#for something easy that i can handle and so

[swordsandholly]

Cherry Bomb - tattoo parlor anothology

MDNI | poly 141 x fem fat reader | masterlist | cw: oral (reader receiving)

Part Ten: Permission

A/N: We're SO back!

You’ve never been so happy to work an extra day.

Johnny gets the shop to himself on Sundays for walk-ins. Usually, he mans the shop by himself but you need to record the cash income from the convention in the ledger. Sure, you could do that during your usual hours the upcoming Wednesday and catch up on sleep, but you have too much nervous energy coursing through you. If you were home you would just be stewing on your couch the hole day and probably spiral into a panic attack. At least here, with a task and Johnny yapping in your ear, you don’t have to think about the fact that you made out with your boss too much.

Fuck. You really did that. Fuck, fuck, fuck!

You woke up in a cold sweat, fingers brushing over your lips as you tried to decipher if it was real or dreamed. If you really kissed John, if he really held a hand on your lower back as he walked you home, if he really gave you a second, light peck before saying goodnight. The itch of his beard lingers, as well as the warmth where his hands cupped your face. It felt so good. So fucking good.

Then the context settles in. The fact that you kissed your boss makes you want to throw up - not for any dislike of it, just the fact that your job is now in limbo. Hanging in the balance until you can talk to him on Wednesday. At least you can take the next couple days to collect your thoughts - come up with a good apology that will hopefully let you keep your job and some semblance of dignity. Somehow make sense of the fact that you’ve kissed John and Kyle and surely when they find out they’ll think you’re a floosy. Loose and easy and pathetic and gross. You couldn’t quite meet your own eye in the mirror as you tried to get ready for the day.

The current, formerly “Future You” is not very happy with the now Past You. Frankly, you’d like to deck her for leaving you in this state of a permanent heart attack.

“Och, I’m about tae melt.” Johnny mutters, appearing from his room and stretching. His shirt rides up, exposing a thick happy trail that does not help you in your current spiral.

You just hum, gluing your eyes to the physical spreadsheet in front of you as you go through the sales from the convention. Numbers will clear your head. Yeah, nothing less sexy or more distracting than trying to do math with pen, paper and a TI-84 calculator.

“We should go get some ice cream.” Johnny leans over behind you, causing you to jump. Large hands settle on your shoulders as he rests his chin on the top of your head. At least Johnny is always touchy, you don’t have to read into it. You don’t think you could handle reading into it right now.

“Uh, yeah, okay.” You murmur, letting him lead you out of the office and flipping the out for lunch sign. You’ve been so lost in your head the entire day that you can’t fully pull yourself out of it - the same spiral of fears and self-degradation swirling around in your mind. A Cat 5 tornado of your own making. So stupid.

Johnny intertwines your fingers as you make your way down the street. Your hands swing lightly as you walk. Even with the heat, it doesn’t feel like too much. You’re not sure what it is - of you’re just comfortable or if Johnny just has something about him that makes touch feel perfectly natural - but it’s never overwhelming. Even when he’s hanging off you like a leech, it’s just Johnny. He doesn’t make you talk, doesn’t pry into why you’re so spaced out. He probably just thinks you’re tired. You are tired. So tired.

You don’t realize Johnny is saying something until he gently elbows your side. “Huh?”

“What d’ye want?” Johnny asks with a concerned furrow in his brow.

“Oh, uh, I can get my own-“

”My treat.” He shakes his head, batting away the hand pulling your wallet out of your back pocket. You have no choice but to give in to him - there isn’t any point in arguing with Johnny.

“Thanks for suggesting this.” You murmur, as you sit at one of the wooden, outdoor tables in front of the shop a couple blocks down from the tattoo parlor. The tables are covered in the shade of trees and an awning, luckily, keeping the sun from beating down on you. It doesn’t stop your ice cream from melting nearly faster than you can eat it, but you don’t have the heart to complain after Johnny took you out and bought it for you.

“Aye. Seemed like ye needed some cheerin’ up. Never seen ye so sullen.” Johnny comments, casually stuffing a spoonful of ice cream in his mouth. His eyes are sympathetic, though.

“Oh.” You thought you’d been doing alright at hiding it - came into the shop with a jokes and everything this morning. Sometimes it’s easy to forget how much Johnny actually notices between all his volume and energy.

“Gonnae tell me about it?”

“No.”

“Might help.”

You shake your head. “I- I’m- I can’t.”

“Okay.” He smiles gently, giving you a once over. His eyes are so sharp. The others do it too - take your body language in piece by piece. It doesn’t burn like when Johnny does it, though. His gaze is consuming, even when soft.

He seems to let you off the hook, though. It’s impossible to know how much he does or doesn’t know - how much any of them know. It puts you on edge, the inability to ask. After all, to ask is to admit. If you admit to it, you might lose it all. Fuck why did you kiss John? Kyle you can explain away - just a fun little bet. You’re close in age, he’s pretty, you’re together a lot, you get along. Nothing to it - even if it feels like there was. Even if it feels like every time you’re near him you’re going to melt and the air gets too thick and all you want is to pull him to the back room one more time.

John… John you can’t justify like that. He’s your boss. He’s over a decade older than you. Easily. He’s been so good to you but that’s not an excuse - it’s not right. You’re jeopardizing his place in his community. You’re jeopardizing your job. The best job you’ve ever had. The best friends you’ve ever had.

You can feel Johnny glancing at you as you walk, your eyes square on the ground and fists clenched anxiously. The heat outside only makes your head spin faster. Your cheeks feel feverishly hot. The ice cream almost curdles in your gut. Everything is too loud, too hot, too heavy.

You glance up at the clock. The day’s almost over - there probably won’t be more than one or two people that file in at most. You’ve finished with your work, currently just cross hatching on a sticky note in an attempt to calm your frayed nerves. It hasn’t worked. You need a distraction. A real, proper distraction.

“Johnny.” You snap, standing in the door way to his workroom.

“Hm?” He looks up, thick brows raised.

“I want a piercing.”

He cocks his head, taking you in from head to toe. “Aye?”

“If you have time.”

“I’ve always got time fer ye.” He grins.

You almost roll your eyes, but you’re too raw at the edges to really care about his usual flirting. There’s too much weighing on your mind - too much real anxiety knotting itself around your synapses and crushing them in it’s hold. The pain will help. It’ll ground you - sharpen your senses. You can focus on taking care of it for the next couple days between sleeping the days away until Wednesday. Until you can get this shit over with.

The only answer is to quit, right?

That’s your only option.

“What d’ye want?” Johnny asks.

You shrug. “What’d you think?”

He taps his chin, eyes slowly making their way over your body. You wonder if he can see how tense you are - body so locked up your joints ache and your jaw throbs. It’s a wonder your teeth are still there with how much you’ve been grinding them.

“How about a navel?”

“Okay.” You agree too quickly, flopping back on the pairing table. You focus in on a water mark on the ceiling above while Johnny digs through his tool cabinet, laying everything neatly on a small rolling tray.

Johnny stops above you. You don’t even turn your head to look, fists clenching and unclenching.

You’ll have to quit.

That’s your only choice. No reference calls, no contact. Will Simon hate you? Will they all? Will they talk about why you up and left? Will they show up at your apartment to demand an answer? No. You don’t mean that much - only a blip on the timeline of their shop. The corners of your eyes burn.

Johnny’s fingers skate over your soft middle, barely touching as he passes over the button of your jeans. He pauses, glancing down at you. “Bonnie?”

“Yeah?” You reply a little too harshly.

Johnny leans over you, hands on either side of your head, blue eyes burning through your skull. He blocks out the light above. “Yer doin’ this because ye want to, yeah? Not to punish yerself?”

You shrink into the table, hackles raising. It really is so easy to forget that Johnny is an observant bastard. Loud, brash, but he still sees everything. Like how he learned your coffee order by heart without you ever even saying it to him or having it written on the cup. He absorbs things, files it away, keeps it close to his chest and hides it behind his blunt, brash daily manners. You’ll miss him.

“I- yeah, I’m fine.” You wince internally at the shake in your voice.

“Y’know, we all love ye.” Johnny murmurs.

You huff, eyes darting anywhere to get away from his. Laying on the table suddenly feels slightly trapping. You can’t get your gaze fully away from where he stands over you - so close as his thick arms cage you in. “Guess so.”

“An’ there’s nothin’ tae feel guilty or bad about.”

Your eyes snap to his face, wide and worried. Does he know? Was he told? Do you ask? If you ask, you’ll be admitting to it. If you ask, then he will know for sure. If you ask, you might ruin it all. “I don’t-“

“Ye do.” He cuts you off. “An’ ye have permission, even if ye dinnae need it. It’s okay. Ye havennae done anythin’ wrong.”

You stare, mouth opening and closing lamely. Johnny. Straight forward, loud mouth, unsubtle Johnny. Fuck, you love him for it. Doesn’t dance around what he means. Doesn’t avoid what needs to be said - from his end, at least.

“Did- did you talk to-?” You stutter, struggling between needing to know and fear to admit the truth so blatantly. Even if he obviously knows something.

“Not really. Not my business.” Johnny shrugs casually.

Not his business. So they persue separately, you think. That makes sense. Probably. It’s probably wrong to make assumptions about the dynamic, about the implication that they have some sort of free for all. Then again, you don’t really know anything about their interpersonal workings much. They live together, they’re touchy. The dynamic is a mystery to you - only adding to the piles of confusion.

“Yer thinkin’ tae hard about it.” He pokes the furrow between your brows.

Oh. Is that it? You’re overthinking? No, adults talk about these things. You don’t understand the interpersonal workings here at all. Are they together? Do they just do this? Pull girls in and push them around until they get tired? That feels too cruel for them. They’ve taken such good care of you…

“I still… want to talk.” You murmur, cheeks warm.

His face softens, a light smile tugging at his lips. “An’ ye will. Kyle’s been damn near loosin’ it with ye avoiding him.”

“I’m not avoiding him!” You snap far too defensively.

“Sure ye aren’t.” Johnny shrugs, as if to tell you he knows that’s bull. Not his business, though, he said. “Just… donnae be so scared of us, aye? We’ve got yer back.”

Your shoulders drop, sore from being tensed for the entire day. “Okay.”

“Still want tae get peirced?”

You nod, chest far less tight. As though you finally let go of a breath you had been holding the entire day. “Sure, why not.”

Your shoulders slump as Johnny makes his way through the usual song and dance - showing you the freshly cleaned tools and marking the spot for the needle. Somehow the world seems… quieter. As if all the chatter in your mind had been just as deafening to your physical ears. It’s tiring. That same sting behind your eyes that you get after a long night out. Your defenses are down, and your body is finally at rest.

“Ow!” You gasp, lifting your head to meet Johnny’s impish grin with a glare. “A little warning next time!”

“Tha’s what happens when ye donnae listen.” He teases, slipping the jewelry through. “She’s cute.”

You snort. “She better be. Y’know I should tell John on you for improper conduct.”

He cocks an eyebrow. “Aye, ye an’ Price know plenty about improper conduct.”

There’s no malice in the comment, or in the grin he settles on you. For once, you don’t freeze up. Don’t send yourself into a panic spiral over what he knows or thinks or feels. Johnny made himself clear. Instead you land a light smack against his arm and huff in embarrassment.

“Stand f’me.” Johnny murmurs after cleaning the piercing, a heat in his eyes that you can’t quite gauge the source of.

You do as you’re told, slipping off the table. You have to hook a finger into the waistband of your jeans to keep them up, cheeks hot as you realize how much is actually exposed with the fully undone fly. You glance up at a far too pleased Johnny. Didn’t even say a word, the mischievous bastard.

