#forward chaining

[starlight-eclipsed]

Happy 1 year anniversary to A Dark Among the Lights by LuckyLectio on AO3!!!

I wanted to try drawing one of those book covers that would also be printed as posters, like the kind that you'd find at a bookstore. More under the cut ^-^

I know that pretty much everyone who has looked at my art here over the last year has noticed how much I adore this fic. I highly recommend that anyone who hasn't read it and is interested should give it a try. Dark is a wonderfully written protagonist (all the characters are delightful, really) and I've loved following him as he experienced the longest most chaotic day of his life :b

I made a little rendering of this fic as a hypothetical paperback, with all the wear and tear associated with how much attention I've given it. Something about how to be loved is to be changed...

...thank you, @luckylectio for all your hard work, for writing and sharing this amazing story <333

[stealingpotatoes]

I FINISHED MY FINAL PAPER (and therefore my degree????!!!!) WOO!!!!

commissions are re-opening tomorrow (may 24) as planned!!

[vseahn]

Chain!

[pushing500]

Reunions all around after that re-recruiting/revenant drama. It's good to have the gang all together again.

We also have a new pet. Welcome to the containment cell, revenant! Your name is now Nexorust, because that's your biosignature. Be good, now. It would be a real shame to see you get the spine stabbed right out of you by a cheerful French vampire again (just kidding, I'm fine with watching Jut stab people over and over again until the end of time)

Beau is settling back in well. She has friendly chats with the other colony members and rarely leaves her boyfriend's side if she can help it. How cute!

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[majorproblems77]

LU Update! So welcome back to the analysis corner with me!

We have another LU update! Called Moving forward we see the heroes leave the town and make their way to the location that Sky found. With learning a little more about the team as a whole.

With 10 pages there's a lot of information to work through so I hope you are sitting comfortably

As always Linked universe (LU) belongs to @linkeduniverse and Jojo, I own none of the pictures I'm using and please give the original post some love. It's very well done and I love this comic so much.

You can find the comic here!

And as always there are spoilers abound for the most recent update!

Now sit back, grab some water and snacks and let's do this!

So before we get started im just gonna say that the brain cell is pinging around this lot so much that I'm bound to miss some stuff. But I shall try my best to get everything I wanna say said.

It was only some of you, captain, dont forget that.

(Oblatory look at my blorbo picture, he's so sweet. Blorbo blorbo blorbo)

Okay I'll behave this time

(No i won't)

I can understand the concern from the captain, as a captain from the army during a time of war secrets are dangerous. He's probably thinking if Twilight has concealed this what else has he concealed.

And then we get snarky wars again

I missed the snarky captain, he's wonderful.

Also the line about double duty, Come on captain, you know full well that patrol is an important part of a group dynamic like this.

This also confirms that the group have had encounters with monsters outside of what we've seen. As the line from wars about missing fights implies that they've fought a bunch of stuff. But we've only really seen wolfie in a fight back in the sunset arc.

Twilight fondly mentioning Midna, I'm so proud of him.

These two are the goddamn brothers ever and I love them dearly. Also, the knowledge we are about to be given about how this works is very exciting.

The brothers ever

All of them

Twilight thinking Wild had more than two brain cells. I love him. And the hug? The hug gives me life.

Also the captain, the captain is a point to talk about here. This feels like an accusatory sentence. The "You dont say?"

Me trying to figure out how time travel works in LU.

Legend, why are you so grumpy about this? Like he looks angry to hear this.

Four thinking about the implications of this sentence. I can literally hear the brain cell bouncing as it pings from hero to hero as they try to figure out this time travel thing.

Wind is a small bean as well look at him. The youngest I love the eyes.

Ahh, so thats the explanation. A spirit wolf that helped guide him on his journey which he trusted so much that he thought that the wolf he saw here was just another spirit until twi changed in front of him.

But this line from him is so sad. "Right after my resurrection" and "we both would have known the grave." This feels like as a person wild is at peace with it but doesn't want others to have to go through what he did. He's a chill dude and i love him for that to be honest.

Meanwhile, my blorbo Sky is out here trying to get actual work done. This is 10/10 the sksw dousing experience if you've not played it. You just swing the sword around while it pings at you until you eventually find what you are looking for.

