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thesiltverses · 8 months

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Hello! Just wanted to say, and hopefully this isn't an odd compliment to receive, how much I adore the episode titles of the silt verses. One of my favorite things to do after I get someone to listen to tsv is point out that the episode titles make a poem when you read them back to back. It always tends to blow their minds and I get great satisfaction from seeing their reactions. What I especially love about them is how they can stand on their own and reflect events of the episodes while still connect with one another to make a bigger picture so to speak. (For example, how Faulkner and Carpenter's reunion episode in s2 is titled "But We'll Never Be Rid of Each Other" to reflect their relationship as two people that can't seem to untangle themselves from each other, for better or for worse ((and how this title hangs over the episode ominously when contrasted with how happy their reunion makes listeners, as if just waiting for events to come)), but then connect it to the next title "My Song, My Sorrow and I" and it slightly changes the context where it feels more like it examines the characters' various complicated relationships with their gods)

(Though, on a tangent, speaking of episode titles and how they match each episode, I think constantly about "One Final Fall From Grace" with Faulkner and how it's the episode where he loses all but one of his acolytes, idk there's something about it that gets me so bad/pos)

I was wondering how you go about deciding on episode titles? Has the poem already been written out since the very beginning of the show? Is episode order dictated and determined by said finished poem? Or am I overthinking how each line fits each episode? What made you decide on this format compared to I am in Eskew's episode naming convention? Sorry for such a long winded question! I just cannot overstate how much I adore the episode titles, sometimes I'll go back and read everything all over just to hear the words.

Thank you very much!

So the plan was always roughly along the lines of:

Season 1 titles begin by trying to outline a kind of epic poem, then get distracted by describing its hold over the poet

Season 2 titles are about the poet's yearning to be free from the poem, but ultimate acceptance that their fates are entwined

Season 3 is about the realisation that the poem will outlive the poet.

Beyond that, there's generally plenty of flex and it remains a semi-spontaneous act of play - like you say, I might think I have something in mind and then realise at the last minute that another line works better for the themes of the ep (and sometimes there's no thematic relevance at all and it's just filling in a necessary rhyme to keep the whole thing going).

This leads to imperfections and a bit of a shaggy-dog story feel - if I could go back without confusing everyone, I'd correct the very first ep title to 'First I'll Sing Of Revelations' so the terminology is consistent - but I like imperfections, and I like shaggy dogs.

As to why? It just felt like a different way of being playful; the Eskew titles were fun for me because of their simplicity (I have vivid memories as a very young kid, not being old enough to be allowed to watch the video-tapes of Blackadder II, all of which had really evocative, teasing single-word episode titles - 'Head', 'Money', 'Potato'. So I'd just sit back on the floor and imagine what those meant.)

But for TSV, it felt appropriate and fun to begin with these trappings of epic storytelling and religious verse in the episode titles, and then gradually pan outwards to show that it's more of a story about being entrapped by stories and the impossibility of escape.

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captain-rickbond · 2 months

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besides six idiots stuff, what other series/films do you like? are you currently watching anything that inspires your art? :)

umm… I’m currently binging old Scooby Doo cartoons😅

I watch a lot of movies (I used to run away from school to go to the cinema👀)

...okay, you wanted to know, get ready for a crazy-ass mix:

TV shows: Good Omens, OFMD, Hannibal, Flight of the Conchords, The Office (UK), Sherlock, M*A*S*H, Blackadder, The Amazing World of Gumball, Regular Show, Columbo, Monk, old 90s cartoons

movies (fav atm): The Banshees of Inisherin, Hunt for the Wilderpeople, Adam's Apples, Hot Fuzz (the whole Cornetto trilogy), The Dirty Dozen, The Fifth Element, Léon, Tootsie, Intouchables, Cinema Paradiso, Shrek (always), Back to the Future, Reservoir Dogs (most of Tarantino stuff), Lost in Translation, Big Lebowski, Indiana Jones (1981-89), A Guide to Recognizing Your Saints-

-somebody stop me, bc I can do this all day

also...

games: The Witcher 3, Horizon, Assassin’s Creed, Tomb Rider

music (I’m listening to music all the time) currently on repeat: Black Pumas, Ray Bull, Her’s, Kevin Morby, Parcels

sorry for the long answer, catch this wonky Mike Emical Romants sketch

#asks answered #Mike Emical Romants #Yonderland #laurence rickard #larry rickard #sketch #digital art #procreate #yonderland fanart #fanart #the six idiots #them there #six idiots fanart #six idiots #sketching #art

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panelshowsource · 4 months

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I have no idea if this is a tv show, a movie, whatever. I don't even know what it's called, but I NEED to know if you have the full video of the production of Much Ado About Nothing with David Tennant and Catherine Tate, please

i typically don't have googledrive space for content outside of panel shows and contemporary britcom, but we all love david & catherine so much and that show is so iconic... i must

i added it to the david tennant folder under collections, which is on the non-panel show masterpost. sorry it's just mid res 720p mp4 but i hope that works!

btw for clarity it's a recording of one of the performance during the show's run at wyndham's theatre in london in 2011!

ps catherine tate didn't have to be so babe in it but she did and my eyes are very grateful

i don't have blackadder up atm because i'm hoping the new bluray rips will be out asap and i'd like to take a look at the quality of those! blackadder is infamously pretty low res and i want to make gifs 😠🥲🥲 but if you need it asap you can request it on r/tv_bunny and someone will def have a link!

omg i actually giffed that in 2018! i remember i was so drunk cuz i watched it after a new year's party so the whole episode felt like a fever dream LOL like so many juice eps do...

but i tried to make a slightly better one for you so here you go! free to repost :)

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aristotels · 1 month

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sometimes i start thinking about the differences between brits and usamericans, and my mind immediately goes to humour; because british humour was so incredibly popular here during yugoslavia, that i thought "only fools and horses" (mućke) was actually a croatian show. monty pythons, blackadder, fawlty towers, these were all things going on the tv when i was younger, and people religiously watched them.

anyway, these shows all had working class humour, they were poking fun at rich, the stupid lords, from python sketches mocking the queen, the pope, to blackadder mocking the concept of war and british army, and so on. it kinda just made me realize that... the usa never had this kind of poverty humour in the shows?

ive heard "malcolm in the middle" was supposed to be lower-class-humour, though to me it absolutely never felt such way; i do remember enjoying the show when i was a kid, though i'd have to rewatch it now to see what form the humour was in. because british shows always had this crass and loud irony and sarcasm, which were lacking in the usa shows.

and it reminds me of "alan ford" - an italian comic, also which took place in the usa (and mocked it relentlessly), revolving around a spy group living in absolute poverty, making fun of the power hungry and rich (esp rich; i always laugh thinking of page where they had "beach for the rich" and "beach for the poor") and it only received fame in - yugoslavia! they tried to translate the comic to a few more languages, and it only got about 5 issues tops, but in yugoslavia it literally has a legendary, cult status.

anyway this isnt some thought-out thinkpiece, this is just me thinking out loud; this is a topic that would need good research - why britain obviously had the strong working class, and why the usa did not. hmmm

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directdogman · 1 year

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Heya, been watching Mr bean lately and thought I'd ask you if there's anything I should know about the bean lore

i deadass almost responded 'why are you watching mr bean' on its own, but hey. it's not every day i get an ask like this. it's actually a common fan misconception that I like Mr Bean all that much, but I'll still attempt to answer this question in good faith. first question to ask is, animated or live action?

for the live action show, I could talk about it for quite a long time, but long story short, it was created by the same creative team as Blackadder's first season (more or less), with Rowan Atkinson starring, Atkinson and Richard Curtis co-writing and Howard Goodall scoring the show. The famous chorale arrangement of the Mr Bean theme is actually real Latin too. Something people forget about Rowan Atkinson is incredibly well educated. In fact, him, Richard Curtis and Howard Goodall all met in Oxford college iirc.

The first line of the live action series theme literally translates as 'behold the man who is bean'. Beyond that, the only real surface level live action lore I can really think of, off the top of my head, is that Mr Bean has co-acted with Willem Dafoe, has destroyed priceless artwork, has been driven around downtown LA while flipping the bird at people he passed, was almost briefly named 'mr cauliflower', etc. Oh, also, Mr Bean isn't fully mute in the live action series, like in the pilot, where he speaks at length before sitting for a university math examination that he isn't prepared to take. So, yes, Mr Bean has canonically attended a university.

I do have a pretty big theory that alleges that Doug Walker's relationship with the Nostalgia Critic is more or less the same as Rowan Atkinson's with Mr Bean, but I refuse to explain Mr Bean lore if I feel it may come up later on in a trial or contribute to me ending up in a padded cell somewhere, so you'll just have to sit and wonder, I'm afraid.

OKAY, onto the cartoon series. The important thing to remember about the cartoon series is that it had two iterations. The run of the Mr Bean cartoon was aired in the early 2000's. Rowan Atkinson was apparently in the writer's room for it, and Mr Bean, like in official media, is semi-mute in it. He often just emotes using various grunts, but can utter short sentences. The animation is very fluid and the characters frequently go off model in order to appear more expressive. The episode plots were also pretty off the wall in comparison to the second iteration. You know the Citadel of Ricks in Rick and Morty, where Rick meets a whole space ship full of identical clones of himself? Yeah, it's canon to Mr Bean too, but y'know. It's the Citadel of Beans, I guess.

youtube

In case the embedded timestamp doesn't automatically work, jump to 9:02 and watch until at least 9:13. Or don't watch any of it at all. Your call. Also no, it's not a dream sequence or anything like that, it's fully canon and really happening. It also implies that Mr Bean remembers that he's an alien for the rest of the series. The scene even ends with the direct implication that the fan theory that live action Mr Bean is an alien IS correct. (Some have speculated that he was perhaps a fallen angel too.) By the way, I'm linking to a shitty fan reupload so this Mr Bean clip instead of any of the readily available public resources because fuck YOU Mr Bean, I refuse to give you your now undeserved 10th of a cent in ad revenue after your DISGRACEFUL NFT line. More on that later.

After they finished up with the early 2000's cartoon series, the show went off the air for a literal decade and then they brought it back, out of nowhere, with rigid (and decidedly cheaper to produce) digital animation. You could compare the change in animation to, say, The Simpsons or Family Guy, where the art style remains the same for every design/background that's borrowed from the older seasons, but now everything moves stiffly/robotically. Newer one-off character designs are also way flatter and less cartoonish, as if the creative juices that went into the original cartoon series are... gone.

I have to say, I haven't seen all of these episodes because they're really not very good. The writing is a lot worse. Mr Bean just constantly talks for some reason, which feels like a pretty stark abandonment of the core tenets of the character imo. Come to think of it, the other recurring characters (like his landlord, Mrs Wicket) is also strangely out of character. Long story short, they just don't care anymore.

The funny thing about the baffling Mr Bean NFT line is that, well, there's basically 4 'eras' of Mr Bean... at least, according to how I group it. Era 1 is the live action series, era 2 is made up of the 2 feature length Mr Bean movies (I group them together, despite them coming out over a decade apart as they don't really connect directly to the main Mr Bean lore and take place outside of London), era 3 is the early 2000's run of the cartoon, and the era 4 is the 2010's cartoon reboot.

Of ALL of the 4 possible places they could pull content from, only ONE iteration of Mr Bean contained digital, pre-cropped assets... The cartoon reboot, which the production company that owns the rights to the character (Tiger Aspect Productions) obviously had, leading to this really strange revisionism (more or less gaslighting) from the Mr Bean brand, like "hey, remember Mr Bean? Remember him? He has an NFT line now! Remember Mr Bean? BUY BUY BUY" Which is funny, because statistically, of all of the four eras, the shitty cartoon reboot is the only era that does not contain anything that interesting to talk about, and is the only one that doesn't contain memorable Mr Bean media, arguably.

