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#gay cape town
sagaymen · 2 years
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Beautiful Men on Beautiful Bikes
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gaywmctn · 2 years
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Would be real nice
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aurorawest · 9 months
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Sensitivity reader(s) needed!
Hi friends, I'm in desperate need of a sensitivity reader or five for the next novel on my editing docket. I'm looking for readers who are:
South African, preferably Coloured. To be highly specific, if you know a gay Coloured man from Cape Town who would be interested in reading, please send them my way.
Hawaiian, preferably Native Hawaiian. This character is also a gay man.
Novel details: currently 88.9k words, contemporary m/m romance, "open door" sex scenes.
I would really really appreciate any signal boosting! Thanks in advance!
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Know your powers...
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whatastrangewriter · 7 months
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HAPPY CAPE TOWN PRIDE DAY EVERYONE!!!
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gratingsoflight · 1 year
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pixelatedquarter · 1 year
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we are not 100% safe from Young Veins medley in the middle of 2ourdust. "And then Ryan Ross and Jon Walker show up holding the flag of Cape Town" is unlikely, but not impossible.
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analogueanimal · 2 years
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gaymaerer · 11 months
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In a gay relationship, which one plays wonderwall to the other?
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marzipanandminutiae · 3 months
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You Didn't Do Enough Geographical Research For That Movie/TV Show, a game I love
The Handmaid's Tale: when June and Moira are trying to escape the Red Center, they mention trying to get into downtown Boston. but the subway station they enter has a sign that says "ARLINGTON" being removed. there IS an Arlington, Massachusetts outside the city- but it doesn't have a subway station. the real Arlington Station is in the middle of the Back Bay...in downtown Boston
The Handmaid's Tale again: Moira and Emily are comparing notes on the gay scene in Boston, and Moira says Emily seems "like a Somerville kind of girl" and mentions her going to Club Cafe in the same breath. Club Cafe, a well-known Boston gay bar, is also in the Back Bay, and Somerville is a suburb north of the city
Also The Handmaid's Tale: there are way too many hyper-modern buildings for that to believably look like the Boston area. I get that they filmed this in Toronto, but they could at least...TRY to make it look like the city it's set in? probably more than half of the buildings here are pre-1920s. June and Luke apparently live in Somerville- they take the Red Line, so I'm guessing around Davis? but their apartment is once again super-modern. most apartments in that area are duplexes built around 1910-1920
Legally Blonde: Brooke apparently has a pool and a pool house while living on Beacon Hill. Beacon Hill is mostly row houses with very little outdoor space- while apparently some do have small and/or indoor pools, it's extremely unlikely for any to also have a pool house. there just isn't any room for it
Also Legally Blonde: that doesn't look like Cambridge. at all. come on, now
Legally Blonde again: 45 Dunster Street (not "Dunston" as they said in the movie), Cambridge, doesn't have a lawn or a long front drive. it's right on the street, with just a bit of sidewalk in front. it's also not a residential house- in 2001, it was the home of the Fly Club, an all-male Harvard social club
Brooklyn 99: at one point, a criminal's alibi is that he was at a nightclub in Cape May, New Jersey. Cape May is a very quiet family-friendly resort town, with lots of Victorian summer houses converted into BnBs. my dad's cousin used to own one; we went to visit her a few times. it's not a nightclub type of place at all
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Hit ‘Em Up! (18+ Fic)
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Pairing: Cowboy!Gojo Satoru x Cowboy!Geto Suguru x Black!Cowgirl!Reader (Slow Burn/Enemies to Lovers)
Synopsis: You get to meet Geto & Gojo the Gunslingers, the notorious outlaws that have every town and law enforcement in a twist, when your bum-ass BF offers you as payment to avoid going to prison. Little do they know that this is only a part of your plan to get what you desire. But when you realize that the infamous gun-slinging, smooth-talking cowboys could be everything you want and more when they offer you a deal to team up with them, will you successfully be able to go through with it? 