He drops to his knees in front of you. Your brows shoot damn near into the sky. Johnny mumbles something about making sure the piercing is sitting right. You roll with it, knowing he’s probably just saying whatever to get you to keep your pants undone a little longer. Your breath quickens as a large, warm hand flattens itself over your soft belly, unabashedly groping. Not that you mind, really, even if it does make your face so hot it might melt.

Your heart almost breaks out of your rib cage when he places a small kiss next to the piercing. His hand lowers, resting beside yours on the waistband of your jeans.

“May I?” Johnny murmurs, big blue eyes blinking up at you.

You have permission.

You don’t need permission.

You have it, though.

“Yeah.” You gasp, shivering at the cold air on your skin as Johnny pulls your pants halfway down your thighs.

“Pretty, pretty lass.” He murmurs, nipping at the softness of your belly and down to your thigh. “Look at ye.”

“Flatterer.” You scoff, attempting to let the tension melt off your shoulders with the usual snide remarks you slide each others way.

“M’just honest…” Johnny mumbles absently, fingers catching in the hems of your underwear. “Ye always walkin’ around in somethin’ this skintie?”

For a moment, your brows knit in confusion. That is until he pulls back and snaps the string of your thong against your hip. Your face somehow gets even hotter and you grumble out a poor excuse of, “S’laundry day…”

Your hips twitch as he traces between your lips through the cloth. So uncharacteristically slow and methodical for Johnny as he feels you, like he’s trying to memorize it. A shamefully harsh jolt runs up your spine as he presses just slightly into your clit.

“Sensitive little thing.” Johnny grins up at you. You swear the devil has a less delinquent grin.

“It’s been a while.” You shrug, aiming once again for casual and missing by a mile.

His grin only grows, eyes bright and hungry. “Let’s get these off.”

You shimmy your hips a bit to help him get both your underwear and jeans completely down. A wave of shyness overtakes you as it settles in that you’re utterly exposed to Johnny, your friend and coworker, in the middle of your workplace just as the sun has begun to edge down close to the horizon. It’s almost too much, and you almost yank your pants back on with a stammered, fake excuse, but Johnny soothes his hands up your thighs, gaze locked onto your pussy like it’s the only thing that exists and yeah… you want that.

You have permission.

“There she is.” He cups you gently, grinding the heel of his hand against your clit just hard enough to make you gasp.

Before you can say or do anything his hand retracts and Johnny settles you with the most serious look you’ve ever seen from him. It looks wrong, almost, on that face that’s supposed to have a permanent ear to ear grin.

“If ye want tae stop, I need ye tae tell me now.”

“No.” The word leaves you before you can even register the thought - desperate and breathy.

It earns a low chuckle. The only warning you get before Johnny licks a long stripe up between your lips, letting his tongue rest on your clit for just a moment before repeating the motion as though he’s not just eating you out but truly trying to truly get a taste for you. To memorize you as he drinks you in.

“Should let me give you a Christina…” He murmurs, pulling back to look at you.

“Ah, wha-“

“Look so pretty on this fat little cunt.” Johnny gives you a light smack for good measure, grinning at the visible jolt that travels up your spine before diving back in. He hooks a leg over his shoulder, leaving you balancing on your tip toes with your hands flat on the table behind you. It’s precarious and with absolutely no room to escape the attention he’s lavishing on you. It’s almost desperate, the way he moves. The way he devours. A man utterly starved.

“Fuck-“ you gasp as his tongue piercing catches your clit. Rough hands knead at the softness of your thighs and hips, urging you to press into him, to take as much as he’s giving.

“Tha’s it, ride m’face…” Your fingers lock into his mohawk and Johnny’s slurred words become the most pornographic moan you think you’ve ever heard. He practically goes limp - body relaxed and pliant while you grind down onto his tongue.

You tilt your head forward, risking looking down only to meet those big blue eyes staring up at you with all the intensity of the sun. A shaky moan passes your lips and his eyes flutter.

“J-Johnny-” The whine of his name only spurs him on - has him pressing his tongue so deep inside you and drinking you in full.

If he has any complaints about the way your heel digs between his shoulder blades as you unconsciously pull him closer, he doesn’t make it known. His nails rake over your ass, biting and stinging in contrast to everything else. It’s so much. Heat continues to pool at the base of your spine - babbling words, please and moans spill messily from your lips.

Your climax catches you off guard as Johnny sucks harshly at your clit; lighting your body aflame with only his mouth. Every muscle inside you tenses and the sounds you let out can only be described as strangled whines.

You have to yank a little at Johnny’s hair to get him to stop when the overstimulation reaches just the wrong side of too much; he’s well and truly lost in the moment. It fuels your ego to dangerous heights - the idea that this gorgeous man became that intoxicated just from your pussy.

There isn’t even time to say anything before Johnny is standing and connecting his lips with yours. You taste yourself on his tongue, his lips - somehow this is the first time you’ve found that pleasant. With heavy breaths you watch him wipe around his mouth his his palm, only to exaggeratedly lick and clean what’s left off his hand. Fucking sinful.

“Nasty man.” You sigh, too blissed out to be truly critical. Johnny winks and you roll your eyes.

“S’about quittin’ time.” He says, tilting his head to look up at you through thick lashes. “Should get ye home.”

You frown, still trying to come back to earth as you glance down. “Don’t- do you want-?”

He looks you over, your mouth goes dry as his hand drops from your hip to adjust himself. The implications of the outline through his thick denim has your head reeling and your breath quickening. Johnny chuckles at you, surely seeing it written plain across your face. You might as well start drooling and panting like a dog.

He buries his nose into the crook of your neck to nip at your skin. “Another time. Want tae savor ye.”

You shiver, unable to stop the smile that quirks up the corners of your lips. You have permission. You don’t need it, but you have it.

A/N: Sorry if this is a little rough, I'm getting back into the swing of things. It's finally time for things to get fun, tho ;)

Also please give some love to this AMAZING fanart from @eurydicescurse

[flawseer]

In your last ask, you mentioned misgivings with Book 10's ending, and especially how it pertains to Winter. I absolutely agree, and I know why, but I wanna hear your thoughts on it, too: What's up with Book 10?

The following is a (very long) examination of my personal feelings with regards to the WoF second story arc finale. While it is based on what is in the text, this analysis will be interpretive and fill in blanks with my own thoughts. Keep that in mind.

Hahhhh... okay. Since mentioning it in my last post I’ve gotten several requests to talk about my feelings regarding the second arc finale. There’s probably no way around it then.

If you haven’t read that last post (it was admittedly very long, and so will this one be), I talked briefly about why I didn’t like that part of the story. I have to warn you now, this will likely be the most negative and dour post in the history of this blog. In a few parts it will sound like I hate Wings of Fire, and I want to say now, while I still have the chance, that I don’t. I love this series, thinking about its setting and characters brings me joy.

I also—very emphatically—want to make it clear that I have no ill will against Tui T. Sutherland. I’ve looked around other people’s stuff a bit and there are a huge number of posts wishing violence upon her or threatening her for doing things to her series that people don’t agree with. That is NOT what I am doing here, shit like that is NOT okay! While I will be critical of her choices, I still respect her effort of bringing this vibrant, wonderful world of dragons to all of us.

Also, obligatory last disclaimer: If you liked the finale, that is okay. You are valid for feeling that way. I’m here to share my point of view, not to demand people agree with everything I say. Just be warned that you most likely won’t enjoy what I have to say. If you don’t think you can handle that kind of criticism, this is your guilt-free opportunity to stop reading.

Otherwise, let's get into it.

CW: Discussion of parental abuse, depression, disease, and extreme acts of violence.

In defense of the finale

Before I start to systematically disassemble this narrative and get lost in a quagmire of negativity, let’s talk a bit about the circumstances that brought forth this part of the story. The plot of this arc was a mess from the moment animus magic was unshackled from the restrictions it had in the first arc, and from then on there was no longer any conceivable way to end this story in a clean way. Sutherland had created an invincible, unbeatable, omnipotent villain; he could read minds, see the future with perfect clarity, and anything he could imagine he could conjure into existence at any time with no cost to himself and no drawbacks. She was likely wracking her brain about how to resolve this impossible conundrum. What we got wasn’t good, but I believe nothing could have been. The foundation was rotting and by the fifth book it couldn’t bear the weight of the plot anymore.

The thing about animus magic in arc 2 is that it is so potent, so all-powerful, and so free of restraint that everyone who uses it also HAS to be a simpleton, or they would be able to break the plot immediately and become god. From the moment Darkstalker broke out of that mountain, he could have said “Any and all spells that are cast with the intention to harm me, interfere with my plans, or do something I don’t consent to will not work, from now on until forever”, and he would have instantly won. The strawberry would have fizzled out. The Darkstalker-blocking earrings would not have been created, and no one could have saved the Icewings. On the flipside, Turtle or Anemone could have said “I enchant the concept of animus magic itself to no longer obey Darkstalker”, and his threat would have been neutered. Point is, powers as potent and easy to use as this really need limitations, or they will quickly eat your plot alive.

I don’t envy the situation Sutherland was in at the time at all. If you’re an author, that kind of thing is a nightmare. It really is no wonder she decided to blow up animus magic for good in her next arc, even if I would have preferred it to get more healthy restrictions instead of killing it outright.

The Darkstalker age regression thing

Everyone has talked this part to death already, but if I am to write a thorough analysis of my feelings regarding this finale, I’m going to have to talk about it as well. I’m sorry if I end up repeating a lot of things you’ve already heard.

This final fate of Darkstalker, to have his memories wiped and be reset to an infant, is really uncomfortable. As far as I am aware, though correct me if I’m wrong, Sutherland said in an interview that she didn’t want Darkstalker to die because, in her view, he did not deserve to. We can debate here about the philosophical question of whether anyone is truly deserving of death, and the merits of “justice” and “punishment”, but in general, Wings of Fire did not seem to have any issues killing off its villains prior if they committed suitably terrible acts. That makes this moment stand out as noteworthy.

Who is Darkstalker then--and if we assume villains can be “deserving” and “not deserving” of death--what about him speaks in his favor, or against? The guy had a pretty crappy childhood, coming from a broken home (there is that inadequate parent theme again). He genuinely loved his sister and felt protective of her, and whenever he liked someone he wanted them to be happy and feel affirmed. The thing that Queen Diamond does to his mother is awful and he is justified in hating her for it. He is also portrayed as rather sympathetic in Moon Rising. When he asks Moon to find his scroll for him and not to leave him, he is not manipulating her, he is sincerely begging for her help. He is stuck somewhere underground, trapped in darkness, in a space so tiny that he can’t move. He remains that way for months, lonely and sad. If you just focus on these aspects, it’s easy to understand why he has so many fans who want him to see healthy and happy.

On the flipside, while he is dedicated to the happiness of his friends, he doesn’t always go for the most ethical way to achieve it. He tries to brainwash said friends without their consent whenever they exhibit behaviors he doesn’t like, or when he thinks he knows better and wants to “fix” them. He has very little regard for other people’s autonomy, lies to his loved ones with alarming frequency, and is unhealthily attached to the idea of power. Those things are certainly not good, but they are his character flaws. These are his demons; everyone has them and they make him a person. If this was all there was to it, he might still be a villain, but I’d argue he’d not be wholly irredeemable.

But there are things about him that take him beyond the pale. Things that go beyond the realm of just being misunderstood, or easily excusable.

