#from the Wikipedia ‘list of colors’

[mccoppinscrapyard]

new bisexual pride flag

[kiwanopie]

Overnight Lovin’

Sakusa Kiyoomi x Reader

cw: smut, alcohol mention, oral sex(f!receving), dumbification, dirty talk, whipped!Kiyoomi, mutually cumdrunk, PnV sex, creampie. Minors do not interact.

wc: 3.2k

This is not your bedroom.

As much as you’d kill for it to be. Silk cotton stuffed duvet a rich maroon in accordance to equally as soft sheets. Carefully shined mahogany floors checkered in wine colored Persian, a bedroom that’s more fantasy love suite than any commonplace bedroom and fuck if this mattress isn’t like heaven to lay on.

But this isn’t your bedroom.

You point your nose to the oversized shirt flooding a little under your collarbones. It’s just a simple horror tee. Dark colored kanji hovering over an illustration of Jason half obscured by cartoon blood and soft to the cotton touch. It’s big enough to cover a good portion of your thighs that are… not dressed with anything. Huh. Yeah, you are- You feel up your modest covering with a quick pat down of your hands. - Completely naked under this. And honestly a little sore. A certain shift of your hips has your pelvic area throbbing back at you like it’s already tapping out, fingerprint bruises on your thighs that feel tender when you poke them; even your tits are sore - nipples perking under your shirt like they’ve already been prodded and played with. Whoever the hell you went home with last night gave you a run for your money.

Come to think of it, what the hell even happened last night? Last you remember you were twisting your hips against a bar stool while your college buddies raved on ecstasy and coke on the dance floor. — A Shirley temple was enough to start your party high without indulging in any illicit drugs, but you’ve never been much of a drinker. That fizzy cherry vodka already had you buzzing, a few more of those and who knows what’ll happen.

You bite your lip against the grain of new life and newer feelings of lechery. You look too good and too soft not to be bent over a sink somewhere.

“That sweet?” His voice turns your fine hairs into goosebumps. “Looks tasty.”

You gaze up at him with doey eyes so filled with mirth that it makes his palms sweat. “It is.”

You slide your bottom lip through your teeth. Voice as pretty as you are. “You want a sip?”

He’s the smell of Dior and vetiver as he lifts the glass cuplet out of your hands. “Sure.”

You don’t remember who he was or what he looked like but just the memory of his raspy voice turns your sore throbbing into a needy ache. — If the way the sink in his bathroom abruptly stops with a moment of sluggish shuffling, you’re about to find out who exactly it was that rocked your world last night.

You’re already looking up at him when the door opens with a neat click, his muscled limbs stretch his boxers in a way that can only be described as appetizing.

And then you get a good look at his face.

Oh. Holy shit.

There’s… That’s-… How? He looks exactly like he does on his team’s magazine covers. JSM’s top ten lists, Bungeishunjū, and news outlets that brandish his face for a chance at watchability. He’s even more handsome in person. Trademark resting bitch face does little to dilute how painfully attractive he is and if anything the intimidation factor is a bonus. As well as the fame, the money, and of course his position as one of the top most well known athletes in all of Asia.

His name precedes him, the renowned Olympic volleyball player feels even taller than the humble 6’4 his Wikipedia pages cite him as,

He’s Sakusa Kiyoomi.

If it weren’t for the disorienting confusion you may have screamed. This is the guy who fucked you last night within an inch of your life.

Your voice is a little raspy which is expected, but when you open your mouth your jaw is sore. “Ohayō Gozaimasu-“

He clears the floor from the bathroom to the bed in just a few footsteps, you can barely react when he’s grabbing you by the jaw and tilting your head up for a better angle.

And then he’s kissing you.

The kiss is slow and sensual, so sultry that you moan a little in his mouth and he breathes into it with a deep hum. He’s kissing you like he loves you, like he’s crazy about you and like he just can’t get enough. The current of the kiss follows a savory kind of spit swapping that turns your inner thighs misty, and he pulls away with a soft smack that all but leaves a gossamer trail.

His thumb rubs circles on the soft of your cheek. “Ohayō.”

Your heart skips at the little peck he leaves on your lips before finally pulling away.

He runs a large hand through his tousled hair as he moves for a dresser near the vanity. “I ordered us some breakfast that should be here within the hour,”

He pulls out a shirt. “I’d make you some breakfast from scratch but,” Sakusa tugs it over his head. “I figured it’d be cruel to subject you to my cooking this early on.”

You blow a humored breath out of your nose. “I appreciate the sentiment regardless,”

He approaches the bed again and sits himself down across from you, there are love bites on his neck that probably match yours. “I hope you slept well.” He hums. “I slept like a rock because of you, actually.”

Oh god, you don’t even wanna know what kind of raunchy shit you were up to last night.

“I slept like the dead.” You crawl up to him, he’s already opening his arms for you. “Whatever you did put me out like a light.”

You fit in his arms so well it’s almost scary, he wraps his arms around you like he might never let you go. “Uh, Sakusa-san?”

He furrows. “Last name?”

You smile apologetically. “Kiyoomi,” You correct yourself. “I don’t… remember a lot of last night. We came back here from the club, right?”

“You…?” Kiyoomi’s eyebrows shoot up incredulously. “You don’t remember?”

“Not a lot.” You shake your head.

He frowns.

But even still his hand rubs fond lines up and down your back, still holding you just as faithfully, and looking up at you like you’re the best thing since sliced bread. “We marathoned a few drinks and then I had us dropped off at my place. I think… we started in the car, and then in my living room, and then the kitchen, the hallway, my bedroom finally; and then after a few hours we finished each other off in the shower. Around five we kissed until you eventually fell asleep.”

Kiyoomi traces the curves of your lips as he gazes fondly. “Last night was the best night of my life, I think. I don’t know if I’ve ever been with someone who could make me feel so good.” He proclaims. “I hope it’ll all come to you eventually, it was really something special.”

Well with the way he’s been treating you up to this point, it’s not like you’ll have a hard time believing that. Every earnest caress and look of adoration, the way his voice timbres into a loving hum, so smooth it makes you shiver. Hopefully those memories do come back at some point. You’ll never live it down if you actually missed the best night of your life.

You muse it with a little pout at the thought of that, Kiyoomi debates leaning forward and sucking your bottom lip into his mouth. “Hopefully I do remember then. It sounds like we had a lot of fun,”

Your pout drops after a short moment of consideration and you lean in even closer. The soft tip of your nose grazes in feather strokes as you skim it over his and slowly ease your lips down the path way to his, tasting his shuddering breaths as you hover there for a few painful seconds. But he all but melts when you finally meet. A chaste lingering kiss at first, a few sensuous short ones; you do him the courtesy and suck his bottom lip in your mouth instead. — Letting it snap back before you’re starting a trail down his cheek and kissing up until you're nosing under his jaw, using your loving hand to tilt his head up and give you the access that you seek.

He could buy you a ring right now, he wouldn’t even regret it. You don't even remember what you two got up to last night and still you’re caressing him in a way that gives him goosebumps. If you keep this up, he might wind up funding your entire life.

You bring your head up again and pull him into another kiss. Slow and open mouthed, and he damn near purrs when you start pushing your fingers through his hair. “Regardless, you feel amazing.” You whisper against his lips.

God, you might be trying to kill him. “I wouldn’t mind a refresher if you’re up for it.”

He sighs through his nose as he ducks his head to burrow himself into the crevasse over your shoulder, already peppering in searing kisses down your throat. “I was hoping you’d say something like that.”

Kiyoomi sucks in a love bite that makes you whimper so pretty. “I’m gonna make you feel so fucking good you can’t take it.”

With the way you’re already making a mess in his lap, you believe him.

—

He’s a good kisser.

Regardless of where his lips end up. He’s a little messy, a little heavy with tongue, slow when it matters and firm when it counts. He’s great with his mouth. Surprising since he’s known for being somewhat of a recluse in the opinion of the public eye. Some call him aloof, others call him cold, the majority call him intimidating, but right now what comes to your mind is giving.

The way he spits on your already messy pussy makes your eyes roll.

You inadvertently hump into his face as the combination of his tongue and fingers set the pit in your stomach ablaze. He’s fucking you with his mouth so thoroughly that the skewlch of your building arousal reverbates throughout the room. You almost feel bad about how much your thighs are all but compressing the sides of his head, but every effort to lighten up on him has him tightening his hold on you to keep him locked against your sloppy cunt.

You hiss through your teeth as your fingers card through his hair. “F-Fuck… Omi…!”

Kiyoomi moans against your clit at the wanton sound of your pitched voice. Airy, and breathy, and intoxicating. He’s grinding himself so desperately into the mattress that he’s sure he’s gone sticky.

The veins in his arms pop as he persistently fucks his fingers into your tight little hole, sloppily sucking your swollen clit as the way you roll your hips into his face drives him crazy. “You’re gonna make me cum…!” You whimper. “Fuck, Kiyoomi!”

That crude mixture of his spit and your cum is starting to form a little puddle under your backside, every bit of you he doesn’t get to swallow he doubles his efforts to drink you up sprucely.

Hearing you teeter over the edge makes him feel like he’s following close behind. Your moans are so astonishingly pretty that it’s turning his brain all fuzzy. “Ffffuck! Oh fuck. Oh my god, baby! Fuck-! I-I’m…I’m cumming…!”

Kiyoomi groans drunkenly into your cunt as it suckles on his fingers, he’s so determined to drink every last drop of your cum that he almost comes off as depraved. Lewdly slurping you up as the way he desperately sucks on your clit makes you whine into the air. Still indulging himself in your mess even as you whimper from overstimulation.

He only pulls away because the way you’re begging for him to fuck you is sending him into a frenzy. “Wan’ it so bad, Omi. Please? Do whatever you want to me. U-Use me up!”

“Yeah?” Kiyoomi hums into your mouth as you suck yourself off of his tongue. “Want me to use you? I’ll fuck you till you cry, you know.”

Your misty eyes make his heart skip, the way the head of his cock catches your entrance feels like stepping into heaven all over again. “Please, baby? Give it to me. ‘Wanna feel you inside!”

He gapes a little as he presses himself in, so overwhelmed that his head falls into your shoulder and it’s an effort for him not to outright cry out at how fucking unreal you feel.

He thinks he might just be falling in love with you. Having a pussy like this may just be a hazard for his mental health, there’s no way he’s letting this slip throughout his fingers. “Oh my god,” Kiyoomi chokes. “O-Oh my fucking god.”

“You feel… unbelievable, angel,” He starts his pace. God, fucking you is actually pushing him to the brink of insanity. “…oh my fucking-… s-so tight! So fucking wet for me, angel… holy shit…- you’re so good to me, baby.”

His breathless praises are sending you alight. He’s so deep in your guts that you’re sure you’d find a bulge if you looked down at where your bodies meet. “So good…! So, so good!”

The way you hold each other is so desperate and devoted that it feels biblical. “I can feel you in my stomach, Omi… So deep…! Y-You’re… too deep!”

Kiyoomi grunts as he pushes himself in to the hilt and holds himself there for a blissful second. Grinding his hips in shallow circles that make you choke on your tongue, but you barely know the half of until he’s lifting up one of your legs.

And then the other, lifting on his knees till he’s hovering over your pretty face, - and then he starts pistoning.

The way your face contorts from a flustered glimmer of welling tears to a blissed out gape that cutens as your tears fall is enough to make his balls feel tight enough to burst. Never mind how fucking amazing this new angle is, watching you lose your mind under him as those pretty tits move to the current of his thrusts is making his brain feel all cloudy. — He’s sure the eye contact he’s keeping is transparent in the fact that he’s turned a little love drunk. Ducking his head to press tempered kisses on your throat, but he can’t help himself from the way his lips skim up to your ear and his mouth moves without him really thinking about it.

It’s a pleasure induced haze, he’s sure. But he can’t be forgiven for the absolute filthy things he’s saying to you.

“You hear that?” He drags in a few particularly forceful thrusts that make you sob so prettily for him. “You’re really soaking me up, huh.”

“Is it that good? You feel me deep in your tummy?” Kiyoomi swivels his hips. “S-Shit. What a pretty fucking noise that just was. Fuck, baby. - Oh, are you crying?”

“Too much?” But even still he presses more of his weight on you until every thrust is hitting you to the hilt. So deep that every other press of his hips forces a yip out of you that makes his face hot. — He’s really starting to think he might be ruined for anyone else at this point.

“You’re g’nna take it for me anyway though, huh? Slutty baby… You’re gonna let me fuck you brain dead? Fuck you till you’re all stupid for me?”

You sound as far gone as he is. “Y- Yes! Yes!”

“Yeah, that’s it, angel. Such a… fuck… good fucking girl for me.”

You must be close to cumming cause you’re really starting to milk him for all he’s worth. Sucking him back in every time he pulls away and every moment he continues to fuck into you you only get tighter.

He’s losing his mind. “Ohhh fuck. Fuck! I swear to god I’m gonna break you. G’nna - shit - gonna fuck you till you’re all mine, yeah? H-Holy shit-“

Kiyoomi groans at the way your fingernails start to dig groves into his back. “Mhm. Mark me up, angel. Wanna see you all over me when we’re done.”

You grab a helping of his hair and hold on to it for dear life, you’re drooling at this point. “Oh my god… oh m’ god, Kiyoomi… I’m- I’m gonna make a mess!”

“Yeah?” Which obviously means he’s reaching down to rub messy circles on your clit. “Gonna make a mess? Wanna soak me in your pretty cum?”

“Give it to me then, baby. I’ll fill you up so good when you do.”

You croon in his ear and it sounds like gospel.

And then you’re soaking the bed with your cum.

Kiyoomi doesn’t let up even as your juices wet down his pelvis and legs. He doesn’t stop his punishing thrusts or the rhythm he’s keeping on your clit, still whispering words of filth and praise in your ear, — and it looks like you’ve completely lost yourself to the pleasure at this point. The way his name is clipping so desperately off your tongue is making his eyes roll into his head. And it’s just a few more moments of fucking into your spasming pussy till he’s following you off the edge.

“Oh god. Oh my god.” He hisses. “Mmmh - Oh fuck, baby. I’m cumming… f-fuck! I’m cumming. I’m cumming.”

Oh god, even after last night there’s still so much of it. So much and so hot. Just the feeling of clenching on his hot cum as he continues to fuck into you is sending you over the edge again. God, the sounds you’re both making. Thank goodness his penthouse is big enough to not worry about disturbing any of his neighbors, reinforced flooring probably snuffing out the sound of your debauched love making. He’s never been the most vocal in bed but you’re making him whine into your ear like a cheap whore. And the sounds you’re making - Fuck, the sounds you’re making, he wouldn’t be surprised if he turned his head and found the decorative plants near his terrace sprouting flowers. It shouldn’t even be possible to sound that fucking good and feel this fucking amazing all at once.

Kiyoomi doesn’t even realize that bed making firm clicks into the wall until he starts to slow up his thrusts. Gradually coming down from his high until his desperate movements become slow and sensuous grinding, still rocking into you even as you settle again in his arms.

He lifts his head to bring you into a lazy kiss, a little sloppy, a little butterfly inducing.

You sigh into his lips. “…Holy shit.”

Kiyoomi pulls away to press a few slow kisses into your jaw. “I think I just might be addicted to you.”

“You’re telling me…” You cross your legs over his back. “Is it too early to suggest we go steady?”

He snorts a little. “As if I’m letting you go anywhere after that.”

Kiyoomi raises his back to gingerly kiss you on the lips, so tender it feels loving. Even as he pulls away he seems ailed by it. He is ailed by it. He can’t even imagine how he’ll fare when he has to get up eventually.