Warnings: Smutty Smut; 18+ (MINOS GTFO); poly!SatouSugu; Reader is Black & Fem; Mention of other JJK characters; Porn with Plot; Tragic Backstories; T/W for Childhood Trauma, Parental Death, Violence, Panic Attacks & Torture; Angst/Hurt/Comfort; Hand Kink; Masturbation; Voyeurism; Gay Sex; Polyamorous; Double Deepthroat; Mutual Oral; Fingering; CMNF; Spitroast; Riding; Unprotected PiV Sex; Creampies; Outside/Public Sex; Shotgunning; Multiple Positions; Spit Kink; Facials; MDom/fsub Undertones; Aftercare
Disclaimer: I own none of the characters mentioned in this fic. However, as this is my writing, I do not give permission for my work to be reposted on any other sites that are not from my own accounts. Thank you!
Chapters: One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen PT I & II. Nineteen. Twenty. Twenty-One. Twenty-Two. Twenty-Three. Epilogue. Soundtrack.
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TWO: G & G.
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You know that there are those in the world who strike fear into people’s hearts and souls.
But you’ve never seen anyone react to a single human being the way they do the duo that struts into the bar in their leather cowboy boots. 
You’ve never seen the saloon so quiet and still before then when the duo steps into the scene. A tumbleweed could blow by with how silent it is.
Everyone’s eyes stay planted on the tall, handsome men oozing with confidence and intimidation standing among the swinging doors, appearing like sexy phantoms in the night.
There stands Geto Suguru, the 6’4 long-haired gunslinger with the perfect, black locks that cascade down his broad shoulders and back, seductive eyes, and skillful hands that he hides behind two riding gloves.
He usually is seen riding a black Bronco that is just as big as him and sporting a black cape with black riding pants, boots, and a low-brim cowboy hat. Black fits him so damn well. The only thing that isn’t black on him is the red vest that is so low-cut that you can see the outline of his pecs. 
Beside him is his partner (and lover as it’s rumored) Gojo Satoru, the lean, confident, cocky, blindfolded bandit standing at 6’3 with snow-white hair, a sly smile, leather gloves that hide some skillful and deadly hands, and a blindfold covering his eyes that have never been seen but are said to make a man go cold with fear where he stands.
In contrast to Geto, the white-haired cowboy is doused in colors: a denim jacket that matches his slacks where a star-shaped belt buckle hangs from his crotch; brown boots with spurs; a red bandana wrapped around his neck; and a white cowboy hat sits low on his head. He, too, has his own horse: a brown Bronco that is recognizable from its hooves clicking across the ground.  
They are a match made in heaven and hell. Handsome, skillful, and deadly. They are known for their impressive yet terrifying speed when it comes to cocking and shooting their pistols. You’ve heard of them killing all kinds of wanted criminals and even other gunslingers in other counties.
Everyone knows them and so do you. 
If a record was playing, the damn thing would be scratching by now with the way the saloon reacts to seeing the gunslingers in the flesh. Whispers begin to rise from the silence, including from Yuki, Mai, and Maki who have wandered over. “Oh, my God,” Mai gasps. “It’s the Gunslingers!” 
“What the hell are they doin’ here?” Maki wonders aloud, peering at them from behind her spectacles. “Are they lookin’ for someone? I thought they had been arrested!” 
And they did, last year. At some point, the articles of gunslingers, corporation owners, and high rollers found dead with bullets in them and a note from “G & G” left at the scene stopped when they were arrested after that train heist. And you know it has everything to do with their connection to your boss. 
“Who cares?” Yuki dreamily sighs as she stares at the gunslingers with heart eyes. “I get to admire them in person now! Aren’t they delicious?” 
“Keep it in your pants, Yuki,” Choso grumbles, tugging on a lock of the blonde’s hair as she giggles. “They ain’t even all that.” 
“Of course not,” Yuki purrs, making Choso blush. “Not above you, Chosi, but a cowboy hat would do you so well!”
Even you will admit that the “wanted dead or alive” posters don’t do them justice: they are fine as all hell, straight out of a woman’s wet dreams. But they are also outlaws. And you despise outlaws…for personal reasons. 
The duo begins to look around the silent saloon, Gojo’s head slowly turning despite his blindfold. When his head turns toward you, you feel as if the air has been stolen from your very lungs. Despite the fabric covering his eyes, you feel as if he sees you. All of you. 