Some people 100% remember the time Mr Bean put an armchair on TOP of his car and drove it around in the live action series. Some people remember watching the movies in the theater as a kid and some people remember the zany episodes of the early cartoon series, which aired on Nickelodeon owned channels in the early 2000's... Nobody remembers the time Mr Bean set up a pizza place called 'pizza bean'. Seriously, there's several episodes in the new animated series where the guy just starts up a get rich quick scheme, which falls apart by the end of the episode. It's like Ed, Edd 'n' Eddy, except instead of the Ed boys, you're stuck in an elevator alone with an our of character Mr Bean.

So, yeah, the company REALLY milked the final seasons of the cartoon, despite it being the worst Mr Bean content, because that way, they could produce easy content that didn't require any more work. They don't even get Rowan Atkinson in for voices most of the time they make 'new material', just using recycled clips from a Mr Bean soundboard. The entire NFT line, by the way, is just random frames from the cartoon reboot placed against re-used backgrounds from the show, or just in front of a gradient/solid colour. Pretty cheeky given that they minted these NFTS for, get this, over $100 each. I personally wouldn't even accept someone else's money in exchange for having to own a Mr Bean NFT, so I can't imagine who'd actually spend their hard earned money on such a thing.

I could keep going, but sooner or later, an Al-Qaeda sniper is gonna take me out if I keep typing, so best quit while I'm ahead. You were a FOOL to have read this

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thejakeformerlyknownasprince · 1 year

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So regarding A-Town, how do the people working on it feel about it? Everyone has to make a living, but are any of them uncomfortable making a low budget show that somewhat trivializes the people who save the human race?

I think they would say that the history of comedy has always been the history of mocking the unacceptable and exposing the taboo. All in the Family responded to the Civil Rights era by creating the world's most bigoted bigot and then inviting everyone to laugh at him, even knowing a nonzero percent of viewers were going to agree with him. The Chair and Abbott Elementary are 2020s efforts to point and laugh and cry at terrible current events. There's specifically a tradition of "war is absurd" as a comedy premise: Catch-22 for World War II, Blackadder Goes Forth for World War I, Dr. Strangelove for the Cold War, so on.

So part of why Marco appears on A-Town, why Tom doesn't mind the show, why some Santa Barbara residents watch it, is that it's letting you laugh at something that would otherwise make you scream in horror. Blackadder Goes Forth has a scene where a WWI general sets a 12"x12" square of sod on a table and says "took a lot of turf today"; the conversation reveals that the square foot of grass on the table is the entirety of the ground taken that day. It's mocking a horrific reality — that the British regularly sacrificed 1000s of lives for a few yards of battlefield, and that "winners" of WWI battles often had to be determined with a yardstick — but it's making a sharp critique of the powerful, and it's a solid bit of shock comedy.

Most people watching A-Town know that Daisy A. fixing her manicure in line to be reinfested, only to be sent home due to a paperwork error, is not an accurate depiction of being a controller. But its point, about the yeerks' kidnappings being arbitrary and their leadership being incompetent, would land well with a lot of ex-hosts. And the fact that the show takes the time to distinguish that Daisy and Zeptron 420 are two completely different people — something that I suspect some other postwar movies would neglect — is at least part of the reason for Tom's tolerance for the show. It's not great that the show chooses to convey that point with the Girly = Evil; Goth = Good trope, but at least the dramatic costume changes convey that Daisy's personality is not Zeptron's.

That said, Jean and Jake and everyone else who hates the show also has a point. Jean especially finds it so upsetting because half the jokes rest on an enthymeme of "Obviously Jake Berenson's parents are the most clueless idiots ever to breathe air." A-Town aspires to, like The Americans, show the hollowness of the suburban American ideal — that's why its sets look straight out of Leave It to Beaver — but that leaves Dr. and Mr. A mostly being the butt of the joke for their negligent and incompetent parenting. For Jean, that hits a little too close to home, in a way it wouldn't for Marco watching his fake-self fight taxxon puppets by holding up a stuffed skunk, or Tom watching his fake-self swap lipstick colors every time someone new controls her body.

So if A-Town aspires to be Blackadder Goes Forth, it lands closer to being South Park: sometimes funny and pointed, sometimes lending support to the bigoted views it tries to critique. Like South Park, the conversation about it will probably acknowledge its real social contributions (exposing Scientology, excoriating nationalism) while also showing the real harms to vulnerable people from the show's brand of comedy (turning "gay" into a catchall insult, resurrecting antisemetic myths). Like South Park, A-Town tries to mock things that need mocking, but it also spends almost as much time punching down as it does punching up.

#animorphs #a-town #animorphs meta #comedy #sitcom #war #satire #in the words of eva: you can laugh or you can cry; you should always choose to laugh #in the words of marco: great philosophy mom - but you need a certain distance from the tragedy before it can ever start to be funny

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beesmygod · 10 months

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adam's never seen fawlty towers so we're going to blaze through that and blackadder and maybe keeping up appearances but when he said he wanted to watch it i was like "oh shit really? i have a copy already" and he was like "well is it in a good quality though" and well.

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kuwdora · 3 months

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Multi-fandom Fic Recs

January 22 - What’s an underloved fic you loved in a fandom you don’t post much about? -@sargassostories

Oh, what a fabulous prompt, ty!!! I used to write so many recs back in the day and I’ve watched so much tv and read across so many fandoms over the years so this is far from comprehensive in terms of fandom reading spread. But it’s a good way to warm my reccing muscles up again. I always have more recs or can usually find some places with recs about that fandom.

Humor and Heart

Just Hear Those Slay Bells Jingling, Santa Clarita Diet. Abby/Eric. ~3k. Abby comes home from college on a break and just wants some time with her boyfriend but she just had to tempt fate. Laugh out loud perfect characterization.

Pain and Painting by foxtwin. Blackadder. Blackadder assists Prince George as he takes on a new hobby. This is one of the funniest, punniest wordplay fics ever. Blackadder fic writers are on another level!

Feel me like a steel knife by violet_pencil. Star Trek: Lower Decks. Mariner/Tendi. ~7k. Mariner is a trigger-happy baby and her heart is right between Tendi's sharp white teeth. The Mariner POV is incredible. I felt like I was joyriding through her brain.

Not a synonym for impossible by Siria. Elementary. Improbable was not a synonym for impossible. Joan and Alfredo discuss Alfredo’s crush on Miss Hudson, this is so cute.

