#for god's sake you are heroes

[aryxchse]

hello!

i see ur requests are open so i have one (potentially) if ur willing to write it!!

yk how we get some glimpses into a dark percy jackson in the HoO series when he’s protecting annabeth… what if we got some of that for jason grace? potentially like the reader, she’s threatened by a minor god or monster or anything, so jason kinda goes unhinged? maybe like, he takes the air out of the opposing party’s lungs or anything else kinda unhinged?

i hope any of this makes sense lol thank uuuuu

🫶🫶🫶

dangerous storms / jason grace x female! reader.

a / n : I WAS THINKING THE EXACT SAME THING BECAUSE WHY THIS MAN HASN'T BEND SOMEONES OXYGEN ALREADY???

warnings : jason grace's angry self, airbending type of shit, cursing, DANGEROUS JASON I REPEAT DANGEROUS JASON!!

jason grace was a calm man.

he was rational, he would think before he act and he never made a move with his feelings. call it him being roman, or his father being literally the king of the gods, or maybe him growing up with a wolf raising him. jason grace was always the type to show his powers through strategic thinking.

well, everyone has boundries right?

he had a thin line in between destroying one thing or everything when it camed to you. if you're fine, then no one has to fear for anything. if you're okay, safe and healthy, no one has to panic.

but if it's the other way, than everyone should pray. even the non-believers. because jason grace can be scary and intimidating when he wants to. and he's so damn good at it.

things weren't supposed to go this way. you weren't supposed to get kidnapped by some giant. the plan wasn't this way, then why, why we're you in danger?

jason stopped being rational. his brain only said 'why, why, why' for like, an hour now. jason wasn't thinking straight. jason wasn't thinking.

"jason, we're gonna save her," piper tried to charmspeak him, but it didn't worked. the girl who put gaia back in sleep, couldn't calm down the son of jupiter.

percy jackson, who was feared by most monsters, demigods and even gods, was afraid how jason acted at the moment. but he didn't judged, he knew he would act the exact same way if something happened to annabeth. which, he did.

he was the only one who would go down with him if he asked. boundries we're boundries, and percy knew that very well.

"jason, we can make a plan." piper tried again. she was trying from the moment they got you. but it wasn't working and she started to get anxious.

"yeah, man. she's strong, she could be on her way back here even-" leo tried his best too. he couldn't recognise his best friend right now. he should've been like percy, who wasn't judging jason's madness and ready to go down with him. but he couldn't—it was like leo meeting jason for the first time, again.

"i already have a fucking plan." jason snapped, but he was quiet. which, it didn't help with the gang's fear. "and you guys are not involved."

"you sure?" percy asked, putting a hand on his shoulder. "my hands been itchy these days, and riptide is no better."

jason wanted to smile, but his situation didn't allowed. instead, he softened his gaze, just a bit. "thanks, but i'll handle it myself. it's my war now."

percy nodded, giving a look at the team. 'if someone wants to stop him, they have to go through me.'

"go get em', tiger." he joked. and jason flied away, not answering.

‎ ⚡️

you would fight for your life if you weren't hanging up by the chains on your wrists. your feet we're dangling in the air, and arms hurting from carrying all your weight. the sick giants put some fancy greek dress on you, making your hair prettier while you were unconscious.

the giant fucking fell in love with you, and it certainly did not liked jason.

jason. we're was he? what happened to him?

well, you we're about to find out.

"oh dear," the ugly beast purred, his big hands finding your tiny body. you disgusted, squirming under his touch to get away. but it was no use.

"you'll be all mine once i make the potion." he rambled, drool on his chin that showed you how hungry he was for you.

"in your fucking dreams." you spat, eyes shooting daggers. you we're jason's girl, and your own person, most importantly. "i'm already taken."

the giant growled, mixing the sound with his sick laugh. "that jupiter boy? he got nothing compared to me sweetheart!" he yelled and his voice echoed through the big cave. where we're you, even? "he has to kill me to get you!"