Gojo nudges Geto with his elbow before waltzing over to the bar, his boots thudding across the hardwood floor. Geto follows, ignoring the whispers and stares in their wake. The piano has begun to pick up again, but it does nothing to ease the tension swimming in the air. Quickly, you turn to face your drink while the girls scatter to work, leaving you to fend for yourself. 
Geto sits on the stool beside you while Gojo takes the one beside him. You feel the air around you become stiff and tense as the cowboys settle into their seats. “So what’s a cowboy gotta do to get a drink round here?” Gojo asks with a smirk. “Can ya help a guy out, miss?”
He gives Shoko a flirty look, not knowing that this girl is gay as hell. “I could damn sure try,” she replies, barely giving him a smile. “What will you fellas have?” 
“I’ll take a Long Island iced tea,” Gojo says then laughs. “Just kiddin’! A beer, please.”
Geto takes a moment to examine the shelves of alcohol behind Shoko. He then looks at your pretty drink. “I’ll take what the lady is havin’,” he answers. “Actually, what is that you got there, miss?” 
His dark, enchanting eyes meet yours and you ignore the butterflies they invoke inside of you. “Whiskey smash,” you blandly reply.
He hums thoughtfully at the name. “Hm…is it good?” You tick your eyes at him briefly, secretly admiring his features. “If you like your whiskey with some sweetness to it, sure.”
A slow smirk appears on his face. “Oh, I definitely do,” he drawls. “I like sweetness with my everything.” 
You swallow hard, so sure you have a cherry pit in your throat. Gojo chuckles from beside his partner, flashing you a white-toothed smile. “Oooh, me too. I’ll third that order, ma’am!” Shoko nods and shoots you a look before wandering off to fix the drinks. 
You do your best to keep calm and act normal, sipping your drink and trying to relax. At some point, the silence becomes thicker, prompting one of the gunslingers to speak on it. “Welcomin’ place,” Gojo sniggers. “I feel so at home.”
Geto quietly chuckles from between you and Gojo. “Let’s just settle, Satoru. We won’t be here long.” 
‘Settle what?’ you wonder, but you know that they are here for Kento. Shoko comes back with the frothy, red drinks, lowering them in front of the gunslingers. 
“Thank you kindly,” Gojo chirps before taking a sip. Geto nods his thanks but doesn’t drink his right away. Instead, he goes into his pocket and retrieves a folded piece of paper. He unfolds it and slides it across the bar to Shoko. “I don’t suppose you know who this guy is,” he says. 
You peek down at the paper, finding it to be a “Wanted” poster with your BF and boss looking back at you. Kenzo aka “Valentine” looks much different than when you met him. On the poster, he is clean and shaven, has longer, shaggier hair, and has a distinguished scar on his left eye.
But of course, this is the gunslinger who robbed people blind and just pulled a train heist and massacre in the town of Cherrywood a year before with his crew, Geto, and Gojo. The man who takes his place now is Kenzo, a humble saloon owner who sometimes dabbles in illegal activity to fund his saloon.  
Valentine, a criminal on the lamb and your outlaw boyfriend, is known for using his looks, charm, and violence to get what he wants. He is a man who loves money, women, and jewels. As a notorious criminal and outlaw, he has bounced from place to place, county to county, robbing folks and then laying low before starting again. 
He was arrested for robbing the Cherrywood regional train and having his crew massacre all of its employees and riders before you met him. Originally, he was given a fifty-year sentence but escaped after serving five weeks just by seducing a male prison guard and then knocking him out to steal the cell keys. 
You were hot on his trails when he showed up Blackwater a year later and met you in a whorehouse that you purposely took a job in since he frequented those. He took one look at you and immediately fell in love with you (and your body), proposing you a job at his saloon. “You could be mine,” he told you. “My girl.” You agreed and the rest is history. 
“I’ve heard of him, yes,” Shoko replies as she cleans a glass. 
“Is it possible you’ve seen him around?” Geto ponders aloud. “I don’t know if you’re aware, but he escaped Cherrywood a year ago after robbin’ a train and massacrin’ everyone in it. He’s wanted in about nine different counties.”
