#fuck its so good. the themes.

[hightaled]

wait hello?

[tubbytarchia]

Oh, I'll bow my head, I'll clip my wings I was never gonna make it anyway (x)

[oops-all-tentacles]

Doctor Who this week:

[wizardyandcheesesammich]

Something I love about M!iK and don't really see be often talked about is the morals of the story.

Shonen stories usually have to work under the same story restrictions of "power of friendship" and "we can accomplish anything by never giving up!", and while MIK certainly has that, I adore the way they twist it.

Yes, both tropes are present but taken to their absolute extreme. Power of friendship? Ok, here's a huge cast of characters who are all in some level Extremely Possesive of eachother. Never give up on your dreams? Alright, the cast are literal demons who feed on desire.

And the best part is that this is openly encouraged by the story. The story is saying "Yes, be selfish! Chase what or who you want without any shame! Take what you love and guard it ferociously because it's YOURS and no one is allowed to harm it."

Iruma's character growth is not connected to "how much more powerful can he get?" Or "how much better of a person can he be?". He's already powerful and he's already a deeply good kid. His growth is explicitly about how much more demonic he can be.

How much more tightly can he hold onto his loved ones and his desires.

How much more selfish.

Just how refresing is it to read a story where gluttony is a virtue and a goal?

[katabay]

original thief series basso & garrett :)

ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels

there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.

anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[puppyeared]

fake ep idea + doodles

[radiantmists]

reading animorphs sequentially instead of in whatever random order you can get your hands on them is such a trip because you can see these kids getting progressively better at war and worse at being happy, you can see how traumatic events from one book echo into the next ones but never quite get dealt with because these kids have no real way to take care of their mental health, you can see their relationships deepening but simultaneously gaining friction and faultlines as they learn just how far they'd go for each other but also how far they'd go in general...

obviously this series was meant to be episodic in nature, and i actually think that might be the better way to first encounter it, but the arc of the series in publication order is extremely well-crafted

[simptasia]

LOST: Season One

[carnivalcarriondiscarded]

shoutout to Frank, he's gonna fall for / has fallen for the most suspicious puppet in the neighborhood

[mipexch]

whenever i listen to the fire is gone i am filled with such love for this game and i really cant explain it. something about this song. i'm always reminded of how it felt to play the game for the first time and how happy it made me. i dont want to call it nostalgia but it sure is something

[aterfish]

So i just binge watched all of the dragon prince and i have one thing to say:

What the fuck

[hinderr]

the way i feel the urge to dissect this clip.....this fucking clip oh my god. charlie checking with flippa, going it's okay? like he's not sure, like he needs to be sure, sounding like he's afraid above all. then his defensiveness, when he pulls out the sword. the fact that watching from slime's pov, you don't even notice the sword but from here its so very blatant, when charlie looks straight at cellbit and his voice raises

and then cellbit quickly backing up saying hey, we're cool, we're cool and phil in the background seconding that. the contrast of how soft cellbit's voice is when he says hi juanaflippa and charlie's desperate, vaguely hoarse yelling (he's also saying 'youre being crazy, you're actually crazy' which is something charlie himself grapples with, repeatedly saying 'i'm not crazy you are' in hopes it'd make it mean something). juanaflippa herself coming in between and knocking charlie back away.

and even then charlie backing up only when cellbit goes 'oh I never met her'. and charlie's sigh when he backs up, waits for a moment, looks at juanaflippa and then back at cellbit and goes 'wait, really?'

god. juanaflippa died before she ever got to meet him. this is the case for so many too. 'i heard so much about you,' because hearing about her was all that could've been done. and cellbit surely has heard of juanaflippa, if not for herself then for what came...after, the aftermath that was charlie slimecicle

and then finally, finally, charlie looks at his kid again and puts his sword away. empties his hand. goes 'oh'. and then still, still, protectively asks cellbit to stand at a safe distance away from his kid who's died once before oh god charlie can't lose her again it would kill him. it would kill him

[shadystranger]

this moment so fucked up💀

[transformersbrainrot]

I LOVE YOU "LITTLE VICTORIES" !!!!!!!!!

Or "More Than Meets the Eye #22," or "The Documentary Issue," or whatever you want to call it. I LOVE IT!! YOU CAN INJECT SLICE-OF-LIFE MOMENTS ON THE LOST LIGHT DIRECTLY INTO MY VEINS!!! THIS IS SO GOOOOODDD!!!

[moomeecore]

recently did my annual rewatch of over the garden wall, so here's a dump of otgw inspired trees frm my sketchbook that ive done since then

[mejomonster]

Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).

They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).

Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.

The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).

Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.

And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.

Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo