#go follow them for quality a+ art

[lazylittledragon]

dads bc i've missed them :'))

[myartsing]

Neji and Rock Lee dancing>>>>>>>>>>

[max-arioni]

A kind of Sheep of some sort :3 @sunshineram

[party-gilmore]

Modern art critics stop confusing "art" with "technical skill" challenge 2k23

[lyriumsings]

I’m sorry if this is annoying but I NEED to talk about this to someone. first you got me into infamous and now bg3. and I have been thinking about this for A DAY But I already have a character concept that is SO delicious and I’ve been thinking about it nonstop. ive never played the game I had to look up the characters but I have a fic outline already. in a genre I’ve never wanted to write before. ive been lurking tumblr since like. 2012. but I’m thinking of getting an account now because the fixation hamster wheel has been spinning constantly. idk where I was going with this sorry, but I think I should thank you, because all the advertising in the world is no match for Winnie From Tumblr, apparently. and I am having such a good time. I’m going to be unbearable when this thing comes out and I hope you are too because 💜💜💜 I love watching you talk about these things. anyway thanks and stay lovely ✨ and please never ever shut up

Annoying? NEVER!!! Mystery friend i love these and your enthusiasm!! I just wish tumblr would ping me when you send them so i could answer in a more timely fashion 😭😭. SINCE 2012 W NO ACC? you’re so much stronger than me 😭😭 PLEASS if you do make an acc feel free to DM me!! or send asks whichever you want ofc ofc!!<33 SJSJS IM SO GLAD I COULD INFECT YOU WITH MY BRAIN WORMS DKSJS BUT ALSO SAMMEE i already have so much shit plotted out in my head 😭😭😭 it’s so insane. This is SO SWEET! i’m glad someone enjoys my insane prattling as much as i love doing it SJSJSJ and PLEASS feel free to info dump to me to your hearts content you are NOT annoying at all!! these messages are so fun and you’re so kind!! <333

[starsweeperskies]

On a sillier note, local adventurer owns brewery, has to take over leadership duties from father and wife while they’re gone, misses her wifey. 

A former PC of mine got married to a lovely woman and friend, and now her wife has become one of the most powerful people politically in the country. Poor Stgeve always misses her when she’s gone, but typically spends time with her dad. But due to an important meeting, her wife took her dad with her as a trusted guest. 

So guess who’s alone, doing paperwork, and just wants her wife? 

[jjoshlynaround]

what I did on new years to kickstart the lil experiment that I'm throwing out - trying to draw + post everyday for 2024

[bi-writes]

ok but soulmate au with ghost but it's the fucking opposite of rainbows and sunshine. (18+)

you share his trauma. his stress. his anxiety. you do not know who he is, and yet you know the pain of a thousand punches because it's the only feeling he has ever given you. you know the grueling ache of abandonment and the terrible neglect of abuse and the disgusting amalgamation of all your worst nightmares before you even turn 20. everything that he gives you feels aggressive, like it burns, and he only ever gives you reprieve for so long until you just feel it all over again.

it makes you tired. it makes you sick. at first, as a girl, all you wanted to do was comfort him. you wanted to know who he was so you could kiss the cigarette burns that you feel and soak up the blood you know he bleeds.

but as you age, you begin to hate him. you hate him because he does this to you, he hurts you, doesn't he know that he's hurting you? doesn't he know that everything he feels, you feel tenfold, doesn't he know that the terror and the horror of everything he witnesses weighs down your chest, makes you feel like you're drowning over and over and over again?

for a few years into your adulthood, everything is quiet. you feel little except the ache in his back he never tends to, the creak of his knee joints that he refuses to stretch out. you wish you knew him so you could scold him for it, but you curse at a ghost. sometimes you think about doing something to get back at him--you think about carving a FUCK YOU into your arm, about throwing yourself in front of a bus just so he can fucking understand that his entire life is one fucked-up cycle of pain and misery and horror, but you can't bring yourself to do it.

you can't hurt him. you just can't.

and then, the real pain begins. it brings you to your knees, this pain. you scream, you wail, because it feels like you're being carved from the inside-out. your face burns. your chest heaves. you feel like your ribs are breaking, you can't breathe, you claw at the invisible wounds that your soulmate must be wearing, and you beg him to stop, you beg him to let me go--just fucking die already--please, please, please--

those weeks haunt you. the torture he endures, it is branded to you. you wear no scars, and you never lost any blood, but the phantom flesh that you know is gone follows you in your sleep and never shuts up. it talks, it snarls, it eats at your insides. even when he heals, you are never the same. you wake up from nightmares that you know you share with him. you look over your shoulder for the predators you know he has encountered, and you cry yourself to sleep over the loss of something that you can't even decipher because you have no idea who he is or what he buried to feel this way inside.

he's sick. he's twisted. he's a walking corpse, he has no redeemable qualities, he is selfish and mean and cruel, and you hate him, and if it wasn't for the pain that you would feel, the first thing you would do when you saw him is drive something right through his heart to finally stop the undying infection he spreads to everything that he touches.

you know it is him when you finally meet him. you would know him anywhere; you’d know him just by the scars alone who he is because you remember what it felt like when he got them. when you eye the sleeve of tattoos along his left arm--the fucked, shitty, sunburnt art that made it impossible for you to finish your university exams. the faded, grey circles that line the other, ones you recognize being from the burning cigarettes that you would smell when you closed your eyes. and when he removes his mask briefly, you recognize the scar that cuts above his lip and strikes through his eye--that one left you reeling on the bathroom floor particularly loudly. you thought he might be blind if it wasn't for seeing the darkness of both of his eyes.

you start to cry. you start to cry because as soon as he realizes who you are, as soon as you see that flicker of knowing flash across his eyes, all of the hatred and the anger and the poison that plagued you for all this time vanishes. everything you fought so hard to feel, all the misery you wanted to bestow upon him for making your life a living hell, it's gone.

because the universe is cruel, the universe has done what it has done, and it has made this singular person just for you, and against everything you believe, you know that you love him, and you hate yourself for it, and you hate the universe, too.

you have endured. but maybe you endured so he didn't have to. maybe you endured so that he could have this, the feeling that he feels right now, that feeling of sudden relief.

he slides a large hand over his chest, flinching slightly. he blinks, understanding suddenly that he's feeling your joy, your elation. when you shuffle your way over to him, breaching the conversation the men around him are having, you ignore their confused stares as you fling yourself into his chest.

ghost forces you against him, trapping you to him. he practically chokes, tangling a gloved hand into your hair, and you sob into the warm skin of his neck as he hoists you into his arms, into his lap. you don't pay attention to the curious voices around you, you just bury yourself into him and cry. his body is the evidence of all that has happened to him, and you aren't angry anymore because you're relieved.

he's real. he's alive. he's here. he's okay.

when you pull back to look up at him, you blink away the tears that are falling fast down your face. he stares down equally as intensely, drinking in the sight of those big, wet eyes. when he smooths a big hand down your face, he grumbles when he realizes what you are, how you know him.

he never realized this was what he and his soulmate shared. you in your life had never felt pain like he had--he had no idea what he was doing to you. he had no idea what you were surviving at the same time.

he closes his eyes and rests his forehead against yours, and your lips tremble as you cup his cheeks and hold him close.

it feels wrong to feel this kind of comfort, but he does anyways. he thinks, maybe, that perhaps the only reason he survived was because of you.

because there was someone else, far away, that loved him enough to keep him breathing. even when he thought it was over.

[blacktabbygames]

We're thrilled to announce that we've wrapped principal development work on Slay the Princess — The Pristine Cut. We'll be releasing it this Fall (date TBD) so we can simultaneous ship the update with both the game's console release (surprise!) as well as official subtitling support for 11 new languages, all with the help of our wonderful new partners at Serenity Forge (who you might know from their publishing work on Doki Doki Literature Club Plus!)

There's a lot for us to share about The Pristine Cut, but before we get into the details, please check out our new trailer!

Here's what we've got coming for you: Content

For those of you who are just now hearing about The Pristine Cut, it's an entirely free director's cut of the game that adds about 35% more content on top of the initial release.

This includes massive expansions to The Den, The Apotheosis, and The Fury routes, each of which is over three times bigger than their release versions, with tons of variations to discover across multiple playthroughs.

On top of this, we're adding three brand new chapter three routes that will add even more depth to your stories with The Damsel, The Prisoner, and The Spectre.

And we're adding a new ending.

All in all, these additions come to over 2,500 new voice lines, over 1,200 new hand-drawn illustrations, and over 15 new tracks of music.

We're also adding an extensive CG gallery with over 400 unlocks to help all you completionists track your progress, complete with cryptic hints to help you discover some of the game's more obscure and buried interactions.

Languages

And all of this is coming with a giant wave of localization support, covering the following languages: Simplified and Traditional Chinese, Korean, Japanese, French, German, Russian, Spanish (Latin American), Brazilian Portuguese, Italian, and Polish. These localizations are just going to cover subtitles, so we can be as thorough as possible about maintaining the quality of Jonny and Nichole's performances.

Consoles, Physical Release and New Merch

With the help of Serenity Forge, we’re bringing Slay the Princess — The Pristine Cut to every major current console — Nintendo Switch, PS4 + 5, and Xbox.

And these won’t just be available as digital downloads. You’ll also be able to pick up a physical edition for the Switch and PS5, with an exclusive sticker sheet and a download code for the game’s soundtrack.

And if that’s not enough we’re also doing a Collector’s Edition, complete with a 7 inch statue of the Princess, a mirror with a lenticular lens, an acrylic standee, and more.

And finally (for now), we’re launching the first wave of new line of sticker sheets, featuring chibi art of the Princesses as seen in The Pristine Cut’s new gallery. Pre-order them now at Topatoco!

Alongside these developments, we've also launched a new website for the game: check out slaytheprincess.com where you can order the physical editions, check out merch, and more!

Thank you so much for your patience while we've worked to make The Pristine Cut the definitive version of Slay the Princess. We can't wait to share all of the game's new stories with you this Fall.

Until then, we're back to working full-time on the next Episode of Scarlet Hollow (and have been for about a few weeks now!)

Best, Abby and Tony

[empty-movement]

Chiho Saito’s 1999 Revolutionary Girl Utena Original Illustration Collection

IT’S HERE. IT’S DONE. IT’S FINISHED. NOW…IT’S YOURS. Happy Holidays, my friends.

Vanna here! I have posted some already about this project, and the responses I got, public and otherwise, have been absolutely incredible. Y’all have been reblogging and hyping this before it even finished…I haven’t felt so encouraged about an Utena project since the musicals! (Yes, streams soon, I promise.) You can read the other post to get more details, and catch my post here with more details about the process if you’re interested. The long and short of it?

This is the first artbook I ever scanned. I did it in 2001. In Photoshop, using multiple scans per page that took hours to process. But it was 2001. A half megabyte file that was 1250px wide was considered extremely hardcore and impressive. That’s just always been the business I’m in when it comes to Utena art, you know? 

It’s now the latest artbook I’ve scanned, and so much of the process, and effort involved, is unchanged. What has changed, is the result. Welcome to your new desktop background. Your new phone background. Your new poster print. 

What I’ve done here is attempt to create definitive digitized images of Chiho Saito’s work as offered by this book--I have removed the print moiré of the original scans, and used my literal decades of experience to try and tease out as much information from them as possible. Without being physically in front of the original artwork (which is a thing I’ve had the great fortune to get to do) this is The Most Chiho Saito you are ever going to get. I’ve tried my best to make sure there is a way to get it that works for everyone:

Do you just wanna scope 'em out? Look at some disaster gays? Grab your favorite one or two? This is the path for you! Check out the ‘compressed’ (not very) 10k ‘web friendly’ (not really) copy at the Bibliothèque, the media archiving wing of the Something Eternal forums at Empty Movement*. All the following links are also available from here. Do you want these copies? All of them? Don't just grab them individually, friend. This batch is 375MB and can be downloaded as a zip of the individual files here on our Google Drive.

Do you like digital archiving? Are you looking for a copy that preserves the archival quality of the effort but sits nice and comfy in a single file? This is for you. A minimally compressed 10k, 513MB version worked into a PDF is now up, shiny and chrome, on the Internet Archive. Do you like the idea of the minimal compression, but want the individual files in a zip? Yep I did that too, here's the drive link.

Are you looking to print these in a larger size? This is probably the only reason on Earth you’d ever want them, and yet a bunch of you are going to go straight for these. Here are the zero-compression JPG full size copies, most of them are 15k across, like simply a ridiculous size. Pick your fave and download it from our Google Drive! 

I am genuinely really proud of this work.** I was able to tease out so much new detail from these…her incredible layering techniques, the faintest brush of her highlights, and the full range of her delicate hand at whites and blacks… details commonly lost in digitization. I sincerely hope you find something here that you’re looking for, as an artist looking for inspiration, as a weeb looking for a desktop, as an archiver excited to see incredible 90s manga artwork saved forever in the digital realm. I feel like I have already said so much about them, and could keep going, but you know what? This work speaks for itself. Enjoy, use, explore, and definitely tell us what you think!

We love y’all. ~ Vanna & Yasha

* AHEM ASTERISK AHEM

You might be wondering what any of that is. Something Eternal? Biblewhatawhat??? EmptyMovement.com? You might even have done a double take at the word ‘forum.’ And you should!!!

I have a confession. This artbook was my ‘side project’ as I worked on this, *the main project.* For a couple years I’ve been banging around with a new domain, and originally I had other plans for it, but Elon Musk ruined my Twitter and Discord is well along on its way to enshittification, and well….we joke on the Discord a lot about ‘reject modernity, embrace forums’ and you know what? We’re right. So Yasha and I are putting our money where our mouths are once again, and doing something insane. We are launching, in 2023, a website forum. Obviously, this is not the official ‘launch’ per se, but I cannot announce the artbook without directing you to the forum, since it sits on the attached very cool gallery system. Oops! Told on myself. Another post more focused on the forum will be forthcoming, but if you are just that motivated to get in right away, you absolutely can! (This will help stagger new arrivals anyway, which is good for us!) If you would rather wait for the ‘official’ launch, by all means that’s coming, including a lengthy screed about how and why we’re doing this. In either case, remember: this is a couple weebs trying to make internet magic happen, we are not website developers by trade. Give us grace as we iron things out and grow into this cool new website thingie…hopefully along with some of you! :D

If you do join up, naturally, there is a thread about this project!

** If you like this kind of content, consider helping us pay for it! We do have a Patreon! If you’re wanting to use these in some public-facing distributive way, all we ask is for credit back to Empty Movement (ohtori.nu or emptymovement.com, either will work.) 

I would like to say ‘don’t just slap these files on RedBubble to get easy money’ but I know that saying this won’t effectively prevent it. Y’all that do that suck, but you’re not worth letting it rain on the rest of this parade. :)

[leidensygdom]

Commission scams: A guide on how to avoid them and find legit artists

Hello! I am writing this guide in order to hopefully help people spot scammers and art thieves, to teach people how to deal with them and to give people ways to actually get real artists for commission work.

For those who do not know, there is a recurring, extremely widespread type of scam where someone will advertise their commissions using stolen artwork, or (sometimes) traced or AI-generated pictures. This started (as far as I know) on Twitter, but it is currently in all sorts of social media (I have found them in Twitter, Instagram, Bluesky and Tumblr) and also on Discord servers, often large Discord servers requiring no invites or that are easy to find through Discord advertisement places.

These do obviously hurt both, the people seeking to buy a commission (who will either get their money stolen, or given a product that is not of the quality that was advertised), and the artists whose work is being stolen, who are not getting the work themselves. It is important for people to learn how to identify these people, and to quickly take action when possible. This post is kind of lengthy, so please press the Keep reading button below for the full guide! (And please do share this post around if possible- This is a very common scam and I have met far too many people who have fallen to it or have got their art stolen due to it, including friends and myself.)

So, how do they work? (in Social media)

In my experience, a lot of these scammers either run multiple accounts or are part of a larger scheme, operating in organized groups that follow similar tactics. They will very often use automated means to advertise en masse. Those in social media will make accounts that post some example artwork, often with a myriad of tags, in styles that do not match (see first example, featuring my stolen art :'')). They very rarely post anything that isn't stolen artwork, or have any actual real following they interact with properly. They will then very often spam heavily through replies (such as it happens in Twitter), posting hundreds of really similar messages in a short period of time. In the second example, you can see an account from one of these scammers that is using automated posts to garner attention, which are shared by similar accounts (notice the same exact wording between the first and third post). The third example (in the Replies tab) shows how one of this accounts replies "Hi" to every single message they get.

They will often seek posts from people who are searching for commissions, answering them (often with a "I do commissions, DM me") or other variants of that. (They often only share their "art" on DMs to not be caught stealing by the original authors.) You can see an example of that on the first screenshot below. On Twitter, Instagram and pretty much any place where you can DM people, they may also come to your DMs, often starting with a "Hello" or something so you answer to them, and then they will suddenly share their commission information (as seen in the second picture).

In any case, they rarely have publicly available commission sheets, and will only disclose their prices on DMs. They may share more stolen artwork in there. From there on, they will often speak in fairly broken English, and try to lead you to commission them. They will haggle the prices if they can- But they tend to be fairly steep, with them going up to $300 a fullbody, which tends to be unusual in people without a fairly established following or popularity.

They will often give you a payment method that does not allow for refunds- Such as sending the money to "Friends and Family" in Paypal. This is actually illegal for commercial work, so if you get an artist telling you to pay them through such a method, please do be incredibly wary: Professionals will use methods that do have an option for refunds.

2. How do they work? (on Discord)

On Discord, they will often enter in servers where there may be a place for them to advertise, or servers available through Disboard and other Discord-community searchable sites. Then, they will often not interact at all with the community itself, but they will jump to advertising channels and post about "seeking for work". I have found out that scammers operating on Discord do only very rarely also have socials, so look out for that. Do reverse searches if you can. Legit artists don't tend to join Discords solely to advertise, so look up "from: [name]" on Discord and check how they have interacted in the server, if they have done that in any way. See the first and second example for an example on how they behave. First example has art from @ydteus (in the second message, the dragonborn's source is unknown.) Second example is from one of these accounts who entered on a Streamers' Discord. Streamers and VTubers are very popular targets for these scammers. Third example (with art from absent_lambeth on instagram, and unknown for the second picture) shows another important point, which I'll explain below.

Many of these scammers do not have solid commission sheets showing examples and prices for them. The third one even mentions "it is under construction", fully knowing a commission sheet is expected. Not every professional artist has them, but most do. It is often expected that people who do commissions will have some sort of Terms of Service at the very least, even if they do not have a commission sheet.

3. What do they do?

They scam you. You may never get any art from them. You may get traced art, or art that is not of the quality they advertised, because the art they used for promotion wasn't theirs on the first place. Or you may get an AI-generated picture, too. In either way: You will find yourself with +$200 less in your pocket and no way to seek a refund. So, it's very important you know how to spot them BEFORE they scam you. I have known people who have lost their money

4. How do I actually spot them?

Simply put, they do not act like normal artists would. Let's make a handy list of suspicious behaviours to look for, though.

Most people who draw commissions won't directly DM you unprompted to ask you to pay them for work. If you get such a DM- Report as spam and block.

Most of them don't act like bots, either. If you're on Twitter or similar pages, seek for extremely repetitive posts, hundreds of Replies in their Replies tab that are copypasted or very similar. If you see that, report as spam and block.

Reverse search is sadly very unreliable nowadays, but it does not hurt to try. A lot of them will modify the picture so it doesn't show in reverse search, but try it- And seek if it links to a different account with a different name.

As an ESL, I hate to say this, but the grand majority of them have really broken English, so look out for that. Not every person with broken English is a scammer, but it is something common amidst them. You will notice they fail to communicate general information. Try to ask them for Terms of Service, for example: They will probably be unable to provide you anything (if they do even understand you.)

You will rarely find them on your own unless you frequent specific tags, such as "commission" or "openforcommission". Or even using completely unrelated tags in their posts. I found one of them using a tag about someone's death to cop violence on their anime art. These people mostly only interact with their fellow scammers, but not with artists you'd find through other means.

As mentioned above, they won't provide you a payment method that allows for refunds the grand majority of the time. If someone tells you to send them money "as friends and family" in Paypal, or through something life Ko-fi's donations (although this one is rare), do not pay them. This is a general advice: Do not use payment methods that do not allow refunds for people you don't know.

Ask them for a commission sheet, a webpage, their Terms of Service and other things. Professionals should be able to provide at least one of these, usually.

5. What do I do if I find out they have stolen art/if my art has been stolen?

If you have found stolen art, let the original artist known ASAP if you can find them. Ask for help from friends if you cannot find them.

If you're the artist, DMCA claim. Every page has it, it is required for them to have it. If you search "dmca form (and the website's name)", it should show up. Bsky only has it in mail form right now, but it's there. A DMCA claim is a Copyright claim, and as long as you can show that you posted your picture somewhere before they did, you can do it. The form may seem scary, but it is not all that much. They will ask for your legal full name, address, a mail + a telephone, the url of the post stealing your art, an url to where you posted it first, and to sign/agree to some terms. DMCA claims tend to be processed swiftly (in about a day) because websites can get in trouble if they allow for copyrighted content to be stolen. And you actually do have rights to any picture you have created without needing to trademark it or anything.

You may also want to ask your friends to help you report the account and/or posts. Often, reporting it for spam will give you the best results. DMCA claims will take down the offending posts, but sadly, reports in most major places are rarely taken seriously, but they may limit an accounts' reach or auto-flag it as spam in DMs, so it is still a fairly effortless option to follow. DO still DMCA claim them though.

6. Where do I actually find real people to commission?

Your best bet is through other real people. Let me explain some good methods for this.

Do you have friends who are artists? Ask them if they have commissions open, or if they know other people who take them. Artists almost always know other artists, and they can quickly find you someone you can trust.

Did a friend of yours get a commission? Ask them who was it from if you like the style, and they may be able to get you a link to their social media!

Do you follow artists for any sort of content you're interested in? (General art, fanart/fandom stuff, people you look up to, etc). You can check their work first and see if they have commissions, or if they share art from other people, and then check those.

Scammers really don't partake in fandoms or have art-related posts go viral (some get some follower-begging bait going viral, but that's it). Chances are that, if you found a cool art in your dashboard or timeline, it is from a real artist.

I think places such as VGen need verification for artists and have ratings. I am not personally experienced with it, but you may want to check that out.

You can always ask people to double check with you if you found someone but are doubtful about them being legit. If you are part of any community, do ask there! If you have artist friends, tell them! A lot of artists are acquittanced with the scam issue.

I have seen people do lists of artists available for commissions in places such as bsky, too. These can be an option, but always do verify that the people doing the list in the first place do seem like an actual person.

Ending notes

This is a very long post, but I really wanted it to be very thorough. I would greatly appreciate if you could share it around, as it is a very widespread issue that not many know how to identify. If you do find out scammers in Discords, please DM the servers' admins and link them to this post so they can get banned, in order to prevent scamming and art theft.

If you have any question or you need someone to help you verify an artist being legit or a scammer, my DMs are open for that too. I have talked about this a bunch in other places and I am fairly experienced with these cases, and I would be very happy to be able to lend a hand and find you an artist, if you do need the help. Thank you for reading!

[zoologica42]

temperate stream dashboard simulator

🌊Smexy_eel_lady Follow selfie from my new apartment! I found a lovely rock somehow in my budget and I'm f(eel)ing so lucky!

#finally made it ♻️ 🪱detritus_luvr Follow Enough with that, TELL US HOW YOU FUCK

🐸 flychomper Follow I can't believe how many of my logmates haven't heard of/seen BROOKlyn 99, do they all live under a rock?

♻️ 🦞benTHICCC-biome Follow I can't stand this, it's 2024 and people on this wetsite still use "live under a rock" as an insult. I can't fucking even, do you know how disenfranchising it is to hear people talk with scorn about the way you and your family have lived for generations? go dry out, sir. ♻️ 🪷lowflowvegetation Follow reblogging bcs important, but also please don't tell people to dry themselves out!

🐟deepchannelfan Follow callout post for @smoothturtleleech I have no issue with parasitism, but have any of you noticed how turtleleech \only\ parasitizes turtles? kinda problematic imo. #calloutpost ♻️ 🐢smoothturtleleech Follow I also parasitized your mom last night lol

🐠riverartist Follow Art and artist! Really happy with how this one came out! took me about 10 hrs to get the pebbles together and assemble them.

#artistsontumblr #sculpture #pebblework

♻️🐍nerodiaaa Follow wtf that's so cool! lmk if you take commissions ♻️🦎sal-the-mander Follow going to make this my streamsaver #the highest quality content on this horrible wetsite

🐟salmonidayyyy Follow I love you catadromous fishes I love you anadromous fishes I love you migrants. Never let anyone tell you that you aren't stream fauna bcs you haven't spent your whole life in the stream or weren't born here {flaps you with my fins]

♻️🛶virgeon-sturgeon Follow Thanks bro, I really needed to hear that, {flaps you with my fins].

