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#endlessly fascinating to think about
xkuja · 5 months
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If Kuja ever achieved the level of power he craves, he’d only grow incredibly angry and bitter, perplexed as to why he’s still so unsatisfied.
Isn’t that kind of sad?
He’d also be a deal more dangerous. He tends to be able to carpet over his internal frustration and anger with ambition… So there’d be nothing left to distract him if he managed to get what he (thinks) he wants.
It’s safest for him to be perpetually scheming toward domination.
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age-of-moonknight · 3 months
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“Khonshu: Strikefile,” Moon Knight: Fist of Khonshu (Vol. 1/2024), #0.
Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit
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silverwhittlingknife · 4 months
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"the fault, dear Brutus -" (Julius Caesar)
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Quotes from A Critical History of English Literature by David Daiches. Panels from Death in the Family, Under the Red Hood, Lost Days, and Batman and Robin.
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foxstens · 2 months
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'he wasn't sorry but he didn't know how to live without kevin'
that's so fucking interesting you don't understand. kevin did not have a good time in his first few months at psu, or throughout the entire year actually, but he latched onto andrew and then neil so hard, even if the foxes weren't particularly nice to him they still probably helped keep him afloat mentally.
jean became riko's official partner after but he had a longer leash than kevin and he still slept in his own room. riko left kevin's side of the room untouched. riko slept alone the entire year. when was the last time he slept alone, woke up alone, did anything at all without kevin by his side. a decade ago?
but he wasn't sorry, because in that moment he saw kevin as a threat and this is what happens when you defy a moriyama. and the ravens turned on kevin instead, because of course they did. so he wasn't sorry but he still wanted kevin to come back, he wanted kevin to watch from the sidelines as riko lived out their dreams because he still couldn't imagine a future without kevin there in some capacity. he very nearly destroyed kevin to keep his status as 'number 1' (because who is he when he's not number 1) but at the same time he couldn't give up on kevin. and that ended up being his downfall, because between his obsession with riko and his need to be the best, kevin chose the latter, somehow.
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waystarresourceco · 1 year
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Jesse explaining that although all three boys generally experienced the same physical abuse, Roman has internalized his experience as a victim in a different way than Kendall and Connor.   
“I would suggest Logan would have cuffed and hit all the boys at different times in their lives.  I think the difference for Roman maybe is that he feels like he was bullied in the domestic environment and so we can all react to things in different ways. I think Connor and Kendall probably have experienced that and have managed to accommodate it without it being a big part of their psychology whereas I think Roman being that beaten dog and being - there’s often a dynamic isn’t there with bullied people as sort of needing the feeling of negative attention that you get from that and I think he’s become, not addicted to it, but related to it.” 
Excerpt from Firecrotch and Normcore: They Like to Watch (recorded at Edinburgh Fringe Festival) – Aug. 29, 2023
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uncanny-tranny · 9 months
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I love giving advice, apparently, so if you are a newly pierced person or are planning on being pierced, here are some of the things I found helpful, as somebody who isn't a professional piercer but has had six plus piercings on my face and body, and multiple ear piercings (which I don't count, since I DIY'd them):
Normal bath towels are your enemy, proceed with caution after bathing. NEVER wipe moisture away from a fresh piercing, always pat it dry
You will hit a new piercing and it will hurt. This is inevitable, just know that you likely haven't destroyed it. Feel free to cry, though, it hurts like hell.