Fi is trying her best.

Lads all of you need to remember that not all of you have had things that perform transformation magic. Im surprised (But also not surprised) That Time doesn't have anything to say about this. Like my man has used a tone of different transformation masks that change him into various different things and has one that turns him into a god.

The magic users ganging up on the non-magic users, like please behave.

Ahh Time, Time is the disappointed old man that has to coral a bunch of kids. And Wild is like the most kid of them all. (Tell me why I'd love to know! :D) (Which makes sense if we take LU to be at most a few months after the end of his game. Wild would be 18 at most.)

the sort of conversation you dont want to involve yourself in Time trust me on this one.

JUST SOME GUY WILD JUST DESTROYED TWILIGHT OKAY RIP

Feels bad for twi man he earned that title and to have it reduced to just some guy.

Wild is gonna get told off by Time if he ain't careful, that's his blood descendant right there and we all know he has a soft spot for him.

This is important, because I'm pretty sure most of them did at one point.

Another thing that appears to be a constant amongst the team is the need to conceal an identity. Either from them or them to others.

I'm not versed in all of their games so I can't go into full details but these guys ain't the only ones. Pretty much all of them have. The spirit of courage does love secrets, doesn't it?

Thats my blorbo and he's so sad help he

Blorbo blorbo blorbo

Give him a hug and reboot Fi and it'll be fine.

To echo the words of Time.

Curious.

Now this depends on what exactly Sky was dousing, was he dousing the portal, the helmet outside the portal? The postman even?

My money is on the helmet outside the portal, so that Dink came back into this timeline to retrieve it before leaving. But I may be incorrect on that account because Fi is able to track people as well as objects (Sksw would often have you tracking Zelda directly)

OHHHH

I was wondering how they were going to do it. But with Twilight able to track it they'll be able to use a combination of dousing and him sniffing out Dink's scent to be able to find him no matter where he might be.

It's so distinct, twilight you know by saying that you're gonna have some of these guys asking questions. Just wait for the next campfire story time it's gonna come up.

I can see Wind and Twilight having a conversation like this.

"What does Dink smell like?" "What?" "You heard me."

Oh he's so excited look at him!

Oh four.

I wonder if we are gonna have a four and Twilight conversation about this, with four's past he's understandably worried about the use of dark magic in one of his friends.

Oh come on legend lighten up, the child has never seen something like this before.

I'm glad Hyrule is coming in for his defence and all but 5 minutes ago Hyrule you were with Legend and saying to Wild that there's a load of items that do it.

Why is wind just so wonderful?

Look at him go!

Thats gotta be Wind, He's been so excited about this I can't see it being anyone else.

Bark Bark!

Wolfie beloved.

Im here for more brotherly content from the team, they are wonderful.

Now lets go find us a Lizard, or iron knuckle or whatever he transforms into next.

And thats all from me! I loved this update and there was so much to unpack I know I've missed stuff! But I hope you enjoyed it! :)

(Also apologies for spelling mistakes I'm sick rn but wanted to get this done)

Have a great day!

[m5or]

Time: What did you do?

Twi: What the hero’s spirit does best!

Time: That is?

Twi: Property damage!

[necrotic-nephilim]

How do you think bruce would react to a Robin pile situation?

oooh this is a fun thought. i think it depends *entirely* if you're working with a morally stable Bruce or a Bruce who's a little fucked up and dead dove-ish. somehow, i think it's actually more fun if it's a completely stable Bruce bc that adds so much more drama and issues if Bruce is deeply unsettled by the idea. if it was maybe just Jason and Dick or Jason and Tim dating that's sort of understandable. Bruce knows that while he may see them all as his sons (except Steph bc do know Robin pile will *always* include Steph for me and tbh Cass too as an honorary member. they're all going in the pile.) but he understands that doesn't mean they see each other as brothers. he respects the nuanced and complicated relationships scattered across all of the Batfam.