He is possessive. He wants Clearsight and Fathom for himself, and for them to listen to him primarily. When Indigo makes it clear she doesn’t like him and cautions Fathom against trusting him, he deceives his friends and traps Indigo in a wood carving, just so he can isolate Fathom from his support network and manipulate him easier. He alters Clearsight’s mind to make her more agreeable and stop her from holding him accountable for his actions; while he thinks he loves her, he only loves an idealized version of her that is wholly devoted to and unquestioning of him. This is why, when he later forcibly overwrites Fierceteeth’s existence to recreate her (which is another horrific thing), he tries to excise the parts he finds undesirable to create a perfect version of his lover. But this caricature he has created in his head is not and can never be Clearsight, which frustrates his attempts.

He is vengeful. Not against people who have actually wronged him, like Queen Diamond. That would be questionable, but understandable. What makes this unacceptable is his frequent targeting of innocent people who just happen to be related to the person who wronged him in some esoteric way. He enchants a secret murder knife that kills random Icewings regardless of who they are or what they think about the Queen, just because the one who took his mother from him happened to share their tribe. He hates Turtle and wishes death upon him in Moon Rising just because he is a green Seawing, like Fathom was. And then there is the big one: He tries to kill all the Icewings who are alive in the present day, where Queen Diamond is long dead and none of them have ever even met her. Even his mother, who suffered from Diamond’s actions the most and has the most reason to hate her, is horrified and calls him out on that one.

And lastly, he is sadistic. He revels in torturing those he hates. He forces his father to disembowel himself, while the latter is fully aware and powerless to resist AND the man’s traumatized daughter is watching. Later he sends a magical plague to kill every single living Icewing sans one.

It should be noted that Darkstalker possesses virtually infinite magical power; whatever he declares, with very few exceptions, will happen. Even if he wanted them dead, he had the power to prevent unnecessary suffering. He could have said “Arctic, fall dead instantaneously”, or “Every Icewing will fall asleep and pass away peacefully,” but he didn’t. He wanted them to feel pain and pass away in the most wretched, agonizing ways he could imagine.

So what he chose to do instead is—and I want you to picture this for a moment—Darkstalker sat down, calmly, and said “Henceforth every living Icewing, excepting Prince Winter and those of hybrid blood, will fall ill with an incurable disease. This disease will cause heavy internal bleeding and make its victims cough up blood and waste away for a few days, followed by certain death.”

This spell does not discriminate with regards to who its victims are. The book glosses over the implications, but imagine the ramifications. Young children are notoriously frail, how many newborns got infected and died because of this? How many families were torn apart because they couldn’t get the magic earrings fast enough? Or accidentally got one earring less than there were family members and had to decide who has to die?

Most of the Icewings were physically cured by the earrings, but an experience like that sticks with you for the rest of your life. Somewhere surely, a dragonet watched as his mother put the earring on him and then slowly wasted away because she didn’t have one for herself.

It’s really easy to overlook how horrific this spell is because it isn’t shown or dwelt on. But the trauma, grief, and suffering it caused must have been immeasurable.

And none of those victims have ever even met the person Darkstalker wanted to get revenge on. None of those deaths meant anything to anyone.

The attempted death toll and scale of the calamity here puts even Scarlet to shame. The ones who come closest to it were Queen Battlewinner and Morrowseer with their attempted Rainwing extermination. All three of those died for what they did. Gives you some food for thought for sure.

Peacemaker’s burden

Despite just airing all of his dirty laundry and declaring him an irredeemable villain, I actually do have a lot of sympathy for Darkstalker still. His story is really sad. He was a child born with an amount of power that nobody should possess, and it corrupted him to the point where it destroyed his life before it began. His parents were always fighting and no matter how good his intentions were, he was unable to understand why he couldn’t hold on to his friends and relationship. He kept making mistakes, then made bigger mistakes to fix those, until his hands were covered in blood and he couldn’t stop anymore. My belief is that, after he wakes up in the present and realizes Clearsight is dead, he loses his reason for living and becomes completely lost in his grief.

Therefore, my opinion is that it would have been appropriate for him to die. If not to punish him, then to finally grant him reprieve from all that rage and pain, and let him rest. I think that would have been a dignified end.

But instead he got turned into a baby. ... And then they decided to magically erase his father’s blood from him? I don’t know what it is, but something about that Icewing erasure makes my skin crawl?

The thing that turns this baby twist from weird into highly unsettling is the context. Darkstalker’s mind is erased, then modified into a new person via animus magic. This is the technique a lot of this arc’s villains used to victimize Hailstorm, Queen Ruby, Peril, Kinkajou, Fierceteeth, and Winter. The same technique is now used again, by the heroes, which is a dangerous thing to have your protagonists do if you want them to remain morally upright.

It is also very reckless, because in almost all of these instances, animus mind alteration has been shown to be very unreliable. The spells seem to wear down over time and are susceptible to partial breaking upon encountering certain strong stimuli. Hailstorm—while trapped as Pyrite—seems to retain trace amounts of his former memories, which is why Pyrite is subconsciously drawn to Winter and clings to him all the time. Ruby is able to ignore half of her conditioning because her familial love for her son partially overpowers the magic. Qibli is just straight up able to reason his way out of it.

The thing to note here is that spells of this nature require a very meticulous approach; you can’t half-ass your reprogramming or the victim will just think their way past it. If you alter someone’s mind, the wording of the spell must be ironclad, lest you risk it wearing down over time and even break.

Luckily we have nothing to fear in that regard, because the spell that created Peacemaker was written by a Rainwing with a total of four days of literacy training. No one better mention the name Clearsight to the new baby Nightwing, or next month is going to be rather interesting.

But that’s just speculation on my part. Let’s assume that, somehow, this spell isn’t as unstable as all the others. Somehow Kinkajou threaded all the needles, and masterfully dodged every conceivable pitfall to pen the perfect incantation, despite having been illiterate just a few weeks prior. This one is built to last and Darkstalker is sealed away really thoroughly, for good.

That is still absolutely terrible and morally dubious, because now you have Peacemaker, who for all intents and purposes is a COMPLETELY innocent little kid, saddled with this huge burden of being the certifiable reincarnation of a genocidal ancient wizard. He’s gonna grow up thinking things like “Mommy gets real quiet whenever the topic of the Icewing tragedy is brought up,” and “Why does Auntie Moon look at me like that? One time she accidentally called me a weird name, who is Darkstalker?” “What is this ‘Clearsight’ name my mind-reading friends from the village found in Mommy’s mind?”

In a village that will be full of mind-readers soon, eventually the secret will come out, and Peacemaker is going to learn what was done to him. A huge, messy load of undeserved baggage was forced onto this completely separate, innocent entity. He will be devastated. Whether he then chooses to forgive them for this remains to be seen. To be honest, he would be well within his right not to, and turn resentful.

Poor kid.

Qibli’s callousness

I love Qibli, he is one of my favorite characters. This happens to be his book, and the fact that I fundamentally dislike half of it makes me rather sad. If anything, I hope this tells you that I’m not just hating on it for my personal amusement. I really wanted to like this. I tried to, and I couldn’t.

Qibli is really weird in this one, to be honest. He is suddenly made to be co-dependent on Moonwatcher, fawning over her every third paragraph, saying how much he loves her, how he is an incomplete and dysfunctional wreck without her, how it physically pains him to be apart from her, oh if only the stars would grant his wish and split the mountains apart so that he may fly to his princess, his muse, his goddess of ebony wit. It gets so old.

And it’s not Qibli. He never acted this clingy towards Moonwatcher. It’s more intense than even Winter gets about Moon, and Winter was actually depicted with a crush on her in book 6. Qibli was always just a supportive element, eager to befriend Moon but never desperate, like he is going to keel over if he is separated from his true love five minutes longer. These very frequent love declarations feel so forced coming out of him. It strikes me like it was just written in service of the love triangle. Maybe if we make him confess his love every four seconds readers will overlook the fact that they had no proper romantic build-up.

You might rightly accuse me of bias. I have previously admitted I am fond of Qibli/Winter as a romantic pairing, on the surface this seems like I am just not happy with my pet ship being blocked by Moonwatcher. But I assure you, I am actually pretty flexible and accommodating even towards pairings that contradict my preferences. I have no issues with Winter/Moonwatcher, for example, because the possibility was properly established and they have good romantic chemistry in Winter Turning. In theory, I would have no problem with Qibli/Moonwatcher either if it was ever set up as an interesting romantic dynamic. But to me, it seems like Qibli is written as a good, supportive friend to Moon for four books, only to pivot hard into “Moon moon moon moon moon moon swoon” at the last second, and it just reads to me as obnoxious.

I got distracted. This section is called “Qibli’s callousness”, and I haven’t even talked about the main part.

Qibli and Winter have excellent chemstry together, whether you read it as romantic or platonic—both of these interpretations have merit and are set up. They’re always the highlight of any scene they’re in. Throughout the story arc you get the impression that these two really get on each other’s nerves, but they bond and grow into really strong friends who bicker a lot but have each other’s backs when it counts.

Then there is a scene where Qibli casually tells Winter that he wouldn’t object if someone wanted to mind-control away some of Winter’s more objectionable traits.

This is genuinely a terrible thing to say to your friend. Like, it crosses a line and ceases to be harmless banter; you’re just telling them that there is something you hate about them so much that you wish they were someone else. Winter actually WAS mind-controlled earlier and felt (and proably still feels) guilty about having attacked Qibli in that state. And now Qibli says “Hey, I wouldn’t mind if someone did that to you again! Hue hue!”

It is awful, BUT I don’t necessarily object to Qibli saying this here. Qibli is in the middle of his character arc at this moment, so he is expected to be flawed. He is making a mistake by thoughtlessly telling Winter this horrid thing, and it seems like a believable continuation of his current character track. This is a reasonable development as long as the plot acknowledges that it’s a mistake.

Spoilers: The plot doesn’t acknowledge that it’s a mistake. Qibli never has a scene after where he reflects upon what he said and apologizes to Winter. When Darkstalker has Qibli trapped in his mountain jail and mind-wipes Qibli’s grandfather into a toddler (hey, wait a minute), Qibli gets visibly disturbed. Like, this is so off-putting to him that he gets queasy and Darkstalker hastily changes the spell. That could have been a great way to bring this back. Like in the epilogue, have Qibli track down Winter and tell him about disturbing baby grandpa theater and how he realized that wiping people’s minds is actually messed up and should have never said that to him.

But he doesn’t. He just lets Winter go, allowing him to believe he is broken and needs magical intervention to be tolerable. It leaves me to think that maybe he’s still okay with it, and fantasizing about rewriting his friend’s mind. Great.

Moonwatcher’s character death

You will find as this goes on that, I get the impression that the second half of this book takes all of the wonderful, endearing characters I have learned to love throughout the story and replaces them with really mean, or stupid, or otherwise inaccurate caricatures.

Moonwatcher’s relationship with Darkstalker gets plenty of setup and development in Moon Rising. You get the sense that these two could be great friends if their circumstances were a little different. It does a great job at making you think maybe Darkstalker is just misunderstood; maybe Moon should free him from his predicament.

Then at the end of Escaping Peril comes the emotional gut punch. Darkstalker actually IS a villain. He callously admits to Moonwatcher that he used his magic to make his own father gruesomely disembowel himself. Moonwatcher is horrified and disgusted that he would do that. There is no circumstance in which something like that would ever be okay. She ends the scene awash in tears because the person she thought was her friend is a murderer and a sadist. This is good, that is a natural reaction to what she was just told.