"be careful what you wish for." the sound made you melt instantly. how was he able to find you? well, you didn't cared to be honest. he was here.

jason's eyes we're nothing like before. it was like his own eyes had their storms and thunders. one part of you we're amazed, while the other got scared. you knew he wouldn't even touch you if it ever hurt you, but you we're scared for him. not from him. for him doing something he'll regret for the rest of his life in order to protect you.

but, jason seemed to not give a damn.

"you tiny little demigod! you have no chance against me, you don't even have a god next to you to kill me!" he yelled, leaving you dangling in the air again. you wanted to call jason's name, but your voice muffled through the lightning.

"i don't fucking need a god," jason hissed, taking position. "i'll send you tartarus myself."

it all happened quickly. jason was so fast, unlike the big giant trying to capture and kill him. he was like a lightning himself, moving in light speed. there was a blonde thing moving, and you couldn't understand if it was his hair or sword. also there was little lightning sparkles that helped you figure him better.

then, the next thing you knew, jason was on top of the beast's face. he quickly called a lightning before stabbing his sword into the giants eye. it growled, but didn't falled.

"this is what you take for hurting my girl. my loved ones." jason said, his free hand going up in the air. you thought he was gonna make the giant eat some lightning, but it didn't go that way.

"remember my name in tartarus," he flied up again, taking a large air with him. the beast suddenly started to choke, holding it's neck desperately. "and make sure your friends does too."

it was the last thing giant heard before falling down, his oxygen flying in the air and dissapearing. jason immediatly flied towards you, cutting your chainst and holding you by the waist before you fall.

"jason," you breathed out, crying. you couldn't believe what you just have witnesses, but you figured it was the best to not mention. you we're happy that you we're safe now, in his arms.

"baby," he panted, hugging you so tight. you guys slowly landed on the ground, jason still clinging on you. "thank gods you're alive."

"i got scared," you admitted. normally, you would rather die than admit someone you're scare. but it was your jason, who could you tell if you're not gonna tell him? "he was gonna- jason, he was gonna make me one of them."

"shh baby it's okay," he cupped your face, his own tears matching you. but he had a smile, a smile that appeared once you we're in his arms. "i'm here. no one's touching you ever again okay? i'm here." he gently wiped your tears away, kissing you after.

you relaxed the moment your lips met, but it wasn't very long until you both heard footsteps again. jason quickly picked you up in bridal style, flying away from the little crack of the cave.

later that day, you both layed together in his quarters at argo ii. everyone decided that they shouldn't ask questions, like they didn't asked percy and annabeth after they got back from the tartarus.

even coach hedge let you snuggle eachother, because he saw how hurt jason was. he needed you for his own sake, to stay sane.

jason was the child of storm after all, he knew how to be scary when he wanted to. he kept it all inside when you we're near and safe. but if something slightly happened to you, he knew how to show them real power.

[dw-flagler]

In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.

Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.

"MHA has better characters,"

My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.

This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.

Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.

"a better plot,"

What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.

Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.

"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."

What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.

"better worldbuilding,"

This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.

Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.

Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.

"stronger themes,"

It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."

Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.

"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."

I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!

Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.

The funniest is "don't text and drive" though.

"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."

That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.

"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."

Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.

"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."

I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.

"When body horror happens it still has impact because it's not happening constantly."

I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.

"But most importantly - you root for the heroes because the world actually seems like it's worth saving."

that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.

"Not only that but MHA simply does villain protagonists objectively better than Worm."

um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.

This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"

"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."

I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.

So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.

"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."

I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!

"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."

Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.

"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"

Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.

"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."

Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.

"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."

This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.

"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."

Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.

I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.

"In the case of the actual main characters, they have extremely comprehensive character arcs."

Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.

Which plays back into the initial theory that ANYONE CAN BE A HERO.

man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.

No, the Villains don't get happy endings,

Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?

You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.

I have actually read Worm, and for the first half to two thirds I loved it.

Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.

I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.

See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.

"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"

I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themes—or lack thereof—extremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.