If your piercer gives you instructions, heed them. If you're on restrictions, please take it as seriously as possible
When you're going in for a piercing, please eat or drink something - at least what constitutes as a snack for your body. It really helps
If you're getting an oral piercing, make sure you size down after the healing period - I hadn't sized down for my last oral piercing when I first had the chance, and it was... so annoying to have too-large of jewelry
Not all jewelry is made equally. Do your research on materials, threading, and sizing. I've found that titanium jewelry is really nice for me, and I like it, but that isn't the only option. Make sure you think about your body and its needs and preferences
Close your eyes while being pierced (I found this really helps me)
Don't over-clean a new piercing, twice per day is usually a good place to start
The completed healing period is a very average suggestion - you may heal slower or faster. Try to adhere to that suggestion, though, especially if you do not feel you're healed enough
Personally, I have found that I am completely healed when my piercing feels like just another part of my body, even when it is touched. When my piercings start to feel as though they are foreign when they never do before, I know I likely need to clean them
While I have DIY'd piercings, I personally do not recommend it, especially if you are either not using sterilized equipment, or are piercing a very dangerous place (like the tongue). If you are absolutely positive about committing to the DIY mindset, please try to do due diligence in research at least
Tip your piercer. Body mods are a luxury service, and it takes years to even become a piercer, much less to be proficient at it. Tip your piercer, ESPECIALLY if their prices feel too good to be true - they likely are. Unless you are directed otherwise by your piercer, just assume that you will be tipping them for their services and budget accordingly
Make sure you understand how your piercer wants you to take care of your piercing, and ask questions. There is no question too "dumb"
If you are getting a body part pierced you are insecure about, realize your piercer has most likely seen HUNDREDS of different body parts of various sizes, shapes, and oddities. Your body is not uniquely bad, nor would a good piercer make you feel unwelcome or uncomfortable with your body. If they do, however, DO NOT go through with the piercing. You should feel safe being pierced by somebody, and, indeed, that is the bare minimum.
If you use saline wash to clean piercings, you can DIY it. You will go through NeilMed like no other, and with it being $5USD a bottle, that price can rack up quickly. Make sure you use distilled water and non-iodized salt, though
If your piercing is infected, please don't be too ashamed to seek help. It's in your best interest to make sure you don't get ill or your site gets nasty ("nasty" as in painful)
These are just some of the things I've learned being a pierced person! My piercings are something I absolutely needed, and I do not for a minute regret having them. I want that same happiness to befall you, and that happens when you are able to understand a bit more what goes into piercings. You are, essentially, getting a new body part installed by a pro, and so I don't want you to not be ready for that.
Again, I am not a professional piercer, but am rather a body piercing enthusiast with many different types of piercings. I don't have every piercing, though, so please look at this critically for the piercing(s) that you want or have. At least, treat this like a soft suggestion or ways to help you brainstorm what you will find helpful.
More tips are obviously welcomed, especially if you yourself have more insight or expertise. Good luck to every pierced person or future pierced person reading this💛
#body modification#body mods#piercings#body piercing#long post#honestly i love having a professional relationship with my piercer and i feel so happy to be pierced by her#i think the client and piercer relationship is a very important aspect of getting a piercing#and i don't think people talk about that part much. you should feel SAFE being around your piercer#they are literally creating a new hole in your body with a needle. that is a very vulnerable position to be in#but i'm honestly shocked at how cheap my piercer is...#...so my last piercing was only $50USD and that included the (nice) jewelry. i feel that in that cast tipping 60% was worth it...#...i know that can rack up the cost of the piercing but especially if you LIKE your piercer (like i do) - try being as generous as possible#i personally LOVE tipping my piercer and it's the best way i can show her that i LOVE her work even when i tell her#love having a personal blog that i can be autistic about piercings!!!!! I LOVE THIS ANCIENT TRADITIONNNN#one of my profs let us write about anything as long as it was an essay and i went Insane writing about historical piercing practices#LOVE ALL TYPES OF PIERCINGS especially ones that are used to 'scare' outsiders <3#when i was a kid they used to tell us about the Mystical African Tribes that STRETCHED THEIR LIPS (scary!!!!)...#...if it isn't obvious i hate that the lip plate especially practiced by the Mursi and many others have been used for frankly rascist ideas#i brought up the lip thing because i learned a lot about iirc the Mursi practice of lip plating and it's given me more appreciation for it!!#it's ENDLESSLY fascinating and i wish i hadn't been shown the negative bias against them first
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sparky-is-spiders · 9 months
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S1 Jonsasha AU where Sasha is the Archivist and they start slowly spiraling as they uncover more and more mysteries. Their fascination with The Horrors drives them into each other’s arms. They stay later and later. The storage closet becomes a shared living space for them. Martin hasn’t noticed. Tim doesn’t know what to say to get his friends back. They’re losing themselves in the Archives. They egg each other on. They start becoming more paranoid. Jon is so endlessly, doggedly loyal. This is the only person who can understand him. This is the only person who he has ever understood. They love each other so so much.