A few hours from there, in Talons of Power, Turtle finds Moon again and she is completely cool with Darkstalker walking free, despite crying her eyes out after feeling so betrayed earlier. That may seem strange, but this is still good because later, Darkstalker’s mind control plot is discovered. This scene was obviously written to set that up, Moon is mind-controlled into forgetting that Darkstalker could do something that morally reprehensible, and thus forgives him. This is also completely in line with his characterization in Legends: Darkstalker. It’s a kind of stunt he would pull to get Clearsight to shut up about him slipping into villainy.

In my earlier post I alluded to a moment where Moon is set to narrative auto-pilot and says something so rampantly off-kilter that it does irreversible, permanent damage to her character. It happens here, in the second half of book 10. Qibli gives Moon the Darkstalker protection earring, and Moon, somehow, says “I’m not being mind-controlled, Darkstalker really is my friend.”

I get what the plot tries to do here. It’s taking this concept of mind-control and adding a nuance, in an attempt to flesh out Darkstalker and give his character depth. He is ready to control everyone in the world, but for Moon, who is his best friend in this era, he wants her to remain herself. Perhaps this is his attempt at attonement for playing with Clearsight’s mind and driving her away from him. It is very touching in a way, viewed in isolation.

Unfortunately, it does not work with the full context of all the books. Because Moon is in auto-pilot mode right now, her main character trait is “Darkstalker=Friend,” so naturally she would speak in support of him. But this revelation has devastating retroactive consequences. The earlier scene that was written with Moon under mind-control is now altered into her having been in her right mind! She is completely okay with Darkstalker’s admittance to cold-blooded torture and evisceration, within hours of being so shocked by it that it made her cry and ready to denounce him. That is such a quick turnaround it’s giving me whiplash. And what’s more it turns Moon from a principled, upstanding girl into a sociopath who casually accepts gruesome torture and murder if it is committed by someone she likes.

Did Sutherland forget about the scene two books ago, where Darkstalker’s actions were so inconceivably horrid for Moon to learn of that she started crying? It baffles me that this made it into the final version. Her saying she was never mind-controlled makes Moon come off as so awful. This torture-excusing lunatic is not the same kind-hearted and insightful character I followed in all the other books.

Kinkajou’s character derailment

The world is a sad place when I have to question the way Kinjajou is written. Fortunately she is mostly fine, despite her having the biggest excuse to act out-of-character since she’s the victim of a mind-altering spell. Her only real moment of “what!?” comes at the end.

I already talked about her role in casting the spell that regresses Darkstalker into an infant. But I didn’t mention how her being the source of it is questionable in itself.

The clue is in the first paragraph of this section: She herself has experienced the effects of invasive mind-alteration. She was cursed by Anemone in the previous book to be in love with Turtle, and kind of half-struggles kind of not with it, it’s really strange. Turtle is appropriately horrified and acts like really awful things are happening, but then it’s mostly played lightly for some reason. My assumption is that Sutherland introduced this plot point, but then realized how uncomfortable this premise really is and tried to downplay it until the story got to a point where it could get done away with.

But I think the takeaway is still supposed to be that this was a horrid thing to do (which it absolutely is), and that Kinkajou will have to spend a lot of time trying to untangle her real emotions from the fake ones the spell created.

The point is: Kinkajou knows first-hand how awful it is to do something like that to another person. Ideally she should never even conceive of the idea to cast a spell like that, but if we’re really set on this Darkstalker baby thing and it has to happen, she should at least be a bit hesitant about it. And afterwards she should struggle with the guilt of having resorted to it. Not celebrate it and be proud, like it’s funny.

The assassination of Winter’s future

Now we come to the part I’ve alluded to previously; the part where all of these threads converge to utterly destroy one character and drive him to the brink of ruin. Let’s talk about Winter.

Prince Winter is the son of Tundra and Prince Narwhal, hatching in the same clutch as his sister Icicle. He spent his formative years being unfavorably compared to said sister—who easily took to traits that Icewing royalty considers desirable—whereas Winter struggled greatly to embody those same ideals. He was just a little too kind, too merciful, too gentle. As a result he often had to endure abuse from his parents, who made him feel like he was defective.

Because he was young and didn’t have any other frame of reference, he embraced this abusive narrative and began to drive himself with a vigor unreasonable for someone of his age. He scraped and cloyed for every bit of credit he could get, obsessing over advancing up the circle rankings in an attempt to “purge” the wrongness out of himself. To make his parents as proud of him as they were of Icicle.

This never worked. He was always seen as the runt, poised to embarrass the family name. Whatever he did, no matter how hard he strived, there was always something he could have done better.

The only real source of love and affirmation in his life was his older brother, Hailstorm. Where everyone else only saw what Winter wasn’t, Hailstorm embraced his brother despite of his “failings” and was openly affectionate with him. When Winter was with him, it was okay to not think about rankings all the time, and just be himself for a bit. I assume Hailstorm fulfilled a similar role for Icicle as well, which is why both of them love him dearly, and Icicle destroys her own life to bring him back.

Winter also has a fascination with scavengers, possibly because they are small and perceived as useless, like he himself is. He likely feels a kinship with them and observes them being craftier and more adept than everyone else sees them. This is therapeutic for him, to see that a thing can have merit even if no one wants to see it.

One day, he and Hailstorm sneak into Skywing territory so Winter can catch a scavenger as a pet. This excursion turns hostile when they are discovered by a roaming Skywing troop and faced with the prospect of capture, possibly execution. In a gambit to save Winter from this fate, Hailstorm mirrors the words of his parents, calling Winter pathetic and useless, so the Skywings will not think of him as a threat and show mercy. His act succeeds in convincing the Skywings, but it also convinces Winter, who does not understand Hailstorm only said these things to save his life. He returns home—believing his brother hated him all along—to face the wrath of his furious family for losing them “the desirable son”.

For all of his life, these themes have repeated themselves and haunted him. “I was born wrong and defective,” “I am unlovable,” “No one wants me.”

A few months after the war ends, Winter is one of the five Icewings enrolled in the newly founded Jade Mountain Academy. Shortly after departing, he unexpectedly returns home, having successfully rescued his older brother and bringing him back. He is made to believe that this erases his mistakes, his mother even pays him a backhanded compliment, an uncharacteristically “nice” gesture. He is promoted to the top of the rankings, finally his parents are proud of him.

But of course it is all a trick. The “adoration” afforded to him was all a ploy. Secretly, his parents abused power and tradition to arrange for Winter’s death. They force him into a lethal trial they intentionally rigged against him, all to finally erase that stain on their family’s honor.

Winter finally realizes the true nature of his parents’ opinion of him. Even when he succeeds, and does everything right, he is still defective, unlovable, and unwanted. He will never be anything else to his family. And so he leaves his homeland, pretending he is dead, resigned to live in hiding forever.

During this time, while at the brink of despair, Winter is able to draw strength from one source: His new friends from the academy. He vocalizes that, for all the abuse he suffered at the hands of his birth family, he fervently believes that THEY would never do anything like that to him. They chose to stuck with him, even when he was awful, and told him he was not hopeless. He was not a mistake; he could be deserving of love.

So naturally, he returns to them; they accept him readily, are willing to be his new surrogate family. When he almost burns to death at a later point, they fear and weep for him. When Qibli sets out to confront his own abusive family, Winter, despite being mind-controlled into a placid potato at the time, feels concerned enough for his friend’s safety to insist to come along (returning the favor of them accompanying him in his time of need in book 7). When Darkstalker’s mind control forces Winter to attack Qibli, he is shown ashamed and guilty of it once the control wears off again.

They bicker and struggle, and make mistakes, they break up but always come back together again. Time and time again the one thing that is always reinforced: When the cards are down, Winter loves his friends, and they love him. They would never intentionally hurt each other, or give up on each other.

I want you to keep in mind how wholesome, and loving, and mutually supportive this ramshackle band of misfits has been portrayed to this point... Because we’re moving on to the arc 2 finale, and it will do everything it can to corrupt all of it and consign Winter to a life of misery.

We arrive at aforementioned scene, where Moonwatcher receives her earring. Just a little bit prior, Winter had learned that Darkstalker unleashed a magical plague onto his people in an attempt to wipe them out. Now here is Moonwatcher, revealing that she is not under any spell, and has aligned herself with this guy willingly, speaking fondly of him as if he was a dear friend who never did any wrong. Winter takes this badly and accidentally breaks a vase; the narrative lingers on this moment and really tries to sell us on how unreasonable Winter’s reaction is, how he is overreacting, but let’s examine that interpretation for a moment.

Moonwatcher doesn’t yet know about the attempted Icewing genocide, but she DOES know about Darkstalker being okay with casting spells to inflict immeasurable torture upon those he hates. WE know that she knows this, so her stance here is already suspect. Yet she goes on to praise Darkstalker and refer to him as a friend. Look at this from Winter’s perspective. This “friend” of Moonwatcher just tried to kill his entire tribe, and he actually succeeded in killing his aunt, Queen Glacier, a person Winter greatly respects. Winter is currently unable to return to his homeland for fear of being branded a traitor. Even if he could return, he knows his obstinate and spiteful family would prevent him from attending the funeral, meaning he is not even afforded the basic dignity of saying farewell to his aunt. The aunt whom Darkstalker murdered by making her vomit her own blood until she withered away in her bed. And here is Moon, absolving the person who did this to Glacier from his appalling actions, despite knowing full well what Darkstalker is capable of and choosing to look away.

I don’t know about you, but I think I can forgive the grieving, emotionally overwhelmed boy for shattering a little pottery after hearing his trusted friend—who held his hand when he was dying—say that the guy who makes people disembowel themselves and wipes out entire countries may be misunderstood and not so bad. I think I would have a similar reaction. In fact, I would never want to talk to her ever again.

There is no way I can read this scene in which Moon doesn’t come off as either an absolute lunatic, or critically stupid and callous. In fact, based on her earlier behavior I half-expect her to get over the news of the attempted Icewing massacre in a couple hours, saying “Eh, it’s kinda bad, but you just have to do these kinds of things sometimes, you know? I’m sure he had his reasons.”

Then there is the part where Qibli makes his off-color comment about how Winter’s brain could really use a good wash. I already went into how it could have worked but didn’t. But with the timing here, we’ve already had Moon spit on their friendship, so as Winter’s other closest friend, it naturally follows that Qibli also craps on his feelings.

Consider the context: Winter comes from an abusive household where his parents forcibly tried to change him away from who he was to purge the “wrongness” from him. When they betray him and he narrowly escapes their attempt on his life, he re-affirms his belief in his friends, and the knowledge that they wouldn’t treat him like that gives him the strength he needs to keep going. But now, Qibli asserts that Winter DOES need to be altered, thereby AGREEING with Winter’s abusive parents, rendering Winter’s affirmation from book 7 erroneous. Qibli WOULD treat him like that if it made Winter less “intolerable”.

Neither Moonwatcher nor Qibli ever make an attempt to repair this rift. Winter is left betrayed and alone.

Stuff happens, and the forces of the Nightwings and Icewings come to blows over Jade Mountain. With his two closest friends having written him off and his support network eroded, Winter relapses into thinking he is worthless, seeks validation in unquestioning patriotism, and realigns himself with his abusive family by throwing himself into the battle. Nobody wants him to, in fact his parents still hate him for it, but whatever. His father dies and his mother blames him for it.

Meanwhile Turtle, Anemone, and Qibli are cooking up a solution to the battle problem. They have the idea to make everyone’s minds connect in a huge empathy wave for a few moments, which I think is a pretty interesting idea for what it’s worth. But then they teleport both armies back to their homes, and the spell sweeps Winter up with them, taking him out of the rest of the finale and bringing him to the Ice Kingdom. The characters say “whoops” but aren’t further concerned with the situation. It’s all a big laugh.

