#for being open to a narrative where a character dies

[exaltedfuzz]

THANK YOU THANK YOU THANK YOU for being such a Mia enjoyer!!! I just played the trilogy for the first time and ur art is truly filling my intense craving for more Mia (and Lana!!! RTFA was honestly SUCH a good fucking case!!!! And omg THANK YOU for opening my eyes to startskye??? Cannot believe I didn’t see their potential when playing thru they are AMAZING, truly nothing better than toxic yuri)

Thanks Anon!

Love Mia. She's become a favorite of mine recently. Such a funny character with so much presence even though she dies 20 minutes into the first game. She really does leave an impression, and I like the way that all the characters around her have been so affected by her. Like, in her court record profile in JFA(?) where Nick describes her as his "mentor and friend forever" or something like that. Tears in my eyes... And, obviously Godot. It gets me that he ended up killing Misty, when Mia's mission was to find and save her. Ouch... Lana too, with her telling Ema that if she ever needs a defense attorney, Mia's the one to call. Also, her saying she's a little jealous of Nick for having her as his mentor, when she herself was likely something of a mentor to Mia when they were students... Everyone who comes across Mia is just enamoured, and it really gets me. Massive impact on everyone in her life. I'm glad Maya got to hug her again in that picture where she's being channeled by Pearl... I think it's from JFA? Don't remember now. Wonderful character. Love her.

Love the way we get to see her grow up a little from T&T too. Wish we got to see more of her in action. Nobody haunts a narrative like Mia Fey...

And glad you like my Lana posts! RFTA was a case I never got around to when I first played AA as a kid, and I'm so glad I finally played it. Incredible case with so much going on... Love the characters. A really strong supporting cast, I feel. A really nice addition to the first game. Have become a fan of Angel too. Ridiculous whenever she's on screen and so vicious and bitter. One of my favorite witnesses... Starrskye is insane. Messy. A lot of fun.

Thanks for the ask!

[utilitycaster]

Ok so like. Just to be clear, saying you know "loneliness you don't" to someone who has also experienced loneliness, but in a different context, and then apologizing the next day: bad. infuriating. terrible. unforgiveable.

Asking someone repeatedly, in a group and then alone, if perhaps the people who murdered them in the street solely because of their connection to you might be in the right: totally cool. not even worth remarking upon. not a red flag.

[lunataurora]

playing a game where romance routes are optional is so strangely stressful. just like real life, a character can say "wow, [player] gets me" and then the first dialogue option is to begin romancing them so i simply look away and pretend i didnt see that, for their sake

[trikaranos]

TRIKARANOS CHAPTER I: S·T·T·L

TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.

⭐ Trikaranos will always be free to read. In the near future, you’ll have the option to support this comic & my ability to spend time making it (I Am Extremely Fucking Broke And Have Bills To Pay etc etc) through Patreon! currently, I have a tip jar!

⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)

⭐ alternative places to read it (coming soon!)

CREDITS all additional art used are in the public domain, and the specific images used are open access, etc

🍊the first collage panel is combination of: Plate 113: Greeks Battling the Trojans (from Ovid's Metamorphoses), Antonio Tempesta / The Trojans pulling the wooden horse into the city, Giulio Bonasone (after Francesco Primaticcio) / Terracotta hydria displaying Achilles waiting to ambush Triolos and Polyxena 🍊the second collage panel is: The Lictors bringing Brutus the bodies of his Sons, Jacques Louis David / the paint over of Brutus executing is own sons is my own work based on the composition of this relief of Brutus and condemning his sons to death. 🍊I also used my own art: a panel from the Prologue, and my own illustration of Brutus with the bodies of his sons

📖 PREVIOUS CHAPTER | START HERE | ToC (under construction!)

UNDER THE CUT creator’s commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn’t need the citations for it to make sense as it unfolds since it’s a comic and a story first and foremost, but it’s here if you’re curious about something or want to see where the inspiration is coming from!

I'm so fucking normal about Crassus and his family (<<< this is a lie)

Marcus Crassus was the son of a man who had been censor and had enjoyed a triumph; but he was reared in a small house with two brothers. His brothers were married while their parents were still alive, and all shared the same table, which seems to have been the chief reason why Crassus was temperate and moderate in his manner of life. When one of his brothers died, Crassus took the widow to wife, and had his children by her, and in these relations also he lived as well-ordered a life as any Roman.

Plutarch, Crassus

like, it actively fucks me up that this is something that's survived about him for over 2,000 years. they all ate together at the same table. Jesus Christ.

so! Crassus' dad! Publius Licinius Crassus (consul 97) fought on the side of Cn. Octavius (consul 87) in the Bellum Octavianum, and it didn't go great for him.

Crassus: A Political Biography, B.A. Marshall

also. currently, if you look Publius Licinius Crassus up on wikipedia for an overview, his page lists his son (and also my main character for this comic) with the cognomen Dives, which is in-fucking-correct.

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

and to circle back to houses and meals shared with family, some citations that made me feel some kind of way when I read them

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

finally, there is discourse or whatever on the placement of the sons of Publius Licinius Crassus. Crassus is the baby brother here simply because I'm writing this story and I get to pick the themes, but also because no one has provided a solid enough argument for him being the second eldest son that I'm willing to buy into with enthusiasm, and I'm more inclined towards G. Sampson's conclusion on the matter.

Defeat of Rome: Crassus, Carrhae, and the Invasion of the East, Gareth C. Sampson

and while I'm just kind of talking about stuff that I read that I enjoyed, this article by Martin Stone lives in my head rent free

A Year of One's Own: Dating the Praetorship of Marcus Crassus, Martin Stone

[weirdly-specific-but-ok]

pt XVI good omens season 2 (still not traumatic) episode 3 EDINBURGH

HELLO IT'S ME IT'S THE OFFICIAL GOOD OMENS MASCOT WHY DO I STILL KEEP INTRODUCING MYSELF IDK. If you don't know who I am, thank God and Satan for their mercy and flee. Also, the day after I post this, I'll be watching the last three episodes on livestream for the first time so. You know. I'm hyped on the energy of this being my last day not enveloped in tears. Take the summary:

Before the episode starts, someone asks why Crowley said in the last episode that Aziraphale couldn't fall because look at him, all angelic when Crowley looked the same as starmaker. I reply that "Crowley thinks he deserved it, he sees Azi as something beautiful and untouched while he probably sees himself as idk marked in some way so god kicked him down."

I am told that I am learning too fast to weaponise the narrative to induce angst. So then I say oh, I go too fast for you. Tears ensue.

The episode begins! Everyone shrieks about Edinburgh, David Tennant, how it is their favourite episode, and SCOTTISH CROWLEY.

We open with lesbians being gay, and then Muriel enters as Inspector Constable! They are very sweet and very determined to do their job right, and they are adopted by Crowley and Aziraphale just like Jim.

Crowley sits on Aziraphale's chair's arm. The maggots all swoon.

Fine, I also swooned.

Aziraphale gaslight-gatekeep-girlboss-mansplain-manipulate-manwhores his way into getting Crowley to give him the Bentley keys (BOUNDARIES. BOUNDARIES.).

