

only available for adults

male and female frame versions

—————————— Coffin Nails ——————————

———————————————————————————

Such long nails would not suit 20s or early 30's looks, but would be perfect for 40s or late 30s.

2 versions : 40s half moon and solids

for each : 1 bare swatch and 47 colored ones

only available for adults

male and female frame versions

————————  Short Rounded Nails ————————

———————————————————————————

Short nails have always been around as they are quite practical at all times but I couldn't fit the half moon design on these in a satisfactory manner so enjoy these nails in a bare (timeless) and solid (40s and up) swatches.

1 bare swatch and 47 solid coloured swatches

only available for adults

male and female frame versions

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Download : dropbox — simfileshare

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Get therococoprometheus's part here

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[early20thcentury]

Yacht club attire, 1930s, by L. Fellows

[radioisntdead]

Too sweet

Alastor x gn reader,

Warnings!!

Mild ooc, reader is dessert themed also kinda imagining they have eyes that resemble 1930's animation but that's just me, casual backstory drop in the middle that's just never brought up again, death, pacing is a little off, Alastor is prepared with angelic steel this time! It does not help whatsoever!

Song: Too sweet

It wasn't a secret that Alastor strongly disliked sweet things, it wasn't a complete hatred but he wouldn't willingly eat any, he preferred bitter things.

It can't be said I'm an early bird

You were as sweet as pure sugar, with that oh so charming smile of yours, your big ol' cartoony eyes, eccentric and positive attitude, not to mention you were quite literally dessert themed, Cake themed outfits, frosted purses, phone case adorned with spackled frosting, sprinkles and charms.

It's ten o'clock before I say a word

You were the most recent addition to the hotel, a few of the hotel's residents didn't quite understand how someone as sweet as you could've ended up in hell, it was theorized that maybe it was an act, a honey coated trap that would lead to the hotel demise or something.

Baby, I can never tell

That was thrown out rather quickly when you kept the same sweetheart persona even when alone, it was just how you were.

How do you sleep so well?

It was concerning to a certain few hotel residents when it was discovered that you had a thing for the Radio demon,

The way your eyes would linger on him for a moment too long, the way you would gaze at him love evident in your eyes.

You keep telling me to live right

Husk gave you a warning one night at the bar, you were sipping on a drink that had more sugar then any drink should, he was cleaning up the bar.

"Look kid, Alastor is a bad decision, this won't end well for you."

"I know." You had responded, twirling around that sickly sweet drink of yours

You weren't naive like your personality seemed to make people think, you knew Alastor was a bad idea, bad news, he was a cannibalistic murderer for heaven's sake!

To go to bed before the daylight

But it was alright to have a small crush that you wouldn't act on, it'd pass eventually but for now it wasn't bad to fantasize about dancing with him, cooking together or about doing something unholy like handholding! Nothing would become of it, you didn't have a good history with relationships anyways.

But then you wake up for the sunrise

Charlie was supportive of your little crush, she had found out about it after accidentally overhearing you drunkenly tell Angel Dust about it, that sugary little drink really did a number on you.

She decided she would try to push you and Alastor together, gently, She was such a great wingman!

After all Alastor tolerated you more than anyone else in the hotel so that's a indication that you might have a chance right? A truly slim one but a chance nonetheless!

You know you don't gotta pretend, baby, now and then

When Alastor began enjoying your company a little too much for his liking it was like he, from his prospective had been thrown into a horror movie and trapped with little to no way out.

He enjoyed some of your antics and reactions.

Don't you just wanna wake up, dark as a lake?

You were helpful around the hotel, helping out with advertising, you'd proofread scripts he had written for his radio broadcast, every time you went out for a treat you brought back some type of pastry or snack for the hotel residents, in particular you'd travel all the way to cannibal town to pick up something for Alastor, you didn't have too, but you did.

Smelling like a bonfire, lost in a haze?

As time went on the feelings didn't fade, especially since Charlie heavily suggested that the two of you should work together on hotel related things, and that pinwheeled into the two of you spending more time together, getting closer, and eventually you began to avoid Alastor, you had a tendency to ditch the people you were fond of in a way usually in a cruel fashion, you didn't mean too, truly! But you did and you didn't want to risk it with Alastor for his sake and yours.

If you're drunk on life, babe, I think it's great

You were a known partier back in your day, you died back in the heights of the roaring twenties where you had the money and privileges to go to lavish parties where anyone who was anyone could attend much like the parties Gatsby held in the great Gatsby, you lived what some folks thought the roaring twenties were all about, Flappers, speakeasies, parties and short-lived prosperity.

You were in your twenties, rebellious and reckless, drinking any drink given to you, playing around with people's emotions with those sickly sweet words of yours, taking whatever substance you were given, and a year before the stock market crash, you were found dead on the dancefloor poisoned by a former darling of yours who didn't like that you had left them because things were getting 'too serious' for you.

You didn't handle death well, and in order to keep at least some of your sanity you went to hurling yourself onto the hellish party scene, frequenting speakeasies, trying to keep some sense of what you knew, repeating harmful cycles, but you couldn't do it forever.