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thatswhatsushesaid · 11 months
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currently thinking about just how much su minshan was willing to sacrifice--of himself, and of other people who relied on and trusted in him--to protect jin guangyao
goes 2 my knees, clutches my hair
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randomszzz · 7 days
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"love has always been the world's best secret ingredient" -> "I'd rather just get rid of them" Joshua kiryu
"there's only one way to stay alive in this shibuya: Trust your partner" -> "in a way, he's been alone all his life" Joshua Kiryu
#twewy#joshua kiryu#ahisoaihih where am I going with this how to express it....#also like. Just the whole of day 5's quizzes#Joshua LOVES people Joshua LOVES shibuya Joshua doesn't want to erase it#He's not a misanthrope!!! He wants to believe in people SO MUCH!#but. he's about ready to give up. He doesn't WANT to. He jumps at the chance for megumi to prove him wrong#aio;iejaoij cursed with being inarticulate.#And. Joshua's love in no way moves him to 'protect'. Or even stops him from he himself harming them... wordshard#he's a lil screwed up (affectionate)#he rewards his proxies for making the choices he himself does not (can not? will not?)#Joshua's willingness to erase shibuya being motivated in part to protect the rest of tokyo/japan/the world#Also like. Sota and nao. A part me wonders#well watching endless failures of the reapers game may sap his faith and being able to see those two partially reignited it#BUT#Sota and nao also feel like they're supposed to be so unextradordinary#I can't believe they're so much better than the previous plethora of players so hmm they shouldn't be so foreign to him#hmmm hmmm hmm endlessly fascinating#Originally I was thinking: well twewy was made for the ds partnership is mandated by hardware and not so much meant to be reflective of the#in game composer. But then in interviews where they were like 'early twewy was also based on team concept' before slimming it down to duo#More is said about 'alone all his life' Joshua running a game about partners than his metaphysical status ever could
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sskk-manifesto · 2 months
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Ep 4 :)
#I LIKE Dostoyevsky. I like how mysterious and unreadable he is. What is his goal!!!! Why does he do what he does!!!!!!! He's very cool#I think knowing his ability now REALLY adds to his character. Him being so smart so manipulative so disruptive in the way he–#seemingly kills people on touch! Only added to this impression of him being “demon” and “inhuman”#But now that we know his ability you realize... That's all his doing; no ability.#His ability in a way does help humanize him by reaffirming that except for the moment he dies– he's got no superpower at all!!!#It's just him.#And yet at the same time also solves the exact opposite role of dehumanizing him because if it's not his ability that makes him like *that*#then he's even different than other ability users!!! Then‚ if not an ability user‚ if not a non ability user: what is //he//?#It's all SO compelling!!! Also makes for an extremely insightful narrative parallel with Dazai#Not an ability user not a non ability user. Not good not evil. (I feel like Dostoyevsky does exceed the definitions of good and evil as–#much as Dazai does. If he causes evil‚ yet does so with the intention of bringing salvation to humans– is he really *simply* evil?)#Both have these borderline superpowers that make them extraordinary beings (we can call it super intelligence‚ but it goes from controlling#their own heartbit to everything else) but are unrelated to their respective abilities! Once again making them neither this or that#I find Karma's words at the end to be extremely insightful.“Ace was evil for sure‚ but this man isn't even evil.#He's a being from the beyond. A being that exceeds human limits.” Like!!! That's all that there is to it!!!!!!#Back to this chapter / episode. There's some themes / worldvies once again I don't agree with but narrative wise I think it's extraordinary#I feel like after the Guild arc the writing really matured a lot and this is a kind of preview of what the doa arc is going to be like#(aka very very well written especially if compared to the previous arcs)#The plot twists of this episode are all so unpredictable and exciting!!! I think it's remarkably witty how it takes advantages of previous–#clichés - villains always revealing details about their own ability in a way that is quite baffling - to actually surprise the audience.#It's so effective. How skillfully unpredictable Dostoyevsky is to the point you can never guess what he will do next!!!#Him killing Karma is... Idk so so soooooooo interesting. I could talk about this forever but I'm being very dispersive in the rable and–#running out of tags. The whole episode you're sorta rooting for Dostoyevsky. He's very cool and comes out charming in the way he keeps–#surprising the audience. He looks bothered by Ace's disregard of other people's lives and that makes him sympathetic too.#But then he kills Karma out of nowhere and it's an “Ah! You fell for his lies too– remember he's nothing but evil. He cares just as little#about life as Ace does”. And then??? Karma in his last words is himself so generous in his words to Dostoyevsky. It's baffling.#And it almost feels like thenarrative is once again turning around and telling you you should root for Dostoyevsky.#It's endlessly fascinating.#I have more to say about the worldviews I don't share and the art style Dostoyevsky was portrayed with this episode (love it!!)#But alas ran out of tags
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rotisseries · 6 months
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anyone following me who likes skk needs to be reading the second perspective and I'm not joking. I am thinking about this fic constantly
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formosusiniquis · 1 year
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I don't trust myself to write Leverage fic, I just don't think I could capture the nuance of everyone. But I think if I did it'd be a road trip fic.
