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7grandmel · 5 months

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Todays rip: 21/04/2024

we are number one but with outdated memes over it

Season 1 Featured on: GilvaSunner's Highest Quality Video Game Rips: Volume 7: Part mm2wood Also on: Now That's What I Call Quality!, SiIvaGunner: Starter Kit & Essentials

Ripped by NBGMusic

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When I wrote yesterday's post on Five Nights of Snop Dog, I made a bit of an error in my research. See, though "Five Nights of Snop Dog" was an actual request received, it was actually fellow ripper NBGMusic who got it on his SoundCloud, not Chaze the Chat as I'd claimed. Well, as fate would have it, NBGMusic just so happens to be responsible one of the most well-known rips on the SiIvaGunner channel - and not only is it also tied to Snop Dog himself, its also tied to the glorious age of Montage Parody videos. And with Season 8 having finished an MLG event of its own just yesterday, it's as if the stars all aligned - I can think of no better time to cover we are number one but with outdated memes over it.

Now, the aforementioned magnificent 4/20 event was far bigger than usual for the channel, casting the net to not just cover weed-smoking jokes, but to cover the age of internet shitposting where it was at its most notorious - Montage Parodies. The years from 2012 to 2016 were absolutely FILLED with these, in a way that feels almost lost on the current internet generation, as very few seem to actually remember it fondly. Because like, it was all a bit stupid, wasn't it? Rage comics and impact font memes are remembered nostalgically, YouTube Poops are cherished to this day and continue to see prevalence both in general and on SiIvaGunner - we wouldn't be getting rips like Mr. 2.718281828459045235360287471352662497757247093699959574966967627724076630353547594571382178525166427427466391932003059921817413596629043572900334295260595630738132328627943490763233829880753195251019011573834187930702154089149934884167509244761460668082264800168477411853742345442 or Crompton Racing if there weren't people still enthusiastic for them. Montage Parodies were comparatively really short lived, and even back in 2016 SiIvaGunner channel itself didn't really touch them. Sure, we got rips with Smoke Weed Everyday as the joke from time to time, like with Ganja Man 9: Hash Blunt Hash (Shorty's Stage), but I think most people already saw the signs that MLG videos weren't really sticking around. Or at least, that's what *I* thought back in the day - evidently, the whole thing had just a little bit more juice left in it.

Because at the tail end of the channel's life, in September 2016, we received we are number one but with outdated memes over it. Sure, it wasn't the first We Are Number One rip on the channel, but it might as well have been - it landed right as the meme was taking off, and garnered views by the thousands in absolutely record time. For a decent while, it even was THE most viewed rip on the channel - and, funny enough, a 2017 Mel (that's me!) left a comment on the video befuddled over just how popular this MLG video was. Because, like, it's right there in the title - it's we are number one but with outdated memes over it, I thought we were all in agreement that Smoke Weed Everyday and "This is a certified hood classic" and Skrillex and all of that stuff wasn't funny anymore?

So then...why is it still so fucking good?

There's been a bit of a running joke with in the SiIvaGunner Discord (which you should join, by the way!) over how I actually hate this rip, or at least don't have positive feelings toward it. And I'll be honest - I hadn't really listened to it in a long time, and I think for a long time I was still a little bit fed up with MLG videos in general. I don't think they have any shot of becoming relevant again in the same way that YTPMV or rage comics do, ironic-or-not, but it was also kind of presumptuous to ascribe that same kind of obnoxiousness to we are number one but with outdated memes over it. Because sure, it's using outdated memes - but NBGMusic isn't using them in halfmeasures or with the intent to make the audio unlistenable. It's all playing to We Are Number One's melody and progression, which in of itself is honestly kind of novel these days - ever since we got the song's stems released in late 2016, most rips on the channel featuring the jokes have been full on arrangements with its instruments a la Chillin’ Like A Villain or We Are Number 4 (Golden). I love those rips as well, they're all incredibly fun takes on the song - but it's an entirely different flavor from how we are number one but with outdated memes over it goes about doing things.

