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#enough babbling
kapukvati · 8 months
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hai:3 ive been reading....... :3
making comics from silly moments so fun sighhh
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transcredwaters · 2 years
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He doesn't weep for what he doesn't know, feels no sorrow for what he cannot forsee.
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presidentalpaca · 2 years
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breaking bad, jerma, and american psycho are the new superwholock
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anghraine · 1 year
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Sometimes I entertain myself by mentally categorizing tiers of headcanon. It has nothing to do with quality, just:
1- Wait, This is Headcanon?
The source material doesn't explicitly say that the headcanon is true, but it really strongly implies it, to the point that a lot of people don't even realize it's not explicit canon. I'm not talking ships so much as just really obvious details that aren't quite spelled out.
2- Interpretative Headcanon
The headcanon is based on something in the source material, and it's a valid interpretation, but there are a lot of ways to interpret the thing in the source, and it could easily and justifiably be read quite differently. This is also often mistaken for explicit canon.
3- Borderline Headcanon
The headcanon is spun off from something in the source material and doesn't contradict anything in it, but the basis is ephemeral enough that it's mostly something you/someone else/the fandom made up and ran with.
4- Classic Headcanon
The headcanon is not directly based on canon details. It's made up to fill those fun blank spaces in canons, and to connect things we do know. So it works with what's established in canon and can lead to really fun and interesting spins on canon, but it definitely leans more towards invention.
5- This Headcanon Has Creaky Floorboards
The headcanon is not only stuff you/I/fandom made up to go with canon details, it can actually be fairly difficult to reconcile with those details. It's technically possible to make them fit if you squint and interpret in some specific and improbable ways, but it's an obvious stretch. (This sounds negative, but sometimes canon details suck.)
6- HeadCANNON
Creaky? LOL. This headcanon definitely cannot be reconciled to its source material and does not wish to be. It gives no fucks about canon except insofar as these headcanons often go out of their way to defy the canon details of the source and blast holes straight through its structure.
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enden-k · 10 months
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they really like to kiss (a lot) 🩵
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lazysunjade · 9 months
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N I G H T S I N G E R |
Our Lady of Loss, Mistress of the Night.
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sillyfairygarden · 7 months
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people getting mad abt spam reblogs… guys this is the spam reblog website. if you only want to see a post your feed once idk. go to twitter
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pasteilian · 5 months
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I’m deleting all the asks about female turtles being bigger than male turtles I get you probably are just trying to inform me, but the problem is I already know 
But the other problem is soft shells are just bigger than sliders. It doesn’t matter if female sliders are bigger than male sliders. Soft shells are bigger than both of them. 
Donnies species is bigger cope
(also stop begging me to make Sato shorter than Leo it’s annoying)
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Instead of trying to gaslight me into believing LEo would be the same height as Donnie you should be talking about how soft shells seem to always have a designated red ear slider annoying them
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serendippertyy · 4 months
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MY OFFICIAL DESIGN HCS 🪰🪰
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barry--keoghan · 1 month
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Peaky Blinders (2013 - 2022)
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hihereami · 6 months
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Oh apparently some leftie gringos on twitter just heard of argentina electing fascism and their wet fantasy of calling us nazi, backwards people and feeling vindicated was made into reality. Don't try teaching imperialism to your fellow americans after this, you dumb motherfucker. You don't know what this is, who caused this, who influenced. You wouldn't understand it if it bit you in the face.
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bonefall · 6 months
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So, I'm writing an essay on the whole STATE of misogyny in WC for one of my university classes, and I was wondering if I could ask you a couple of things! No pressure of course, please feel free to say no!
A) Could I reference your good takes with appropriate harvard referencing and links back to your blog?
B) Are there any specific moments from the books that you think should be covered the most?
C) The end result will be a visual essay, so it's like those fun infographics people on Tumblr make on like ADHD and stuff, so when it's done, would you like to be tagged to read it?
(Sorry for anon, I'm nervous lmao, but if you'd be more comfortable I'll resend this off anon)
AAY good topic! You've got a lot to work with. Absolutely feel free to reference anything I've written, and tag me when you're done.
While you're here and about to write something so legitimate, I'm also going to recommend you check out Sunnyfall's video on gender in Warrior Cats. She breaks down the arcs into numbers, directly comparing the amount of lines mollies have to toms, and examining the archetypes women are usually allowed to be.