[thereweredragonshere]

Just found out that Dave Grohl cheated on his wife. Can I please be a fan of a celebrity that isn't scummy please I cannot go through this bullshit again I'm getting tired why oh why Dave Grohl from Foo Fighters.

[gingerbreadmonsters]

polite and gentle reminder that it is perfectly okay to not say anything about any particular subject, because moralising about events and people that are not real on the internet does not in fact make you a defender of the good and righteous, but instead just makes you and the people around you miserable when everybody inevitably has to hash out the same argument again and again to no avail

[avernusfuries]

𝒎𝒖𝒔𝒆 𝒃𝒐𝒅𝒚 𝒍𝒂𝒏𝒈𝒖𝒂𝒈𝒆 Italics only means the behaviour isn't as prevalent as others; rarely happens or they only tend to happen in specific situations, or are just not as common.Bold only means it's much more common to see on her; frequency is somewhere in the middle. Bold & Italics mean that the behaviour is effectively one of her glaring "tells" and can easily be associated with her; guaranteed or almost always guaranteed to happen.

DEFENSIVENESS: arms crossed on chest // crossing legs // fist-like gestures // pointing index finger // karate chops // stiffening of shoulders // tense posture // curling of lip / baring of teeth

REFLECTIVE : hand-to-face gestures // head tilted // stroking chin // peering over glasses // taking glasses off — cleaning // putting earpiece of glasses in mouth // pipe smoker gestures // putting hand to the bridge of the nose // pursed lips// knitted brows

SUSPICION : arms crossed // sideways glance // touching or rubbing nose // rubbing eyes // hands resting on weapon // brows raising // lips pressing into a thin line // strict, unwavering eye contact // wrinkling of nose

OPENNESS & COOPERATION: open hands // upper body in sprinters position / leaning in closely // sitting on the edge of a chair // hand-to-face gestures // unbuttoned coat // tilted head // slacked shoulders // droopy/relaxed posture // feet pointed outward // palms flat and facing outward

CONFIDENCE : hands behind back // hands on lapels of coat // steepled hands // baring teeth in a grin // rolling shoulders // tipping head back but maintaining eye contact // chest puffed up / shoulders back // arms folded just above navel

INSECURITY & ANXIETY : chewing pen or pencil // rubbing thumb over opposite thumb // biting fingernails // hands in pockets // elbow bent / closed gestures // clearing throat // “ whew ” sound // picking or pinching flesh // fidgeting in chair // hand covering mouth whilst speaking // poor eye contact // tugging at pants whilst seated // jingling money in pockets // tugging at ear // perspiring hands // playing with hair // swaying // playing with pointer / marker // smacking lips // sighing// rocking on balls of feet // flexing fingers sporadically

FRUSTRATION : short breaths // “ tsk ” sounds // tightly-clenched hands // fist-like gestures // pointing index finger // running hand through hair // rubbing back of neck // snarling // revealing teeth / grimacing // sharp-eyed glowers with notable tension in the brows // shoulders back, head up - defensive posturing // clenching of jaw / grinding teeth // nostrils flaring // heavy exhales

tagged by: @sageofthestrange (thank you, lovey! :D)

tagging: @spiderwarden, @apalestar, @hclvedprophesy, @orchideae, @darlingdesiredelicious, @magicveiled (ciara, please? :3c), @doighnadair, @selfiestar / @shentacles, @sanguisarcana & @z4r.

[sunshinegallery]

TO MANY DEMIGODS WERE FORCED TO FIGHT MONSTERS IN COLISEUMS FOR THE ENJOYMENT OF THE GODS THEY WERE SAVING AND IT MAKES ME SICK

[hinderr]

Friendly reminder that din's covert isnt. A cult. Like. Come on guys we've been through this before