It's sometime in the mid-s2 era. Everyone's kinda gone to ground after either Nate's whole going to prison thing or after Sophie has had to fake her death. Either way Hardison, Parker, and Eliot have lost that stabilizing mentor energy they had previously. Not that the three aren't perfectly capable on their own, but it's a rapid, dramatic, and emotional shift in the dynamic you're used to and you've got to part ways with the people you care the most about in the world.
So after some time passes -- enough that everyone can do what they need to do to be sure that they're safe but not enough time to feel settled to leave the safe house and go home -- someone (Alec, probably with his slightly more average childhood, but maybe Eliot who didn't gave the best childhood but we see these moments of average stability throughout the series) suggests a road trip.
So they gather together: Hardison and Parker and Eliot to reclaim the stability that they've lost. While Nate mourns Sophie, or she rages at Nate. And Hardison and Eliot take Parker to the places she asked about in the Three Days of Hunter job. The places where there are real conspiracies, the places that are really just tourist traps, the places that they decide along the way that they want to break in and see.
And along the way they find the things they needed to so they can go back. The trust, the camaraderie, the joy. Things they hadn't ever really lost with eachother but can be hard to separate from the inside this codependent knot of reclaimed family. And maybe it's a ship fic, maybe it's not, maybe when you fit together the way they do it doesn't matter. Either way by the end they're ready to go home and get back to work.
But mostly it's about Parker getting to see Area 52.
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I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.
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YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot.  I really love origin stories—I like stories that resonate through a character’s history. 
And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.
"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)
Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.
I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.
Tim + watching / Dick + being watched / different dynamics
Tim's origin story
Being watched goes with vulnerability/exposure
Incomplete list of moments with Dick and Tim and vision
Tim + watching
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The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)
Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.
And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.
Dick + being watched
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Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)
Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.
At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.
Possible dynamics
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Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face
"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?
You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!
One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").
And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.
When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.
And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.
Tim's origin story
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Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)
I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.
Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.
And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.
... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.
But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.
So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.
Being watched goes with vulnerability/exposure
So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!
Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:
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Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!
Here's Robin 49 - clambering through a tunnel into No Man's Land:
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Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -
Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:
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Dick: Gotcha! Tim: Augh!
I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?
Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:
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Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)
Or here in Nightwing 6, when Tim wakes him up from a nightmare:
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Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!
Or here in Gotham Knights 26, when Bruce is accused of murder:
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(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?
Here's Tim spotting him before he can get away in Nightwing 110:
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Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.
Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:
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Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.
(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)
Incomplete summary of moments with Dick and Tim and vision
I think I already mentioned a lot of these but here is my LIST
almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;
Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;
in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";
there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;
in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;
there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;
Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;
there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;
in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;
in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!
(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)
In conclusion
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Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!
In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.
