#fiona gallagher childhood

[kandyzee]

These scenes always make me think about Fionas and Frank's relationship pre s1 so I'm gonna talk about it.

The way she flinches and makes herself as small as possible HURTS me.

I think its important to put that she doesn't have the same reaction when men she doesn't know shout at her. Fiona can confidently get into confrontations with strangers. This is why I link it back to Frank. Fiona isn't scared cause she being screamed at its because someone she loves and cares about is doing it.

Whenever Frank's physical abuse is brought up, people almost always go to Ian as an example as he's the one who we see it happen to most. This is fine, but I think because Ian is such a clear representation, people often don't think about the other siblings.

Frank was likely much more violent towards fiona than we see in the show. I have a few reasons for thinking this.

First would ofc be the way she acts in these scenes. She has grown up trying to hide away from Frank's violent behaviour. She knows how these things start, and it's normally with shouting. In my experience, people don't go straight to hitting. They will throw things at the other side of the room, then it's in ur direction but not quite at you. Then It's screaming at someone in their personal space and punching near their head. Fiona had to deal with that where the others didn't. I'm not saying one or the other is worse, but they are different experiences. Fiona didn't know when Frank would finally snap and actually hurt her. Not knowing is a whole different fear. This explains why her brothers screaming makes her so scared.

Second is that fiona was younger and not able to defend herself. Frank didn't face any consequences for his actions. Who was going to stop him when fiona was meant to be the one in charge ? Frank is always less violent towards the youngest kids, like how he hits Ian but not Debbie or Carl in the early seasons, but once Debbie is older, he's violent with her too. Fiona is the oldest, meaning there was no other option than to take his anger out on her. As they all get older, fiona is able to stand up for herself. This reminds me of the "never hit my kid again" scene. The way she talks to Frank so confidently in this scene makes me think she has a long history of standing up to him.

We all know Frank favourite is Fiona. This means he was more comfortable hitting her. Similar to the way mickey is Terry's favourite, Frank's higher expectations of Fiona lead to her disappointing him more. As fiona gets older and her need for his love seems to die down (like debbies), Frank starts to resent her. Fiona is supposed to be a daddies girl. She's meant to love him even more than he does her, but she doesn't anymore. Frank is her dad. He doesn't act like it. Fiona acts out to desperately try to make him act like a dad. Instead of her putting pillows under his head, making him dinner alongside her siblings, she's distant and rude. This just ends up making him scream and punch more.

Now fiona is grown. She's 21 and almost never the target of Frank's violence, but she's still trying to protect her siblings from him. A few years passed, and now her brothers are grown. The boys she raised, protected and loved, the ones who are meant to be her rocks, are screaming at her. In her face the same way Frank, the man who was supposed to raise and love her, did. She is scared in the same way she was when she was 5 years old. She doesn't know if or when she's gonna be hit.

I think fionas childhood is something people don't think about in depth enough. Anyway love her forever.

[mother-of-houseplants-2]

they’re my big three ❤️

alt versions^

[m4ndysk4nkovich]

shameless (us) pre-canon headcanons:

ian found out about west point’s existence when he was seven and immediately decided he wanted to go there.

kev and v met the gallagher’s in 2001 and would take the kids out for ice cream or something cheap that they had never expierenced before.

debbie and carl used to do matching halloween costumes. one year carl dressed up as peanut butter and debbie as jelly, and carl wouldn’t stop making “nuts” jokes the entire time, much to debbie’s dismay.

ian slept with a teddy bear until he was about nine. nobody but fiona and lip know about this.

lip is afraid of the dark.

ian and debbie both get sick more than any of their siblings, and usually they would bring home some bug that get’s all of the other siblings sick. they all fall like dominoes once one of them is sick.

mickey and mandy both listened to mcr as kids.

fiona and ian used to race eachother around the block.

fourth of july is ian’s favorite holiday and he and lip always set off fireworks every year, starting at ages 7 and 8.

ian was so excited when debbie was born. he used to kiss her head and would always carry her and hug her. he loved being a big brother.

[bluelippedbrelly]

i wished more than anything growing up to be like Christine Daaé but instead I grew up to be Fiona Gallagher.

[circles19]

I have a type

[iandarling]

Yes, Debbie is annoying and makes horrific choices but let us not forget how she grew up…

In the Pilot we see a 10 year old Debbie bring her toddler brother to school because someone needs to babysit him and Fiona’s got work.

In season 1 episode 2 Debbie is terrified her father has died and spends her day searching for her missing dad, and once he returns she wants to hear stories of his trip to Canada because she’s still a little kid

In season 1 episode 3 Debbie gains a maternal figure in the senile woman her family steals borrows from a nursing home. She spends a full 24 hours loving her and creating memories she never got to have with either of her grandparents or Monica. She knows this isn’t the real Aunt Ginger but she mourns her loss as if she was real

In season 1 episode 4 Debbie borrows steals a neighbourhood toddler because she was desperate for attention and no one wanted to bake a pie with her. She tells her family she misses aunt ginger and fiona responds “who?”

In season 1 episode 10 Monica returns saying she loves her and misses her, but she’s here to take steal Liam and “start a family of her own”. Fiona moves out of the house, and in the end Monica leaves her yet again

In season 2 episode 3 Debbie witnesses an old man die and is horrified to learn that her loved ones can also die and therefore leave her forever

In season 2 episode 9 Monica returns and Debbie is the only one worried about her dead grandmother laying alone in a hospital freezer

In season 2 episode 11 Debbie’s mother attempts suicide in front of her and her new nephew isn’t even Lips so she lost him too

In season 2 episode 12 Debbie helps break her mother out of hospital and she leaves her yet again shouting “i love you debbie!” as she drives away

In season 3 episode 1 her father has been missing for 140 days and she’s the only one in the family who cares while the others ignore her fear of loosing Frank

In season 3 episode 2 Frank destroyed her history project and her childhood with it. She finally understands who he truly is and she has now lost both parents

[house-of-slayterr]

Characters I Share Trauma With:

[torchflies]

Hi TG Fandom!

Time for some more sad Jake!

Hangman is the asshole archetype and while I love that for him, I want him to have a subset of people who see him as the opposite. 

So, I raise you — a Hangman who is raising his siblings. 

I’m talking about Fiona Gallagher from Shameless levels of raising — just with a little more success and in the swamps of the Texas-Louisiana border. 

I'm talking about a Jake who had a terrible childhood and knew how bad they were starting off in the world, so he planted his feet and shoved those kids in front of him to get them farther down the line of success than him.

A Jake who was raising two one-year-olds, a ten-year-old, an eight-year-old and a five-year-old alone at fifteen because the system failed them. 

He eventually joins the Navy to feed them because he's out of options. 

But he does the thing — he gets one into art school, one into nursing, one into professional ball and finishes up with two teenagers who never ever doubt if they have someone in their corner. Because the youngest two, the twins and only girls, had their Jake to teach them to shave and use menstrual products and put on makeup when they were ready and if they wanted.