but if all of them are *dating*? or at the very least sleeping together? that raises a lot of logistical red flags. the most obvious one is the age gap of it all- at the biggest gap you have Damian and Dick who are an easy fifteen years apart, meeting when Damian is a kid. not to mention how many of them have tried to kill each other at some point. it shouldn't work and Bruce doesn't like that it does. Bruce has a history of wanting to control the relationships of the Batkids when he disapproves. and so he'd absolutely try to break them up. at first, he paints it purely as a logistical issue. saying it's smartest not to bring feelings into work and that this is dangerous. i think it's especially fun if this happens at a time when Bruce doesn't approve of Steph or Jason so that *also* plays into it, he doesn't want either of them near the ones he currently considers to be his family. he says he wants to protect them and wants to keep them safe. he tries to appeal to who he thinks would be more logical and listen to him the most. first Dick, and then when that doesn't work, Tim. and when neither of them listen, i *do* think Bruce would stoop to the low of trying to break them up by fabricating internal conflict between them, hoping to divide and conquer the weird polycule it's become.

while i don't think Bruce would be jealous in the sense he wants to be included, i *do* think he's wildly dislike the Robins having this close bond that makes them trust each other implicitly more than they trust Bruce. they will defer to each other before him and clearly keep things from him. he'd despise that. it's an inner circle he's not let in on and it makes him lose aspects of control over some of them, especially Damian who's the youngest and his son, who Bruce deserves the most control over. he would drive himself mad about it. at first for genuine reasons over the perceived fucked up nature of the relationship (even when each of them have confirmed that it is entirely consensual and they're happy) and to protect them. but he becomes so bitter over being ignored. they openly prioritize each other over him when the truth comes out because they see no point in hiding it. and i could definitely see Jason gloating about how he's back in the family whether Bruce likes it or not. Bruce would be beyond pissed about it. he's just never recovering. trying to stop them gets nowhere, even if he manages to cause some internal conflict.

eventually, Bruce would be forced to accept it for fear he would lose all of them. but he's *not* going to be happy about it and he keeps making side comments, hoping to get through to one of them eventually. it doesn't work, but he's definitely not going to stop trying. i also think on some level it would just disgust him a little bit in a visceral way, since they're his kids to him and he doesn't like to picture them in that way. esp when Jason or Steph lean heavily into PDA just to fuck with him. ass grabs, cuddling, sloppy kisses, the whole nine yards. Bruce will not have a moment of peace.

[irate-iguana]

Listening to Malevolent for the first time like:

Season 1: what a fun horror story! The plot’s rather predictable but it’s got a cool premise and I’m intrigued.

Season 2: Oh god oh fuck.

[hellofastudysession]

am i rlly going to write a death note literary analysis when i could be doing other things

about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.

first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.

all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...

or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.

we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.

in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.

"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.

in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.

here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.

in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...

its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.

this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.

(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)

not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.

also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.

anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...

that's all.

no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.

but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.

one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!

but with the view of "mu"... it makes a bit more sense. just a little. maybe.

there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.

it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?

the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.

"there's no point at all."

of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.

and that's... actually okay, because it's over now.

yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.

there is always the end.

[swampstew]

♡♡♡ Send this to ten other bloggers that you think are wonderful. Keep the game going, make someone smile!!! xoxox ♡♡♡

Awwwwww love you mootie patootie 😘

Let me send you the cutest picture of the ANGRIEST finch I encountered today.

Apparently that lil guy sleeps in the nook of my front porch and he was not happy I woke him up. In my defense I thought he was a wasp nest lol

[land-of-classpects-and-analysis]

What makes me excited about getting a complete Classpect this month is that next month will also be completing a Classpect! So that's like two Classpects done in two months!!

[fearandhatred]

listen not to be on my ginger crowley shit again but the gay scarf + chain combo really does something so unexplainable to me. aziraphale you need to do something about this, call me i have ideas

[miss0atae]

The crumbs of ChainPun and it's not even real... it was just to tease Tan.

I'm starting to believe they will understand they have feelings for each other at the end of the series... 😢

[babyloniastreasure]

thinkin about this again

[alasse-earfalas]

You know what I'm unreasonably mad about with this update?

JOJO DESIGNED IT TO BE ANTI-SPIDEY-WILD. >:(

let my boi skip half the dungeon come on. >:(

[the-kipsabian]

my brother promised hes taking me to see sonic 3 in theaters on release date aaaaaaa