His breath is warm against your lips. The way he speaks to you feels reverent. “You’re stuck with me now.”

You smile. And he goosebumps. “Aren’t I lucky then?”

reblog uwu?

[alpaca-clouds]

The Punk-Factor of Punkpunk Genre

So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.

Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:

[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity

Most of the artwork here has been taken from concept art of either of the examples listed.

Sorted from most futuristic to pre(historic). Yes, the list is long.

Cyberpunk

We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.

As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?

As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.

Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.

Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)

Biopunk

As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.

As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.

Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.

Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)

Nanopunk

As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.

As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.

Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.

Examples: The Diamond Age (1995), Prey (2002)

Solarpunk

As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.

As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.

Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.

Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)

Lunarpunk

As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.

As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.

Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.

Examples: Bioluminescent: A Lunarpunk Anthology (2023)

Hopepunk

Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.

As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.

As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.

Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.

Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)

Mythpunk

As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.

As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.

Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.

Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)

Dustpunk / Rustpunk / Desertpunk

As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.

As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.

Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.

Examples: Anything Mad Max should count for this.

Atompunk

As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.

As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.

Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.

Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)

Dieselpunk

As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.

As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.

Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”

Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)

Teslapunk

As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.

As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.

Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.

Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)

Arcanepunk

Another one of those that do not neatly fit into the timeline…

As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.

As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.

Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.

Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh

Steampunk

Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.

As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.

As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could

Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.

Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements

Silkpunk

As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.

As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.

Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.

Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)

Clockpunk

As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.

As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.

Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.

Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)

Whalepunk

Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.

As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).

As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)

Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.

Examples: Dishonored (2012), Dredge (2023)

Oceanpunk / Piratepunk

As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.

As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.

Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.

Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)

Dungeonpunk

As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)

As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.

Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.

Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.

Sandalpunk

As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”

As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.

Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)

Stonepunk

As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.

As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.

Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?

Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)

That's it. That's the list.

Feel free to add to it.

[peppermintquartz]

Continuation of this

Buck checks himself out for the tenth time in the mirror. He knows he looks good, but maybe he doesn't look right for trivia night? Dark jeans, his favorite boots, teal sweater... Maybe the sweater is the wrong top. Pulling it off and tossing it on top of the pile that's already on his bed, he grabs his phone and calls his sister.

"Maddie, tell me what to wear on a date to impress Tommy's friends." He pauses briefly. "Indoors, bar, trivia night."

It takes three agonizing seconds before Maddie answers. "The gray crew neck, paired with the rust-colored leather jacket or the brown suede, it brings out your complexion, and I want daisies as a thank you when you come by next."

"Thank you, I love you, say hi to Chim and Jee."

"Use protection!" Maddie gets one in just before Buck hangs up. He rolls his eyes at his phone but grins anyway as he tucks a condom into his back pocket. He might get lucky. He chooses the suede.

-

Tommy picks him up and kisses him sweetly, like they're about to go on a date instead of meeting Tommy's friends who are totally going to judge the hell out of Buck if he screws up Trivia Night.

"You look so good, I'm tempted to ditch them and take you someplace nice," Tommy murmurs against Buck's mouth.

"And have them say I'm a figment of your imagination? Nope. Plus, I dressed up to impress them," says Buck, smiling, giddy from his boyfriend's - boyfriend! Buck is never getting over that word - praise. "Well, Maddie helped to dress me. Wait that came out wrong. I meant, she helped to choose what I should wear. Did you know that royalty and nobility had, like, specific staff who helped to choose what they wore? The women were ladies-in-waiting and they were usually nobility, but of a lower station, and sometimes they were also available as sex partners to the king or the duke or prince or whatever. It's pretty exploitative, when you think about it..."

Buck sees Tommy's fond expression and his words taper off. Shyly, he kisses Tommy again.

"I may have gone down a few too many rabbit holes," he admits.

"That's amazing. You're amazing." Tommy smiles, and starts the car.

-

Buck is introduced to the group. Melton works at Harbor also, and immediately regales Buck with a story of how Tommy pleaded with their captain to drop him off at the hospital and won the bargain with promising to detail the engines the next few shifts.

"You did that for me?" Buck asks. "You didn't have to- Babe, you'd just fought a beast of a fire, I would've understood if you couldn't make it."

Tommy ducks his head, as if embarrassed. "Well, I promised. And the welcome was worth it."

They share a look, remembering the kiss in the lobby.

"You two are so sappy," Melton declares. "Can't believe we used to think you were cool."

"He is cool! He flew a helicopter into a hurricane. And landed on an upside-down cruise ship."

"Yeah, yeah. I still can't believe you're keeping your job after that jaunt."

Fernando, a wiry man with a bald head and a thick, curly beard, is the geography and botany expert. Jill Tan is their science person, her petite form nearly dwarfed by the three firefighters but her laugh is loud and free. Buck likes her. Melton is their sports and world history guy, and Tommy apparently has military and machinery trivia locked down. Buck guesses he's here to round out the team with his list of animal facts and maybe some other random bits that he's picked up on his Wikipedia tours.

"Who's on pop culture?" he asks when Tommy goes to get their drinks.

"That'll be- hey, there she is," says Fernando, waving his hand at someone over Buck's shoulder.

"Sorry I'm late, I meant to be here before Tommy comes with his... Buck?"

"Lucy?"

Fernando sips on his margarita. "So you two know each other?"

"Uh, yes, Lucy used to work at the 118," Buck manages to reply without stuttering. "I didn't know... How are you?"

At least Lucy looks as stunned as Buck feels. "I'm good. I'm, uh, yeah. I'm good. Earning my place in Harbor."

"Hey Donato, you're here. You know Evan, right? Here you go, Evan. Don't give me that look, try it first and then tell me how much you hate it." Tommy slides back into his seat, boxing Buck in.

Buck takes a sip and wrinkles his nose thoughtfully. "I don't hate it."

Lucy takes the last empty chair. There's a smile on her face that signals something, but Buck doesn't know what she's planning.

"Didn't know you were the Evan Tommy's been going all swoony about," she says casually. "Now I know why he goes all glassy-eyed when he texts you."

"He goes glassy-eyed and swoony?" Buck is amused and almost... touched? by the idea of Tommy being unable to hide his affection.

Melton nods. "It's good I'm already married, because I'd wanna hit him otherwise for being so blissed out."

"You'd be blissed out too if you're regularly kissed by this guy," Lucy says with a crooked smirk. "I should know."

Jill cackles. "Oh no, you kissed Tommy's boyfriend?"

"I wasn't his boyfriend at the time!" Buck sputters, face turning red. "Also, I was kinda drunk. Never doing that again."

"You were someone's boyfriend at the time though," Lucy continues blithely. "But I'm cute and irresistible, so I get it. I definitely didn't know you're into guys too." She cocks her head and looks straight at Tommy, curious.

"He wasn't consciously aware of that attraction until he met me." Tommy drapes an arm over Buck's shoulders, the weight a welcome focal point for him. "I'm damn lucky I'm the one he decided on. And from now on, all his kisses are for me alone." He meets Lucy's eyes.

Papers and pencils are being passed around. Buck feels the tension ease, in the way that highlights that there was a bit of tension earlier.

"Ugh, gross," Lucy declares, grinning, and hops off to get her own drink.

Jill raises her glass to Buck in a toast. "To bisexuality and knowing yourself!"

"Yeah!" Buck toasts back.

Tommy kisses his cheek. "Let's kick some trivia ass."

--

edited on AO3

[the-gimmick-archive]

Pinned post. (Will update.)

This is a shared blog made to archive important things that happen in the gimmickverse.

The current mods are: @justazebra (admin), @i-dont-know-how-to-name-this.

If we make a mistake, please tell us.

Please @ us if you see an important event happen, especially wars.

Send us an ask if you want to know about a certain event, we’ll do our best to find it.

If you have the link to something important that we didn't archive yet (especially if it happened before this blog started existing), please send it to us.

List of arcs and events:

The color war:

Earliest point in the arc we could find. The purple revolution begins. Green joins the revolution.

That time when figuratively everyone got possessed:

Earliest point in the arc we could find.

The UwU revolution:

Earliest point in the arc we could find.

Sealand dying and being revived:

Death. Revival. Death again, but this time they become death's assistant.

IKEA-Party City War:

Earliest point in the arc.

Goose god vs. Waste management war:

Earliest point. Waste management also declaring war. Goose god and waste management making an alliance to stop @/france-unofficial from attacking bean and making Bean sad.

New Zealand vs. Australia war:

Earliest point. New Zealand changing targets to England instead.

Bean getting kidnapped:

Earliest point.

Bean getting kidnapped again (by gimmick nose thief this time.):

Earliest point. Waste management selling their soul so they can see bean again. Molossia scratching and paralyzing Sealand. Sealand getting their souls stolen by gimmick nose thief.

List of gimmick blogs (copied from @/gimmick-simp, @/antarcitica-official, and @/celestial-same-picverse, and then added some missing ones):

@totally-official-gmail @totally-amazon @pizza-hut-official @spotify-official @truly-jcjenson

@bigbasket-notreally @discorddotcum-official @homedepot @im-pandora-i-promise @femboy-totally-bing

@kahoot-official @100percent-shell-oil @assistant-to-the-shell @truly-bath-and-body-works @definitely-tiktok-trust

@unofficially-joann-fabric @its-sanrio-official @the-real-gmail @apple-unofficial @jack-in-the-box-official

@official-arbys @officialtinder @realgoogleslides @reallytimhortons @officially-ikea

@claires-unofficial @barnes-and-noble-official @realgoogleclassroom @real-sephora @pizza-hut-unofficial

@google-news-official @totally-official-gmail @bingle-official @basically-bumble @def-bjs-guys

@official-opera-gx @official-firefox-nightly @the-mcdonalds @realgoogledocs @mcdonalds-official

@totally-bing @operagxreal @official-fedex @firehouse-subs-fr @k-f-c-official

@the-real-google @totally-ikea @taco-bell-unofficial @spotify-kids-real @the-real-victorias-secret

@subway-official @big-mayo-official @/realsafari @incognito-mode-official @burgerking-official

@definitely-wikipedia @the-one-and-only-pornhub @the-one-and-only-duckduckgo @its-target-official @yes-im-youtube-kids

@walmart-the-official @duothelingo @firefox-official @femboy-hooters-real @fedex-official

@yamaha-official @youtubefr @actually-x @reality-official

@femboy-google-news-official @50percent-shell-oil @yahooo-official @totally-airbus @the-official-spirit-airlines

@100percent-chipotle @unofficialvine

@totally-brazil @totally-italy @very-real-australia @the-province-of-nova-scotia-real @official-new-zealand

@russia-totallyofficial @quebec-official @india-official @india-reblogs @telangana-official

@denmark-official @pakistan-official @definitely-brasil @non-tyrannical-usa @antarcitica-official

@spain-unofficial @definitely-canada @france-unofficial @the-state-of-georgia-official @official-denmark

@denmark-forreal @official-ireland @texas-real @massachusetts-official @new-york-for-real

@definitelytherepublicofireland @true-blue-straya @totally-germany @official-the-united-states @totally-france

@forever-scotland @germany-official @sovereign-state-of-alaska @guatemala-official @republic-of-molossia

@actually-alberta @the-principality-of-sealand @totally-oregon @yugoslavia-official

@the-chill-planet-uranus @the-serene-moon-luna @earth-fan @deimos-moon-of-terror @officially-capricorn

@the-radiant-sun @the-ringed-planet-saturn @the-red-planet-mars @the-real-uranus @celestial-same-picverse

@officially-taurus @the-lovely-planet-earth @posts-with-10000-notes-in-spirit @/i-hesitantly-say-ok

@i-say-not-ok @i-say-ok @the-us-navy-offical

@woo-in-different-lengths @official-garlic-bread @shakespeare-official-reblogs @gimmick-thief @hold-my-dr-pepper

@oscar-wilde-official-account @the-real-illinois @i-say-grape @the-kingdom-of-norway @denmarklandia-official

@i-say-bean @sweden-official @antarcitica-official @gimmick-nose-thief @gimmick-thief-thief

@tamil-nadu-official @tamilnadu-official @anti-totally-bing @antiquitian-empire @rocks-anon

@tagswoman @actual-aspec-military @pansexual-spaceforce @the-aplatonic-cavalry @the-pointing-anon

@bi-poly-space-station @bisexual-airforce @aro-sp-ace-force @nonbinary-coastguard @demi-demolitions

@queer-military-authorities @queer-military-treasury @the-missiles-guy @the-official-goose-god @the-official-gemini

@actual-transgender-navy @genderfluid-marine-corp @real-australian-army @real-hottopic

@same-pic-of-venus-everyday @same-pic-of-the-earth-everyday @same-pic-of-the-moon-everyday @same-pic-of-mars-everyday @same-pic-of-jupiter-everyday

@same-pic-of-saturn-everyday @the-real-uranus @same-pic-of-neptune-everyday @steve-not-anon @metal-frisbee

@earth-fan @not-10-salmon-in-a-png @same-pic-of-halleys-comet @same-pic-of-callisto-everyday @same-pic-of-eris-everyday @same-pic-of-kepler-186f-everyday

@same-pic-of-haumea-everyday @same-image-of-7-iris @book-nonsie-not-anon @celestial-same-picverse @same-pic-of-pluto-everyday

@same-pic-of-juno-everyday @same-pic-of-polaris-everyday @tomblrmartian @same-pic-of-a-blackhole-everyday @same-pic-of-the-stars-everyday

@alpha-centauri-everyday @same-cosmic-cliffs-pic-every-day @rose-nebula-always @same-pic-of-makemake-everyday @same-picture-of-europa

@same-pic-of-the-lagoon-nebula @star-that-eats-the-sun @jupiter-fan

@same-pic-of-triton-everyday @pq-anon @same-pic-of-ceres-everyday @same-pic-of-wolftopia-everyday

@same-pic-of-mars-everyday @same-pic-of-tres2b-everyday @samepicofthewowsignaleveryday @same-pic-of-the-blue-moon @same-image-of-hr8799e-every-day

@samepictureofsednadaily @moon-of-fear-phobos @totally-neptune-official @corvus-the-constellation @official-nissan

@hollowknight-reference @microsoft-edge-official @arethosewordsinthebible @the-gimmick-doctor @i-say-doot-doot

@i-say-ok @discord-marriage-bot-real @literally-leo @literally-luxembourg

@/same-pic-of-a-dictionary-daily @/same-pic-of-mercury-everyday @/hateful-daystar @//court-artist-under-the-stars @/samepicofproximacentaurieveryday @/same-pic-of-the-sun-everyday @/same-pic-of-the-blood-moon @/same-pic-of-uranus-everyday @/same-pic-of-venus-every-day @/same-pic-of-trans-jupiter @/ton-618-real @/same-pic-of-alpha-centaur-24-7 @/same-pic-of-andromeda-everyday @/same-pic-of-a-bagel-everyday @/same-pic-of-titan-every-day

@putting-iris-in-places @communist-usa-real

(Sorry if you didn't want to get tagged.)

[wheelsgoroundincircles]

1960 DiDia 150 Custom

1960 DiDia 150 Custom

1960 DiDia 150 Custom

1960 DiDia 150 Custom

1960 DiDia 150 Custom

1960 DiDia 150 Custom

The car was originally powered by a 365 cubic inch Cadillac engine, later replaced by a 427 cubic inch high-performance Ford engine, and had a 125-inch wheelbase, with a tubular aluminum frame and a hand-fashioned soft aluminum body. The car has Batmanesque set of rear fins dominating the bodyline and ruby red hubcaps on whitewall tires.