Lest they be angels in disguise by singlecrow. Good Omens. Crowley, but Aziraphale/Crowley. 856 words. Buzzfeed, July 2019, "Top Five Off-the-Wall Theories About the Scary Instagram Plant Man.” Includes Instagram posts and internet gossip in this fic. 😂

There's a Fine Line Between Coincidence, Fate, and Jonathan Carnahan by celli. The Mummy. 483 words. Ardeth/Jonathon. Jonathan puffed up with outrage. "I will squander my fortune where I damn well please." 😍

This Dynamic

if loving you kills me by saiditallbefore. Wheel of Time. Nynaeve/Egwene. 642w. Nynaeve's eyes are warm and brown and full of life: so different from earlier, when Egwene had thought she was gone forever. ❤️🔥❤️

Finding Grace by Destina. Kings. Jack/David, Michelle/David. Post-series/futurefic. ~1300w. David's soul has three parts, and without all three, he is incomplete. 🔥🔥🔥🔥

Porn

Gifts, Smiles, and Fingers by @daerienn. For All Mankind. Molly/Margo. ~200w. A single Tootsie roll can have a lot of impact.

Meet Me In My Dreams by LiraClayr007. His Dark Materials. Lyra/Will. Post-canon. 200w. It had been almost ten years since they’d said goodbye forever and closed all the doorways, but Lyra knew what Will looked like. He’d aged in her mind, day after day and year after year; she didn’t know how she could know, but she was sure he looked exactly the way she pictured him.

Learned Arts, by darthjamtart. Elementary. Moriarty/Joan. ~400w. Explicit. Jamie knows how to be subtle, but rarely bothers. Not with this.

Domina, Spartacus, Illithya/Lucretia, power struggle, submission “Domina,” Illithya whispers before pressing her lips against Lucretia’s bare, inner thigh.

Kissing Girls, Leverage, Parker/Sophie Devereaux, falling, twirling Parker used to think that kissing was a lot like falling. Sometimes, if she knew she was in complete control, if she had all her safety equipment ready to catch her, if she could see exactly where she was going to end up, then falling was more thrilling than sickening. Kissing too.

Impossible Words, Doctor Who, Jack/Ten, the l word He still can't say it, the words. Those words that make everything so impossibly complicated. He digs his fingers into Jack's skin, feeling it give, knowing he will leave bruises there, visible in the morning.

Caged, Mario Games, Bowser/Peach, kidnap Don't tell anyone, but Peach doesn't entirely mind being kidnapped.

Not Charity Work, Better Off Ted, Veronica/Linda, mentoring Veronica's hair is spread over the pillow, her face flushed and sweat covering her skin. "I'm an excellent mentor."

Soup on the Wall, Star Trek AOS/Star Trek: The Original Series, Chapel/Spock. dream, pon farr, crash To be certain, it was not Ambassador Spock's idea to be ferried to New Vulcan aboard the Enterprise.

Three Sentence Fictionathon (not always 3 sentences, still excellent micro-fics!)

Any, any, Cards Against Humanity as played by nonhuman species by archersangel. Star Trek: Voyager. Tuvok, post-canon.

Boimler and Mariner, Ill-Advised Decisions by silveradept for my Star Trek Lower Decks prompt of “look what you made me do!”

The Expanse, Avasarala/Amos, flirting by vialethe. 🔥🔥🔥🔥

Narnia, if Narnia were written by Tolkien by arveldis. 😂 AND LASTLY:

These two ficlets are based on this prompt:

Based on this Tumblr Post where Sirens lure sailors to their death with offers of hot garlic bread, fast Wi-Fi, and $1000 Amazon Gift Cards.

An Informational Sign on the Coast by fallen_stage.

Netflix and Kill by syrena_of_the_lake

More Kuwdora Recs

+350 Porn Battle Recs, grouped by fandom, lots of crossovers and fandoms (dreamwidth)

+100 multi-fandom recs, grouped by whatever I read at the time and Yuletide reading marathons over the years (dreamwidth).

Even More Recs

Linky's Rec Post - A recs post by Linky on dreamwidth about communities that feature curated recs for fanfic, fanvids and art.

#kuwdora recs #fic recs #january posting meme #january posting meme 2024

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tellthemeerkatsitsfine · 6 months

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I was listening to some real people comedians (as in, local comedians whom I have met in real life, and can therefore not be considered to have in any way “made it” in comedy, because if they had then they would not be hanging out around me) talk the other day, and they were discussing the concept of “laughs per minute”, and whether it’s a bullshit way to judge comedy. Which I think it usually is, depending on the context. In a really short club set, it probably does matter a lot because you don’t have time to do more than that. In a Stewart Lee Edinburgh hour, he can go 35 minutes setting something up and everyone will just trust that the punchline at the end will be worth it.

Anyway, it got me thinking about the concept, and how I judge comedy in lots of different ways, and what has made me laugh the most – both in terms of most laughs per minute and hardest laughs overall – is not exactly the same as my favourite comedy shows ever. But anything that manages any kind of notable laughs per minute rating is impressive, because lots of shows I really like never clear that bar. If we define a “laugh” as something outwardly expressed and audible, more than just a smile and a nose exhale, then it doesn’t actually happen all that often. I’ll consider a show very successful if it gets me to do that just a few times across an hour.

So I’ve tried to think of what comedy shows have successfully gotten more than that, have made me properly laugh out loud really consistently for their entire runtime (whether that’s an hour or 15 minutes, though obviously it’s more impressive if they can sustain it for longer). If I’m thinking about this across my whole life, I have to take into account the fact that everything’s funnier when you’re a kid, you haven’t already seen every obvious joke so nothing is hack or overdone. I remember the shows I was into as a kid (ages 7 to 14 or so, I think) as the funniest things in the entire world, I used to watch every episode over and over and over. The main ones on rotation being Flying Circus, Blackadder, Fawlty Towers, Mr. Bean, Ripping Yarns, Yes Minister, M*A*S*H, and Cheers.

