#furby interview

[stepback3]

I have to watch this clip once a day or I’ll die

[notebook-enthusiast]

my interviewer: teach me something in these last two minutes

me: umm... black hare sea slugs are the largest species of sea slugs and can grow up to 39 inches. they're black because they eat brown algae and this makes them poisonous to potential predators.

my interviewer: ok then!

[furbyfashionistas]

translated interview with Anzai Hiroko from 'Stylish Furby', which was an official (?) magazine released in 1999. Full scan of the magazine (Japanese text) is here - would anyone like me to post more translated scans?

There are a few tutorials for Furby outfits in this magazine that I think are super cute - might also include some measurement conversions since the original ones are all in metric.

Also I'd love to make a fanzine at some point with interviews like this.

[thinkaboutkink]

I watched Interview with the vampire (2022) a week ago for, honestly, gay vampire sex but DAMN! I'm so obsessed about the geriatric sarcastic piece of meat and the cute dom twink with furby eyes dynamic with 15 minutes of total screen time. Like are you gonna fuck the old man? you did already? Why do I want to see the DEBAUCHERY of the grandpa? IDK i just lust for it, old Daniel deserve it!!

[cakesexuality]

Bonus points if you can fill in the blank for what you voted on

[anatheshrimp]

Girlfriend likes those vampires that keep interviewing so I made the furby gojo eyed blue sharingan bieng for her without a reference. @acetheticbitchass

[dr-octavio-kalev]

TW: Sexual assault, body horror, indulged body deformation, detailed torture, sexism, child abuse, other very heavy themes and very potential triggers

"Mr. Widemouth rubs his large mouth on the faces of children he finds tasty."

ANM №: ANM-555

Identification: Mr. Widemouth

Danger Level: Snit 🟡 | Contained ⭕️

Responsible Researcher: Dr. Öctavio Kalev

Type of Anomaly: Toy, predatory, childlish, god

Lockdown: ANM-555 must be contained within a reinforced containment chamber in the Department of Anomalous Objects, Toy Section, measuring 6m³, lined with 10cm of reinforced steel plating. Access is strictly limited to Level 3 authorized personnel and above, with permission for only 2 assigned staff members, or the responsible researcher. No male personnel are permitted to enter the containment chamber under any circumstances. The blood-stained knife and backpack with body parts, originally belonging to Mr. Widemouth, have been confiscated and are also being held in the Department of Anomalous Objects, Criminal Evidence Section.

The containment chamber must be equipped with a low-frequency sound device designed to emit a constant tone above the human hearing range, which seems to have a calming effect on ANM-555. Personnel entering the chamber must wear full-body protective gear, including a Kevlar suit, to avoid direct contact with Mr. Widemouth. All interactions with him must be conducted by female researchers wearing gloves and a lab coat.

Additionally, ANM-555 must be monitored by closed-circuit cameras at all times. Any signs of aggression or containment breach attempts must be reported immediately to department security. If containment is compromised, Task Force "Doll-Breakers" must be mobilized to recapture ANM-555 carefully.

Description: ANM-555 appears to be a 42 cm tall "Furby"-like toy with anomalous enhancements, giving it a humanoid-monster appearance. It weighs approximately 30 kg and has a bloated, round torso, contrasting with its thin arms and legs. Analysis of ANM-555's right arm has revealed abnormal muscle mass growth, specifically in the biceps and forearm regions, attributed to ANM-555's frequent "self-stimulatory" behavior.

The internal structure of the doll resembles human organic flesh, while its exterior is made of a dense, durable synthetic fabric that serves as skin. The entity's belly is disproportionately swollen. Its mouth is unnaturally wide, forming a grotesque smile. The ears and nose are oversized compared to its head, which is wide and pointed. ANM-555 possesses a double chin, with a neck so broad it barely qualifies as one. Two glowing, unidentified eyes are embedded deep within its mouth, which seem to function as its true eyes, despite also having large, unsettling eyes on its face that appear to work as well. Mr. Widemouth does not have a tongue, but he can communicate vocally, often using crude, sexist, and demanding language, particularly toward women.