The car was designed by Andrew Di Dia, a clothing designer, who Bobby Darin had met while on tour in Detroit in 1957. Darin telling Di Dia at the time that he would purchase the car if he ever "hit it big".

For seven years, from 1953 to 1960 the DiDia 150 was hand-built by four workers, at a cost of $93,647.29 but sold to Darin in 1961 at a cost of over $150,000 (1.5 million today). At the time the car was listed as most expensive "custom-made" car in the world by the Guinness Book of Records. The body was hand-formed by Ron Clark and constructed by Bob Kaiser from Clark Kaiser Customs.

Di Dia toured the car around the country, when Darin wasn't using it for public appearances. After publicity and film use, Darin donated his "Dream Car" to the National Museum of Transportation in 1970 where it remains. It was restored by Mike Manns of Manns Auto Body in Festus, Missouri before going on display.

The gasoline-fueled V8 engine (originally 365 cid, later upgraded to 427 cid) is located at the front. It is rear-wheel drive. The body and chassis are hand-formed from 064 aluminum with a unitized alloy tube frame.

It has a glass cockpit in back, a squared steering wheel resembling a superellipse and thermostatically controlled air conditioning system. The interior is rust colored in contrast to the ruby paintwork. The design included the first backseat-mounted radio loudspeakers and hidden windshield wipers, which start themselves when it rains. Other features include retractable headlamps, rear turn signals which swivel as the car turns, 'floating' bumpers and a trunk that was hinged from the driver's side. Each of the four bucket seats have their own thermostatically controlled air conditioning, individual cigarette lighters and ashtrays, as well as a radio loudspeaker.

Source: Wikipedia / motorius.com

[foone]

weird thought: I think if I was a teenager now (or anytime in the last decade or so) I think I would have written (and read!) a lot more fanfic than I did in reality, where I was a teenager in the 90s.

See, I've never been hugely into fanfic. Never had anything against it exactly, but it just wasn't something I was into. But I think that has to do with an interesting combination of how my brain works and what time I was first really getting into being a fan.

I've got a "librarian" brain (I'm literally typing this from within a library, WHERE I WORK). It wants to know things like "what are all the works in this series/by this creator?" and "are they all accessible?" and "what info is available about how it was made?"

I'm the kind of person who will watch a show then go look it up on wikipedia to see how many seasons it has, who made it, if they're still making it, check tvtropes for any more info, etc. Or I hear a song I like by a band I've never heard of, so I go listen to their entire discography while researching them. I just focus on things I'm into that way, you know? I don't half-ass my interest. (this is probably related to my autism, of course)

So what does this have to do with fanfic? like, do I go read some fanfics as part of this process? No, and I think the reason for it is when I specifically first got into fandom, as a teen.

See, this sort of fandom-librarian was harder to do in 1997, you know? You couldn't just pull up the wikipedia for that new show and see how many episodes it had. You also couldn't just listen to the whole discography of that band! Forget Spotify or Google Music, even Napster didn't exist yet.

So my interest in fandom focused a lot more on very basic questions: How many episodes/albums/books/whatever are there? Where can I see/hear them all? Like, I remember getting excited because I found some fan magazine that had a list of all the Star Trek: The Next Generation episodes. Just a list! Not even descriptions or anything. I finally could take that list and see how many I'd seen, so I'd know when I saw them all in late-night reruns.

So I'm focusing on these very basic parts of being a fandom-librarian and I stumble across some fanfic. I'm like "oh, is this a transcript of an episode I haven't seen yet?" and I realize it's not, it's a story written by a fan, and I get a knee-jerk reaction of "that's not helpful to my quest to know and find all the episodes". It's like I am on a quest for the holy grail and I found a fake cup. It's not helpful to me, and at worst it's a distraction from my goal.

And the thing is, I think the fact I had that reaction is entirely due to the time and situation in which I first encountered fanfic. It was in that environment of "I can't even find a list of the episodes, let alone a way to watch them all!" and that anxiety that colored my response to finding fanfic.

I think if I instead was first introduced to fanfic NOW, where those fandom-librarian drives aren't so difficult to fulfill, I'd be way more positive about fanfic. If I could get a list of episodes with a quick google search, and watch them easily on netflix/prime/whatever, I'd be less "THIS DOESN'T HELP! I AM STRUGGLING WITH THE BASICS HERE!" and more "yay, more content for the fandom I'm obsessed with!"

Like I said, I'm not anti-fanfic, I never have been, I just never got into it. From the beginning I had this reaction that was "this is not useful" and I never developed any real interest in it. Which is a shame, honestly. Fanfic is great. It just never became one of my interests, and while I've written it and read it from time to time, I imagine I'd be way more into it if I didn't have the weird reaction to it due to the worries of the time in which I first encountered it.

I don't know how many other people have brains that work anything like mine, but if they exist, I'm glad they're now growing up in a world where they won't have these problems. They can get into fanfic without this weird baggage caused by a lack of information.

[aurianavaloria]

The final result of the genealogy project I mentioned previously.

*faints*

For personal research purposes, I've compiled the immediate relations of the royal family of the Latin Kingdom of Jerusalem at about the year 1181AD. I'm posting it here in case anyone else finds it useful for their own research.

Do take note of a few things, however:

I wasn't able to put absolutely everyone on it - the tree is difficult enough to read as it is, so I only included those I considered relevant to the local politics; for example, the vast majority of the Komnenos Dynasty is left out, but those listed are all related in some form or fashion.

Likewise, most relations extending to Western Europe are also excluded (IE: Aimery and Guy's other siblings).

I've provided a key to help read it as well as color-coded annotations where appropriate regarding state relations/major houses. Do note that the persons labeled as "deceased" are deceased by 1181. Several dates are unknown, however - no death date was provided for Countess Beatrice de Saone, so I didn't mark her as deceased, even though it is probable that she is by that date.

Be sure to follow the marriage lines closely. There are several cases of second and even third marriages. The marriage ties are especially intriguing in regards to the controversial Ibelins...

Andronikos I is highlighted differently because... he's Andronikos. Seriously, read up on him sometime if you haven't yet. He's... something.

Finally, I've also included the dynastic coats of arms when available (mostly from wikipedia). Some of these arms are different between the European and Levantine family branches, as well as different from attributed arms given in later centuries. An example of this is the arms of de Lusignan, which appeared as shown on the chart until Richard the Lionheart granted a red rampant lion charge on top of it later on. The arms of the Jerusalem cadet branch of the House of Anjou (d'Anjou-Jerusalem) are debated at this point, so I've just given the ruling family the later-known arms of the kingdom. Makes it easier to follow the path of the crown.

Obviously, you'll need to view it in a new tab/window to get all the details. Some of the words/names also bleed over into other lines here and there, but that's just the way the tree generator smashed them together.

[j-eryewrites]

The Great Game (III)

Part 21 of The Arbitrary Lives of the Occupants of 221B Baker Street

SERIES MASTER LIST | MAIN MASTER LIST

Previous | Next

Word Count: ~10.8k

Author's Note: Tensions rise, and the threat of M continues to loom over their heads. When pulled too tight, things are bound to break.

It's almost the end. I hope you all enjoy this chapter. I finished it around midnight, so forgive any typos and whatnot. Without further ado, I present the second-to-last chapter of Arbitrary Lives.

Warnings: Supreme angst, canon typical violence, Sherlock is Sherlock (but in the worst way), mentions of death, character death, mentions of gore, firearms, language, yandere relation themes, drugging (Let me know if I missed anything)

Case after case was how it seemed to go when Sherlock, John, and Y/N were racing against the mysterious M. Every time Sherlock would solve a puzzle given to him, the pink phone would ring moments later, presenting a new one. With each chime of the telephone, Y/N found herself getting more and more anxious. M was bigger than anything they'd ever seen; worst of all, they had no clue who they were. M seemed to operate from afar, offering their advice on cases of the illegal type, allowing M the anonymity to be anyone and be anywhere. For all Y/N knew, M could be some sick person stuck in their parent's basement on the other side of the world. Even so, M seemed one step ahead and knew every step they had taken. 

Sitting upon a plush, gray, white striped couch beneath her served more comfort than she'd like to admit. Sherlock had sent her and John on another goose chase after, yet again, another call from their tormentor. While Y/N was lost in thought, petting the hairless cat on her lap, John took the lead in questioning Kenny, the brother of Connie Prince. 

The two had done as much research as they could, which turned out to be a few newspaper articles, the bizarre gossip and facts they had gathered from Mrs. Hudson, and, of course, the Wikipedia pages on Connie. Once they put all their research together, they discovered they found a plethora of ways to tell which colors suited oneself and which ones brought out the sick in one's skin tone, but not much about Connie and her brother. 

A loud and content purr vibrated from the naked cat as Y/N's hands caressed its head and neck. Upon hearing the meow, John raised his brow, trying to hide his concern. The creature sitting on Y/N's lap was not a cat. John had seen Bjørn, and Bjørn was a cat. Y/N's pet had fur and a bush-brown tail. If anything, the Prince's cat was an abomination in his mind. 

"We're devastated," Kenny Prince sighed as he carefully placed his arm on the mantle behind him, leaning ever so slightly. As John withdrew his eyes from the fur-less animal, he found his brows pinching together as Kenny Price posed. "Of course we are." Kenny waved his hand and dramatically looked to the side with a somber expression. 

To say the least, John was confused. First, there was the cat. He didn't want to give that thing another thought. Secondly was Kenny's posing. Why was Kenny posing unless he was trying to...His finger brushed against something hard, and John scolded himself. The camera. They had brought a camera. Y/N had proposed they be reporters to gain an interview with Kenny. John would be the reporter and Y/N the photographer. Kenny was posing for candid photos for their article. 

"Can I get you anything, sir?" a voice spoke from behind John. It was Raoul, Kenny's staff member.

He whirled around and replied, shaking his head. "Er, no. No, thanks."

"And what about you, miss?" Raoul asked Y/N, who absently shook her head. Her fingers were still petting the cat. 

"Raoul is my rock," Kenny admitted, still holding his position. "I don't think I could have managed. We didn't always see eye to eye, but my sister was very dear to me."

A light pressure pushed down on John's thighs. Glancing down, he noticed the cat was no longer on Y/N's lap but his. A wave of disgust trembled through his body. With stiff fingers, he picked it up and dropped it on the other side of the couch where Y/N sat. The cat meowed in discontent, stepping back over to John. John shivered at the cat's relentless attempts and held out his arm as a barrier. 

"And–," John said, trying to continue Kenny's conversation and retain the purity of his own lap as it was reserved for Bjørn. "-and to the public, Mr. Prince."

"Oh, she was adored. I've seen her take girls who looked like the back end of Routemasters and turn them into princesses," Kenny continued. Meanwhile, his cat pounced over John's barrier and clung onto his lap. With a wince, John placed a hand on the cat's back. It happily purred.  "Still, it's a relief in a way to know that she's beyond this veil of tears."

"Absolutely," John muttered, hiding his grimace. He flashed Y/N a look, but she found gazing at Kenny Prince's coffee table intriguing. He frowned as concern for his friend bubbled to the surface. He could only imagine how exhausted she was. Not just physically from all the running around they have been doing lately but also as exhaustion of the emotional sort. John was not blind to Sherlock's actions, and it didn't take a fool to see that Sherlock was cold. His mind was solely occupied with M and the puzzles that he was given, which meant he didn't have much concern for others. It was not that he usually did, but with Y/N, it was different. She meant something to Sherlock.

John opened his mouth to whisper something to Y/N when he noticed Kenny's voice was absent. Right, John corrected himself. He was here about the case. The sooner he was done with this, the faster he could help both of his friends. 

"It's more common than people think," John began. "The tetanus is in the soil, people cut themselves on rose bushes, garden forks, that sort of thing. If left un...,"  Kenny Prince plopped down between Y/N and John. The sudden jolt of the couch awoke Y/N from her daze. Her shoulder was pressed tightly against Kenny's as he leaned into John, invading his space even more than hers. "...treated..." John finished, scooting as far away from Kenny as he could. 

"I don't know what I'm going to do now," Kenny confessed, leaning even closer to John. 

"Right," John said, biting the inside of his cheek. He peered over Kenny's shoulder and saw Y/N. They shared a look that screamed discomfort, but they could do nothing as Kenny pushed them into the sides of the sofa. As Kenny continued speaking, John and Y/N's eyes held a secret conversation, mainly curses and discontent with the situation. 

"I mean, she's left me this place, which is lovely....," Kenny's voice trailed off as his eyes never left John. "...but it's not the same without her." 

Before replying, John took a deep breath and stared down at his notes. "Th-that's why my paper wanted to get the, um, the full story straight from the horse's mouth. You sure it's not too soon?"

"No," Kenny said.  

"Right," John gulped. 

"You fire away," Kenny uttered. His longing gaze not once left John. The longer the conversation continued, the more uncomfortable Y/N felt; she could only imagine how John felt. Here was Kenny Prince, after his sister's death, flirting with John. Y/N observed Kenny staring at John, making her feel like a forgotten third wheel to a nonconsensual flirting session. She had to come to his rescue. She'd done it before with lots of her friends back home. It would be easy, so long as she could get off the couch, which's cushions were sucking her in deeper. 

Before John could ask any of his questions and Y/N could rescue him from unwanted attention, a buzzing echoed from her back pocket. Kenny turned over his shoulder to look at her as if she had interrupted a vital moment. She smiled awkwardly, shoved herself off the sofa, and answered her phone. 

"Y/N," Sherlock's voice rang over the phone.

"You know, one usually starts a call with hello," Y/N muttered. 

"Right, hello," Sherlock's voice oozed with sarcasm. 

Sherlock didn't speak for a moment. Y/N furrowed her brows. "Is there a reason you called Sherlock?"

On the other end, Sherlock struggled to find a response. He had practiced his excuse beforehand. Well, it wasn't much of an excuse, more of a warning. Even so, after hearing her voice, Sherlock had forgotten everything. He mentally reprimanded himself for falling back into his sentiment so quickly. Y/N needed to be safe, so he had to push her away. A task that only seemed to grow more impossible with each breath she took. 

John's eyes widened upon hearing Sherlock's name, and his escape was revealed to him. Shooting out of his seat, he snatched the phone from Y/N, quickly apologized, and began speaking to Sherlock. "Hi. Look, get over here quickly. I think I'm onto something," John breathed. Sherlock found himself missing Y/N's sweet voice. "You'll ne-" John was cut off by the loud footsteps barging into the room.  

Confusion plastered onto his face, and he hung up the phone. After all, there was no need to speak through a phone when Sherlock stood in the same room as him. 

"That'll be him," John said, pointing at Sherlock. Kenny Prince looked even more shaken than the consulting detective's friends were at his sudden appearance. However, the longer they pondered his arrival, the more John and Y/N realized this was normal for the great Sherlock Holmes. 

"What?" Kenny asked, looking at the unwelcome guest in his home. 

There was a calculated look on Sherlock's face before any trace of the consulting detective was washed away and replaced with a new persona. Y/N sighed as her legs lowered her body into an armchair nearby. 

"Ah, Mr. Prince, isn't it?" Sherlock took out his hand for Kenny to shake. 

"Yes," Kenny nodded, standing up to take Sherlock's hand. 

"Very good to meet you," Sherlock smiled. 

"Yes, thank you," Kenny said, still trying to figure out the situation.  

"So sorry to hear about...," Sherlock continued, but Kenny cut him off. 

Mr. Prince waved his hand, stopping Sherlock from offering false condolences about the situation. "Yes, yes, very kind."

"Shall we, er..." John cleared his throat, stepping over to Sherlock. He motioned for Sherlock to lean down before whispering in Sherlock's ear, "You were right. The bacteria got into her another way."