I think it's a must-have citation in a paper about WC misogyny.
...and, I think it's insightful to look at the WCRP Forum thread about the video. Note how the respondents immediately come into the thread to complain about how the video is too long so they didn't watch it, dismissing Sunnyfall as not being entertaining enough to hold their attention, even whining that she starts with statistics to prove her point, which I'm convinced she did exactly because they would have cried that she "had no evidence" if she didn't.
I am not a scholar, so I don't know how to document or prove that the books have an impact on the audience outside of anecdotes. But I think if you do write a section about fandom, it would be worth mentioning the in-universe and metatextual apologia for Ashfur and its reflection in the real world discourse, the authorial killing of Ferncloud because of fan complains, and the utter defensiveness against the discussion of misogyny you see outside of Tumblr.
You may also want to check out Cheek by Jowl, a collection of 8 essays about sexism in xenofiction by Ursula K. Le Guin. There's a very unique manifestation of authorial bias in animal fiction, having a lot to do with how the author views "the natural world," and it's worth understanding even though Warrior Cats are so heavily anthropomorphized.
So... Warrior Cats Misogyny
I think discussing individual instances can be helpful, but I'd implore you to keep in mind what's REALLY bad about WC's misogyny is framing and the bigger picture.
Bumble's death is shocking and insulting, but it's not just that she died. It's that the POV Gray Wing sees her as a fat, useless bitch who took his mate so she deserves to be dragged back to a domestic abuser, and he's right because the writers love him so much. It's that Bumble's torture and killing only factors into how it's going to hurt a man's reputation.
It's how Clear Sky hitting, emotionally manipulating, or killing the following women,
Bright Stream (pressured into leaving her home and family)
Storm (controlled her movements and yelled at her in public)
Misty (killed for land, children stolen)
Bumble (beaten unconscious, blamed nonsensically on a fox)
Alder (child abuse, hit when she refused to attack her brother)
Falling Feather (scratched on the face, subjected to public abuse and humiliation)
Tall Shadow (thrown into murderous crowd, attacked on-sight in heaven)
Rainswept Flower ("blacked out" in anger and murdered in cold blood)
Moth Flight (scratched on the face for saying denying medical treatment is mean, taken hostage in retaliation against mother for the death of his own child, which he caused)
Willow Tail (eyes gouged out for "stirring up trouble")
Is seen as totally understandable, forgivable, or not even questioned at all, when killing Gray Wing in an act of rage would have been "one step too far" with the ridiculous Star Line.
"Kill me and live with the memory, and then let the stars know it would only matter if a single one of your murder victims was a man."
It's the way that fathers who physically abuse their kids out of their ego (Clear Sky, Sandgorse, Crowfeather) aren't treated anywhere near the same level of narrative disgust and revulsion the series has for "bad moms", even if they're displaying symptoms of a post-partum mood disorder (depression, anxiety, and rage), an umbrella of mental illnesses 20% of all new mothers experience but are heavily stigmatized with (Sparkpelt, Palebird, Lizardstripe).
It's Crookedstar's Promise giving him two evil maternal figures in a single book, while bending over backwards to make every man in a position of power still look likeable in spite of the fact they're enabling Rainflower's abuse. Leader Hailstar is soso sorry that he has to change Stormkit's name for some reason, in spite of leaders being unaccountable dictators the other 99% of the time, and Deputy Shellheart functionally does nothing to stop his own son from being abused or even do much parenting before or after the fact.
It's the way men's parental struggles are seen sympathetically, and they don't have to "pay for it" like their female counterparts (Crookedstar's PPD vs Sparkpelt's PPD, how Daisy and Cinders are held responsible for Smoky and Whisper being deadbeats, Yellowfang's endless guilt for killing her son vs Onestar's purpose in life to kill his own), even to the point where a father doesn't have to have raised their kids at all to have a magical innate emotional connection to them (Tree's father Root, Tom the Wifebeater, Tigerstar and Hawkfrost).
It's less speaking lines and agency for female characters, being reduced to accessories in the lives of their mates and babies, women getting less diversity in their personalities, with even major ex-POV characters eventually becoming "sweet mom" tropes.