WHAT PLENTY OF USE DO BOTH OF YOU GET OUT OF THE BOOKSHOP?

The really ineffable plan is whatever the fuck was happening in Aziraphale's brain when he somehow went from London to Edinburgh via Loch Ness (check the map) and then proceeded to disguise himself as a detective who pretends to be a journalist.

Crowley slays in sleeve garters and a cardigan keeping house in the bookshop meanwhile, does not sell books, instead cleans with Jimbriel and periodically yeets book stacks into corners when distracted.

Aziraphale reads his old diary entries about Crowley, a (6000+) 13 year old with a crush.

MINISODE MINISODE. They are in Edinburgh during the mid 1800s. Victorian outfits, check. Scottish Crowley, check. Capitalist Karen Aziraphale, che-wait what.

Huh. Well. There's a wee bit of body snatchin' going on, to sell to doctors for medical research because there aren't enough murderers, and to make enough money to survive.

Aziraphale channels his inner capitalist judgemental Karen and ruins that plan, come on Aziraphale you have religious trauma but you're better than this, and long story short, Wee Morag dies after Aziraphale realises his error, her friend Elspeth has to sell her corpse for pennies, and is about to commit suicide with laudanum. Azi, oh god. I'm glad you underwent character development at least.

NOW CROWLEY HERE SLAYS. I KNOW THIS IS AZIRAPHALE'S PERSPECTIVE AND IS BIASED. BUT WITH THIS POV, CROWLEY SLAYS.

He calmly educates Aziraphale about how his whole "the poor have more opportunities and you shouldn't give them money or they'll lose the virtue of poverty" is absolute bullshit, and he does this understanding Aziraphale's situation and not losing his temper.

The framing. The framing of the shot when they see Wee Morag and Elspeth sitting down on a step and explaining their situation. Aziraphale stands above, bustling with righteousness, and judges them. Crowley sits down. He sits down next to them, rather than taking the high ground. He meets them where they are and empathises. It is the fact that he is fallen and damned that makes him behave really divine and sorry I wrote a whole hymn on him have it I'll stop rambling just know I love him.

I think his amusement is a facade so hell won't think he's genuinely being good. I think he's morally grey and incredibly brave and kind.

When Elspeth is bouta kill herself with the laudanum, Crowley grabs it and drinks it himself, and grows tiny and then huge, absolutely high off his head. David Tennant takes the opportunity to travel Scotland from east to west in terms of accent variety.

He gives us the good message of NO DYIN'. NO MORE DYIN'. IT'S NOT ON. And then forces Aziraphale (who doesn't want to ruin her virtuous poverty) to give the girl all the guineas he has in his pocket, and tells her to go off and start a farm or something. BUT NOT JUST PRETENDY GOOD, BE PROPERLY GOOD.

He then gets pulled into hell. To be punished for this. Aziraphale is frightened and heartbroken for him, looking around desperately, and we find out that Crowley didn't meet him for a while after. And later he wanted holy water. To protect himself? He got punished by hell. For how long? The whole month in between the incident and the diary entry? There can't be anyone better at punishment and cruelty than hell.

Sorry I'm just screaming here.

Never mind fuck I started this summary really happy and bouncy and listening to a dance playlist. Dionysus by BTS and Italian pop is still playing and now I'm crying.

Is this the natural progression. Fuck I'm crying. Sorry guys something else happens with Aziraphale politely talking to a phone and Crowley smiling really beautifully while unsuccessfully trying to manipulate two lesbians into a relationship and something about a visit I don't care everyone's being morally dubious as usual and then lovely Scottish music outro I CAN'T FUCKING ELABORATE I'M SITTING HERE CRYING OVER CROWLEY.

right summary done, time to go sob, lmao i thought i wouldn't cry today over good omens HAHAHAHA still not traumatic eh HAHAHAHAHAHAHHAHAHAHAHAHAHA

[mottlemoth]

Re: "But don't you find it beautiful and meaningful that Izzy got to experience happiness before he died? He ended his life surrounded by love and that was great for him."

You folks are sailing right past our one main issue here. Namely, why did he have to die at all?

It's a comedy show - a comedy show where not-really-deaths outnumber actual deaths by ten to one - why did Izzy have to die? Some of you are talking as if he died the way that people in real life die, like it's one of those things you just can't change. But this wasn't like that. This was a constructed narrative where a decision was made that not only should he be dead at the end of the series, but that it should be confirmed beyond all doubt with OFMD's only grave. Even the Badmintons weren't shown in their graves.

So why did Izzy have to die?

And why do so many of you find it fitting and appropriate that he died? This is a good opportunity to sit down with yourself and maybe examine your own thoughts around ageing and disability. Con O'Neill is in his 50s, not his 90s, and a missing limb is not some kind of down payment on death. The show even went out of its way to fit him with a new leg, breathe new life into him. So "he had to die because he was basically halfway out of the door" is rooted in some nasty ideas about ageing and disability, ideas which you should not allow to fester in yourself. Dig those out. If you're healthy and young, this might seem like a very remote issue to you. It won't always be.

David Jenkins has indicated in interviews that Izzy had to die because (1) he was Ed's 'mentor', a frankly baffling assertion which is contrary to nearly everything established about Ed and Izzy's relationship in the show, and (2) "it's a pirate show."

Okay! It's a pirate show. Seems fair at first.

Until you remember it's also a comedy show where guys turn into birds and people routinely survive explosions and gun shots and being stabbed through the liver on a regular basis. Throughout the narrative, OFMD has established and confirmed over and over and over again that it upholds the comedic law that death is never really death. You can relax seeing Roach fall from the rigging because it's a comedy show - they're not going to do that to you.

But then they did.

They reversed that fundamental law within the world just so that Izzy could die - and so that Izzy could just die. Nothing came of his death. It didn't open up a new section of plotline or change anything. The show could have ended with Izzy off on adventures with the crew he'd grown to love.

Instead he just died. And we're struggling to understand why.

Telling us that he got to be happy before he died doesn't make any sense. If it was all so beautiful and meaningful to see him experience temporary happiness, wouldn't it have been nice to see him happy ever after?

So why did the writers give him death instead?

We're scared that it's 2023 and some folks still think it's just fitting for visibly queer characters to be tantalised with happiness then struck down. We're scared that at the bottom of this, it makes sense to you that Izzy died because you think he was old and broken and no use to anyone now. We're scared to have discovered that even the show which said kindness, kindness, kindness right from the start had none for this character we loved, and we're scared that you find it so beautiful.

[contact-guy]

Really want a Holmes adaptation where, like in the text, Moriarty is referenced but never definitely appears, and it’s an open question whether he is real or a self destructive invention of Holmes……I think there’s a case to be made that Holmes wanted to disappear (because Watson got married??? Just a theory) and made up the whole thing, which is very in keeping with his tendency to pretend to be sick and injured and generally to have elaborate schemes he doesn’t let anyone in on. (And Holmes only comes back once Watson’s wife has died or dumped him which LENDS WEIGHT TO MY PREVIOUSLY STATED THEORY THANK U VERY MUCH)

IN GENERAL I really want an adaptation that engages with the unreliability of Watson as a narrator and Holmes’s tendency to hide the truth! When the narrative is being written by one of the main characters - AND when every single story is about uncovering hidden truths - that’s an open invitation to the reader to question its veracity!!!