Sherlock couldn't help but notice the smirk that appeared on his face. "Oh yes?"

"Yes," John nodded. 

"Right. We all set?" Kenny asked, bringing his hands together. 

John, Sherlock, and Y/N frowned and watched as Kenny pointed to the camera on the sofa. Y/N grabbed it and removed the protective lens, turning it on. "Um, yes. Can you...?" she said, twirling her finger in the air, pretending to be a journalistic photographer. 

"Not too close," Kenny warned as he returned to his original stance by the mantle. "I'm raw from crying." Then he lifted his head and posed for the camera, letting Y/N take a few pictures. 

Beneath Sherlock's feet, Kenny's cat meowed. It butted its head against his dark trousers causing Sherlock to frown. He tilted his head as he peered at the cat. He wasn't sure if that's what he should call it. 

"Oh, who's this?" Sherlock wondered as he motioned to the feline. 

"Sekhmet," Kenny answered, finding a new pose for Y/N to capture. "Named after the Egyptian goddess."

"How nice! Was she Connie's?" Sherlock asked. 

"Yes," Kenny nodded, taking pride in his response. Little present from yours truly." Then John smelled it as Kenny picked up Sekhmet, and the ominous smell of disinfectant seeped from the hairless cat. John smiled as the piece clicked into place.

"Actually," John turned to Kenny, tapping Y/N on the shoulder. "I think we've got what we came for. Excuse us." 

"What?" Kenny gasped as saw Y/N place the camera strap over her shoulders and return the protective lens to its place. 

"Sherlock," John sternly stated, raising his brows to say he'd solved it. 

"What?" Sherlock frowned, trying to interpret John's signal.  

"We've got deadlines," John said, pushing his two closest friends out of Kenny Prince's living room. This left behind a puddle of confusion for Mr. Prince and his sister's cat. 

_____

Once Raoul had closed the door behind them, John erupted in cheers. Triumphantly, John raised his fist in the air and then brought it down, doing a little happy dance. Y/N smiled and giggled at the sight. 

“Yes! Ooh, yes!” John laughed. He turned to Sherlock and froze. 

One look from Sherlock swiftly ended John's parade. “You think it was the cat. It wasn't the cat,” Sherlock corrected. 

John shook his head in disbelief. “What? No, yes. Yeah, it is. It must be. It's how they got the tetanus into her system. Its paws stink of disinfectant.” John whirled around to face Y/N, seeking backup, but found none. 

“Honestly, I have no clue what’s going on,” Y/N admitted. “I just took pictures.”

A knowing smirk crept onto Sherlock’s face. “Lovely idea, John.”

“No,” John adamantly said. “He coated it onto the paws of her cat. It's a new pet, bound to be a bit jumpy around her. A scratch is almost inevitable. She wouldn't have...”

“I thought of it the minute I saw the scratches on her arm,” Sherlock announced, “but it's too random and too clever for the brother.”

“He murdered his sister for her money,” John said as his smile was wiped from his face.

“Did he?” Sherlock raised a brow.

“Didn't he?” John wondered.

Sherlock shook his head. “No. It was revenge.”

“Wait,” Y/N interjected. “Revenge? Who wanted revenge? I know his sister wasn’t the nicest to him, but even so, Kenny seemed…genuine?” 

“Raoul, the houseboy,” Sherlock began explaining the case. He straightened his coat collar and stood taller, glancing down at his friends. “Kenny Prince was the butt of his sister's jokes, week in, week out, a virtual bullying campaign. Finally, he had enough and fell out with her badly. It's all on the website. She threatened to disinherit Kenny. Raoul had grown accustomed to a certain lifestyle, so...”

John shook his head, still in denial. “No, wait, wait. Wait a second. What about the disinfectant, then, on the cat's claws?”

“Raoul keeps a very clean house,” Sherlock noted. “You came through the kitchen door, saw the state of that floor, scrubbed to within an inch of its life. You smell of disinfectant now. No, the cat doesn't come into it. Raoul's Internet records do, though. Hope we can get a cab from here.” 

Sherlock peered up and down the street. There wasn’t a cab in sight. 

“Well, we could always walk back to the station or hop on a bus-“ Y/N suggested. Then, as if by divine intervention, a cab pulled onto the street. The trio hastily hailed the cab and jumped inside.

It did not take them long to arrive at the station. Traffic was horrible on the streets, but with a hefty bribe to the cab driver, they were bursting through the door of Lestrade’s office faster than Mrs. Hudson could flick on the latest episode of her favorite soap opera. 

A wave of black trickled majestically after Sherlock as he entered the office. “Raoul de Santos is your killer. Kenny Prince's houseboy. Second autopsy shows it wasn't tetanus that poisoned Connie Prince. It was botulinum toxin.” 

Lestrade sat up in his seat and sifted through the numerous papers on his desk. Finding the second autopsy report, his eyes scanned the results. His eyes widened. Sherlock was right.

“We've been here before. Carl Powers? Tut-tut. Our bomber's repeated himself,” Sherlock said.

“So how'd he do it?” Lestrade asked.

“Botox injection,” Sherlock answered.

“Botox?” Lestrade questioned, raising his brows. After all, it was not every day that someone was murdered with Botox.

“Botox is a diluted form of botulinum,” Sherlock explained. “Among other things, Raoul de Santos was employed to give Connie her regular facial injections. My contact at the Home Office gave me the complete records of Raoul's Internet purchases. He's been bulk ordering Botox for months.” Sitting across Lestrade, Sherlock swiftly crossed his legs and dug his hand into his coat pocket. “Bided his time, then upped the strength to a fatal dose.”

“You sure about this?” Lestrade asked in confirmation.

Instead of Sherlock’s voice answering, Y/N spoke up. “He is,” Sherlock peered up at her and felt his cheeks heat up. “Connie was an avid Botox user. It was all on the blogs and magazines. No one would bat an eye at the injection sights or if Botox turned up in the autopsies.” 

Lestrade nodded his head, “All right.”

“Sherlock,” John slowly said. “How long?”

“What?” Sherlock questioned as he snapped out of his daze. 

“How long have you known?” There was hurt evident in John’s voice. 

Y/N looked between the two of them. “Wait, you’re saying you sent John and I on a goose chase?” 

Sherlock shrugged, letting John and Y/N’s confusion and hurt fly over his head. “Well, this one was quite simple, actually, and like I said, the bomber repeated himself. That was a mistake.”

“No, but Sherl... The hostage... the old woman,” John uttered. “She's been there all this time.”

“I knew I could save her,” Sherlock replied as he began to type on the small pink phone.

. “I also knew that the bomber had given us twelve hours. I solved the case quickly; that gave me time to get on with other things. Don't you see? We're one up on him!“ Sherlock cheered. 

Like clockwork, the phone rang, and Sherlock answered. “Hello?”

“Help me,” the old woman whispered.

“Tell us where you are. Address,” Sherlock looked over to Lestrade, who had his team on standby. 

“He was so... His voice...,” the woman began to describe.

Sherlock’s pale blue eyes widened, and he grew pale. “No, no, no, no,” Sherlock yelled. “Tell me nothing about him. Nothing.” There was a desperation in his voice that Y/N had only heard a few times. 

Sherlock was rarely desperate unless something dangerous was happening. She recalled the terror that trembled from his chest during the night in the museum-the night Sulin died. It was the very voice he had when he clung to her after Hilton Cubitt was killed. 

Panic coursed through Y/N’s body, constricting her lungs. Sherlock was scared, and so was she. 

“He sounded so... soft-“ the caller was cut off and the horrifying sound of the dial tone screeched in Sherlock’s ear. 

Lestrade furrowed his brow and approached the stunned consulting detective. “Sherlock?” he asked, placing a hand on his shoulder. 

“What's happened?” John questioned. 

However, Sherlock couldn’t hear any of them. The pink phone was still glued to his ear, and his blue eyes began to fill with a salty ocean. Even in the blur, he found Y/N. She stood with her hands clutching her heart, her face in pain and shock. As he sought comfort in her presence, his fears were confirmed. 

This was a game for monsters and freaks. M had made that clear. The woman over the phone was human. She cared enough to speak up. In turn, she died. She was a chess piece in a game ruled by freaks like him. M had made his move. The botulinum that killed Connie Prince wasn’t a mistake. It was a threat. M was going to take his queen. His most important player. It wasn’t a mistake that Carl Powers' shoes were found in her flat. It wasn’t a mistake. He was also killed by botulinum. Through his cloudy eyes, Sherlock saw clearly now. 

Sherlock had to remove his queen from the chessboard before M could steal her from him forever.

______

Y/N should have found comfort in the worn leather of the sofa and the creaking of the floor beneath her feet. Steam rose from her cup as the cold air of Sherlock’s flat cooled her tea. 

Mrs. Hudson had made it for her, John, and Sherlock. The brown liquid swirled in her cup, with small herbs dancing around. Mrs. Hudson always made tea for them with the secret ingredient of love. Love was precisely what Y/N needed as the television echoed the horrific news. 

“The explosion,” the reporter announced, “which ripped through several floors, killing twelve people. It is said to have been caused by a faulty gas main. A spokesman from the utilities company...”

“He certainly gets about,” John sighed, stirring the tiny spoon in his tea. 

“Well,” Sherlock began. “Obviously, I lost that round.” 

Y/N bit her tongue. Twelve people had died, and Sherlock was still playing the game. She fought back tears as anger boiled to the surface. Sherlock had a heart, but the more he spoke, the more she thought she’d been wrong. 

“Although technically I did solve the case. He killed the old lady because she started to describe him,” Sherlock explained. “Just once, he put himself in the firing line.”

“What d'you mean?” John asked. 

“Well, usually, he must stay above it all,” Sherlock said, thinking back to all the cases M had given him so far. “He organizes these things, but no one ever has direct contact.”

“What... like the Connie Prince murder – he-he arranged that?” John’s voice wavered. “So people come to him wanting their crimes fixed up, like booking a holiday?”

“Novel,” Sherlock muttered.

Y/N scoffed. “Sounds like a demented version of what you do.” Sherlock cocked his brow. “I mean, you’re a consulting detective. People come to you wanting their cases solved. Maybe he’s a consulting criminal?”

Sherlock nodded, feigning interest. “Taking his time this time,” Sherlock said as he checked the pink phone.

John cleared his throat. “Anything on the Carl Powers case?”

Shaking his head, Sherlock replied. “Nothing. All the living classmates check out spotless. No connection.”

“ Have you checked outside of his class?“ Y/N proposed. John and Sherlock looked at her with confusion.

“I doubt anyone outside of Carl Powers’ class would-“ Sherlock replied.

“But what if he was a bully? I know that victims of bullying will sometimes fight back and m-“ Y/N explained.

“Bully?” John repeated.

“Yeah, I just…,” Y/N said. “I don’t want to leave any stone unturned. There was a reason Carl died, and M brought it to our attention.”  

“Hmmm,” Sherlock hummed before asking Lestrade to expand his search on Carl Powers' schoolmates.

“So why's he doing this, then –” John asked Sherlock. “Why is he playing this game with you? D'you think he wants to be caught?”

“I think he wants to be distracted,” Sherlock replied, shaking his head.

“I hope you'll be very happy together,” John murmured.

Sherlock frowned and stepped towards John. “Sorry, what?”

“What I think John is trying to say is that there are lives at stake, Sherlock – actual human lives...” Y/N softly spoke. “What if that was John. What if it was me?” 

Sherlock clenched his jaw and winced at her comment. He wasn’t going to let it be her. He didn’t care how many pawns he lost. So long as his queen was safe and away from the game, he’d be alright. 

“Just so I know,” John asked. “Do you care about that at all?”

“Will caring about them help save them?” Sherlock spat. 

“No, but…,” Y/N replied.

“Then I'll continue not to make that mistake,” his voice rose, startling Y/N, and his heart broke. He didn’t want to scare her off, but he had to. This was the first step: convincing her he had no heart.

“And you find that easy, do you?” John growled, stepping up to Sherlock. Their chests puffed as they glared at each other. 

“John, Sherlock,” Y/N pleaded. “Let’s not fight, please-“

“Yes, very,” Sherlock scowled. “Is that news to you?”

“No. No,” John shook his head and stepped back, pinching his brow.”

“I've disappointed you,” Sherlock observed.

“That's good,” John mumbled, “that's a good deduction, yeah.”

“Don't make people into heroes, John,” Sherlock coldly stated. “Heroes don't exist, and if they did, I wouldn't be one of them.” 

John sighed. All hope he had for Sherlock fled his mind. John scolded himself for thinking Sherlock had some semblance of empathy. He was sure his and Y/N’s presence had some sort of effect on the consulting detective. Sherlock had begun to care. He’d seen it with his eyes as he rescued them from the tunnel during the Blind Banker case. There was no mistaking it. Sherlock cared for them, but his game with M made John even more concerned. With each task M gave them, John drew more and more connections. Sherlock and M were too similar, and John feared losing his best friend to the monster. 

“Excellent!” Sherlock exclaimed the moment the pink phone buzzed with their newest case.  

Despite their flaming frustration with the detective, John and Y/N crowded around the phone, peering down at the photo.

“View of the Thames. South Bank – somewhere between Southwark Bridge and Waterloo,” Sherlock noted before turning to his friends. “You check the papers,” he instructed John. “I'll look online...”

“Oh, you're angry with me,” Sherlock paused, looking at John. “…so you won't help.” 

John only sighed. Of course, he was going to help. People's lives were on the line, and he was a doctor. There was no way John wouldn’t do his best to save anyone he could. Sitting on the sofa, he picked up a piece of paper and handed it to Y/N before taking a newsletter.

“Archway suicide,” Y/N read. 

Sherlock shrugged. “Ten a penny.” 

Y/N bit her lip at Sherlock’s nonchalance.

“Two kids stabbed in Stoke Newington,” John repeated as he scanned the pages. “Ah. Man found on the train line, Andrew West.”

Sherlock shook his head, then slammed his computer shut. “Nothing,” he grumbled. 

Y/N and John jolted at the sound, and within an instant, Sherlock had retrieved his phone and dialed Greg’s number.

“Gary, It's me,” Sherlock announced. “Have you found anything on the South Bank between Waterloo Bridge and Southwark Bridge?”

A smile crept onto Sherlock’s face upon hearing Lestrade’s words. John and Y/N needed no warning. They reluctantly got to their feet and reached for their coats. 

_____

“D'you reckon this is connected, then? The bomber?” Lestrade asked, staring down at the drenched body on the ground.

“Must be. Odd, though...” Sherlock pulled out the pink phone. “He hasn't been in touch.”

Lestrade frowned. “But we must assume that some poor bugger's primed to explode, yeah.”

“Yes,” Sherlock nodded. He tried not to notice the way Y/N shivered under her coat. He was tempted to hand her his scarf. 

“Any ideas?” Lestrade wondered. 

Sherlock tilted his head and bit his lip, counting all the ideas. “Seven... so far.”

Lestrade’s eyes bulged out of his head. “Seven?!”

Standing up from his crouch on the ground by the body, John relayed the information he had gathered. “He's dead about twenty-four hours – maybe a bit longer. Did he drown?” He asked Lestrade.

Greg shrugged. “Apparently not. Not enough of the Thames in his lungs. Asphyxiated.”

John nodded at Lestrade’s answer. “Yes, I'd agree.” Then, stepping over to Sherlock and Y/N, John continued. “There's quite a bit of bruising around the nose and mouth. More bruises here and here.”