🐚riffleranger Follow MMMMMM I WANNA LAY ALL MY EGGS IN THESE PEBBLES, SUCH GOOD PEBBLES I LOVE THESE PEBBLES.

♻️🐌algaegrazer Follow @riffleranger this U?

♻️🐚riffleranger OP Follow I should be offended, but yes, I am her, she is me

♻️🐚riffleranger OP Follow OH WAIT, OH SHIT THAT IS ME WHERE DID YOU GET THAT PHOTO????

[mintsuwu]

Took a lil break from the asks in order to cook some ✨SMILING CRITTERS FAMILY TIME✨ with @rexmk0153universe-blog because why the hell not??? I might have to divide it in two parts though-

(1/2)

DogDay

DogDay's journey begins when a stork delivers him to the wrong family of wolves, leading him to be adopted by Big Bad's parents. However, his presence triggers jealousy in Big Bad, his adopted older brother, who resents the attention their parents give to the newcomer.

Despite the pack's focus on abilities related to weather phenomena, Dogday stands out due to his unique qualities and talents. As he grows older, he feels a deep longing for a sense of purpose and identity beyond his wolf upbringing. Seeking to find his true self, he leaves the pack and ventures to Jolly Valley, where he encounters the Smiling Critters and forms close bonds with them. Over time, Dogday becomes a leader among the Smiling Critters, embodying their values of friendship and unity.

Big Bad, driven by pride and a mix of emotions, followed Dogday to Jolly Valley, intending to both antagonize his little brother and secretly monitor his progress. Despite his outward bravado and mischievous nature causing ocassional trouble, Dogday remains welcoming towards his older brother, except when his antics go too far. Hus unwavering cheerfulness and open-heartedness serve as a beacon of hope for both the Smiling Critters and his troubled older brother.

BONUS: "Big Bad" is actually a nickname! His actual name is "WindWolf"... Dogday usually calls him "Big Bro", but the rest of the critters "misheard" it and began calling him "Big Bad", much to his dismay.

CatNap

Catnap shares a unique connection with a deity known as SandMan, who reigns over the Dream Realm, a distinct reality separate from the main universe. The origin of Catnap traces back to a moment when Dogday, as a young member of his pack, made a wish upon a shooting star for a friend, and this wish brought Catnap into existence.

SandMan took particular interest in Catnap due to his remarkable qualities, leading to a special father-son dynamic between them, despite Catnap starting off as just another creation of SandMan like many others.

Catnap, however, felt a strong pull to leave the Dream Realm in search of Dogday, the source of his creation. Eventually, the feline succeeded in finding Dogday and chose to remain by his side, along with the other Smiling Critters. Despite Catnap's origin in the Dream Realm and his connection to SandMan, his loyalty lies with Dogday and their companions, forging a lasting bond beyond the confines of the Dream Realm.

Kickin'Chicken

Kickin'Chicken comes from a predominantly female family, consisting of his mother, sisters, and himself as the middle sibling. His father, known as "Rockin'Rooster," is a famous singer, an example that Kickin' aspires to follow. However, Rockin'Rooster's focus on his career leaves little time for family, causing conflicting emotions for Kickin'. Despite his admiration for his father's success, Kickin' yearns for more attention and connection within the family... Yet he hides it under his "cool and tough guy" persona.

However, among his family members Kickin' has a strong bond with his older sister, Pecky. She is level-headed compared to Kickin', but shares his adventurous spirit and openness to new experiences and people.

BONUS: Kickin's family is quite fond of Bubba Bubbaphant, given how he was Kickin's first friend and all of them consider him another member of the family.

CraftyCorn

Craftycorn, born in a magical kingdom governed by four elemental monarchs (Clubs, Diamonds, Hearts and Spades) was raised as the daughter of the Queen of Spades, destined to become a warrior. However, Crafty harbored a distaste for violence, finding joy in art and nature instead.

Despite her mother's attempts to grant her freedom to choose her path within the elemental realms, the other rulers disapproved, doubting Crafty's suitability for the throne. When Craftycorn was to receive her royal Merry Charm, symbolizing her assigned role, she unexpectedly manifested her own charm—the flower. Fearing disappointment from her mother and influenced by the other monarchs, Craftycorn fled her home, unaware of the devastation her departure caused her mother.

Their relationship is complicated, marked by love and care, yet tinged with Crafty's mixed feelings towards her mother.

LoolaLamb

Loola is a special sheep born into a flock known as the "Sleep Sheep" or "Slumbering Guardians." These sheep have the unique role of wandering through villages, signaling to people that it's time to sleep and seek safety from the dangers of the night. Once their task is complete, SandMan, a mystical entity who the sheep "worship" due to its previous helps toward the flock, can traverse their realm to ensure everyone enjoys peaceful dreams and restful sleep.

She's the daughter of the flock's leader, tasked with protecting the sheep, particularly during the day when they're less vigilant due to needing rest after their nightly duties. However, Loola lost her mother at a young age and was raised by her father, who prepared her to take on a similar role in the future.

Despite her upbringing, Loola yearns for adventure and exploration beyond the confines of her flock's duties. After much persuasion, her father allows her to leave, although they maintain communication through letters.

The lamb often travels alone, but occasionally spends time with the Smiling Critters in Jolly Valley for extended periods of time.

[zephyrchama]

hi!! please can you spare a crumb of leviathan fluff please?

You knocked on the door to Leviathan’s room out of courtesy, but he was already calling for you to “come in.”

“No password?” you asked. You had been expecting a fun trivia question like always.

“No need. I could tell it was you.” From the sound of your approaching footsteps to the way you knock, and even the little pause between those two actions. Everyone seemed to know your distinctive traits better than you did.

“What’s up?” Leviathan didn’t look over. He was too preoccupied with his manga. He held it up in a way that obscured most of his face. His legs were sprawled out on the floor with his back against an ottoman and a stack of the latest releases by his side. Leviathan had a knack for lounging comfortably in the most inconvenient positions.

“I was looking for something to read. Mind if I browse your collection?” "Mmhmm.” Having unfiltered access to Leviathan’s collection was a rare privilege extended only to you, who could be trusted to borrow things without damaging or losing them. Or selling them, spilling food on them, bending the pages. There had been an extensive list of detailed rules you pledged to follow.