You could zoom in on any one of these examples and have an amoeba try to argue with you that "Oh THIS makes sense because X" or "Ah well my headcanon perfectly explains this thing" or "MY mother/girlfriend was abusive/toxic/neglectful and I've decided that you are personally attacking ME by having issues with how a character was written or utilized," but the beleaguered point,
That I keep trying to hammer in, over and over, across books worth of posts,
Is that these are trends. More than just a couple one-off examples. It's the fabric that has been woven over years, showing a lack of interest in, or even active prejudice of, women on behalf of the writers.
LONG STANDING trends, which have only gotten worse as the series progressed. From Yellowfang being harshly punished with a born evil son who ruins her life in TPB and the mistreatment of Squirrelpaw that begins in TNP, all the way up to the 7 Fridgenings of DOTC and Sparkpelt's PPD being a major character motivator for her son Nightheart.
So, I would stress that in your paper, and structure it less as "the Sparkpelt slide" and "the Yellowfang slide," and more as "The paternal vs maternal abuse" slide, and "the violence against women" slide. They're really big issues, there's tons of examples for each individual thing.
Anyway to leave off on a funny, look at this scene in Darkest Hour that I find unreasonably hilarious,
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"Everyone who matters to me; my truest friend, my sensible and loyal warrior, the wisest deputy I've ever known, and 2 women." -Firestar, glorious idiot
He can't even think of a single trait for either of them what the hell does "formidable pair" mean lmaooo, when I finished a reread about a year ago this line killed me on impact.
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I'm not the first person to bring this up but, I do feel that the general response to the gun range scene has mostly failed to acknowledge the context that would call for such extreme levels of self-defense training in the first place. We know from episode 23 that even just a few years after the release of the doodler (when Lark and Sparrow themselves are still just teens) things are already pretty bad (to the extent that in Lark's case the stress of it all has already begun to take a physical toll on him- don't forget that he and Sparrow too were once kids who had the world placed on their shoulders), and one need only look at how quickly the situation with the mayor has degraded to imagine how bad things would have gotten by the time Hero was 12. Training your six-year-old to use a gun in a normal or at least mostly normal world? Batshit crazy. Training your six-year-old to use a gun in a world overrun by an eldritch horror where danger, death, and the possibility of corruption from said eldritch horror are around every corner? Still intense but, much easier to understand the reasoning behind.
oh oops it's a long post woops woops woops
In Sparrow's case in particular, we know that he behaves quite differently under alternative circumstances, and that Normal (Hero too for that matter) lives a pretty different life in a post code purple world:
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Not that it hasn't been Sparrow's intent and priority to mitigate the extent to which Normal was caught up in everything from the get-go, as evidenced by his namesake. Recall what he had to say on the matter:
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In some ways this extreme self-defense training is a "two sides of the same coin" sort of deal vis-a-vis Grant's extreme isolation of Lincoln for his protection, a major difference being that Lincoln still deals with this in a post code purple world (to the extent that he literally had to pretend to starve himself to get his dad to let him go to public school), whereas Normal and Hero get the chance to live mostly normal lives and do as they please (the disapproving words of a drunken and partially-doodlerized Sparrow aside), now removed from the immediate threat of the doodler.
Hero's case is, at least from what we currently know about the prophecy, more complicated than Norm's. It is easy to reprimand Lark and Sparrow as being the worst parents (and/or uncles) whilst forgetting that their circumstances are fundamentally different from the other kiddads. The first half of this lying in their shared responsibility (and guilt) in releasing the doodler. Grant and Nicky can retreat to their respective homes on the basis that this is the best they can do, resolving to put their energy into protecting their closest ones first and foremost. At the end of the day, they aren't really any more responsible for dealing with the doodler than any other bystander. The same cannot be said of Lark and Sparrow, who can't exactly look away from the fact that they were the ones who brought the doodler into the world. At least from their perspectives- of course Lark (and Sparrow by extension) in reality was a child that was manipulated into doing what he did, which as some people have pointed out is not dissimilar to what happened to Normal at the end of this episode (and if Sparrow felt the need to rid Normal of his memories of this event in particular, perhaps it was to spare his child from feeling guilty about it for the rest of his life).