Now, at 33, I can understand why it’s annoying to have the parrot sketch memorized – because it’s been quoted so often than at this point repeating it is almost like, for example, trying to sell someone something that's long dead and nailed to a perch. At nine, I could recite every word in it, over and over for hours, and it never stopped being funny. As an adult, I’m still pretty sure Blackadder was a work of genius, but I don’t think I’ll ever again find anything as funny as I found Hugh Laurie’s acting power stance when I was eleven years old. I used to wake up at 5:30 AM to watch a few episodes of whatever show I was re-watching at the moment (my list of shows on rotation was heavily determined by what was in my parents’ DVD boxset collection), until I could mouth along to all the lines but they never got less funny.

I did re-watch every episode of all those British shows in 2020 (so everything but M*A*S*H and Cheers, though I’ve rewatched a few episodes of both those recently as well) to see how they held up, and while they didn’t make me cry with laughter the way I did as a kid, I still thought almost all of them were very good. And by “almost all of them”, I mean… look, I think Mr. Bean is just meant to be a kids’ show. I loved it when I first watched it, because that shit’s hilarious when you’re a kid. As an adult, it looked like a kid’s show with a few genuinely funny moments. The turkey on the head is still funny. Playing with the toy Daleks in the Christmas store is still funny. My family still watches the Christmas special every year on that holiday. The rest of it we can probably leave behind.

Anyway, the point is that you can’t count that because I was a kid. Then I think of my favourite comedy shows that I got into as a teenager. Major ones to come to mind are The Thick of It, 30 Rock, Parks and Rec, Community, Arrested Development, Flight of the Conchords, Freaks and Geeks. My favourite comedy shows of my twenties: Bojack Horseman, Veep, Archer, Brooklyn Nine Nine, The Good Place, Crazy Ex-Girlfriend, Portlandia, Broad City, Party Down, Bob’s Burgers. I supposed I should add a mention of my mixed and up-and-down longterm relationship with South Park.

I remember a lot of things I’ve loved about those shows besides pure laughs per minute – the characters, the ideas, the atmosphere. I’d go back to certain shows over and over just because I liked the way it made me feel to spend time in the world they created. But for pure, really hard, out-loud laughs? Looking at that list, I think the ones to get the most of those out of me were The Thick of It, Veep, 30 Rock, Arrested Development, and maybe when they were at their best, Portlandia, Archer, and Community could do it. But not all the time. There isn’t really that long a list of comedies that have consistently made me laugh really hard once I wasn’t a kid anymore.

Anyway, that isn’t actually what I was thinking about that made me decide to write this post. The conversation I heard from local comedians, about laughs per minute, made me think of what has done that to me in my thirties, the few years since COVID occurred and I decided to not do anything except British comedy. I have seen and heard and read so much comedy in the last few years, and I have really really loved quite a lot of it. So I was surprised when I realized that I think, if you judge it entirely by out-loud laughs per minute, there aren’t a huge number that come to mind as consistently providing a high rate of those.

In terms of full-length stand-up hours, I think there might still be no one who’s gotten more proper laughs per minute out of me than Rhod Gilbert. All four of his DVD shows are incredible – I think I’d say the first one (The Award Winning Mince Pie) is my favourite, though I might just have a soft spot for the first one I saw, when I first had my eyes opened to that captivating style.

I hesitate a little to comment on his health from the perspective of how much I love his comedy specials, because I don’t want to make something as serious as a person’s life or death about whether I’ll get to hear more comedy specials (I feel the same way about Mark Steel’s current situation – I did make a post a while ago in which I said he has to recover for the sake of Radio Four, but obviously, he has to recover for the sake of himself and his family, even his annoying son, I wish them all the best and it’s not about the comedy fans). But for everyone’s sake, mainly his, God am I ever glad he’s back and by all accounts okay. He’s said he was diagnosed with cancer the day after he recorded his latest special, and you can really tell in that video that he was being slowed down and struggled to match his usual frantic energy levels, but it was still brilliant.

Anyway, I think Rhod Gilbert still wins at laughs per minute from me in stand-up. Proper laughter. Laughing so hard I can’t breathe and have to pause the video so I don’t miss the next bit and end up with tears in my eyes and my throat and stomach hurt. I think Rhod Gilbert has done that to me the most. I’ve tried to think of whose stand-up material might do that to me the second most, and I’m slightly annoyed that I think the main two names that come to mind are Sam Campbell and Nish Kumar. Slightly annoyed because when I look at those two names alongside Rhod Gilbert… okay, is it possible that I might just like being shouted at?

I’m now trying to think of a non-shouty comic who’s done that to me. Kitson, obviously. I think my favourite stand-up hour ever is Daniel Kitson’s Where Once Was Wonder, which is fucking incredible for its ability to get every single aspect right. Brilliant on an emotional level, hitting multiple themes and topics that all have deep emotional resonance and saying original and significant things about them. Brilliant on an intellectual level – every time I listen to it I marvel at the number of layers in its structure, how its conceit of being full of contradictions is embedded in almost every line, how I catch more each time and he points lots of them out but throws even more away. And crucially, brilliant on a humour level. It is consistently, all the way through, hilarious. He probably never goes ten minutes without at least one bit that makes my whole body seize up from laughter until I can’t breathe right.

But honestly, most of the Kitson things that have gotten the highest laugh per minute out of me were not the intricately written shows. I wince at how much he would hate this, but probably, at laughs per minute from me, some of his 2007-2008 Graveyard Triple R radio shows beat some of his best proper stand-up shows. Same with some of his WIP/pre-WIP just messing around shows. There’s some audio footage of a 2007 Late ‘n’ Live night where Daniel Kitson and Andy Zaltzman do an incredibly stupid sketch that has put tears of laughter in my eyes. If you want to know what level of humour we're talking about, that sketch contains the line "That was three ladies booing my dick because it chose the wrong member of We Are Klang to fuck" (which it did, by the way, by which I mean Andy Zaltzman chose wrong while portraying the role of Daniel Kitson's penis, but not for the reasons that this Greg Davies-fancying website would expect, if you'd heard the Triple R shows with Steve Hall you'd understand. He then went on to choose the wrong member of Pappy's Fun Club, what does Andy Zaltzman know about the most attractive members of the most successful British fringe comedy sketch groups of 2007?). It's definitely not better than properly written Kitson shows, or Zaltzman shows, for that matter. But it might have made me laugh out loud more times.