Shoko takes another brief look at the poster before someone flags her down from down at the bar. Saved by the bell. “I can’t say I have seen him, fellas,” she apologetically says. “‘Scuse me.” 
She hurries off, leaving you with the two cowboys. “How about you, ma’am?” Geto asks, passing the poster to you. “You recognize this face by any chance?” You look down, studying Valentine’s face.
You have, but first, you need to read these guys. “I’ve seen him in the posters, but not in person. May I ask why you two are here?” 
You keep it casual and curious, making sure you don’t sound too suspicious. “We were paid by a private source to track down Valentine for his crimes,” Geto vaguely explains. 
“And for personal business,” Gojo adds with a smirk. “You see, we were in, uh…business with Valentine some time ago and never got our cut.”
He doesn’t need to go any more into detail than that. You know exactly what he’s talking about. “We don’t like bein’ played with,” he says, his voice dipping an octave, sending a chill down your spine. “Or when someone’s money is funny, so we came here to exchange words with him.” 
‘Words or bullet?’ you want to ask, but you instead bite your tongue and sip your drink. 
“We’ve been told he was last seen in this town,” Geto explains. “We figured everyone comes to saloons so why not check here?” He slides the poster away from you, a kind yet flirty smile crossing his beautiful face. “But even if he isn’t, we can still enjoy a drink with a pretty lady.” 
You roll your eyes, having heard that line before. “Does that line work with all the girls?” you scoff. Gojo coughs up his whiskey as he laughs, but Geto doesn’t take it to heart. In fact, he chuckles.  “I see not with you,” he replies. 
“I like that,” Gojo states once he’s recovered, his blindfolded eyes set dead on you. “You’ve gotta be the first person who isn’t scared of us or tryin’ to jump in bed with us.”
You passively shrug, twirling your tongue around the rim of the glass. “I’ve been around gunslingers in my time.” 
At this, the duo share a look unbeknownst to you, quite interested in the pretty thing sitting with them at the bar. “Oh, really?” Gojo drawls and you realize your mistake. “Any of these encounters you’d care to share, little lady? I’m quite interested.”
Geto nods, his gaze like molten fire. “I am too.” 
You suddenly feel your mouth grow dry and your cheeks become hot. Your body reacts in a way it never has with any man you’ve been with, not even your first love! The way they continue to stare at you, giving you their undivided and unwanted attention, is even worse.
What is wrong with you?
Luckily, your boss comes to the rescue, barreling up to the bar like he wasn’t watching the duo from afar and shaking in his boots. 
“Oh, gentlemen!” he shouts, giving them both a hard, eager handshake. “Welcome, welcome! Can I offer you two another drink or a dance free of charge?”
Gojo ignores him like he isn’t even talking, leaving Geto to handle this. “Thanks, but no thanks,” he says, plastering on a kind smile. “We’re here for some information about him.” 
He passes Kenzo the poster and you watch in real time as the color in your boyfriend’s face drains. “Have you seen this guy anywhere?” Geto asks, squinting at him.
Gojo peers at him from under his hat, his stare intense even with the blindfold covering his eyes. Kenzo clears his throat and leans in to whisper to Geto. You pretend to ignore them though you secretly strain to hear. “Let’s talk in private,” he whispers. “Even the walls have ears, I’m afraid.” 
Geto nods and nudges to Gojo who sighs and downs the rest of his drink. To your shock, Geto puts a hand out to you for a shake. Though hesitantly, you take his hand and feel the room grow hotter than a sauna when he places a gentle kiss on your knuckles. “It was a pleasure meetin’ you, ma’am,” he softly says. “Hopefully, we’ll cross paths again.” 
His eyes gleam as he tips his hat at you, leaving Gojo to follow Kenzo upstairs. Gojo doesn’t follow right away, instead digging into his pocket for some coins and placing them on the bar in front of you. “For your drinks and yours,” he says with a crooked smile. “Have a good night, little miss.” 
Then, just like Geto, he leaves as if he didn’t just steal the air you breathe with it. It takes a moment to get your head back, but once you do, you down the rest of your drink and get up from your seat. Shoko catches your eye and gives you a look, her eyes telling you a message: 
“Don’t get caught,” she warns you. “And don’t get killed.” 