[two-white-butterflies]

the sun sets in the east | daemon targaryen

Description: Daemon Targaryen didn't die during the war - though there were many nights that he wished he did. A prequel and sequel of the sun rises in the west, in which Daemon tries to navigate his relationship with his only son and the new life he is bestowed.

Pairing: daemon targaryen/dayne!reader (you haunt the narrative)

Rating: General Audience (grief processing, daemon being a grey character.)

Author's Note: Daenerys-Drogo inspired.

"When the sun rises in the west and sets in the east. When mountains blow in the wind like leaves. Then you shall return to me."

There was no milk of poppy that could subside the ache in his heart. He marched to the Stepstones with nothing to lose, he came home losing everything. "I offer my condolences, brother." Viserys places a hand on Daemon's shoulder.

Daemon watches his son from afar.

Maekar looked exactly like him, the same aquiline nose, the same purple eyes. He almost wishes that there were other children, perhaps a daughter with the same eyes as yours. He stares off to the vast horizon, the gardens in his periphery.

"When Aemma died, I was a shell of myself. Unable to rule or eat." Viserys conversed. There were no scrolls that explained how to cope the death of a wife that one loved very much.

"- and you found comfort with the Lady Alicent." Daemon interrupted, bitterness in his tone. "If you are suggesting that I find the same comforts in another one's arms. I decline." he gave his brother a tight-lipped smile.

He's spent his entire life looking for Viserys' love. He's long understood that he'll never find it, and that he'll never be his brother's first choice. Daemon waves at his son. Maekar runs towards him.

"We'll be going, your grace." he lifted his son off the ground. Disappearing from the Red-Keep. Gods know when he'll return.

He met another woman after you. After the harsh pushing of his brother to take another wife, he decided to settle with Lady Laena. She was the same as you - the same fire flowed through her veins. She wanted to be a warrior and was skilled with a dagger. She knew her place. She knew how to obey, and behind those purple eyes of hers - he finds a glimpse of you.

Maekar, who was five, placed a tender hand on Lady Laena's belly. "It will a brother." he surmised with childish curiosity. Daemon watched coldly as his second wife took kindly to his son. He wanted to rip Maekar away from Lady Laena - wanted to tell him that the woman wasn't his mother - wanted to tell him to never forget you.

Alas, he couldn't.

He couldn't bring himself to even mention your name.

"How can you be so sure, my prince?" Daemon sat beside them on the bed, placing a kiss on Maekar's forehead. "I-I wish it is." the boy played with the edges of the blanket. "- then I'll have someone to play with - like muña promised." he stuttered.

Daemon's heart sinked to his chest.

Laena smiled.

"You'll have a lot of siblings, I promise." now it was Laena's turn to place a kiss on Maekar's forehead. Daemon clenched his fists.

It was his fault. He did not speak of you - how else was Maekar supposed to know? He'll have to make things right.

"Where are we going, kepa?" Maekar inquired as his father led him to the heart of the Red Keep. "Laena is not your muña. You know that, right?" the man opened the conversation. His son replies with a hum.

Maekar wobbles in an attempt to catch up with his father. His eyes twinkling with adoration and love. "Uhuh my real muña died in the war." the son replied, and they both halted in front of a chamber. It was Daemon's old chamber.

A layer of dust gathered on the doorknob. He could not find himself to visit. "But you cannot remember muña. You were a babe when she died." he twisted the doorknob - opening the door wide. Maekar's eyes travelled along the walls, soaking in the interior of the room.

He remembers this room!

The bed was unmade - the hairbrush still had a strand of your hair. Is a piece of hair still a part of your head even when it has fallen on the floor? Are ghosts still a part of your family even when they're dead?

He reaches for his father's hand.

"Please tell me!" he beamed, and Daemon sat on the bed. Dust jumping around at the sudden shift of weight. Maekar coughs.

The older man points at the portrait on the wall. "I met your mother when I was much younger. She was seven and ten, a Dornishwoman. She made it very clear that she didn't want to lose her liberties by being married to me." he chuckled, the pain in his chest lifted by memories of you. "Liberties?" Maekar tilted his head.

"Freedom. She didn't want to lose herself. She wanted to remain a warrior, to train in the fields regardless of the court's opinion. The court had a lot to say, my son, but she did not care. She never cared about anything beyond us three." the smile never left his face.

"Remember what I told you about being a prince." he stared deep into Maekar's eyes and the little boy nodded. "When forced to choose between the kingdom and your family - always choose the kingdom, because your duty is to the people before yourself." the little boy recited, stuttering and messing up the end sentence.

"Your mother was as valiant as any prince. She wanted to choose you, my son - but we weren't the only ones suffering. Sons were marching off to war, and they never returned. She couldn't help but think about you - about our safety. The War in the Stepstones threatened the very peace of our Kingdom, and she protected that." the smile left his mouth, back to the bitter reality.

"Promise me that you'll always love your mother. Do not find fault in what she could not do." Daemon wrapped Maekar in his arms, placing him in a tender embrace.

"I always love her, kepa." he promised.

Maekar was ten and six when Daemon married Princess Rhaenyra. By then, Laena was long dead - cold to the touch as you.

Princess Rhaenyra was different, mayhaps the only woman after you that Daemon truly loved. She was filled with fire and he worshipped her - they were built in the same fire. He was devoted to her, the same way that he felt devoted to Viserys.

It was a different type of love - devotion, but not love itself.

"Hold him, husband." Rhaenyra smiled, sweat gathering at her forehead. Daemon smiled in return, reaching for Aegon.

His second son, the namesake of his ruined brother. "- he looks like you." she added, licking her lips.

"I was scared, I thought that I'll lose you both." he confessed. Rhaenyra reached for his face. "You'll never lose me." she promised, just before their lips could be bridged together - a handmaiden opens the door.

"My prince, my princess. Lady Melara has given birth to a son." the handmaiden announced. Rhaenyra's face sunk to the floor.

Maekar has stolen her thunder, again.

Daemon was surprised to see Baela and Rhaena patiently waiting outside Lady Melara's door. "Baela, Rhaena, don't you have lessons." he greeted the both of them with a hug. "I don't suppose that you'll have us attending boring lessons when our nephew has recently welcomed the world." Baela rolled her eyes.

"Are they letting visitors in?" he inquired and the sisters shrugged in unison. "Maekar promised to bring the babe out for all to see." Rhaena informed and Daemon shook his head.

On cue, Maekar opens the door with a screaming bundle of warmth in his arms. "The babe must stay inside the chambers." Daemon placed a foot inside of the door, blocking his son from exiting. "- there are diseases outside, and the babe must keep his strength." he asserted, Maekar returns to the chambers with a defeated sigh.

He looks at his younger sisters.

"You are free to enter the room, loves." Maekar smiled, all three of his visitors clamored to be the first to enter.