The second half of what differentiates them is, of course, the prophecy (right- now we can actually get to Hero lol). We must remember that, as far as the twins knew, the only way to actually "defeat" the doodler permanently was through the chosen one, i.e. Hero (probably- after last episode I'm starting to think that Norm may be more directly involved in the prophecy than previously thought, but that's a tangent). "Continue to let the being you released into the world kill and torture millions (very likely billions) of people, which could wind up including both of your children, or put your ill-fated child through very intense and ultimately traumatizing training to put an end to it, potentially losing her in the process", is essentially the choice the twins were given. Hero isn't made to kill a deer with her bare hands for the hell of it, she goes through what she does because Lark (who likely did not see the same thing that Normal did on the throne- or at the very least interpreted things very differently) and Sparrow had no reason to believe that there was any other possibility. This certainly does not negate or undermine the extent to which Hero was deeply traumatized by it all, but it's not exactly a detail that you can choose to ignore when discussing the ethics of Lark and Sparrow's decision-making.
And yet, despite it all, Sparrow and Lark do ultimately chose saving their children over saving the world. Not before significant damage has already been done (to Hero that is), but they do decide to go through with the one plan that allows both of their children to (hopefully) live a doodler-free life: code purple. Code purple, which ultimately reduces to a trolley problem with a presumably near-equal number of people on both tracks, with the important difference of sparing their own children in one case, and likely not the other. And if we want to talk about Henry's ethical stance in the matter and how it compares to the twins, we need to consider what it says about him if he was *not* in favor of code purple, with all of this in mind. Not to come to any hasty conclusions about Henry either- I think there remains too many unknowns on that front to assume much and... Ultimately it's a complicated matter! But that's kind of my point.
Even post code purple, Lark and Sparrow (and the rest of the kiddads) try to pursue that which they believe (or at least hope) will both put an end to the doodler without involving their children and without the enactment of the prophecy. Is blowing up an entire world with the sun to save all the others a plan I'm gonna sit here and defend? I don't think so lol, but you can't exactly look at it and pretend that Lark and Sparrow don't care about protecting their fucking kids.
My point isn't that Lark and Sparrow haven't made a lot of mistakes and questionable decisions, my point is that their circumstances are so much less black and white than the majority of the takes I see on them make them out to be, and a lot of the conclusions I see people jump to when it comes to the twins' feelings and intentions strike me as... Pretty odd? Tangentially-related: if you don't think Sparrow is someone who is affectionate with and deeply loves his kids despite his flaws, I don't really think we're listening to the same podcast. But even in Lark's case, yes he's more subtle about it and yes, Lark can be quick to anger (not that I personally read him yelling in the last episode as anger so much as panic but all the same), but affection can be sewing bulletproof material into your nephew's mascot costume, or secretly taking him out for pizza, or pretending to be his dad so that you can tell him you're proud of him, or putting your gun down when he asks you to. The twins are anything but perfect but, fuck if they aren't trying (and changing, and improving). And yes, they deserve some damn nuance.
Also, okay, I couldn't really find a neat way to bring this up in the above but, speaking of no-nuance and bad faith takes, can we talk about the locks? Or lack thereof, rather. "How could they be so stupid as to leave the door unlocked?" you're right, that does seem odd, and Anthony made a point to explain that every other door was very thoroughly locked, and Normal seemed to have practically been moved into opening the door against his own will so... Hear me out, maybe, just maybe, the door usually *is* locked??? And something fishy or unusual is afoot? I also wouldn't take their immediate, knee-jerk reactions to a dangerous flesh monster being released to come to any conclusions on whether or not Lark and Sparrow "blame" six-year-old Normal for it. In Sparrow's case, I struggle to even imagine it. In Lark's case, though I wouldn't put him above getting angry over it, my doubts on his deeper feelings are still high. Conversely, if he actually did place some of the blame on Normal, at the very least there is an interesting discussion to be had on how this relates to Lark's own guilt over what Willy manipulated him into doing, and subsequently being denied the catharsis of punishment. But I'm getting ahead of myself. Like I said, a lot of important things are yet unknown.
*breathes* okay end of overdue ramble [insert proper conclusion paragraph here lol], thank you.
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hazmatazz · 2 years
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"new gay spider-man" like not all spider-men get a little bicurious when they put on the suit, stfu
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eastgaysian · 1 year
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twistedappletree · 6 months
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Made myself sad thinking about how fast Jin Ling runs to Jiang Cheng’s side if he even suspects he’s been hurt because he’s lost everyone in his family, everyone who cared about him and was supposed to watch him grow up and all he has left is his jiujiu and he can’t lose anyone else, he just can’t
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