He taught all of them how to love and be loved with none of the experience himself. 

I need a Jake who broke it off with Bradley because the kids came first and he was scared that Bradley would reject them and the prospect of an “instant family”. 

I just… I need it. 

I need a Jake who takes off to save Mav and Bradley even when he has everything to lose. 

[fuckshitslover]

CARL GALLAGHER HCs

SFW AND NSFW

SWF HEADCANNONS

I can only write Carl x reader as a childhood friends to lovers trope

That’s just how my brain works lmao

You and Carl grew up together

You probably got together somewhere after he got out of his white boy carl phase

It would have been awkward at first since you had grown up together

But eventually it was as natural as breathing

You would be allowed at the Gallagher house whenever

Fiona would not give a shit nor bat her eye

She would probably be happy

Carl would probs be clingy asf

But you don’t have a problem with it

Dates consist of a private booth at the alibi or laying under the L like lip and Karen

You would save up for a small house and turn it into your home

NSFW HEADCANNONS

god he’s so good

I feel like he’d be the type of guy to eat you out until you cum and then fuck you so you feel better

His dick>>>>>>

He seems verbal

Like not in particularly moaning but just that he won’t stop fucking talking

People have walked in on you having sex and could just hear him telling you random things about other times you had sex

I feel like he’s longer than thicker

[luvliewriting]

❦❦❦

Imagine: First Kiss

Warnings: Mostly just fluff, maybe some hints of ns/fw for some

Notes: I'm willing to turn any of these concepts into actual fics if requested

Includes: The Gallagher siblings

❦❦❦

Fiona <3

You worked with her at the diner and it was time for closing, it was just you two cleaning up before you turned the lights out. You kept eyeing her from across the diner; seeing her bend over the tables, tuck her bottom lip under her teeth when she would scrub a stubborn spot, pushing back strands of hair that left her ponytail. It was torturous watching her like that. You knew she just got out of a relationship with Jimmy/Steve so you worried that maybe it would be too soon to tell Fiona how you felt but it was getting more to be harder everyday that you had to watch her and see her. Eventually you couldn't take it so you "accidentally" dropped one of the coffee cups and Fiona immediately offered to help you clean it up. When you two ducked to the back to toss the pieces of the cup, you pulled her back before she could return to cleaning and kissed her. To your surprise, she didn't try to push you off and even stayed back a bit longer after closing at the back of the diner with you

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Lip

It was the same as Karen, you were a little behind on history and Lip needed some extra money so he decided to tutor you. The first couple lessons were innocent enough, it stayed strictly as tutoring. But as the lessons went, you two got closer. He would scoot his chair closer to you, he would stay behind after the lessons for a bit to have a smoke and chill with you till it happened. You were scribbling on the paper aimlessly while Lip read the textbook to you and explaining what it meant in more detail not that you were listening, you were too busy admiring him and his voice but you tried to pay as good attention as you could. Your pencil slipped out your hand and rolled to the floor between you two. You both bent down to grab it, smacking your foreheads together as he groaned and you laughed. He was rubbing his forehead when he looked at you with those eyes, those eyes you could stare at for hours as you began to lean in, as did he till your lips touched. His hands snaking down to your butt and thighs, pulling you off of your chair and into his lap.

❦❦❦

Ian

Childhood friends, you two had grown up with each other and knew each other better than anyone else. He was your first crush and you were his but you were both two stubborn to admit. After Ian dumped Mickey, you were conflicted on what to do; you had a chance to either make your childhood fantasies come true or completely ruin a lifetime of friendship. It started with leaving little crumpled notes in places that he would find eventually, than turned into leaving articles of clothing at his place when you would sleepover till you eventually just flat out said that you wanted Ian in that way. You braced yourself for the rejection, turning to the door to leave his room till he grabbed you and smashed his lips against yours passionately finally admitting what he had wanted to say for years.

❦❦❦

Debbie

You met Debbie through Franny's school where you worked, she was by far your favourite of the mom's to converse with when they would come to pick up their kids. Debbie was typically the last parent to come pick up their kid, not that you complained. You absolutely adored Franny and you liked getting to catch up with Debbie. But one day, it was a Friday so you sat with Franny at one of the little tables waiting for Debbie to come pick her up while you ate lunch with Franny. Franny was eating her typical peanut butter and jelly, her mouth was full as she said "mommy keeps talking about you Mrs/Mr L/N". You weren't sure if you heard her right but she continued when her mouth wasn't full, "she says your name when she's in her room for private time." Okay you were sure you heard Franny right now and when Debbie came to pick up Franny, you decided to follow the two out to your car which was parked beside Debbie's. Debbie was in the car, Franny in her car seat and Debbie's window was rolled down as she talked to you. Eventually you just leaned in and pecked her lips, leaving Debbie flustered as you winked, "I'll see you tomorrow Miss Gallagher."

❦❦❦

Carl

You were at an arcade and challenged him to a game of basketball, Just for the fuck of it. You won of course, by pure dumb luck because athletics were not within your department. Carl tussled for the ball, demanding a rematch and you refused, screaming that he was being a sore loser. He chuckled and reached for the ball that your arms stretched to the back of your head, as it you really could evade him. It was like he planned it yet it also felt so improved, smug bastard. It was fast, his arm snaked around your waist and planted his lips on yours. You could be imagining things, but you could have swore Carl took a second to inhale you, taking you all in. For what felt like an eternity was over in a flash when you heard a thump on the floor. He got the ball and you were subjected to a rematch

❦❦❦

Shameless Taglist:

Thank you for reading

Please reblog because likes don't help with reach at all

❦❦❦

[em-harlsnow]

all my works - the master list!

here's a list of all my current works on AO3:

what I'm currently working on: iron bars

fluff/humour:

only you (not your brother) - someone mistakes Mickey and Lip for being married, and neither are very happy about that

butterflies - a collection of small, sweet actions in their married life

I like taking pictures (as long as you're in them) - Ian has many photos of Mickey on his phone and Lip discovers them

Welcome Home (outside POV) - all the Gallaghers' reactions for Mickey coming home from prison in season 10

I see you as you see yourself (outside POV) - Fiona's boyfriend Sean's point of view on Gallavich in season 6 as if they never broke up

mostly fluff, light angst:

you're all talk - mickey talks a lot, and not many people realise it. Ian just loves it

Gallaghers and group chats - text conversations between various Gallagher family members over the years (ranging from snapchats between gallavich and a family group chat)

not everything's a struggle - Mickey still suffers from his childhood injuries even years later, and Ian convinces him to get some help

Mystery of Artist Mickey Milkovich - Ian discovering old drawings that Mickey made of him

what do you know? (outside POV) - Tami gets snowed in with the Gallaghers and learns about Ian and Mickey

angst:

It's Dark Tonight (will you stay?) - Ian witnesses Mickey getting hurt by Terry and takes him back to the Gallagher house to look after him set in season 3 (MY FIRST EVER FIC)

motherhood and what comes of it - mickey's mother returns after all these years and wants to see mickey set in season 10

iron bars (WIP) - Ian and mickey's time in prison in season 9, including difficult conversations and playfully reuniting

miscellaneous:

I'll fight everyone but you (AU) - Ian and mickey are in opposing gangs and have to work out how to be together

white knights and friends - just a season 3 ep 5 canon divergence of mickey protecting mandy (my absolute least favourite of all, I wrote it in like an hour and never checked it over)

cardinal sin is a vivid red - depiction of mickey's feelings when Ian leaves for the army (I tried to use a different writing style)

group projects:

s'more of you (AU) (WIP) - Mickey and Ian meet for the first time when they work at a camp together in the summer

my personal faves (should I have favourites of my own work?):

motherhood and what comes of it

welcome home

iron bars

Gallaghers and group chats

love you all, I'll be editing this as I go!

<3

[pinkvenomsstuff]

Friends don't kiss friends. part 1

You and Carl have been best friends since childhood, when you were still terribly messy kids. You practically grew up at the Gallagher's, you were next-door neighbors, and when you weren't there, you were at Alibi's with your parents, Veronica and Kevin. You were with him at all times, at least the most important ones. And some it was you who made them come true, like his first French kiss behind school.

You were the first one Carl liked, that's why you were such friends, he really liked you a lot. You were the first one who aroused something in him, sexual or not. And for that, you were the one chosen for his first kiss, his first dance performance at school, the first one he ran to with a can of vegetables with a hundred thousand dollars in it, and you buried yourself in some wild terror. Your favorite weapon was delivered to you in the school bathroom. And the first woman, except Fiona, who saw him when she got back from juvie.

You guys had some disagreements when he came back saying he was black and forcing a ridiculous black accent, acting like a sick gangster. The braids in his hair almost made you kill him. His mother scolded him immediately. He was someone else, not the Carl you knew but who knew he was there, somewhere, but he was. But you couldn't stay away from him long, and within two weeks you were talking normally.

Or the first person he asked for love advice when he started to have feelings for Dominic, he did everything for her, but unfortunately it wasn't enough. She betrayed him and contracted gonorrhea, the sages say: karma is like a kick in the ass. You were the one who took him in, and then went with him to take a test, where he discovered that he didn't have the disease, and the certainty that she betrayed him.

You were the first one he ever told about his shitty parents, not that you didn't know, you lived with him. But it went deeper, he told you how he felt about Monia's death and how he felt like a failure for years, especially after what happened to G-Dog, but you brought him back to who he always was.

And shit, those damn words almost made you choke on the beer you were drinking. "Back to life," what did he mean by that? What were you to him anyway? That was a question you didn't mean to ask. You two have always been best friends, both of you have always prioritized friendship above anything else, you didn't want to risk it and end up losing your love.

You were at his house now, lying on his couch missing him. It's been almost five days since you've seen each other, even though you lived within meters of each other. "Hey Mom. I'm going to Gallagher's!" you yell, she yells back saying it's okay and that she's going to be on Alibi. You leave the house wrapping your headset around your cell phone, shoving your hands in your sweatshirt pocket.

You look around and see no cars, it was a cloudy and relatively cold day. You walk down the sidewalk taking the few steps to Gallagher's house, and surprisingly you still haven't heard any screams, groans or anything breaking. You jump the playpen at the house, sell a Frank passed out - or not, sleeping or dead on one of the stairs. You ignore that old junkie shit and head upstairs ringing the doorbell.

The door is almost always open, but you don't think it's polite to walk in without knocking, especially not to find someone fucking on the couch or in the kitchen. The door is quickly opened by Lip, who has wide blue eyes, but he relaxes as he recognizes you. "Fuck, I thought it was the social worker." she whispers in relief "Hey girl. What are you doing here?" he asks giving you space to enter, so you do.

"I came to torment C-Dog." you say smiling, he laughs with a cigarette stuck to his lips. "Right." he sits on the sofa. "Where are the rest of the staff? This house is insanely quiet and it makes me wonder if no one is drugged or dead." you say, Lip laughs puffing out his cigarette. "No, no. Debbies is out with Franny, Fiona is at the diner, Ian is probably fucking some gay guy and Liam is in school."

"Uh…I thought things between Ian and Mickey were serious." you talk, Lip shrugs. "They're coming and going because of their bipolarity." "Got it. I'm going up." you say starting up the living room stairs, Lip nods turning on the television. You walk down the hall really seeing the empty rooms, you go to Carl's and give a few rings, nobody comes to open it and you don't hear anything.

Then, slowly you pull the doorknob covering his eyes, an immediate action upon entering his room since you found out he slept naked sometimes. You enter the room one finger at a time until you are sure there is no one in the room. "Y/N?" a hoarse voice comes from behind you, and you jump in fright. "Oh shit Carl. You scared me!" you gasp putting your hand on your chest, he laughs walking into the room.

He rummages through your clothes thrown across the bed so you don't know which ones are dirty or clean, and just then you notice a white towel drapes around your hips. Leaving his luscious abs showing, it was a fact that Gallagher came back a hundred times hotter from jail, you'd admit that yourself.

You grab a random playboy magazine from under his bed, throwing his body on the bed you cross your legs opening the magazine as he changes. Even though you've seen each other almost naked a few times, or else in your underwear and panties and bra several times, you respected your privacy. You flip through the pages of magazines, naked women posing or wearing costumes.

"Wow, that's hot." you say smiling, Carl looks at you without understanding. You turn the magazine over to him "Oh, she is." you notice that he has his legs covered by sweatpants, my biceps are still uncovered. You return to the magazine, pushing away any inappropriate thoughts. "I'm dressed. What are you doing here?" he asks sitting next to her on the bed. "I was bored and I have a best friend living next door to me so…" he laughs, pinching her ear. "I understand. What do you want to do?"

"I don't know, man. We can do whatever you want but I'm honestly really hungry so I'd like to stop by Paty's first." you say closing the magazine. "Right." he smiles, you roll your eyes around his extremely disorganized room. "God, Carl. Did you know Fi has a laundry basket in the hallway? Or you could start washing them then." you turn up your nose when you smell one of his shirts.

"Ah... mind your own business girl!" he exclaims smiling and ruffling your hair, you shake your head. "Fuck, let's go to Paty's before I end up eating you." you sigh, feeling a knot in your stomach, Carl looks at you slyly "Oh no! Shit no! Carl fuck you!" you exclaim, closing your eyes tightly, denying it, but - I would like to - was what crossed your mind.