Maekar hands the babe to his father, the same adoration and love in his eyes as all those years ago. "I decided to name him Rhaegar. After princess Rhaenyra." his son announced. "My brother was born today too, wasn't he." he asked and Daemon nods.

Finally, a child that looked like you.

Rhaegar had the usual blonde hair and purple eyes, but the shape of his eyes, his nose, his face - it was you.

"I settled them both down, and left after they had fallen asleep." Daemon mumbled unconsciously. "Congratulations, my son."

Rhaenyra leaned on the doorframe, watching as her husband played with the children. It seems like the gods enjoyed playing cruel games. Rhaegar was born the same day as Aegon. Maekar's Viserys was born on the same day as her Viserys.

"We'll need to find a safer place for them. Once the Hightowers have landed their first blow, Dragonstone won't be safe." Daemon informed, standing up and walking towards her.

"You'll protect us, right?" she asked, and he nods.

He wraps his arms around her. He always said that Rhaenyra needed to marry a great man in order to keep the realm safe. He played that role very well, and she believed him. She melts in his embrace, feeling safe caged in between his arms.

"Kingslanding will be ours." he promised.

Before Daemon could land his first attack on the Hightowers, news of Maekar's sickness reached his ears. "It is the same fever that took your aunt, Daenerys." the Maester informed - and suddenly the room became very small, and his chest tightening with every second.

"He needs vigilant observation, there are cures for this sickness, but all of them are in Kingslanding. They were gathered by King Jaehaerys - and have remained in the castle since." the Maester added, for a second Daemon considered surrendering to the Greens.

If it was the only thing that could guarantee Maekar's safety.

"- but he can fight the sickness on his own." Daemon placed a finger to his lips, in deep thought. "If his dragon was here, my prince. But Gaelithox is kept in the Dragonpit - also in Kingslanding." the Maester's eyebrow merged into each other.

Whatever Maekar's fate now remained in his own hands.

"You are telling me that there is nothing that we can do?" Daemon attempted to keep his anger at bay. "I'm sorry, my prince." the man bowed. "- we could give him milk of poppy to ease the pain." the Maester suggested.

Milk of poppy. It brought him dark memories.

"Kepa, in the afterlife - do you think that I'd recognize her?" Maekar opened his mouth, feeling the cold compress on his forehead. It's been decades since he last saw his mother. He couldn't remember her anymore, not the sound of her voice, her face or her scent. She was a mere memory, a portrait of the woman that loved them.

"What do you mean?" Daemon asked, refusing to entertain the idea of his son's death. "When I die and I see her. Will I recognize her?" Maekar repeated his question.

Daemon answers with his silence.

Opposite to the news that reached Kingslanding. His first wife did not die immediately after the war. She had a slow death - fighting an infection caused by a wound. He sees flashes of the past, he remembers taking care of you - easing your fever.

Perhaps, placing the same cold compress on your forehead.

He promises that this time will be different. He wouldn't lose Maekar in the same way that he lost you. "Kepa, I asked you a question." his son will not let the topic rest. "It's alright if you do not wish to answer." Maekar adds, his voice suddenly deeper than all the years before. Daemon is bitterly reminded that his son is no longer a child.

"You'll recognize her. I'm sure of it - when you see her. Wrap her in a warm embrace and tell her that you love her." Daemon breaths.

How long has it been since he last saw you? A lady who was ten and nine. Now he was thrice your age - already having lived multiple lives, and you were still there - the ten and nine year old lady who had a life in front of her. Taken by the sea.

"I've not been a good father or a good husband." Daemon admitted.

"- I've not been good to your Mama Laena or Rhaenyra. I often wonder if they hate me, because I hold onto the dead." he added, remembering the fight he had a few hours ago with Rhaenyra. 'How is it that you love her more? She is a dead girl, I am here. I am alive.'

"They do not blame you, I think. It is your right to mourn." Maekar comforted, despite the piercing headache that threatened to split his skull open. Maekar closes his eyes.

"Mother used to sing me a song. I remember." he stated, and Daemon knew exactly what he was hinting at.

The House of the Dragon crumbled the same day that Maekar Targaryen took his last breath. Prince Daemon took to other places, choosing to go on a conquest with the dragonseed, Nettles. He learnt many things with the child. Questioned even his own beliefs.

If people of no Targaryen bearings could claim a dragon. Was he wrong his entire life? Were Targaryens not closer to the gods? Taken by grief and jealousy, Queen Rhaenyra ordered the head of Nettles and thus began Daemon's first defiance.

Daemon still had love for Rhaenyra.

Even in the middle of a cold war, he still fought for her claim. He defeated Prince Aemond in the Battle Above God's Eye, though the battle ended in both of their deaths. Princess Rhaenyra and her last son were burned by Aegon II.

All that remained were Rhaegar and Viserys. Children of the dance. And so, with the remaining forces of House Velaryon and House Tyrell. Prince Rhaegar was proclaimed King of the Iron Throne.

No dragon ever hatched from the mighty house of the Targaryen ever again.

[starheirxero]

After revisiting your "came back wrong" comic, absolutely wonderful btw, I came to a rather haunting realization.

Because it became true. But instead of Bloodmoon, it's Eclipse. And that's both much worse(for the characters), and much better(for the narrative).

Because both him and Lunar went through the same, and in a way seem to parallel each other, though that's probably me overthinking.

Both of them died. Both of them were blown to smithereens. Both of them came back after several months. Both found themselves in a body not their own. We've seen what they look like in every other universe.

Both of them came back wrong.

Lunar came back numb, quieter than before, with all their energy being a play. He came back running from unknown danger. They died a normal animatronic, and came back being more.

Eclipse is the opposite. He came back louder, erratic, full of madness. Where Lunar is running from unknown danger, he is sprinting towards it, not realizing the consequences until it's to late. Not to forget the star. Eclipse died being somewhat of a god, and came back as nothing more than a plaything, a puppet on a string.

In a twist of fate, they can relate best to each other now, and that might be the worst part for both of them.

Because what is there to do? Even though they understand, even though, one day, they might glance at each other and wonder "Do you feel the same?", they will never be able to confide in each other. Their relationship is beyond repair, and for good reason. Eclipse hurt Lunar, used and ab*sed him, and then blew him up.

This also opens up so much emotional baggage. What will Lunar think? Will he wonder "Do you regret what you did now, knowing how it felt?" Will a part of him feel the smallest bit of satisfaction? Will they ever be able to look at him at all, or will they forever hide away?

What about Eclipse? Will he feel guilty? He seems aware of the damage he has caused the celestial twins, even telling Ruin that he deserves what's coming for him, but he still showed no remorse when he talked to them.

I'm sorry this got so long, I am incredibly emotional about this right now, and I can't even begin to describe, how this makes me feel-

ANON OH MY GHOD /POS

DID YOU KNOW YOU HAVE THE BIGGEST FUCJING BRAIN EVER. DID YOU KNOW YOU'VE CONNECTED THE MOST PERFECT DOTS KNOWN TO MAN. HOLY SHIT.