[wutheringmights]

idk if you remember me but im that anon who babbles about tragic themes in your fic. im only like just started on your latest chapter but i am CONSUMED by thoughts regarding parallels between Admetus and Warriors, the acts of sacrifice made for them, not out of love some perversion of fear and dread. basically one reading of alcestis wonders wether she died for him not because she loved him but in fear of what would occur if she were to not do so, dreading that he may sacrifice her children or make her miserable. wars has this capability for a mental twisting to view his loved ones as tools and means as alcestis fears her husband may in the wake of her death (see the second episode of euripides alcestis). also thinking about the role of the parent, blame and responsibility, as well as trickery and appeasement of the gods. i think your fic has really interesting play with the divine eps. in the modern timeline with sly being holy in experience and the mythos of wars’ period, there is no clear divine want, no fates to trick and beg. there is also lana though, i can see parallels in her love of wars and Apollo’s adoration of Admetus, except she has a lot more depth as a character. hmmm. sorry its like 1:30am and im rambling, my apologies, it will happen again. quite possibly in only another hour or so depending on my thoughts haha

I'm not too familiar with the story of Admetus, so I can't really add much about your analysis. But I will say that I am blushing like all hell and I am both honored and amazed that you're getting so much out of my silly little story.

[litchi-jelly]

just finished episode ignis and i am feeling not so good

[j-jared]

This is why you don't sleep with the Tyrant King - The consequence is children

Constantine avoids involvement with the Infinite Realms for two reasons.

Who wants to deal with all those Ancients in the first place?

He’s avoiding yet another unhinged ex of his.

Of course, hooking up with Pariah Dark wasn’t really an actual relationship, more like a one night stand via dream walking (Nocturn owed Pariah, but seeing as it would be insane to release the Tyrant King from his endless sleep, he’d give him a dream partner every couple centuries) - regardless, Constantine doesn’t want to deal with that.

So yeah - the fact that the Justice League is attempting to summon the High King into the Watchtower has him wanting to drink more than usual.

Of course he gave warnings, but they’re dead set on doing so. A green folder had appeared in the secure “cursed artifacts” vault with no trace of whoever left it there. How else were they gonna find out how it got there?

So Constantine’s stuck there to set up wards, and is trying to find his way out of this one.

When the summoning circle worked, no one expected the teenager to pop out of it. 

Instead of Pariah Dark, or even the sarcophagus showing up, there was a white haired ghost boy with glowing green eyes the same color as the flames of the Crown of Fire. Except he didn’t look exactly like the others ghosts. He had a human skin tone, his proportions were exactly like a human teenager’s, and he was wearing a black and white hoodie with black sweatpants, for God’s sake. 

… Were ghosts able to reproduce with humans?

Before any of the Justice League can get into questioning, Constantine speaks up:

“You’re not the Ghost King.”

Green eyes settle on him, lighting up with recognition - Danny knows exactly who this is, with the amount of complaints on his desk about the blonde. Clockwork also informed him (he didn’t want to know but now he does) of the man’s stint with Pariah. 

Daniel “Commit to the bit” Fenton chooses to do just that.

“Of course not,” The confusion crosses the face of the heroes present- “That’s just because I haven’t had my coronation yet! I’m the Crown Prince, it’s practically the same thing!”

Oh, and the dread and realization crossing Constantine’s face is almost enough to make his core purr in amusement. 

“Now I will gladly answer all your questions, but first!” His eyes swept over the heroes before raising his hand and pointing accusingly at the British warlock.

“John Constantine,” his voice boomed, the temperature of the meeting room dropping as his face stretched with a smile too big and too pointy, “You owe me fifteen years of child support.”

[ectoplasmer]

alams head into wall

[flightyalrighty]

FIRST | PREVIOUS | NEXT CH 1 PG 36

Infested will return on June 27th. --- Thank you to the following Ascended supporters: @chaogongoozles, @fiiresiidefrfr, @elizard4227, @grogar, Ezzoh, @susivoi, @calculuscacophony, Eros, @ivycorp, @summersdale @borrelia, @mizukiz, @sanicdetails, @combinegrunt-echo-1, Pica, @veeceear, @quackenburt, ItsmeMonarch, @memendoemori, @trans-girl-sonic, & savarsenic

Content Warnings | Store | Ko-Fi (Discord!) | Read On Comic Fury! DISCLAIMER: "Infested" is a horror comic ft. content not suitable for those under the age of 17.