Let me remind you that Winter is currently considered not welcome on Icewing territory. His family, whom he was sent back with, is extremely abusive and vindictive. His friends know this. Said parents have previously arranged for him to be killed, and are still on record as wanting him dead. His friends KNOW this. And now he is alone with them and a gaggle of other royal Icewings who all are extremely pissed off at him for ruining their sacred trial site.

It is very possible that he is being torn apart and mauled by an enraged mob right now. He could be forced into captivity and flayed. Maybe the interim regent is sentencing him to death and getting the rope ready. There is a million different horrible things that could be happening to Winter right now, while he is trapped alone with people who hate him, things his friends would be reasonably able to anticipate. And nobody is doing anything to get him out of there, to suggest bringing him back, even though it would only take a single spoken sentence to do so! They aren’t even concerned!

Then the climax happens, strawberry thing and all, and we get the coup de grâce. After all is said and done, the group decides that Winter is untrustworthy, and that they must protect the secret of Darkstalker’s fate from him, because they fear if he knew he would kill Peacemaker.

Moon, who read Winter’s mind in book 6 and reached out to him about how the “ruthless Icewing warrior” persona in his head is a facade and how she sees he has a gentle and good heart... Moon, who in book 7 finds out about Winter’s secret deal to kill Glory and STILL trusts him, who calls out his bullshit to his face because she KNOWS how kind-hearted Winter is and that he would never resort to murder... Moon who, again, held his hand while he was dying... thinks that the dragon she has reminded of his compassionate nature time and time again would kill an innocent child.

This is disgusting. Moon believing that is so far off the mark with regards to anything this group has embodied or done for any of the last 4 books, that my only conclusion can be that these are different characters. Maybe the Nightwing library collapsed on top of original Moon, and when Darkstalker magiced her back to health she came back wrong or something. I don’t know.

So after all of this, Winter is left alone. He somehow escaped from the Ice Kingdom; luckily there is a timeskip so we can just gloss over the horrible situation he was put in by his friends. He thinks about Jade Mountain. He reflects on everything that happened, how his parents never really loved him... How they hated him so much they tried to kill him... How he despaired, but found solace in his friends who loved him for who he was.... How those friends then betrayed him too and magiced him away... How they didn’t care about what happened to him... And he decides he is done. He won’t bother going back. A few people, probably Sunny, reach out to tell him he is welcome back, but he says “it wouldn’t be fair to other Icewings if an exile took up a bed”. The decision isn’t hard to make, after all there is nothing left for him there. Everyone has written him off, moved on and left him behind.

Kinkajou visits sometimes, tries to stay in touch, but that’s just how she is. Maybe the others sent her to check on whether he’s going to become troublesome. They don’t trust him. Better to keep an eye on him, he might kill the baby.

With nowhere else to go, Winter moves to Sanctuary, a place for rejects like him. I picture him standing there, at the edge of a cliff staring blankly into the distance. He is completely alone; no one wants to go near him or talk to him beyond the bare necessities. He could probably make new friends with the Talons of Peace if he tried, but there is no point. Why should someone like him have friends? It wouldn’t work. They’d just decide he is too inconvenient to be around. Sooner or later they would just tell him to leave anyway. It's better not to try, so he doesn't get hurt again.

And slowly it dawns on him. His parents had been right all along. It was never them, or the others, it was him. He is the problem. The Icewings said it, Qibli said it, Moonwatcher said it. There is just something fundamentally wrong with him.

He is defective. He is unlovable. Nobody wants him. He will never be anything, or have anyone. And so he stands at the cliff, looking over the broken vase fragments of his life... This is who he is. Prince Winter. A mistake.

And quietly, where no one knows or cares, he does the only thing he has left to do... he begins to weep.

As it is written, the tale of Winter is the story of a boy who is told he is wrong for being alive. He closes his ears and tries to keep walking forward, desperate to prove that he is not an error, that he has merit. But this book comes out and it unmistakably says that he doesn’t. He is nothing, and he deserves to have nothing.

And I just cannot accept that.

Why did this have to happen?

I think that the author was really struggling with the ending of this book. I’ve said before how much of a corner she wrote herself into with such an invincible villain. I think she came up with the strawberry idea as a solution to this problem. But as she was writing it, the characters kept fighting her. It was not a natural solution, not a decision the characters—as they were established—would ever make.

So concessions had to be made to force the issue. Established traits had to be bent slightly to make this plot work. The farther she went, the worse it got. The concessions piled up and turned into contrivances. Eventually the characters were no longer acting like themselves. Their bonds got stretched too far and some snapped. It’s a very tragic pitfall that occurs with long-running series.

I think Sutherland must have also been tired. Writing an entire book is a monumental task, and writing 6 connected ones even moreso. She also comes out with these things really quickly. Maybe she was burnt out? Maybe she wanted to be done and her attention lapsed. Maybe that’s why she forgot that Moon knew about the disemboweling. It seems reasonable to believe when you consider that the next story arc would make a relatively clean break from the problems of this arc, especially with regards to the magic system.

But I don’t know what ultimately happened, so I can only speculate. I reiterate, I bear no ill will against Sutherland for writing this. Even if I kind of hate everything about this finale, and very vocally wish it would be different, I don’t want this examination to generate (or reawaken) any hatred towards her, or to attack her personally. I understand the pain of an artist who gets trapped with something for too long and has to find the means, any means, to see it through to the end. I criticize the story, but I could never hate anyone for that.

But for me, I do not consider this half of the book as part of the story. The characters act too unnaturally for it to have happened. So to me, it didn’t. We don’t know what happened, maybe Darkstalker is still out there. Maybe they dealt with him. Maybe what actually happened is my crappy and self-indulgent rewrite of the ending which I will never show to anyone because it would be really embarrassing.

But whatever actually ended up happening, I am sure Winter never ended up at that cliff, pondering how worthless and meaningless his life was. He is currently at Jade Mountain, surrounded by friends who love him, and bickering with Qibli about the correct solution to their advanced calculus assignment that is due tomorrow.

Is there anything left to say?

Probably.

I didn’t talk about Anemone yet. You know, in the epilogue she enchants herself a bracelet that makes her “not be so mean all the time”. I find that creepy. To me it reads as Anemone voluntarily brainwashing herself with magic to erase her negative traits instead of growing past them naturally because she finds them undesirable and wants to work to change for the better. I would ordinarily assume that this is an overreaction on my part, and I’m just reading the scene wrong. But no, we just got through a part where the heroes brainwashing someone is treated as an unequivocal good and worthy of celebration, so I think my reading may actually be spot on. Why are we letting the little kid alter her own brain without supervision? Hello? Tsunami? Someone intervene maybe? This cannot be healthy.

Turtle stands out to me as the one bright spot in all of this. He (and Peril, but she’s mostly out of focus) remain as the only main characters of this arc who don’t have any mind-boggling out-of-character moments or sudden streaks of uncharacteristic callousness. I really like the part where Qibli goes to free Turtle from his captivity and plans to give him an earful about the comically unhelpful messages he’s been sending him. But when Turtle asks if what he did was helpful, Qibli sees how beaten down and exhausted Turtle is, and wordlessly drops his frustration to tell him “Yeah, they were helpful.” That is the true Qibli shining through for a moment, showing that he cares about the well-being of his friends.

Do I hate the pairing of Qibli/Moonwatcher? No. Well, I DO hate how it happened in the book, and how the story tried to assassinate Winter’s character to resolve the love triangle and make it happen. I don’t hate it on principle though. If you are a fan of Qibli/Moonwatcher and want to write fanfics about it, please do! I absolutely encourage you to do that! Maybe you can fix this mess and turn it into something that’s actually properly handled!

Mightyclaws keeps the power that Darkstalker granted him past the finale. That means all the spells that Darkstalker cast are technically still active. Does that mean the Icewings have to wear earrings for the rest of their lives? Do they get sick again if they take them off? Is Peril forever cursed to think of Darkstalker as a cool old uncle and has to somehow reconcile how everyone else thinks of him? How did the Nightwings relinquishing their powers work, do they have to wear the earrings forever too now?

And there is one more thing to mention.

My confession

You may have already intuited this, if you’ve been following the content of my blog. It is very heavily skewed towards the first and second arcs of the series. I would now like to confess something.

When I read the second half of book 10, I found it so disillusioning, Winter’s fate so upsetting... that I put down the series then and there. And I haven’t picked it back up since.

That’s right, I have not read arc 3. I don’t know if that makes me a fake fan. I know pretty much everything that happens in it, the controversial twist at the end, Pyrrhia coming back into the story later, Snowfall getting brainwashed by a piece of jewelry until she cares about a plot that had nothing to do with her or the fate of the Icewings, etc..

It’s not out of malice, or because it’s a new continent. The opposite in fact; I would have greatly prefered a clean break with a new setting—Bug-themed dragons in a slightly more contemporary, developed environment sounds fascinating and full of potential. I don’t hate Pantala or the new characters.

I just... I can’t really do this again. I can’t handle the thought of Pyrrhia coming back post-Darkstalker, with Winter showing up and talking to these guys again like nothing happened, seeming like a different person, joking around with them like his entire character wasn’t dragged through a mountain of manure to make the plot bend a certain way. I think as long as this is the ending that the story is continuing from, seeing that would just make me miserable.