Even though the title isn't lying, its definitely underselling the rip, it almost makes it sounds like a fucking MrMrMANGOHEAD video (Remember him? Shrek-face Mike Wazowski?). There's a lot of noise to be sure, but its all coordinated in really fun ways! I love the repeating "WHAT" samples playing as Robbie begins his lecturings in trickery, changing to samples shouting "HEY" in the next verse, ironically going against the lyrics' point of "not making a sound". And that's just what happens to the vocals - the main hook of the rip, of course, is how the iconic saxophone hook that plays inbetween the vocals is here matched with pitch-shifted Smoke Weed Everyday's, almost exactly like the aforementioned Ganja Man 9: Hash Blunt Hash (Shorty's Stage) - but its paired with sprinklings of memes tied to MLG parodies, like the legendary "MOM GET THE CAMERA", or of course bits and pieces from Skrillex music. I fucking love that in particular, actually: how traces of Skrillex's dubstep sound are heard in the rip from the very start, yet at 0:56 we're finally given full payoff with the iconic "YO SKRILL DROP IT HARD", leading to a full beat drop that somehow feels perfectly in tune with what We Are Number One is doing alongside it.

You know me - my favorite thing in rips is when they escalate, and though we are number one but with outdated memes over it stays within the same set of jokes throughout, its dedication to covering the *entire* We Are Number One with all of these memes means that it finds new ways to go about it for each segment. I may have been a bit frustrated back then, but in hindsight its easy to see just why this rip got as popular as it did, beyond just playing to the ongoing trend - its a pretty damn high-effort production for being part of a shitposting trend basically defined by being purposefully low-effort and obnoxious. In that sense, I suppose we are number one but with outdated memes over it is like a final hurrah for the age of Montage Parodies - right as we were all letting go of it, as the wild ride of 2016 was making everyone (most importantly YouTube itself) realize that the internet needed to be made a less toxic, less obnoxious place...we got one last jab at all the fun that these videos had to offer. And in turn, it wound up passing the torch to We Are Number One shitposting, beginning a new trend of channels spoofing existing meme music with their own edits and ideas, a trend you'll still see up and about today.

The internet all feels a lot more complicated today in its many corners - Twitter, Reddit, TikTok, YouTube, Discord and its Tenor GIFs, all sort of forming their own ideas of what is and isn't in vogue for shitposting anymore, all at each others' throats. For as obnoxious as Montage Parodies often were in hindsight...there's something so oddly nostalgic about how widespread they were - how EVERYONE deep in the online trenches seemed to just be enamored by these absolutely ridiculous videos. we are number one but with outdated memes over it brought people together over their stupidness for one last time, and for just a little while longer after that, We Are Number One did the same. And with yesterday's MLG day, with looking back on this rip in tow...I can't help but miss it all at least a little bit.

#todays siivagunner #season 1 #siivagunner #siiva #NBGMusic #we are number one #stefan karl #lazytown #robbie rotten #lazy town #mlg #montage parodies #montage parody #smoke weed everyday #4/20/24 #4/20 #4/2024 #weed #Youtube

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kemetic-dreams · 7 months

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Kumina is an Afro-Jamaican religion. Kumina has practices that include secular ceremonies, dance and music that developed from the beliefs and traditions brought to the island by Kongo enslaved people and indentured labourers, from the Congo region of West Central Africa, during the post-emancipation era. It is mostly associated with the parish of St. Thomas in the east of the island. However, the practice spread to the parishes of Portland, St. Mary and St. Catherine, and the city of Kingston.

Kumina also gives it name to a drumming style, developed from the music that accompanied the spiritual ceremonies, that evolved in urban Kingston. The Kumina drumming style has a great influence on Rastafari music, especially the Nyabinghi drumming, and Jamaican popular music. Count Ossie was a notable pioneer of the drumming style in popular music and it continues to have a significant influence on contemporary genres such as reggae and dancehall.

The Kumina riddim is a dancehall riddim produced by Sly & Robbie in 2002. It has featured in recordings of over 20 artists including Chaka Demus & Pliers and Tanya Stephens.

Kumina is an Afro-Jamaican Religion and is not the same as Pukkumina or Pocomania.

Kumina emerged through the practices of indentured labourers who were brought to Jamaica from the Kongo region of central Africa after the abolition of slavery. In the second half of the 19th century it syncretised with Myalism. Kumina differed from Zion Revivalism in rejecting the belief that the Bible should be the central authority behind worship.

The practices of Kumina are primarily linked to healing.[4] Healing ceremonies utilise singing, dancing, drumming, animal sacrifice, and spirit possession, with the intent of summoning spirits to heal the sick individual. These elements are also found in Myalism and Zion Revivalism.