Sherlock’s eyes followed where John had pointed out the injuries. Leaning down towards the body, he began to make his observations. “Fingertips,” Sherlock muttered quietly. Then Sherlock stood up and pulled out his phone. His feet swiftly began to trek away from the body. Greg, John, and Y/N followed along in confusion. 

“In his late thirties, I'd say, not in the best condition. He's been in the river a long while. The water's destroyed most of the data. But I'll tell you one thing: that lost Vermeer painting's a fake,” Sherlock stated. 

“What?” Lestrade asked. 

Sherlock turned towards Lestrade, with instructions readied. “We need to identify the corpse. Find out about his friends and associates...”

Lestrade shook his hands and head at the same time. Quickly, he jumped in front of Sherlock, interrupting his path to the cab awaiting them. “Wait-wait-wait-wait-wait. What painting? What are you – what are you on about?”

Blue eyes rolled in annoyance, and Sherlock pocketed his phone. “It's all over the place. Haven't you seen the posters? Dutch Old Master, supposed to have been destroyed centuries ago; now it's turned up. Worth thirty million pounds.”

“Okay,” Lestrade calmly said. His hands returned to his side. “So what has that got to do with the stiff?”

Sherlock’s eyes widened as a grin flashed across his face. “Everything. Have you ever heard of the Golem?” He asked his companions.

“Golem?” Y/N repeated. “You mean the magical creature that-“

“No,” Sherlock said, shutting down her idea.

“It's a horror story, isn't it?” John guessed. Sherlock nodded. 

“A horror story?” Y/N wondered. “What are you saying?”

“Jewish folk story,” Sherlock explained. “A gigantic man made of clay.” 

“So I was right. Sort of…” Y/N interjected. 

“It's also the name of an assassin,” Sherlock continued. “Real name: Oskar Dzundza. One of the deadliest assassins in the world. That is his trademark style.”

“So this is a hit?” Lestrade questioned.

“Definitely,” Sherlock confidently said. “The Golem squeezes the life out of his victims with his bare hands.”

Lestrade grimaced. “But what has this gotta do with that painting? I don't see...”

“You do see,” Sherlock hissed. “You just don't observe.”

“All right, all right, girls, calm down,” John began, but Y/N shot him a look. “Sorry, Sherlock calm down,” John corrected. “Sherlock? D'you wanna take us through it?”

Y/N placed her hand on Sherlock’s shoulder and peered up at him. With a soft smile, she reassured him. Taking a deep breath, Sherlock began. “What do we know about this corpse?” He raised a brow and looked at the three of them. “The killer's not left us with much, just the shirt and the trousers. They're pretty formal; maybe he was going out for the night. The trousers are heavy duty. Polyester, nasty, same as the shirt, cheap. They're both too big for him. So, some kind of standard-issue uniform. Dressed for work, then. What kind of work? There's a hook on his belt... for a walkie-talkie.”

“Tube driver?” Lestrade guessed.

“Construction worker?” Y/N wondered.

“Security guard?” John said, throwing his guess into the air.

“More likely,” Sherlock agreed. “That'll be borne out by his backside.”

“Backside?!” Lestrade’s mouth gaped open.

“Flabby,” Sherlock noted. “You'd think that he'd led a sedentary life, yet the soles of his feet and the nascent varicose veins in his legs show otherwise. So, a lot of walking and a lot of sitting around. Security guard's looking good. And the watch helps, too. The alarm shows he did regular night shifts.”

“Why regular?” Lestrade questioned. “Maybe he just set his alarm like that the night before he died?”

“No, no, no,” Sherlock shook his head. “The buttons are stiff, hardly touched. He set his alarm like that a long time ago. His routine never varied. But there's something else. The killer must have been interrupted; otherwise, he would have stripped the corpse completely. There was some kind of badge or insignia on the shirt front that he tore off, suggesting the dead man worked somewhere recognizable, some kind of institution.” 

Sticking his hand into the man’s pant pocket, Sherlock pulled out a wad of small papers. “Found this inside his trouser pockets. Sodden by the river but still recognizably...” Sherlock’s voice trailed off, awaiting a response from anyone.

“Tickets?” Y/N said after glancing at the papers. 

“Ticket stubs. He worked in a museum or gallery. Did a quick check. The Hickman Gallery has reported one of its attendants as missing.” Sherlock pointed to the dead man on the ground. “Alex Woodbridge. Tonight, they unveil the re-discovered masterpiece. Now, why would anyone want to pay the Golem to suffocate a perfectly ordinary gallery attendant? Inference, the dead man knew something about it, something that would stop the owner getting paid thirty million pounds. The picture's a fake.”

“Fantastic,” John complimented.

“Meretricious,” Sherlock mused.

“And a Happy New Year!” Greg blurted. 

Y/N raised a brow as she looked between the three men, uncertain of what inside joke was going on between them. 

“Poor sod,” John muttered, looking down at the deceased.

“I'd better get my feelers out for this Golem character,” Greg said as the group picked up their pace back to where the cab awaited.

“Pointless,” Sherlock warned Greg. “You'll never find him. But I know a man who can.”

“Who?” Greg asked.

Sherlock whirled around and extended his arms out. “Me,” he proudly said before gracefully disappearing into the back of the cab. “Why hasn't he phoned? He's broken his pattern. Why?” He muttered to himself. Once John and Y/N were safely seated, Sherlock instructed the cab driver on their next destination. “Waterloo Bridge.”

“Where now? The Gallery?” John wondered.

“In a bit,” Sherlock replied.

“The Hickman's contemporary art,” Y/N questioned. “Why have they got hold of an old master?” 

“Dunno,” Sherlock admitted. “Dangerous to jump to conclusions. Need data...” Sherlock’s eyes gazed out the window. The car had slowed underneath a bridge. Beside the car sat a homeless woman collecting change. “Stop!” Sherlock hollered. He leaned close to the driver's ear. “You wait here. I won't be a moment.”

“Sherlock?” John called after his friend, who walked up to the woman. They exchanged words, and Sherlock deposited a hefty sum into her cup.

“What are you doing?” John asked Sherlock once he got back into the cab. 

“Investing,” Sherlock mysteriously replied. “Now we go to the Gallery.” 

As luck would have it, the gallery was only a few minutes drive away from their detour. “Have you got any cash?” Sherlock asked John. 

John sighed and paid the driver before stepping out after Sherlock. However, Sherlock pushed John back into the car, toppling into Y/N’s lap. 

“No. I need you two to find out all you can about the gallery attendant. Lestrade will give you the address,” Sherlock said before closing the door in John’s face.

“Okay,” John grumbled. He quickly apologized to Y/N and then the two of them departed to Alex Woodbridge’s flat. 

______

It was surprisingly easy to get into Alex Woodbridge’s apartment compared to Kenny Prince’s home. There was no need for a camera and fake personas. 

Woodbridge’s apartment was a simplistic sight. The living space gave hardly any room for John, Y/N, and Julie, Alex’s roommate, to comfortably stand without brushing shoulders with one another. 

Julie appeared to be a sweet woman with her gentle expression. She wrapped her black and white flannel around her body and led them deeper into the flat. 

“We'd been sharing about a year,” Julie explained. She turned around to look back at John and Y/N. Her frizzy, short, brown hair stuck out oddly. “Just sharing.”

“Mmm,” John hummed to reassure Julie he didn’t assume otherwise. 

Stepping into Alex’s room, Y/N peered around, John close behind. In the left corner sat the bed, still unmade. Besides, a small table held a lamp, a few empty wrappers, and books. A cloaked object sat underneath a skylight on the far right side of the room. Y/N stepped closer, her brows knitting together as she guessed what it could be. 

“Is this a telescope?” Y/N asked, looking back at Julie, who nodded. 

John raised his brows, a bit impressed. It was not every day you came across someone who owned their own telescope. Gently pulling off the sheet, John felt a soft smile growing on his lips. His mind began to recall a time when he was a boy. He had learned about the solar system and was fascinated by it, so much so that he wrote to Santa to bring him a telescope for Christmas. It never happened, but still, it was a wish from childhood, and John couldn’t help but be fond. 

“May I?” He asked, motioning to the cloth covering the telescope.

“Yeah,” Julie nodded with a sadness in her voice. 

“Sorry,” John and Y/N consoled. 

“Stargazer, was he?” John questioned, and Julie’s face lit up with a caring light. 

“God, yeah. Mad about it. It's all he ever did in his spare time,” she chuckled. “He was a nice guy, Alex. I liked him. He was, er, never much of a one for hoovering.” Then Julie quickly looked away to conceal the tears that bubbled up to the surface. 

Y/N wanted to hug the woman but chose not to. Instead, she opted for her words: “Sorry for your loss.” Julie nodded in thanks. 

“What about art? Did he know anything about that?” John asked. 

“It was just a job,” Julie shrugged, “you know?” 

“Hmm. Has anyone else been around asking about Alex?” John pursed his lips in thought, bringing his hands behind his back to fiddle with his fingers. It was a habit that helped him think. 

Julie shook her head. “No…” Her voice trailed off as she realized something. “We had a break-in, though.”

“Hmm? When was that?” Y/N wondered as she peeked at the books on Alex’s bedside table. They were astronomy books of all sorts. 

“Last night. There was nothing taken,” Julie assured them. “Oh, there was a message left for Alex on the landline,” she said, trying to note anything of importance to the two of them. 

John raised his brows and strolled over to the phone beside Julie. “Who was it from?” 

“Well, I can play it for you if you like,” Julie said before turning around to enter the message box. She typed a few buttons and the phone began to whirr to life. 

Y/N and John stepped closer to hear. 

“Oh, should I speak now? Alex? Love, it's Professor Cairns. Listen, you were right. You were bloody right! Give us a call when…,” the message repeated.  

“Professor Cairns?” John mumbled, glancing up at Julie. 

Shaking her head, Julie replied. “No, no idea, sorry.”

“Mmm,” Y/N bit her lip. “Can we try and ring back?”

“Well, that's no good,” Julie replied. “I mean, I've had other calls since—sympathy ones, you know.”

John and Y/N nodded, remembering Julie’s roommate’s death. Turning to each other, they nodded. 

“Thanks again, Julie, for helping us,” Y/N thanked as the woman led John and her out of the flat. 

Julie sniffled before replying. “Anything I can do to help you catch Alex’s murderer.”

The two friends waved goodbye as the door shut. Once the click and lock of the door were heard, Y/N turned to John. 

“So,” she began. “Shall we go find Sherlock?” 

For some odd reason, John felt a slight twinge in the back of his head appear. His frustration with Sherlock was still fresh, and John was not looking to reopen the wound any time soon. Sighing, he responded, “I’m sure Sherlock will find us when he needs us.” 

Y/N chuckled in agreement. “Yeah, you’re not wrong about that. Should we go to the gallery then? Do some snooping of our own?” She wiggled her brows, which made John snicker. 

Before he could answer, the phone in his back pocket buzzed. Pulling it out, John frowned upon seeing the name, and his headache worsened. He bit back another sigh as the case Sherlock put on the back burner began to burn too hot. Mycroft was growing impatient and started to bother John about it. 

“Actually,” John said. “We’ve got another job we can work on.” 

Y/N’s face contorted with confusion. “What other-” she cut herself short. “Mycroft.” She linked her arm with John’s. “If Sherlock can have his little side-quests and detours, so can we.”

______

“He wouldn't. He just wouldn't.” The woman on the couch was inconsolable. It was not in the sense that her tears and sobs made questioning her difficult. In fact, she wasn’t crying at all. She solemnly sat on her sofa with her hands clenching tightly together. The tiny shard of sunlight peeked through her closed curtains, dimly lighting the room. While John and Y/N tried their best to sympathize and speak with her, Lucy refused to believe her boyfriend had anything to do with their case despite all the evidence against him. 

“Well, stranger things have happened,” John tried to say. 

“Westie wasn't a traitor. It's a horrible thing to say!” She glared at John as her hands turned white. 

“I'm sorry, but you must understand that's…” 

“That's what they think, isn't it, his bosses?” Lucy questioned. If someone else had watched the scene, they would have thought Lucy was interrogating John and Y/N. 

“He was a young man about to get married. He had debts…,” John softly listed off possible reasons, but Lucy was not having them. 

She defended, “Everyone's got debts, and Westie wouldn't want to clear them by selling out his country.” 

“John, can you, erm...?” Y/N sent him a look to let her give it a go. He raised his hands and let Y/N take the reins. “Lucy, we're not here to accuse Westie. We’re here for answers, and you have them. Can you tell me exactly what happened that night?”

Lucy nodded. Her shoulders relaxed, and the color returned to her hands. “We were having a night in. Just... watching a DVD. He normally falls asleep, you know, but he sat through this one. He was quiet. Out of the blue, he said he just had to go and see someone.”

“Do you know who?” Y/N asked. Lucy just shook her head and began to sob. Y/N peered over at John and whispered that it was time for them to leave. Any more questions and Y/N was afraid they’d leave Lucy in an even bigger puddle of tears and sorrow than she had been in before.

“I think it’s time we should go,” Y/N began to stand up. Lucy stood up and led John and Y/N back to the entrance. The cool light of the day momentarily blinded them, but their eyes quickly adjusted.   

“Oh, hi, Luce. You okay, love?” A man rolling in a bike asked. He stared at John and Y/N as they stepped out of his way. 

“Yeah,” Lucy nodded. 

“Who's this?” the biker asked. 

“John Watson. Hi,” John greeted. 

“Y/N L/N,” Y/N replied, taking the man’s hand. 

“This is my brother, Joe.” Lucy explained, “John and Y/N are trying to find out what happened to Westie, Joe.”

Joe raised his brows. “You two with the police?” 

“Uh…” John trailed off, looking over at Y/N, who hesitantly nodded. “...sort of, yeah.”

“Well,” Joe began, “tell 'em to get off their arses, will you? It's bloody ridiculous.”

John nodded. “I'll do my best. Well, er, thanks very much for your help. Again, I'm very, very sorry.”

“He didn't steal those things, Mr. Watson,” Lucy called out once John and Y/N stepped onto the street. “I knew Westie. He was a good man. He was my good man.”

Y/N waved goodbye before turning her back to Lucy. She shivered and whispered to John. “It’d be nice if she was right.”

“Yeah…” John absently agreed. “It would be.”

______

Sherlock’s scowl grew the longer he stood outside 221 B Baker Street. Soon, his left foot was tapping on the stone steps. He was growing impatient. John and Y/N sure seemed to be taking their time to arrive. 

Suddenly, a black cab rolled up to the street. It didn’t take a genius to spot the two figures inside. Sherlock jumped down the front steps and greeted the cab’s passengers. 

John stepped out first and then helped Y/N out afterward. “Alex Woodbridge didn't know anything special about art,” John told Sherlock. 

“And?” Sherlock questioned. John furrowed his brow in response.”Is that it? No habits, hobbies, personality?”

“Sherlock, breathe. Give us a second,” Y/N blurted. Sherlock’s wide blue eyes locked onto Y/N and he felt his heart stutter, giving John ample time to appropriately respond. 

“He was an amateur astronomer.”

A light went off in Sherlock’s mind. “Hold that cab,” he instructed them before running off to a homeless woman leaning against an iron fence. 

“Spare change, sir?” She asked Sherlock. 

“Don't mind if I do,” Sherlock stuck out his hand and retrieved the small slip of paper from the woman’s hands. 

Y/N watched the interaction with curiosity. Her eyes trailed after Sherlock as he hopped into the cab. Soon, the three of them were tucked in the back seat once again. 

It wasn’t long before they walked alongside industrial buildings and inside dark alleyways. Y/N found herself stepping closer to Sherlock as they passed from the light of the street lamps into the dark. Her hand brushed against his ever so softly. For a moment, her hand was all Sherlock could think about. 