Maybe I will just stay in the parts of the story that I fell in love with. And imagine a version of reality in which Pantala is allowed to exist on its own, where Swordtail was the fourth POV character of arc 3, where Queen Wasp stayed the villain throughout, and Snowfall got her own legends book about how she reformed Icewing society and fixed all the shit that poisoned Winter’s life, so future generations don’t have to suffer through the same stuff he did.

~~~~~

If you’re still with me, thank you for reading this far. I think this is everything I ever thought about the finale of the second story arc, so now I never have to talk about it again. Writing this was difficult. I found it crushing at times. This will probably stand as the only overtly negative post I have ever made on this blog. I love Wings of Fire, and I want to celebrate it. To add to it, not tear it down.

I hope this wasn’t too boring, or painful, or frustrating, or soul-crushing to read through. I’ll see you later, hopefully with a more constructive post.

[pearl-blue-musings]

Untitled #4

Tsubakino tries to keep his feelings about you to himself but it comes out more when he’s alone with Umemiya. Umemiya hasn’t been able to shut up about you since the two of you met over 5 years ago. Tsubakina can’t help but he happy seeing Ume so thrilled, but a little heartbroken as well. His facade is easily seen through.

“You’re upset about something.”

Tsubakino smiles hesitantly at his friend before coughing out, “you can tell?”

Umemiya nods as he prunes more of his garden. “You’ve been like this ever since I started dating her.” Without turning around he can sense his friends apprehension. Umemiya chuckles and stands up. He’s aware his tall friend wears his heart on his sleeve and that he’s had it for years. Umemiya feels regret that he doesn’t match his comrades feelings, but he can’t deny that strong pull he has toward you. Ume sighs and slowly turns around. “I really like her, love her, with all my heart. She’s… she’s really special.”

Tsubakino sniffles as he rubs at his eyes. He blinks quickly and smacks on a smile. “I know she is.

“And that’s why you’re gonna propose, isn’t it?”

****

You knew Tsubakino was better with make up and fashion which is why you had invited him over. After a couple of delinquents from a neighboring town tried giving you trouble, some of Bofurin had swept in to save the day; one of them being Tsubakino. The two of you quickly bonded and as the years went on became inseparable way after graduation. Within his friend group you met Umemiya and it seemed like the world around the two of you stopped momentarily. And the two of you weren’t the only one keen to that.

Right now, you’re looking through your closet for a good outfit as Tsubakino grills you about your date. You hadn’t revealed who you had a date with but you were getting too giddy and eager. As he examines your make up and accessories, you step out in your chosen outfit. The man on the floor claps his hands as he gasps in astonishment. “You look amazing! Whoever you’re meeting is sure in for a surprise!” You smile and clap with him, doing another twirl to admire your outfit. You’re not sure how much longer you can keep this to yourself. So you blurt out:

“It’s Hajime! Uh I mean Umemiya!”

Surprise and resentment quickly flash through Tsubakino’s eyes before he shakes his head and fakes shock. He wants to cry despite understanding why you would feel this way. So that’s why he’s been asking about you. “Oh? You caught my leaders eye! That’s not an easy task. He can be pretty dense when it comes to romantic feelings. So tell me, who asked who?”

You bite your lip nervously like a giggly teenager. “H-he asked me! He had walked me home from work and had the cutest expression on his face! He was so nervous which is weird for him,” you ramble on. “But he handed me a-“

“A ticket to the aquarium?!”

“Yes!”

He wants to cry. That’s the advice Umemiya had asked him the other day. “So that’s why he asked me about cute date ideas the other day.”

You pause and move to hug him. A strange feeling overcomes him as he hugs you back. His heart is shattering but at the same time he’s elated that someone he considers his best friend is finding happiness. Even if it’s not with him but you. You sign as you release him from the hug. “Thank you.”

Tsubakino points to himself in shock, lifting her eyebrows. You smile and intertwine his fingers with yours. “I know it sounds weird to thank you, but if you had never saved me I would’ve never met him…or you. You have no idea,” you squeeze his hand tightly, “how important you are to me. So I want to ask,

“Is it okay I go on a date with him?”

How is he supposed to say no? How can he tell you no? It’s clear the both of you have become important people in his life over the last few years. But can his heart handle the two most important people in his life dating?

****

“Gah?! How could you tell?”

Tsubakino crosses his arms and shakes his head. “You only come back to the top of Furin when you’re debating major life choices. Plus, the box in your pocket is poking out.”

Umemiya wipes at his forehead with an embarrassed chuckle. “You know me so well! Can you believe I’ve been with her for two years?” Umemiya sighs as he leans against the fence railing. “Amidst all the craziness we’ve been through, she still wants me.”

Tsubakino chuckles. “Why wouldn’t she? You’re an amazing guy. Anyone would be lucky to have you.” The wind rustles past them blowing flowing black tresses behind him. Umemiya turns to face his long time friend with a melancholic expression. The gardener sighs before speaking.

“I’m sorry I don’t return your feelings.” The other man flinches and gets flustered under the truth from the words. He blinks quickly in an attempt to keep his feelings at bay. Umemiya’s heart lurches for his friend as he steps forward. He places a calm hand over his comrade’s trembling one. “Thank you for caring for and about me. Thank you for loving me. And you know I will always love you,” Umemiya squeezes Tsubakino’s tear covered hand. “You both are very important to me and I wanted to check in with you before I asked her the question.

“Do I have your permission to marry her?”

****

Tsubakino is the first person you tell about your engagement. You video called him in happy tears with Hajime by your side. As the exchange happened, you notice a silent conversation between the two most important men in your life. You end the call by telling him, “I love you Tsubaki, thank you.”

He sniffles and nods, waving to the two of you. “I love you both. But I hope you know, Ume I have dibs on being her man of honor.”

He hangs up and the silliest argument between you and your fiancé ensues.

[infamous-if]

Hey Ames👋. Hope you're doing good, and the chronic pain isn't too bad. Is the pain you have due to writer's cramp, or something else? (Sry if that's too personal a question, I don't mean to pry). Either way, praying for you to get well soon (not cause I want you to slave over Chapter 4 so it can be published sooner, on the contrary, I got writer's cramp A LOT in the past, especially during high school so I know how much it sucks). Pls take it easy and don't forget to drink some water! Also, are you by any chance still doing Cast Q&A's? If not, no problem, I don't want you putting too much strain on yourself I'm happy just waiting for whatever you feel you can handle rn to be published. Take care!

Hi and thank you!! Don’t worry, the pain is an Amy thing not a Writing thing haha and thank you :)

I still am! I made the post in band tier the other day. Usually I keep that for the end of the month. The O POV should be up late tonight or tomorrow. I’ve fixed prologue and chapter 1 errors so I’m slowly combing through ch2 🫡 and have finished outlining ch 4&5 so I’m getting stuff done! just slower than usual (for now) haha

[bitchfitch]

My mother's bf had a fairly major surgery (he's fine and recovering well DW) and he's going to be housebound for his birthday this year, so I've been enlisted to come up with a fancy birthday meal for the special birthday boy that's primarily fruit and veg, sweeter than savory, and is something he's never had before.

Bc I'm making watermelington. It's beef Wellington, but watermelon. bc my mom only found out recently you can use watermelon as a tuna substitute. And I know that you can substitute most higher quality beef cuts with tuna or salmon.... usually. Anyways the idea fascinates her so I'm hoping to use that for bonus points.

Now he's off his ass on pain killers so I can't like. Ask him if he's ever had something before. so to meet my brief I've decided to just. commit a novel hate crime against the British I guess.

Anyways. I'm writing this because I need to walk myself through this process and think it'll be surreal enough to be worth taking y'all along for.

So, Beef Wellington. In its most basic bitch arrangement is a beef tenderloin wrapped in prosciutto/really thin bacon, with a layer of mushroom and onion mush, that has been further wrapped in mustard slathered puff pastry.

We will be ship of Theseusing this. bc beef Wellington is like. the opposite of what he wants. Which is why it's funny.

Puff pastry-> it's still just puff pastry

this one doesn't have to change (aka I can't be fucked to do pastry prep and I'm just gonna use store bought it's Fine.)

the prosciutto is also just going to be prosciutto.

Thin meat

Beef tenderloin-> watermelon,

Tbh this is a pretty 1 to 1 substitution. I'll bake the slices at like. 250-300 for an hour or so ahead of the rest of prep to dry it out a bit. bc you can't like. Sear watermelon to seal in the water like you can beef. By definition it's a very wet fruit (like me when I fall into the lake). Ill Add salt and chili and lime juice while baking maybe. this is the easy part

The mushroom mush-> salsa done bad style

As the word mush implies, this is meant to be a very soft mix. It adds a lot of nuttiness to the wellington that rounds out all of the salt from the meats. I'm replacing it with white person salsa(the birthday boy can't handle spice). Tomato, lime juice, parsley, avocado, cucumber, feta, and maybe mango so I can have an excuse to have a lil mango treat. I said I wasn't making it spicy. I'm still putting a bit of chili in it. bc it'll be better like that. This is also a ridiculously wet bit of mush, Even the original mushrooms have too much water. I'll figure something out.

Mustard -> jelly

He lives in a big city. those preserve sections are massive. I'll find a weird one. maybe apricot.

Prep:

We're in the mind palace kitchen, I have not attempted any of this. We're just thinking real hard about it and I'll edit as needed on the day and post results.

The watermelon

Preheat oven to eh. 300f? We want low and slow to dry things out without it taking a year. but idk what his oven is like. If it's gentle I'll bump it up another ten-twenty.

Slather some watermelon slices in salt chili powder and lime juice mixture.

bake for 30 min on a wire rack or directly on the oven racks (after cleaning thoroughly) if he doesn't have a wire rack. with a drip try underneath to catch the drippage. check frequently. Have one slice that's for being poked to see if it's approaching being meat. Bake longer if needed.

Salsa bad style

chop everything up and add it to a pan with some oil in it. Tbh I don't think the type of oil you use for cooking matters if you're not like, getting near any smoke points. Most people can't tell the difference unless you made your food bland as hell.

Anyways there's some wildly different moisture contents on the list so there has to be an Order to cook off as much water as possible without getting yucky.

Tomatoes and cucumbers go in together with some salt to get the cucs softening, then the mango chunks and lime juice. Once most of the water is gone the avocado feta and parsley can go in. There is a good amount of water in avocados but they're delicate and don't pan fry well, so we're just going to ignore their water crimes and hope for the best. They just need to be evenly mixed through the rest of the mush.

Putting it together

lay out the puff pastry, cut into sections to wrap each watermelon slice individually with.

Slather in jam

Take the prosciutto and lay it out on half of each section of the pastry,

spoon the salsa onto that

Melon

Another layer of salsa

another layer of thin meat

Fold the pastry over the top and pinch the edges bc watermelon slices are not a rollable shape and I don't want to carve a watermelon into a tube for this because that sounds irritating.

Brush with egg wash and more parsley

Cook in oven following the pastry's preferred temp and time. it's fucking watermelon, you're not getting ecoli from it.

watermelington :)

I'm serving it with baked sweet potatoes and spinach based salad with whatever toppings are left over from making the salsa.

anyways thank you for joing me on this thought experiment. I will post updates once the deed is done. I'm sorry to every British person ever.

[wolfofcelestia]

One of my last reblogs got me thinking about this so here is

How all four Zaynes + Sylus would treat you for low iron

Warnings: mentions of hunting, blood, suspicious food and drink. Everything aside from Doctor Zayne's section is not rooted in reality so don't take this as medical advice. If you feel tired all the time, go ask your doctor about it and get a blood test. Trust me, you're not supposed to be tired all the time.

Doctor Zayne

By the book treatments. You'll get iron pills and recommendations for iron-rich foods. If your stomach can't handle the pills, he might recommend iron infusions, all supervised by medical personnel. On his free nights, he'd take you out to dinner or cook for you to make sure you eat iron-rich foods, even if it's only in his presence

Dawnbreaker

He'd repeatedly remind you to rely on him. Just stay in bed, he'll take care of the rest

In his world, everything you need to live is packaged in nutrient drinks or in pills, so he'd gather all these less than tasty nutrient drinks and pills but he'd also go to the outskirts of town, where the wild animals have taken over a part of a forest. They don't entirely live in harmony with the wanderers there. Some say they're no longer animals, but meat is meat, and only fresh meat will do for his beloved, especially when she's sick

He'd come home with freshly butchered meat, and the blood from the meat in large bottles, hoping she'd be able to get some benefit from drinking such a valuable and rare fluid

Foreseer

He wouldn't treat you. You don't belong in the tower. You'll only get sicker here.

"Go back to your people. Only they can help you. I have no means or the experience to cure you here."

But you won't leave. Stubborn, even in the face of an illness that makes you weaker and weaker by the day. But you've experienced this before. It's nothing new