You spent a couple of minutes browsing the shelves. Honestly, nothing stood out. The room was silent, save for the occasional turn of a page and the humming of the lights. You were just bored and hoped to spend some quality time with a certain nerd, however, he was busy.

Giving up on the shelves, you decided to plop down in front of Leviathan. He was so immersed in his comic that he didn’t notice. A lead-up to a large-scale battle scene occupied so much of his attention, he failed to realize you were crawling over his legs like a spy in an action flick. You finally grabbed his attention by squeezing your shoulders between his arms, bumping your head against the book as you tried to worm under it.

“Hey! Ahh!” Leviathan was startled. He raised his hands in shock, or maybe to preserve his manga, but either way it created a wider path for you to take immediate advantage of. You snuggled up to his shoulder with the determination of a thousand shounen protagonists.

“What… what? What are…? Whu?” Leviathan was at a loss for words until he finally settled on demanding, “what is this?”

You were still trying to get comfortable, which was causing Leviathan a lot of discomfort. You rolled over to lay your back against his chest and bent your legs over his knees. Tugging his arms back down so you could see the manga, you explained, “I wanted to read this one.”

“It’s volume 18 though…?”

You nodded, “cool.”

“Did you even read the other volumes? You won’t get it at all.”

You tilted your head far back to look up at Leviathan, catching his eye for a brief moment before he glanced away. You felt him shudder. “I wanna read this one, though, so explain it to me.”

Far from the upcoming battle in his manga, Leviathan faced a raging battle in his mind. He couldn’t even remember what happened on the last few pages. He’d have to go back and re-read them.

“If it’s too much, just pretend like I’m not even here. I’ll figure it out on my own,” you said. The art looked good enough that you could admire that, even if you didn’t know anything about the plot.

“As if I could do that,” Leviathan complained. With a sigh, he hooked his arms under yours and brought his legs up so you fit better in his lap. Now you wouldn't slide down or constantly readjust your position. His movements were slow and deliberate attempts to make the both of you comfortable. He was cautious, as if you might jump up and run off at any moment.

“We can voice the lines out loud together,” you suggested, “but you’re gonna have to speak up or I won’t be able to hear you.” A chance to play voice actor sounded great to Leviathan. He was definitely interested. ”I’m right here though? What do you mean you can’t hear me?”

“Sorry, what was that? Come closer, the thumping in your chest is just so loud.”

With an embarrassed groan, he slapped the manga against his head and buried his blush-stained face into your hair where you couldn't see.

[darkmuffinstudios]

[rolls in]

I've always, for the longest time, head-canoned that when Nightmare and Dream ate their respective apples and subsequently fused with them in the process, that they also *became* the apples in a sense?

Basically what I'm saying is that since the tree was cut down/died due to the events of Dreamtale, that they, themselves, became the two sides of the tree. While the tree was in its prime, it regulated all of the emotions and balance in the whole multiverse. However, because of the apple incident, Nightmare and Dream now take on the duty that the tree once had; regulating the emotions of the multiverse individually.

Hence they're constant struggle with one another.

As eternal, long-living beings of their respective roles, I doubt they would stay mad at each other forever- at least to the degree that it was initially after the tragedy in Dreamtale. This would make a truce somewhat inevitable- or at least a mutual understanding and respect for each other's jobs.

(I think this could, of course, vary depending on the way you depict their relationship, backstory, powers, situation, and the story at large)

Anyways, going back to what I was originally getting at before being sidetracked, they are- essentially- the tree itself.

In a weird way, I always thought that it was a little strange that eating the golden apples didn't seem to have any consequences as opposed to the negative ones (example being Nightmare violently being ripped apart and literally dying- but that can be dubious because, from my understanding, that was partially the main antagonist's influence on the apples??).

Again, not addressing canon and what the original had in mind, I think it would be interesting that slowly, over time, the tree starts to grow back through them.

Think of it as a way of aging for these immortals. After all, apples have seeds, so one would assume that they'd eventually sprout after enough time and nourishment (via the abundance of emotions and just generally taking care of themselves). Eventually, they'll have to create their own guardians to carry on their work, and the cycle continues after they die.

What I imagine is a weird mesh of hanahaki disease and the philosophy of cycles, in where when the two twins eventually pass, they will become the new trees in its place. Over time, while doing their jobs and fulfilling their roles, roots may start to sprout from their ribcage, followed by leaves. It would be cute at first, little leaves and branches that are harmless. But then, as time continues, more and more of their body gets overtaken with it.

But again, these changes would happen gradually over the course of their long, LONG lifespans. When it starts getting to the point of detriment to them, then they've probably lived hundreds of lifetimes over already.

I don't know, I just think it's an interesting idea to head-canon about, and a cool excuse to draw the twins with plant-like roots stretching out of them.

(some little examples I have of the idea I've drawn YEARS ago and as of recent. ignore the quality of my old art fosjigjiosjosgijiosg)

(also WIP jumpscare of a Shattered Dream interpretation I have been working on a little oogily boogily osgjiosgs)

[zot3-flopped]

Sylvia Plath did not stick her head in an oven for this! When Taylor Swift took the Grammys stage last month to claim her award for Best Pop Vocal Album for Midnights, she saw that spotlight as an opportunity to announce her 11th studio album: The Tortured Poets Department. The follow-up cut to audience members—Swift’s music industry peers, mind you—told us all that we would ever need to know, and the collective disinterest across the crowd echoed through our TVs.

Folks from all walks of life took to social media to express a multitude of reactions. Swifties clamored to their beloved monarch’s forthcoming era, while others lambasted the terminally cringe title and artwork and ridiculed Swift for making a night recognizing musical achievements across an entire industry about herself—knowing perfectly well that it would send her fanbase into a surge that would, no doubt, overpower the excitement around the ceremony itself.

Quite a few people questioned whether or not that moment suggested that a critical—definitely not commercial—tide would turn against the world’s most-famous pop star. And, perhaps it has—but, to most, it will look like nothing more than a single ripple in Swift’s ocean of successes.

Swift remained relatively hush-hush about The Tortured Poets Department up until its release, leaving her fans, admirers and haters alike with nothing but an album title to ponder about. And it’s a bad title.

If you have never been in Swift’s corner, her taking the route of labeling her next “era” as “tortured” was likely catnip for your disinterest. If you are a fan—not necessarily a Swiftie, but even just a casual lover of her best and brightest work—you might be beside yourself about the first Swift album title longer than one word in 14 years.

