anyway so a few years back at one of mom's old churches, someone snuck a pair of nunchucks (illegal in Ohio, also sir this is A Fucking Church) into the donations for the rummage sale.
I went to help out sorting through and pricing things yesterday for her newest church's sale and found a whole-ass iron(?) dagger with a very sharpened foot-long blade in one of the bins...
with a bonus eagle & swastika hilt
so that's fun 🫠
my dude. like what was your plan here. "yes the 50¢ an item fundraiser is definitely gonna sell a fucking nazi knife to support their free community breakfasts. I am a Good Person."
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Horotmu-Pavam of Solēsne was a Southern Throne born of the union of Unbodied Horotmu of Solēsne and Headless Pavam of Hatab, and was one of the most famous Solēsne Throne, much to the despair of House Solēsne. They are known best for their failure to synchronize, and the resultant death of a House Venvin scion at their hands, or rather teeth. Horotmu-Pavam has become a character of academic interest, a case study on the art of matching Headless and Unbodied, and a dramatic illustration of the consequences should a pair be ill-considered.
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I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?
I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.
Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.
Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.
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cw. chubby!reader, gn!reader, no specific character mentioned, selfship lingos (f/os) used, selfship stuff in tags
reminder to my fellow plus-sized comrades that your genshin f/os loves everything about your body.
they love every inch, every kilograms, and every curves of your body. they love your love handles. they think your big arms are so soft and cuddly. they think your plump thighs are to die for. they think your tummy is the best place to rest their hands. they think your chubby cheeks are the most adorable thing to ever exist.
they think you're lovable and incredible and everything they could ever want; so what if they had more of you to hold? that's just a bonus.
they will never be ashamed to call you theirs because they adore your size, and they would never ever trade you for the world.
and yes, they will kiss and coddle you until you believe them.
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Okay, so. Um. Chapter 423.
Seeing people's reactions I have to say some things. And let me preface this by saying that I don't believe this is truly it. But.
The issue isn't even that Izuku (seemingly) failed to save the person he wanted to save from AFO (well, it is an issue, actually, but not the main point. Also, the fact that his and vestiges' plan to reach Tenko is also what ensured Tomura's death is just so... ), and it's not that he's weirdly distant and cold in this chapter.
It's the fact that not a single one of them actually acknowledged anything that they saw and heard in Shigaraki's mind. Neither of them talked about what AFO told Tomura - the fact that Tomura didn't say anything about what he learned about his quirk, his purpose and the fact that he never truly wanted to kill his family is especially mind-boggling. And Deku didn't say anything about the revelation that Tomura never really had a chance or a choice from the very start either. There was no self-relfection on either side, no real conversation, and there also was no real understanding between the two being reached. It's the fact that Deku instantly stopped caring or wondering about Tenko/Tomura the moment AFO came back, being completely willing to pulverise his body when just a few chapters ago he refused to do that when Nana told him to. It's the fact that he didn't react to Kurogiri pleading for Tomura and Bakugou just killed (???? maybe not, it's hard to understand) the man. It's the fact that the vestiges still being alive and Nana saving Tomura (oh hey, guess her whole family actually all died to AFO, unable to truly smile) was off-screened.
This is not people blaming Izuku. This is just people complaining about straight up bad writing.
Even if Tenko is still alive (And Kurogiri wasn't killed by Bakugou too, but I feel like Kurogiri is just too doomed to survive anyway), that doesn't erase the weirdness that this chapter was. It would still be salvageable, I guess, depending on what happens next, but good lord, the damage was certainly done.
And if Tenko is really dead, but we'll just see more of Midoriya's reaction to that in the following chapters, this would still be fucking horrible.
I love Deku. I love his emotions, how genuine he is, how empathetic he is. He is just a kid forced into an awful situation. This is not a jab at him as much as it is a jab at the author and the writing here. Because how in the world does the protagonist fail at doing what he wanted to do harder than the supporting cast with their villains? Why was Toga and Uraraka's final chapter more genuine and emotional that THIS - the protagonist and the main antagonist's last conversation????? Why was Ochako more upset about realising that Toga is about to kill herself than Deku was in those chapters?
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I’ve made a billion fucking drafts and can’t find the words to talk about cellbit and bagi from today. how the fuck do you explain the intricacies between a brother who has lived a life that has sharpened him to cut what he touches, and a sister who had to live with his absence? a man who has to see the childhood he never got to have whenever he looks at the woman he now knows is his twin? said twin who cannot understand why her brother would be anything but glad they are reunited? how do you get across that tangled mess of emotions cellbit had to get him to burn his old pet worm? the paradox of longing for what could have been while desperate to get rid of any reminder, with a healthy dose of paranoia that anything could be a federation bug. or the pure devotion bagi has to decide to stick with her brother even though he is not close to the same as he was when he went missing? the unfairness of it all, of cellbit being taken and made into a killer before he turned 14, of bagi looking for him at the detriment of her own safety and self, of ripped up childhoods and everything that could have been? the fact that the first thing cellbit asks is what he could have done to deserve it? the disgust he holds for himself for what he’s done, and the anger he has for the federation that’s taken everything from him, and the resentment he has towards bagi no matter how unfair it is because she never had to go through what he did? how after bagi swore to help him burn the federation down, cellbit went to bad instead, because bad was there and fought alongside him, and he trusts bad because he’s seen him at his worst, and all he feels like doing is his worst right now? the two of them so similar still because they’re consumed by their need for revenge, while bagi just wants to leave the island? how the fuck can you summarize all this and the emotions that accompany it?
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rdj the (whitewashed) electric boogaloo
This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.
I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.
This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.
I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.
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Hey I found ur art uncredited on tik Tok
https://vm.tiktok.com/ZMreQSnaw/
They said they "found it on Reddit" so they just decided to steal it and post it ig?? Ugh!!
Wow, that's a whole other repost to the one I thought it was going to be, lol. It's been reposted to TikTok once before, and I'm also not surprised this person got it from Reddit, where I doubt I was credited either.
At the end of the day I appreciate the heads up but there's nothing I can really do about it. The most helpful thing anyone can do is to leave comments on the reposts to provide credit,* because if artists ever try and comment then we pretty invariably get attacked. Don't be mean or aggressive, that just builds their animosity towards the artists, but I do think people respond positively to outside pressure to do the right thing 🤷
*Remember to make sure there's enough context - eg. something like "art by @ landegart on Twitter" is more searchable/useful than "artist is Landeg" to someone on TikTok who has no idea who I am haha
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2024 reads / storygraph
Our Lady Of Mysterious Ailments & The Mystery at Dunvegan Castle
books 2 & 3 in the Edinburgh Nights series
paranormal mystery set in a climate-ravaged future Scotland, plagued by ghosts and magic
follows a 15yo Black girl who’s finally gotten an in to learn scientific magic properly - but it turns out to be an unpaid internship, so she has to take more jobs delivering ghost messages and investigating mysteries to take care of her gran and little sister
in book 2 she’s investigating a strange illness centred on a magic school for boys
and in book 3 she’s attending a global magician conference held in a creepy castle - when someone’s murdered, and they’re locked in until she figures out the culprit
Zimbabwean magic, friendship, disabled characters, no romance (so far)
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