"Wow, ok. I thought you thought I was super hot and all..." he laments pretending to be offended, putting his hand to his chest. "Oh yes- yes you are. I just-" You can't find the words, he laughs with his total fishy face, not even able to think. "I understood. I'm just playing with you. Come on babe." he says laughing and pulling your shoulders to walk with him, you laugh but you're still extremely embarrassed by it.

"Hey, Ian!" Carl walks past him, Ian ruffles his hair. "Hi guys, and hi Y/N. I haven't seen you in like a week?" Ian says it more like a question, you nod. "And Kevin, have you recovered from your vasectomy?" "Yeah, I had to take some time off after I saw Frank fuck a homeless girl in the kitchen." Ian laughs loudly, throwing his head back in the chair. "I swear, it was 'fucking traumatizing!' you laugh along with him, Carl laughs at both of you. "Where are you going?" Ian asks with a beer in his hand. "Paty's, and then some Chicago alley." Carl responds. "beauty." Lip goes upstairs.

Carl walks to the front door, you stop him. "I think we'd better go around the back. There's a Frank passed out in your driveway." you say sarcastically, Carl rolls his eyes. "Fuck that old man." he says walking to the kitchen door, you follow him with a smile on your face.

You walk in front of your house, the truck is still in the driveway. "Do your parents really let you drive?" Carl asks as you turn the keys in the door. "Hm, no. Ve says I might get hurt, but Kev doesn't care. He thinks it's radical!" you say excitedly, Carl smirks at you.

"Too badass. I drive Fiona's car sometimes, it's nice." he comments, you two get in the car sitting on the seats. "Yes, it is. When I get my license, I'm going out at dawn with you to all the car races." you say smiling, which makes Carl smile as he remembers the things you guys did to make it to the city limits for the damn clandestine races. "Uh, great. I really don't want to have to bike to the end of Chicago."

"Right, right." you chuckle at it "Just a year to go or maybe two..." "Sixteen is the new seventeen." he says, you nod turning on the radio. "Birthday Sex" blasts through the loudspeakers, you and Carl singing the lyrics perfectly as if you were at a live show. In fifteen minutes you were already in Paty's, you park the car just before the entrance to the store. Carl walks out the door normally and you jump out of the truck, the two of you enter the diner.

You move to one of the tables facing the street, Carl follows you and you sit opposite each other. A knowledgeable attendant comes to you. "Hey guys, can I take your order?" she asks smiling, you take a good look at the menu even though you know it like the back of her hand. "Hey fely! An x-bacon with double fries and a coke. Please" Carl says, Felicity writes it down on paper. "What about you, Y/N? The same as always?" she asks still with a smile on her face, you think for a moment. "Hm... Same as him. And pancakes. With honey, lots of whipped cream and strawberries. Please." she notes. "Yes, someone had come to serve them." "Thanks." you both say thanks, she leaves to take more orders.

You two look at each other but don't say anything. You start snapping your fingers. "So…what have you been doing?" Carl asks breaking the silence. "The usual. Taking care of the bar, the twins, studying and sleeping. No big deal." you shrug your shoulders. "And have you been seeing anyone? Like a hookup?" you shake your head "No. Nobody. And you?" "Nobody either. But I like a girl." he says low, you're a little surprised. "Oh good Carl. Who is it?" "A girl over there, you don't know..." "Okay. Can you tell me about her?"

"Well, she's quite outgoing. She likes games and has questionable taste in music. She loves riding her old skateboard." he tells you the details, you laugh at the last remark. " She's a good girl so then. I'm happy for you, asshole." you run your hands through his hair, ruffling his strands. "Yeah, she is. She's pretty pretty too, like, awesome." You nod, seeing one of the waiters come with their orders. He puts it on the table, you thank him with smiles. You quickly pick up your burger and bring it to your mouth, taking a big bite.

The incredible taste of the fried bancon, the melted cheese and the grilled meat had you moaning in satisfaction. "Oh, God. This is fucking better than a blowjob!" you exclaim, Carl raises an eyebrow at you. "Have you ever gotten a blowjob in your life?" "No. But I got blown, and I'm sure I say this is way better." he shakes his head laughing, you notice the little bag of ketchup being poured into his burger, you frown at that sinful act. "Bro, are you really using that red sauce in a x-bacon? That's like a crime in Italy, man." you say taking another bite of yours, Carl throws the empty ketchup bag at you.

"Fuck Italy and its pizzas without ketchup! We're in America." he grumbles, you laugh. "That fucking is a godsend honey, there's no reason not to use it." "Uh, ok. At least you know Italy is not an American country." you mock him, Carl looks at you like you've said the most shocking thing in the world, the boy throws two potato in your face. "Hey you shit! Don't throw that at me." you exclaim, an elderly couple next to you complains about the noise. "Can you guys not scream or throw your cockroaches? Shitty ghetto teenagers. They don't know how to behave anywhere." the old woman mumbles the last sentence.

"I'm sorry gentlemen." you smile falsely at they, looking at Carl who was laughing hysterically. You shoot him a death glare. "Old bastards. I'm going to make these fags eat dust." you claim looking at your delicious pancakes. "But I'll get this over with first" "Yes you will." Cal says still laughing.

You finish quickly and compete with Carl to see who eats the most pancakes in the least amount of time, you obviously win with 7 pancakes in two minutes, but Carl is a good competitor with five. You both laugh when you notice that his lips are full of whipped cream, and so is the tip of his nose. The old people from before complain again, saying that you are noises. "Enough. I'm going to make this old woman hear some truths. Shitty South Zone bitch!" You get up from your desk, reaching into one of the pockets of your shorts, placing some bills on the table.

Carl too, with his wallet in his hands. "I pay." you two say together, laughing then. "Hey big boy, I pay. I brought you here, it's ok but next time it's you." you threaten with your lower finger pointed at him. "Right." "Now C-Dog, stand there and watch me fuck these old men." you tell him you're close to the exit. "Oh, go for it girl." he whispers to you, who gestures with your hands to him following you to the elderly couple's table.

"Hey good afternoon." you smile sympathetically sitting next to them. "What you want?" the woman asks arrogantly, looking you up and down. "Ah...no big deal. It's just that I actually heard you complain about me and the boy with me, I had to come here." you say sadist, eating a potato of them. "So what, girl?" She rolls her eyes. "It's just that I was a little hurt, you know? I thought you were pretty, that's fine for such an old age. But then you opened your little shit mouth, saying really prejudiced things. And I thought, I should punch some respect in this bitch." you wink at her, the lady looks at you with a hateful expression. "So, here's my darling lesson."

You pick up your glass of soda, you take a few sips, and then you spit the drink back into the glass. You smile at her before slowly pouring the coke under her head. She starts screaming getting the attention of customers calling you a ghetto rat. "Go back to the south side, motherfucker!" you exclaim, spitting in your food, standing up and feeling Carl proud stares at you. Fiona comes up to you, you think she's going to scold you but you're surprised when she applauds you. "Aren't you angry? Those customers with money never came back here." she denies smiling. "No, really. You did me a damn favor, I hate those old men, they always come here and complain about the food or my people."