“Beautiful, isn't it?” Sherlock whispered. His eyes trailing up to the twinkling stars above. 

Y/N’s eyes followed Sherlock’s. She paused before speaking. “I thought you didn’t care about stuff like that? Useless bits of information.”

Sherlock smirked, but his eyes moved down to hers, and his smile became a loving smile. “Doesn't mean I can't appreciate their beauty.” Time seemed to stand still as he gazed at Y/N under the starlight. His breath caught in his throat, and his eyes trickled to her lips.  

John spoke, breaking Sherlock’s trance. “Listen, Alex Woodbridge had a message on the answerphone at his flat. A Professor Cairns?”

“This way,” Sherlock said, leading John and Y/N deeper into the dark tunnels. 

“Nice! Nice part of town,” John sarcastically noted. “Er, any time you wanna explain.”

“Homeless network – really is indispensable,” Sherlock replied.

“Homeless network?” John questioned. 

“My eyes and ears all over the city,” Sherlock elaborated. 

“Ah, that's... clever. So you scratch their backs and...?” 

“Yes, then I disinfect myself,” Sherlock finished before taking out three lights for them and handing them out. 

“Flashlights?” Y/N wondered, turning hers on. 

John and Sherlock shared an odd expression. “What did you just call it?” John asked.

“A flashlight.”

John shook his head. “It’s a torch.”

Y/N fought back a sigh. “Yeah, torch, whatever. You know, sometimes I think you two forget I’m from America.”

Sherlock chuckled at the interaction. “Let’s go,” he said, flicking on his torch. 

The three of them entered the tunnel together. Small fires scattered between erected tents and cardboard boxes were the only light besides their own. As they whirled their lights around, Y/N stuck close to Sherlock. She felt as if she were more than three steps away from him; her lungs would constrict. 

“Sherlock! Y/N!” John’s voice hissed. The three of them spotted the tall shadow casting onto a nearby wall. 

Sherlock’s leather-gloved hand grasped Y/N’s arm.  “Come on!” Sherlock whispered as he quickly pulled her by his side, pushed her against the brick wall, and placed his hands beside her head. Sherlock leaned in close, using his body as a shield. Y/N’s nose was filled with his scent. She closed her eyes and bit her lip at the sudden intrusion in her personal space. 

“What's he doing sleeping rough?” John questioned. 

Y/N shuddered as Sherlock’s warm breath brushed against her cheeks. “Well, he has a very distinctive look. He has to hide somewhere where tongues won't wag – much.” Sherlock removed one of his hands from beside Y/N and reached into his pocket. 

“Oh shi…” John muttered to himself as he felt up his coat. “I wish I'd…” 

 Sherlock revealed John’s gun and handed it to him. John gratefully took the weapon and readied it. 

“Don't mention it,” Sherlock said, pushing off the wall to chase after the Golem. The three of them darted down the hallway after the giant man’s figure. By the time they reached the end, they caught sight of their killer entering a small black car. The door shut, and the car revved. Then Golem was gone. 

“ No! No! No! No!” Sherlock cried, waving his fist in the air. “It'll take us weeks to find him again.” 

Beside him, Y/N and John panted, looking at the exhaust the car had left behind. 

“Actually…” Y/N interjected. “I think I know where he’s going—or at least who he’s going after.” 

John’s eyes lit up with the same thought that occupied Y/N’s. “The Professor,” he muttered. 

“What?” Sherlock asked. 

“I told you: someone left Alex Woodbridge a message,” John recalled. “There can't be that many Professor Cairns in the book. Come on.”

______

A bright light crept out from underneath two large metal doors. Beyond the doors, Y/N could hear the voiceover of a film. She furrowed her brows and peered at her friends as they quietly and stealthily approached the doors. 

“Is that a–” Y/N began to ask when Sherlock cut her off. 

“Y/N, you’re staying out here.” 

Shock washed over Y/N’s face. “No, I am not staying behind.”

“No!” Sherlock hissed. “John and I will handle it. We’ll handle Golem, just stay here and-”

“And what? Look pretty? It’s just as dangerous staying out here in the dark than it is in the planetarium,” Y/N argued. She looked to John for assistance but was met with concerned eyes. “John?”

In an instant, Y/N was yanked away from the door. Sherlock’s firm hands grasped her shoulder and pulled her in close. “The Golem is dangerous and-” 

“Oh my God!” A shrill cry echoed from inside the planetarium. 

Sherlock’s eyes widened, and he removed his hands from Y/N. Motioning to John, he pushed open the door. “Stay here,” he commanded Y/N before the door slammed in her face. 

Muttering an array of curses under her breath, Y/N charged in after them. Immediately, her eyes burned from the flashing lights. In the flickers of light, Y/N saw John and Sherlock dance around for any sight of Golem. The longer Y/N looked, the dizzier she felt. Her feet stumbled, and she toppled off the stage. 

“Golem!”She heard Sherlock cry. 

Y/N groaned and came to a crouch position. In the distance, she spotted a woman lying on the ground. The lights continued to flash as she crawled over to who she believed to be Professor Cairns. Behind her, John and Sherlock struggled to spot Golem. 

“..many are actually long-dead, exploded into supernovas,” the film's narrator announced before the tape began to whir. 

“I can't see him. I'll go round. I'll go!” John yelled. 

Finger dug into the carpet as Y/N pulled herself closer to the professor. Her body was trembling, and her stomach began to churn. The light blared at her, and the volume of the film increased with each second. Y/N was sure that by the end, she’d come out blind and deaf. 

“Who are you working for this time, Dzundza?” She heard Sherlock taunt the assassin.

Finally, Y/N reached Professor Cairns. Suddenly, Y/N felt very cold. Sick climbed up her throat, and sweat clung to her forehead. Images of those dead, Hilton, the woman over the phone, and Soo Lin sparked in her mind. Feeling a sudden wave of determination, Y/N sat up and placed her hands on the professor’s chest. She wasn’t about to let someone else die, not if she could help it. Then she pushed down. Her shoulders pumped up and down, holding a steady pace. Up and down. Up and down. 

“Golem!” John hollered, followed by the sound of a gun cocking. “Let him go... or I will kill you.” 

Then, muffled grunts and cries reached Y/N’s ears. Her pace halted. Frightened eyes whirled around in a desperate search for John and Sherlock. The lights flickered on, and there they were. Under the spotlight, Sherlock swiftly twirled around Golem. The horror of a man towered over Sherlock, making him appear as miniscule as an ant. Nearby lay John, who struggled to get off the ground. 

“Sherlock!” Y/N screamed as Golem’s giant hand swung at Sherlock. The force of the blow dragged Sherlock to the floor. Instantly, Golem jumped on him, placing his hands over Sherlock’s nose and mouth. 

Jumping to her feet, Y/N ran as if it was the only thing she knew how to do. With each step, her mind went blank. She had to save Sherlock, but how? If Sherlock seemed tiny compared to the Golem, she was microscopic. Launching herself onto the stage, she slammed her body into the Golem. The sheer force momentarily knocked the Golem to the ground. However, he soon found himself back on his feet. A sickening grin inched onto Golem’s face as he stepped to Sherlock and Y/N. Y/N felt herself freeze over, unable to move, breathe, or blink. Golem stalked closer. Y/N shuddered before laying herself over Sherlock. She knew she didn’t stand a chance against a trained killer, but at the very least, she could give Sherlock time. 

Sherlock’s eyes blew wide as Y/N placed herself in front of him. “No, run away,” he wanted to croak but found his voice gone. It had been choked from him, instantly stunning him. With a breathless gaze, he gazed up at her. The stars and planets zoomed overhead in a taunting manner.

Clenching her eyes shut, Y/N braced herself for Golem’s hand, but it never came. John had pounced on him, locking the assassin in a chokehold. Golem struggled to pull John off, but when he did, he disappeared–jumping off the stage and running out the door. 

Y/N didn’t open her eyes until she felt Sherlock’s gentle touch on her cheek. It took her a moment to realize they were now sitting up. The film was playing overhead. With tears, she looked at him, and her voice was stolen. She wanted to say so many things but couldn’t find the words. Sherlock’s free arm wrapped around her body, pulling her close. Carefully, Y/N tucked her head into Sherlock’s neck. She breathed him in, feeling his heartbeat on her cheek. He was alive. She was alive. 

While Y/N clung to Sherlock, he found his mind in torment. He’d almost lost her. Sherlock tried so hard to keep her safe and close because, to him, Sherlock was the safest place around. However, it was a lie. Sherlock was dangerous, and being close to him was unsafe for her. 

He knew that now. If he hadn’t dragged her from case to case, she’d be safe in her flat with her cat. If he hadn’t brought her on, she wouldn’t have seen so much death. She would be safe. She would be free to live an everyday life away from Sherlock. But Sherlock was selfish. Her presence was more potent than any drug he’d ever taken. Her lips were sweeter than any victory had been. Sherlock was greedy and wanted her to stay, to be close, and never leave. Most of all, he wanted to love her. He did love her. Sherlock loved Y/N more than anything. 

A single tear fell from the pool in Sherlock’s eyes. He loved Y/N, so he had to keep safe, even if it meant he’d never see her again. She would be safe away from him, and so she had to go. Sherlock took one last moment to be selfish as they sat holding each other. His trembling lips met the crown of her head. His nose inhaled her scent one last time. His hands enveloped her body before tearing himself away. 

_____

Moriarty. The name was whispered in Sherlock’s mind as he and John opened the door to 221B Baker Street. A bittersweet triumph latched onto their shoulders, dragging them up the stairs. They had solved the case and saved that little boy, but now they had more questions. 

Warm light wrapped around Sherlock and John as they stepped into their flat. Their eyes fell onto Y/N’s sleeping figure. Sherlock had sent her home after their fight with Golem. Despite her protests, Sherlock and John’s insistence won. Both men’s eyes softened at the sight of Y/N.Her hair cascaded over her features, vaguely concealing the red skin around her eyes. 

Sherlock took a step further into the room. The floorboard creaked beneath his feet, alerting the woman from her sleep. She shot up but then relaxed at the sight. 

“You’re back,” she whispered. “What happened? Did you-”

“We solved the case,” Sherlock coldly said. He removed his coat and scarf and tossed them onto John’s armchair. 

“Sherlock,” Y/N gently muttered. “Are you alright?”

“Just stop!” Sherlock hissed. Y/N froze, and her eyes widened with shock as Sherlock appeared in front of her. “Don’t you see nothing you do helps? You’re a liability, Y/N. I’ve known it from the moment I laid eyes on you. From the moment I found you in that cab with a gun to your head, you’ve been a liability to me.” 

A new set of tears began to pour from Y/N’s eyes, too stunned to fight back.  

“If it weren’t for your emotions getting in the way—your caring…oh, your caring. You care too much.  Just as I said before, what good does caring do when people are going to die anyway? Soo Lin,  Hilton Cubitt: They all died despite your cares. Sentiment is a weakness found on the losing side. You, Y/N, are on the losing side. The only reason you haven’t realized it was because I was there. My mind free from the poison of it all,” Sherlock took in a shaky breath. His voice grew quiet. “...or so I thought.”

Stifling a sob, Y/N pleaded with Sherlock. “So why bother keeping me around?

“I had to,” he uttered. “You are my liability! Your sentiment is contagious, and its effects are leaking onto me. You make me weak. You make me lose my mind when I am not near you. And when I am, all concepts of cunning and intelligence evade me. I become human. I fear. I feel things I have never felt before. You…you have ruined me!”

Silence filled the air. John stood against the wall and clenched his fist in fury. He had never wanted to hit Sherlock more than he did now. However, Y/N’s saddened scoff drew his attention. It was her turn to say her piece. 

“I…” Y/N took in a quick breath to steady herself. “…I think I finally understand what’s going on in that mind. You say sentiment is on the losing side, that it’s weak, that I’m weak. Well, Sherlock, you’re wrong.” 

Y/N stepped closer to Sherlock—a determined gleam reflected in her eyes. “Yes, I care about others, maybe too much, but that makes me stronger. I have people to love and who love me back. Can you say the same?” 

Sherlock stared back at her, all thoughts and words fled in her presence. 

“I doubt you can,” Y/N continued. Her words commanded the room and Sherlock’s attention. He could not ignore her. “You push everyone away and blame it all on your intellectual mind. Your brother has to pay others to ensure you’re okay because he cares about you, and you couldn't care less. John buys you milk even when he knows it’ll disappear within a day due to your insane experiments, yet you never say thank you or offer to buy it yourself. Auntie M makes you tea and occasionally helps tidy up even though she’s just your landlady, and you shoot holes into her walls. Greg brings you cases and lets you get away with many things, yet you can never get his name right. Molly lets you take body parts from Bart’s, something that could cost her her job. However, you shred her apart every chance you get.  I stand up for you when others try to break you down, and here you are, breaking me. All because I care too much. Because I care too much for you. I get it. I’m just your neighbor and assistant. That’s all I’ll ever be, even though you kissed me that night. Even though I’ve wanted you to kiss me for so long.” 

“But your intelligence? That’s not the real reason you push everyone away.” Y/N’s grew low. “You treat the people around you like shit because you’re afraid they’ll leave just like everyone else and it’ll be easier to unattach yourself from them if they were never really there in the first place. So I quit. I quit being your assistant. I quit being your neighbor. You win Sherlock. You want me gone? I’ll leave. I’ll find the first flight out of London. I’ll go back home. I’ll leave, and you’ll never have to see me again because I understand now…”

A sob broke out from Y/N. John gasped, staring between his two friends. Wiping her tears away, Y/N raised her chin up high. Her feet trekked to the open door of John and Sherlock’s flat and paused before leaving. “Goodbye, John,” she said to her friend with melancholy eyes. “Goodbye…Sherlock.” It was barely a whisper, and by the time Sherlock realized what Y/N had said, she was gone. 

____

The sound of the lock on her front door was the consolation Y/N found once she entered her apartment. Tears poured from her eyes as she collapsed against the door. She couldn’t see anything and couldn’t hear anything past her sobs, so when a warm hand pressed against her shoulder, she jumped out of her skin. 

Following the hand to its owner, she saw Jim standing above her. His eyes were soft and gentle as he lifted her to her feet and hugged her. 

Mumbling into her boyfriend’s shoulder, she asked, “How’d you get here?”

“Your aunt let me in,” he replied. “But that’s not important. What’s wrong, love?”

Y/N was too caught up in her emotions to recall her aunt was out with a friend for the evening. Instead, she caved into her boyfriend's touch and sweet words. 

“I’d rather not talk about it,” she admitted, leaning deeper into his comfort. 

Jim nodded and raised his hand to rub circles on her back. “How ‘bout after tea? I find that tea always helps soothe the mind.” He pulled back and smiled at her. 

Y/N quickly agreed, and before she knew it, she’d drunk two cups of the steaming hot liquid. Upon noticing her cup was empty again, Jim poured her another cup and urged her to drink up. Y/N swallowed it down, finding the herbs to numb her senses. After a moment's silence, Y/N found her strength returning. 

Taking a deep breath, she peered over at her boyfriend, ready to speak. “It was Sherlock. He…” Tears bubbled back up to the surface. “He…he” Y/N furrowed her brow. Her tongue seemed to stop working, and her mind was growing blank. “Sherlock,” she whispered with much difficulty.

Jim groaned. “Sherlock, Sherlock, Sherlock.” Each time he said the detective's name, a chilling animosity grew.

“Huh?” Y/N said through the fog of her mind. She knocked her hand against something hard. The teacup fell to the floor and shattered. The deafening sound provided Y/N with some momentary clarity. When Y/N tried to stand from her seat, she discovered her legs had failed her. Instead of standing upright, she was on the floor beside the shattered cup. A groan escaped her mouth. 