Organization of Kumina communities follows the general local character of African religions in Jamaica. Kumina communities are small family based communities or nations. Some nations include Mondongo, Moyenge, Machunde, Kongo, Igbo, and Yoruba. People from Kumina families are given the title Bongo. Marrying into a Bongo family is one avenue to become a part of a Kumina nation; special initiation is the other avenue. Kumina nations are led by a "King" and "Queen". Imogene "Queenie" Kennedy AKA Queenie III (c1920-1998) was a well-known Kumina Queen in the 20th century, born in St Thomas in the late 1920s she later moved to Kingston and then Waterloo, St Catherine.

The use of cannabis or ganja in Kumina may have been an influence on the adoption of this plant as a sacrament in Rastafari, a religion that developed in Jamaica during the 1930s.

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readyforevolution · 1 year

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Happy Birthday, Haile Selassie I, Negusa Nagast , Seyoume Igziabeher, By the Conquering Lion of the Tribe of Judah, His Imperial Majesty Haile Selassie I, King of Kings, Lord of Lords, Elect of God,

RAS TAFARI!

In Jamaica, Shortly after the coronation of the Emperor Haile Selassie I, belief in the divinity of Haile Selassie began. A black king had risen in the east, a messiah had come to deliver his people. The legend of Emperor Haile Selassie grew after years of personally fighting and eventually defeating a European colonial power.

One hundred thousand Rastafari from all over Jamaica descended on Palisadoes Airport in Kingston to greet Haile Selassie when he visited Jamaica on April 21, 1966. Clouds of Ganja smoke covered the scene. Selassie started down the stairs, but returned, uneasy with the commotion as the crown rushed the tarmac. A well-known Rasta leader, Ras Mortimer Planno was recruited to negotiate the emperor's descent. Planno was able to calm the crowd and help the emperor exit the plane. This event is commemorated by Rastafari as Grounation Day every year on April 21.

At the time Bob Marleys new bride, Rita had relayed to Bob how she had seen stigmata on the hands of the Emperor as he walked the stairs down from his plane. This greatly contributed to Bob's conversion to Rasta and its subsequent global exposure.

On the flight to Jamaica he was asked if he would deny being god to the Rasta. He replied, "Who am I to disturb their belief?"

Jamaican authorities would have liked Selassie to deny divinity to the Rasta. This didn't happen and Selassie actually gave gold medallions to the Rasta leaders, the only gifts of the trip. This after famously giving away lions on his trip to Europe.

In a 1967 CBC recorded an interview with Haile Selassie in which he denied his alleged divinity. On being told, "There are millions of Christians throughout the world, your Imperial Majesty, who regard you as the reincarnation of Jesus Christ," Haile Selassie replied in his native language,

"I have heard of that idea. I also met certain Rastafarians. I told them clearly that I am a man, that I am mortal, and that I will be replaced by the oncoming generation, and that they should never make a mistake in assuming or pretending that a human being is emanated from a deity."

After his return to Ethiopia he sent an Archbishop to the Caribbean help draw Rastafari and other West Indians to the Ethiopian church. People resented the former colonial churches and were interested in establishing the Ethiopian Church in the Caribbean. The Emperor obliged and the church exists to this day.

#blacktumblr #black history #haile selassie

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animesickos · 1 year

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The Anime Sickos present: Sicko Shock 2 - A Miniseries in Six Episodes. EPISODE 6: SHERRY AND THE GANJA GANG In the year 42069, humanity survives in the last livable place on Earth: the domed cyberpunk dystopia Sicko City. In Sicko City, all citizens are required to jack in to cyberspace every day to view and engage with content generated by “Posters,” mega-celebrities who live like gods. But beneath its shimmering surface, five forgotten people are about to make history... Our five heroes have all been hurt badly by Sicko Industries and Jordi. It’s time to hurt them back. STARRING Bradley Gareth as Burt Harddrive Allie Reid as Sherry Vaporware Casey Toney as Stack Overflow Gwynn Fulcher as Dr. Fiona Firewire Lexi Conwell as Tor Client Megan Scharlau as Mysterious Woman Steph Cheon as Spire Receptionist Tom Harrison as Tom Joe Anderson as Joe Dylan Mullins as Jordi Episode 6 art is by John Keogh. Original music is composed by Chuck Rios. Sicko Shock 2 is recorded where possible by Geramie Causley at Mystery Street Studios in Chicago Illinois. Audio editing is by Eric Garneau. Audio editing for scene five is by Casey Toney. Special thanks to Chelsea Harfoush, Aleks M, Tom and Sara McHenry, and Adam Goron. Sicko Shock 2 was made possible by support from our Patrons. You can support Anime Sickos at patreon.com/animesickos Sicko Shock 2 is written and directed by Tom Harrison.

