out of all the annoyances of Nutdealer misgenderings, applying he/him to Chara and Kris is wild? Not only are both names, like feminine, but also they have both only been identified as they/them very clearly.
Both Dreemurr humans were around the societies that used they/them for them for years. If Frisk’s pronouns were any/any, then that might make sense, who knows. But the bizarre pattern of making the Dreemurr humans boys while having Frisk be female is really weird! Again, “Kris” and “Chara” are both girl names irl, while Frisk straight up isn’t a name.
The only fanwork I’ve encountered that decided that “yeah Frisk should be a guy and Chara should be a girl” (neither of which are canon (actually Frisk might be a he/they, who knows)!) was a Deltarune character swap AU thing where it turned out that they were Kris’s parents but Frisk murdered Chara and so the Dreemurs adopted Kris. They still made Kris a guy, though.
Anyways this just lead me to think that the infamous Deltarune fanfic Umriss should have bent Kris’ gender femwards rather than malewards, especially since the author didn’t even have the decency to let Kriselle spawn horrific abominations. They kept Noelle attracted to Susie, and I feel like she seems like a Predatory Lesbian™️ instead of some cringy doe who maybe wants a threesome or to be a swinger or something, but is too much of a loser to actually ask and so is either waiting on her crush or her wife to discuss it.
(Anyways, if Kris≠Chara then probably humans in the Nutdealer multiverse are hermaphrodites or something (we know that ghosts are dxab (designated nonbinary(X-gender at birth) based on Mad Mew Mew being referred to as they/them when they were Mad Dummy). If they are then it’d just be weird coincidence, or maybe split reincarnation or Chara somehow managing to convince the underground that all humans are nonbinary because they got a 20 on the associated persuasion check). This could also play into the theory that Ralsei exists as Kris’ ideal self, including gender, if humans are nonbinary by default. This has the bonus of upsetting everyone)
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Slinking my way back after a very long Everything Hiatus lmao there's been no creativity in these parts for a good long while tbh. Decided to come back with a good ol' Simon smile tho! I feel like I've never really been able to capture his crooked teeth before, so had fun doing that this time around. Not to mention how big smiles can be hard to stylize: on one hand, the manifold wrinkles a goofy grin causes around the mouth and eyes are a big part of making it look genuine, but too much emphasis / detail can easily pitch you over into the uncanny valley. My character here has a habit of smiling with his entire face, and this is probably the closest I've managed to get to capturing that thus far~
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questionably human
[image description: a drawing consisting of the closeups of eyes of four original characters. the first is of a dark-skinned woman with round dark brown eyes and freckles, the second is of a pale-skinned person with blank white eyes, the third is of a young demon girl with red skin, light yellow cat-like eyes, and a tuft of purple hair, and the fourth is of an older pale-skinned woman with spiraling blue, red, and yellow eyes. end id]
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orv's usage of symbolism is interesting because it rarely has symbols As Simply Symbols. a good 95% of the time, its symbols are often primarily plot-related mechanical stuff, like the fourth wall, or unbroken faith. they are things that move the plot along and are used as tools in-universe to solve problems. one of the genius elements of the skills/stigmata system is that those abilities do INCREDIBLE heavy lifting for characterization, by both being talents the characters can apply in ways that reveal who they are as people, and by being symbols that reveal aspects of a character by the mere fact of the character possessing them.
this is very unlike a lot of other stories! most of the time, if something exists in a work to be a symbol, the symbolism is its primary narrative function, and any other plot-moving functions are secondary or nonexistent. and most of the time, that's totally fine. orv has symbols that work that way too: the white and black coats (and by extension white page/black letters) and the squared circle. they're images that serve to inform the reader about integral ideas to the story.
but it's brilliant for a story that is primarily fantasy-action-adventure to take its mechanical plot items or skills, which are incredibly necessary to the progression most fantasy action stories, and then have them be incredibly symbolic. it's not new ground to break, either. this is something a lot of fantasy stories do. but it feels very unique because of how symbolically charged nearly EVERYTHING is, and how in-depth the symbolism often is! especially for the really major plot mechanics (fourth wall as ultimate example) they often serve as metaphor for a number of things simultaneously. it makes for a reading experience that is very engaging because there's always so much going on, and it often makes the reader feel clever for noticing it!