A long-winded looking back on things below the cut:

The first few pages of Infested were uploaded to this blog on March 2nd, 2023 -- Over a whole year ago! I was so busy, too, that I completely missed its birthday (Sorry Infested). Looking even further back than that, the original story was was something I began writing on December 25th, 2022 (Merry Christmas).

It took two years to get to this point.

And hey, not to toot my own horn about it, but completing even one chapter of a webcomic is a big deal. Especially for me. My first webcomic, Fight/Flight, didn't get very far. I completed the prologue, started Chapter 1, and then had to drop it for a number of reasons (I didn't really agree with what baby-me had to say, politically, anymore).

This comic was born from a lot of intense feelings. The story, itself, too. Some good. Some bad.

I had been forced to move away from my hometown, and with that move, I lost the physical connection that I had to all of my friends. I lost the familiarity of a place I'd known for most of my life. I'm now stuck somewhere... Worse. It felt like a cage. Still does. Disconnected from the life I thought I would be living after college. I didn't have health insurance, either -- Got kicked off of it because of the move -- And as a result, I was off my antidepressants.

So there I was, at a pretty low point in my life. I miserable and lonely and every single day dragged on. And on. And on. And I felt so disappointed in myself. That disappointment became self-loathing, and it all kinda spiraled.

Have I mentioned that I'm a huge Sonic fan? I don't think I need to. I'd say it's pretty obvious. But for the sake of this story, I'll say it again: I'm a HUGE Sonic fan. I've been that way since 2003 with Sonic Heroes. The franchise has been in my life for over two decades. I had a monthly mail subscription to Archie's Sonic the Hedgehog. Sonic the Hedgehog was something that I truly loved more than any other piece of media. It brought me endless joy. Until I didn't.

I had dropped Sonic after Lost World was... Itself. I had already felt pretty irritated with the Meta Era, and Lost World was the final straw. The last bit of hope that the series could recover was snuffed out when Forces was released. It was over. I was done. If Sonic was truly that embarrassed by itself, if they had truly lost touch with what made the series so great, then I wouldn't waste my time any longer. I was so sure that I had to just... Grieve and move on. My beloved childhood game series was dead. Long live the king or whatever. I'd just bitterly read IDW Sonic and think about what could've been. I was lucky to have that comic, at least. Archie had been canceled, too, after all. I was lucky to have my scraps.

Then Sonic Frontiers came out. And it changed everything.

And my god, it was everything. It was everything to me. Flaws be damned, it was everything. To. Me. The spectacle. The serious tone. The vastly improved writing. Kellin Fucking Quinn. It was FUN! It was actually FUN to PLAY. He was back. I was back. Sonic pulled me by my hand out of the ocean of misery I'd fallen into, and he looked me in my eye and he said;

"Hey. You're gonna be alright."

Metaphorically speaking. Sonic The Hedgehog didn't actually literally speak to me -- And sure, okay, maybe it's a little dramatic to describe a game as this great Depression Annihilator but I'm dead serious when I say that, for that time, before I was able to get back on my meds, I was self-medicating with Sonic.

Sonic was all I was thinking about. I reread the Unleashed arc in Archie Sonic, which got me sorta realizing something, and which led to my post where I said something along the lines of "Sonic would hide a zombie bite."

Archie Sonic would, at least. Because he basically did do that in the Unleashed arc of that comic. He let that problem fester until it became an even bigger problem because, ironically, he didn't want to be a problem.

So one thing led to another. I thought more about Sonic becoming a zombie. Bada-bing, bada-boom, Infested was born.

I didn't expect it to get the attention that it did. I felt lucky when the first page I drew Rouge on (Page 6 I think?) blew up. The right people saw it at the right time. I'm extremely grateful for that.

I'm extremely grateful for all of you.

So yeah, one chapter. Woo! Here's to many more.