#anime sickos #please listen to us or we'll die #comedy #podcast #audio drama #listen to da podcast #sicko shock 2

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ausetkmt · 2 years

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The Guardian: ‘You want it to outlive you’: an often-overlooked piece of civil rights history

"WE'VE SEEN IT AND ITS A HISTORY MUST SEE"

Martin Luther King Jr and his march from Selma to Montgomery is familiar to anyone with a glancing awareness of the civil rights movement. But on his way he went through Lowndes county, an often-overlooked hostile territory where a profoundly influential movement for equal rights was born.

With impassioned talking head testimonials and a staggering treasure trove of never-before-seen archival footage, documentary Lowndes County And The Road To Black Power covers the 80% Black population in one of the poorest counties in the US who rallied to register their vote and be heard despite the constant and immediate threat of white supremacist violence. Lowndes is where the college kids who made up the Student Nonviolent Coordinating Committee (Sncc, pronounced snick) went to support the local community and help create the Lowndes County Freedom Organization (LCFO). Their focus was to get Black people elected into positions of power and effect change. Because such practical and immediate goals were a threat to white power, these targeted activists had to arm themselves while moving through an area dubbed Bloody Lowndes.

On their election literature, the LCFO identified themselves with a logo borrowed from Clark-Atlanta University’s mascot: a panther. They were known as the Black Panther party.

Sncc’s story isn’t as widely circulated as say Martin Luther King Jr’s in the history books and popular culture. On a Zoom call with the Guardian, director Geeta Gandbhir, alongside co-director Sam Pollard, says that erasure is intentional. “It’s about a leaderless movement of folks organizing and claiming power in a way that is a threat,” Gandbhir says from her home in Brooklyn. “As Ruby Sales says in the film, Black power is a threat to white supremacy and to the white economic system everywhere.

“The Sncc veterans and also the local Lowndes county people were non-violent in theory, but they were going to defend themselves. They were carrying guns. That kind of movement, which ultimately was very successful and is the key to the freedom struggle, is seen as dangerous by folks who want to maintain the status quo.”

Gandbhir didn’t know the story about Lowndes county before writers and producers Vann R Newkirk II and Dema Paxton Fofang brought the project to her. She was down to direct, but wouldn’t take the project without Pollard because she felt it wasn’t her story to tell.

Gandbhir is Indian American. She cites Mira Nair as an influence, not just because the Mississippi Masala film-maker is a fellow Indian. Nair told stories about Indian Americans in relation to other Bipoc (Black, Indigenous and people of color) communities, not just in their own bubble where they can put on a performance as model minorities while their own anti-Black racism bubbles beneath the surface. Gandbhir carefully acknowledges that while she sees unity in the struggles shared by the Bipoc community, she understands the privilege she has that the Black community doesn’t.

Pollard, a veteran in the industry who cut his teeth as an editorial assistant on Ganja & Hess, has been telling stories about the freedom struggle since making his directorial debut on the PBS series Eyes On The Prize. Lowndes County And The Road To Black Power is far from his first collaboration with Gandbhir. They began working together editing Spike Lee films like Surviving The Game, Girl 6, Bamboozled and When The Levees Broke. According to Gandbhir, they met when she was working as an editorial assistant on Spike Lee’s Malcolm X.

“That’s not true,” Pollard interrupts, from a recording studio in Hell’s Kitchen. “I only worked on Malcolm X for two weeks.” Gandbhir agrees, clarifying that she remembers him from when he came in to briefly help with the edit on Spike Lee’s epic biopic on the passionate civil rights era leader. “I don’t remember her at all,” he says, chuckling in defeat, the comfy groove created by their decades long working relationship is felt in the warm and comical back-and-forth.

“She was my apprentice editor, assistant editor, co-editor,” says Pollard. “Then she became a director and we started directing together. She’s always looking out for projects that she thinks will be interesting because of the social or political points of view.”

She points to an argument made by Kwame Ture, the Sncc organizer who coined the slogan “Black Power”. Then called Stokely Carmichael, Ture pointed out that the Southern Christian Leadership Conference (SCLC) would be lost without their leader, Martin Luther King Jr. “That is the danger where the people didn’t necessarily feel that they themselves had the actual power to impact change,” Gandbhir explains, adding that Sncc’s model ensured that every individual organizer or citizen exerting their voting power recognized why and how their voice matters. “As they say, strong people don’t need strong leaders ... You want the movement to outlive you. Ideally, you’re working yourself out of a job. That was Sncc’s concept of organizing and one that we need today.”