"Oh, that's great then!" you smile, she nods throwing a cloth over her shoulders. "We left the money on the table, Bye Fi!" Carl yells opening the front door, she yells back an "ok" you walk out of there with you feeling insanely good. "Girl, I fucking worship you! You fucked with them." Carl exclaims jumping up and down, you laugh at him. "It's no big deal. It was deserved." you get in the car, and you start it. "Certainly." he says putting on his seat belt.

You start the pickup. Carl doesn't stop looking at you for a second, especially his hair flying in the wind invading the car through the windows. He's totally mesmerized by you, and seeing you defend him in a way has only made him more in love with you than he is. He was sure you were an amazing woman when you told him you faced men who were harassing you, but he was even more sure now, seeing your enviable posture up close.

That was the thing you loved most about Carl and that he admired most about you. You two wouldn't let anyone say shit about you, or whoever was important to you. It could be the biggest truth in the world, but the Gallagher's don't let anything go unnoticed. You had a trust that he sincerely always wanted to have for him, Carl was always a bully, stealing food and hitting some carusos when necessary. But you did even worse as a kid, and it's not something you're proud of, but you were just a kid angry about not being adopted.

And when Kevin and Veronica adopted you and welcomed you into their home, things changed, but there are things that don't change. "Where you want to go?" you ask, Carl blinks a few times. "I don't know... maybe in that abandoned terrano of the Díaz's? I heard that there are some people from our school going there to smoke and skip class."

"So that's where we're going, bro." you turn the car around the corner, turning onto the avenue. "Do you have cigarettes there? My dad never leaves them in the car because of the twins." he nods pulling a box out of his pants pocket. "Here." he hands you a pack, you hold it to your lips, Carl takes your lit lighter to the end of his cigarette, lighting it, you thank him.

[mother-of-houseplants-2]

fiona gallagher // "i bet on losing dogs" by mistki

[m4ndysk4nkovich]

y’all who act like monica ruined frank are so annoying for SEVERAL reasons (especially because there’s more proof frank ruined monica) but y’all will NEVER acknowledge queenie and sammi. sammi was around six years older than fiona, and frank was younger when she was born, but he still ditched her. he knew she existed but still chose to be an absent piece of shit. also, he was an addict since he was young! if i can find an exact moment where this is stated, i’ll tell you all, but i distinctly remember hearing it multiple times and i know others did, too. just because frank did coke for the first time with monica does not mean she ruined him; ultimately, his alcoholism, mother, and narcissism are what ruined him- not that.

[kandyzee]

Fiona gallagher and pretty privilege

I think fiona is a great example of how being an attractive white woman can really help shape the way people interpret or misinterpret people's actions, and I've never seen someone talk in depth about it before.

I think one of the main things that stand out to me regarding the way fiona looks is how she is so often boxed into the character type of "sad girl victim." What I mean by that is that people view her as this young woman corrupted by sadness. She's cursed by her environment, and everything she does is okay because of that. Fionas story is undeniably sad, but she isn't always the victim, and despite everything she's gone through, she can mess up. I don't think shameless allows for these kinda characters cause their faults are always portrayed so strongly. Typically, u see teen girls grouped in together, like cassie and effy from skins, Tracy from thirteen. Even a younger character like Debbie isn't as frequently put into this box. Debbie has a devastating story, too. They both have scenes crying and breaking down. Vees heartbreaking storylines of believing she was infertile or having to help her brother her whole childhood are never touched on. People don't see Vee as a 'sad girl victim.' And too me this is because, put simply, fionas pale skin and big puppy dog eyes look better next to lana del rey lyrics then the others do. Fionas sadness and struggle is romanced into something desirable. We see fiona be 'desired' sexually/romanticly many times throughout the show. I think there's something to be said about the way people's admiration for fionas physical body leads them to admire her mental state, even if it's inherently negative at times.

I'm not saying fiona is undeserving of sympathy or in any way trying to downplay her struggles just because she's white and more conventionally attractive. However, I do think it's these traits that make people disregard her wrongdoings where they wouldn't with other characters.

Again, using v and Debbie as examples, their parenting is scrutinised to a much higher degree than fionas, even though fiona is the one who makes the most mistakes. People will in the same breath crisis Debbie for leaving franny with Frank and defend fiona for leaving coke out for liam to find. Realistically, people should be firm on the belief that Debbie's action here isn't as bad. Franny has a fun day out with her grandad, and Liam almost dies. From what I've seen tho a large number of people don't have this opinion. Why does fiona get more grace ? Because she's more conventionally attractive than Debbie!! (Not saying Debbie isn't attractive) Fiona with her slim body, full lips, sharp jaw line are much easier to forgive than Debbie's rounder face, red hair and freckles. V gets called a 'bad mother' most when she is going through postpartum depression. She has an extremely valid reason to be distant with her children. Still, when fiona acts unkindly towards Debbie when she's pregnant, it's fi who gets more leeway. Both v and fiona are extremely attractive, so why does fiona get away with more ?? Because people sympathise more with the white women. Fionas pretty privilege is only intensified by the fact she has white privilege also.

I might make a part two on this cause I think I have more to say, but this is it for now. I had never really thought about this before a couple of weeks ago, so my opinion isn't as defined and solid as it normally is. Can u tell ??

[izzyspussy]

@fanficfanattic you will regret this

okay so. it wouldn't be the revenge specifically because that is its own story and i think the whole general Thing is really dependent on the characters in it (as it should be! most of the time) and the shameless characters really don't mesh well with it (as it also should be! most of the time). HOWEVER. if the characters of shameless were put into a plot/setting framework of a golden age pirate romcom with a defining theme of self actualization especially regarding gender expression and/or trauma recovery...

the milkoviches would be the ranking crew on one ship, with terry as the captain. the gallaghers are also the ranking crew on their ship, and frank is the captain. very early on in "canon" or perhaps pre-"canon" they mutiny and elect fiona as captain instead. kev and vee own a bar at a pirate port. i wouldn't pick nassau because like. that is reserved for real life and black sails. to me. maybe tortuga or maybe port royal. anyway one day the bar was owned by some guy. the next day the bar was owned by kev and vee. nobody knows how that happened. every "episode" the bar features in there is a new version given. none are ever confirmed.

i like the families knowing each other/having close enough experiences that a main relationship conflict with any of them is each not understanding that their circumstances are actually not the same (i.e. how ian can't quite grasp that being gay is a much bigger deal for mickey than it is for him; they live in the same town, they went to the same school, they're in the same tax bracket, they both have a shitty dad who hates them personally and no mom, ian was in the closet too, etc, so there's kind of this disconnect there where i think ian expects mickey's experiences of homophobia to be at least similar enough to his that it shouldn't make that much of a difference - but of course there is actually a huge gulf between a shitty dad who hates you because you were conceived through infidelity and shows it by insulting you but mostly is absent anyway and a shitty dad who is. a fucking neo nazi and organized crime boss who regularly beats you blue. and i think the same is true for other members of each family, like how fiona judged mandy, and i guess in later seasons i didn't watch [insert gallagher] says some kind of something implying gallaghers are better than milkoviches and mickey points out if that's true it's only true by an insignificant margin. not that any of that was ever textually explored because the writers weren't actually interested in exploring anything. who said that).