Notably, the creature exhibits a high level of intelligence, communicating through elaborate statements and showing manipulative behavior designed to incite fear. Mr. Widemouth demonstrates a strong preference for interacting exclusively with female personnel. He demands interviews only with women, threatening violence and sexual aggression against men who attempt to speak with him. This behavior extends to his victims, as he primarily targets young girls.

As mentioned, ANM-555 frequently engages in compulsive masturbation using his right arm, which has developed greater muscle mass and strength as a result. This behavior seems to be purely for self-gratification or relief, serving no apparent functional purpose. However, when not wielding a weapon, ANM-555 uses his right arm to attack potential victims. His punch is described as "strong and heavy, like that of a grown man."

In addition to speaking, ANM-555 frequently emits guttural, animalistic grunts and growls. These sounds often accompany his violent outbursts or when he is in close proximity to potential victims. The pitch and volume of these vocalizations appear to increase depending on the situation, conveying a sense of agitation or excitement. Despite his brutish nature, ANM-555 displays a surprising level of intelligence and resourcefulness. He has adapted to containment procedures and has found ways to circumvent certain rules. His ability to communicate effectively, as well as an ability to manipulate electronic devices within range, indicates a high degree of cognitive function.

Following Incident ANM-555-A, it was determined that Mr. Widemouth's anomalous properties are not limited to physical and behavioral enhancements. He has demonstrated the ability to manipulate and control electronic devices within a 5 meter radius, potentially allowing him to evade detection or compromise containment protocols. Further research is needed to fully understand the extent of these abilities.

ANM-555 was classified as a "killer Furby" upon containment, due to his predilections for violence against children. Reports indicate that ANM-555 castrated and harvested the reproductive organs of young males, storing them in a later confiscated backpack. An extensive collection of severed breasts and nipples from female subjects was also documented.

The anomaly's interactions with both male and female children are characterized by extreme brutality and perversion. When confronted with boys, it tends to focus on castration and removal of their organs, often engaging in prolonged and sadistic procedures before storing the severed parts in its backpack. In some cases, it has been observed biting or completely tearing off the victim's genitals.

If the boy manages to resist the initial attacks, ANM-555 may employ other forms of torture, such as forcing the child to watch as he mutilates their parents, or subjecting them to prolonged verbal abuse and humiliation. He has also been known to infect boys with his anomalous strain of tetanus, causing severe pain and eventually death.

Mr. Widemouth was recovered in [REDACTED], USA, where there were reports of a serial sexual assaulter and ripper in the area. He was captured in an old apartment filled with disturbing paraphernalia and “artwork” indicative of ANM-555’s violent tendencies, prompting an immediate recovery operation at the scene. Mr. Widemouth resisted arrest, frequently cursing, attempting to attack officers, and ordering them to “suck his genitals.”

Girls, on the other hand, are often subjected to a mix of violent attempts at penetration and sexual assault; in such cases where the target is a female child, ANM-555 will attempt to rape her. ANM-555 will also force his rusty teeth into her vaginal and anal openings, attempting to tear flesh and insert himself inside her body. If these methods fail, he will stab her breasts and cut off her mammary glands, also harvesting these organs. His abnormal teeth allow him to tear skin quickly, while his body can transmit a lethal strain of tetanus. All of the organs obtained by Mr. Widemouth were kept inside a backpack. All the while, he always used an old knife of an unknown make, already stained with the blood of several victims.

In terms of physical capabilities, ANM-555 possesses serrated, rusty teeth that can easily penetrate human skin. By biting, the subject risks exposure to a unique bacterial strain found in ANM-555's rust, resulting in a lethal form of rapid-onset tetanus that exhibits aggressive symptoms and often leads to death within 24 hours if left untreated. The bacteria can be considered a "Type 2 Tetanus".

In addition to physical violence, ANM-555 has been observed psychologically manipulating his female victims, often engaging in explicit and degrading conversations designed to break their spirits and make them more compliant. He appears to derive particular satisfaction from the terror and helplessness he inspires in his young prey.