I turn the conversation to some of today’s activists, specifically those who have achieved internet notoriety. The day before this interview, Ziwe, the comic talkshow host who knows how to capitalize on awkward silences, aired her interview with DeRay Mckesson. He’s an activist who was on the ground at Ferguson, allied with Black Lives Matter and founded the police reform movement Campaign Zero. Ziwe asked Mckesson about a fellow celebrity activist Shaun King, who has been criticized for allegedly mismanaging money and capitalizing on his clout. Mckesson, who has also received his fair share of criticism, talked about how fame could erode activism, as Ziwe raised a pointed eyebrow at her guest. A chyron onscreen punctuated the irony, paraphrasing the famous activist as saying: “Fame is bad for activism.”

I ask Gandbhir and Pollard, given the tenets learned from Lowndes county, about their thoughts on these activists and some of the organizational criticism in today’s movements. Pollard shakes his head, letting out a big “nooooo”. He’s exerting his influence as the wise owl role in the conversation, simultaneously responding to me and warning Gandbhir that it is not her place to respond.

“We’re film-makers,” says Pollard. “It’s not our job to use our film to critique present-day movements.”

I take the query a step further, asking about their thoughts on bad faith players like Candace Owens, the conservative commentator who got Kanye West’s ear, works to discredit movements like Black Lives Matter and sows doubt regarding George Floyd’s murder. Lately, we’ve been inundated by YouTube ads for Owens’ documentary, spreading her arguments to the algorithmically vulnerable.

Pollard and Gandbhir remain wary about addressing any specific players, but remind why it’s important to tell truthful and impactful stories like Lowndes County; stories they feel, again, were suppressed by the powers that be for a reason.

“Disinformation and propaganda has always been a tool used to suppress, oppress and destroy communities and civilizations,” says Gandbhir. “It’s how certain groups feel that they can win.

“One group tells you it’s raining. The other group tells you it’s not raining. Our job is to go outside and see if it’s raining. That’s how I look at it. That’s what we try to do in the storytelling.”

Lowndes County And The Road To Black Power is now out in US cinemas with a UK date to be announced

#You want it to outlive you’: an often-overlooked piece of civil rights history #Civil Rights History in america #Black Panther Party for Self Defense #voter registration drives #sncc #MLK Jr #sclc #Black History Matters #Lowndes county mississippi #Lowndes county voting registration drive #Black Voting Rights in mississippi #Lowndes

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scp-113 · 2 years

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for the music ask: ✌️ ✌️ (44)

the DROP

#y-lisse #ask game #askthedemon #music

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green-grass-of-the-shire · 2 years

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How old do you have to be to smoke marijuana

Marijuana authorization has become progressively well known among Americans, even the individuals who don't share, and states are paying heed. Lawful, controlled pot deals offer many advantages to people and state and nearby legislatures including expanded charge income, admittance to more secure items, and diminished movement and reliance on the unregulated bootleg market. Legitimate controlled substances frequently accompany age limits, and these can differ on a state-by-state and made to order premise. How old do you need to be to partake in ganja? We should investigate.

For what reason do states have age limits on marijuana use?

Like liquor and tobacco, marijuana stays a controlled substance in the 33 states that have legitimised it for clinical or sporting use. Policymakers put age limits on these substances trying to advance protected and dependable use. Liquor's just generally acknowledged clinical purposes are as a sanitizer, sterile, and remedy to methanol harming in situations where fomepizole isn't accessible. Tobacco, then again, is answerable for more than 3 million passes each year around the world. In spite of the horde of clinical utilizations of pot, many states have put together their weed age limits with respect to existing liquor and tobacco regulations. The drawn out impacts of pot use in minors have not been well-informed and many concur that deciding in favour caution is ideal.

What is the lawful age to involve sporting weed in the US?

While marijuana remains governmentally unlawful in the US, the states which have legitimised sporting pot deals, including Gold country, California, Colorado, and Michigan have set the legitimate age to buy weed at 21.

This age limit reflects the lawful drinking age from one side of the country to the other. The government legitimate age to buy tobacco was as of late raised from age 18 to mature 21 too. The fundamental rationale behind setting the sporting use age limit at 21 is, probably, that on the off chance that an individual can be relied upon to utilise liquor dependably at 21, similar sounds valid for marijuana.