LUNAR CAME BACK AS MORE AND ECLIPSE CAME BACK AS LESS BUT BOTH CAME BACK WRONG AAIAUAUAYAGAGGGHHHHHH

[runabout-river]

The Mechanisms of Nobara's Return

The Setup

Her injury is the smallest transfiguration Mahito made without interference

This injury didn't kill Nobara instantly

Nitta used his CT to stop her from dying

Affirmation that Nobara has a chance of survival even if that chance is less than 1%

This setup itself is the biggest indication/confirmation on a meta level that Nobara's return will happen. Because otherwise, Gege wouldn't have written it like this in the first place or he would've written later scenes about her death more explicitly.

Nobara is the female lead of JJK and is often compared to Sakura from Naruto in that regard. I find it hard to believe that Shonen Jump would let Gege discard that lead so early in the story. It would also be an unpopular decision to replace the female lead with another female character (Maki) even for Shonen standards.

Temporarily replacing one on the other hand, is a decision I can see happening. I'm no expert in this but it's known that editors keep the number of female characters low in their titles in SJ. Gege most likely wanted to do something shocking as well, so this a course of action many would be fine with.

If Nobara's death had been meant to be final then not only in the story but also outside of it we would've gotten definite confirmation on it. Instead, I don't recall something like that being said. In story and outside, we have this wishy-washy Schrödinger's Cat situation going on.

Her injury

Idle Transfiguration cannot be healed with positive energy or any other means

That's because positive energy doesn't recognize damage to the body if it's in the same shape as the soul

At this point, her death was suspended in a similar fashion to how Megumi's death was suspended inside his exorcism ritual

This suspension can theoretically be kept up indefinitely as long as Nitta can use his CT

A popular theory in this regard, is Nobara learning Reverse Cursed Technique while at death's door.

Nobara is a Black Flash user, her use of cursed energy is more refined than that of the average sorcerer

Her learning RCT would parallel Gojo learning it after being sliced open. For her, it just takes longer

Having to use RCT constantly would also mirror Gojo, bringing her narratively closer to her teacher after being the one most distant from him

Her Return

Why did Megumi say she was dead?

Theory: because Shoko told him that she was dead:

Because Shoko thought it cruel to keep the hopes of Megumi and Yuji up. She still wasn't finished to try and save her though

Shoko was afraid of the higher-ups interfering in her treatment after Yaga was executed

Having Megumi believe that she died also makes Sukuna believe that she's dead, which makes her comeback unforeseeable to him.

Why don't we see her in the flashbacks?

To keep up suspense. But do you know who else we don't see in the flashbacks? Todo. And that guy isn't even dead.

What is she doing now?

We have some possibilities for the flashbacks:

Learning to function under her RCT

Learning to function on Nitta's CT

Training/secret missions with Todo

Recovering with her grandma/learning to use new forms of her own CT

For the current fights:

She's waiting her turn

Popular theory is that Nobara will use Resonance on Sukuna's last finger. If she does this too early, she will explode. My favorite way for her to do this is like this:

Utahime and Gramps will enhance her CT and she will attack Sukuna's finger right at the moment when Sukuna attacks Yuji to kill him, mirroring the Mahito scene.

Which are the instances where her death wasn't made explicit?

We never saw her corpse

She wasn't at the airport

No one talked to Gojo about her death, they only talked about Nanami

Only Megumi and Yuji talk about her death. The second and last time about Hana potentially replacing her

I think this is about it about Nobara's Return. If you have questions, I will answer.

...

I lied.

There is a way to heal Nobara.

And the person who's going to do that is Megumi.

Megumi will have to infuse one of his shikigami with Mahoraga's Adaptation ability

The Adaptation doesn't happen with CTs, it happens with phenomena

A transfigured body and soul is a phenomenon

After the adaptation, Megumi can order his shikigami to reshape or reverse the transfiguration

This Adaptation to Idle Transfiguration also has a second use: stopping the merger (or reversing it).

Kenjaku used Mahito's IT to change Tengen's barriers. If I remember correctly, he will use IT again in the future or the effects of IT will be relevant later on. And that's when Megumi will have his biggest role.

[conflictofthemind]

Can we Please Re-Open the Petergate?

Ever since learning about Petergate in its entirety, it has been breaking my brain. There’s obviously something incredibly important happening here, enough so that it has to be hidden until the final season of the season.

For those not in the know, Sam Owens has / had a son named Peter that was first name dropped in Season 4. For some reason, the military wants his old schoolwork as evidence in the investigation of the Chrissy murder in Hawkins.

We also pretty much know that Peter is dead. The way Owens acts around Will in Season 2 as the only scientist who is actually determined to save his life, and the implications he makes that he understands the plight of Joyce both heavily imply he has lost a child. This also adds a layer to the whole ‘taking away your son’s precious school projects’ if that son is dead and those are some of the only memories you have left.

Okay so: Sam Owens lost a child, which explains his character motivations in the show. But it’s not quite interesting just ending it there, is it? And why leave this to be seemingly be a reveal in the fifth season where we already have so much else to take care of? Would Sam Owens’ son dying really be that impactful towards the narrative? Would that warrant the copious amounts of references (at least seven just in season 4) to Peter that exist within the show and are still coming out even in recent ST5 BTS pictures?

Something about Peter Owens has to be crucial information in the fight against Vecna.

Let us also remember that those military agents took Peter Owens’ schoolwork as some kind of evidence in relation to the Henry Creel murders, and it was important enough to highlight to the audience.

Let’s go over some facts:

1) Sam Owens has a house in Ruth, Nevada where he lives with his wife. Population irl of only a few hundred people.

2) Henry Creel lived in Rachel Nevada which uh didn’t exist in the 50s during his childhood where he encountered:

3) The Nevada Experiment. Henry happens upon related equipment and is briefly transported into Dimension X before coming back with powers and an altered personality.

4) In TFS, Henry is mentioned to have put a classmate from Nevada in a wheelchair following the events of his trip to Dimension X.

5) Henry was in the care of different doctors before he met Dr. Brenner and moved to Hawkins.

We curiously get no more explanation on this matter; whatever happened in Nevada is probably some of the most crucial information and is thus saved for Season 5. We’ve already gotten most answers that are relevant to Henry’s backstory in Hawkins… but not for Nevada.

Some of the major questions for S5 include:

1) What is Dimension X?

2) What is the actual origin of the Mindflayer and is it an independent sentient being?

3) How did Henry develop powers while in Dimension X?

4) What was the Nevada Experiment and the original Project Rainbow?

Since the military took Peter Owens’ schoolwork as evidence… it means Peter is at least connected in some way to this mystery, if not directly to Henry and probably implies the two knew each-other and were even classmates who worked on projects together.

Here’s the basis of what I propose (to be expanded upon later of course):

Henry and Peter were classmates in their youth fairly likely at this point. Henry and Peter were working together on a project that had them investigating the Nevada cave system. Or perhaps something relating to Area 51 / secret US government stuff. The project has to be relevant evidence since the military took it. This is what led to Henry stumbling upon the dimensional equipment in the cave that transported him to Dimension X.

My question is - what if Peter was also involved in Henry’s disappearance? Maybe he disappeared with him, and this was covered up by the government. Or he was simply exposed to the event but didn’t get transported with Henry, just became severely ill because of this Dimension X virus, and died as a result.

