ANTONY cry 'havoc,' and let slip the dogs of war
earlier in my script (which is not Shakespeare’s Julius Caesar), Antony refers to Dolabella as one of his ‘dogs of war’ when talking to Cassius (which IS a reference to Shakespeare’s JC), and it comes back around after Cicero writes to Cassius and informs him of Trebonius’ fate
While these things were taking place at Rome, Cassius and Brutus were collecting troops and money, and Trebonius, governor of the province of Asia, was fortifying his towns for them. [...] Trebonius, who was captured in bed, told his captors to lead the way to Dolabella, saying that he was willing to follow them. One of the centurions answered him facetiously, "Go where you please, but you must leave your head behind here, for we are ordered to bring your head, not yourself." With these words the centurion immediately cut off his head, and early in the morning Dolabella ordered it to be displayed on the praetor's chair where Trebonius was accustomed to transact public business. Since Trebonius had participated in the murder of Caesar by detaining Antony in conversation at the door of the Senate-house while the others killed him, the soldiers and camp-followers fell upon the rest of his body with fury and treated it with every kind of indignity. They rolled his head from one to another in sport along the city pavements like a ball till it was completely crushed. This was the first of the murderers who received the meed of his crime, and thus vengeance overtook him.
App. Civil Wars III. 26
For Dolabella is in Syria, and, as you have foreseen in your prophetic soul and have foretold, Cassius will crush him while they are on their way. For Dolabella has had the gates of Antioch shut in his face and got a good beating in trying to storm it. Not trusting in any other city, he has betaken himself to Laodicea, on the sea-coast of Syria. There I hope he will speedily pay the penalty of his crime: for he has no place of refuge, nor will he much longer be able there to stand out against an army as large as that of Cassius. I even hope that Dolabella has by this time been overpowered and crushed.
Cic. Fam. 12.14
Place then before your eyes, O conscript fathers, that spectacle, miserable indeed, and tearful, but still indispensable to rouse your minds properly: the nocturnal attack upon the most beautiful city in Asia; the irruption of armed men into Trebonius’s house, when that unhappy man saw the swords of the robbers before he heard what was the matter; the entrance of Dolabella, raging,—his ill-omened voice, and infamous countenance,—the chains, the scourges, the rack, the armourer who was both torturer and executioner; all which they say that the unhappy Trebonius endured with great fortitude. A great praise, and in my opinion indeed the greatest of all, for it is the part of a wise man to resolve beforehand that whatever can happen to a brave man is to be endured with patience if it should happen.
Cicero, Philippic 11
Philippi and Perusia, Ronald Syme
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Okay okay thinking about it, really thinking about it. My post from the other day (here) I said "you see him slip into this version of himself that is hardly recognisable, even when you compare him to his characterisation in S4" talking about S5 Merlin.
And then I really thought about, okay but what if say S1 Merlin was put into S5 Merlin's shoes, would he do any different? Would he?
Honestly, think about it.
Let's take him at the end of S1, where he was ready to give up his life for Arthur completely to save him. I mean sure he did that in S1Ep4, and tried to do it in S1Ep11, but Ep13 is where it really hits. He said goodbye after all.
This is a Merlin that was ready to tell Arthur about his magic, but was locked out of the possibility after Will lied as he died to protect him.
This is a Merlin who already tried to kill Mordred. Or well, let him die really. Not so much kill.
So let's look at lines from S1EP8 about Mordred dying vs Arthur dying, shall we? ...
"Would you let something terrible happen if it meant you'd stop something even worse happening in the future?"
"One of them's bad, really bad. And the other, it's...unthinkable."
"For once, you don't have to worry. I'm going to do nothing."
I cut out Gaius's replies because Merlin's lines are more important here. The 'something terrible' and the one that's 'bad, really bad' refer to letting Mordred be executed.
Meanwhile the 'something even worse' and 'it's unthinkable' refer to Arthur's death in the future.
He decides to do nothing as we know, he decides to let Mordred die, right up until Mordred pleads with him through telepathy.
That's the S1 Merlin we're dealing with.
Maybe if you took him from Ep1 or pre-S1 yeah he'd act differently, but S1 Merlin is as much defined by Arthur's impending death as S5 Merlin is.
The only difference is between them, S1 Merlin has destiny propelling him forward just a little more than S5 Merlin does. Whether by love or sheer dedication, S5 Merlin is even prepared to push aside his own freedom to save Arthur's life, just to condemn Mordred to death.
Would S1 Merlin do any different?
No, no I don't think he would. Not if he saw the vision, not if he saw Arthur fall.
S5 Merlin is defined by what he saw in the pool, he's defined by seeing what he believes is Arthur's death (not yet knowing he would survive for days after acquiring that wound)
If S1 Merlin, or even S2, 3, or 4 saw that same vision? I don't think they would do any differently.
Maybe he had more hope earlier on, sure, but that would be missing the way that S5 Merlin hopes. He tells both Mordred and Finna that it "won't always be like this". He hopes for freedom as much as S1 Merlin does, he's just more prepared to prioritise Arthur.
But isn't that what he's always done? S2, when he struggles to lie, but still does lie to Arthur about Morgause and his mother - He's thanked for reminding Arthur that sorcerers are evil.
The way he acts just before telling the lie is so similar to his expressions when he's about say "There can be no place for magic in Camelot" in S5Ep5.
That's the thing. I know I bang on about how S5 Merlin is so much darker and he is, he grew up after all. But I truly think if S1 Merlin saw that vision, nothing would have changed.
Nothing. Not even his actions with the Disir. Why would he, if there's a chance to try and kill Mordred Merlin always took it. Or tried to as much as he could.
S2 Merlin, put in S5 Merlin's shoes, might even edge closer to murder, that man tripped that kid up in the hope that two guards would kill him, and instead watched as Mordred killed the guards instead.
What, Merlin was innocent back in earlier seasons? That boy, that man, he was never innocent, man was down to murder from his very first day in Camelot.
So yes, S5 Merlin has ten years give or take of saving Arthur and setting aside his freedom, and that did indeed darken him and change him and mould him, but S1 Merlin already had enough experience that nothing would change.
Merlin was always going to condemn Mordred, he barely knew him early on after all, and later, he already had the knowledge of the vision.
Let's not forget that in S5, Merlin says he likes Mordred, but that he can't ignore what he saw. That he can't save the life of a man destined to kill Arthur, that he can't ignore what the dragon said. That Finna was right, he cannot trust Mordred, not after all he's been told.
I don't think any Merlin could do any differently if he was told all that, and shown Camlann.
There's no such thing as an innocent Merlin, not when it comes to Arthur's life. We can say he became too blinded, but in S4 he killed Agravaine, used dark magic to lock away Morgana's magic for a time, and took away Arthur's free will. S3 is a little harder, but he did command Kilgharrah against his will. S2 Merlin is easy, he tried to kill Mordred, and morbidly held Morgana as she was dying to the water he poisoned. S1 Merls is just people dying left and bloody right. Nimueh, god should we ever forget about the way he killed Nimueh. She fucking exploded.
All this to say, S5 Merlin didn't abandon his values because he already did that when they all first met Mordred. He just became more and more set, darker and darker over time. But if any version of himself was given that vision by the Vates, it's over, it's so over, because that's all it took.
To see Arthur fall, that's all it took. It's all it would ever take.
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Are we ever going to get an in-universe explanation as to why Rhea sets a city with civilians still in it on fire at the end of CF, or is it forever going to remain the "devs wrote Rhea doing something evil so the audience wouldn't feel bad about killing the final boss who'd done nothing wrong up to that point, regardless of how grossly out-of-character it is for her to do that" excuse?
:(
I was typing an answer, switched tabs, and what I already typed disappeared...
Anyways...
Watsonian wise, the game iirc tells us Rhea intends to use the "fiery tiles" as hazards to slow down the BESF's progression to rekt them - and I personally find nice how the devs picked peg knights to act as reinforcments - cementing the "strategy" aspect of the Berning, aka Rhea's own troops are immunte to tile hazards, but the BESF isn't.
Doylist wise, I feel like it was one of the moves the devs pulled out to illustrate how far Rhea fell from... well, what she once was.
It's the culmination of her breakdown, her point of no-return : we came from a Rhea who valued Fodlan and its people more than her own survival and who would refuse to sacrifice anyone to ensure her safety to... a Rhea who lost so much (her remaining family), is PTSD'ing hard and was betrayed by Billy and Humanity "again", she snaps and now will sacrifice Fodlan and its people to get a chance of surviving what she perceives as the second act of the genocide of her species.
Forget the "not feeling bad" aspect of this fight anon, because, at least with the Jp audio, every scene involving Rhea, before this fight when she lost Seteth'n'Flayn, is in Tailtean, or even in this fight laments in her battle quotes, conveys, kuddos to Inoue, anguish, desperation and anger.
The BESF pushes her - during the entire length of this short route - to her breaking point, she breaks (but it's not only a furious/angry breakdown!) and Firdhiad Berning is the consequence.
Imo, even if the gapmoe and the Supreme Court tries to act as if the BESF is "in the right" or wonder what's for dinner, the foes are much more humanised/developed/are mourning on screen that, save for some devoted people, I firmly believe Tru Piss wasn't supposed to be seen as a "Good Route", but more like the Tales games sometimes have a "Bad End" path.
The final close-up on Billy's dead eyes after they lost Nirvana is, imo, telling enough - even if gapmoe and the game mechanics + IS' obsession to sell you Supreme Leader as a S material waifu you can romance sort of killed this intent, since you can get your "and they lived happily ever after" ending and marry Supreme Leader.
Tl;Dr : Tru Piss is written in a way that would make anyone (even on a first PT!) feel bad about the people you're trouncing, from Judith crying about Ignatz'n'Leonie's loss of their future, to Hilda sacrifying herself to save someone against her former nature, aka when it comes to do the "right thing" Hilda will do it even if it costs her life, to Faerghus' desperation to defend themselves at the point of willingly make the ultimate sacrifice and turning into demonic beasts and Dimitri's tender scene with Dedue, or Felix and Rodrigue fighting side by side to defend their land (and dying together) - to ultimately, Rhea losing her mind, breaking down as she learns of her kin's fate and relieving her previous PTSD hard, ultimately telling the player that they betrayed the gremlin living in their head (even if game mechanics means that gremlin is the worst mother in the entire series) and ultimately, herself.
If you're not a first PT, but Tru Piss is your last PT and you know about Rhea'n'Billy's backstories... Well.
I don't like the "you made hit you" rhetoric because it fucking sucks and irl is used by scum, and while I don't think the Firdhiad Berning was made to make Rhea look "evil" so you wouldn't feel bad for rekting her... the game painfully reminds the player, each time, that they are the instigators of this war, they are the agressors attacking people who, in this last map, will do anything to defend themselves.
It's ugly but it's the War the BESF, aka the player in Tru Piss, started/supported.
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