changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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its interesting to me how self-deprecation neatly ties into making others feel bad. like. if you constantly assume that you’re stupid no matter how informed or skilled in a topic you might be, people who are a bit less learned or skilled than you might see how you, someone who is obviously skilled, talk down about yourself, and assume that if you think YOURE an idiot you must think theyre an even bigger idiot and lose confidence or find you intimidating as a result. its fucked up. and its part of why it can be so important to break out of cycles of self-hatred--not just for yourself, but for people around you
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holds your face so fucking gently please leave reviews for indie games. please. every single review legit counts, especially if the game is small enough, and you don't even gotta say much if that's the problem!!
like, anything from a long ramble to a simple 'it was good' matters, because steam (and probably also the Other Ones) uses an algorithm. so the more reviews, the more exposure, the more money the dev team gets. like, please. please. leave a review. throw your small indie dev team a bone
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tumblrs being transphobic, with the ceo himself starting an actual harassment campaign against a transfem & also banning transfems who post abt it.
Oh shit, I had not heard about that.
I would like to say I don’t understand why this shit keeps happening, but I actually do understand it way too well. It just makes me so sad and angry. Especially on a site where people find and make their communities.
So much of this is about ego, and the people with power wielding that power to protect themselves and failing to protect others with it. A mere hint of negative sentiment towards them is harassment that is dealt with immediately and harshly, but a dozen complaints about discrimination or threats or bullying take ages to process and frequently come to unsatisfactory moderation decisions.
Whatever the sentiments of the people running this hellsite, you are always welcome in my corner of the internet, wherever you find it. You are all wonderful, and we all deserve to feel that part of this space belongs to us and those to whom we can connect.
Transphobia has no place on tumblr, period. Or anywhere else in society for that matter. It is that which should be being rooted out.
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it’s just the way that the doctor still tragically loves the master despite everything.
the master has destroyed their planet and violated their people in the worst way possible and yet they’re still intrinsically entwined for eternity.
the master is who he thinks about when there’s a chance he may die and the master is who he thinks about when he survives.
missy said “my heart is maintained by the doctor” and i do think that’s mutual. the doctor’s hearts are maintained by the master, they always have been and always will be.
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a huge point in orv is the relationship between parents and their children, creators and their creations, writers and their stories, and i think we need to talk about how just as a child's parents cannot dictate who they become, just as god cannot rob humans of free will, just as a writer cannot control how their story is experienced, yoo joonghyuk is no less real just because he was created
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whenever sam brings up his childhood, its always like "awww so cute <3333" followed by "JESUS FUCKING CHRIST" approximately 2 seconds later
like "awww he had an imaginary friend, thats so sweet! i love sully!" and then "oh jesus, his imaginary friend is real and was there to fill in the gaps so that sam didn't fall through them :((("
or "aww sam had a dog friend" followed by "sam lived with his dog friend in an abandoned house cause he ran away for TWO WEEKS, apparently one of his happiest childhood memories wtf"
or "awww dean read to him" and then "oh the whole time he was thinking about how he was dirty and wrong haha 0_0"
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