Soon, you and Jas annoy him enough to convince him wild game is actually high in iron and, with his powers, he'd easily be able to hunt one near the tower

It would be his first meal with someone. A warm, hearty meal with the girl he's seen his other selves eat with so many times before

Master of Fate

"Close your eyes and hold my hands. Imagine my energy flowing out of my body, crossing over our hands like a bridge, and being absorbed into your body. Take as much as you need."

The Master of Fate is also a master of ancient energy magic, so something like mana or energy transfer would be easy for him if you're ill or need a boost

This won't fix the cause of your low energy of course, but this would be a start to get you on your feet

Once you have enough energy to travel down the mountain, he'd bring you to a healer, someone who works with and sells all sorts of dried herbs and Chinese medicines

Protest all you want but these bitter, smelly concoctions are going into your mouth one way or another. He'd laugh at your reaction and call you a child for making a fuss about taking your medicine, and he'd promise you a sugary treat if you take it like a good girl

Sylus

"Are you ignoring Zayne's advice again? You're really putting him through his paces, huh? I'd have my own personal doctor take a look at you but I have a feeling you'd listen to him even less. Well, if it's iron you need, then tonight we'll have steak. And we'll have steak for as many nights as you like after that. I'll have the chef work on a meal plan with you."

With your steak dinners, he'd offer you a particular red wine. It tastes a little sharper, a little richer... The way he watches so carefully when you take a drink, and the way he smiles at you when you swallow... You'd be suspicious about it, if it weren't for the fact that you did in fact feel much better after each meal

[cillyscribbles]

my modern!cats au giving me, an avid non-smoker, thoughts about smoking and self image, of all things. i will put them under the cut, but meanwhile! enjoy this 1. shameless illustration of my own fic 2. tugger not quite loving the makeup (or costuming) of his poet-murderer role. (yes a local staging of roberto zucco changed my life, very nice of you to ask!)

so smoking bad etc etc don't smoke. anyway, all three brothers deuteronomy smoke, or at least have smoked for large chunks of their lives, albeit for wildly different reasons and standpoints.

munkustrap's been smoking since middle school, his start more or less aligning with the time period when old deuteronomy falls sick, grizabella ramps up her work, and munkustrap, at the ripe old age of maybe 14, starts managing the household and finances and whatnot.

he wishes he'd never started smoking, don't get me wrong. he wishes the relief of the thing wasn't worth it. he quits and starts again throughout the years, over and over and over, climbing into the third decade of the habit without being able to break it, never moving past the numbed feeling of failure for it. it's the one crack you'll occasionally catch in that aged picture of constant steadfastness and responsibility he's got going on.

to be unable to handle it all feels to him as good as giving up entirely. he smokes behind the school. he puts away the ashtrays when he has guests over. he doesn't like smoking with company, and he hates his shame being made known. if you'll allow me a pretentious second, it's sort of like an upward climb that he wants to take on alone so nobody else sees him stumble, and no one helps him if he twists an ankle. it's fine by him because he needs to be able to handle it himself. he needs to.

so. all this, versus tugger, who started well into adulthood and barrelled into it full and consciously. tugger, who smokes to replace sleep and sanity when his life runs on cigarettes and caffeine. but nothing more. he doesn't care to quit, he doesn't care to change. cigarettes look good between his fingers. he knows how to hold them pretty, like he knows everything else about himself that builds the picture he wants.

and, on a more interpersonal level, it upsets him that munkustrap is so acutely ashamed of it, the same way munkustrap is upset tugger is so casual about it. to some degree, though, i think that's because tugger's entirely hyperaware of how fragile life is and on how small a technicality shit can go sideways and end up killing him or anyone else. it's hard for him not to think about it. but it gives him some sort of strength to look for morbid humour in the things munkustrap wouldn't let himself laugh at, i think. it's gallows humour, to be fair, but it's good humour to tugger nonetheless. he finds stakes if not thrilling then certainly intriguing.

besides, making any sort of change to himself for other people, to tugger, is like betraying himself. he's built up that resistance to outside influence, and he's built it up hard and total. he doesn't mold, he doesn't bend, he'll do and look and say whatever he wants, he associates seeking validation strictly with misery. he doesn't understand munkustrap's frustration, or desire to please people, nor does he want to.

the thing with how tugger is, i think, is that he's just prodded at enough for both the street culture he grew up in and the inclination towards self-preservation of someone visibly queer to mesh together into something that can be spectacular and unmovable, and sometimes still turn ugly. i think curiosity is easy to push into cruelty with tugger.

shame is easy to mock for someone who's overcome it and tries hard to forget how insidious it can be. i think both munkustrap and tugger can be cruel to each other without wanting to and without really transgressing toward each other in a way that would dent their relationship, primarily because it's such a strong relationship but also because they're used to some sort of cruelty from the world at least, they just know better where to hit each other verbally to mess each other up. so. self-control, boys. comes to one of them easier than the other, LOL. and again, don't get me wrong. tugger doesn't want to be cruel to munkustrap, but it's not always a thing he can push away the instinct for. munkustrap doesn't want to be cruel to tugger, but he's been making hard decisions for ages and all but expects someone to be hurt by the end of it, and tugger is manageable. so. damn

[misterfynn]

cw // kidnapping, intox, heavy bdsm, honestly this one I'm letting my imagination run wild, so proceed with caution.

You woke up with a start, you could finally see again, but when you went to tried to speak, realized you were muffled by a gag. You looked around the room, only to see dimly lit space with empty walls, save for a mirror. You tried to get up, but found yourself tied down to something. It's inside you, and it feels good. *click* It turns on, and instantly you struggle to think, how did this happen? Using the last of your brain power you think back to all that has happened.

Two weeks ago you saw an ad online. "Start a new life, whatever you think you're worth, pay me and I'll increase your investment tenfold". You were skeptical, a whole new life and you just have to "pay your worth?". You figured it was worth a shot, life hadn't been kind as of late.

This dear reader, is where you can insert your own struggles. I want you to picture how nice a new life would be, no more dead end jobs, no more wasted time in classes, you could start over, be someone new. You'd like that wouldn't you? But how much do you think your current life is actually worth? I'm curious, tell me in the comments.

You recently got an extra hundred bucks you were planning to gamble away in a few weeks at the casino anyways, you figure why not give it a shot here. You send the anonymous poster the money and move on with your day. You're let down when you don't hear anything for a week, you assume you got scammed and start looking for a way to get your money back. But that's when the first email arrives.

It asks, "What kind of life do you crave?". Followed with several options, an easy life, an exciting life, or the high life. You've had enough excitement lately, easy sounds like it could be boring, so you choose the high life. Images of richers and power flash through your mind, but still skeptical this is all a scam you don't get your hopes up.

A week later you got the call, "they're on their way, leave your house at 08:30 exactly, the rest will be handled from there, welcome to your new life." The phone immediately went dead. As you were told, you started to head to work and left your house at exactly 8:30. You almost got to your car, before the masked men appeared. They roughly grabbed you, tied your arms behind your back, gagged and blindfolded you, and hauled you off to their van. You hated to admit it, but the whole thing felt straight out of a fantasy, you were wet instantly.

Then a sharp pain in your leg, like a needle stabbing you, and you don't remember much from there. You remember being in a haze, as men in masks tied you down to a surgical table. You remember blurry faces, and how wet you were when they inspected your holes. You remember the pain that you felt when the tattoo gun marked you behind your ear. Now you remember how you got to where you are now, able to see for the first time in what feels like days. Straddling something vibrating between your legs, it feels amazing you realize.

'I feel so good?' You think with a shock, whatever drugs are in your system, you secretly want them to give you more. You start bucking against what you can only assume is a Sybian. Within minutes, you've cum twice, and are begging for more when the machine stops. Another masked man walks in, he removes the gag. Before you can speak, he has placed a pill on your tongue, and placed water to your lips expecting you to swallow. You don't give it much thought before the pill is already down your throat.

"What is your name", he asks.

You try to make a word form but are unable, you weakly motion for more water.

He provides you with the water as requested, then present another opportunity.

"If I pull out my cock and you make me cum, I'll have the boys turn the machine back on for you until you're ready to start your new life, would you like that?"

Would you really stoop that low? Are you that desperate to cum? The wetness you immediately feel as he pulls out his already hardening dick gives you all the answer you need. Maybe it's the drugs, or maybe this is who you were deep inside all along. You take his cock deep in your throat. Before you know it, you're rewarded, not just with what you realize is surprisingly tasty seed, but also you get to cum again, again, and again.

The next several hours are a blur of pleasure and drugs taking a stronger hold. The higher you are, the harder you cum. Enough time has passed you feel you might be reaching your limit as another masked man enters. The machine is turned off, you are collared and leashed, and for the first time today, you get to stand on your own two shaky legs.

You're so high you can't walk straight, he helps stabilize and guide you with one hand around your neck, the other holding your hand until you're moved into a cage.

"This one's ready for auction", you hear.

"Make sure she takes one of these before being presented", the man hands the other another pill.

"And don't hesitate to crank up the power, we need her to show she's worth 10 times her investment."

Next thing you know, you're in a cage, on stage. You're so high you can barely process anything, you feel yourself drooling, you hear yourself moaning, and most importantly, you feel yourself cumming on the dildo being thrust deep inside you. It's pumping so quickly, so deep, it feels amazing. As you cum one final time, you just barely make out

"SOLD, to the man in back for one thousand dollars!".

Would you look at that, you did make ten times your investment, and you're about to start your new life!

[olympeline]

Been thinking about why I found Arthur in the Dark so impressive and it made me realise something kinda significant. Something significant that I’m going to put under a read more because it revolves around a heavy subject. So I wouldn’t advise looking beyond the cut if you’re sensitive to that kind of thing.

Less important, but everything below is a big spoiler and, guys seriously. If you like USUK and can handle darker fiction - no pun intended - give AitD a try. Don’t spoil yourself here. Go try it first and then come back if you’re interested. Try it if you’re neutral on USUK. Or, heck, even if USUK is a ship you dislike but isn’t an outright NOTP. I’d still recommend checking out this comic. Arthur in the Dark is still worth a read in my opinion. It’s that good. But enough gushing. Read on for the meat of this post.

Ready? Here we go: Arthur in the Dark has one of the best depictions of rape I’ve ever seen in a piece of media. “Best” as in most skillfully crafted for narrative purposes. Honestly and truly. Not even kidding. Which is kind of amazing considering it’s a depiction that came from a fan comic based on a jokey, anime gag series. Why do I feel this way? A couple of reasons:

Firstly, the rape in AitD is frighteningly, tragically realistic. Something the majority of fictional rapes are not. We tend to think of rape as taking place in a dark alley in the inner city. Stereotyping up a scene of a bottom feeder, criminal man dragging a (young, attractive) woman away to violate her. They’re usually total strangers and it’s always violent. These kind of rapes do happen, but statistics tell us they’re the minority. The majority of rapes happen like the one in AitD did: between two people who know each other well. Friends, romantic couples, even family members, make up the bulk of rapists and their victims.

Most narratives prefer the less common type of rape. Usually because the creator doesn’t want to tell a story about rape. Not really. What they want is a gut-punch to add easy drama and darkness to their creation. The sliding scale of “irredeemable bad guy” roughly goes: murderer → cold blooded torturer → rapist → child rapist. Making a villain a rapist is one of the worst things he - because 99% of the time it’s a he - can be. Conversely having a character be raped gains them instant sympathy because people are moral and empathetic creatures at heart. Most creators know this and throw in a rape for the shorthand: “Look how evil our villain is!” Which often makes the rape and its aftermath feel artificial. In no small part because the rapist characters, by virtue of being written to be the worst of the worst, don’t come off as very human. They can’t be when their main purpose is to be loathed by the audience. I could go on because there’s tons more to unpack about rape in fiction, but you get the point.