Should the law be changed?

There are two significant ways of thinking with respect to the suitable age to start utilising pot. The people who advocate for higher age limits contend that the human cerebrum keeps on creating until the age of 25, and that mind-adjusting substances can adversely influence mental health. Despite the fact that liquor is an intensely mind-changing substance, the "creating cerebrum" contention isn't reflected by the lawful drinking age of 21.

The individuals who accept the lawful age for sporting pot use ought to be brought down to mature 18 contend that the repercussions of higher age cutoff points could be more hindering than accommodating. In an overview of in excess of 42,500 understudies across the US, scientists saw that as 30.3% of twelfth graders detailed day to day marijuana use.

Without controlled admittance to pot, youngsters are probably going to search out illegal methods for obtaining pot. Not in the least does this fuel the underground market, it likewise implies there is no guideline of item wellbeing. Moreover, in the event that got and sentenced, the ramifications of a lawbreaker record can meaningfully affect all that from lodging to work possibilities.

At what age might you at any point utilise clinical weed?

Many states that offer a clinical cannabis program set the base age to apply at age 18. This is the age at which one is viewed as legitimately a grown-up in the US and may pursue lawful choices and enter contracts without parental assent.

It makes sense that here a grown-up can advocate for their own clinical treatment too. A specialist's proposal in view of qualifying conditions is still commonly required. What might be said about more youthful patients who experience the ill effects of similar qualifying conditions? The regulations in regards to clinical pot use by minors fluctuate by state.

In states including Nevada, Michigan, and Hawaii, there is no age breaking point to apply for clinical pot given the patient gets a clinical suggestion. Different states permit minors to utilise clinical marijuana on the off chance that a grown-up parent or gatekeeper gives assent and registers as the minor's guardian.

Because of the current narcotic emergency, a developing number of specialists are supportive of recommending marijuana to minors for help with discomfort in circumstances where profoundly habit-forming narcotics could somehow be applied, like in case of sports wounds or while recuperating from a medical procedure. A few states have further limitations on the clinical utilisation of marijuana by minors.

Lawful age for weed use in Canada

Weed has been lawful in Canada starting around 2018, and the Canadian Team on Marijuana Legitimization and Guideline has suggested that the legitimate age for sporting pot utilise be set at least 18 years of age.The legitimate drinking age is comparable, set at 18 or 19 years of age, contingent upon the area.

Areas have the tact to set their own age limits on sporting marijuana use. For instance, the legitimate age for pot use in Alberta is 18 years, while the legal age in Quebec is 21. Different areas and regions have been set as far as possible at 19. Explorers are supposed to adhere to the neighbourhood regulations when in another territory, so 20-year-olds may legitimately have marijuana in Alberta, yet not Quebec.

Lawful age in different nations

Marijuana acknowledgment and use has not quite recently expanded in the US and Canada. No less than 30 nations have authorised the utilisation of clinical weed.

Others have decriminalised marijuana in modest quantities or made specific concessions in regards to the utilisation of weed. We should investigate a few models.

Uruguay

In 2014, Uruguay was the principal country to sanction sporting marijuana.

This country's initial reception of sporting weed was pointed toward lessening how much medication related coordinated wrongdoing. The lawful age to consume pot in Uruguay is 18 years. Buyers are expected to join a library and are simply allowed to buy little amounts(10 grams each week). They might grow up to 6 plants in the home.

The Netherlands

Amsterdam cafés are probably the most universal images of marijuana utilisation on the planet, yet weed regulations in the Netherlands aren't as free-wheeling as you might suspect. As a matter of fact, it is against the law to deliver, have, sell, import, or commodity drugs in the Netherlands.

Least legitimate age for pot use ought to be nineteen, study recommends

The ideal least legitimate age for non-clinical weed use is 19 years old, as per a review distributed in BMC General Wellbeing.

A group of specialists at the Commemoration College of Newfoundland, Canada, explored how Canadians who began utilising weed at a few youthful ages varied across significant results (instructive fulfilment, cigarette smoking, self-revealed general and psychological well-being) in later-life.

Dr Hai Nguyen, lead creator of the review expressed: "Preceding sanctioning, the clinical local area suggested a base lawful age of 21 or 25 for non-clinical marijuana use in Canada. This suggestion depended on logical proof around the possible unfavourable effects of weed on mental turn of events. In any case, policymakers dreaded a high least legitimate age might prompt huge secret business sectors, with those under the lawful age proceeding to unlawfully utilise weed. Eventually, a lower legitimate age of 18 or 19 was chosen across territories, but there remains continuous discussion and calls to raise the lawful age to 21."