I think It’s the Fireworks Talking is one of the best pieces of performance ever written, but recordings I’ve heard of that have probably made me laugh fewer times than a recording I’ve heard from the Melbourne Festival of when he finished performing It’s the Fireworks Talking and then went into a radio studio to talk shit with David and Claudia O’Doherty all night. Or than the Zaltzman/Kitson penis sketch, put together with everything else from that Late 'n' Live recording.

I know I’m not saying anything new here; I’m hardly the first person to point out that Daniel Kitson is absolutely fucking hilarious when he’s messing around with no script. Lots of people have pointed it out before me, and he has clearly heard those people point it out, as he’s often mentioned that it annoys him, and understandably so. What’s the point of working so hard on proper shows if people just like your unplanned stuff better?

But I don’t think I actually like that stuff better. I don’t think his radio shows are better than It’s the Fireworks Talking (I sort of don’t think penicillin is better than It’s the Fireworks Talking). And this is where I come back to the fact that laughs per minute are not the best way to judge a show (I’d like to clarify at this point that It’s the Fireworks Talking did have quite a high laughs per minute rate out of me, just not as high as Kitson and some O’Doherties getting weirdly competitive about indie music at 3 AM).

Anyway. I think Sam Campbell recently became the first person to make me laugh so hard that I had tears in my eyes, from hearing something that was performed in 2023. He did that with some of his recent stand-up. On Taskmaster he has, more than once, made me laugh loud enough to cause a cat to run across the room (I’m currently catsitting and one of the cats gets easily spooked by sudden noise, so whether I make her jump is a good gauge of whether something’s made me laugh out loud). But only his stand-up has actually made me cry.

I’ve been lucky enough to get to hear quite a bit of recent stand-up in the last couple of months. I’ve really liked a lot of it, but I’m now trying to think of how much of it has actually made me consistently laugh out loud, which is several steps beyond just being funny. I think the only people who’ve done that are Sam Campbell, Olga Koch, Nish Kumar, Greg Larsen, Sarah Keyworth, and Fern Brady. Which actually isn’t that short a list, but it’s a shorter list than the list of comedians I’ve enjoyed at all in the last couple of months.

Anyway, I didn’t start writing this post because of stand-up. I started writing this post because of a conversation I heard some comedians have the other day, but I started thinking of that conversation, and decided I wanted to write a post about that conversation, because I was re-watching some No More Jockeys today. And fucking hell, I have to say, this is supporting the theory that laughs per minute can come so much from unscripted shows that it could justifiably make comedians despair as they wonder what the point is of honing their craft. I’ve listened to a bunch of Tim Key’s properly written stuff in the last few days (went on a bit of a binge of his radio show and some of his old stand-up), absolutely loved it, it’s intelligent and funny and very well written stuff, but it still didn’t make me laugh out loud quite as hard as No More Jockeys does. Almost nothing makes me laugh out loud quite as hard as No More Jockeys does.

I tried to think of some non-stand-up thing that makes me laugh as hard/loud/often as No More Jockeys. The Bugle has managed it, at its best. I've only heard a few episodes of Pappy's Fun Club, but that's done it at times. Catsdown at its best has accomplished it.

The main thing I can think of that's done it really consistently is Taskmaster, but even that probably loses to NMJ at laughs per minute. It’s up there, though. Beats a lot of scripted sitcoms at it, including some really good scripted sitcoms. So from Taskmaster and No More Jockeys, you get the laughs, and the fun of getting emotionally invested in following a competitive game. Why are people still bothering to craft well written sitcom worlds?

This post has been massively disjointed, I think I've hit about six different topics since I've started, somehow including who's the most attractive member of Pappy's Fun Club. I finally have a weekend to myself and have decided I feel like writing things again, and it's started with this. I don't think there was any point to it. All I was really trying to say is I can't believe how fucking funny No More Jockeys is.

Mark Watson desperately, pleadingly trying to argue with Alex Horne about whether Donald Duck has been to prison – I'm sorry but I don't think Rowan Atkinson has done anything funnier than that in his entire life. He's done lots of things that are better than that. But not that can make me laugh harder than that while I'm over the age of 30.

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woofety · 6 months

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I was tagged by @sirtadcooper - thank you!! 😃

Tag someone you want to know AND/OR some of your besties.

(mandatory under the cut because I'm an idiot who can't keep it short to save her life 😅)

Favourite colour: this is an easy one, I'm in an established relationship and still madly in love after so many years with practically every shade of violet/purple that exists! 💜 Maybe I'm slightly more drawn to colder hues, but I'm not really that picky when it comes to this family of colours!

(This is a picture of a portion of wall in my bedroom I have asked to be painted with this shade of violet - which is a bit darker in reality but y' know, artificial light, that corner is way too dark to photograph otherwise... the whole room has various hues of purple scattered around: curtains, decorations, blankets, pillows... here's a special appearance of my beautiful boat lamp! ⛵💕)

Last song: thanks to a suggestion from Youtube, which probably hates me, because I'm still recovering from a flu and generally weak so it would be wise to avoid any kind of unneccessary emotional outburst:

youtube

Not technically a song, but still... I'm not sure if I was crying while watching this because I haven't had the chance to listen to them live yet, since they made a European tour twice but never touched my country and I couldn't travel abroad to see them, or because of... whatever it is that is going on with this performance and these artists, "epicness" to me barely covers it, I know I'm exaggerating but that's how much I love Two Steps From Hell, what can I say... In any case here I am being even more of a mess than I already am, you'd think I have had enough of using handkerchiefs these days! 😭❤️‍🔥

Last movie: I think it was Imagine me & you, which I finally watched after seeing a lot about it here (unpopular opinion no one asked for, I thought I would have enjoyed it more... ☹️)... It was either that or Bros (which I actually enjoyed it more than I expected instead 😁), at the moment I don't remember exactly which came last...

Currently watching: Fellow Travelers as for new shows (fuck me, seriously, what am I doing to myself 😭 - I'm crying quite a bit in this post 😅), rewatching Blackadder after having finished A bit of Fry and Laurie 😆, and sports as well, mainly tennis, padel and basketball atm!