“I was wondering when it’d take effect,” Jim said. Y/N dragged her head to look up at him. Confusion covered her features as she saw the grin on her boyfriend’s face. As if he sensed her gaze, Jim’s eyes turned empty. “ Oh! I love that look on your face. Utter confusion. It’s adorable. I could just…muaw!” He placed a wet kiss on her lips. The force pushed her to the ground, and the hard surface welcomed her. She felt herself growing weaker. Her breath slowed, and her eyes grew heavy. 

“You made my job a whole lot easier, and I’m very grateful for that, my dear. But I’ll have to reward you later when you wake up. I’m going to take you far away from here—away from Sherlock, John…I’m taking you away from it all.” 

With the last of her strength, her mind screamed at her. Terror filled her veins as the walls caved in on her. She whimpered.

“Oh, there’s no need for that,” Jim said, crouching down. His fingers brushed through her hair, luring her to sleep. “Just rest. Everything will be alright. I promise.”

_____

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[20kmemesunderthesea]

Captain Nemo, Freedom Fighter

There's a lot of historical and cultural significance in Twenty Thousand Leagues Under the Sea which is not widely known by modern audiences. Here some some facts I find very interesting:

-> In Verne’s original character notes, he was going to be a POLISH noble whose family was killed by Russians.

Verne’s publisher argued with him about that for a long time because of his large Russian fanbase. Verne reluctantly gave in, but eventually changed Nemo’s backstory to that of an Indian Prince whose family was killed by the British.

With that in mind, that makes the Soviet miniseries more interesting: A Polish revolutionary is actually mentioned by Captain Nemo in the second episode. Vladislav Dvorzhetsky, the actor portraying Nemo, was actually half-Polish himself!

-> Captain Nemo was written as a foil to Confederate Navy Captain Raphael Semmes.

Captain Raphael Semmes had portraits of General Robert E. Lee and the Confederate President Jefferson Davis on the cabin wall of the CSS Alabama, while Captain Nemo has portraits of Abraham Lincoln and the radical abolitionist John Brown in the cabin walls of the Nautilus.

Semmes was a supporter of slavery while Captain Nemo was an abolitionist.

Raphael Semmes stated that India should never be free from British rule,  while Captain Nemo was an Indian who fought to be free from British rule.

A list of more comparisons between Jules Verne's "Twenty Thousand Leagues Under the Sea" and Raphael Semmes' "Memoirs of Service Afloat During the War Between the States" can be found on Wikipedia.

Thus, in Twenty Thousand Leagues Under the Sea, Jules Verne was trying to point fingers at the cruelty of the British towards India, the Russians towards the Polish, AND Americans towards people of color.

There are many fascinating rabbit trails to explore in regards to Jules Verne's literary masterpiece. Here are some sources:

[poetrysmackdown]

hi hiii i wanted to say that your account is so refreshing to see, esp with the passion you have for the arts. as someone who's been meaning to read (and write) more poetry, do you have any recommendations? some classics that everyone and their mothers know? perhaps some underrated pieces that changed you? or even just authors you like, I'm very open to suggestions :]]

Hi! Thank you so much for this kind ask :) So exciting that you’re looking to delve deeper into reading and writing! I had to take a little time to answer this because my thoughts were all over the place lol.

For a review of notable/classic poems/poets, I honestly just recommend looking at lists online or, hell, just binging Wikipedia pages for different countries’ poetry if that’s something you’re into, just to get a sense of the chronology. I read one of those little Oxford Very Short Introductions on American Poetry and thought it was pretty good, but online is quicker if you’re just searching for poets or movements to hone in on. Poetry Foundation also has lots of resources, in addition to all the poems in their database. I guess my one big classic recommendation would have to be Emily Dickinson (<3), but really the best move is just to find a poet you already enjoy and then look around to see who their peers were/are, who they were inspired by, who they’ve maybe translated here and there, etc. and follow it down the line as far as you can.

For some personal recs, here are some collections I’ve really enjoyed over the past two years or so. Bolded favorites, and linking where select poems from the book have been published online. But also, if you want a preview of a couple poems from another of the books to see if they interest you, DM me and I can send them over! You can also feel free to pilfer through my poetry tag for more stuff lol

Autobiography of Death by Kim Hyesoon trans. Don Mee Choi

Conflict Resolution for Holy Beings by Joy Harjo

DMZ Colony by Don Mee Choi

Hardly War by Don Mee Choi

Whereas by Layli Long Soldier

Geography III by Elizabeth Bishop

Dictee by Theresa Hak Kyung Cha

Don’t Let Me Be Lonely: An American Lyric by Claudia Rankine

Mouth: Eats Color—Sagawa Chika Translations, Anti-Translations, & Originals by Sawako Nakayasu

The Selected Poems of Osip Mandelstam trans. W.S. Merwin and Clarence Brown

The Branch Will Not Break by James Wright

This Journey by James Wright

God’s Silence by Franz Wright

Duino Elegies by Rainer Maria Rilke (the translation I read was by Alfred Corn—I thought it was great, but idk if there are better ones out there!)

DMZ Colony, Hardly War, Dictee, Don’t Let Me Be Lonely, and partially Whereas are all book-length poems with some prose poetry and varying levels of weirdness/denseness/multilingualism—if you were to pick one to start with, I’d say do Don’t Let Me Be Lonely or Whereas. Mouth: Eats Color is some experimental translations of Japanese modernist poet Chika Sagawa, with other translations and some of Nakayasu’s original stuff mixed in—it's definitely a bit disorienting but ultimately I remember having such fun with it, as much fun as Nakayasu probably had making it. It’s a book that emphasizes co-creation and a spirit of play, and completely changed my attitude towards translation.

If you’re less interested in that kind of formal fuckery stuff though (I get it), can’t go wrong with the other books! Conflict Resolution for Holy Beings is the one I read most recently, and it’s great—Harjo also featured in Round 1! Franz Wright also featured, and God's Silence is the collection which "Night Walk" comes from. James Wright (father of Franz) is one of my favorite poets of all time, though his poetry isn’t perfect. Even so, I’m honestly surprised he’s not doing numbers on Tumblr—Mary Oliver was a big fan of his, even wrote her "Three Poems for James Wright" after his death.

I mentioned in another post that one of my favorite poets is Paul Celan, so I’ll also recommend him here. I read Memory Rose into Threshold Speech which is a translated collection of his earlier poems, but it’s quite long if you’re just getting to know him as a poet—fortunately, both Poetry Foundation and Poets.org have a ton of his poems in their collections. There’s also an article by Ilya Kaminsky about him titled “Of Strangeness That Wakes Us” (!!!!!) that’s a great place to start, and is honestly kind of my whole mission statement when I’m reading and writing poetry. Looking at the books I’ve recommended above, a lot of them share feelings of separateness or alienation—from others, from oneself, from one’s country, from language—that breed strange, private modes of expression. That tends to be what I’m drawn to personally, and that’s some of what Kaminsky talks about.

Sorry of the length of this—I hope it's useful as a jumping-off point! And if you or anyone ends up exploring any of these poets, let me know what you think! If folks wanna reply with recommendations themselves too that'd be great :)

[kjack89]

The Wikipedia Page

For the Hoeshold <3

E/R, modern AU, developing relationship, all shenanigans.

“Can you fucking believe this?” Enjolras said, incredulous, staring down at his phone.

Combeferre sighed the long-suffering sigh of a man who was about to enter into a conversation he knew he would deeply regret. “For the billionth time,” he said, with the patience of a saint, “when you’re looking at your phone, I can’t see what you’re looking at.”

Enjolras scowled and thrust his phone at Combeferre. “Here,” he said shortly. “Look at this shit.”

Combeferre glanced down at the phone, his brow furrowing. “It’s a Wikipedia page for – oh.”

Enjolras nodded grimly. “Yeah,” he said. “Exactly. Someone made a fucking Wikipedia page for me.”

“Of you, more like,” Combeferre murmured, scanning the page with an almost academic interest. “And not a very good one. Some facts are wrong.”

Enjolras’s scowl deepened and he yanked his phone back. “So now they’re just making up lies about me?” he seethed as he scanned the article. His own brow furrowed and he glanced up at Combeferre. “I don’t see anything inaccurate here.”

Combeferre frowned and took Enjolras’s phone back. “Well, for starters, it says you’ve been brought up on charges of domestic terrorism—“

“Which is true,” Enjolras interjected.

“You’ve been accused of domestic terrorism, but never indicted,” Combeferre corrected. “Thankfully for everyone involved, there’s a bit of a difference.”

Enjolras smirked. “You and the US Attorney’s office would probably disagree on that.”

“Secondly,” Combeferre continued, the long-suffering tone of regret back in his voice, “it says that you graduated from Harvard in 2016.”

Enjolras suddenly seemed unable to meet Combeferre’s eyes. “Oh,” he said. “Right.”

Combeferre’s eyes narrowed. “And of course,” he said, “you were kicked out of Harvard your senior year.” He paused before adding pointedly, “Right?”

“About that,” Enjolras started, and Combeferre gave him a look.

“You really lied about getting kicked out of Harvard?”

Enjolras’s face was roughly the same color as his usual hoodie. “I mean, I did get in trouble,” he mumbled, “and I wasn’t allowed to attend graduation.”

Combeferre rolled his eyes. “Because that’s even remotely the same thing.”

Enjolras’s flush deepened, and he quickly attempted to change the subject. “At least that narrows it down somewhat as to who created this asinine Wikipedia page,” he said, “since very few people know about Harvard.”

“Pretty sure it doesn’t take a genius to contact the alumni office and put two and two together,” Combeferre said dryly.

“But that would require someone to know my full legal name,” Enjolras countered. “And that list is even smaller.”

“Well, while you obsess over who put this page together, I’m going to be over here reconciling the fact that you’ve been lying to me for the past nine years,” Combeferre muttered.

Enjolras looked shame-faced before he paused, his own eyes narrowing. “Hang on,” he said. “You’ve done background checks on every single one of us, myself included, and this absolutely would’ve shown up.”

“So?”

“So what are you actually mad about, since you’ve known all along?” Enjolras didn’t even wait for Combeferre to answer. “You had a bet going for how long it would be before I came clean.”

He didn’t pitch it as a question, and Combeferre didn’t bother with a denial. “Yeah, and if you’d have held it together for another year, I’d’ve won,” he said sourly. “I took the over on a decade.”

“Do I even want to know how many of you were in on this bet?” Wisely, Combeferre stayed silent and Enjolras groaned and put his head in his hands. “Maybe no one will see it?” he said, a little desperately. “After all, our friends have lives, or at least better things to do than stalk Wikipedia.”

Combeferre made a small noise of dissent. “Has our conversation taught you nothing about underestimating our friends?”

Enjolras just sighed heavily. “Then maybe they’ll go gentle on me.”

“And now I think you’re overestimating our friends.”

— — — — —

By the time of the meeting that night, everyone had seen the Wikipedia page. And seemingly, it was all any of them could talk about.

“Can we all just agree,” Courfeyrac said, with actual tears of mirth running down his face, “that it was a stroke of absolute genius to title a section, ‘Personal Life’ and then leave it as ‘This section is being created, or is in the process of extensive expansion or major restructuring’?”

“Personally, I’m a huge fan of the blind quote they used in the section on his politics,” Bossuet said, grinning.

“Where Enjolras is described as, and I quote, ‘so far left that he’s basically circled back around to authoritarianism’?”

Joly sounded positively gleeful, and Bahorel guffawed loudly. “Isn’t that what that idiot wrote about Enjolras in The Epoch Times?”

“That’s how it made it on the page,” Jehan said helpfully. “There was a news story a few years back about an author who couldn’t get her Wikipedia page updated to reflect her divorce until she stated it in an interview.” Bahorel gave him a look of surprise and Jehan shrugged. “I did some amateur Wikipedia editing back in college.”

Enjolras sighed heavily, staring determinedly at the ceiling. “Can we please,” he said through clenched teeth, “talk about literally anything else?”

Naturally, everyone ignored him. 

“I really feel like we’re overlooking the best part,” Feuilly said. “Which, of course, is the bit where his personality is described as, quote, ‘has many red flags’.”

“The question, of course,” Combeferre interjected for the first time, “is if the page is referring to Enjolras’s collection of physical flags that are red, or his many charming personality traits that many could consider red flags.”

“Traitor,” Enjolras said through clenched teeth.

“I think the real question is whether someone—” Joly didn’t bother with subtlety as he nudged Grantaire while emphasizing the word ‘someone’. “—would consider the amount of red flags to be a red flag.”

Grantaire pretended to consider it. “I can only speak for myself, but I’d call it a beige flag.”

Enjolras ground his teeth together hard enough to make his dentist weep, glaring at Grantaire. “You’ve been awfully quiet until that little quip.” 

Grantaired leaned back in his seat in a somewhat self-satisfied way, raising his beer bottle in a mock toast. “There is such a thing as gilding the lily, and frankly, I’m not sure I could top this.”

“That has literally never stopped you before.”

Grantaire just winked at him, and Enjolras sighed. “Very well,” he said, resignedly, aiming for dignified and falling drastically short. “You all keep having fun at my expense, but if we’re not going to get any work done, I’m going home.”

He gathered his stuff in a huff and marched out with his head held high. At least, that’s what he told himself, though in reality, he probably looked more like a petulant child stomping away from the playground to take his ball and go home.

He had sulked his way about half a block away from the Musain when Grantaire called, “Hey, wait up.”

Enjolras glanced over his shoulder, scowling. “Come to mock me some more?”

“Arguably speaking, we’re all making fun of the Wikipedia page,” Grantaire reasoned as he fell into step next to Enjolras.

Enjolras’s scowl deepened. “Which is clearly making fun of me.”

Grantaire cleared his throat delicately. “If you’d like to count yourself amongst those who take offense to the truth…”

“Asshole,” Enjolras said, but for some reason, his foul mood was lifted, at least slightly.

Grantaire glanced sideways at him. “So, uh, dare I ask why, exactly, a Wikipedia page posting mostly accurate information about you has got a stick so far up your ass you can taste wood?”

Enjolras snorted. “Poetic.”

“I try,” Grantaire said. “But seriously, the reaction does seem a bit over the top. If it was Courf, sure, I’d expect this level of histrionics, but you’re normally a better sport about this sort of thing.”

“That may be the nicest thing you’ve ever said about me,” Enjolras said mildly.

“Probably because I’m lying, you’re a notorious drama queen and frankly, I’m surprised that little detail didn’t make your Wikipedia page,” Grantaire said cheerfully, and Enjolras couldn’t quite stop his bark of surprised laughter. “That being said, clearly something about it is bothering you, and I figured buttering you up might help.”

Enjolras’s smile faded. “Honestly?” he said. “What I’m most upset about is that it’s about me, with barely a footnote about our work.”

“Right,” Grantaire said. He glanced at Enjolras again. “And naturally, that upsets you because…?”

“Because it’s not about me!” Enjolras burst, his frustration spilling over. “Because it’s never been about me. The whole point of quasi-anonymity is that anyone could be me. Anyone could step into this role and try to change the world.”

Grantaire let out a low whistle. “And you called me poetic,” he said. Enjolras didn’t smile and Grantaire nudged him gently with his elbow. “I think you’re forgetting that while you may have been aiming for anonymity, you’re still an incredibly recognizable figure who hasn’t exactly been camera-shy.”

“Sure, my face may be well known, but not my name, and certainly not my face and my name together,” Enjolras said hotly.