It was only through the combined efforts of Department security and relevant containment protocols that ANM-555 was subdued and transferred to containment.

Addendum 555-A: Initial Interview

Interviewee: ANM-555

Interviewer: Dr. Marília (female researcher)

<Being Log>

ANM-555: (smiling) Ooh, a pretty lady! I've been waiting just forr you! What do you want, rrosy cheeks?

Dr. Marília: ANM-555, can you explain your origins and behavior?

ANM-555: (laughs) Orrigins? You mean my little amusement toys? I just love playing with little kids! They make the best noises!

Dr. Marília: You are known for hurting children. Why do you do this?

ANM-555: Because they'rre so soft! And they scrream so beautifully when I'm arround.

Dr. Marília: Have you ever considered the impact of your actions?

ANM-555: Why would I do that?! It's fun to collect! They don't need those parrts anymorre!

Dr. Marília: (observing increased aggression) That's enough for today.

ANM-555: You are not obedient! Come back when you are ready to play!

<End Log>

Conclusion: Psychological evaluation of ANM-555 indicates deep-seated psychopathy combined with deviant sexual tendencies. His capabilities and intentions pose a significant risk, possibly warranting a higher risk classification and necessitating strict containment measures. All personnel are advised to remain vigilant and cautious in the presence of ANM-555.

Mr. Widemouth exhibits a compulsion to attempt to penetrate any orifice he can find, whether organic or inorganic. This perversion manifests itself most notably in his violent attacks on human victims, where he forcibly inserts his appendage, including his arm, fingers, and even his knife, into his victims' mouths, nostrils, ears, genitals, and anal areas. However, this desire extends beyond living beings; the anomaly has been observed attempting to insert himself into various non-living materials, such as holes in walls, furniture, and even the metal bars of his containment cell. This behavior suggests a fundamental drive rooted in a distorted sense of dominance and control, with ANM-555 seeking to claim and desecrate any opening he perceives as vulnerable or accessible.

ANM-555 possesses an additional ability that allows it to feed on the sexual trauma experienced by its victims. This manifestation is triggered when the anomaly identifies individuals with a history of abuse, exploiting their deepest fears and darkest memories to inflict endless suffering.

Upon initial contact, ANM-555 begins to permeate the minds of these victims, extracting residual emotions and sensations associated with their past traumas. It then proceeds to reconstruct these events in vivid, hyper-real detail, forcing the victim to relive their most horrific experiences. However, the involvement of the anomaly takes these nightmares to a new, twisted level. It amplifies every sensation of pain, terror, and degradation, making the reconstructions seem far more intense and realistic than the originals. The victims are subjected to an endless cycle of abuse, with the anomaly playing the roles of both perpetrator and witness, relishing in their anguish and despair.

As the entity continues to feed, it gradually begins to distort the physical and mental state of its prey. Their bodies contort and twist, reflecting the psychological damage inflicted by the relived traumas. Skin lesions and mutilations appear, echoing the violence of its past actions. The minds of its victims break under the relentless onslaught, leaving them catatonic or insane by the time the process is complete. In extreme cases, the anomaly's influence can lead to a complete collapse of the victim's identity, their essence consumed by the cumulative horrors they have endured at its hands. The resulting husks are left as little more than shells, barely recognizable as human.

The image below is the transcription of a song usually sung by Mr. Widemouth, further investigation indicates that such song was composed by ANM-109 previously.

[Final Interview Report]

Interviewer: Dr. Patel

Interviewee: ANM-555

[The interview takes place in a reinforced containment cell. Dr. Patel, a female researcher, enters with a tablet and sits across from ANM-555, separated by a pane of glass]

[The interview takes place in a reinforced containment cell. Dr. Patel, a female researcher, enters with a tablet and sits across from ANM-555, separated by a glass pane.]

Dr. Patel: Hello, Mr. Widemouth. Today, we will discuss your preferences for interaction partners. Please explain why you require only female employees to interview?