Other stuff I watched this year: Oh my, I didn't watch an awful lot of things, but I'll surely forget something - I'm terrible remembering this kind of stuff (if only it was just these things 😅)! Let's see, in no particular order, I can recall Minx (so far this year the most pleasant surprise in terms of TV series I've watched for the first time, silly [affectionate] little show), Wednesday (it was a bit meh for me, not sure if I'll watch next season), Red, white & royal blue (likely one of my favourite movies this year ❤️... yeah, it's not certainly a big deal of a movie ofc and I'm not even a rom com gal, especially for those Hallmark style movies, like this kinda is, but idk, it was cute and warm and brought good feelings and probably I watched it in the right moment for me, or one on which I just needed good vibes, what can I say), Call me by your name (even more than watching the movie reading the book was... quite an experience - I'm not saying it an entirely bad way, but I'm still so utterly confused about my feelings about this novel), What's love, The kissing booth (don't ask me about this one, the things I do to watch an actor I like 😅 - there's a whole trilogy of it but I only watched the two movies that had in the cast the actor I was interested in, really can't be bothered to do more than that, it was enough suffering I endured 🤣), Only murders in the building, The witcher, National treasure: edge of history (I don't care what anyone says, this show deserved at least another season, it was far from perfect but there has been way worse that still sticks around, and I'm speaking as a fan of the movies foremost, especially the first one, which is one of my comfort movies, as absurd and silly as it is 😊), Shadow and bone, The witcher (as for these, I'll probably keep watching an eventual next season only for some of the cast, because both were an utter disappointment and I wouldn't bother continuing otherwise), let's see, what else, oh yeah, Smiley (this was another nice show tbh, and in this case I could also train my ear a bit on the language since it's in Spanish and I'm trying to learn and improve it 😝) and two other Spanish shows (guilty again for watching mainly for an actor I wanted to see ah ehm), Merlì/Merlì: Sapere Aude and Alguien tiene que morir, and Érase una vez… pero ya no, all pretty much forgettable... I don't know what else, probably there is something more, but I'm making it lenghty already, I should stop anyway!

Shows I dropped this year/didn’t finish: damn, I should make a sheet about tv/movies as I do with books, it's honestly hard remembering what I watched or dropped! I can recall not going through the second episode of Warrior nun: again, another show I was curious about having seen things here on Tumblr, but I didn't feel it after the first episode, I'm not even sure exactly why - it's possible I'll try again someday, it's way too early to have an opinion after only one episode! I also didn't finish Lockwood & co., this one wasn't really for me tbh... I'm not even mentioning something I've been watching only and exclusively because it's a sort of joke I have with a friend of mine... All right, I'll say, it's High School Musical: The musical - the series 😅 Truth is, my friend likes the movies and low key also the series, whereas I hate them all, and she knows they piss me off and she has fun hearing my comments and teasing me about it... I have a bit less fun submitting myself to this "torture" but whatever! 🤣 I try to watch the series when I'm particularly willing to waste my time, because the only reason I'm doing it is to have a laugh with said friend, anyway rn I'm at the last season and it's so bad, sooooooo bad (mind you, meaning it's just not for me, I'm likely too old and too millennial to watch this kind of shows anymore), I don't know how I am supposed to endure any more of it lol!! I guess at some point I'll force myself to finish it to end my suffering and hoping my friend and I will finally close this questionable chapter of our watching experience, but damn it's hard! 😝 As for shows of which I completed a season but didn't watch the next, I could say one was Abbott Elementary: pretty bummed about it because it was actually cute and was enjoying it, I finished the first season when the second didn't air yet and when it did, I had moved on and lost interest a bit and wasn't in the mood to continue my watching (happens to me a lot)... I think at some point I will resume this one, just have to find the right inspiration! 😛 (I'm rather complicated and picky about my watching/reading experience in general, ops) And I have to mention as well, even if it will surely grant me some disapproval from the person who tagged me in this game 😆, I couldn't pick up Our flag means death after the first season as well, and for now I don't think I will resume it: I didn't really feel this show, I don't know what to say... 🤷 Should I mention that I also tried rewatching The Terror but I was like "oh hell no!" after the first episode?! 😅 In my defense I watched it at night, and the show is A LOT and nearly killed me the first time, yeah ok I'm making excuses but I have to be in a certain state of mind to watch certain things and The Terror is one of those cases - I already mentioned I'm complicated with my watching experience, yes?! 😜 Anyway it was a rewatch so it shouldn't count sssshhhh 🤫😁

Currently reading: more like, the books I've put on hold atm, ouch! True that this year, especially in the first half, I've read way more than I expected and definitely way more than I usually do, but that's not an excuse to make a pause - still, I'm realizing that it's been few weeks since I've picked up my readings! Anyway, what I've been reading is Mercanti avventurieri by Attilio Brilli, which collects stories about merchants and their travels and trades through the centuries; Columbus by Lawrence Bergreen, the account of Cristoforo Colombo's voyages in America - not happy enough of ending up horrified and outraged by the chronicle of Magellano's expedition (by the story and events, not the author's writing, which I actually appreciated a lot), I decided to educate myself more about another so called "pioneer" who thanks to his hubris committed terrible atrocities in the name of "progress" and "religion" and "civilization" and so on 😡 , since the little knowledge I have about Colombo comes mainly from my years at school... Despite the fact that my respect for this man is nowhere to be seen, I'm still somehow fascinated by the narration of sea voyages, which in the end are actually my main interest when reading this kind of stories; Atlante delle fortune di mare di Cyril Hofstein, an account of tales about (mis)fortunes at sea, involving incidents, lost treasures, mysterious events, discoveries, disappearances, disasters and so forth - btw, in the book there is this particular chapter:

The disappearance of the Erebus and Terror is the title - the real story is terrifying enough even without creating a fictional horror show inspired by it jfc!