You nod, blowing her a kiss, before following your boss and the duo upstairs.
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calltocupid · 4 months
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hawk and tim are spending their summer in cape cod btw. and pride month is filled with trips to the beach and province town where they can be incredibly gay together.
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Spending time alone in your own company reinforces your self-worth and is often the number-one way to replenish your resilience reserves.
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fortunatelylori · 4 months
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A defense of Eloise Bridgerton and her friendship with Penelope Featherington
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I should probably start this post by pointing out the fact that I’m not the biggest Eloise fan out there. In fact Eloise has consistently annoyed me for two seasons straight with her I’m “not like other girls” shtick and the writers using her as a prop for modern feminist talking points. 
Mostly what I disliked about Eloise was the bluntness and lack of charm used to put across the themes of women’s role in recency society and the lack of options for girls not interested in playing the marriage mart mind games. 
Jane Austen, for example, makes many of the same points regarding women in her novels but instead of beating us over the head with it, she uses wit, eloquence and wisdom to get her points across. 
But, above all, I disliked just how self involved Eloise was, what a major chip on her shoulder she had. She’s a privileged girl from an immensely powerful and rich family that spends her days whining and being dismissive of everyone around her. 
She spends most of season 1 picking fights with Daphne for no reason and the second season making fun of Colin and running around town like a chicken without a head not so much because she wants to find out who Lady Whistledown is but because she’s bored and wants something to do (something other than talking to men potentially interested in marrying her because she’s gay she’s not like other girls). 
Even as I’m writing this, I’m questioning whether I’m even the right person to defend Eloise because, as you can clearly tell, I don’t much care for her. But I do think Polin and Penelope fans are really misjudging Eloise and wanting to make her the villain of season 3 due to her resentment towards Penelope and her anger at the Polin engagement.
So I guess I have to be the hero without a cape in this instance. 
Here it goes …
It’s very easy to look at the friendship between Eloise and Penelope in season 1 and 2 and conclude that Eloise has always been a bad friend to Penelope. After all, almost every scene they have together is about Eloise, her interests and passions, her frustrations at the ton and the marriage mart, her inability to fit in with societal expectations, her quest to find out the identity of Lady Whistledown etc, etc. There’s almost never room for Penelope to even get a word in because Eloise talks and talks and keeps on talking. 
But I’d like to put forth another interpretation and say that perhaps this dynamic in the relationship isn’t all on Eloise. That it’s Penelope herself that prefers it that way. That she’d much rather talk about Eloise and her issues than to reveal anything truly meaningful or vulnerable about herself. 
A scene that supports this theory is the scene they have in season 2, episode 1: 
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This is about as open and vulnerable Penelope ever is with Eloise and in this scene we can observe several things: 
Despite her being more open than usual, Penelope is still lying to Eloise. She talks about how she enjoys being a wallflower because she can have all the fun without the pressure that comes with being in the spotlight. In reality we know Penelope would love to be in the spotlight but is frightened of being rejected. She’s not having fun hugging the wall at all and yet she’s unable to share that with her friend. 
As soon as Penelope opens up, albeit only partially, Eloise is quick to notice that, despite pretending not to enjoy the balls and the marriage mart, Penelope actually likes all of these things. This shows not only that she knows Penelope pretty well (as well as Penelope herself will allow Eloise to know her) but that, despite disagreeing on the topic, she’s supportive of Penelope and listens to her. 
It’s also worth comparing the way Eloise behaves with Penelope vs. the way she behaves with Cressida in season 3. 
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Cressida and Eloise’s relationship is much more balanced and equal because Cressida stands up for herself, pushes back at Eloise when she needs to (like explaining why she needs to marry Lord Debling despite not being compatible) or when Eloise accuses her of telling everyone about Colin helping Penelope find a husband. 
And Eloise learns to adjust. She becomes a more supportive friend, sharing her knowledge of birds so that Cressida can impress Lord Debling, making conversation with him when Cressida doesn’t know what to say and coming to her house to visit her and offer support. 
My point is: Eloise is not perfect. She’s self involved and dismissive of things she isn’t personally interested in but is willing to put in the work for a friend if said friend is honest with her about what they need from their friendship. 