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What is it with Remus & Janus and the whole "I'm going to do everything in my power to send you into a meltdown and/or panic attack because you've been holding back a massive, needed breakdown for years and I am the final straw that will force you to address what's causing you pain xoxo <3" thing as a flirting technique against the light sides
Like I may only have two nickles but it's weird that they've done it twice
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(one piece wano arc spoilers)
So like @guardianlioness and I were talking about one piece and thematic stuff and generally losing our minds and we were talking especially about like
How Zoro and Sanji and Luffy are a Trio but also how Zoro and Sanji are explicitly also painted to be a duo to Luffy, right, like. They're the "Wings of the Pirate King". Together, they protect and look after the crew, but also their captain. They are, effectively, equals in what they do, "official" roles IN the crew itself aside. Zoro, with his high physical power as their physical defense and Sanji, with his high empathy and compassion as an emotional bulwark
And
Like
Okay. Here's the thing. Here's the proverbial problem. Cause right now, as it stands, Oda's introduced an unbalance to the duo. We were specifically talking about how frustrating it kind of is that the imbalance exists.
Because Oda gave Zoro conqueror's haki. He and Luffy share this— but it leaves Sanji as an odd one out. Thematically, it makes no sense to end with this like... off kilter seesaw. Why would you build these two up to BE on even standing only to take that away from them? Don't get me wrong, Zoro having conqueror's haki is a delicious character choice that I think adds fascinating complexity to Zoro and his position in the crew. He's a powerhouse, he's exerting his will over reality, and he follows his Captain the future Pirate King without question. Haki. Love it. Brilliant. But it makes no sense in the overarching thematic line between him and Sanji in regards to Luffy.
Giving Sanji conqueror's naturally wouldn't fix the issue, because frankly that defeats the entire purpose OF the char building that's been established in whole cake island. Sanji rejected the line of noble, of royalty, of power. It makes no SENSE for sanji to have it, he's not someone looking TO conquer or overcome the way Zoro is, it doesn't FIT him. And saying the stuff with his raid suit and the Germa augmentation rearing its head is the balance point is nonsensical for the same reason. Sanji already rejected all of that power and what it means and reclaimed it in a new way. Explicitly, directly, he denounced these things, directly ASSOCIATES them with a loss of humanity and his very self, wants nothing more to DO with it. Not only does it not make sense, but going back on it would be a slap in the face to all the development Sanji's gone through up until now, even laying aside the fact that it doesn't parallel Luffy at all so the unbalance isn't really addressed in that case.
But you know. Conqueror's Haki isn't the only thing Luffy has to proverbially offer. Conqueror's Haki is the overt, the direct, the loud and forceful. There's a lot we don't understand, between the stuff we do. It bears down and exerts over reality, makes demands of it. It tells you to listen.
What do we know about The Voice Of All Things? Not a lot. We know it seems to enable one to hear not the words, but the intention, the truth of other living things and even in objects, especially those with will like the Poneglyphs. We know Roger had it, Zunesha has it, the Kozuki line seemed generally to have it. The Three Eyed tribe may be capable of awakening it in themselves. We don't know if it's purely something you're born with or not. We don't know what it means, if anything, except for this: to hear the voice is to listen to the world around you and understand its heart.
When Luffy enters Gear 5, the only one who can tell at first is Zunesha. Zunesha can hear his heartbeat, and conveys this through the Voice to Momonosuke.
The anime conveys it more clearly, but it's in the manga text, too. Immediately after Zunesha realizes this... Onigashima is shaking. No one quite knows yet what's going on, other than Kaido is here and the world around them is trembling. Those on the battlefield, they've got front row seats to witnessing the transformation, what comes next.
Zoro and Sanji have finished their fights. They're conked the fuck out post battle, like usual... or they should be. But here's the thing. Right after Zunesha calls for Joyboy, from a room distant to the fighting, offset from the war waging outside...
Sanji's part in the major battles is over by this point. If they wanted to emphasize a "the crew knows their captain" moment, why not showcase the other strawhats too? The ones not on ground zero? But it doesn't show anyone else. It focuses. on. him.
Sanji, who's a deeply compassionate and kind man. Sanji, who stopped and paid attention even to the biological relatives he couldn't stand when he could've walked free without a care. Sanji, with his skills in Observation, in already listening to and feeling out others' intentions...
Zoro having conqueror's haki doesn't make sense on its own. It unbalances the duality of the Wings of the Pirate King. But give Sanji the power to hear the Voice Of All Things or something damn well close... that's a pretty good parallel to each other and their roles to Luffy, don't you think?
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