In terms of popularity—certainly not always in terms of quality—no musician has been bigger this century than Swift, which makes it impossible to really buy into the “torture” of it all.

This is not to say that Swift being the most famous person in the world makes her immune to having multi-dimensional feelings of heartbreak, mental illness or what-have-you.

But, she has made the choice—as a 34-year-old adult—to take those complex, universal familiars and monetize them into a wardrobe she can wear for whatever portion of her Eras Tour setlist she opts to dedicate to the material.

Torture is fashion to Taylor Swift, and she wears her milieu dully. This album will surely get comparisons to Rupi Kaur’s poetry, either for its simplicity, empty language, commodification or all of the above.

And, sure, there are parallels there, especially in how The Tortured Poets Department, too, is going to set the art of poetry back another decade—as Swift’s naive call-to-arms of her own milky-white sorrow rings in like some quintessential “I am going to take pictures of a typewriter on my desk and have a Pinterest mood-board of Courier New font” iPhone fodder. 2013 called and it wants it capricious, suburban girl-who-is-taking-a-gap-year wig back!

Soaking our book reports in coffee or having our moms burn the edges with a kitchen lighter cannot come back into fashion; the cyclical notions of culture cannot make the space for such retreads.

There is nothing poetic about a billionaire—who, mind you, threatens legal action against a Twitter account for tracking her destructive private jet paths—telling stadiums of thousands of people every night that she sees and adores them.

Tavi Gevinson says it well in her Fan Fiction zine: “When 80,000 people are also crying, you become less special, too.” If Swift can return to one of her dozen beach houses across the world, kick up her feet and say “I’m a poet of struggle,” then who is to say that millions—maybe billions—of people with access to a notes app and a social media account won’t dream that dream, too?

Maybe that looks like a net-positive, but it’s inherently damning and destructive to take an art form that has long stood on the shoulders of resistance, of love and of opposition to power, systematic injustice and climate warfare and boil it down to the new defining era of your own 10-digit revenue empire. “My culture is not your costume,” yada, etc.

The Tortured Poets Department does begin with a shred of hope that, just maybe, Swift knows what she’s talking about—as she sneaks in a cheeky “all of this to say,” textbook transitional phrasing for poets, on opening track “Fortnight.”

But “Fortnight” unmasks itself quickly as a heady vat of pop nothingness, though it isn’t all Swift’s fault. “I was a functioning alcoholic, ‘til nobody noticed my new aesthetic,” she muses, attempting to bridge the gap between a behind-the-scenes life and on-stage performance—only for it to occur while propped up against the most dog-water, uninspired synth arrangement you could possibly imagine.

Between producer Jack Antonoff’s atrocious backing instrumental and the Y2K-era, teen dramedy echo chamber of a vocal harmony provided by out-of-place guest performer Post Malone, “Fortnight” chokes on the vomit of its own opaqueness.

“I took the miracle move-on drug, the effects were temporary,” Swift muses, and it sounds like satire. This is your songwriter of the century? Open the schools.

The Tortured Poets Department title-track features some of Swift’s worst lyricism to-date, including the irredeemable, relentlessly cringe “You smoked then ate seven bars of chocolate, we declared Charlie Puth should be a bigger artist / I scratch your head, you fall asleep like a tattooed golden retriever” lines glazed atop some synthesizers and drums that just ring in as hollow, unfascinating costuming.

Aside from the Puth nod, which I can only discern as a joke (given the fact that he is one of the 150-most streamed artists in the world and is one of the blandest pop practitioners alive—I don’t care if he can figure out the pitch of any sound you throw at him), I think Antonoff should stick to guitar-playing. Get that man away from a keyboard, I’m begging you.

Synths can be, if you use them correctly, one of the most emotional and provocative instruments in any musician’s tool-box. There’s a reason why keyboards defined the 1980s; they rebelled against the very oppressive nature existing outside of the cultural company they kept. There’s resistance in electronic music that, while they brandish an aesthetic that, to a layman’s ears, seems like technicolor hues for any infectious pop track, it’s a genre that aches to tell its own story. That is simply not the case here, and that electronica hangs Swift out to dry when she drags us through the lukewarm “I laughed in your face and said, ‘You’re not Dylan Thomas, I’m not Patti Smith’ / This ain’t the Chelsea Hotel, we’re modern idiots” lines, only to hit us with a softly sung F-bomb that sounds like a billionaire’s rendition of that one Miranda Cosgrove podcast clip.

I used to rag pretty heavily on Reputation—mostly because I thought (and still do, mostly) that it sounded like Swift had given up on making interesting, progressive pop music; that, in the wake of her (arguably) best album, 1989, it seemed like she’d lost the plot on where to go next. But as she’s put out Midnights and The Tortured Poets Department back-to-back, I find myself clamoring for the Reputation-era more than ever—at least seven years ago, Swift wrote songs like she had something to prove and even more to lose.

That was the always-obvious charm of Reputation, even despite the downsides—that she took a big swing from the echelons of her own musical immortality, that the comforts of winning every award and selling out the biggest venues in the world were no longer pillowing her aspirations. Even though that swing didn’t land, she still made it in the first place—and Swift is at her best either when she is clawing upwards (Reputation) or faced with nowhere to go but into the studio and noodle with the bare-bones of her own sensibilities (folklore).

You get something like The Tortured Poets Department when the artist making it no longer feels challenged, where she strikes out looking.

The mid-ness of The Tortured Poets Department will not be a net-loss for Swift. She will sell out arenas and get her streams until she elects to quit this business (a phrase decidedly not in her vocabulary, surely).

She will sell more merch bundles than vinyl plants have the capacity to make, and rows of variant LP copies will haunt the record aisles of Target stores just as long as Midnights has—if not longer.

Perhaps, in five or six years’ time, we will speak of this record just as we now do of Reputation. But right now, it is obvious that Swift no longer feels challenged to be good. The Tortured Poets Department is the mark of an artist now interested in seeing how much their empire can atone for the sins of mediocrity.

Can Swift win another Album of the Year Grammy simply because she released a record during the eligibility period? The Tortured Poets Department reeks of “because I can,” not “because I should.”

On “I Can Fix Him (No Really I Can),” Swift tries stepping into the shoes of the country renegades who came before her—the Tammy Wynettes and Loretta Lynns of the world. But her self-aggrandizing inflation of importance, glinting through via a seismically-bland bridge, is backed by a minimal set dressing of guitar, drum machine and keys.