And lastly, this is definitely the less "serious" reading, The Lawrence Browne affair by Cat Sebastian, one of my first attempts at reading "proper" (meaning they're not fanfictions, not that I don't consider those "proper" literature, on the contrary many of them are written far better than some published books I've read, so yeah, I should say "published" instead) erotic novels lmao 😝 This was a whim really, I felt I wanted to read something light, "wicked" and not to be taken seriously (it also was probably some sort of "knee-jerk reaction" to many of the queer books I read this year, which were sad, depressing and/or tragic 😔)! Romance novels are not really my jam in general, but every once in a while they don't hurt, since I'm doing it just for fun! This one is actually the second book of a trilogy, more disappointing than the first book I have to say, which was more "juicy" and entertaining! 😁

Currently listening to: ah, this is a tough one to pinpoint, because lately my Spotify is on shuffle most of the time (I have a folder literally called "Miscellanea" that keeps a bit of everything, it's a glorious mess lol), and my music preferences are rather varied... Let's say that if I have to consciously choose something at the moment, there would certainly be Poets of the Fall, Gaelic Storm, The Irish Rovers, Santiano (in general celtic folk/punk songs, especially if inspired by sea and sailors stories- those are good for all seasons 🥰), Two Steps From Hell, J2 and "epic music" in general, and dance-pop music from '70 to '00, original or remixes, especially when I work out in the last case!

Currently working on: do crosswords count? It's my newest pursuit lol 😆 Because otherwise I'm afraid I'm not working on anything in particular at the moment (and I should start, since I had a couple of ideas for gifts for Christmas that alas, have to be handcrafted in order to be created, and if I want to have them done I am the one who must work on them, ugh can you believe it, outrageous, what has the world come to 😂)... I occasionally do a bit of calligraphy, create costume jewellery or create little macramè things, again usually trinkets but this summer I bought thicker yarns so I could have a go at something a little bigger like coin purses, wallets and little bags, and all in all it didn't go that bad:

The problem is, at least with the purses, that with these dimensions I can't fit half the things I usually bring with me when I go out because "you never know what might happen I might need this thing", so these purses were more like first tries and will likely not be used by me very much because they are too small for my necessities! 😅 In any case, I had to put this activity on hold for a bit because I lacked some time to dedicate myself to it!

Oh, wait, does trying to repair a porcelain ornament that fell on the floor (not because of me, I want to clarify, for once that I don't accidentally bump into stuff and make a mess - which happens more often than I'd like 😅) count? Hardly but whatever, anyway it's going to be complicated to glue the pieces back, some have shattered in such tiny fragments, sigh...

Current obsession: I'm almost shocked to report that at the current moment no particular obsession has consumed my every waking hour 🤣 I mean, even the flame of padel, which I've been following almost religiously all year, has dimmed a little, but it is the end of the season/year, everyone is tired and so am I apparently, rooting for couples who almost never have significant results (story of my life lol), so I guess I'm recharging the batteries for another round of hopeless cheer next year, yay! 🥳 For the rest, in terms of media I believe there is nothing of significance to report in terms of proper "obsession" for the time being, so yeah, that's it 😌 (the times of Black Sails or even Agents of SHIELD are far behind me, I miss being that "obsessed" tbh ☹️)

Tagging @thelifeinmyshadesofgrey , @whitestnoise , @lives-ruined-and-bloodshed, @valentinaonthemoon , @mednay , @tirairgid (ofc if you want to and haven't done it before) and whoever wants to give it a go really!

#about me #tag game #sirtadcooper #how could I make this so loooooooooong gdi I'm sorry I rambled an awful lot 😖#thank you again for thinking of me!

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placeinthemiddleofnowhere · 6 months

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Any movies/show recommendations for an American? Whether it’s British or American shows! And any tips for someone who is easily distracted watching films? Lol I love movies/shows and it’s not much like I am a doer, I get immediately off track onto something else that’s not important and then I feel bad when someone talks about a film that I slacked on )):

I have a ton of things I could reccommend! I'm not sure what your specific tastes are, but I'd say if you have a hard time paying attention then pick something with a shorter run time and lots going on.

That being the criteria I would reccommend these movies:

Grand Budapest Hotel - Kinda basic with the rise in Wes Anderson popularity rn, but it's been one of my faves ever since it came out. To me its got the best humour out of all of his films, has quick pacing and interesting characters and keeps you totally hooked the whole time.

Loving Vincent - This is an absolutley beautiful film about Vincent Van Gogh and stylistically its so captivating because it's made up entirely of oil paintings by 125 different artists. While it's not filled with action and it's not super fast paced, I think the fact it's so unique and hand painted is enough to keep your eyes on the screen.

Tango and Cash - I'm recommending this because I'm assuming you might've read Rocky Start and that's how the film thing has come up, so obviously you should go watch Rocky, but if you've already seen that then this is my next rec. Sylvester Stalone is fucking great in this absolutley mental movie. First thing you should know is that you shouldn't go into it taking it seriously at all because it is pure nonsense, but its comedy gold and also Kurt Russell get's into drag. You're welcome in advance.

What a way to go! - Everyone needs to see at least one Paul Newman film in their life and this is the one I will religiously punt (even over Butch Cassidy which is also great tbh) because this is the film that made me fall in LOVE with him. Shirley Maclaine puts in an amazing performance, with honestly one of the best wardrobes everrr, in a movie about a woman that keeps falling in love with men that are doomed to fall victim to their own money lust. I love everything about it so much.

As for shows I could reccommend a million different ones, but I'm not sure what you're into specifically.

I'd of course reccommend all the ones that I've included in my writing or reblogged so - The Bear, Sons of Anarchy, Narcos, The Sandman, Punisher etc.

There's tons of good British shows I can highlight too - Brassic, The Fall, The Last Kingdom (side note if you love Soap/Neil Ellice you will ADORE Mark Rowley as Finnan), Fleabag, Broadchurch, Blackadder, Derry Girls and Being Human (hello to my awakening on my teenage crush on Aidan Turner)

We're all guilty of sitting on our phones while watching films sometimes, so I wouldn't feel too guilty (I'm doing it rn but the film I'm watching is absolutley god awful soooo). I would say ultimatley you should try to figure out what you like and just explore from there, don't worry too much about what other people think is good or bad!

#Movie recs #TV recs #Personal

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