ANM-555: (Looking lustfully) Ah, it’s simple, doctorr. Women are much more fun and satisfying than those lifeless sticks men have. They scrream morre beautifully when I hurrt them, and theirr holes are tighterr and morre enjoyable to stretch. Men are just sacks of meat without any appreciation for true carrnal delights.

Dr. Patel: That is... very graphic. What drives your preference for younger women specifically?

ANM-555: (Laughing menacingly) Innocence, naivety, the fear in their eyes... it’s intoxicating. And they’re so much more malleable, easier to break. Besides, [REDACTED OR CONFIGURED AS TOO EXPLICIT].

Dr. Patel: Your actions demonstrate a deep-seated misogyny and a twisted fascination with harming children. Can you explain the psychological motivations behind these behaviors?

ANM-555: (Smiling with contempt) Motivations? Ha! It’s simply the naturral orderr of things. [REDACTED OR CONFIGURED AS TOO EXPLICIT] corrruption and dishonor.

Dr. Patel: Your views are abhorrent and contrary to modern social standards.

ANM-555: ...Critics? I couldn’t carre less what anyone thinks. I am the embodiment of primorrdial and untamable will, and those who darre face me will suffer the consequences. And as for the label "monster," I wearr it with prride.

Dr. Patel: Despite your violent nature, you’re still able to communicate effectively. How do you maintain your cognitive functions and develop speech patterns?

ANM-555: Heh, I assure you my mind is sharperr than any steel blade. The entities inside my mouth give me access to knowledge and abilities beyond your darrkest fantasies. As for my speech, well, I’ve had more than enough time to obserrve and learrn from the humans bold enough to interract with me.

Dr. Patel: Your entities?

ANM-555: They arre the verry essence of darrkness, the manifestation of my deepest and most deprraved desirres. Thrrough them, I perceive the world in all its distorrted glorry, and they allow me to project my malevolent presence onto those arround me. In shorrt, they arre the instrruments of my torrturous will.

[The interview abruptly ends as ANM-555’s eyes glow more intensely, and he begins to growl ominously.]

Incident Report 555-8

Date: 20/02/2023

Local: Residência Privada, 345 Maple St., Anytown, USA

Recontainment Protocol: Level 4

Description: On 02/19/2023, at approximately 10:45 p.m., agents from the MOTHRA Institute responded to a distress call at the residence of Mr. and Mrs. Johnson. Upon arrival, they found 7-year-old Emily Johnson in a state of severe distress, claiming that "Mr. Widemouth" had hurt her.

Upon further investigation, the medical team determined that Emily's vaginal walls had been severely torn, with evidence of recent penetration. A full examination revealed that the anomaly, later identified as ANM-555, which had managed to escape from the Institution with the help of a staff member, had indeed penetrated Emily's uterus. The child's internal injuries were life-threatening, requiring immediate surgery.

Emily underwent emergency surgery and was placed in a medically induced coma. She remained in critical condition throughout the night.

The next morning, agents from the Mobile Task Force arrived at the hospital to secure the scene. As they approached Emily's room, they heard a voice emanating from inside the child's abdominal cavity.

ANM-555: (Laughing) Oh, good morrning, agents! Isn't this a beautiful day? I think you'rre in the wrrong rroom by the way.

Agent Rho: W-what the fuck?!

ANM-555: Hey! Don't worrry, I'm not botherring yourr precious little girrl. She's just my temporrarry luxurry rroom forr the night.

Agent Rho: (Pulling out his gun) Get out of her NOW, you sick piece of shit!

ANM-555: What? You think a little thing like that is going to stop me? Please. (The anomaly's voice grows louder, echoing inside Emily's body) I'm rright herre, darrling. Safe and cozy inside your womb. We had so much fun togetherr last night! (The anomaly crawls back deeper)

Emily's parents, Mr. and Mrs. Johnson, burst into the room, horrified to see their daughter's torn abdomen and the freak's voice emanating from within.

Mr. Johnson: (Screaming) What the hell is going on?! Get this thing off our daughter.