[syn0vial]

Astarion Voicelines: Healing/Helping/Buffing (Now updated for Patch 1.3)

A compilation of Astarion's voicelines when he's healing a character with a spell, using the "help" action to free them from an immobilized position, or casting a buffing spell.

Voice lines added between patches 1.1 and 1.3 have been marked with bold text.

Healing (Negative Approval)

Of course you need help.

Waste of a spell.

There's always something.

A poor investment.

Don't bleed on me.

If I must.

Just don't bleed on me.

I should let it fester.

Do I have to touch them?

You're bleeding. Again.

Oh for Gods' sake.

I won't always save you.

Healing (Neutral Approval)

Stop bleeding - it's distracting.

We'll fix what we can.

Try not to die.

You're leaking.

Let's not die yet.

You owe me.

That's enough wasted blood.

There's life in you yet.

Let's fix what we can.

Healing. How novel.

Stop bleeding!

Fine, I'll save you.

Healing (Positive Approval)

A helping hand.

No more wasted blood.

We need you strong.

Let's play doctor.

We'll patch you up.

Let's not die yet.

You're wasting blood.

We need you strong.

It's not your time.

Let's fix that.

You're not dying.

Healing (Romantic Interest)

Let's fix you up.

Let's not waste any blood.

Let's lay on hands.

Let's play doctor.

No, no - that won't do.

The kiss of life.

Stay strong, darling.

You're not going down.

A little pick-me-up.

Healing touch.

Shhh, it's all right.

Helping (Negative Approval)

Of course you're stuck.

Of course they're trapped.

Let's get you loose.

Help the idiot.

Worse than useless.

Some don't deserve saving.

I should just leave you.

Oh no, is someone stuck?

You're a danger to yourself.

How have you survived this long?

I could just leave them...

I'll help. This time.

Can't they wriggle free?

So helpless...

Damned fool.

Give me patience.

Give me strength.

Oh no, they're stuck.

Helping (Neutral Approval)

Why am I not surprised?

Someone needs help.

What have you done now?

Yes yes, I'll save you.

Not that I'll get any thanks...

Must I?

Yes, fine.

Fine.

All right, I'm coming.

Yes, I'll free you.

Let's go already.

Your hero is here.

Do I have to do everything?

Yes, yes, I'm coming.

All right, I'm coming!

Fine, I'll free you.

Let's get you loose.

Oh for goodness' sake.

Because I've nothing better to do.

Get back in the fight.

I swear...

Helping (Positive Approval)

Ha! Oh I shouldn't laugh.

Help is here.

Relax, I've got you.

Come on, let's move.

I'll free you.

Your hero is coming.

All right, all right.

Let's get you up.

I'll get you loose.

Come on, move.

Easy, I'm here.

Hold on, I'm coming.

Helping (Romantic Interest)

A sticky situation.

Let's get you free.

I'm coming.

Really, darling?

Don't worry, I'm here.

Let's get you moving.

You look good helpless.

Maybe they like being restrained?

Don't worry, I'm here.

Let's get you moving.

You'll be free soon.

Oh I shouldn't laugh.

In a spot of bother, hmm?

Buffing (Negative Approval)

Try not to waste it.

Let's waste a spell - why not?

Do I have to do everything?

Useless.

Of course you need help.

Just try not to die.

What a waste.

Yes, fine.

Fine.

If I must.

Do I have to?

Buffing (Neutral Approval)

How did you last so long without me?

Do not waste this.

Don't worry, I'm here.

Someone needs help, I see.

Yes, all right.

A little help.

All right, here.

Don't waste this.

You clearly need some help.

Let's try to survive, hmm?

Stay strong!

Do not let me down.

Try not to die.

I swear, if you just die...

Fine, here!

Just try to survive, will you?

Buffing (Positive Approval)

Lucky I'm here.

Where would you be without me?

Here you go.

This should help.

Better safe than stiff.

A little boost.

A friend in need.

Someone needs a little help.

Just a moment.

Buffing (Romantic Interest)

I've got you.