Which leads us back to Penelope. Eloise is the most meaningful relationship in her life (Colin is as well but that’s a much more fraught relationship for Penelope because she wants to be lovers not friends) and yet she refuses to share the two most important aspects of her life with her friend: her love for Colin and her being Lady Whistledown. 
Let’s leave Colin to the side for now because Eloise being his sister complicates matters as far as Penelope telling her she’s in love with him. 
But why doesn’t she tell Eloise about Lady Whistledown? Particularly in season 1, when she’s just starting to write the scandal sheet. She has no idea where Lady Whistledown will even lead, if she’ll keep going etc. She’s basically doing it because she’s a writer and she wants to have fun talking about the society she knows so well. 
So why not share the fun with her friend? It’s pretty clear Eloise doesn’t even know Penelope is a writer and hasn’t seen anything she ever wrote before Lady Whistledown because, otherwise, she’d know it was Penelope doing it. 
Also let’s not forget that, in season 1, Eloise was Lady Whitledown’s number 1 fan. She can’t stop talking about how amazing and brilliant she is. 
And yet Penelope says nothing. She’d rather grin proudly behind Eloise’s back than go: “Actually this woman you like so much … I am she. She is me.”
She again fails to do it in season 2, despite knowing that Eloise helped her in escaping the queen’s men at the end of season 1. 
And then the worst part of their friendship begins as the pressure from the queen mounts and Eloise is more and more determined to find out the identity of Lady Whistledown. Penelope chooses to gaslight and manipulate Eloise for weeks.
It’s not just Eloise’s relationship with Theo and her attending political meetings that put her in harm’s way and eventually forces Lady Whistledown to write about her in order for the Queen to stop suspecting Eloise. It’s Penelope’s refusal to be honest with her friend. 
Penelope is so determined to keep Eloise in the dark that even at the end of season 2, when she walks into her bedroom and sees Eloise, she still tries to gaslight her one last time. 
Penelope: You’ve been reading too much Whistledown. Her voice is echoing in your head. 
Penelope is stuck in a pattern of toxic behavior because that’s what she’s learned to do from her family. She cannot be honest about Lady Whistledown or anything truly meaningful, despite how hard it is for her to remain isolated and in the shadows: 
Penelope: You have no idea how horrible it has felt to keep this from you! From everyone! For so long. 
It’s no wonder that, in their fight scene, Eloise tells her: 
Eloise: I do not even know you. 
That’s because Penelope herself has made it so that the people closest to her, Eloise and Colin, don’t actually know the real her. She’s given each of them what she thought they wanted and needed (she’s very similar to Colin in that way) but not enough of the real her.
So when the Lady Whistledown revelation happens, there’s nothing for Eloise to fall back on in order to try and understand Penelope. 
All of a sudden her best friend feels like a stranger. A stranger that has exposed her intimate affairs to the whole world and who tells her this: 
Penelope: At least I did something. All you ever do is talk about doing something. You have all of these great ambitions, these great plans but I am the one who actually did something great and you can’t stand it, can you? 
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Now, because we, as the audience, are privy to Penelope’s inner world and we know just how riddled with low self-esteem she is and how she’s used to those closest to her being dismissive of her or her achievements, it’s easy for us to see that Penelope tells Eloise this in anger. Particularly after Eloise tells her:
Eloise: I look at you now and all I feel is pity for you. Sequestered here, in this very room, writing your secret little scandal sheet, tarnishing everyone in town all because you are too afraid to stand up for yourself in reality. You are something else, Penelope. An insipid wallflower, indeed. 
Eloise’s words hit too close to home. Too close to the reality of Penelope’s isolation and fear of being alone and abandoned so she hurts Eloise back the only way she can. By pointing to the fact that despite talking and talking endlessly about all the great things women, and she in particular, could be doing, Eloise isn’t actually doing anything. 
Basically, these two manage to hurt each other worse than anyone else could because they’re best friends, because they know each other and what makes the other one tick. 
But from Eloise’s perspective? In this moment, where she’s been betrayed by her best friend? Well, Penelope doesn’t feel like a friend at all. She feels like someone who got close to her only to exploit her so she could write a scandal sheet and make money off of her misery: 
Eloise: This was personal. 