Or maybe Peter was meant to disappear as part of Brenner’s Project Nevada experiment. They didn’t plan for Henry to be there as well, and sure didn’t plan for him to be taken. The whole “rogue staff member stealing the equipment and hiding it inside a cave where Henry just happens upon it I guess” has been weird for a while. Maybe Peter was actually older and involved with P. Nevada, and he was the rogue staff member who hid the equipment? But then how did Henry conveniently get there and why was the schoolwork taken.

I don’t want to make this post too long; but something about this gives me major Will and El parallels in a way I can’t really illustrate quite yet. Boy gets taken under suspicious circumstances that could imply HNL meddling, but this time the supernatural kid is able to save him and bring him back. Owens becomes interested by this and comes to study Will in S2.

Owens also mentions that he has risked his family’s lives for the sake of their research, which I feel is relevant here. He’s talking about the current day NINA Project… but it could of course be a reference to the fact that this happened before, and ended in tragedy.

So wow, that got long! I didn’t even get to mention the Fringe parallels that people have brought up. This is just going to be Part 1 into my investigation of Petergate.

There’s so much promise in this potential storyline that I think really needs to get investigated, so I hope this interested people regardless of whether or not they’ve already come across Petergate. The fact that Henry’s time in Nevada is such a major gap in his backstory really fascinates me as to what they’re hiding from us.

[bonebabbles]

Slash's Famous Scene

Here we are, lads. Everyone's favorite scene in the totally best arc of WC. The one where Slash pins a pregnant woman to the ground and licks her face, while threatening her fetuses and cutting her cheek open so Clear Sky can have more man pain.

So far I've been using "fridging" as synonymous with the brutal killing of a female character to advance a male character's arc; but I do want to remind everyone that the term "fridging" describes disproportionate violence done to women in the service of their husband/brother/father/son's arcs. It doesn't HAVE to be death; it can also be battery, maiming, depowering, or sexual assault.

So far, 8 women have died to serve male arcs, most of them for Clear Sky specifically. Fluttering Bird, Bright Stream, Storm, Misty, Bumble, Turtle Tail, Rainswept Flower, and Petal. Now Star Flower gets sexually harassed and kidnapped, bringing the arc's fridge total to 9.

Anyway content warning, obviously. It's still Warrior Cats and doesn't get too graphic, but this bag contains a dead dove.

First, Clear Sky gets another toesucking from the ghost of his wife who died after leaving his controlling ass. Specifically, after he threw his disabled brother out of his Clan, and after his lust for seeing random people (including his brother) get mauled at the border resulted in the death of Fox.

She tells him that his behavior never drove anyone away, it was all totally not his fault. I'm waiting for a laugh track and it never comes. The apologetics in this arc are unrivaled.

Then, Clear Sky wakes up and his pregnant wife is not next to him. So he goes looking for her and sees her being flanked by Slash and his memorable minions, Grunt 1 and Grunt 2. Star Flower is so possessed by fear that she doesn't move.

They REALLY need to sell that Slash is TRUE evil, PURE evil, because of the wet fart that is Clear Sky's redemption arc. They're saying that Clear Sky ISN'T bad, because he is not this. A dirty, sadistic monster who coos evilly about how he's going to hurt the kittens in his wife's belly and cruelly twitches his whiskers.

(as a petty side detail, please also note that this passage cannot even keep Slash's fur color straight. Behold, a cat so evil that he cannot even remain a brown tabby! He turns gray when he commits nefarious deeds! Ashfurification included!)

Star Flower is the one being pinned to the ground and having her face cut open as Slash screams about how she promised her father she'd be his mate, but this scene is about Clear Sky's distress. Star Flower is an object to this narrative, which these two men are in conflict over.

The pinning, the violence, the sexual implications, are being done to make Slash as monstrous as possible to contrast to Clear Sky. Slash doesn't kill anyone, so the narrative needs to make you SO UPSET your emotions are thrown into overdrive, so you'll accept how truly terrible he is.

The simple truth that this rancid book is trying to make you ignore, is that Clear Sky is exponentially more deadly. He has caused harm so unspeakable that they have to describe his bloody murders in passive voice. They "died" now, instead of "were killed," and the violent system he created is presented as "making up" for the trauma he's caused to the survivors.

"Pushing his muzzle close to her injured cheek, he licked the blood from her fur with a long, lingering lap."

Think critically about the characters they are presenting and the actions they make them do. None of these are real people. They are writing choices. They have portrayed Slash as a perverted, domineering, child-abusing savage, so Clear Sky the Settler can look good in comparison.

then Star Flower gets dragged off, kicking and struggling, feeble and completely unable to defend herself as clear sky thinks about how she might die along with his fetuses.

Obviously Clear Sky is so very stressed out by all this and needs to blow off some steam, so he smacks the nearest woman and starts screeching about how Star Flower is more loyal than the son he abuses

The first thing he does after the Slash event was physically assault the nearest woman. I can't... I don't have the words. Are you seeing this. Do you see what I am fucking dealing with. literally the first woman he sees.

"DOES THAT FEEL LIKE AN ACT??" He bellowed like a fucking wifebeater at the girl whose face is bleeding because he cut her in a fit of rage. That's fine as long as you don't lustfully lick it afterwards I guess!!!

[raayllum]

Been thinking about this in the context of the similarities between this scene and conflict in 2x06 vs the conflict of likewise leaving a wounded dragon in 2x07, and in regards to potential mirroring with the main trio, but specifically looping in Amaya, Sarai, and Harrow's responses with Viren being like a narrative vessel for the 'Logical' side of things, so just put a pin there.

Now, while I think there are some aspects of this scene in regards to 2x07 that can be read in parallel — Harrow and Rayla both refusing to leave the wounded, Rayla being mirrored with Sarai leaving to save Viren and said dragon, Callum and Sarai going to save Viren and Rayla, Callum and Sarai collapsing/being injured because of it (varying degree of metaphorical death for Callum as well because of dark magic) — I want to draw a different sort of parallel line here.

This scene, I think, is the strongest piece of characterization we have for Harrow, as it lines up with just about every other decision he makes. He is a servant king, he doesn't set himself above others (Viren being the sole, angered exception), and he is unbendable to this principle. What's most noteworthy about his 'stubbornness' here, however, is that every other person he'd reasonably seek counsel from agrees with each other, and Harrow still doesn't bend.

We don't get the sense from 2x05 that Viren and Sarai agree on much, but here, even Amaya and Viren are in agreement. With that in mind, I'd argue that for the modern day trio:

Rayla is lining up the most here with Amaya (as even though she wants to save the dragon in 2x07, she is more than content to risk only herself do so alone, and 3x01 / 5x04 reaffirms this independent streak, even if it grew worse after Sarai died)

Ezran lines up with Sarai ("We have to get back to Zym" and similar sentiments of togetherness, like his brother, but still a bit more measured. We see this even with when he's encouraging Callum and Rayla to return Zym without him while he goes back to Katolis to be king; sometimes splitting up the group is for the necessary good of the mission)

And Callum lines up with Harrow. Like Harrow, once Callum gets stuck on something, he will not bend or waver, even when everyone else around him is telling him, too.