Let's keep you safe.

Let's keep you cute.

Help is here.

Don't worry, I'm here.

For you, darling.

Just in case

Let's be safe.

Here, darling.

This should help.

No need to thank me.

[sweetnans]

What do you think Bakugo’s reaction will be to a reader who cant stop looking at his buttons, cause like dude HE LOOKS SO HOT WITH THE WHOLE NO TIE AND UNBUTTONED UNIFORM THING HE DOES HOLY

I do love it when you ask me about my opinion. We all know that Bakugo is not an idiot. He notices right away when your gaze lingers for more time than you usually do (and that you usually allow yourself to)

You are gathered in the common area, and most of your classmates are dozing off on the couch, a few of them talk about the day while the others stay in silence with their eyes close almost drifting to sleep

His presence doesn't go unnoticed for you when he claims a seat in front of you. He has a magazine on his hands with the headline that says something about the ten top heroes with the best outstanding battles each.

You don't plan to watch him like he's your prey. He would never be the prey of anyone, but you still can't help but look at him intensely. He's got something weird on him. You can't quite decipher what it is.

The days are warm, and a heat wave settled in the city, so everyone has been peeling off layers of clothes through the day.

The sun is setting right behind him, and a cold shiver comes through your spine. Spring days are weird. There must be a window open because there's a sudden breeze of cold air coming in from somewhere. You hug yourself and mentally curse because of the lack of reasoning you had to take your cardigan off preventing a heat stroke.

Bakugo is still reading his magazine, impassive. He's smarter than you obviously, and he did not peel his clothes off when the sun started shining, but he did something, he took off his tie and unbuttoned the first three button of his shirt.

God damned you.

You've been too busy focusing on the flies that now the mere fact of him doing something so mundane like coping the warmthest days of all hot you all flustered in your seat.

You can't react like that just for the sake of it.

"Oi" he grunts. "Quit fucking staring you creep"

There's no nonchalant way to save yourself from this.

"I'm sorry," you mumble. You weren't going to argue because it will carry a long tiff between the two of you, and just by the sight of his skin, you know you'll be out of words in a second.

"So you, in fact, had been staring at me like a damn creep," he says, not even taking his eyes off his lecture.

As you foreseen it, you are out of words.

"It's not every day that you get so free about how you wear what you wear in front of us," you tiptoe in your words, and it comes out more like a tongue-twister.

"Hah?" Now he lowers his magazine to stare at you.

The statement in front of us pales because there is no one around you. It's just you and your half digged grave. The colors rise to your cheeks, and suddenly, the couch is not deep enough for you to disappear.

How can you come clean when he catches you being a psycho and an hormonal bitch?

"Nothing, I just -" you stumble in your own words, trying to dissipate the tension while your braing tries to come up with a better idea than running away.

"Quit that shit, if you're staring me, I want you to say it to my face, what's your fucking deal with me?"

In a matter of seconds, he's right in front of you. A big scowl on his face fumed from reading the room wrongly. Poor and emotionally constipated Bakugo, he wouldn't realize your big and fat crush on him even if you tear your heart out in front of him.

His face is now inches from yours, trying to read your factions, but he only sees that you're laughing at him. The unbuttoned shirt is now under your gaze with the skin showing right in front of your nose.

The way he's looking at you is making you mad and flustered. You don't know what force possesses you, but when you roll your eyes at him, you know something big is coming.

"You can be so fucking dense sometimes, jeez, I was staring at you because I fucking like you, damn"

The two of you stay static. You because what the fuck was that and him because he couldn't believe what was listening.

Squirming, you grab his arms that caged you a while ago and move them from their position to slide out of the couch and hopefully leave the country.

Unfortunately, you don't even reach the stairs when he's pulling you backward.

"You said what?" He pronounces very clearly. Not grunting, not mumbling.

"What you heard. You push me to say it, walking around like a bitch wearing your shirt like that and-

Silence.

His firm lips crash with yours in a quick and tender kiss. You are speechless. Probably your face shows more than you're capable to describe.