Penelope: Eloise, I’m so sorry. I was only trying to protect you. 
Eloise: Is that what you were doing? By writing about me in your latest sheet? By telling the entire world about things I trusted you with? [...] The only person you were interested in saving was yourself. All so you could keep making money at the cost to everyone else. At a cost to Miss Thompson. To my brother. To my entire family. To your entire family. [...] All because of your self serving manipulations. 
Which brings us to Eloise’s reaction to the closeness between Colin and Penelope and the announcement of their engagement. 
To Eloise’s credit, since their fight, she’s tried her hardest to be an adult and not punish Penelope more than she needs to. She’s very hurt by what her friend did and she can’t trust her but she also doesn’t want to hurt Pen.
She’s kept the Lady Whistledown secret and refuses to tell Colin why their friendship fell apart because she doesn’t want Penelope to lose the one friend she still has. 
She also misses Penelope which is why she ends up telling Cressida about Colin helping her find a husband. She’s trying to figure out what’s going on with her friend and the only way Eloise knows how to figure stuff out is by talking … and talking … and talking … in full earshot of everyone at the ball. 
But despite all of this, as far as she knows, Penelope is still the girl that divulged her secrets, ruined Marina Thompson’s reputation and hurt Colin, not only by revealing Marina’s pregnancy but by taking cheap shots at him only weeks before her brother waltzes into the Bridgerton drawing room to announce he’s engaged to Penelope Featherington. 
What kind of sister would Eloise be if she wasn’t angry at Penelope for that? If she didn’t want Colin to find out the truth as soon as possible? 
Personally, I think she’s showing real restraint. She cares so much about Penelope that she’s not dragging her brother into the study the moment she hears the engagement news to tell him that he’s about to marry the dreaded Lady Whistledown. 
Which brings us back to my earlier point: Penelope never trusted Eloise enough to tell her she was in love with Colin. Maybe if Eloise knew that Penelope has had a crush on Colin since she was 10 years old, she might be able to understand this engagement better. 
But from her viewpoint, all she’s likely to see is that Colin is an impulsive romantic who once again has gotten engaged to a girl who is lying to him and using him to avoid social ostracization. 
I know that by the end of the season Eloise and Penelope will have mended their relationship and they will go back to being the besties we know they are.
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But what I would love to see in part 2 of the season is Penelope actually being brave and honest with the two people that she loves most in the world. Not just about her being Lady Whistledown but about the reasons why she became Lady Whistledown. It’s only by her decision to be vulnerable and open that she can actually mend her relationship with Eloise. 
Friendships aren’t just about being there for your friend, about listening and giving them what you think they need but also about allowing your friend to be there for you. To allow them to truly know you: your fears, your sadness, your hopes and dreams. That’s the only way for a friendship to thrive.
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gratingsoflight · 2 years
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familyabolisher · 3 months
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Tennessee falls in love a lot too. “I have a funny heart. Sometimes it seems to thrive on punishment,” he admits. What other memoir has “loneliness” listed in the index? Provincetown, Massachusetts, that beautiful beach town on the very tip of Cape Cod, seemed to bring out the best in him romantically. Not only did he meet two of his best boyfriends there (and Tallulah Bankhead), he wrote the line “I have always depended on the kindness of strangers” while holed up in a cabin before the summer season began. I felt the same way about Provincetown. I hitchhiked there in 1964 just because somebody told me, “It’s a weird place,” and boy, were they right. A very gay place too, but a different kind of gay. “I may be queer, but I AM this,” I remember thinking. I’ve gone back to Provincetown for forty-three summers and every time I pass by Capt’n Jack’s or the “little bar” at The A House, two places Tennessee got lucky in love, I mentally genuflect in respect.
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I never met Tennessee Williams, but I saw him once at The Pier House restaurant in Key West, surrounded by admirers, looking a little woozy, and decided maybe this wasn’t the time for us to be introduced. But reading Memoirs is the next best thing—it’s like having a few stiff drinks with Tennessee on one of his good nights as he tells you juicy stories that were once off the record. Listening could save your life too.
John Waters on Tennessee Williams, 2006
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