This is often times a good thing, as his determination helps him be there for people who are less keen to open up ("He persisted, as he always did" with Rayla) and serves as the backbone to his success as a mage, as without his persistence he never would've become a primal mage.

However, like most positive character traits - for Harrow or for Callum - it also sometimes be more negative / circumstantial. We see this unyielding nature get Harrow into trouble in more than a couple of instances, and we also see it happen to Callum, perhaps most notably in 5x04 as he refuses to leave the library even though Amaya, again, and Rayla are both telling him that they have to. And like Harrow, this is coming from a good place: Harrow wanted to help protect the wounded, and Callum wants to help Rayla free her parents.

The biggest difference is, I think, also where Viren is more of an asshole, in that he asserts "You wouldn't do this if it wasn't your wife's sister". This speaks, of course, both to how Viren views the world as well as aspects of his dynamic with Harrow: he wants to be special and important to Harrow, to be above other people to him, but if Harrow would do the same thing for any of them, that noted specialness doesn't well, feel special.

And while I think Callum would be working to free the elves Viren trapped regardless of who they were, because it's the right thing to do, I think the fact that they are Rayla's family is what makes him a little crazy about it, too.

[doubleodonut]

i really did want to like this season going in but ugh. like hearing oh it's written by burnie directed by matt, the seasons i don't like got entirely retconned (petty. i know. no shade to people who like the shisno trilogy i was just eh on it), clearly meant to be a return to reconstruction-era format in some way. all sounds fantastic. unfortunately

basically everything from sarge's death onward felt entirely un-earned and un-genuine. this is probably my biggest sticking point with it all. rvb has been extremely good at making these incredibly silly characters do emotional moments well in a way that feels true to the characters- the finale to season 13, for example, is one of the best bits in the show, imo. and that's a really delicate balance! because fundamentally, these characters are built on comedy, and often being mean to each other, and making genuine interpersonal moments between them can be a really tricky business. the emotional moments in restoration, for me, leaned way too far into the sappy side and as such felt entirely un-genuine, starting with sarge's speech and continuing for the .. most of the rest of it.

now, some other bits would have felt really good if it weren't for their surrounding stuff, if that makes sense? like. after sarge's death, simmons becoming first-in-command and immediately discharging grif. that's really good. that's REALLY GOOD it feels true to their characters and earnest in a way they would be. but the surrounding problems that i mentioned already made it land a looot softer than it should have.

the whole retcon thing was...really unclear, frankly. like, it was sort-of-stated in the trailer, but when the season opened with dylan, as well as the reveal of wash in the hospital, carolina doc and donut being gone, i'd figured that oh, the retcon implied in the trailer HADN'T actually happened, church's simulations just included the stuff that happened. (and also, you should be able to tell what's going on in a piece of media without having watched the trailers..) but no, the retcon was apparently real, this season took place directly after the chorus trilogy. just not communicated well.

where were carolina and donut. like, we know doc'd died but, like. where are those two. donut just ISN'T there (only just mentioned by dr. grey at one point and simmons at another), and carolina is. missing, for some reason, until she's needed for the final fight. given carolina's absence for most of the thing, her moments with tex also felt very underbaked.

the "doc's been dead the whole time!" twist was stupid i'm sorry. i feel like it could have been done well if the rest of the season was better but as it is it just feels cliche. i think i get what they were going for- we never saw the final climactic fight of season 13 because church never saw it, now coming back after however-many-months, we as the audience weren't filled in on how that battle happened, making a surprise "actually, x died!" thing narratively interesting. it just wasn't done well, imo

the meta as a villain was .. just strange as it was played out. the idea of meta!tucker? tucker stuck in his own body while being puppeted by the epsilon-fragments-as-meta? or even, like what epsilon thought was going on, tucker straight up heel-turn? that fucking rules. i am SO into that idea. but i really didn't like how it was done. epsilon-meta was just..goofy. their lines all sounded like a cartoon villain. so much threatening and so much..talking? like, compare to alpha-meta- silent save for the interconnected whispers of the ai, focused, driven, not having long protracted villain speeches. not that villain monologues are BAD, they just don't feel right for the fucking meta! it made them as a villain feel weird and, again, pretty cliche. also, like, the bit where they held the sword to simmons' face and started monologuing threateningly at him? just didn't fit with what we know about the meta at all. the meta would have fucking stabbed him without hesitation that was some felix-type shit

(now, maybe this was the influence of the "host" between either version of the meta. like, maine is silent, so maine-meta is silent. tucker is super chatty, therefore so is tucker-meta. that would have worked if a) tucker was actually the meta rather than just A Meat Puppet and b) the dialogue actually had any resemblance to how tucker talks rather than Stock Villain)

jumping off the topic of epsilon/tucker!meta. tucker was so stiffed this season. the meta could have been piloting a robot body and it would have made 0 difference. the torture scene didn't land and had basically no actual purpose. as others have pointed out, an ACTUAL villain!tucker could have been pretty fucking cool if done right, and would have been a really interesting twist on the meta. i think meat-puppet-tucker could also have been done interestingly, if we saw more of tucker and his conflicts with the ai, or, like, even what happened leading up to the meta Happening after the end of s13. but tucker, one of the imo most interesting and best characters in the entire show, just had almost no influence, purpose, no character development, nothing.

perhaps most damningly of all, it just. wasn't funny. there were a couple little jokes here and there that got a laugh out of me, but there was no sustained comedic energy throughout the thing, and a lot of the bits (church's youtube exposition, the zoom bit) dragged on for WAY too long. i cant believe they did the "ehh.......it's right behind me isn't it" bit entirely straight.

overall, i felt this season is overall underbaked. there were some very cool concepts, bits, and ideas, but all together just did not work.

[born-in-hell]

q!BBH's Desert Lore is eerily similar to a scene in Salad Fingers Episode 10 "Birthday" ─ and other coincidences

WARNING: Salad Fingers is a gore web series. Therefore, All pictures here are going to be censored as to not havily disturb anyone. The links for the original pictures will be listed at the end for whoever wants to see them in full.

While reading this, its good to keep in mind that cc!Bad has made references to gorey underground web series before, such as "Llamas With Hats". Therefore, it wouldn't be a big stretch for him to have used Salad Fingers as inspiration for his character's lore, or as reference.

Also huge huge huge thanks to @demodraws0606 for listening to my insane thoughts and helping me w this go give them some love !!

On the day 26/nov/2023, Badboyhalo opened stream in the desert for the last time. Most people started comparing this scene to the Pinkie Pie birthday scene. But i could not help but think "huh, this reminds me of that salad fingers scene. I might be insane". so i went to look and.....:

U can't say they arent similar. An immense desert with a clouded sky and a wooden table with 6 places, which are taken by copies of the main character. The only difference is, besides the obvious gore, that one of the chairs is empty for q!BBH, while all are taken in Salad Fingers.

Another simmilarity is that Salad Fingers tries to interact with the clones, but just as q!BBH's, they neither aknowlege him nor respond.