And so you gave up the party scene around the mid 40's, burning bridges and leaving behind many scorned people behind.

You were more unstable back then, but you had improved, at least you thought you did taking up the sweet attitude by a couple notches, switching from drinking alcohol each day to drinking sweet smoothies or milkshakes.

You cleaned up your act and you were continuing to keep it clean especially as you checked into the hotel.

No one there knew about your track record and you would like to keep it that way.

But while in this world

The avoidance didn't last long since Alastor cornered you asking why and you blabbered out your feelings in one big ramble.

And that was that.

I think I'll take my whiskey neat

Charlie was ecstatic to learn that you and Alastor had gotten together, Others were concerned particularly Husk, his bets were that either Alastor would end up owning your soul, you'd become just as twisted as Al or you'd end up dead.

None of them would end well for you.

My coffee black and my bed at three

The two of you were opposites, while he took his coffee black and bitter you loaded yours up with milk, sugar and whatever other toppings you wished, when he stayed awake for multiple days in end you snoozed away at night, when he was threatening someone who was messing with the hotel you were trying to defuse the situation with sweet words.

You're too sweet for me

Alastor didn't like sweet things, but he didn't mind you and your sugary sweetness, infact you could say he was growing a little bit of a sweet tooth.

Just the sight of your sweet little smile was enough to cause a slight ache in his heart and that fact that you could be called his now was just wonderful!

You're too sweet for me

He could see himself getting used to all this sweetness, he just needed to make sure no one knew that.

I take my whiskey neat

You smiled, listening intently and sipping on your sweet alcoholic drink while Alastor recounted an encounter he had, a glass of whiskey in his hand whooshing around as he spoke.

My coffee black and my bed at three

It was after a hotel game night mixed with alcohol, the two of you were tired and intoxicated, you were a giggly drunk, laughing at the most mundane things, Alastor was escorting you to your room and much to his surprise it was a challenge as you would stop every few steps to laugh at how the crack in the wall looked like a giraffe or how that stain on the carpet looked like a birthday cake!

You're too sweet for me

By the time he had finally gotten you to your room he was exhausted, you kicked off your shoes leaving them on your floor as you dived into your bed, reveling in the comfortable blankets.

Alastor rolled his eyes as he entered your room leaning down to pick up your discarded shoes to properly put them away in your woredrob, he intended to leave to his own room but you reached out your arms to him making grabby hands, he walked over and leaned in to see what you wanted only for you to suddenly grab him, pulling him down and covering him in the blankets before promptly passing out with your arm wrapped around one of his.

You're too sweet for me

He was going to get up, he truly was but he hadn't slept in hell knows how many days now, and the bed was warm, before he knew it his eyelids were drooped. His shadow thankfully decided to close the door to your room.

I aim low, I aim true and the ground's where I go

The next morning he was greeted by you humming while gently petting his fluffy ears, he wasn't sure you knew he was awake at that point, but he rather liked having his ears petted, at least by you and it wouldn't hurt to savor this moment for just a few more minutes before the two of you would have to deal with the duties that the day held for you.

I work late where I'm free from the phone, and the job gets done

Alastor preferred to have his radio broadcast aired in the morning but sometimes he wouldn't get the chance too, [Maybe he indulged a little too much in his morning time with you]

He would air around eight pm and sometimes you would hang around his tower, doing whatever activity you had brought along until he was done and the two of you would walk back to the hotel, maybe grabbing a bite to eat.

But you worry some, I know

Other nights you would turn on the radio in his room and curl up in a blanket on the leather chair he had, closing your eyes and listening to his oddly soothing voice.

But who wants to live forever, babe?

Alastor didn't particularly believe that heavens gates would accept sinners even if they were redeemed, but nothing is impossible and he, although he doubted it, could be wrong and the Hazbin hotel could be a success in redeeming sinners left and right and you were one of the residents checked in for redemption.

You treat your mouth as if it's Heaven's gate

Alastor moved a piece of your hair away from your face, careful not to disturb your sleeping position on his chair, he could admit to himself that he had gotten attached to you, and he couldn't just have his darling little partner leave him behind to fraternize with the winners above now could he?

The rest of you like you're the TSA

He picked you up from the chair and moved you over to his bed, tucking you in.

If anyone in this damned place could get redeemed it was you.

I wish that I could go along, babe, don't get me wrong

And Alastor, well he wasn't the type to be looking for redemption or redeemed, he was even less of the type to blindly follow someone somewhere even if it was you.

He did wish he could see his mother who obviously was in heaven but that simply just wasn't in the cards for him, it was tragic but he did murder people, he died while burying a body after all!

You know, you're bright as the morning, as soft as the rain

Alastor cut into the dead deer he had just sat on his table, he was about to take a bite when he caught a glimpse of you shooting up from his bed looking around in hasty panic before you visibly calmed at the sight of him, with one of your signature surgery sweet smiles that caused swirls in his heart you bid him a good morning.