“Good boy, that’s right, come close,” she sings. “I’ll show you Heaven if you’ll be an angel—all mine. Trust me, I can handle me a dangerous man. No, really, I can.” On “Florida!!!,” Swift calls upon Florence + the Machine to help her sing the worst chorus of 2024: “Florida is one hell of a drug / Florida, can I use you up?”

Even Welch, who is a fantastic pop singer-songwriter in her own right, delivers a grossly watery verse: “The hurricane with my name, when it came I got drunk and I dared it to wash me away.”

Not even the typos on the Spotify promotional materials for this album could have foretold such offenses. I won’t even get into the sonics, because Antonoff just rewrites the same soulless patterns every time.

What separates The Tortured Poets Department from something like Reputation is that, on the latter, Swift made it known what was at stake and who she was making that album for—herself, in the aftermath of her greatest long-standing criticisms (“Look What You Made Me Do” triumphs exactly because of this).

On The Tortured Poets Department, there is a striking level of moral nothingness. The stakes are practically non-existent, and the album sounds like it was made by someone who believes that they had no other choice but to finish it, as if Swift fundamentally believes that her creative measures are firmly embedded in the massive monopoly her name and brand currently hold on popular music. That’s how you get meandering pop songs about hookups, wine moms, Stevie Nicks comparisons, Jehovah’s Witness suit mentions, hollowed-out, tone-deaf nods to white-collar crime in lieu of empowerment and, topically, Barbie dolls.

(Don’t even get me started on the Anthology lyrics, which feature these absolute barn-burners: “Touch me while your bros play Grand Theft Auto” and “My friends used to play a game where / We would pick a decade / We wished we could live in instead of this / I’d say the 1830s, but without all the racists / And getting married off for the highest bid.”) This album and its hackneyed grasps at relevance exist as “Did I just hear that?” personified, but in the most derogatory sense of the notion.

My Boy Only Breaks His Favorite Toys” features another low-point in Swift’s lyrical oeuvre, as she sings “I felt more when we played pretend than with all the Kens, ‘cause he took me out of my box”—perhaps a measure of her capitalizing on the Barbenheimer mania that none of us could escape, not even the musician who spent most of 2023 flying across the world from one country to another.

But you, us, the listener—we want to believe that Swift makes these records because she has the artistic will, drive and interest to continue giving us parts of her story in such ways that they exist as an archival of her life.

But the problem is that, on The Tortured Poets Department, Swift is packaging her life into a form that is easily consumable for the 17 or 18 years olds who pour over her music. Just because her Eras Tour film is on Disney+ doesn’t mean she has to strip her songwriting (which we know can be, and has been, phenomenal) down for the sake of it being digestible by a wide spectrum of ages.

And, sure, maybe that makes the work accessible. But on The Tortured Poets Department, Swift makes Zoomer jargon her bag—titling a song after one of the most popular video games in the world and conjuring flickers of “down bad” and “I can fix him”—and it feels like she’s cosplaying because the Fountain of Youth was out of order.

Now that Swift is in her 30s, it sounds like she is infantilizing her own audience more than ever before—that singing to them at a level that could force them to reckon with something more akin with adulthood would be some kind of kink in the coil or her consumeristic threshold, that writing lyrics that sound like they were penned by a 30-year-old would, somehow, deter the interests of the billions of people who adore her.

If making one, continuous coming-of-age album is what Swift has been doing for 15 years, folklore and evermore were hiccups in the timeline—existing as the most fully-formed renderings of Swift’s own insecurities and concerns. They mirrored our platitudes towards an uncertain future with sweet, stirring remarks about isolation and heartbreak and the unavoidable, hard-worn truth about getting older. On those records, her larger-than-life living seemed, for once, to truly feel as close to the ground as ours.

Now, though, Taylor Swift is at the top of the mountain. Far better artists have made far worse records than The Tortured Poets Department, but you can’t read between the lines of this project. There is nothing to decipher from a place of quality.

Sure, Swift’s fan base will pour over these lyrics for the rest of their lives—insisting they know, for certain, which song is about who. But you cannot place a bad album on the shoulders of lore and expect it to be rectified.

We are now left at a crossroads. Women can’t critique Swift because they’ll run the risk of being labeled a “gender traitor” for doing so. Men can’t critique her because they’ll be touted as “sexist.”

And, sure, Swift is probably too easy a punching bag in this case—and most of the time, I would argue she is undeserving of being a victim of such barbs. But, you cannot write about someone being a “tattooed golden retriever” and get away with it and still retain your title as the best songwriter of your generation. You just cannot.

Sisyphus should be glad he never got the boulder to the top of the mountain—because Taylor Swift is showing us that such immortality and success ain’t all it’s cracked up to be. And, when you’re standing on the peak alone, who else is there left to hit?

In a recent interview with The Standard, Courtney Love said that Swift is “not interesting as an artist,” and I think The Tortured Poets Department proves as much. She has nothing to fight for, no doubters left to drown.

So where does she turn? Well, to boredoms of celebrity thinly veiled as sorrow everyone and their mother can latch onto—because we’ve all had to “ditch the clowns, get the crown” at some point in our lives, right?

The billionaire is having an identity crisis, but there are no social media apps for her to buy up. So she sings like Lana Del Rey and writes meta-self-referential songs about looking like Stevie Nicks.

What’s hollow about The Tortured Poets Department is that the real torture is just how unlivable these songs really are. No one can resonate with “So I leap from the gallows and I levitate down your street, crash the party like a record, scratch as I scream ‘Who’s afraid of little old me?’ You should be.” And normally, that wouldn’t be an end-all-be-all for a pop record—but when your brand is built on copious levels of “I’m just like you!” as the demigod saying it to their fans does so from a multi-million-dollar production set, it’s hard to not feel nauseated by the overlording, overbearing sense of heavy-handed detritus we’re tasked with sifting through on The Tortured Poets Department.

Love’s words to Lana, her advice to “take seven years off,” should be applied to Swift. Now, that doesn’t mean that, to make a good album, you must sit on material for years and labor extensively through the sketching, shaping and recording in order for it to be transcendentally landmark. But it’s obvious now that not even Taylor Swift wants to be the head of an empire—that she, too, can’t outrun the damning fate of being plum out of ideas by hopping in her jet and skirting off to God knows where.

See you at the Grammys.

****