and also! i always love a character or characters that are famous, or infamous as the case may be, in-universe. EveryoneTM knows who the milkoviches are. EveryoneTM knows who the gallaghers are. and they each have a distinct reputation that comes with their name. and! i also like the knowing Of each other for a long time before getting to Know each other dynamic that the canonical milkovich and gallagher kids have via having gone to school together and buying (or bullying) goods and services from each other. love childhood Ugh This Guy Again to lovers waaaaayy more than childhood friends to lovers. personally. not to mention the capulet and montague vibe.

anyway so i'd want to preserve that as much as possible. so idk maybe frank and terry used to be whalers for the same company or even on the same ship, and the kids lived in an isolated island whalers' families ghetto (which would also preserve frank's and terry's frequent long absences). wait wait yes. okay. here it is i've got it.

they are employed/indebted to the same company but actually work on different ships, and they generally dislike each other because they are both supremely dislikeable, but there are limited socializing opportunities in a whaling community so they are extremely bitter frenemies because it's either that or nothing. and obviously they hate whaling because who doesn't, but terry hates it out of anger toward the company (reasonable) and frank hates it out of laziness (also reasonable tbh). anyway so at some point they start talking about mutinying and going pirate, and frank thinks they're talking shit but terry's serious. and terry's also scary and frank's a coward, so alright looks like he's going to mutiny and go pirate because he said he was going to and terry said yes he sure was.

so terry starts (drunkenly) strategizing, and his strategy is the very peak of violence. and frank is not exactly a paragon of compassion, but violence is pretty high risk and you know once you kill a guy you can never get a loan from him again. and maybe a little tiny itsy bitsy weensy ickle part of frank just doesn't want to do murder because it's murder. so for once in his pathetic little loser life he puts up a fight, kind of, and argues with terry that all that isn't necessary and it's possible to unlawfully secure a ship through other means. and he actually manages to not back down about it until terry gets too annoyed to keep the discussion going, and because he's already piss sloshed and frank is the only man he's spoken to outside of work in like twenty years, terry doesn't kick the shit out of him for being an annoying pansy or whatever and instead makes a bet with him that terry will get a ship his way and frank's way will fail. they obviously don't have any fucking money or literally anything the fuck else because they are fucking whalers, and anyway it's more to their style to bet years of service on the other's ship instead. so if frank fails to take over his ship, he and his family will be indebted to terry instead. and if terry fails to take over his ship (or doesn't have enough survivors left to sail it back), he and his family will be indebted to frank.

unfortunately, they both successfully mutiny and take control of their respective ships, so the wager is void. frank doesn't press the issue for real but he constantly bitches and moans that technically he didn't lose so terry owes him. terry makes it Well Known that if he ever runs into frank off neutral grounds and not on a job he will kill him extremely dead since, you know, technically he didn't lose so frank owes him.

anyway fast forward. the milkoviches and the gallaghers both become Big Name pirates. they make port at the same place and frequent the same bar and do business with each other, but they are ENEMIES. (i think i like port royal for this, because it was not quite as definitively a pirate port for a lot of the age, so it's more believable for the bar to be neutral ground that terry would actually honor since offending the colonials that also hang out there would ruin it for everyone - and most importantly would fuck up his business in addition to putting a black mark on his reputation.)

okay so. positions. terry is the captain. they don't have a quartermaster at all because terry is a tyrant and won't allow it. mickey is the closest they've got, as the only one who is brave, angry, and informed on everything enough to occasionally challenge terry. don't get it twisted, it's definitely not often. the general rule of the ship is that everyone is subservient to terry and nobody looks out for each other in a way that might get in terry's way. but just. every now and then, mickey will make a fuss about something or redirect terry's anger (sometimes he ends up as a whipping boy in the latter case, but never intentionally. yet! ☝️). mandy is also brave and angry enough to challenge terry, and she does sometimes, but she's at an extra disadvantage because she is not informed or (pseudo-)respected like mickey is. yet.

his official position is bosun, but really mickey is a jack of all trades. he does a little bit of everything, and is the understood second in command despite terry not allowing for a real quartermaster or first mate. mickey keeps the inventory, ensures that everyone gets their correct percentage of rations and loot shares, assigns whatever duties terry couldn't be assed to, and carries out discipline for whatever offenses terry doesn't take personally (sometimes obeying terry's orders including the method/severity of the punishment, sometimes punishing someone terry said to but didn't give specifics on how so mickey can decide that for himself, and sometimes completely of his own volition; usually the latter is either for neglecting a duty, endangering one of the milkoviches in some way, or of course something mickey took personally lol). (compare to izzy hands)

iggy is the navigator/pilot, has good control of the boat, can read currents, winds, and stars, but mickey reads the maps. he's happy with this position and is one of only two brothers who never enter into the power struggle. he likes sailing, he likes the frequent semi-solitude, and he likes not having to be involved in on-ship discipline or in making any hard choices. (compare to fang)

in what i watched the other brothers really didn't have much personality so idk about them, but they each have some level of rank/leadership over the non-milkovich crew members. one is in charge of commanding the gunners, one is in charge of commanding raiders, etc. mickey will give them a general "this is what terry wants" guideline and mostly leave them to it unless what terry wants is something particularly (and needlessly) dangerous, in which case he does his best to give them more specific orders that will hopefully lose less crew without them getting pissed off he's stepping on their toes, which would of course make them make the situation worse out of spite/power display.

mandy is the cook/surgeon when terry is around, but she's a strategist and raid leader when mickey's in charge (compare to roach) - which happens because the milkoviches have a fleet, mostly just due to their reputation and the fact less established pirates and sometimes merchants will surrender once the flag goes up and bargain to be annexed into terry's command rather than slaughtered (which works maybe. 30% of the time), and terry is so power hungry and paranoid that he can't stand to let any of the other captains in the fleet actually captain one of his ships for too long at a time. he's always going from ship to ship just to undermine his captains and exert his own power over each crew, leaving mickey to head the flagship.

mickey ends up with all the responsibilities of a captain but not much respect; everyone knows he's not the real dad boss and he has to fight for every single order he gives. the real reason(s) he's the understood second in command is because 1: nobody else wants to be that close to terry (again, compare to izzy hands lol) and 2: none of his brothers are as (realistically) ambitious as he is (they want power but aren't aware of or willing to put in the work to gain/maintain it + they don't jump on opportunities as fast, etc). so nobody ever calls mickey 'captain' or 'sir' or anything else that denotes or implies a higher rank, both to keep him cut down and out of superstition that terry will somehow Know and take offense to anyone except him being given even that much authority.