"Fucking heat waves" he smirks at you and your astonished state.

[what-even-is-thiss]

I don’t think that a story needs to literally make sense in a nitpicky cinema sins type way. Like I write magical realism for gods sake, but I do think a story needs to consistently follow its own type of logic for the most part or else an audience will pick up on that.

I think the reason that something like “Somehow, Palpatine has returned” went over so badly was not because it’s impossible in the Star Wars universe for someone to come back from the dead or something. It’s because so far the new trilogy had a theme of the new generation being allowed to take over. Yoda burned the ancient texts, Kylo Ren continued the sith cycle of the apprentice replacing the master, the old heroes were dying off one by one. Solidly establishing itself as a new thing.

And then, oh no the old bad guy from the last two trilogies was secretly the bad guy in this one too! Oh no!

Like in some stories that would make sense. Not really in this one though.

In some stories there’s a giant elephant in the bathroom just because there’s a giant elephant in the bathroom and we don’t need to question that. In other types of stories you’re gonna need a damn good explanation for how and why the elephant got there.

If your movie has been established as a cheesy stupid martial arts comedy and your goofy protagonist kills a bunch of ninjas with breakdancing moves, that’s fine. I get that. But if you’ve been making a serious cop drama with intrigue, realism, and minimal amounts of gun combat and your hardened old detective kills people with breakdancing, your audience will be lost and confused.

You don’t have to get a degree in physics and fully understand the properties of magnets to put a big magnet in your story, but make sure it’s the type of story that would have a big magnet in it.

[beansoup3000]

You know what's so devastating to me about "God that I were a man"? It's the way that in this situation, Beatrice is not exceptional. In the first acts, she appears to be exempt from the gender roles that everyone around her complies with: she has avoided marriage so far, and she has license to playfully criticize and reject being "over-master'd with a piece of valiant dust" (2.2.55-56). She even suggests to Hero that she claim some agency over her engagement: "it is my cousin's duty to make curtsy, and say, 'father, as it please you.' But yet for all that, cousin, let him be a handsome fellow, or else make another curtsy and say, 'father, as it please me'" (2.1.48-51). Beatrice has carved out an existence for herself that everyone else tolerates; her wit allows her to live outside of people's expectations of womanhood.

But Beatrice is not exempt from being a woman. When it actually matters, when Hero is disgraced by powerful men with no regard for her wellbeing or humanity, Beatrice can't do anything about it. And "God that I were a man" is so painful because it reminds us--and Benedick--that no matter how transcendent Beatrice appears to be, she is still constrained by her role in Messina's society. Back in act one and act two, the reason that she was allowed to poke fun at men wasn't that she couldn't be stopped; it was that it didn't matter. She has no actual power to change the order of things, and so her verbal sparring is not a threat.

(An aside: I think that Benedick is taken aback by "God that I were a man" because this has never really occurred to him. He sees Beatrice as his intellectual equal, and he has watched her carve out space for herself effectively (they know each other of old). In the 2011 production with David Tennant, the costuming and acting choices show how Benedick starts actively performing masculinity only when he accepts Beatrice's request to kill Claudio--when he has to "be a man for [Beatrice's] sake" (4.1.314). In the first acts, he wears tight clothes, a crop top, and a miniskirt. From the wedding on, he wears his military uniform and then a suit. His body language also changes; he abandons physical comedy, stands tall, and emotes less when he speaks to Claudio and Don Pedro. He wields his masculinity as a weapon because he now realizes it's a weapon that Beatrice cannot wield herself.)

The crashing realization of Beatrice's limits is so devastating to me because it's so familiar. I can only speak from experiences I've had, but as a queer woman I know that tolerance is different than empowerment. That having grown up evading dating and romance with made-up excuses to hide my queerness, having realized the extent of the misogyny in an organization I cared about and having grappled with how that misogyny prevented me from effecting change, being allowed to exist is not the same as being able to participate, to make things different. God, that I were a man. I would eat his heart in the marketplace.