The rape in AitD isn’t like that. America and England know and love each other. Their relationship is complicated (oh boy, is it ever!) but that part of it is never in doubt. They’re each other’s most treasured person and have been for centuries. They’re not a duo made up of a flat, hate bait, villain on a collision course with their victim. Who’s doomed to suffer and be pitied until the creator decides the audience has had enough of their trauma and shuts it away so the story can move on. America and England are two people living together, going through a period of immense change and stress, trying to manage as best they can, and sometimes getting it very wrong. From a narrative point of view, this makes what happens between them so much better and so much more upsetting at the same time.

Which brings me nicely to reason number two of why this particular rape works: the build up. Like everything else in AitD, America raping England is carefully planned out and set up. The chocolate bar scene, man. Brilliant, I have to say. Alarming, uncomfortable, and brilliant. The scene in the garden is not just sprung on the reader for a jarring “Oh no! Oh shit-!” moment. If your typical under written rape is a cheap jump scare, the rape in AitD is a carefully crafted slowburn dread. Early on we start to become aware we’re building to something bad. From the foreshadowing, the art, the atmosphere, etc. We just know a storm is coming. It’s done without America acting OOC too, which is very important. It’s how he can come back from what he did. Something that would be impossible if the author didn’t handle this setup well. America’s actions aren’t right, but they are understandable. That’s the crucial distinction. The psychology of the whole thing is so very well done. America was in love with England and had been for a long time. The guilt he felt tormented him because of what their relationship was in the past. Caught between his human side and his immortal one. The guilt helped keep America in check because he didn’t want England seeing the lustful way he’d begun to look at him. Then they started living together and England was suddenly vulnerable. Vulnerable in more ways than America was aware. Which is another vital detail of how the creator keeps America sympathetic, but more on that in a moment. England willingly went blind so he wouldn’t have to see when America - the man grown from the child he raised - looked at him with lust. The guilt America felt peaked, only to clash with the realisation that he could freely indulge in his fantasies. Indulge and push (again, chocolate bar scene) now the usual moral restraint - England seeing his desire - was removed.

Meanwhile, England himself felt that same guilt but his was also laced with panic and despair. He didn’t want to lose or strain his relationship with the most important person of his centuries long life. Pulled between human standards of morality and the very inhuman existence of nation-people. Incidentally the clash between their existence as humans, while also being something more than human, is brilliantly done in AitD. It’s something that’s hard to get right - especially involving such taboo topics - but Hotama nails it. USUK usually handwaves the implications around England raising America, but here it’s made part of the narrative. Part of the tragedy, part of the resolution. Good stuff. Anyway, England begged Arthur to take his sight away so he wouldn’t have to see the way America looked at him. Then banished Arthur back into the dark in an attempt to run away from his problems. But without Arthur - without his strength - England couldn’t stand up to America when he needed to. Not that America was aware of any of this because he never knew about Arthur. Which brings me to point three: nuance of blame.

“Blame” is a very loaded word in this context, so I’ll do my best to talk about this carefully. Rape in the media is almost always black and white. Absolutely evil, irredeemable rapist. Absolutely blameless, sympathetic victim. But real life isn’t always that simple. Obviously the rapist is always the perpetrator and the one most in the wrong. I need to make that very clear. But the scene in AitD illustrates that sometimes a victim could have done more to help themselves. Not always, but sometimes. This is a delicate subject so I hope you understand I’m not trying to victim blame. Just saying that rape, like all crimes, doesn’t always deal in absolutes. Unlike media, real life is often complicated and tragic. Good people can give in to temptation. Be weak, do bad things, or allow those bad things to happen. England told America to stop, but failed to follow it up when needed. When America pushed for more and used England’s own words to argue he’d already been given consent, that was when England needed to push back. Interpretation comes in here but, personally, I think if England had told America to stop when prompted, America would have. But England didn’t and he gave in instead. Something America took as a tacit “yes.” Again, not right, but understandable in how it could happen. Their power imbalance had grown extreme, stress and feelings were running high, they were struggling to connect as they used to, England’s prior cowardice and separation from Arthur prevented him from being strong when he needed to be, America was ignorant of his problem, and it all came together in a horrible, tragic mistake. All throughout, the rape continued to be brilliantly, awfully realistic. America not noticing - either genuinely or from denial - that England was not enjoying what was happening. England quickly becoming too distracted by the pain to do anything other than focus on enduring it. Then the aftermath where America didn’t realise what he’d just done due to coming down from a post-sex, post-stress euphoria. Awful, miserable, horrifying, tragic, perfectly crafted scene.

Which brings me to my final reason why this comic impressed me in its depiction of rape: where the story goes from there. Where it goes and how the narrative builds from the rape instead of trying to move on because the “shocking” part is over and now we’re in diminishing returns. Going back to my first point, too many stories see rape as something that happens in an isolated part of the narrative. It happened, it was shocking and brutal, now it’s done and we can move on because we didn’t plan to interweve the rape with the rest of the story. So we won’t give it the weight it needs. At best the victim might get a few scenes expressing their trauma later on - maybe a callback or two - but that’s it. It’s shallow. Plenty of fictional rapes could be replaced with a savage beating and nothing would change. In the worst cases you could remove the rape, not replace it with anything, then run the story with minimal problems. Not so in AitD. There, the rape isn’t just another semi-important plot point. It’s a crucial one which couldn’t be replaced with anything else. The whole first part of the story, the engine of the narrative, is built around America and England failing to deal with their changing relationship. A relationship between a pair of humans who also happen to be strange, immortal beings that ordinary humans can’t understand. Changing from platonic/familial to romantic over hundreds of years. With romance comes lust. Lust can be perfectly healthy just like any other bodily appetite. In this case it became twisted by circumstance, and the only “suitable” narrative payoff was rape. Nothing else would have had the necessary impact.

Then there’s how the rape compares to the final sex scene in some classic narrative juxtaposition. The final sex scene which happens to be the only one in the comic that’s fully consensual on both sides. The one that goes beyond sex and becomes real, honest to goodness lovemaking. It’s a perfect contrast. The rape scene had all the trappings of a classic romance. Right down to it being their first time and taking place in a rose garden. But it’s tragic, horrifying, and deeply unsexy. Then, near the end of their story, America and Arthur get lost on their road trip and have sex in their car. Their crappy, cramped car, where they’re surrounded by ordinary luggage, both of them sweaty and a little cranky with each other after a long day. It’s awkward, ordinary, imperfect and gorgeous. If we didn’t have the rape before to show us the nadir of this relationship, the healing and the dawn that came after wouldn’t be half so meaningful. A very strange thing to say without context, but it was a perfectly done rape that gave the audience the payoff of perfectly done lovemaking. It’s no small feat to get a reader to cheer for a romantic resolution after all of the above. Kind of in awe of Hotama’s skills, I tell you what.

Up to this point and I don’t know what else there is to say other than, geez. This comic, man. Blew me away. I’m so happy I rediscovered my interest in Hetalia if for no other reason than I got to read Arthur in the Dark. I’m a bit of a bookworm in my spare time and I’ve read quite a lot of classic literature over the years. Classic literature with rape scenes not crafted half so well as AitD did. Really think about that. An amateur fan comic based on a jokey gag series about national personifications being silly with each other. Did better at something than the books we hold up as the best of the best. Can’t really say anything else than that is genuinely bloody amazing

[midsommarbearsuit]

👓📖Closer Continuation-a Ford Pines x Reader Fic (18+)!📖👓

Hello loves!

Recently I read this fic and I found it absolutely delicious but criminally short, so I wrote a continuation! In order to fully enjoy my part, please read themysteryshackk's first part on ao3! Thanks! She/her pronouns used throughout. WARNING-THIS FIC IS 18+! Enjoy!💘

Stanford continued his work on you, huge hands grappling for any piece of flesh they could find. 

“I’m sure this is exactly what you wanted, hm?” he said, voice low. “Coming down here dressed in such a way…trying to distract me from my research.”

“I’m sorry,” you whined as his hands found your breasts again, molding them.

“You have no clue how often I’ve stared at these, y/n.”

You couldn’t help the wry smile that came to your face. “No offense, doctor, but I have noticed…”

He bristled at the shift in power. As if to rebalance things in his favor, he hoisted your legs up and forced you flat on your back on the sofa so he loomed over you. He pulled your panties off, immediately plunging a finger inside. You groaned, feeling so full immediately.

“Slow down, Doctor Pines…please,” you said, thighs already shaking. 

“Tell me more,” Stanford said. “Tell me what you think of me, dear.”

“Y-you’re the most intelligent person I’ve ever met,” you managed, his fingers fucking into you at a stuttering pace. “It’s such an honor to work with you, sir.”

He growled, taking his leaking cock in his other hand. “Jesus, y/n…”

Even though you could barely handle his finger, you still wanted more.

“Let me make you feel good, sir, please…”

Something darkened in his eyes. “Are you sure you can fit me?” he said, smugness dripping from his voice. He was clearly full of himself, but you didn’t care. You longed to stroke his ego even further. 

“Yes! I’ll do good, I promise…” 

Even with your confident words, your stomach still twisted with nerves. He had a point; could you fit him? Judging by the look on Stanford’s face, it was too late to question it now. 

“You said you wanted to worship me, yes?” he said, lining himself up with your entrance. You winced at the feeling. “Go on. Worship me.”

With that, he thrust himself nearly all the way inside you. The noise you made was far from attractive. You attempted to take all of him, but it wasn’t easy. 

“Are you a virgin?” he asked, stroking your clit casually with his six fingered hand. 

“No sir.”

“Fascinating. You’re incredibly tight, y/n.”

Determined to make him feel good, you pushed your hips down, then up, then down again, attempting to bounce on him. 

You watched as his eyes took in your breasts. “Lovely…” he muttered. One of his hands reached forward to rest at your throat, and your eyes widened. 

Stanford chuckled at your feeble attempts to take all of him in as you writhed beneath him. “Let me help you,” he said. His hand around your neck tightened, his other hand grabbed your hip, and he pulled you down harshly so you were filled completely. 

Tears pricked at your eyes at the sensation, mouth dropping open in a silent scream. 

He took in the look on your face. Jesus, the cocky bastard was practically grinning. “Tell me how it feels, sweetheart.”

Your cheeks heated at the nickname. “Big…” you gasped. “So big…”

He thrusted, pushing against your g spot over and over so you were in a near constant state of orgasm. You felt yourself tighten around him involuntarily. 

“You’re taking it rather well, y/n,” he said, voice only slightly strained. It was almost infuriating how cool he was acting. You would expect such an intelligent, reclusive man to be more awkward with women, especially when one was half nude beneath him. “Such a good research assistant, aren’t you?”

“Please sir…” you whimpered.

“Use your words girl,” he commanded, slowing his thrusts. 

“Don’t stop,” you said. “It would be an honor to have such a genius cum inside me.”

That comment had its desired effect. A growl ripped through Stanford’s throat as he thrusted even harder than he did before. “Good fucking girl…”

You blushed; you had never heard him curse before. 

“I’m close,” he warned you. His grip on your throat tightened until you saw stars. “Take it, sweet girl.”

You felt him pulse inside you, and the sensation had you following right behind him as you groaned his name. 

Embarrassment flooded you immediately. Stanford leaned over you, attempting to catch his breath. He removed himself from you, sighing and pulling his pants back on. You felt glued to the couch, your legs cramping from the vulnerable position he had you in. 

“I’m so sorry Doctor Pines,” you said, finally standing to gather your underwear and put it back on. You felt his large hand on your back, and you turned to face him. 

“You did well,” he said stiffly. Even though he had just come undone in front of you, you still found him as frightening as ever. “Now back to work.”

With that, he left the room, leaving you alone with your spinning thoughts.

[filmcel]

my fear w leaving school and moving to work full time is i end up doing that for the rest of my life

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[swinging-stars-from-satellites]

why must eggs be such a polarizing food

[seekingthestars]

she's beauty she's grace she's Miss Eevee Cosplay 3.0

[araneitela]

Alright, I've been mulling on this for most of the day, and unless a night's sleep changes my mind, I'll be working on returning (remaking) a very old multimuse of mine, that used to be over at iniziare. The blog will be entirely remade, and I'll post it here when it's done!

For those wondering, it will for now house: Guizhong, Yelan, Kafka and Arlecchino. Time to finish up that other WIP theme for this, I suppose! See you guys on the flip-side of this brighter future.