and of course all of the milkoviches including mandy are general enforcers of the milkovich rule on the flagship. they all participate in mutiny-busting, routine intimidation, etc. and they all give unofficial punishments for insults or just for pissing them off. manny, who i assumed is an uncle and have no interest in being corrected on if i'm wrong, is a fence.

sveta (and yevgeny) would be included Later as a prostitute working at a brothel near port, with the same general Circumstances of Meeting mickey (and ian) as in canon, marrying mickey for financial/social status reasons while he's forced (which i kind of assume is the canonical situation since she seemed genuinely happy on their wedding day), and then the same plotline of mickey having a problem with her madame but instead of the madame turning all the girls out she gets killed by definitely mickey for sure ("i kill, you take credit." "why the fuck would you not want credit?" "don't want precedent you kill boss get promotion when i will be boss." "..." "you should be happy, this give me good reason to not kill you." "...jesus, you fit right in with this fucking family.") and svet buys the brothel property under mickey's name (since she can't legally own it herself) and becomes the new madame while he keeps pirating, so now he (and mandy) has somewhere to go separate from other milkoviches while at port where he can actually fucking relax for once in his fucking life. & ig if you really want sandy to be here she can be a fence too, but tbh if i ever do write anything in this fandom again i have no intention to include her or any other characters introduced past season four :)

on the gallagher ship frank is captain for a while, at least in name. he is usually both drunk and seasick in addition to his natural laziness and inability to work with others, so a lot of the time he doesn't even try to captain and lets fiona handle it without interference. every now and then he gets some kinda fucking bug up his ass and goes banging on about his rightful authority or whatever and sends them on some deeply stupid and pointless farce and/or will say they're doing something and then give orders that absolutely will not accomplish that thing. for a while, the gallaghers follow along with this, then they start just not obeying him/quietly belaying his orders to other crew, then they start telling him directly they're not going to do what he wants, then actively preventing him from giving orders in the first place (usually fiona locks him up, or lip knocks him out, and debbie got to knock him out once too, but if it ends up being left to ian he'll do something more creative and lowkey humiliating like shoving a gun rag into frank's mouth or dunking his head in the pickle barrel), and then finally they officially commit mutiny and kick him off the ship entirely.

the gallagher ship doesn't include any extended family. no aunt ginger, no uncle clayton, no whoever the fuck else was in there. their non-gallagher crew is all the mentioned neighbors and etc that they're friendly with in canon, minus kev and vee.

fiona is captain, lip is quartermaster, ian is navigator and he likes to correct and expand maps and has big dreams of going straight (ha ha) and becoming a chartered cartographer/expedition leader. lip and ian also lead raids. carl is the master gunner. debbie is officially bosun but has a pretty in between job. she assigns shifts and chores and supervises and all that, but she doesn't ever handle discipline, and she also does the more i guess administrative is the best way to put it quartermaster duties that lip is too bored by to do. she also is always on the up with the rumors and can typically be relied on to know who's who and where they are (*mickey mouse meme* this is a tool that will help us later).

liam is the surgeon. several non-gallagher crew members think he's a witch because he is way ahead of his time wrt medicine (simply because he treats based on evidence lol) and because he so very rarely talks. he has no strong opinion on this perception as it usually doesn't interfere with his ability to do his job and often keeps strangers from approaching him uninvited (the boy. is autismal. and also has selective mutism. which really should be called something else by now but i digress).

ian knows all the myths and legends, though he doesn't really believe any of them, and frequently regales the crew with them. lip doesn't really like the stories because he suffers from a whimsy deficiency, but when he has the patience for it he'll back ian up on the lute (Later, mickey will play for ian too, or sometimes for his girls to sing/dance to).

so the milkoviches and the gallaghers both use port royal as their port of call, and they both spend a lot of time in kev and vee's bar. kev and vee are personal friends with the gallaghers, but as said their bar is neutral ground so they keep civil relationships with literally anyone who abides by that neutrality, including the milkoviches, other pirates, merchants, fishers, pirate hunters, naval officers, natives, colonials, anyone as long as they pay their tab and don't cause trouble.

sheila and karen are merchant class but seem like gentry to ex-whalers, especially since actual gentry nearly never deign to go somewhere so close to the docks, and even tho technically after a while being quite successful pirates they are richer in terms of material wealth (but still not in social wealth). karen loves to come to the bar whenever she hears pirates are in town. she loves the thrill of the baddest boy a bad boy can be (and also the thrill of bad girls who are proud about it), and she loves the attention she can get when she dresses up in something classy just to go slum it with a bunch of society-fringe sailors. lip is her favorite, sure, but he gets it in his head that she's his shore wife or whatever and that she'll eventually tearfully beg him to retire and stay on land with her (extremely loud buzzer noise).

jimmysteve is a fence. and a drug runner. and a semi-pro snitch. he (in some ways, much like frank) thinks he is much cleverer than he really is and that he can play multiple sides at whim. he gets himself in trouble with the pirates for breaking neutrality, and gets himself in trouble with more than one royal navy for thinking he could snitch but only when he felt like it lmao. he somehow always manages to weasel his way out of trouble and back into good graces (again, much like frank, except frank gets his hundredth chances through pity or trickery and jimmysteve mostly just uses daddy's name and plantation money).

kash and linda are also merchant class and have a little curio shop and bakery. ian likes to do basically the opposite of karen and 'sneak' away from the lowbrow area of town that caters to sailors to shock and impress all the not-poors with how Just Like Them he is, which is how they meet and start hooking up.

but of course it IS a romcom about self actualization and. you know. comedic romance. so the Main Plot is actually just gallavich and not as much of an ensemble here.

the Plot in question happens because mandy gets sick of shit and decides she wants to just fuck off. she just has to figure out where to fucking go instead. she doesn't want to just run away. she doesn't want to be alone. the gallaghers just kind of seem like the only real choice. she knows them by reputation to be damn good pirates but as kind and generous as pirates can reasonably be. they don't torture, they don't rape, they don't hurt young kids or pregnant people, they don't kill unnecessarily (and yet all of them are still alive, so like. for Real they must be fucking good pirates), etc. she figures if she seduces one of them on the last night of their leave, they'll take her back to their ship to fuck her and then in the morning the chaos of making way will make them forget to make sure she disembarks.

she picks ian because fiona is busy with jimmysteve, lip is busy with karen, and the other three are too young for her. and also. she thinks ian is cute, and she's seen him act like a whole gentleman with her own eyes more than once. she like. actually kind of wants him. and he's sitting alone. so she goes over. at first he seems into it. he's not intimidated by her even though she knows he knows who she is. he listens to her when she talks and has relevant things to say. he's funny. he's charming. he doesn't treat her like a whore. it takes like half an hour before mandy's goal has changed from "seduce him to get onto his ship" to "fuck him so much forever and maybe have an epic romance or something". but of course when she starts really putting the moves on, he just flat out rejects her. he does it gently, but still. just a straight-up full-stop no.