Grantaire was quiet for so long that Enjolras had to look over at him to make sure he was still there. Then, Grantaire shook his head. “The rare valid point,” he said, more to himself than Enjolras.

Enjolras just sighed. As much as he had planned on sulking for the rest of the night, he was finding it more and more difficult with each passing step, as if just venting about it had made it slightly better.

Or maybe that was more about who he’d been venting to.

“Anyway,” he said bracingly, “I’ll get over it, I just need to, you know, feel my feelings.”

“And you’re being very brave about it,” Grantaire assured him. 

Enjolras laughed again. “Well, you can head back to the Musain.”

“Oh, I wouldn’t dare,” Grantaire said solemnly. “You’re in a fragile state of mind. I better make sure you get home safely.”

Even though Enjolras rolled his eyes, he couldn’t help but smile, just slightly. “You’re missing out on some prime comedy.”

Grantaire winked at him. “You forget,” he said smugly, “I’ve got a phone with 5G and an entire walk to do a dramatic reading.”

Enjolras groaned. “You wouldn’t dare.”

“That’s for me to know and you to spend the rest of your walk worrying about.”

“Asshole,” Enjolras repeated, but he was laughing.

And besides, he suspected Grantaire wasn’t serious.

— — — — —

Over the next few weeks, things with Enjolras’s Wikipedia page took a turn – for the weird.

Despite Enjolras’s multiple attempts to get the page shut down, it continued on its merry way. And worse, it kept being added to by the same anonymous Wikipedia editor who had created it. But bizarrely, while it had originally been mostly accurate, it was quickly becoming flooded with complete bullshit.

Each new edit brought with it a different fabricated detail about Enjolras, some of which were close to the truth (“Enjolras came out publicly via instagram post in the lead-up to the Obergefell ruling” – Enjolras had come out publicly in the tenth grade via Facebook, or, if he was being truly specific, in 2nd Grade when Kaitlyn H. had tried to kiss him and Enjolras had screamed and hidden in the classroom closet), and some of which were just completely wrong (“He wrestled in high school as a heavyweight, weighing in at 250 pounds” and “Described as shorter than average (5’6”) with shoulder-length brown hair, police have been actively searching for Enjolras and his associates for almost a decade”).

Well, that last bit was true, but not so much the description.

Which, based on Enjolras’s now extensive knowledge of Wikipedia’s editing rules, was how whoever was editing his page was getting away with it: by linking to news sources that were also incorrect. For instance, his instagram post had been falsely called his coming out by The Advocate’s round up of notable activists. The story about wrestling was a hilarious mix-up of a picture of Enjolras from a riot with a caption about a high school wrestler in the local paper. 

And so on and so forth – each edit was painstaking in being both false and, somehow, verifiable. Which would have been brilliant if it hadn’t given away the entire game.

Because a few days later, one final falsehood was posted. 

And there was only one other person in the entire world who knew this one.

“Enjolras’s first brush with the law came in high school, when he was charged as a minor in possession of alcohol, but his father allegedly asked the local authorities to drop the charges,” Enjolras said without preamble, brushing past Grantaire into his apartment.

“Normally I’m really good at keeping up with your trains of thought,” Grantaire said mildly, closing the front door. “But I will need some additional context.”

“My MIP,” Enjolras said, glowering at Grantaire. “The one that I told you about in confidence because you had confided in me about your struggles with drugs and alcohol—”

“That’s a very polite way of putting it,” Grantaire said.

Enjolras ignored him. “The one that only you knew about. Somehow it ended up on my Wikipedia page.”

Grantaire looked a little bit like he wanted to bolt out the door he’d just closed. “Combeferre might have found it in your background check,” he said weakly.

“No, because the charges were dismissed, but not because of my father,” Enjolras said impatiently. “Which means the only person it could’ve been was you.”

Grantaire paled but didn’t try to deny it, and Enjolras took a deep breath before saying, “And which means the only question that I have is why.”

“It wasn’t supposed to go live,” Grantaire blurted.

“What?”

Grantaire worried his lower lip between his teeth. “The Wikipedia page. It wasn’t supposed to be published.”

Enjolras blinked. “So it was you.”

Even though he had known it, he hadn’t really reconciled himself with it until hearing it more or less confirmed. Grantaire nodded. “It started as a joke,” he said. “We’d had a fight, I don’t even remember what about, and you said my sources were one rung below Wikipedia. So I figured, y’know, I’d show you what Wikipedia’s sources are like.”

Enjolras opened his mouth to say something, anything, but nothing came out. Which was for the best, since Grantaire barreled onward. “I never actually intended on publishing it, but I clicked the wrong button and didn’t even notice until, well, you did. And at that point, putting the genie back in the bottle was pretty much out of the question.”

“But then—” Enjolras broke off, still struggling to put his thoughts into anything resembling coherence. Of the million questions he had, the only one he could manage was, “Why all the edits?”

Grantaire shrugged. “It occurred to me that I could at least use this accidental platform for some good.”

“And there’s some good in telling the whole world that I’m 5 foot 6, 250 pounds and have shoulder-length brown hair?” Enjolras said dryly.

“I mean…” Grantaire shrugged again. “I figured it may help the FBI in their search for you.”

He said it innocently, and Enjolras’s eyes narrowed. “And why the hell would they believe that description?”

“Why wouldn’t they?” Grantaire said, a smile twitching at the corners of his mouth. “After all, it’s on Wikipedia.”

Enjolras couldn’t quite stop his own smile as realization hit. “You laid quite the convincing trail of inaccuracies for them.”

Grantaire ducked his head. “Well,” he said, “never let it be said I did nothing for the Cause.”

“For the Cause?”

Grantaire met his eyes, his smile crooked. “For the only cause I believe in, anyway.”

There were a great number of things that Enjolras could say to that, but there was only one thing he wanted to do.

And so he did, closing the space between him and Grantaire, reaching out to tip Grantaire’s chin just slightly upward to kiss him. Grantaire’s hand closed in his shirt, pulling him even closer as his mouth opened against Enjolras’s with a sigh.

Suddenly, Grantaire laughed, his lips curving into a grin against Enjolras’s. “Who knew a fucking Wikipedia page was all it would take,” he said, with something like wonder.

“Please,” Enjolras murmured, kissing the corner of his mouth. “If you’d’ve tried this even six months ago, I would’ve just kicked your ass.”

“So what’s changed?”

So much more than Enjolras could ever articulate, the least of which was that he finally had tangible evidence of just how dedicated Grantaire could be – when it was something he cared about, at least.

But he settled for saying, after kissing Grantaire’s once more, “My height and weight, apparently.”

Grantaire laughed. “Yeah,” he said, “I suppose there is that.”

“By the way?”

“Yeah?” Grantaire said, his voice barely a whisper.

“If I see anything about this on Wikipedia, I really will kick your ass.”

Grantaire just laughed again. “Deal.”

— — — — —

The next day, there was a single addition to the Wikipedia page:

Spouse: Patria (m. 2023)

[libraryofmoths]

Moth of the Week

Large Emerald

Geometra papilionaria

[Right | Middle | Left]

The large emerald is a part of the family Geometridae. The species was first described in 1758 by Carl Linnaeus. Its common name references its color and size compared to other emerald moths. Its species name papilionaria is a reference to this moth’s butterfly like appearance according to Wikipedia. Adult moths rest with their wings angled and open like butterflies.

Description Newly emerged moths in this soecies are pale and dark green color with white patterned bands classed “fascia” which fades after a few days according to Wikipedia. The fascia change into broken lines of white, two on the hindwings and three on the forewings. However according to Butterfly Conservation, the large emerald is the one of the few emerald moths whose color does not fade.

Variations in color include:

ab. herbacearia Men.: the lines are “obsolete.” Orginally described as a separate species.

ab. cuneata Burr,: a large “web shaped” white spot in addition to the usual patterns.

ab. subcaerulescens Burr,: a more blue green color than normal.

ab. deleta Burr,: the “distal” (farthest from of the moths body) part of the moth’s white patterning is “obsolete.”

ab. subobsoleta Burr.: the white antemedian line one the foreign is “obsolete.”

ab. alba Gillm: the moth is entirely white and tinged with yellow.

Wingspan of 5.0 - 6.5 cm (≈2.36 - 2.56 in)

The larvae described as “rather stout, rugose” (corrugated) “the surface shagreened” (similar texture to a type of raw hide), “the head slightly notched, the setae” (bristle or hair like structures) “mostly with enlarged summits.” The larvae is a reddish brown when hibernating to match dead leaves and things and turns a green in the spring after hibernation.

Diet and Habitat This moth’s larvae feeds on birch, such as Downy Birch (Betula pubescens) and Silver Birch (Betula pendula), but also on Hazel (Corylus avellana), Alder (Alnus glutinosa), rowan, and possibly Beech (Fagus sylvatica).

This moth is present in the Palearctic region and the Near East. They inhabit deciduous forests, heathlands, marshland, in settlements close to woodland, grassland, well-established hedgerows, gardens, and parks.

Mating This species is seen flying at night from June to August in Britain. The egg is broad at one end and more flattened at the other with an oval like shape.

Predators These moths fly at night and are attracted to light. Adults occasionally fly in the tree tops on warm, sunny days. Larvae camouflage themselves during hibernation, being red-brown to match dead leaves and twigs and green to match spring leaves after hibernation. Not specific predators are listed.

Fun Fact The large emerald moth has 4 subspecies:

G. p. papilionaria: found in Europe to the Urals, Southwest Siberia, Turkey, Caucasus, Transcaucasus

G. p. herbacearia Ménétries: described in 1859, found in West Siberia - Southeast Siberia, Korea

G. p. subrigua: described in 1935 by Proute, found in Japan

(Source: Wikipedia [1][2][3][4], Butterfly Conservation, Amateur Entomologists' Society)

[wingsoffury]

I Am A Wolf

Two days ago, I confirmed that I'm a Great Plains wolf!

I started questioning on August 1st! I knew that my theriotype was some sort of canine, but I was only able to narrow it down to a specific species by going through a list of canids.

With most species, there was usually something that didn't feel right. Either it was their appearance (wrong coat color, or too small), their diet (primarily preying on small mammals, heavily relying on fruit), or their environment.

When I confirmed my first theriotype 5 years ago, I knew that my fur color, as a winged wolf, should be white. Even though I eventually deconfirmed it, that noema (inherent knowledge about my possible theriotype) stayed mostly consistent. Therefore, if the species in question couldn't have a white coat, I ruled it out of my questioning.

As for diet, I experience the urge to hunt something medium-sized & cravings for red meat during my mental shifts. Since I haven't been journaling too consistently for the past few years, I don't have an exact idea of when these mental shifts started, but they are consistent enough for me to include while questioning! As I did my research, I concluded that hunting ungulates felt the most right to me. Therefore, canids that primarily prey on small mammals were ruled out of my questioning.

Onto the environment… This is also inherent knowledge I had about my theriotype. Forests feel the most like home to me. And so, if a species' range didn't include forests, I ruled them out.

One of the species that fit all of these points were grey wolves. Even though having a general species in mind was enough, habitat, fur color, and diet varies from subspecies to subspecies. So, I narrowed things down further to 2 subspecies:

Eastern wolf

Northwestern wolf

At this time, I wasn't aware of Great Plains wolves yet. During my research, I was unable to figure out if an eastern wolf could have a lighter coat or not. I knew for sure that Northwestern wolves could have light coats, but something about both of these subspecies didn't feel right, didn't feel like me.

Then, on August 15th, I discovered the Great Plains wolf! When I read "They were described as a large, light-colored wolf but with black and white varying between individual wolves, with some all white or all black" from the Wikipedia page about them, that immediately felt right! Not only appearance was right, but diet and environment too! Finally, I was finally able to put a name to the collection of experiences I had.

And on the 28th, I finally confirmed that I am a Great Plains wolf! I wanted to wait until the 31st so that it would officially be an entire month since I started questioning, but I think I've waited things out long enough?

Now, I just need to figure out if I'm still a winged wolf, a regular wolf, or somehow both? I felt my phantom wings for the first time in a while a week ago, so I'm thinking about it again. I haven't made much progress on figuring that out though, so I have no updates on that to write about ;;

Anyways, thank you all for reading!

[eshithepetty]

Mob Psycho 100?? More like Mob 'why are all these characters just different flavors of autistic holy shit'..... 100!!!!!

Click on image for better resolution. Also an ID below, in case the text is too small to read:

[ID: art of Mob, Tsubomi, Tome, Ritsu and Serizawa from Mob Psycho 100, with a list of autistic symptoms below them. The background is beige and behind each character is a square mismatch of colors unique to them as a background.

Mob:

He is wearing his school uniform and smiling lightly. The background colors are saturated blues, cyans, pinks and reds, which are swirling in a liquid like fashion. Below, text reads:

Polite little autistic boy

flat affect

alexithymia

perpetually confused

attempts to mask, just ends up appearing a different type of ‘weird’ as a result

low empathy, high compassion

really strict moral integrity

didn’t have a special interest for the longest time due to repressing himself

disassociating king :(

comorbid inattentive type ADHD

Tsubomi:

She is wearing her school uniform, staring ahead with a bored, uninterested expression. The colors behind her are dark and sharp browns, violets and reds. Below, text reads:

Girlboss

masking queen

low empathy

can’t read social cues but has mastered the art of scripting and being polite and pretty to escape ostracization

hard time connecting to people

often acts unintentionally rude/blunt

stubborn

actually cares a whole lot about people she really considers friends

Tome:

She is also wearing the uniform, leaning her chin on her hand and flapping the other hand excitedly as she rambles about something. The colors behind her are a bright yellow, green and orange, formed as circles and some sharp edges. Below, text reads:

Weird Girl

stimming galore

loud™

special interest in the occult/aliens

finds herself only connecting to people through that interest

emotional dysregulation

comorbid hyperactive ADHD

barely passing grades

probably spends hours on random wikipedia articles

Ritsu:

He is wearing a yellow hoodie, looking to the side and finger raised in confusion. The colors behind him are green, orange and magenta, and they are swirling in a kind of square vortex around him. Below, text reads:

just a little hater

sounds /neg

has a selective wardrobe of comfy clothes cause textures,,,

has no idea what friends are

special interest in psychic powers

spoons are a comfort item

denied he was autistic for a long time because “wdym, i’m completely normal. Look how well adjusted I am.”

comorbid OCD

Serizawa:

He's wearing his usual suit and smiling, eyes closed with the grin, his hands clasped together at his chest. The colors behind him are cyans, blues, greens and magentas, some lines, some circles. Below, text reads:

gamer .....

self isolation as an (unhealthy) coping mechanism

uses comfort items

emotions also be dysregulating but like,, he’s learning to deal with it

high empathy

missed out on a lot of milestones, but it’s okay, he’s catching up :)

special interest in video games

finds comfort in dark, tight spaces

comorbid social anxiety

End ID.]

[blockygraphics]

WIN.BLP and LOST.BLP from the demo (v 0.8) of Speedy Blupi, later called Speedy Eggbert. From Wikipedia:

"Speedy Eggbert, originally Speedy Blupi, is a video game for Windows based PCs developed by EPSITEC, and released on September 13, 1998 as an independent title. It is part of the Blupi series, and the successor to Planet Blupi.

The whole game is centered on a central hub, in which the player character Blupi (alias Eggbert) can access all of the game's seven themed worlds to embark on challenging treasure hunting quests within these worlds that are rigged and bomb-planted by other multi-colored Blupis who are keeping each hub world locked and guarded. At first, he can only go to the practice level, where he will learn most of the controls listed above. The rest of the controls are not shown to during the practice game; they are left for the player to discover these moves while passing through the levels."