And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah
Anyway I think they're neat <3
#ask tag#hi anon this is SO old i'm so sorry sdfsfs#if you're still here hi!! <333#this was such a validating ask to get because as you can probably tell i think about the vision thing constantly#also this is SO long oh man. sorry i just started typing and it went on and on sdfdsf#dick grayson#tim drake#dick & tim#it's like. it's just endlessly fascinating to me because the paparazzi/photography stuff is one of dick's biggest triggers#and tim's introduced as a surreptitious amateur photographer#so there's no WAY they will ever get along#but then there's the Meaningful Photo from before the show#that low-key shows that tim's freaky obsessiveness comes from a place of genuine caring & this moment of real connection#so you have early days!dick kinda vibrating back and forth between 'I DON'T WANT HIM MAKE HIM GO AWAY'#vs. those moments when he IS getting attached to tim kinda against his will sdfsdf#and just. the dichotomy between paying attention as a form of love vs. being watched as a kind of violation and exposure#and that both are kinda the same thing?? and dick deeply craves the first and deeply hates the second#tim shows up being all I REMEMBER and what he remembers is exactly what dick was demanding bruce remember in b416#but /also/ he remembers /everything/ 'i remember it all' he remembers the graysons dying in incredibly painful detail#and like. kid!tim is very tactless & has only two switches of 'TELL HIM NOTHING' and 'if forced to speak then overshare'#but the tactlessness is a fixable problem and the remembering is /not/#it's not like it's any better for tim to keep his mouth shut & dick to just be painfully /aware/ that he's thinking abt the graysons dying#bc ofc /tim/ remembering forces /dick/ to remember#but!! but also. you know. maybe that remembering /isn't/ entirely a bad thing#and dick's feelings about it can change over time#anyway tim's not the only person that dick has this kind of conflict with - wally & roy sometimes chase him down when he's withdrawing too#and he often doesn't really appreciate it from them either#and dick's not the only person who gets subjected to tim's particular brand of intrusive caring#conner's not thrilled about the dna thing & ives would be within his rights to resent the stalking even though he doesn't#but i am obviously personally most fond of the ways this plays out with dick & tim
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waystarresourceco · 1 year
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Kieran Culkin on Roman’s memory and the dog pound game. (x)
Excerpt from an interview with Kieran Culkin with Vulture - Nov. 21, 2021
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uncanny-tranny · 10 months
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I know this is a very unoriginal observation (much like any other), but I'm finally reading The Great Gatsby, and even I wouldn't describe men the way Nick does.
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moe-broey · 1 month
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Idk I also just hate the future actually. My ass is Always living in the past or simply day to day 💪💪💪
#HELP ...... SO MANY OF MY DAYDREAMS CENTER AROUND THIS ACTUALLY.....#like. huge point of drama/point of contention between alfonse and moe is that moe Hesitates.#even outright Refuses. to consider the future. where alfonse's future seems set in stone that is the path he's been striving for all long#moe feels like it won't have a place there. you'll be king. you'll be all set. you'll probably have to have a queen#and even if it's a political marriage thing (WHICH. I HAVE SO MUCH HC LORE ABOUT --#like no one specifically but like. alfonse is the type of guy who has accepted this long ago and just treats it as a fact of life#which moe RESENTS. HOW are you gonna fuckinh ACCEPT THAT. your life entirely out of your own hands#bitch i'll fucking KILL YOU. ect)#also as a side there was a whole wedding banner wip that explored that that i. forgor about#but like. alfonse tries SO hard to convince moe that there WILL be a place for it by his side. he will MAKE that place if he has to#also a king4king situation isn't feasible i think moe would be a concubine (gay style). or an enuch or something#like moe does NOT want to be in any position of actual authority. that's not its heart. it's a support guy through and through#but going back to the start. moe is the type of guy who's convinced it's going to be replaced.#moe is the type of guy who burns bridges and feels a sense of relief. moe is the type of guy who is looking for ANY excuse#to run away. and ESP to reframe it as 'you're better off without me'.#the only reason it was able to get so close to alfonse is bc it was convinced alfonse wouldn't get attached to it#and when he did moe was convinced Well. this will all be temporary anyway. i'll take it day by day#make the most of it. and whenever alfonse hits it w one of his classic zingers like#the more you have to lose the worse it hurts when you do doesn't that make you feel lonely. SHUP FUCKIYBNG SHUT YPUR FUCK UP‼️‼️‼️#moe is a normal guy with no problems. definitely no commitment issues or intimacy issues. i promise.#ACTUALLY THAT REMINDS ME. BEEN TURNING THIS AROUND IN MY HEAD TOO. ESP W MY CURRENT WIP#and the feelings it invokes in me. moe is SO CONVINCED. SO CONVINCED. it's gonna fuck alfonse over big time#do NOT make me your lifeline i swear to fucking god. i Promise You. i Will Fail You.#adjacent but moe being a healer is ENDLESSLY. FASCINATING TO ME. LIKE MY GOD#healer that is just SO destructive. that's w.. that's part of why... it became a healer.........#like god. being a healer to ensure that if you get rid of me you'll be at a disadvantage.#nevermind the fact that i have a role exclusive to me. not good enough. i need More insurance.#the way. the role it took upon itself. when it was younger. to be the fixer. to clean up after [redacted]#and its never ending cycle. ever since it was a child. its never ending cycle of tearing itself apart#to rebuild itself anew. better this time. Perfect this time. this time. this time. this time.
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