Pretty as a vine, as sweet as a grape

Alastor strolled into the hotel after a day of errands, only to see everyone cluttered together looking at something you were holding that he couldn't see, you noticed him and waved him over, grinning as you held the red creature in your arms that looked strikingly like Alastor, you went on a small tangent about how you had found the little guy while taking a stroll around the hotel.

If you can sit in a barrel, maybe I'll wait

In all honesty he wanted to hurl the creature out the window but you were stubborn in saying that the two of you should keep the catlike creature immediately dubbing it as your son much to Alastor's displeasure.

Until that day

He and the little creature begun a little rivalry, whenever he had his arm around you that thing would try and headbutt it off.

On the plus side you had taken to dressing the little one up in ridiculous little outfits, usually to match you or Alastor, from dessert themed outfits to Alastor's signature suit.

The creature did not like being dressed the majority of the time as the little thing felt it was taken less seriously thanks to the outfits.

It was right, when the little one would strut around the hotel he was usually awe'd over by Charlie and Sir Pentious.

I'd rather take my whiskey neat

Time flew by as extermination day drew closer, preparing became the focus in the hotel, coating weapons in angelic steel, in particular you had a axe that you covered with dessert themed charms finding it funny, because imagine getting taken out with a dessert themed axe of all things!

My coffee black and my bed at three

You had just barely convinced Alastor to prepare to use an angelic weapon, borderline begging him to do so, you didn't know what you'd do if he got taken out or injured because he was too prideful and foolish to use angelic steel in some way.

You're too sweet for me

He just couldn't say no to you when you looked at him with those cartoonish eyes that reminded him of 1930's animation and surgery sweet smile!

You're too sweet for me

It was the night before extermination, everyone was ready, living this night as if they were going to die tomorrow, which they probably will but they had something to fight for! You indulged on the classic surgery sweet drink that you always got, sipping on it as Niffty declared Alastor king roach leading to you chuckling.

I take my whiskey neat

It was the time where everyone retired, laying in bed you gently brushed a hand through his awful haircut, the two of you chatted about what could happen tomorrow and what the two of you would do afterwards because obviously the two of you didn't intend on dying.

You let out a yawn, deciding to call it a night you gave Alastor a light peck before laying your head on your pillow.

My coffee black and my bed at three

Alastor channeled his inner Edward Cullen and watched you sleep, blanket curled around you, that little creature was snoozing by you, dressed in a onesie that you had obviously put on him.

He didn't say it often, or at all honesty but he adored you, the only sweet thing he would willingly indulge in.

He would do anything to protect you, you would survive the extermination, he would make sure of it.

You're too sweet for me

He, infact did not make sure of it.

It was during his little encounter with Adam, the first man had gone to attack him but you had ran in, taking the hit for Alastor.

Resulting in a large gash in your stomach, blood pooled around you as Alastor got a few hits on Adam before turning to you, clutching your body as shadows overtook the two of you, taking you to his radio tower.

You're too sweet for me

Alastor scrambled, his usual composed self gone as you were actively bleeding out, he tried to stop the bleeding but you had already lost too much.

I take my whiskey neat

He held you as he demanded to know why the hell you would jump Infront of him.

You simply smiled, lifting your hand to touch his face, you said three simple words that would be your last, the last thing you saw was Alastor's strained smile.

My coffee black and my bed at three

Husk was right, it would end one of three ways, either Alastor ended up with your soul, you became just as twisted or you died.

And many died that day, the hazbin hotel lost two of its residents, Sir Pentious and you.

Sir Pentious had died for his friends and you had died for the person you loved, sacrifices that landed the two of you into heaven.

You're too sweet for me

Alastor sat in his newly built radio tower, that damned creature that you had brought by his side.

He had managed to survive the hotel collapsing, good for him, unfortunately the person that brought him there didn't survive, and now he was stuck with Alastor, but maybe that wasn't such a bad thing anymore.

You're too sweet for me

Alastor despised sweet things, they were filled with sickly sweet sugar that would leave cavities behind in it's wake, even after being brushed away it would still leave some damage like you did, you left him like you had left others before only this time it was unwillingly, you were the sweetest thing he'd ever known, he made a unfortunately decision to get attached to you and now he paid the consequences, he would be unintentionally haunted by you, reminded of you every time he saw the portrait they hung of you in the hotel along with Sir Pentious or even with the cat that looked like him.

He wouldn't be making the mistake of falling for someone again that was for sure.

It's not like he could if he wanted to anyways.

Good evening folks! I hope you enjoyed this! I wrote it all in one day, I didn't write it because I got tired but the reader is totally fighting people to go back to Alastor, just "I JUST DIED AFTER TELLING HIM I LOVED HIM, THAT IS TRAUMATIZING"

[soranatus]

“Various Spiderverse freestyle explorations in my early days. From Kingpin Hokusai, 1930's cartoon The Wheel, Space Jack Kirby. All meant the celebrate and give homage to the artists who shaped our storytelling senses through their visual artistry.”

— Aymeric Kevin, a production designer at Sony Pictures Animation