ANM-555: Oh, dearr Daddy, you can't save herr now. Emily's body is mine to play with, and I always get what I want. (The anomaly's laughter grows louder, in a maniacal tone)

Dr. Jaf: (Calming the situation) Alright, everyone, let's fall back and regroup. We need to come up with a plan to safely extract ANM-555 without hurting Emily any further.

As the agents moved away from Emily's bedside, ANM-555's laughter slowly faded, replaced by an eerie silence. The anomaly's presence seemed to recede, allowing the medical team to focus on stabilizing the young woman.

In the days that followed, Emily remained in critical condition, her body struggling to heal from the brutal violation. Despite her doctors' best efforts, the scars left by ANM-555's actions would forever mark her as a victim. In the weeks that followed, the Johnson family struggled with the trauma inflicted on their daughter, seeking counseling and support from MOTHRA. As Emily slowly recovered, both physically and emotionally, the agents tasked with recontacting ANM-555 worked tirelessly to prevent similar incidents in the future.

[duckprintspress]

Meet Aether Beyond the Binary Contributor ilgaksu

Wondering what Aether Beyond the Binary is and why you should care? It’s Duck Prints Press’s latest anthology, currently crowdfunding: 17 stories, modern aetherpunk settings, outside-the-binary main characters! Help us reach our funding goals by checking out the campaign now!

About ilgaksu: Full-time fandom cryptid, Furby enthusiast, and the human embodiment of that one gif of Elmo on fire, ilgaksu was born and raised in an  undisclosed location, living in several others, and now currently residing in [REDACTED]. Their interests include collecting haunted toys, using their artistic practice as an excuse to forget to do their laundry, and playing with fictional men like Bratz dolls. They have not unclenched their jaw yet today, but they do remember to drink lots of water. 

Link: personal webpage

This is ilgaksu’s first publication with Duck Prints Press.

An Interview with ilgaksu

What is your “dream project” – the thing you’d see as the culmination of your work as a creator?

I have a list of dream projects – a big queer space opera trilogy, a series of detective serials, I want to pastiche all of the genres I adored growing up – but I think I’m never going to find the culmination of my work. I’m going to have to make do with whatever I do while I’m alive, and other people can argue about that for me or something. The work is the work. It has to speak for itself without me defending it.

When you look at your “career” as a creator, what  achievement would you most like to reach – what, if it happened or has  already happened, would/did make you go “now – now I’m a success!”?

Does any writer actually get to the point where they fully believe they’re a success, and the feeling lasts forever? This is a genuine question. Where are they hiding? I want their advice.

What are your favorite snacks and/or drinks to consume while creating?

I have to have at least three emotional support beverages, and one of those will always be a form of iced coffee, then usually bubble tea, and then usually water. These are because I clearly run on three separate hydration systems. Snack-wise, I don’t tend to eat while I’m actually making things, but I like churros and loaded fries and ramen and salmon on bagels and, listen, I just really love food.

Describe your ideal creation space.

I like writing somewhere near a window, ideally when it’s raining outside, with three emotional support beverages and my favourite headphones and the very specific song that works as white noise in that moment on repeat. Possibly for the next five hours.

Do you like having background noise when you create? What do you listen to? Does it vary depending on the project, and if so, how?

I have to have background noise or I can’t focus to write, and it’s usually music with lyrics. I tend to have a mix of current songs I’m fixated on in a huge Everything playlist, and then I often have a smaller playlist for the project itself. Like I said before, I can also easily listen to the same song on repeat for as long as it takes to finish the necessary section, even if it that takes hours, because after a while I stop hearing the music itself – it functions as white noise.

Share five of your favorite books. (You can include why, if you want!)

Wolf Hall Trilogy (Hilary Mantel, technically 3 but)

The Dream Thieves (Maggie Stiefvater) 

Evensong’s Heir (L. S. Baird)  

Daughter of Fortune (Isabel Allende)  

The Magpie Lord (KJ Charles)

Share five of your favorite (blanks). 