To decide if the age at which individuals start to utilise pot might affect later-life results, the creators dissected information from broadly delegate Canadian Tobacco Use Checking Studies (CTUMS) and Canadian Tobacco, Liquor and Medications Reviews (CTADS) led somewhere in the range of 2004 and 2015, which every year interview up to 20,000 people matured 15 years and more seasoned.

The creators found different ideal least legitimate ages relying upon the result of interest. For smoking, respondents who previously utilised pot matured 19-20 were more averse to smoke cigarettes sometime down the road than the people who originally utilised marijuana matured 18, however no tremendous contrast was found in the people who began utilising pot at a more established age, demonstrating an ideal legitimate age of 19.

The quantity of respondents revealing an elevated degree of finished schooling was 16% higher among the individuals who initially utilised marijuana between the ages of 21 and 24, comparative with the people who originally utilised it before age 18, proposing an ideal least lawful age of 21.

General wellbeing was fundamentally better among the people who began utilising pot at 18, comparative with the individuals who began before age 18, however no tremendous contrast was found among the individuals who began at a more established age, recommending a base lawful age of 18. Be that as it may, emotional well-being results were viewed as higher among the individuals who previously utilised marijuana matured 19-20 than before age 18, recommending a base lawful age of 19.

Dr Nguyen said: "The lower level of finished schooling revealed in the people who previously used weed at a prior age might reflect poor neurological turn of events or a higher 'drop-out' rate from additional training. It is likewise conceivable that the people who start weed utilise it early may involve it as a door for additional unlawful medication use, bringing about less fortunate wellbeing in later life, which might make sense of the unfortunate general or emotional well-being scores kept in the review."

Dr Nguyen expressed: "Considering every single estimated result, that's what our outcomes show, as opposed to the Canadian national government's suggestion of 18 and the clinical local area's help for 21 or 25, 19 is the ideal least lawful age for non-clinical weed use. Keeping the lawful age under 21 might work out some kind of harmony between possible expansions in black business sectors and unlawful use, and staying away from the unfavourable results related with beginning to utilise pot at a previous age."

The creators alert that as the review utilized self-announced information, respondents might not have precisely reviewed the age at which they originally utilized marijuana. Information was additionally gathered before authorization of non-clinical pot in Canada and the creators couldn't anticipate the effect of marijuana use after legitimization. They propose that further examination is expected to lay out possible causal impacts between the age at which weed is first utilized and the results estimated in the review, and could likewise zero in on unexpected results, for example, driving ways of behaving and road drug use.

#marijuana #cannabis #weed #420weed #hemp

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pohonbulandua · 3 months

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apa yg saya dengarkan di jun 2024.

lionel ritchie, can't slow down (funk, soul, pop). nampak kurang nyaman dengan musik elektronika dari 80an. mainkan musik2 soul untuk nya agar nyaman saat dinyanyikan

michael bolton, the hunger (soft rock). kenapa ga bikin band hard rock aja ya?!

sheena easton, you could have been with me (ballad). paduan vokal melengking dan harmoni pop ala beach boys, sisa sisa musik akhir 70an terdengar cukup sering di album perdana ini

debbie gibson, electric youth (elctronic pop). rasanya seperti perpaduan antara new order dengan hayley williams

peter cetera, one more story (soft rock). punya potensi vocal yang meledak, rasanya cocok menyanyikan lagu lagu dari queen, sayang beberapa lagu mellow membuat potensi peter tak keluar

slate, deathless (pot punk). slate mendorong post punk ke berbagai ranah ekplorasi, nuansa mendengar album2 mbv, new order, dan vibes kesedihan, kegusaran, menciptakan satu sensasi yg cukup baru! ciamik ❤️‍🔥

samntha fox, self titled (synth pop). ini adalah new order album get ready! sayang terganggu dgn rap maksa di satu track 😭

carl carlton, self titled (disco, funk, soul). funk dari era 70an yg terbawa sampai ke tahun 80an, energik, danceable, dan loveable

chaka khan, i feel for you (elctronic, funk, soul, pop). dgn musik yg amat modern pun, chaka khan masih mampu menghibur

the cottons, harapan (pop). kenapa rilisan terbaru the cottos amat begitu berbeda. mungkin kebanyakan dengerin rilisan terakhir bangkutaman