Demo noticed how the scenery is really similar between the two:

Despite all this, the episode has no narrative connection to q!BBH's lore. It revolves around Hubert Cumberdale's (a finger puppet created by Salad) and, later on, Salad Finger's birthdays. Generally, i understood it is about the passage of time, together with childbirth/motherhood.

But, right before this scene, still on episode 10, Salad Fingers goes to the doctor. Eventually the focus changes, and the doctor is now examinating a horse while Salad Fingers watches. The horse seems to represent Salad Finger's child. When q!BBH lost his memory, he kept talking obsessively about taking Dapper to the doctor.

Another curious coincidence is that, on the same episode and same scene as the table, "Birthday", Salad Fingers is gifted a tophat as his birthday gift:

Demo pointed out, aswell, how on epidsode 13, named "Harvest" salad fingers is walking through the deserted wasteland towards a glowing circle in the sky (the Sun). During the first desert stream, q!BBH is seen walking towards the Sun aswell. Here are some screencaps from said Salad Fingers episode:

The "Edge of Forever" name is also funny considering q!Forever's and q!Bad's close friendship. But i personally think the usage of the word "forever" is only a coincidence. Or it could be related to q!Bad's immortality, the Edge of Forever, than, being where bbh goes to be reincarnated.

On the end of this same episode, "Harvest", Salad Fingers dies and is substituted by Boy Fingers, who is essentially a clone of Salad. This might be relevant, regarding q!BBH possibly dying, but i dont really know how to fit this into a complete theory. Although, since Salad dies from being boiled in a soup and consumed by Boy Fingers, there might be some connection to q!Bad's theme of gluttony.

The way both Salad Fingers and amnesiac Q!Badboyhalo behave also overlaps a bit. The constant jumping from subject to subject, a certain level of innocence and naiveness, a detachment from reality and unacknowledgement of death and violence.

Overall, the themes that Salad Fingers explores ─ birth, motherhood, fatherhood, conflituous familial relationships, some may say xenofobia or racism, and the 1st World War ─ arent at all related to q!Bad's story. I don't believe cc!Bad used Salad Fingers for anything other than inspiration ─ if it was even used. But, i still found all of this curious and interesting, and i wanted to share with all of you.

If u have any thoughts, feel free to share them! I personally am not a fan of gore, so i haven't seen all of Salad Fingers. This is another reason i'm writing this, so ppl that know more than me can share what they think.

Ty sm for taking ur time and reading this !!!

Uncensored Pictures:

─ Table Scene

─ Tophat

Banners/Dividers by @/inklore

[bonefall]

So sorry if you’ve already talked about her and I just can’t find the post, but I would love to hear about BB!Sliverstream. I feel like the fandom and the books portray her as just generically loving and who’s whole life revolves around Graystripe and their tragic romance… But come on! She was breaking the code to meet him, she’s rebellious! She’s the daughter of Crookedstar! There’s so much potential there for a really fun character. But she ends up being nothing but dead warrior cats wife/mother number one

UNG

I've talked about her before but I'd have to go digging for it, so I'm just going to gush about her and everyone is gonna listen up. Because I love her. I love her so much. I love everything about her and her death and I think anyone who boils her down to just "a fridge wife" needs to read TPB again, and open their hearts and minds to the IMPACT that she had on the entire narrative

Because she DOESN'T just die to give Graystripe man pain. She hits EVERYONE, she drives the plot, she was a really well characterized cat and her death is heartwrenching!!!

First of all, I like the explicit fact that Graystripe and Fireheart are very young at the time. New warriors, almost immediately given apprentices.

In BB, I decided to make this one point where Bluestar bends the code to a disastrous result (in BB, you aren't supposed to have an apprentice until you're at least a year out). Graystripe should not have an apprentice when he's barely out of apprenticeship himself! Young people do dumb and wreckless things, question rules, they do what they want. And he ignores Brackenpaw to hang out with Silverstream.

And it's easy to see why! Silverstream's a self-assured, hostile popstar who is daughter of the leader and PRIDES herself in that. She has a great heart but will not follow rules she thinks are dumb, because she feels she is above consequence.

And she likes Graystripe because he's HONEST. He does what he pleases and if he takes an interest in you, it's genuine and flattering. He's funny! He's good humored and laid back! Fireheart is frustrated by this because he's responsible, anxious, and serious, but Graystripe CAN'T stay serious for that long.

He needs to live and relax. YES that makes him irresponsible and even avoidant-- and I like that a lot! But he loves with such raw devotion, never able to do what Clan Culture expects of him!

So NO WONDER these two ended up as cross clan mates. They're like peanut butter and jelly. Silverstream who feels above the rules and Graystripe who is loyal to people over clan. To them, the Code is a guideline

AND YOU KNOW WHAT?? THEYRE RIGHT!!!!

The code IS flawed!!! This IS a bad fucking rule! Their love IS stronger than this! The "Law of Loyalty" (my bb term for it) EXISTS BECAUSE OF THE SIMPLE TRUTH;

IF YOU LOVE CATS OF OTHER CLANS, AS FRIENDS, LOVERS, OR FAMILY, YOU SEE THAT THE DIVISONS ARE BULLSHIT

And that destroys the battle culture!! We SEE this in TPB, there are several times where cats will back off of fighting Fireheart because he's their fucking friend! He refuses to hurt Silverstream because she's his best friend's lover!!

And when she dies it's DEVASTATING. It wouldn't be the same if Graystripe's choices following her death were about choosing his lover over his home clan!

It's childbirth, as if she's being punished by StarClan for codebreaking! She wanted to deliver her children with her mate by her side, and had a horrible death on the rocks away from an experienced medcat. Cinderpelt blames herself for not being good enough to save her, destroying her confidence for several chapters until she can realize it was never her fault

And after this, Bluestar doesn't punish Graystripe... because she knows how awful it is to lose a mate from another Clan. Her death should be enough; in spite of the baying from the Tiger Clique for a harsher sentence.

Like... what frustrates me most about Silv is how the later books reduced her, for a period of time, into JUST a sweet nicey fridgewife that gives Graystripe permission to move on. She was fierce. She was assertive. She is the person who said, "If the law says my love is wrong, then it's the CODE that's incorrect!"

I wish she kept that ferocity in Graystripe's dreams and memories of her. A voice that would tell him that his heart has never lead him astray, even when others told him he was on the wrong path.

It was nice to see her return to some form with a spike of jealousy in TBC, and for as much as I hated Leopardstar's Honor, at LEAST it remembered she wasn't a sweet nicey waif.

So in BB I plan to change very little. BB!Silverstream was beloved by a lot of people, and people will fight for her name. Her death has a huge, negative impact on Graystripe and he never totally gets over her death, even while he's raising his new family. During TigerClan, her children are stripped of their names and slapped with cruel Dishonor Titles (Stormpaw to Graypaw, Featherpaw to Silverpaw), to remind them of how their birth killed their mother, and that their father is not here to pay for his crimes.

This infuriates her friends and family, and Deerfoot's rebels are joined by them in their guerilla opposition of TigerClan.