Five favourite current bubble tea flavours: Earl Grey, Snow White, Rose, Lavender, Honeydew

If you could give one piece of advice to a new creator who came to you for help, what would that advice be?

You don’t want to write like me. 

That probably sounds incredibly arrogant, but let me explain: the most common thing I’ve had said to me by a new creator, or a fan of my work, is “I want to write like you.” And I get where people are coming from, and I get it’s from a place of admiration – which is very very flattering, of course – because early on in my writing career that used to be a desire that consumed me to. But my point is this. I realised that it was futile to want something like that, because I would never be that creator, with their experiences in life and reading that had informed how they view the world and filter it into their own work. Even if I tried to mimic it, and maybe if I managed it on a superficial level, it wouldn’t be animated by the same mind moving through it, and so I’d be doing us both a disservice. So, I no longer want to write like other people. I want to write more and more like myself. And because of that, I try and advise people to redirect how they’re verbalising that desire. What is it about my work, or anyone’s work, that speaks to you? What parts of it don’t work for you? What is it you want that’s similar – the assurance of their authorial voice, their breadth of lexis or grammar, the themes they focus, how they make you feel as a reader in that relationship with them through the text? Identify those things. Start from there, and think about who you are and take these little ingredients from everyone you’ve read and loved, and everything you love in the world outside writing. Do that instead. Not only will it help you identify more concretely the goals you’re working towards in your craft, but you deserve a voice as a writer that’s solely your own.

What would you say to a demoralized creator to inspire them?

The same thing I said earlier but reappropriated: nobody can write like you.

ilgaksu’s Contribution to Aether Beyond the Binary

Title: chameleon trick

Tags: be gay do crimes, be gay solve crimes, established relationship, heist, manchester, non-binary, past tense, present tense, suicidal ideation (mentions of), united kingdom, third person limited pov, trans man

Excerpt:

Sasha turns on him; gleeful, sparking with it. It’s less a dropping of a mask and more of a perfect, total illumination as they ask, “How did I do?”

You would think they were an amateur at this, looking at their borderline puppyish excitement. They even tilt their face up, less in expectation of a kiss and more in certainty of one. But they are both working. Martha has read the codes of conduct at this factory: no fraternisation during work hours. And so:

“I don’t have time for your praise kink right now,” Martha says, and sidesteps them.

End-of-post reminder: check out our campaign on Kickstarter! It ends January 25th – we’re about half-way done.

[furby-junkie]

Some quotes from an interview with Richard Levy. 

Date: October, 2023

Source (archived)

High praise! And in other news, I was excited to hear about the return of Furby… What changes can we expect to see in the brand? Interesting question. You know, early on in Hasbro’s development of the current generation of Furby, I strongly recommended to the team going back to the DNA of the first generation which bowed in 1998 and was created by another partner, electronic whiz David Hampton. David’s vision was a “life form, not a toy.”

A life form, not a toy! Heck of a vision back then. Brilliant vision! And I believe three things endeared the creature to the world, and gave it the staying power to still be relevant today… Specifically, Furby’s brilliantly choreographed performance, amusing content and its eyes. I still describe Furby as I would a BFF: hard to find, difficult to leave, and impossible to forget.

Great! And why is now the right time for a resurgence? This year marks Furby’s 25th anniversary. Hats off to Hasbro, which is going all out on multiple fronts to bring it roaring back… The Hasbro team has been working on this launch for three years. Their goal is to establish Furby as a lifestyle brand with the slogan: ‘Letting out your inner Furb.’

25 years! So, let me ask you this, Richard… Technology has marched on relentlessly since the first wave generation. Has that proven advantageous? Or does it not help much, because kids are surrounded by sophisticated things all the time? Has the advance of technology made Furby life easier, or helped lower production costs, for example? The idea with Furby was always to have the technology invisible. Technology alone is not enough to sustain a product such as Furby. The bond Furby has with people of different nationalities and ages around the world has been built on a combination of factors that go way beyond technology. Furby made a deep and irreplaceable bond with people that has never flagged.

And that lives on? Exactly. Furby continues to give people enduring affection, intimacy, trust, and good cheer. Furby makes people feel good when they feel low. Furby is a non-judgmental companion. But, at the end of the day, the toy gods continue to smile on Furby!

1998 must’ve been a remarkable year for you. It was, Deej; it was very special year. I had Furby out with Tiger – the number-one toy; the number-one game was Men Are from Mars, Women Are from Venus with Mattel. As you know, that was the social-interactive game I co-invented with John Gray, author of the blockbuster book by the same name.

[fo-submissions-cafe]

I.. ended up buying him a furby. A 1998 furby.

Hes been searching for one for a SHIT TON OF YEARS, and i found one, still in the box, for 39 BUCKS. Cheap ass SHIT

Great anniversary present AND gift for him since he got into the program he interviewed for (im extremely fucking proud of him for that)

But i am so fucking scared of it. Those FUCKING EYES..

-Qi Qi

WHY MUST HE FIND A 1998 FURBY SPECIFICALLY....DOES HE KNOW WHAT THOSE EYES BEHOLD....

I'm proud of him for interviewing into the program but THE FURBY....

|| ❔💐 ||

[the-damned-and-divine]

⭐️ from furby-organist/radioconstructed (if you're still taking these!)

Your broadcasts with Al make me cackle, cringe and sometimes reevaluate my life choices. You're a welcome sight on the dashboard and I can always count on you to be on some kind of bullshit

I still do want Satan to be interviewed or join a discussion panel, though it could be derailed so easily

[nalyra-dreaming]

Amused that the hannibal fandom can feed itself for decades while this fandom is turning hungry after a mere months. We are all armand. Demented furbies

Mhhh. I mean, we should have gotten a lot of cons, interviews, trailers, etc by now if it weren’t bc of circumstances (and I support the strikes, as said!). IWTV would have finished filming just about now.

So I guess we’re all in a bit of a hole right now… trying to see the light.

And I mean, the Hannibal fandom mostly tried/tries for a fourth season. With years of content, and conventions etc.

The IWTV show fandom is gnawing on one season, and on a vastly revamped (pun! HAHAHA 😬) season which will be only complete with said upcoming one… And, while Hannibal was also very artsy, beautiful and laced with meaning… the meta level of this show is on a whole different level imho. (And also, we got some floaty gay sex and the performances of Jam Reiderson and are in WITHDRAWAL!!1!1!1!1)

*sighs*

At least we have the kitchen blenders to look forward to.

(I do love the demented furbie notion though 😎)

[97-liners]

I imagine jaehyun performing fighting would go a lot like that jungwoo interview clip of him singing worlds saddest rendition of boss, just those large unblinking furby eyes telling us not to give up

nooooo every time i think about jungwoo sad boss i want to burst out into sympathy tears

i think jaehyun performing fighting would have the same energy as vernon performing poppy, it's like a robot programmed to do the dance but the light doesn't quite reach the eyes

[ferbiederbie]

Commission piece for Mordy of his human ranger MUD and MUD's drake companion Pascal (who is flavored to look like a long furby, the only good and correct option). I got the job I interviewed for! I'm still open for commissions, however, as I will not be paid for the first time until June 7th.

[disaster-vampires]

The recent trailer for Interview With The Vampire season 2 got me wondering… just how many men is Armand going to kiss? We’re all thinking it. Like yeah, we’re definitely getting Loumand, that’s not a question. They’re going to cry-fuck on screen and that’s a given. But what about Lestat? Will they bring him back just for that sloppy makeout/breakup/whatever the hell that was church scene in TVL? What about Santiago??? They looked like they could have some shit going on. And are they going to let that demented furby fuck oldmaniel???

[haikyuuidolzine]

#ハイキュー 'TO THE STARS'

🌟 CONTRIBUTOR PREVIEW 🌟

“It takes me completely by surprise when I fully step into room and see an unexpected display of colorful furbies...”

Read this special interview, hosted by @lavendori, of the all-famous and beloved Karasuno eclipse trio!