dennis edwards, don't look up any further (soul, disco, rnb). bersuara lembut dan terkontrol juga tdk berlebihan, plus musik elektronika modern dari zaman 80an siap menemani diri ini menjalani macetnya kota besar

madonna, self titled (dance pop). debut album yg syahdu... mendengar suara madonna bagai berada di surga

armlock, trust (acoustic, indie rock, folk rock). effort minimal tapi hasil maksimal 😭

ibrahim hesnawi, the father of libyan reggae (funk, soul, reggae). saya tak pernah menghisap ganja, tapi ada teman yg pernah gele karenanya, saya rasa dibanding harus menghisap ganja saya akan merekomendasikan album ini untuknya saja

various artist (now-again records), welcome to zamrock! vol. 1 (rock, funk, soul). album kompilasi band rock keren dari zambia, sebuah sub kulter yg tak pernah diprediksi, dan mereka sudah hadir dari early 70's menghadirkan musik mixed antara psikedilia dgn rock ala led zeppelin, stones serta suara lantang ala james brown

various artist (now-again records), welcome to zamrock! vol. 2 (rock, funk, soul). kompilasi dari band rock dari zambia, masih konsisten memberikan kejutan

various artist (analog africa records), afro-beat airways (funk, soul). percampuran antara sensasi psikedelia dengan suara suara sakral dan jampi jampi yang asing

hugh masakela, the chisa years 1965-1975 (funk, soul, folk). suara megah dari masa lalu yang sangat masa kini

various artist (now-again records), forge your own chains (funk, soul, psychedelic). vocal, rythm gitar, bassline pattern dati berbagai musisi yg sangat mengantui dan menghipnotis ❤️‍🔥

various artist (rare groove records), african rare groove (funk, soul, psychedelic, disco). semenyenangkan mendengarkan sunshine pop/experimental hip hop/funk/jazz/soul dgn bahasa yg tak dapat dimengerti

the funkees, dancing time (rock, funk, soul). seperti the doors tapi dengan gairah lebih tinggi

black flag, my war (hardcore punk). album paling experimental dari black flag, entah obat apa yg dikonsumsi ketika membuat album ini sehingga tiap lagu menjadi sangat tdk inkonsisten satu dgn lain. ataukah dia hanya kurang percaya diri?!

melvins, gluey porch treatments (sludge metal). seperti kata dave, album ini lebih hebat dibanding black sabbath

flipper, generic flipper (punk, experimental). influencer genre sludge metal, saat hardcore terlalu cepat mereka memutuskan melambat!

chaka khan, naughty (disco). ini adalah soundtrack sempurna untuk menghabiskan malam di lantai dansa

kool and the gang, kool jazz (jazz, funk). seperti melempar siapa pun yg mendengarnya ke suatu sore di pesisir pantai yg sepi namun berombak ganas dengan angin kencang dan sinar matahari yg makin jauh

bernadya, sialnya hidup harus terus berjalan (pop). kenapa vibes nya gloomy, murung dan gelap gini ya

dongker, menghibur domba diatas puing (punk, hardcore). inimah cock sparrer!

various artist (now again records), wake up you! rise and fall of nigerian rock vol. 1 (rock, funk, soul). kemarahan yang dituangkan dalam alunan groovy yg funk

various artist (now again records), wake up you! rise and fall of nigerian rock vol. 2 (psychedelic). terdengar kegelisahan, cemas dan sedikit riff iommy di beberapa lagu yg diselimuti kegelapan

the southern university jazz ensemble, live At The 1971 american college jazz festival (jazz). seperti mendengar scene terakhir dari school of rock, alvine batiste adalah jack black dalam dunia jazz!

the boris gardiner happening, ultra super dub vol. 1 (reggae). angin semilir, batu karang, hantaman ombak yg kadang nakal terlalu kencang melewati bibir pantai, orang berselancar, dan pemuda pemuda bermain sepakbola pantai. adalah gambaran yg tepat untuk album yg telah lama hilang ini

the boris gardiner happening, ultra roots dub vol. 2 (reggae). sisa sisa terakhir kreativitas yg di peras sampai kering

the stark reality, discovers hoagy carmichaels music shop (jazz, funk, soul). noise, fuzz, psikedelia terbalut dalam tiap track jazz sepanjang album. dan ini merupakan album experimental paling gila, karena menggubah ulang lagu anak2 menjadi lagu paling sikedelik paling addiktif

cek playlistnya disini!

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