so then. mandy's plan changes to "get mickey pissed off enough at this guy that he ends the stalemate and kills his whole family and then convince him to give the damn ship to her". and well, the best way to do that is to make mickey think ian hurt her (which also will later provide them all an excuse to give terry as to why they blew up his legendary status's structural support rivalry from his backstory - they started it).

so she makes a scene in the bar, and she uses some very skillful body work to make ian look like he's aggressing her - which only works on him despite him also being very skilled in that area and usually very tactically observant because he's unnerved to have been hit on so boldly by a woman.

as it happens, at least two of her brothers (notably NOT mickey himself) are in the bar when she does this, and she kind of thought that would be enough to at least start a fight if not the war she's planning to work them up to. but. they don't really do anything. maybe they cuss at ian or throw something at him or whatever to warn him off or let him know it's time to leave if he knows what's good for him, but like. they don't even get up. so now mandy is humiliated from being rejected by ian AND humiliated to have made a scene, to have publicly positioned herself as a victim, and nobody caring enough to put down their fucking grog.

so now she really doesn't know what to do. she's upset, she's embarrassed, she doesn't want to go back to her own ship almost doubly as much as when she sat down at ian's table. in the end, mandy makes it onto the gallagher ship regardless, by stowing away. she does recognize that it's their ship when she carefully tucks herself away in the farthest corner of the hold, but really... where else could she go? on any other ship she'll be treated even worse than on her own, at least in a day-to-day sense, and that's only if she manages to convince someone else to take a woman crew member in the first place. and if she's caught as a stowaway, which she inevitably will, any other crew would put her to death. when she's caught on the gallagher ship they might whip her and put her in the brig, but they won't hang her or toss her overboard, and she thinks she can probably plead her case to them given enough time. she'll just have to try to stay hidden until they're well out to sea to buy that time in distance back to port.

the only problem with this is that terry is off on another ship just now, and mickey is in charge-ish. and unlike terry, or even like some of the other brothers, mickey 1: notices when mandy doesn't board and 2: cares. he makes them wait for her, getting increasingly pissed off until he seems almost as scary as terry, until finally one of the brothers who was there steps forward to fearfully admit he saw ian gallagher mess with her.

first, mickey punishes that guy. he gives up the other brother who was there pretty easily, so mickey punishes that one too. they are both expecting a terry-level It's Personal punishment - everyone knows mandy is mickey's favorite - but it's not even quiiiiiite on the level of a mickey-level It's Personal punishment. he's not holding back on purpose, and he absolutely is taking this so fucking personally, but. they're family too. he wouldn't torture them unless they tortured him first. or made too credible of a threat that they were going to.

anyway, when that's done mickey immediately assumes ian has kidnapped mandy and is certainly forcing himself on her at this very moment, or else he murdered her for bruising his ego last night and mutilated her body so no one would know to tell mickey someone needed to be return-killed. so uh. well. mickey is officially pissed off enough that he orders the ship off course to hunt down and kill ian's whole family. and for once he's not contested on it, even though it's against terry's preceding orders, because first of all. he is so so evil right now and no one wants to breathe too loudly at him, let alone argue. and also secondly... mandy's family. none of them would want her dead unless she killed them first.

so the milkovich flagship hunts down the gallaghers, and they make no secret of it. terry catches wind, but the teller includes mandy's presumed fate at ian's hands, so he's pissed at being disobeyed and double pissed at mickey for daring to take initiative, but he approves of the reasoning enough that he decides not to catch up with them and crush them back underneath his thumb until after they've razed every last gallagher from the earth. insert atla book one style imminent redemption arc anti-villain misadventures here (perhaps even complete with manny purposely giving mick bad intel to keep him sailing around in circles lmfao).

meanwhile. mandy gets caught as a stowaway. luckily, it's ian who finds her. like in canon, he impulsively confesses that he's gay - or whatever euphemism or obsolete term they were using for that back then - and asks her to pretty please call her brothers off. mandy, having been hiding in the bowels of a ship at sea in the 18th century, had no idea that her brothers were on. whoops! together, she and ian explain a severely abridged version of what happened to fiona and convince her to let the milkovich flagship catch up to them. mandy swears up and down that her brothers won't sink the ship while she's on it, and she can convince mickey to board so she can explain before leaving the gallaghers without her presence's protection. (fiona had never had any personal beef with any of the milkoviches, beyond just thinking poorly of them as people as a whole and having a particular distaste for many of terry's best known atrocities, but now mandy is definitely on her shit list and mickey is on the thinnest of thin ice.)

so the milkoviches catch up to the gallaghers. they do some damage to the ship before they notice mandy on deck, but it's just warning shots anyway. they had every intention of exploding them into a billion pieces, but a warning shot is just the proper thing - even if you've got no plans to accept a surrender or give any time for return fire before you obliterate them into viscera and sawdust. but then it turns out mandy is right, and mickey orders an immediate (slightly panicked) ceasefire, and thoughtlessly boards when mandy asks him to even though that's objectively tactically very stupid.

as privately agreed, mandy tells mickey it was a misunderstanding. that ian hadn't actually menaced her. he'd just been clumsy with his words and actions and she'd taken offense, but he'd apologized and then she perfectly willingly went back to his berth with him where they spent the whole night thoroughly and consensually enjoying each other's company. they simply slept through the morning bells, and by the time they did wake up it would have been such a horrible inconvenience to take mandy back to port, and she'd figured mickey would have left without her by then anyway. she didn't realize it would cause such a hubub, and btw she and ian are courting now.

mickey is pissed obviously - not least because now he's going to have to face biblically apocalyptic wrath from terry - but mandy is really really his favorite, and he's relieved she's okay, and maybe he's a little bit relieved he doesn't actually have to vaporize like twenty people too but that is for absolutely fucking nobody to know up to and including mickey himself fuck you very much. so all she gets is the milkovich pirate captain version of Go To Your Room Right Now Young Lady. she is unconcerned, and offers her hand to ian so he can make a small production of gallantly kissing the back of it before she goes over the gangway.

mickey stays just long enough to give ian the milkovich pirate captain version of a shovel talk, which involves a lot of disturbing kraken imagery (it's kind of homoerotic too, but surely that doesn't mean anything haha. unless...). for some totally unknowable fucking reason, ian seems to be entertained by mickey's uh. way with words, more than he is threatened. at the end of mickey's speech he's even smiling. he offers a reasonably chilling rejoinder, and then fucking bows like he's some kind of bougie rich fuck seeing a guest out of his big bougie fucking house. fucking... dickhead. fuck.

anyway so yeah. it's so over for mickey. cooked! and soon to be stuffed and basted ;)